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She’s Excited! Creator Ann Wichmann Re-Teams Up With Brother Volker for New Project Beyond Darkwave: this is SuperWAV

When YEDM originally interviewed German darkwave powerhouse and multimedia artist Anne Wichmann mid-pandemic, we covered a host of topics, from the COVID lockdown to her videos to her generally “difficult” psyche, but the fact that she had also made music with her brother, guitarist Volker Wichmann, in the early 00s. The partnership presumably ended when Anne moved to Brooklyn from their native Hamburg, Germany. Now, almost two decades later, the duo have reunited (although they still live on different continents) to create SuperWAV, a stripped down rock project that just released its second EP, aTypical.
Given Anne’s largely darkwave and electro background and the fact that the siblings likely had to use a lot of digital tech to create the music together due to their physical distance, SuperWAV is surprisingly sparse when it comes to electronic musical elements. They’re present, but the pair has been decidedly focused on brass tacks with both their debut EP, Elements, and the just-dropped aTypical. According to Anne:
Despite the stripped-down, bare bones rock feel to aTypical, it’s also certainly true that it’s a very nuanced EP. One could expect nothing less from Anne Wichmann and her blood relatives. Each track is named after one of the five personality archetypes; both the lyrics and music are meant to be an interpretation of each one. “The Lover,” for example, is rough and passionate and explores the old adage, “love is blind” in the lyrics, while “The Innocent” is full of ambient echo and the lyrics discuss the inevitable destruction of innocence.
Dubbed “stoner rock” by the band themselves, fans of Anne’s former projects will struggle to find the connection to her old darkwave work but it is there in subtle ways. While they wanted to keep the music on the punk edge of post punk or the minimal edge of grunge, there are still elements of drone and darkwave in the background production and tone of the album, respectively. SuperWAV’s first EP, 2018’s Elements had more obvious connections to electronica, but the backing production, arrangement and engineering of aTypical relied on that darkwave knowledge from past projects, according to Volker.
No matter what you call this new Wichmann project, fans will likely see the sister-brother duo going back and forth over the lines of analog and digital in many ways as the continue to develop the project. It seems to be a point of interest for both of them. In the meantime, SuperWAV are building a super wave of a discography and fans should expect the unexpected from this dynamic musical duo.
aTypical is out now and can be streamed on Spotify.
This article was first published on Your EDM. Source: She’s Excited! Creator Ann Wichmann Re-Teams Up With Brother Volker for New Project Beyond Darkwave: this is SuperWAV
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barnacle boi Drops Mesmerizing Downtempo/trap Single “Love Hotel”

The journey of Ian Oliver from the snowy expanses of Denver, Colorado, to becoming barnacle boi, the in-demand DJ/producer, is one of dedication and artistry. His production style, imbued with emotions, nostalgia, and atmospheric trap nuances, has been shaped by his years in Denver. While barnacle boi’s original works stand out, his remixes of classic hits from the early 90s and 2000s, such as “All The Things She Said” by tAtU and “Crawling” by Linkin Park, have garnered him massive acclaim. Esteemed artists like Alice Glass, formerly of the renowned electronic duo “Crystal Castles”, and Finn Wolfhard from the hit Netflix series “Stranger Things”, along with artists like Bones (TeamSESH), Holly Stell, and Madi Larson, have all endorsed and lauded barnacle boi’s talent.
Now, he’s making his label debut on vibe.digital records with a mesmerizing single “Love Hotel” that yet again proves just how talented barnacle boi is in the studio. He masterfully weaves downtempo, somewhat eerie textures amidst a irresistible trap beat. Every moment and pulse transports listeners to an other worldly dimension, a ride you never want to end.
Listen below!
This article was first published on Your EDM. Source: barnacle boi Drops Mesmerizing Downtempo/trap Single “Love Hotel”
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Eole’s New Extravagant French House EP From Yesterday Until Tomorrow

French artist Maxence Janvrin, better known as Eole, has released a new two-track EP, From Yesterday Until Tomorrow, via Enchanté Records. After actively DJing in Paris for the last 5 years, and gaining inspiration from hot contemporary artists like Fred Again…, Sammy Virji and Kaytranada, Eole’s captivating sound dares to reinvigorate French House. Despite this being Eole’s debut release, the young producer has already worked with luxury brands and tastemakers, composing tracks and scores for Kourtrajmé, Gucci, Arte, Charles de Vilmorin, Zalando, Rochas and Palais de Tokyo. Not to mention holding the title as French music ambassador for JBL Europe. From Yesterday Until Tomorrow is set to further solidify Eole as a stalwart in French House and beyond.
Spawning richly-textured and tight UK House beats with a distinctly Parisian palette, From Yesterday Until Tomorrow is a mosaic of Eole’s hybrid influences. Embossed with glittering melodies which dance over pulsing breakbeat rhythms, glitched out vocal tracks pan and telescope in stereo. Both new tracks draw out an irreverently fresh summer sound filled with psychedelic avenues and ambient patches. From Yesterday features warbling synths and heavy bass filtered through a happy haze. Creating a perfect blend between minimal and nuanced. The EP’s featured track ‘Until Tomorrow’ debuted on Deep House Sweden – a dance-ready daze that pulls no punches and subtly draws you in with hypnotic vocals.
With the release of his new EP, Eole commented: “I wanted to break down the boundaries that French artists set for themselves, to dare to cross oceans with relevant music. All the experiences I’ve had with Gucci, JBL, Zalando, Foot Locker and even Kourtrajme have pushed me to assert myself with this project. I’ve been waiting for this moment for 15 years, to unleash the beast in the arena, so that Eole can finally starts blowing the storm.”
Follow Eole:
Facebook – Soundcloud – TikTok – Instagram – Spotify
Follow Enchanté Records:
Facebook – Twitter – Soundcloud – Youtube – Instagram
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New Artist Spotlight: Millennium Resorts Combines the Best Parts of Future Bass, Dream Pop, and Prog Rock in Upcoming Album

With a base or early synth pop, the shoegaze concept of wall of sound and a heavy bent towards experimental or progressive electronica, the first single off Millennium Resorts’ shows how far one can take all of those genres. The Austin production/musician duo has technically made two singles out of the first track on their upcoming album, In the Key of David, because they are quite different from each other. If they were a fully EDM outfit, they might have called them an original and a VIP mix, but with one foot soundly in prog rock and shoegaze, they used “full album version” and “radio edit.” No matter what you call them, the two versions of “Happiness” are a great introduction into the immersive, multi-genre world of Millennium Resorts.
With “Happiness” releasing just this past week on October 27, Millennium Resorts plan to release one more track, “The Big Show,” before In the Key of David drops on January 26. Presumably, these are the first two tracks of the album, as they’ve said it’s a concept album and meant to be listened to from start to finish.
That said, “Happiness” works quite well as a stand-alone piece. With shoegaze-style ambient programming and guitar riffs licking at the edges of the song, the full version channels dream pop like M83 or Washed Out but with a different, more rock-forward format. The Moog-style ambient synths are there to support the vox and guitar rather than all the elements flowing together. As the duo were inspired by the likes of Pink Floyd and other progressive rock acts in the genre’s heyday, it makes sense that “Happiness” would flow in this way. With a healthy dose of experimental composition as well, the album piece is somewhere in the space where MGMT would meet Silversun Pickups: utilizing all the best elements of every modern genre to create an immersive and emotive experience. Once the guitar solo kicks in near the end of the nearly eight-minute track, listeners will be completely drawn in.
The radio edit of “Happiness” has a shorter intro but there is nonetheless a different intro created for it. The verse and initial music also sound more minimal and raw. Whether this is because the Millennium Resorts created different production or simply because the cuts and edits are so masterful that it creates the feeling of a completely different track doesn’t really matter; it’s a different experience.
Aside from all the style and substance of their work, Millennium Resorts seem to be all about the experience. They want to immerse the listener in this world of sound they’ve created, and if “Happiness” is anything to go by, they’re excellent at doing just that. In the Key of David will likely be an even headier experience, and fans of this experimental style of dream pop mixed with prog rock and a touch of future bass should look forward to it.
“Happiness” is out now and can be streamed on Spotify or Bandcamp. The subsequent teaser track and the full album In the Key of David will be available on these same platforms in November and January, respectively.
This article was first published on Your EDM. Source: New Artist Spotlight: Millennium Resorts Combines the Best Parts of Future Bass, Dream Pop, and Prog Rock in Upcoming Album
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Ultra Music Festival Drops Star Studded Phase 1 Lineup

Ultra Miami has unveiled Phase 1 of its 2024 lineup, and it is absolutely stacked. Ultra mainstays like Hardwell, David Guetta, AFROJACK, Martin Garrix and Tiësto will be returning to Bayfront Park as per usual.
Additionally, there will be huge sets from Eric Prydz and Calvin Harris, who is making his first Ultra appearance since 2013, as well as new sets from FISHER x Chris Lake’s “Under Construction” and a special live set from Svdden Death, Space Laces and Eptic as Masterhand.
SLANDER, Sasha & John Digweed, Excision, Gryffin, Zeds Dead and more round out the Phase 1 lineup release. Get your tickets here, whether it’s your first Ultra or your twentieth, this year’s lineup is not to be slept on. Ultra continues to provide some of the best bang for your buck, and the setting in the heart of Downtown Miami cannot be emulated.
Stay tuned for more Ultra lineup reveals! Check out the official trailer and lineup below
This article was first published on Your EDM. Source: Ultra Music Festival Drops Star Studded Phase 1 Lineup
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Swedish Sensation Josefine Strikes Gold with Latest Single ‘Clap’

The music realm is no stranger to emerging talents, but Josefine, the Swedish songstress, stands out with a luminous flair. Her recent track, ‘Clap’, showcases her knack for weaving tunes that linger in the heart and echo in the mind.
From the moment of its debut, ‘Clap’ has soared, enchanting audiences worldwide. The song’s irresistible refrain and standout melodies pay homage to the celebrated legacy of Swedish musical craftsmanship, renowned for churning out hits that strike a chord across continents. It comes as no surprise that the track has swiftly carved a niche among both ardent fans and fresh ears.
Josefine’s odyssey in the musical landscape is nothing less than awe-inspiring. Boasting a staggering 35 million streams, she’s solidified her position as a musical titan. Her distinctive fusion of heartfelt lyrics and melodic genius has garnered the spotlight from prominent YouTube platforms, magnifying her influence. Esteemed channels like MrRevillz, 7clouds, and Chill Nation have championed her compositions, bringing her melodious charm to a vast audience of music aficionados.
Reflecting on the muse behind ‘Clap’, Josefine remarked, “The rhythm and soul of Swedish tunes have always held a special place in my heart. Their melodies have this unique way of staying with you. That’s the spirit I aimed to encapsulate in ‘Clap’, and the response has been overwhelmingly positive.”
This article was first published on Your EDM. Source: Swedish Sensation Josefine Strikes Gold with Latest Single ‘Clap’
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ZUSO Delivers Mesmerizing Dnb Single “Hold Me”

ZUSO is a project from Australian producer Gabriel Cuenca, who has crafting an mesmerizing atmospheric-house sound that is simply irresistible. His ability to create warm soundscapes that whisk your mind blissfully away is a true talent, and is proving to be an artist to keep an eye on for this next year.
His latest single “Hold Me” provides a more liquid drum and bass feel, paired with an ethereal vocal that has an intoxicating effect over your spirit. Soothing atmospherics and escapism are two reoccurring themes found in most of ZUSO’s music, and “Hold Me” has both of those things in spades.
Listen below!
This article was first published on Your EDM. Source: ZUSO Delivers Mesmerizing Dnb Single “Hold Me”
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Gromo Teams Up With Rapper Chevy Woods For Bass House Single “The Protagonist”

Adopted from Guatemala at a young age and raised in New York, Gromo has evolved into a producer who’s not afraid to blend his love for rock and roll, hip hop, and heavy metal into thrilling electronic music tracks. He has studied at NYU’s prestigious Clive Davis Institute; traveled the world performing Ultra events in Miami, Europe, and throughout Asia; and collaborated with artists such as pop singer Rhea Raj and producer/singer-songwriter Hush. 
Now, he’s gearing up for his ‘Vortex’ EP, sharing one of the singles titled “The Protganist” featuring Taylor Gang member Chevy Woods. Hip Hop meets bass house in a splendid way as Gromo arranges thumping backbeat with fiery 808’s and synth stabs to make this one you could imagine rocking clubs late into the night.
Listen below!
This article was first published on Your EDM. Source: Gromo Teams Up With Rapper Chevy Woods For Bass House Single “The Protagonist”
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mredrollo Releases Upbeat Melodic House Gem “Follower” Via Where The Heart Is Records

Although in music for the past 20 years, mredrollo is still relatively new on the scene with a sound that blends punchy rhythms and uplifting progressions. His releases have reached the Beatport Top 10 and are being heard regularly on dance floors of ‘All Day I Dream’ parties around the world, gaining wide support from Lee Burridge, Tim Green, Sébastien Léger, Facundo Mohrr, Madraas and many more.
Now, he’s making his debut on David Hohme’s esteemed Where The Heart Is imprint with his latest single “Follower”. It’s a beautiful melodic house song that incorporates tropical-esque rhythms backed by a driving beat and uplifting progressions. Everything comes together seamlessly as mredrollo whisks you away into a pure state of bliss for the songs entirety.
Where The Heart Is Records continues to be a home for some of the best talent in the industry and we cannot wait to hear what’s coming next.
Listen below!
This article was first published on Your EDM. Source: mredrollo Releases Upbeat Melodic House Gem “Follower” Via Where The Heart Is Records
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BADVOID Drops Massive ‘Mutiny’ EP Via Sounds of Mayhem

Emerging as a groundbreaking force in Drum and Bass, BADVOID, the 22-year-old phenom born in the UK and now based between Brisbane, Australia, and Los Angeles, has released his highly anticipated ‘MUTINY EP’ via Sounds Of Mayhem. This electrifying EP is his best work to date, a testament to BADVOID’s ability to push musical boundaries, infusing Drum and Bass with a unique blend of rocktronic and punk influences.
“KEEP IT HARDCORE” is a heavy drum & bass track featuring PERSONA NON GRATA, a Los Angeles-based artist. Born from an encounter at a Delta Heavy show in LA, this track combines ravey drum fills, gritty saw wave synths, and dark electronic guitars. It’s a relentless sonic assault that sets the tone for the EP.
The Dr Ushuu remix of “KEEP IT HARDCORE” elevates this track with mesmerizing energy and filthy vibes. Dr Ushuu emerged from the suburbs of the city of lights, with a rare blend of joviality, experience and innovation.
“CAUTION” seamlessly blends rocktronic elements with drum and bass. Drawing inspiration from the dark riffs of Metallica, this track is characterized by gritty reese basses, chuggy electronic guitars, and metal-infused vocals. It’s a sonic experience that pushes the boundaries of genre fusion.
“UNREST” takes a different approach, delivering a heavy metal drum and bass-infused track. It features distorted dubstep-influenced basses, heavy reese basses, and hard-hitting drums. It’s a dark and intense composition that showcases BADVOID‘s versatility and willingness to explore new sonic territories.
Listen below!
This article was first published on Your EDM. Source: BADVOID Drops Massive ‘Mutiny’ EP Via Sounds of Mayhem
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Hekler Returns to Bassrush With Thunderous Five-Track Release ‘HEK SZN’

Las Vegas native Hekler is back on Bassrush Records, this time unveiling a thunderous five-track EP entitled ‘HEK SZN.’ The project follows the previously released lead single “BUMPIN,” alongside BLVCK JVCK, as well as Hekler’s debut album ‘Abyss,’ which was released on the label earlier this year.
Hekler leads the EP off with “Work It,” a wildly dynamic destroyer that sees the veteran producer exploring new ground. An upbeat dance-friendly melody brings a nostalgic feel as breakbeat drums and classic jungle vocal samples further the aesthetic. The producer is at home here, unleashing punishing waves of dubstep devastation backed by gritty rave stabs and crunchy synth slams. As soon as it feels like the track can be pinned down, Hekler flips the script by delivering a warehouse-ready hard dance drop punctuated with pounding kicks and a relentless tempo. The distorted outro offers a mind-warping reset with an industrial edge.
This is a can’t miss EP, check it out below!
This article was first published on Your EDM. Source: Hekler Returns to Bassrush With Thunderous Five-Track Release ‘HEK SZN’
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Tobtok and farfetch’d Team Up for Groovy New Experimental EP “My Friends”

Long time friends and studio buddies, Tobtok and farfetch’d, finally reveal their 6-track My Friends EP in all its experimental glory. Marking an evolution in sound from their multi-platinum-selling singles of yesteryear, this passion project draws inspiration from all sides of their musical tastes, spanning house through rave, French and glitch with sprinkles of disco and a kick of breaks and drum ’n’ bass.
The EP opens up with “I Like When You,” a delightful French piano house tune. Bristling with energy, this track sets the tone for the EP, with its distant vocals and bright piano notes along a bustling beat. The next track, “So Good” takes in even farther with an almost choral vocal singing along with the building piano notes.
Next, we come to the title track, featuring more of a modern house breakdown before we get the amazing synths that take the track to the next level. The next track, “We All Fall Down” finally sees the duo explore more vibey and emotional territory. The house beats are still there in the background, but the synths and production all point to something more introspective.
The penultimate track on the EP, “Heartbeats” evokes Disclosure like beats and percussion, with a slow vibe perfect for just after peak hours. Finally, the EP ends with Movin’ On, a disco house masterpiece that will have you shaking your hips well after the track has finished.
“The concept was to do something really playful”, Tobtok explains, “We experimented with new ways of thinking. We tried not to think about what’s going to stream or what’s gonna go viral on TikTok, we just wanted to make music that we like.”
Check out the My Friends EP from Tobtok and farfetch’d, out now on Perfect Havoc.
This article was first published on Your EDM. Source: Tobtok and farfetch’d Team Up for Groovy New Experimental EP “My Friends”
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4B Drops Vibey Deep House Track “Haunted”

What would you think if I told you I had a vibey, deep-house track from an artist you’d never expect? If you guessed 4B, congratulations, because his latest single “Haunted” is already one of my favorite tracks of the year.
Featuring an ethereal female vocal, some of the best synths around, and a groovy bassline. The drop seamlessly blends together an old school sound with modern house vibes. That low synth that provides the melody of the track is an incredible touch. The second drop is incredibly danceable but almost soothing in a way.
Whether you’re playing this on your drive or in the wee hours of the morning, “Haunted” is a track that you’re sure to have on repeat. Check out the latest from 4B, “Haunted” out now on Dim Mak.
This article was first published on Your EDM. Source: 4B Drops Vibey Deep House Track “Haunted”
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Paul van Dyk and DJ Pierre AKA Phuture Drop New ACID TRAXXX EP

Paul van Dyk and DJ Pierre AKA PHUTURE, two icons of the dance music industry, have teamed up for a brand new 3-track EP, ACID TRAXXX. The EP’s title track, based on PHUTURE’S 1987 single “Acid Tracks” seeks to bridge the gap between classic and contemporary styles. Featuring those signature 303 basslines and squelching acid house synths, ACID TRAXXX is sure to excite fans old and new.
Clocking in at over 8-and-a-half minutes long, “ACID TRAXX” is meant to transport you back to an old school warehouse rave. Its thrumming bassline and grooving hi-hats have an unmistakable peak hours vibe to it. The massive second buildup in the drop will have you feeling euphoric.
ACID TRAXXX also features a solo single from DJ Pierre and PvD respectively. DJ Pierre’s track, “PHUTURE ACiD!” kind of picks up where “ACID TRAXXX” leaves off. The acid synths are heavy and the urgency of the drop rises with the hi-hats. Featuring an insane breakdown, DJ Pierre shows why he is a true pioneer of acid house.
PvD’s solo track “FILTY ACID” ties a nice bow on the EP bridging that gap between the old school and the “big room techno” that has become popular at festivals around the globe. The acid synths are prominent in this one, but I feel like the propulsive kick drum was what really set this one apart.
“Working with DJ Pierre has been a dream come true,” Paul van Dyk says. “He’s a founding member of music as we know it and revolutionized electronic music with his innovative use of the Roland TB-303. We wanted to create a track that pays homage to the roots of electronic music while pushing boundaries and taking listeners on a sonic journey.”
“Teaming up with Paul has been an incredible experience,” DJ Pierre says. “’ACID TRAXXX’ is a fusion of our musical worlds, and it captures the essence of what both of us stand for in the world of electronic music.”
Check out the ACID TRAXXX EP from Paul van Dyk x PHUTURE x DJ Pierre, out now on VANDIT Alternative. PvD will be hitting the road for some upcoming US tour dates to wrap up the year. Make sure to check him out if he comes to your city.
November 10 – Stereo Live – Houston, TX
November 11 – Stereo Live – Dallas, TX
November 12 – EDC Orlando – Tinker Field, Orlando, FL
November 17 – Dreamstate – Queen Mary, Long Beach, CA
November 18 – Republik – Honolulu, HI
December 8 – Silo – Brooklyn, NY*
December 9 – Silo – Brooklyn, NY
*VENTURE X show
This article was first published on Your EDM. Source: Paul van Dyk and DJ Pierre AKA Phuture Drop New ACID TRAXXX EP
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Disco Face Combines Horror, Dance, And Raw Emotion In Debut Original Single, “Dance With My Demons”

Disco Face, an enigmatic sensation who has skyrocketed to amassing over one million loyal followers across platforms within just one year, has just returned in a huge way. 
Following the success of his earlier 2023 single “Daylight,” the masked artist now offers something more profound, as revealed in his debut original single, “Dance With My Demons,” out now via independent label TH3RD BRAIN. 
The masked artist is frequently compared to dance icons such as Daft Punk and Marshmello. However, beneath the mask is where Disco Face’s persona really shines. A couple of months ago, Disco Face posted a video that garnered a staggering 11.5 million views on TikTok, unveiling the layers of his persona while shedding light on his mental and physical journey. The journey that ultimately ignited his lifelong passion for becoming a musician.
“Dance With My Demons” bears profound lyrics that aim to inspire others to find strength in challenging times. Disco Face encourages his listeners to live life to the fullest, confronting our inner “demons” head-on. 
What sets “Dance With My Demons” apart is Disco Face’s fusion of bright electronic dance music with pensive alternative influences. His allure shines through his deep connection with fans, as evident in his video, which features over 100 dedicated followers, conveying gratitude and encouraging them to face their own challenges on the dance floor.
Disco Face’s journey delivers a valuable lesson: regardless of life’s obstacles, we can coexist with our inner demons while pursuing our dreams. Only a year in, Disco Face has now emerged as one of the most electrifying musicians poised to dominate the music scene in 2024.
This article was first published on Your EDM. Source: Disco Face Combines Horror, Dance, And Raw Emotion In Debut Original Single, “Dance With My Demons”
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KRANKk’s Sonic Revolution with New Single, ‘Into My Home’

Two years post the launch of their groundbreaking album “Dark,” where they redefined the UK Garage genre, Antwerp’s sensation KRANKk is back with a captivating new single, ‘Into My Home’. This track, set to be released under the esteemed electronic label cloudshaper, boasts the vocal talents of the renowned Yann Gaudeuille.
KRANKk, consisting of the talented trio – Aram Abgaryan on the keys, Thomas Geysen behind the drums, and Willem Heylen showcasing his prowess on the guitar and electronics – is known for their innovative takes on classic genres. This time, they’re delving deep into the world of drum and bass. Drawing inspiration from the genre’s core – rapid breakbeats, intense bass rhythms, formidable reese’s, and harmonious melodies – they craft it into their signature style.
Their chart-topping singles “Crazy” (2019), “Don’t Forget” (2020), and “Aftermath” (2021) secured spots in the acclaimed Flemish Ultratop charts. Their revolutionary audio performance, featured at Pukkelpop in 2022 and 2023, transformed The Booth stage into an all-encompassing 360° audiovisual experience, immersing attendees in a sonic landscape.
As autumn 2023 approaches, KRANKk is gearing up for the launch of their sophomore album ‘Late Nights In Antwerp’. This album promises collaborations with iconic artists like Selah Sue, Yann Gaudeuille, A-F-R-O, Splurgeboys, Logan_olm, Ragga Twins, and more.
[Image: KRANKk 2023]
PHOTO CREDIT – Unnamed Photographer
Dive into ‘Into My Home’, a rhythmic drum and bass masterpiece co-created by KRANKk and Yann Gaudeuille, who has previously collaborated with Belgian luminaries Coely and Dvtch Norris. This track seamlessly fuses soul-stirring vocals with pulsating rhythms, offering listeners an unforgettable sonic voyage.
KRANKk describes “‘Into My Home’ as a narrative of discovering solace amidst life’s tumultuous waves. It stands as a testament to the unifying power of music.
The production of KRANKk and Yann Gaudeuille is nothing short of exhilarating. It’s a harmonious blend of energetic drum and bass with poignant vocals. While KRANKk’s music feels avant-garde, it reverberates with echoes of legendary acts like Burial or Kode9 + the spaceape.
Lovers of Chase & Status, Andy C, Shy FX, and Skeptical are in for a treat.
Anticipate the album’s grand release in spring 2024.”
This article was first published on Your EDM. Source: KRANKk’s Sonic Revolution with New Single, ‘Into My Home’
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Precocious producer Niilas shares hypnotic new house track, ‘Oshea’

Norwegian producer and composer Niilas (Peder Niilas Tårnesvik) has unveiled another single, ‘Oshea’, on October 20th 2023. This is the second track off his upcoming fourth album River Of Noise, set for release on the 3rd of November 2023. His award-winning music has received widespread acclaim, earning airtime on BBC Radio 1, obtaining recognition and praise from the likes of VICE, Stereogum, Magnetic Magazine and ElectronicGroove. and accumulated over 1 million plays across all platforms. He is known for his energetic live performances – he headlined at Munch-museum, appeared at Øyafestivalen 2022 which featured Gorillaz, and performed at Spot Festival 2023 before notable artists Caribou and Todd Terje. Niilas pays homage to his indigenous Sámi heritage and Arctic aesthetics in his music, which combines folk instruments with electronic textures from a variety of genres.
‘Oshea’ is a potent organic house track that is further testimony to Niilas’ prowess as a producer. It begins with a glittering passage from the santur (an Iranian stringed instrument played with mallets) performed by seasoned Iranian musician and composer Misraeed Hosseiny Panah. Just as you begin settling into the mesmerizing melody, a house beat and heavy bass launch the listener into a different dimension. A brooding synth progression slowly builds tension as more textures are added in layers, while the santur continues its hypnotizing dance over the rest of the music. The beat recedes and returns with more intensity, and the track ends as it began, with the solo santur dissolving in an eddy of delay. 
Nillas commented: “I tried making an organic house track with the brilliant musician Mirsaeeds Hosseiny Panah. He is a great performer on the Persian instrument Santur, so our session was really amazing (and I have some backup material that might see the light of day in the future…). Blending the fields between organic, acoustic, digital, synthesized and manipulated was key for this track, and I’m very happy how it turned out”.
Follow Niilas:
Website – Facebook – X – Soundcloud – TikTok – Youtube – Instagram – Spotify
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The JLB and GRAVY drop transcending track ‘Too Much Toosh’

The JLB and the innovative Eastend outfit GRAVY have united their creative forces in the release of their latest record, ‘Too Much Toosh’, set to drop on October 20th. This track defies easy categorization, striving to transcend conventional genres. The JLB is the main moniker of Croydon-raised Jamie Bulled. He has been producing his unique brand of UK Bass music for 10 years. GRAVY is a production duo voiced by Casper a multi-faceted writer, rapper, vocalist, producer, artist and designer occasionally supported by idntmttr vocally too an ethereal sonic technician and producer whose ear plays a central role in the majority, if not all of the recent Kingdome Recordings projects and releases. GRAVY now hone their craft at Belly Of The Beast Studios under Nick Detnon previously home to Dizzee Rascal where the seminal Boy In The Corner was made.
Both of these artists are gearing up for a series of live shows and DJ sets, taking their unique sound from London to Manchester, Bristol to Brighton, and everywhere in between. On November 3rd, GRAVY will grace the stage at Kingdome’s BOUDICA in Manchester, sharing the bill with illustrious talents like Shannen SP, Rainy Miller (the DJ/Producer behind Blackhaine), and Ill Japonia (of Bo Ningen fame). Last month, GRAVY and The JLB unveiled their joint bi-monthly Post Genre Party at the now-legendary South London venue, Spanners.
‘Too Much Toosh’ is nothing short of beautiful chaos. The track features deep, transposed vocals and an unpredictable beat that creeps into your senses. It’s a multi-faceted composition, with elements such as old-school rave chords, colossal basslines, and hard-hitting drums. To contrast the aggressive production, ethereal feminine vocals make an appearance. The end result is a harmonious blend of unpredictable yet irresistible soundscapes that demand your attention, despite their seemingly enigmatic and wild nature. It’s a sonic entity that’s unlike anything else while simultaneously encompassing elements from every corner of the musical spectrum. 
Reimagining the formula for forward thinking dance music and asking themselves, “at its core, what makes a banger sound original?” especially in today’s homogenous world. Their answer : “Being bold, different and good.”
Follow The JLB:
Instagram
Follow Gravy:
Instagram
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MONOWIRE Releases Thrilling Phonk Single, “POV YOU’RE UNSTOPPABLE”

MONOWIRE is a mysterious and anonymous phonk producer whose hypnotic beats seamlessly blend electronic, metal, and hip-hop, resulting in a hypnotic cocktail of sound that makes massive waves with every drop.
His latest single “POV YOU’RE UNSTOPPABLE” is a thrilling ride from start to finish, fusing screamo and bass house with his unique spin that is guaranteed to get your blood pumping. Sonically, it feels like a blur between Justice & Rezz, truly a sound you don’t hear often which also comes extremely polished.
Listen below!
This article was first published on Your EDM. Source: MONOWIRE Releases Thrilling Phonk Single, “POV YOU’RE UNSTOPPABLE”
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Headliners Share Their Favorite Scary Movies Ahead of Escape Halloween

Escape Halloween is only a week away. North America’s largest Halloween festival returns to the NOS Events Center in San Bernardino October 27-28. Select tickets are still available.
Insomniac has also teamed up with Grand Central Night Market for a special screening of Scream (1996) at the Million Dollar Theater on October 24. RSVPs have sold out, but you can still secure a ticket at the screening, all while enjoying all of the plentiful food the Market has to offer.
To help you get in the Halloween spirit, we wanted to share a select handful of artists’ on the Escape lineup’s favorite scary movie. From some more lighthearted fare to some of the freakiest films of all time, check out what some of Escape’s top artists enjoy for spooky season.
Kaivon
Movie: Midsommar
“Midsommar is my favorite scary movie of all time. The movie made me feel feelings that were so deep and mysterious. It doesn’t compare to any other movie I’ve ever seen.”
TOBEHONEST
Movie: The Hills Have Eyes
“My favorite scary movie is The Hills Have Eyes. The reason this one resonated with me so much is because I grew up in the desert, and I would go on camping trips in the winter with my family. When we went out, it was usually in the middle of nowhere, like the setting for this movie. A lot of the time, the places we chose had abandoned towns next to them, like Jerome, Arizona. I always viewed these trips as peaceful because you could see the stars so clearly at night. I couldn’t imagine having my childhood trips turn the way the movie did. Plus, the characters in this movie are so great to watch. They did a really great job with the villains and their makeup.”
Codeko
Movie: Saw
“I was 12, after school at my friend’s house, and his older brother showed us a youtube compilation of “saw” traps to try and scare us. We obviously pretended we were all grown up and it didn’t bother us (spoiler it did), and the three of us ended up watching Saw 2 to prove it. His parents came back and found us, we all got in trouble (I also had nightmares for weeks afterwards). But I’ve watched it again since; I think it’s a weird type of nostalgia but I actually really enjoyed it”
Rossy
Movie: It’s The Great Pumpkin, Charlie Brown
“I actually am too jumpy for most horror movies, so for Halloween I like to stick to some more light-hearted classics. Linus getting scared in the pumpkin patch is about as scary as I want to go. No SAW for me.”
Yetep
Movie: The Grudge
“The Grudge completely traumatized my childhood and I stopped watching any scary movies for a while. I remember being so scared that I was afraid of taking showers because of the scene where the girls get her hair grabbed mid-shower. I also remember seeing The Grudge girl a couple of times during my sleep paralysis, so it’s been haunting me ever since.”
Mariana BO
Movie: IT
“I don’t usually watch horror movies, but this is one of the ones that I find the most terrifying. I’ve always been unnerved by clowns, making this film especially frightening. As a child, it was so scary that I couldn’t even bear to watch it!”
Hekler
Movie: Scream
“I really love the Scream movies from the slasher franchise! I watch them all throughout the year with my girlfriend. It’s like a thing we do together. They have the ability to keep us on the edge of our seats everytime we watch them. For me, it’s all about the message hidden in plain sight and the unique cinematography in the films that keep me coming back and if I am being honest also bleeds into how I try to make music. This last one was sooooo good!”
See you at the Psycho Circus this weekend! Daily stage lineups and official Escape 2023 trailer are below.
This article was first published on Your EDM. Source: Headliners Share Their Favorite Scary Movies Ahead of Escape Halloween
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Dirt Monkey Drops Thunderous ‘MYCELIUM SOUND PT. 1’ LP

With a revolutionary sound, Dirt Monkey has a knack for crossing so many genres across the electronic spectrum and succeeding incredibly well. The forward-thinking artist is always one step ahead, and continuously unites the bass music community at festivals such as EDC Las Vegas and Electric Forest. Late-night headline shows with Dirt Monkey always result in top-notch visual production, but most importantly, showcase his signature bass-infused sound we all fell in love with from the start. Seamlessly shifting levels in his production abilities, Dirt Monkey is now blessing the music scene with the highly-anticipated release of his “MYCELIUM SOUND PT. 1” LP.
After revealing the first single “Ignite” featuring Christian Acamo and calling out all of the dubstep enthusiasts, Dirt Monkey has revealed his stellar 12-track LP that spans multiple genres. A true masterpiece that is a representation of his talent, dedication, and willingness to push the boundaries of his craft, Dirt Monkey will be making the ground shake with this impressive and highly-anticipated album. With festival-ready tunes including “Reset Button,” and “Bounce Heavy,” Dirt Monkey transitions from wobbling bass and slow-tempo madness to a high-energy house flair for the masses. An immediate crowd-pleaser, Dirt Monkey has called upon artists such as Shanna Raymond, J Nolan, and Ragga Twins for this eclectic release.
As Dirt Monkey makes his mark in the music industry one electrifying beat at a time, the talented artist has shown the sky is the limit as he gears up for his next release of “MYCELIUM SOUND PT. 2”, the deep dubstep counterpart to his prior release, on October 25, 2023.
Listen below!
This article was first published on Your EDM. Source: Dirt Monkey Drops Thunderous ‘MYCELIUM SOUND PT. 1’ LP
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Gryffin Announces 2 nights at Red Rocks Oct 24 & 25

Since first breaking into the global electronic scene, multi-instrumentalist Gryffin has earned his name as an unforgettable live act. Known for crafting infectious melodies and captivating beats, Gryffin has delighted fans with a string of smash singles, including platinum certified hits like “Tie Me Down” featuring Elley Duhé. His debut album, Gravity, soared to the top of Billboard’s Dance/Electronic Albums chart in 2019, solidifying his status as a chart-topping powerhouse.

In 2023, Gryffin’s momentum continues to soar with exhilarating performances at festivals such as Electric Daisy Carnival, Electric Zoo, and Ultra Europe. He recently headlined ESPN’s F1 Miami Fan Fest and completed a successful East Coast headline tour. The excitement continues to build as he prepares for an upcoming tour, including two nights at the iconic Red Rocks Amphitheatre in Colorado on Oct 24 (already sold out!) and Oct 25.
Get tickets here.

This article was first published on Your EDM. Source: Gryffin Announces 2 nights at Red Rocks Oct 24 & 25
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Nicky Romero Discusses Production, New Music and His Upcoming Open-to-Close Show “Nightvision” [Interview]

It’s been a big year for Nicky Romero, but the biggest is yet to come. The Dutch superstar recently announced his first ever open-to-close solo show “Nightvision”, taking place December 2 at AFAS Live in Amsterdam. The show will take place one day after the release of Nicky’s forthcoming Nightvision EP, which will feature previously released singles like “Give In”, “Mahoya”, and his latest release with TELYKAST and Linney, “Desire.”
We recently got the chance to sit down and chat with Nick regarding all things “Nightvision”, how his production has evolved over the years, changes in the music industry over the past decade, and
Hey Nicky! Thanks for chatting with us as always. Tell us about your 2023? Give us some highlights and tell us what stood out to you this year.
“What’s stood out for me? I think, well, the best is yet to happen, other than all the great festivals, which I’m extremely lucky to play. But, we’re going to do my first solo concert in December, which is the first one in my entire career. December 2 at the AFAS Live in Amsterdam, so that’s going to be something that’s super special and I think I’m going to do things I’ve never done before. So, that’s why I’m saying it’s too early to give the highlight, because I think this is going to be the highlight of my career and not just this year.
But, if I had to name anything else, I feel like we’ve developed quite a cool sound, like a new sound. For example, ‘Techtronic,’ that was one of the first ones off the EP that kind of did really, really well, which was a new sound that not everybody, but some quite big names started to play. And, I feel like that record is the perfect blend of tech house, but still like almost a big room vibe. I just feel like it’s peak time tech-house, and that is the new sound that I tried to develop and over that, I tried to develop something else, which is the ‘Nightvision’ EP, that kind of has like a similar vibe to it.
But, I’m still learning, and I’m still trying to find gaps in the industry, here and there. I think that a big achievement for us was that ‘Techtronic’ tapped into something that wasn’t there yet.”
You’re most recent single “Desire” with TelyKast x Linney is the latest single off of your upcoming Nightvision EP. Tell us what we can expect with the full EP and what new phase of your production does Nightvision represent.
“So, it’s funny you bring that up because, ‘Desire’ for example, is quite similar production and musically to songs like ‘Legacy’, for example, which are super old records. Where the first breakdown is kind of like straight, and the second drop is more melodic and more based on chords. And that was the same with ‘Legacy’, the first drop was kind of a straight drop and then the second drop became more melodic.
Same with ‘Like Home’ for example, now ‘Like Home’ has the instrumental straight parts in the middle. So, I tried to bring the balance between like a straight drop that has one note for example, one bass note. When you make it melodic, it comes alive, it brings a certain emotion. That’s what I’m trying to do with the ‘Nightvision’ EP, where records are normally designed to get the crowd going, I try to get that energy and also make a combination with my fundamentals as a progressive house producer. We have chords, changing basslines, that’s what I try and do, and ‘Desire’ was one of the first records, also ‘Mahoya’ to bring that element, but I’m still developing it, it feels like we’re on a good track right now.”
Tell us about your upcoming open to close Nightvision show. How long are you going to play for and what will make this show so special?
“Oh, well, I just came from a big meeting about how we are going to develop that show, and what am I going to play, and it’s interesting to give you a few sneak peeks. We’ve been thinking about should we play third party music, should I play records from someone else, or should I make it strictly only Nicky Romero? Either originals, remixes, collaborations, or where I took part as a producer. Records with David Guetta and Rhianna for example, like ‘Right Now’ or Sia with ‘Bang my Head’, or with Britney and Will.I.am.
Am I going to take those elements into the show, because you want to reach a bigger audience. It’s not only the extreme fans who know everything from A-to-Z, it’s also going to be people that are going to the zoo the day after. You’re going to have a wide span of people that want to see that show. So, I’m trying to narrow down, what do I want to show them, what do I want them to experience? And, it’s also the storytelling of Nicky Romero, the artist over the last 14 years. So, that is something that we’re trying to find out with ‘Nightvision’ that I’m still developing.
I think we have a really good blueprint now for what we’re going to do. It’s going to be only our own music, and also some remixes, edits and tracks I co-produced and try to bring that together. And, the craziest part about this, how many artists and DJs do you see, actually like, play physical instruments? I’m going to be playing piano, I’m going to be playing drum pads. Basically, I’m trying to show the world that DJs don’t necessarily only press play, and I’m trying to show them this is how a record comes about.
Like, I can play every record I’ve ever made, I can play it for you right here on the keyboard. And, every song that I hear, I can play it in a second, because you’ve trained your ear so much. And, I’m trying to, not only for myself, but for all of my colleagues in the industry, to teach people that what we’re doing is nothing different from what a pop musician is different, just wrapped in a different wrap. ‘Nightvision’ is going to be the embodiment of that all including visuals that you’ve probably never seen.
I don’t have a lot of charting top 40 hit songs, but I feel like I have a really interesting story to tell. Because, the beginning of EDM as we know it, and how people conceive the word EDM, where it all started from me, I had records from Toolroom, I had Mark Knight emailing me, or Simon of Defected. Carl Cox reached out and played my records for Green Velvet, I was more underground.
Now people see me as a commercial EDM artist. Luckily, I’m one of the artists who got the extremely great opportunity to work with such a wide variety of artists. Calvin Harris, Guetta, Armin, Hardwell, Afrojack, Aviici, unfortunately we don’t have him anymore, which is an extremely big loss for everyone. But, I feel like I’m so blessed, and also the story with Guetta, how many chances he gave me, and still does sometimes. I’m trying to wrap that in a story, it could be like a book that’s converted into a movie or show.”
What’s it been like getting in the studio with Hardwell and Guetta in recent years? Especially since they’ve drastically changed their sounds over the past few years, and it’s reflected on the landscape.
“The last time I did a track with Hardwell was a record called ‘Beta.’ And, I remember that we did that like very hybrid, in terms of like half his plays, and half my plays. And, then it was just important to become number one on Beatport. In the beginning it didn’t really matter how many radio plays, nobody was going to play electronic music on the radio, other than like Guetta’s records which were extremely successful already. But, I was far from his status, and I still am to be honest.
But, we were not focused so much on getting radio airplay, we wanted to have a number one on Beatport, and that was just a way to reach an audience. There was no Instagram or Twitter that were active that much, it was kind of developing at the same time. So, it was just like we need to get a cool record and hope that a lot of DJs are going to play it. And, most important, we need to score high on Beatport. These days, it’s just different, Beatport is still extremely relevant. Actually, I think that it’s at its peak again, since maybe 2012 or 2013, which I’m super happy for because it’s a great platform to get your music from. Also, based on the rights and that people actually pay for the product. So, I’m a really big fan of Beatport.
So, yeah, right now we just want to make a record that makes us happy, we both have our own identity, and I really respect Hardwell. In the beginning, we’ve known each other for such a long time. I even drove him to his shows in his car, just being on the road with him hanging out. And then after that making records and then both developing a career, that wouldn’t have been in my mind ten years ago. But, yeah, that’s why the story is so fun. So, there’s a difference, and right now, it’s just like, oh this track needs to work in both of our live sets, on Ultra, Tomorrowland, or EDC, maybe even something like Lollapalooza or Coachella. How do we create a track which has both of our identities which we’ve developed over the years? So that’s just a different approach.”
This is one of those ones I usually ask, but what do you think of the state of dance music as we begin to close out 2023? Like the sounds, where do you think the sounds are going?
“Well, I feel that dance music, I mean, music in general, but let’s narrow it down to dance music. This is something that Guetta told me in 2014, he gave me so much knowledge of things. He told me this music industry is basically a wave, and a wave comes and it seems huge when you stand in front of it. Sometimes you’re in the water in Hawaii or somewhere in Australia and this wave comes, and it seems humongous when you’re in front of it, and you can’t see anything else but this wave, and you think that this wave is going to be the next big thing and it’s going to flood the entire country.
And, it’s true, sometimes there is a wave that really does that, but in our industry it’s true. There can be one sound so popular that it kind of takes over everything, and everyone is going to make that sound. And, then the next wave is coming and the next wave, and then the trick is how do you jump from wave to wave without losing your identity and how do you stay relevant? How do you stay relevant without losing your roots? Because if you’re jumping too fast people have no clue what they’re listening to or when they’re listening to Nicky Romero. So, how do you keep that brand without losing it, at the same time keeping up with the pace of the dance music industry?
Because, the music industry right now, feels like it’s moving faster than it ever did before. It feels like a record is out today, and it’s out tomorrow. I cannot play a record in my set that is not from the last two weeks, otherwise it feels old. And, this has been taken to an extreme, but, let’s say 10 years ago, I could play a record that was Beatport number one for six months and everybody would still love it. And now, there’s so much music, there’s so much output that a record starts to feel old after two weeks.
How is that going to work out in the future? I have no idea. I think people are going to really pick their own niche boxes with what they like, and the majority consumes everything, but therefore the quality goes down. It’s nothing different than the food industry.”
Do you have any book recommendations? Been streaming anything good lately?
“I love reading and gaining new knowledge. My girlfriend is always like when I’m with you it feels like I brought an encyclopedia with me. You have the knowledge of the entire world, which is a compliment, but at the same time she makes me look like I’m some sort of doctor that is not interested in small stuff. But, I’m like a sponge, kind of just trying to absorb everything in its surroundings.
The book that I’ve been reading lately, it might sound boring, it’s a book by Stephen Hawking, ‘The Answers to the Big Questions’. This is very specific, because I wanted to know about black holes. How do they exist, what does it have to do with gravity? These are kind of the questions that keep me up at night. In terms of series, I’m a little behind on Netflix, but I watched this German series called ‘Dear Child’.”
Thanks Nick, any last words for the fans?
“This is going to sound very far away from the topic, but the situation in the world, it’s really a sad time, and feels like we’re very much living in a sad time that divides us more than all of us want. And without going into details about what and where, I just hope that everybody can find the space to help one another and to find one another. So, that’s a message that I’m trying to spread more and more. We’re living in such a weird and sad time, that I just really hope that people can connect with each other and we can spread some love again and help each other out.”
Make sure to check out the latest from Nicky Romero & TELYKAST x Linney “Desire”, out now on Protocol. Click here to get your tickets for Nicky Romero’s first ever open-to-close show “Nightvision” taking place December 2 at AFAS Live in Amsterdam. Check out the official “Nightvision” trailer and get hyped for the show.
This article was first published on Your EDM. Source: Nicky Romero Discusses Production, New Music and His Upcoming Open-to-Close Show “Nightvision” [Interview]
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