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Masterfully bridging the worlds of happy hardcore and hardstyle, acclaimed talents Gammer and Dougal have returned, landing on tastemaker label Dancing Dead with “Take It Down.” An explosive single, “Take It Down” nicely explores both artists’ impressive range with its intoxicating melodies and dancefloor-ready production, while it marks their first collaboration in 6 years. The tune immediately kicks off with the help of thumping kicks, while it swiftly transitions towards a series of mind-bending drops that tastefully alternate between melodic and hard-hitting. “Take It Down” with Dougal is an exciting track for me as it was a chance to reflect on both where I’ve come from and how far I’ve come. Before I was ever Gammer on my own, it used to be Dougal & Gammer. Dougal was my mentor and teacher, and still to this day is someone who inspires me constantly. We hadn’t gotten to do a song together in over 6 years before this, so it was an amazing opportunity for me to work with him again,” says Gammer. “We started this one a while back and decided to try and make an in-your-face bouncy kind of track,” continues Dougal. “It developed into something between the boundaries of happy hardcore and hardstyle. This song allowed both of us to look at where we started and the type of music we were making together a decade ago, then to honor that sound while refining it to be modern and interesting. I hope the fans love it as much as we do! “Take It Down” is the product of the rare opportunity for us to get in a room together and actually come out with something polished that we couldn’t wait to release.” Gammer and Dougal have been making music for over a decade now and their chemistry is truly unmatched. Throughout the past years, Gammer has cemented himself as one of the UK’s most prolific hard dance artists, and was hailed “Hardcore DJ Of the Year” for three consecutive years in 2008, 2009 and 2010. Dougal, on the other hand, has amassed tens of millions of streams across his 30+ year career, with “Taking Down” marking just his latest hit. This article was first published on Your EDM. Source: Gammer & Dougal Reunite For Explosive Dancing Dead Single, “Take It Down”

Alison Wonderland’s Whyte Fang project has been garnering attention from fans all around the world the minute since she announced it, followed by her massively successful debut album GENESIS. Now, she’s back with a booming new single “24 HRS“, one that is guaranteed to light up any DJ set. Its pulsating energy is elevated by a mantra-style vocal, exploring drum and bass, house, and techno is exciting and intriguing ways. Check it out below! This article was first published on Your EDM. Source: Whyte Fang Drops Massive Single “24 HRS”

Arky Waters is an Australian newcomer who is crafting a unique blend of breakbeat electronica with swelling techno influences, which has a sound that can be likened to a mix between Bicep, Overmono and Godford. Just a few months ago Arky Waters treated us to a very impressive debut ep titled “Arky Sucks”, and now he’s back with a mesmerizing new single, “Take My Time.“ The single whisks you on a beautiful trip to the underground, exploring downtempo and break beat influences backed by a vibrant arrangement. Speaking to the single, Arky shares, “This song came about as a sister record to my first EP ‘Arky Sucks’. I hadn’t played live in a while and so everything I was making was a bit more geared towards home listening. I was mostly listening to music on my commutes to work and wasn’t really thinking too much about making music for clubs.” He also adds – “Winter was approaching so I guess the cold weather also affected the mood of the track. I was heavy into all the UK breakbeat stuff that was popping off, artists like Bicep and Overmono. All that music just makes more sense in colder weather, probably because it’s super cold in the UK and I guess I was a bit closer to feeling the context of where the music was made. The way they used breakbeats was super fascinating to me and I hadn’t really touched breaks until the start of this year. There’s something incredibly human that it adds to electronic music.” Listen below! This article was first published on Your EDM. Source: Arky Waters Takes Us On A Beautiful Trip To The Underground With “Take My Time”

Born in Joshua Tree, California, Mojave Grey is a dynamic duo crafting a unique brand of electronica known as “desert dance music,” intertwining Western roots, rock elements, and dance beats. Their work, from the beat of the sunrise to the pulse of the sundown, intoxicates and captivates. Comprised of singer Zander Bleck, known for his collaborations with Avicii and Swedish House Mafia, and Michael Pozzi, formerly associated with HBO, they’ve created a unique sound that’s resonated with fans all around the world. Now, they’re back with a brand new single “Edge of the Night” – a beautiful representation of these western, desert roots fused with house. It’s a captivating single that is undeniably some of their best work yet. Check it out below! This article was first published on Your EDM. Source: Mojave Grey Releases Infectious Single “Edge of the Night”

YEDM has been following SINES, or rather, its producer Jason Wann, since 2021. With a couple of wickedly-produced, synth-forward albums under the SINES name and a cheeky side project called Blood Oyster, it would be hard not to notice the splash Wann’s made in the electronica world, especially with his female-and-human rights focus. With all his work being quite female-focused and SINES always being intended as a duo, Wann considers Gravity to be said duo’s first album. Now that collaborator, vocalist and video director Kitty Richardson is on board as the other end of this SINE-wave, which reaches from Wann’s native Portland to Leeds in northern England, this duo is ready to wave in earnest. Gravity is a concept album, modeled after the famous novel Flow My Tears, the Policeman Said by Philip K. Dick. The album takes Dick’s story a step farther by dropping the spaceman hero back onto Earth in 2023. The tracks within are meant to be his observations of the current culture, politics and reality itself. If that sounds trippy, wait until you hear the songs and see the videos. Created mostly on Wann’s impressive collection of vintage synths and programmers, the music is produced to hearken back to the golden age of synth pop, and it’s no coincidence that a strong nod to legendary new wave group The Human League can be heard here. The English band’s first demo, “The Taverner Tape,” was also inspired and influenced by Dick’s main character in the iconic novel. Creation begets “Fascination” begets creation, as the sine wave dictates. One of the many interesting things about Wann and Richardson is that they’ve never met and created Gravity over a 6,000 mile distance via all our lovely modern technology. While Wann was looking for vocalists on the last pseudo-SINES album, A Series of Moments, he came across Richardson on the Vocalizr app. A composer, songwriter and visual artist of some note in her native UK, Richardson seemed to instantly understand the vibe Wann was going for and not only lent her bright, Kate Bush-meets-Sarah Brightman vocals to the single “Something In the Way” but directed the video for it. Now, with Gravity, these two kindred musical souls are stronger together. They’ve melded their bold, visceral and slightly satirical styles to create an album that’s as multi-layered and charged as it is fun and danceable. They’re working at an alarming rate, as well. Since Gravity released in early September, the pair have been churning out multimedia pieces for each track, including visualizers for nearly all the tracks on the album, as well as two music videos directed by Richardson. Similar to their music, the pair have a lush, vintage-fueled style, borrowing clips from old, spacey movies and splicing them with original art and video. There’s more than meets both the eye and ear here than spacey vibes and Warholian nightmares, however, according to Richardson. For me, the most exciting thing about Gravity is the fact that the whole “spaceman lost in space and then returning to earth” story is a perfect allegory for my experience with autism and trying to navigate the neurotypical world. I think my main goal for my music is to communicate to others a feeling that I’m unable to express using only words. With this new debut, the music world is just beginning to see SINES in its final form, but Gravity is only the ground floor. With loads of creativity and a solid base, now SINES can really move the way they want and it should be a fun, synth-filled ride. Gravity is out now and can be streamed on Spotify and purchased on Bandcamp. Check out the SINES YouTube for more visualizers and videos. This article was first published on Your EDM. Source: Electropop With a Punch: SINES Release their “Real” Debut Album, ‘Gravity’

When we were coming up with the list for our Artists To Watch in 2023, Matt Barri was the first name that we added. Though he didn’t end up as the featured artist for the list this year, his unique sound, landing somewhere between emo, electronic, and euphoria, built up immense anticipation for his newly released debut EP, ‘The Only Way Out Is Up‘. Barri is a genius with both the pen, the production, and the mic, with an amazing ability to deeply immersed with every word he sings and note he plays. The title track is a perfect example of his wildly creative production capabilities, and the following tune “Everything To Me” keeps you glued to your seat with an ethereal presence- and just when you think it’s over, Barri offer a booming, anthemic climax of synths and vocals. “You Are Here” indulges rich, bouncy future bass paired with Porter Robinson-esque vocal chops that invoke a sense of bliss and nostalgia. “I’m In Space While You’re Worlds Apart” feels like something Tom Delonge would have brought his Angels & Airwaves project. That pop-punk/electronic vibe is beautifully executed by Barri with thundering drums and a vibrant, unforgettable drop. “Orbiter” closes out the EP in a futuristic fashion, basking us one last time in his orbit before the song comes to a bittersweet end. It’s safe to say Matt Barri has a bright future ahead and we’re thrilled to be joining along for the ride. Check out the album below along with our exclusive interview with Matt Barri! Your debut EP, “The Only Way Out Is Up,” has been released track-by-track over the course of the year. Can you tell us more about the creative process behind this unique release strategy and how it has shaped the reception of your music? Coming out of the Covid lockdown and shortly after graduating ICON, I produced a bunch of new music. Some of it was future bass inspired some electro House some was more drum and Bass, as well as a few collaborations with some friends. We ultimately released five songs in 2022. We are getting a lot of great feedback from various people in the industry, and the overwhelming response was if we wanted to break through, we should focus on one genre. I had over a dozen songs that were more focused on what I wanted the Matt Barri sound to be. We made the decision to release two separate Electro Pop EP’s that would feature my topline and vocals. We derived a release plan for the first EP that would start on valentines day releasing the next song every 6 weeks or so. We would see how they would do one at a time and really try to work the releases. The first release “Everything To Me” did so well that we delayed the release of the second track by two months as not to cannibalize our efforts . We essentially went with this type of release strategy for the whole EP and are now ready to tie a bow around the project, sort of speak by releasing this last track. I’m excited for people to hear the project as a whole as it tells a the story of my personal journey over the last few years. The responses been overwhelmingly positive. Our plan is to release the second EP the same way we did the first starting at the beginning of next year. Between now and then I have a few other releases,re-mixes and collaborations that will be coming out. Your musical style combines elements of EDM and emo-inspired top lines and vocals. Can you share more about the evolution of your sound and how it has developed over the years? I first started making electro house and progressive house. When I started releasing music on Soundcloud, it was mostly future bass and lofi with a little bit of trap mixed in. Then I focused on making melodic dubstep. I was a bit all over the place but I really loved all these genres and what I was making. It was really hard to just work on one style of music. Over quarantine was when I really focused defining the “MATT BARRI” sound. I really put myself out there and started singing on my own tracks and tapping into my rock and electro roots. What evolved was an emo inspired electro pop sound. “I’m In Space While You’re Worlds Apart” carries a more melancholic and introspective vibe on the EP. What emotions and experiences influenced the creation of this particular track, and how does it fit into the overall narrative of the EP? It was my songwriting final at ICON during the lockdown, we had classes over zoom. It was at the same time there were these massive wild fires in Southern California and so everything really did feel apocalyptic. This song was actually originally a ballad with just me singing and a piano. I left a spoken word message to my friends saying goodbye to all of them at once not knowing when I’d ever see them again. There was so much that went into that song. I really loved the melody and how it turned out overall so I built on it and I’m In Space While You’re Worlds Apart was the result. As a well-rounded artist who balances skills as a songwriter, producer, and DJ, can you discuss the challenges and rewards of wearing multiple hats in the music industry? How do these different roles influence your creative process? Normally when I’m writing a song I’m producing it at the same time. It all comes together at once for me, I think It’s interesting how in EDM is perceived as a do everything yourself kind of thing. Not Everyone is good at everything. I like writing, producing, mixing, and engineering, I’m just not a great mixer. One of the challenges for me was recognizing and accepting what my strengths and weakness are. It’s more important to be great at one thing than to just be ok at everything. Realizing that I needed help with my mixing also gave me the opportunity to work with my good friend and literal sonic wizard John Buser. He really helped me out with tracking vocals and mixing, He really pushed me in getting the best vocal performances. It turned out great in the end. You’ve had the opportunity to DJ internationally and open for artists like Steve Aoki and Lil Jon. How have these live performances and collaborations influenced your music, and what can fans expect from your live shows in the future? Those were amazing experiences and really helped me mature as a Dj very quickly. I love DJing and put a lot into making my DJ sets impactful and high energy. When I was growing up I was in many bands and did a lot of musical theater. Performing live is something that I love to do. I just started developing a live set where I’ll be singing live vocals and playing guitar, bass, maybe some synths here and there. I feel like it’s the best way for my audience to experience my music especially the music from my EP. Anything else you’d like to share with our readers? I am really excited about the future. I have so much new music including a new EP slated for the beginning of the new year. I am focused on my sound but I am also getting the opportunity to cross genres. I got some re-mixes that will be released soon. I am also really excited about a DnB project that I am working on with my good homie Jorlov called Crumb Pit. Our song WGDC is one of the most popular tracks on Space Yacht’s Summer Sampler compilation and we have some heaters to follow up with. Over all I am really pumped about the future. This article was first published on Your EDM. Source: Matt Barri Offers Stunning Debut EP ‘The Only Way Out Is Up’ + Interview

Every artist carries with them a mosaic of influences, a blend of inspirations that ultimately culminate into their unique sound. For Rello Ranzano, this mosaic paints a vivid picture of powerful voices from the past, influences from global icons, and an undying passion for authenticity. Lil Wayne’s ingenuity, 50 Cent’s poignant tales of the street, and Drake’s emotional candor – these are just a few of the influential forces that have shaped Ranzano’s musical journey. Reflecting on what sparked his passion for music, Ranzano recalls, “Lil Wayne just made music enjoyable and he made being intelligent cool. 50 Cent just spoke about things that were going on around me daily so it felt like he understood us.” These influences are more than mere names to Ranzano. They represent pivotal moments in his life, guiding lights that have illuminated his path in the world of music. While many are inspired by artists, few internalize this inspiration to the extent that it becomes an integral part of their creative process. Ranzano has managed to do just that. However, Ranzano’s relationship with music is not just about imitating his inspirations. It’s about innovating and evolving. “My style has evolved a lot from trying to sound cool to actually just being myself,” he explains. This evolution speaks to Ranzano’s commitment to authenticity and his quest to find his unique voice amidst the cacophony of the industry. A striking element of Ranzano’s musical journey is his songwriting process. Eschewing traditional methods, he relies on intuition and raw emotion. “I don’t write, I just sit there and feel the beat and I allow the beat and my inner feelings to guide me,” he shares. This organic approach, driven by real experiences and emotions, brings an undeniable authenticity to his tracks, setting him apart in a landscape often criticized for its lack of depth. Ranzano’s work also stands as a testament to the universal nature of music. His belief that his “feelings go well with any culture, the past, present, and the future” emphasizes music’s timeless ability to bridge gaps, transcend cultures, and resonate with audiences from diverse backgrounds. Despite his clear influences from industry giants, Ranzano’s music is also shaped by a myriad of personal experiences. Growing up in Nassau, Bahamas, he witnessed the interplay of rap, reggae, and dancehall, absorbing the sounds and stories of a place known for its idyllic beauty yet laden with its own complexities. This intersection of personal history with global influences results in a sound that is at once unique yet universally relatable. For fans and fellow artists alike, Ranzano’s journey offers invaluable insights. It underscores the importance of remaining true to oneself, of taking inspiration but also paving one’s own path, and of understanding that at its core, music is an emotional endeavor. As Ranzano continues his ascent in the music industry, his commitment to authenticity, his deep reverence for his influences, and his innovative approach to songwriting promise to usher in a sound that’s not just heard but deeply felt. It’s a journey of a young artist from Nassau, echoing global icons, yet fiercely carving a niche of his own. This article was first published on Your EDM. Source: Rello Ranzano: Navigating Musical Echoes and Authenticity in a Global Soundscape

Taiwanese-Brooklyn transplant Calvin “Kai-Wei” Chang’s debut album Reprocessor is musical, dense and seemingly done-based, causing it to straddle a number of genres from experimental to darkwave to IDM, but that’s not what sets it apart. It’s the fact that it’s made entirely from found sounds, recorded by Chang between 2020 and 2022; no extra sounds or samples have been added. Intended to document the changes in life during COVID, Chang took these sounds and painstakingly reworked, re-engineered and, of course, reprocessed them until they made the visceral, flowing statement piece that is this album. Chang sums it up best himself: Reprocessor is a sonic documentation and “musicalization” of Covid19 era found sounds, with songs composed between 2020-2022. In lieu of conventional “reworking” of source materials, over two hours in length of raw recordings are repetitively reinforced, dissected and extracted for expressive sonic events. When one really stops to think about the fact that the source material on Reprocessor is the only material, it’s sort of mindboggling, especially from the perspective of an EDM producer; this is how electronic music was originally formed back in the 1940s through the 60s and even up to the 80s. Before we had this massive library of sounds for drums, kicks, snares, pianos and strings to modify for synths, all of those things had to be recoded, pitched, cleaned up, stored and passed on so there could even be synthesizers and programmers. We’re so far modernized now that it’s all taken for granted and the sounds and space have become so clean and accurate that new sounds are created from samples of samples of samples. So what happens when a producer applies all this new tech to the grassroots sound sound loop format? Kaiwei has the answer. It doesn’t seem Kaiwei’s intention with Reprocessor was to go grassroots in any way, but rather to see what it would sound like to make full compositions out of found recordings using modern gear. One could easily glean that even with modern benefits, it’s a painstaking and tedious process of math, code, and cut/copy/paste to get said compositions lined up, layered and sounding anything like music. The result, however, seems worth the trouble. With a number of instrumental musicians also contributing sounds to the album, Reprocessor is very much still in the experimental realm of things, and listening to it, one can easily understand how he’s earned a reputation for his compositions accompanying multimedia art instillations and avant garde performing arts pieces. That said, it’s also very much tinged with drone, industrial and even deep house sounds. The musicality of many pieces, such as the title track, “Breakbeat Funky 102” (if you assume there’s anything resembling a conventional breakbeat in this track, you’d be dead wrong) and the “Tors” series might be hard to find on first listen, but keep listening. Through the drone and chaos, almost every part of these tracks it an actually quite delicate piece of symphony-like composition. Other tracks, such as “Identity” (the only track with a discernable beat), “4u” and the endlessly ambient “Duet” sound more trad musical but that’s only because they’re also quite melodic and have recognizable music sounds. What Reprocessor asks of the listener is to take the album as a whole and connect the dots so the music can be heard in any part of the composition. “Chung Yeung,” a our YEDM premiere today, is the first track on the album and seems to be a preview of this apparent dichotomy, straddling the heavy and the sublime and finding music in both parts. The opening track of this record, “Chung Yeung” is in of itself a compilation of short compositional and sonic ideas, that all sprung from a series of freely improvised, live-processed trombone and vocal performances. The multi-sectional form foreshadows the overarching structure of the full record, as well as some of its key sonic elements and themes. Named after the famous lunar calendar festival (loosely translated at “Double Ninth Festival” as it takes place on the ninth day of the ninth month), a day of remembrance where the Chinese and Taiwanese people climb mountains to their ancestors’ graves to clean, maintain and leave gifts, “Chung Yeung” sets a somber tone for the album: this is both a remembrance of the struggles of COVID and perhaps those who lost their lives, and a clearing out and “reprocessing” of those ghostly sounds and energies from a period many of us are still trying to process. The realm of experimental music serves as a leading edge example of what may be possible in commercial music and said commercial musicians look to artists like Kaiwei to push that boundary for them. However in the case of Reprocessor, it seems Kaiwei is also saying it’s important to know ones roots and hone one’s compositional skills as well. COVID showed humanity its own limitations; we’re one solar flare away from losing most if not all of our digital resources, but Kaiwei and others who know how to create music from their own loops would likely be leading the charge in that case. In the meantime, capturing the energy and feeling of such a tumultuous time is also important. If nothing else, Reprocessor shows that creativity will always find a way, and that it will even make new ways for sound and expression with only some found loops, a heap of patience and a need to be heard. Reprocessor releases on Monday, October 9th and will be available to stream on Spotify (where a few tracks are already available) and can be pre-ordered for purchase on Kaiwei’s Bandcamp page. This article was first published on Your EDM. Source: Your EDM Premiere: Kaiwei Brings New Innovation to Atmospheric Wave With His Aptly Named ‘Reprocessor’ Album

Emerging from the serene landscapes of Darwin, Australia, and capturing the vibrant pulse of Los Angeles’ music heartbeat, VASSY is not just a musician but an anthem creator. Her unique ability to weave memorable melodies and narrate captivating tales is evident as she unveils her latest track, “Krazy,” now available under the prestigious Spinnin’ Records, a partner of Warner Music Group. VASSY’s music resonates with a worldwide audience, and she’s known for electrifying performances, whether it’s the dynamic arenas of Coachella and Ultra Music Festival or the global radio frequencies that bind music lovers. In “Krazy,” VASSY truly shines, blending intense energy with soul-touching vocals. She describes the song as “cathartic chaos,” an empowering tune that mirrors her triumphs over professional hurdles. This track follows closely behind her recent chart-topping dance single “Pieces” and the international sensation “Bad,” which dominated charts in over 30 nations, amassing more than 2 billion streams. In her collaboration with Spinnin’ Records, VASSY is on a mission to redefine norms. This partnership marks the beginning, with a slew of songs ready to highlight her musical metamorphosis, demonstrating that a solo journey can still pack a punch. To add a dash of excitement, the “Krazy” release is complemented by a groundbreaking music video, emphasizing VASSY’s penchant for challenging the status quo. This article was first published on Your EDM. Source: Vassy Drops Super Energetic New Single & Music Video for, ‘Krazy’

In the Bay Area’s vibrant sonic landscape, Hidden Axis, born Julie Yeung, stands as a testament to authentic metamorphosis. With a background deeply rooted in STEM, she found her true “hidden axis” in music. Her previous offering, “Better Off Alone,” amassed an astounding 264,000+ streams across all platforms. Medyk, an enigmatic singer and songwriter, accolades and collaborations are nothing short of inspiring. Having collaborated with industry powerhouses such as Slander, ARMNHMR, Synymata, Adventure Club, N3wport, Culture Code, Murdoch, and Whales, she’s carved out a distinctive place in the music industry. The resonance of her work is not only evident in the whopping 9 million streams she’s amassed across platforms but also in her notable presence on Spotify editorial playlists like Heart Beats and ARMNHMR DJ Mix. Now, these two immensely talented artists have come together for their latest single “Matrix” – and emotional melodic bass single that boasts a stadium rocking chorus. Taking cues from the eponymous movie, the song encapsulates the trials of a sensitive overthinker, trying to navigate an alternate reality of her own creation, a personal ‘Matrix’. It’s a beautiful rollercoaster of emotions that only leaves us wanting more! “As a song, “Matrix” is an attempt to package the complex mix of emotions, moods, and thoughts that I experience as an over-thinker and sensitive individual.” – Hidden Axis We also had the opportunity to chat with Hidden Axis about the song, her career, and what’s ahead. Enjoy! The track’s title “Matrix” and its ties to the struggles of an overthinker are intriguing. How did you decide on the name, and what’s its link to the renowned film? The name was from one of the demos that Medyk wrote that I connected to a lot. Much like there’s an alternate reality with an army in the film, the anxious and overthinking character in this song grapples with an alternate reality that she’s created inside her head — one where she believes there is an “army aiming at her” that Transitioning from a STEM-focused background to the world of music is quite a leap. How has this unique path shaped your musical style and lyricism? I’m not sure that STEM directly influenced my musical style and lyricism, but I would say it definitely made me a little more aware of my “why” for music. I’d pursued STEM not because I loved it, but because it was conventional and safe. When music came into my life, I felt free, present, and fulfilled, which was a stark contrast. And although I am super grateful to have received the education that I did, I felt like I didn’t have the best mental health. So perhaps part of why I enjoy writing about mental health so much may stem from that. And my hope is that in feeling and connecting with my music, folks can connect to and reflect upon what makes them feel most “free” as well. Your song “Better Off Alone” garnered impressive streams. Did that success create any expectations or pressure as you worked on “Matrix”? I honestly did not think about stream count too much when I was creating music. Maybe I was comparing back to this track to see how I could elevate my production chops for this release, but that was more from a curiosity and learning standpoint. I did start to think more about how this song would do as I moved more into the releasing phases though…so we’ll see! As a voice in the Bay Area’s dynamic music community, in what ways do you feel your sound adds to or differentiates itself within this scene? As someone who loves melodic bass, I’d definitely say that genre has a heavy influence on how I write. However, I also really have been enjoying writing midtempo bass, drum and bass, and other genres, so I’d say my “sound” is a cross-pollination between sounds from various genres. Collaborating with Medyk on “Matrix” must’ve been an amalgamation of two distinct styles. How was that experience for you? Honestly it didn’t feel like two distinct styles since the writing process went pretty smooth! When we were starting off, I told her roughly what I wanted to write about, she wrote a couple concepts, I chose “Matrix” then the rest was history. Medyk is honestly so talented and I’m grateful to have gotten to work with her. There’s buzz about your future collaborations with artists like Wisner, Meggie York, and Luma. Could you offer a glimpse into the stylistic direction these might take? Yeah I’m super stoked about those. The vibes for these tracks are dark and moody, and they intentionally explore sounds from different genres: Drum and Bass, Melodic Bass, and Midtempo. Stay tuned! You’ve emphasized the emotional depth of “Matrix.” What sentiment or takeaway do you hope listeners derive from the track? Yep so Matrix attempts to capture the complexity and intensity of emotions of someone who is sensitive, socially anxious, and an overthinker (maybe me). Whatever their connection to the song may be, I hope that the song makes listeners feel something. Anything you can reveal coming forth in the future? Got more shows coming up! Playing Breakaway Fest on Friday, October 13 at the San Francisco Bill Graham Civic Auditorium. And I got more songs and shows coming up, stay tuned This article was first published on Your EDM. Source: Hidden Axis & Medyk Link Up For Emotional Melodic Bass Single “Matrix” + Interview

Since emerging in the European electro scene back in 2009, F.O.O.L is the alter-ego of Swedish musician Rasmus Hermansen. Sporting his iconic mask, he symbolizes a crossover into a futuristic, cyberpunk-esque world, where a fusion of bass and cinematic soundscapes reign supreme.F.O.O.L’s 2020 anthem “Criminals” has seen astronomical success. It has been used in over 100,000 shorts on YouTube, resulting in more than 4 Billion streams and 40 Million hours watched, along with a similar presence on TikTok. On top of “Criminal”, F.O.O.L has accumulated a substantial following in the gaming community. He has had multiple placements on Rocket League, such as “INERTIA” and his remix of “Horsepower” with TOKYO ROSE. Boasting an equally magnetizing signature sound is Waveshaper, a versatile electronic music producer and video game composer inspired by the soundtrack scene of the 80s and early 90s. Like F.O.O.L, his sonic atmosphere is also cinematic and melodic, pulling elements from Atari, Amiga, and other video games he grew up playing. This innovative veteran has released 9 breathtaking LPs while producing original music for media like Netflix and Ubisoft. Together, F.O.O.L and Waveshaper prove to be a thrilling and innovative team – and their single ‘Encounter’ – signed to Monstercat – is a testament to the greatness we’ve come to expect from each artist. Packed with eerie melodies and driving, distorted synth stabs, the ceiling of success for ‘Encounter’ seems limitless. It is an exciting preview for what lies ahead, as F.O.O.L gears up for the release of MACHINE next month, a project guaranteed to redefine the possibilities of sound and musical storytelling. “I discovered Waveshaper back in 2015 after finding his album ‘Exploration 84’ on Spotify, and I have been a fan of his music ever since. His diverse productions of the synthwave genre inspired me to create more of it, so he’s played a big role in me getting back into producing more synth-like stuff again. In ‘Encounter’, we gave our all to tell a captivating story through sound.” – F.O.O.L. Listen below! This article was first published on Your EDM. Source: F.O.O.L Sets The Stage For Upcoming Debut Album, MACHINE – Teams Up With Waveshaper For Synthwave Anthem ‘Encounter’

Multi-disciplinary musician and producer Lauren Mia has led an impressive career performing at Tomorrowland Belgium, Steelyard London, The Brooklyn Mirage/Avant Gardner, The Concourse Project, CRSSD Day One Festival, Day of the Deadmau5 (Miami), and more. She has also played alongside top talent in her space including Adriatique, Mind Against, Kaskade, AE:THER, ADANA TWINS, Cristoph, Jeremy Olander, Sainte Vie, TESTPILOT for Factory93, and others. Lauren Mia’s musical catalogue has flourished, seeing her swiftly sign singles and remixes to marquee electronic imprints Anjunadeep and Rose Avenue. 2022 saw her debut on Luna Semara’s Petit Matin imprint including her ‘Eternal Existence’ EP, while also furthering her connections with fellow producers – working on multiple collaborative projects with names in the space such as Stil & Bense and Aalson and Lake Avalon. Lauren recently revealed her debut album RE:BIRTH along with the lead single “Shadow“. The debut single was written about Lauren’s own personal shadow-work, a process of deep reflection and commitment to self-awareness to get to know the parts of oneself that often subconsciously lurk in the shadows of our minds. Sonically, the album’s first single is an expansive arrangement juxtaposed between a dynamic percussive profile, innovative synthesis and next-generation melodic techno. With entrancing vocals by Luke Coulson masterfully sewn into the captivating analog sounds and soul of the track, “Shadow” is a brooding introduction and strong first single that lays the groundwork for the poignant body of work that is Lauren Mia’s RE:BIRTH. Listen below! This article was first published on Your EDM. Source: Lauren Mia Reveals Debut Album RE:BIRTH + Releases Lead Single “Shadow”

Dirty Audio and DirtySnatcha are two renowned and innovative producers in the dubstep and bass music realm. With a reputation for pushing the boundaries of electronic music, these artists recently teamed up for a highly anticipated collaboration “UFO.” “UFO” blends the signature styles of Dirty Audio and DirtySnatcha, resulting in a relentless onslaught of powerful basslines, mind-bending sound design, and spine-tingling drops. The combination of their unique production techniques creates an auditory experience that feels like an alien encounter, with each beat and wobble propelling you into uncharted sonic dimensions. Listen below! This article was first published on Your EDM. Source: Dirty Audio & DirtySnatcha Team Up For Blistering Dubstep Single, “UFO”

Charismatic memer Guard released the first single, ‘color by numbers’ on 1 October 2023. It is the first single from his upcoming second album IT WAS ALL A MEME… – set to hit the airwaves on October 27th 2023. Born in a small town in South Africa before immigrating to Australia at a young age, Guard was brought up on the internet, fostering a love for pop music & pop culture, expressing himself through poetry, lyrics, filmmaking and graphic design. He has a strong presence in the internet’s meme community, with a combined following of over 1 million. Using his meme pages as a base, he has launched a following for his own musical project. Guard creates conceptual, unexpected pop music that draws from personal experience, aiming to blur the lines between technology and humanity so that listeners are forced to remain aware of – and continue to question – society around them. ‘color by numbers’ is a moody, confessional self-portrait that navigates the sometimes confusing dating game. He collaborated with fellow queer artist Indiana Williams on the lyrics which tell the story of Guard finally feeling mentally stable enough to look for companionship. Backed by a Post Malone-esque gritty, dark trap production, Guard’s smooth and emotive vocals paint a hazy, smokey sonic picture. You emerge from listening feeling dazed, but moved. Guard’s self-directed & edited music video shows the story behind a scar on his sternum. He divulged: “I wanted to be brave as an artist and show an aspect of myself that I try to hide & in a sense paint a picture of who I truly am. My scars make me stronger & there is a lesson to be learned through every adversity. However, I think it’s also okay to want to pursue things that don’t sabotage my mental well-being & to not want “just another lesson”. My journey over the past few years has been learning how to trust and respect myself.” Follow Guard: Spotify – Soundcloud – Apple Music – Instagram – Tiktok – X

Black Tish originally formed in 1988 in Brussels, Belgium as a sort of experimental/post metal fusion project that incorporated early industrial sound into their work before industrial was really a thing. Founder and scientist Bob Coecke used cutting edge sampling techniques for the time, a host of synth and sound loops and metal-style guitars to create a heavy rock/electronica fusion unlike anything heard before. Unfortunately it also wasn’t heard after for many years as well, as differing opinions and tastes within the band’s original line-up kept their first album, Throbbing Flip Out. Finally completed ten years after it began in 1998, Coecke’s move to Oxford in England to study physics meant the project was shelved once again. Another 25 years takes us to now, and Throbbing Flip Out is finally out, along with a new sister album called Viral Apocalypse by Coeke with Bruce Warner on Bass and daughter Marieke Coecke on backing vocals. The desire for Coecke to continue the project seems to come from some pinnacle he’s reached both in his scientific work and his conception of his music. The original project in 1988 had a strong nod to musique concrète, a very early genre of electronic music and sound study which uses loops of sound to create beats, melodies and full songs rather than instruments. This obviously inspired Coecke as a scientist as well as an artist, and the sonic science of loops and sampling is present on both albums. Now a well-known quantum physicist who works specifically on the new cutting edge discipline of quantum computing, Coecke has put together Viral Apocalypse with the same focus on looped sounds and acoustical work but there’s a definite modern edge to the new album. Coecke has said that Throbbing Flipping Out took influence from other industrial pioneers like Throbbing Gristle, Ministry and Butthole Surfers and it’s apparent in that album’s sound. Grungy, raw and using vintage loops while adding metal, the foundation was all there from the beginning. Viral Apocalypse, however, is updated with modern methods, software, drone and a buttload more guitars, it’s where fans would have expected Black Tish to be as they avolved over the years without the gap. It’s clear that Coecke’s scientific interest in and macabre sense of sound composition has never left him through all these years, and now he’s able to use the tech advancements that may not have been available in the 80s and 90s to make a slicker version Black Tish that can now be defined as industrial post metal. Now working with even more innovative techniques up to and including making music on quantum computers for the next album (due out in about a year, not another 25), it seems Coecke and Black Tish are now more than ready to take their place on the cutting edge of industrial music. Throbbing Flip Out and Viral Apocalypse are out now and available to stream on Spotify. This article was first published on Your EDM. Source: New Artist Spotlight? Sort of: Meet Black Tish, the Pioneering Industrial Band that Released their Work 35 Years Late

LP Giobbi is back with a brand new single “Time Expands” and it is the launch of her new label, Yes Yes Yes, part of the Defected Records Family. “Time Expands” is a wonderful exploration of LP Giobbi’s trademark sound. Built around a grooving synth bassline, there’s just enough weird elements plugged into the track that make it distinctly an LP Giobbi track. No one in dance music so seamlessly incorporates that Laurel Canyon sound into house music the way LP does. “Time Expands” is no different. Featuring a blistering bassline along with a synthesized guitar rhythm, “Time Expands” is a pitch perfect entryway into Yes Yes Yes records. “I grew up going to this hippie festival in Oregon called the Oregon Country Fair. My parents started going in their 20s, and I have never missed it since the womb. It’s my favorite place on earth because it leans into weirdness, joy, and mind-opening experiences.” LP Giobbi says. “The first thing you see when you walk on site is a sign that just says, ‘Yes Yes Yes’ and it makes me smile ear to ear every single year. This label is not beholden to one genre or one particular sound. It’s simply about good dance music, made for the dancefloor that expands your mind and makes you feel good.” Check out the latest from LP Giobbi, “Time Expands” the first release on Yes Yes Yes Records. This article was first published on Your EDM. Source: LP Giobbi Announces New Record Label Yes Yes Yes and Drops New Single Time Expands

Nostalgix is back with another bass house heater for her Monstercat debut, “WAR.” This time the Iranian-Canadian producer/DJ/rapper teams up with Rico Nasty for a certified dance floor banger that features Nostaligix’s trademark production and empowering vocals. Featuring a catchy topline and an undeniable groove and rhythm, “WAR” is sure to be on repeat on your device. Whether getting pumped up for the gym or heading out on a long drive, “WAR” is a catchy as hell tune. “To me, WAR is the evolution of Nostalgix. It’s the evolution of me as an artist and the evolution of my sound. With WAR, I wanted to make a record that embodied power and drive. I wanted to make a record that you could blast and feel like you can take over the world.” Nostalgix says. “Like nothing can stop you. When I was producing WAR, I wanted to bring a lot of elements of drama and energy to really bring power to the record. I got into the studio with the talented Rico Nasty and we went in on vocals for the record. I absolutely love Rico, I think what she’s doing is so sick. She’s an artist that is so uniquely herself, she brings such a badass energy with all of her music and her performances.” Check out the latest from Nostalgix & Rico Nasty, “WAR” out now on Monstercat. This article was first published on Your EDM. Source: Nostalgix Teams Up with Rico Nasty for Infectious House Banger “WAR”

Last month, we covered AC Slater & Chris Lorenzo dropping their first official Fly With Us single, “Shrine Banger.” Now the house music legends are back with another song under their Fly With Us moniker, “Seismic.” They also announced that their upcoming Shrine LA show will be moved indoors so it can run later. A victory for all parties involved. “Seismic” is a track that will seamlessly fit into the Fly With Us set. It’s a tech house heater, but it heavily features the “jock jam” synth that plays over the beat. The drop is pure, unadulterated tech house bliss. The whistling synth that plays over the consistent drum beat is an instant groove. Again, for me, what stands out on this track is the massive synth rhythm that would be at home at any sporting event. Nala has just been announced as support for the tour date, and instead of playing the Shrine Outdoors, the show has been moved inside. Tickets are still available here. Check out the latest Fly With Us Single, “Seismic”, out now! This article was first published on Your EDM. Source: AC Slater x Chris Lorenzo Drop New Fly With Us Single, “Seismic”

Since 2019 with the release of “Be Alone,” So Dope’s ascension to the forefront of the dance scene has been nothing short of amazing . He pulls inspiration from soul, B&B, UK Garage, Drum and bass and Hip-hop, and his level of accessibility and genre-defying appeal make him one of the most compelling electronic talents to come out of New York City. His music has garnered praise from the biggest names in electronic music such as Alison Wonderland, Zeds Dead, Steve Aoki, Memba, NGHTMRE & SLANDER, DIPLO,Good Times Ahead, Doctor P, Cookie Monsta,and more. Now, he’s back with a booming single “Ruckus” that featuers fiery synths, big bass, and a Skrillex esque vocal that’s sure to ignite any crowd. So Dope masterfully provides eclectic drops throughout to keep you on the edge of your seat, eagerly anticipating where he’ll go next in the song. “In my last EP, I gave people a piece of my heart while still making music that you can danceto. Throughout those tracks, I wanted to tell my journey as an artist thus far. With Ruckus, my intentions were to create something that could hold up at a festival or rave with a head- nod to OG trap, Drum and bass and Reggae. My goal is to always create art that makes you feel something.” – So Dope Listen below! This article was first published on Your EDM. Source: So Dope Releases Booming Single “Ruckus”

Dainjazone continues to earn the trust and loyalty of some of the biggest rooms in the industry, maintaining residencies at renowned venues such as The Grand (Boston), Mémoire (Boston), and The Pool AC (Atlantic City), to name a few. Known for busy tour schedule, party-starting live sets, and history as the touring DJ for multi-platinum-selling group LMFAO, the solo DJ/producer has had a one-of-a-kind story under his belt. ‘Evolution In Progress Vol. 2’ is the next upcoming work, chapter encompassing a roll out of new songs, videos, and content – all of which will be encapsulated into an EP when all is said and done. Until then, we have a brand new music video for his pumping tech house single “Powerful” that might make you want to book a vacation asap so you can go see him perform. Packed with vibrant scenes of the beach and making memories with friends, the video builds towards a climactic end of catching Dainjazone performing in a electrifying club setting. Check out the video below! This article was first published on Your EDM. Source: Dainjazone Releases Vibrant Music Video For His Tech House Single ‘Powerful’

Thomas Xavier is one of the catalysts of the rapidly building bass house scene in the Midwest US. In the last 18 months alone Xavier has played direct support for over 30+ nationally touring house acts including Ghastly, Nostalgix & Moksi, SNBRN, and has curated 6 Pharaoh’s Chamber events for his imprint, Pharaoh Phonix. Speaking of Pharaoh Phonix, he only launched it back in in January of 2022 and since then, the label has signed 20 artists & released 53 songs achieved 3,000,000+ streams, and over 3000 downloads. It’s an impressive resume, which is why we were excited to see he recently released a blistering 14 track album ‘Pharaoh’s Alchemist’. Yet again, Xavier shows just how proficient of an artist he truly is, effortlessly traversing the G house, bass house, and trap/hip hop genres to deliver a genre-bending album that’s completely unique to him. A few standout tracks include “T-Rex”, which packs quite the punch with growling, prehistoric synths while “Like This” is a peak time tech house heater that will light up any club. Check out ‘Pharaoh’s Alchemist’ in full below! This article was first published on Your EDM. Source: Thomas Xavier’s ‘Pharaoh’s Alchemist’ EP Is A Rush of Bass House Goodness

Chicago based DJ, A&R, podcaster, and entrepreneur Sherm is having his biggest year to date – fresh off electrifying performances at North Coast Festival’s Vega Stage and a massive Lollapalooza afterparty alongside ACRAZE. Now, he’s back with another breakthrough act from the Windy City, who go by the name of PODS, for a thumping tech house single “Madonna” signed to one of our favorite labels, Hood Politics. “Madonna” is a track that takes you on a trip to the underground, delivering a hypnotic bass groove, crisp drum beats and somewhat futuristic synth melodies – coming together flawlessly for a result that makes you want to move your body. “Teaming up with one of Chicago’s most promising young duos on this track was such a blast. Pods brought a super unique foundation and I immediately knew which direction to take when we started working on it. It’s an underground groover hits harder than Will Smith and fuses melodic and tech house together harmoniously. The perfect weapon for any DJ and all fans of tech house. In the club, we’re all listening to “Madonna”. – Sherm PODS add, “When we created Madonna, we had one word in mind: unique. We wanted to combine elements of modern day tech house with a melodic foundation that brings that Chicago energy. We couldn’t be happier with the final result and all of the great reactions when playing it live.“ In addition to the single, Sherm has revealed that he is taking the reins as the moderator for the official ADE Panel titled “The Tech/House Boom in the US: What’s In It for You?“ – a round table chat featuring industry heavyweights like DJ Susan (CEO of Hood Politics), Kaysin (Repopulate Mars A&R), & Carissa Szlosek (Prodigy Artists). He’ll also be performing at the joint Hood Politics & Bring The Kingdom showcase on October 21. Check out “Madonna” below! This article was first published on Your EDM. Source: Sherm Teams Up With PODS For Thumping Tech House Single “Madonna” [Hood Politics]

‘Memories’ is DJ Bander’s latest 2023 dance track featuring the highly talented Lexi Cline. The innovative fusion dance track has now attained the Top 3 spot on the iTunes Dance Charts. Celebrated music producer DJ Bander has once again captivated music listeners with his latest single, “Memories,” featuring Lexi Cline. Released in early September, the song has already become a chart topping hit. Currently charting at the Top 3 spot on the iTunes Dance charts, “Memories” is a powerful dance track that puts listeners in a trance with its unique and catchy beat. Combining the classic with the modern, the new song takes inspiration from the “Golden Era” of dance music, while also adding contemporary touches that make the song relevant for today’s listeners. “Memories” takes Lexi Cline’s magical vocals and combines them with an infectious beat that is bound to take listeners on an ecstatic journey. “Memories” is a powerful track that showcases the musical prowess of both DJ Bander and Lexi Cline. The song is an important milestone in DJ Bander’s discography, as it is quickly gaining traction in the dance music scene across the globe. This atmospheric dance track will be followed by many more entrancing songs as DJ Bander is already working on more exciting musical projects in the near future. This article was first published on Your EDM. Source: DJ Bander’s Single ‘Memories’ Featuring Lexi Cline Lands the Top 3 Spot on the iTunesDance Charts

Music lovers everywhere are yearning for that one track to capture the season’s vibrant energy and keep the party going as summer winds down. The exceptionally talented Alex Hosking, Martin Jensen, and Jimmy James have teamed up to deliver exactly that. With their fresh and thrilling single, “Meet You There”, they bid summer goodbye in an unforgettable style fans will love. Picture yourself winding the day with a drink in your hand, the golden rays of a setting sun lighting up the horizon. The air is filled with the scent of blooming flowers, and in the backdrop, the hypnotic strum of an acoustic guitar. Moments later, Australian powerhouse Alex Hosking, known for hits such ‘Fake Friends’, ‘Need Your Love’ and ‘Life Goes On’ with PS1, enters the spotlight with her unmistakable vocals and pop- dance songwriting chops. Her voice breaks through the silence, reigniting dreams, and memories. Just as you’re getting used to Alex’s vocal range, the songstress passes the baton to Denmark’s own Martin Jensen. The most streamed artist from his homeland with over 2 billion streams to his name, Jensen comes with a glittering resume. Remember the times “Solo Dance” echoed in party halls and lit up radio air waves and dance floors worldwide? Well Jensen has delivered another anthem with his signature blend of glossy, genre-bending inputs to sprinkle some of that magic dust on “Meet You There”. To top it off, UK artist Jimmy James jumps in, infusing fresh life and energy into this global anthem. With his impeccable rhythm and unmatched production prowess, Jimmy brings a touch of gold to everything he touches, and this is no different. His unique touch gives this masterpiece an energetic finishing touch, inviting them to drop everything and dance along. Together, the trio takes us on a musical rollercoaster, seamlessly bridging the gap between contemplative acoustics and heart-thumping house music. Every beat is a heartbeat, pulsating with the spirit of summer, promising a rendezvous in a place where the music never stops, and the joyous vibe of summer nights lives on forever. The magic of “Meet You There” lies in its genius production. An electrifying genre- straddling track, “Meet You There” marries introspection with invigorating energy perfectly, creating an unmatched end-of-summer anthem. It’s a track where every note is an invitation, every chorus a promise of golden hours dancing into the night. It feel like a cherished friend, a comforting hug, and the most exhilarating dance party, all rolled into one electrifying track. A masterpiece perfected by three highly talented masters in their fields, this single is also something more than a celebration of summer. It’s a testament to the power of collaboration and proof of the magic that happens when distinct artistic flairs come together to craft something truly magical. With each note, “Meet You There” is a perfect reminder that magic happens when we meet at the junction of different worlds, bringing together varied experiences and strengths. As the track builds, reaching a crescendo of joy and celebration, we find ourselves entranced, moving to the rhythm of this end-of-summer anthem capturing the soul of summer with every beat. This is not just an invitation to sing and dance; it’s an experience, a memory in the making, a party just starting. Don’t miss out on the adventure. Join Alex Hosking, Martin Jensen, and Jimmy James as they venture into a land of endless summer nights where the party never stops. This article was first published on Your EDM. Source: Alex Hosking, Martin Jensen, and Jimmy JamesDeliver End-of-Summer Hit ‘Meet You There’

The highly anticipated album “Love Forever” by the dynamic musical duo GC (Gate Citizens) and Crazü is now available, offering a musical journey that transcends genres. Released on September 20th, this collaboration promises an electrifying and genre-defying listening experience. “We wrote most of these songs from our own experiences, hoping our audience would connect with the wide range of emotions and insights, including the ups and downs of life and love,” GC said. Crazü elaborated, “This release revolves around the intricate nuances of love that we believe resonate with a broad audience, encompassing themes of authentic love, drama, club anthems, and music festival favorites.” GC, originally hailing from Kingston, Jamaica, and currently splitting his time between Los Angeles and New York, brings a unique blend of reggae and dancehall influences infused with soulful R&B harmonies. His artist name, GC (Gate Citizens), reflects his unwavering commitment to artistic integrity, paying homage to his extensive world tours. Crazü, born Sebastian Laborde in Juiz de Fora, Brazil, and now based in Los Angeles, draws inspiration from an eclectic mix of musical genres, including EDM, pop, and classical elements. His artist name, Crazü, signifies a level of creativity and intensity that goes beyond the ordinary, as defined by the Urban Dictionary. His versatile and captivating style has graced stages around the globe, sharing the spotlight with EDM luminaries like Gareth Emery, R3Hab, and Nervo. “Love Forever” comprises 13 tracks that delve into the complexities of love and life, offering listeners a diverse range of emotions and experiences. From heartfelt love songs to infectious club anthems and festival-ready tracks, this album caters to a wide spectrum of musical tastes. Crazü describes their sound as “breathing new life into everyday music,” with a focus on reviving feel-good tunes that resonate deeply with the audience. “This release is about bringing a new sound to everyday listening,” he says. “Music has evolved in so many ways over the past five decades, and we really want to bring back some feel-good music that truly hits home.” GC added, “This album is a fusion of Reggae and Dancehall dialect, R&B tones and harmonies, EDM-infused production coupled with Hip Hop and popular genres, all while never losing sight of the humanity and emotions we all feel. The album’s lead single, “Solar System,” featuring enchanting vocals from GC, Emmillienne, and Ana Stasia, takes listeners on a cosmic journey through the universe, showcasing their innovative and boundary-pushing musical artistry. Beyond their musical endeavors, GC (Gate Citizens) and Crazü are committed to making a positive impact. They are already working on a documentary in Brazil that sheds light on Amazon Rainforest deforestation and its profound cultural and musical implications. Through “Love Forever,” GC (Gate Citizens) and Crazü aim to unite music enthusiasts from all walks of life, delivering a message of love and unity through their eclectic and genre-blurring sounds. This article was first published on Your EDM. Source: Crazü and GC (Gate Citizens) Link Up For Dynamic New Album ‘Love Forever’