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The highly anticipated album “Love Forever” by the dynamic musical duo GC (Gate Citizens) and Crazü is now available, offering a musical journey that transcends genres. Released on September 20th, this collaboration promises an electrifying and genre-defying listening experience. “We wrote most of these songs from our own experiences, hoping our audience would connect with the wide range of emotions and insights, including the ups and downs of life and love,” GC said. Crazü elaborated, “This release revolves around the intricate nuances of love that we believe resonate with a broad audience, encompassing themes of authentic love, drama, club anthems, and music festival favorites.” GC, originally hailing from Kingston, Jamaica, and currently splitting his time between Los Angeles and New York, brings a unique blend of reggae and dancehall influences infused with soulful R&B harmonies. His artist name, GC (Gate Citizens), reflects his unwavering commitment to artistic integrity, paying homage to his extensive world tours. Crazü, born Sebastian Laborde in Juiz de Fora, Brazil, and now based in Los Angeles, draws inspiration from an eclectic mix of musical genres, including EDM, pop, and classical elements. His artist name, Crazü, signifies a level of creativity and intensity that goes beyond the ordinary, as defined by the Urban Dictionary. His versatile and captivating style has graced stages around the globe, sharing the spotlight with EDM luminaries like Gareth Emery, R3Hab, and Nervo. “Love Forever” comprises 13 tracks that delve into the complexities of love and life, offering listeners a diverse range of emotions and experiences. From heartfelt love songs to infectious club anthems and festival-ready tracks, this album caters to a wide spectrum of musical tastes. Crazü describes their sound as “breathing new life into everyday music,” with a focus on reviving feel-good tunes that resonate deeply with the audience. “This release is about bringing a new sound to everyday listening,” he says. “Music has evolved in so many ways over the past five decades, and we really want to bring back some feel-good music that truly hits home.” GC added, “This album is a fusion of Reggae and Dancehall dialect, R&B tones and harmonies, EDM-infused production coupled with Hip Hop and popular genres, all while never losing sight of the humanity and emotions we all feel. The album’s lead single, “Solar System,” featuring enchanting vocals from GC, Emmillienne, and Ana Stasia, takes listeners on a cosmic journey through the universe, showcasing their innovative and boundary-pushing musical artistry. Beyond their musical endeavors, GC (Gate Citizens) and Crazü are committed to making a positive impact. They are already working on a documentary in Brazil that sheds light on Amazon Rainforest deforestation and its profound cultural and musical implications. Through “Love Forever,” GC (Gate Citizens) and Crazü aim to unite music enthusiasts from all walks of life, delivering a message of love and unity through their eclectic and genre-blurring sounds. This article was first published on Your EDM. Source: Crazü and GC (Gate Citizens) Link Up For Dynamic New Album ‘Love Forever’

In a candid conversation with YourEDM, Tim Clark, the rising star of the electronic music scene, shares his exhilarating journey from being a fan in the audience to sharing the stage with trance and progressive legend, Markus Schulz. Fresh off the first leg of ‘The Rabbit Hole Circus’ tour with Schulz, Clark delves into his experiences, the highs and lows of his career, and the passion that drives him. From his debut at iconic venues like E11EVEN Miami, Musica New York, and Avalon Hollywood to the story behind his hit single “Oasis” on Coldharbour Recordings, Clark offers a glimpse into his world. He speaks about the challenges of winning over a new audience, the importance of reading the crowd, and the mentors and moments that have shaped his journey. YourEDM: Congratulations on completing the first leg as the tour DJ on Markus Schulz’s ‘The Rabbit Hole Circus’ tour! How was it? Tim Clark: Amazing experience! I appreciate that I was even there. I couldn’t have picked a better mentor than Markus Schulz; he’s absolutely amazing. YourEDM: Was this your first time playing at these venues: E11EVEN Miami, Musica New York and Avalon Hollywood? What was that like? Were you nervous? How did you feel before going onstage? Tim Clark: Yes, every venue I’m playing now is a new experience for me. Every time I go up [onstage] is a first time for me. I would say I was nervous prior, but the second I press the “play” button, all the nerves went away. YourEDM: Markus Schulz is a trance and progressive legend of global acclaim with some of the most die-hard fans we’ve ever met. How did you two connect? What’s the background to your relationship? What have you learned from him and/or from each other? Tim Clark: [Last] New Year’s Eve, he played one of my tracks and he asked his [PR] manager, Emily Tan, “Who’s the producer?” She found-out it was me and she and I connected and had me send an hour demo to Markus. He ended-up liking it and it took-off from there! I went to [Miami Music Week] Ultra Music Festival-week this past March and met-up with Markus Schulz again there, and we hit it off and then he asked me to do the Rabbit Hole Circus tour with him. He’s patient and took his time and helped me develop my craft. As far as his legend goes and the huge fanbase that he has, no one is more of a die-hard fan than I am! So, it’s very surreal for me to be sharing the stage with him, especially after having been on the other side out in the audience. YourEDM: You’ve got a hot new single on Coldharbour Recordings, “Oasis.” That track’s a banger when we’ve heard it played out! What went into the making of that production? Tim Clark: Well, I’m from Las Vegas and I just envisioned a person going over a hill in the desert and seeing this oasis. It’s actually about my home in Vegas and that’s what inspired me. The truth of the matter is, it came out more ‘trance’ than I expected because I was pursuing a progressive-house type track at the time. But, the finished product turned-out as a trance track instead. YourEDM: What are your next Coldharbour releases? What can you tell us about them? Tim Clark: I have three releases on Coldharbour, presently. The first one was “Oasis,” which is out now. The next one will be “Gateway,” for which we just got done shooting a music video in Hollywood (after Markus Schulz’s sold-out Rabbit Hole Circus show at Avalon, at which I played). After that will be “Descent,” as in “going down” the rabbit hole. There are more trance than tech-house, which is why Coldharbour was interested. My catalog of originals spans from house to trance, and Coldharbour has been interested most in my trance productions. I have other originals that are being released through my Tradebloc Music imprint which is distributed globally by Warner Music. YourEDM: You also have releases on other labels including your own, like “Wake Up” featuring Jessica ZenZen. We love that song! Please tell us about your other releases on your own label. Which ones are your favorites? Which ones get the best crowd reactions when you drop them out live? Tim Clark: I have other releases, but I’ve come to be associated with Markus Schulz and Coldharbour Recordings, most recently. “Wake Up” is one of my originals and that song gets a huge crowd reaction when I play it out live! I have a lot of terrific additional songs, like “Lost In The Moment,” “Ameritum” and about 30 others. One of my favorites is called “Forgiving Hearts,” which is a love letter to my wife. I don’t think when people first started noticing me that I’d have had so many originals recorded. I can’t wait to release them all. YourEDM: As a producer when you’re in the studio, what’s your creative process like? Tim Clark: I come-up with the name, first, then I plan the idea of the song. I take the track as far as I can possibly go, in terms of production, and then I hand it off to my team who help me produce and master each track. I have the final say over each work, but the producing is a collaborative effort. I’m a DJ/mixer first and a producer second. I’m not one of those producers first who learned how to DJ later. I’m a DJ who learned production YourEDM: 8) You clearly enjoy yourself when you’re DJing in front of a live audience. What goes into your preparation for a live DJ set? What’s your mindset when you’re stepping onstage? Tim Clark: I probably practice [DJing] more than anybody on the planet! Because I’m so prepared, I’m very comfortable when I walk on that stage. The truth of the matter is, I’m more comfortable playing in front of 5,000 people than talking to five people in a room. I’m most at home behind-the- decks and a huge calm overtakes me once I get onstage. YourEDM: Being a relatively new DJ to the scene, what are some techniques you use to win-over a crowd that may not be familiar with your releases or your style? Do you have DJ-heroes you think of as role models? Tim Clark: I’m a natural empath and have the ability to read what the crowd wants. I would play country music if I thought the crowd wanted it! I come to the stage with an idea of what I want to play, but then it can change immediately, depending on the crowd. I don’t hold myself to a set script. I take the audience on a journey and I like to think of myself as a musical therapist. I know some top DJs that play scripted, whether the audience likes it or not. I’m not like that. I like to read my audience and play what they want to hear. YourEDM: 10) You have a lot of shows coming-up! What are you — or your manager — looking for when considering new bookings? Tim Clark: I won’t do anything that doesn’t move my career forward. I have a lot of shows coming-up, but I also have been turning down shows. If an event isn’t something that’s progressing my career forward, then it’s not a right fit for me. For example, I’m playing the Groove Cruise Miami this year; I’m playing the cruise itself as well as the preparty, both of which will be sold-out or are already sold-out. What I’m not going to play is some pool party in Dallas as a one-off just for the hell of it. YourEDM: Nearly every performing artist has war stories to tell. What are some of yours? Tim Clark: I have a lot of stories, both as a fan and as a performer. Here’s one: I remember, in 2008, my friends and I drove from Vegas to L.A. to see my favorite DJ, Markus Schulz, play at Avalon Hollywood. It was a pretty surreal moment when, this August, I got onstage to play with him, considering I had a poster of that guy on my wall! In New York, I walked out and I had five guys in the corner chanting, “You suck, you suck!” I eventually wont them over by the fourth track. After my set, I went to the bathroom and saw one of those guys and asked him what he thought of my set, and he said, “You were a trainwreck in the beginning but then you brought it home.” Then he shows me pictures of him DJing. DJ critics, you know. [laughs] YourEDM: Was there a spectacularly bad show/event/night you experienced, that almost made you want to quit DJing? What did you learn from that experience to tell yourself you shouldn’t quit? What motivates you? Tim Clark: Many times I’ve been at the top of my game, but playing in New York, I didn’t think I gave my best performance. Afterwards, I had many moments thinking that this wasn’t for me, but my wife and daughters told me to stick with it, and now I don’t have those feelings anymore. Now, I’m all in! Everybody thinks they can sing because they do so in the shower. I’ve had moments of doubt and thinking I was being delusional, like, can I really do this? But now, after all I’ve been through, I don’t have those doubts anymore. Photo Credit: Zhamir Pascual This article was first published on Your EDM. Source: YourEDM talks to EDMA 2024 Best New Artist Nominee, Tim Clark, about hisnascent career and what it takes to get to the top

The Amsterdam Dance Event (ADE) is set to be illuminated by the pulsating beats of “The Myth Of NYX”. Presented by the renowned Future House Music, this tech house label is gearing up to make its second grand appearance at the event. The Melkweg, one of Amsterdam’s iconic venues, will reverberate with the finest sounds of the tech house genre on Friday, October 20th. The event promises not just quality music but also an eclectic line-up that stands testament to the label’s reputation in the industry. For those who’ve witnessed the magic of “The Myth Of NYX” before, this is a chance to relive the experience. And for the uninitiated, it’s an opportunity to be part of a musical journey that’s bound to leave an indelible mark. Situated in the heart of Leidseplein, The Melkweg is the perfect backdrop for a night that promises to be both electric and immersive. With tickets selling out fast, enthusiasts are urged to secure their spot on the dancefloor at the earliest. Don’t miss out on this musical extravaganza. Grab your tickets now and be part of a night where myths come alive, and the dancefloor becomes a realm of endless possibilities. For ticket bookings and further information, visit here. This article was first published on Your EDM. Source: “The Myth Of NYX” Touches Down at ADE: An Electrifying Night Awaits at The Melkweg

Dave Giles II is known for his soulful vocals and has even earned a Grammy Award for his contributions to Beyoncé’s “Cozy” from the album RENNAISANCE. Meanwhile, Sam O.B. is celebrated for his funk-infused DJ sets and productions. These two artists joined forces in 2016, crafting unique tracks that blend hip hop and other rhythmic genres with a modern house sensibility and innovative thinking. Their earlier tracks have received remix treatments from renowned DJs like Derrick Carter, Harry Romero, and Nick Godmode. Their recent remix of Coco and Breezy’s single “Magic” received critical acclaim, and they shared the bill with Coco and Breezy last month at the iconic ‘Elsewhere’ venue in Brooklyn, New York. Working closely with the Classic label, Dave + Sam have honed their signature sound, consistently impressing tastemakers worldwide with each subsequent release. In “Not The Same,” their latest offering, they explore a more minimal direction, emphasizing addictive repeated lyrics imbued with a stoic bravado, all while electronic pulses twist the track into a darker realm. Having delivered a standout performance on The Lot Radio and a captivating set at Defected Croatia this year, Dave + Sam are poised to dominate 2023 with more live sets in the pipeline. This article was first published on Your EDM. Source: Dave + Sam are on fire & back with their follow-up single, “Not The Same,” on the Classic label

On September 21, 2023, the talented American vocalist and songwriter, Klay Cartier, unveiled his latest single, ‘On The Low,’ through Kult Klassic Studios. Hailing from the American Midwest, Cartier has garnered significant attention from influential publications like CLASH Magazine, NOTION Magazine, WordPlay Magazine, Music Crowns, CLOUT, and more. His music exudes an irresistible and soulful charm, drawing inspiration from icons such as Drake, Marvin Gaye, Michael Jackson, and Stevie Wonder. Building on his momentum, ‘On The Low’ has already premiered and received support from notable webzine EARMILK. ‘On The Low’ stands out with Klay‘s distinctive personality and confident swagger woven into its fabric. It exudes soulfulness, sensuality, and an enticing rhythm, boasting lyrics rich in flavor as Cartier showcases his vocal prowess over a simmering and dreamy R&B backdrop. Delving into the theme of forbidden love, Klay Cartier leaves nothing unsaid, openly acknowledging an enigmatic lover and their romantic escapades. It’s reminiscent of the golden era of classic R&B, evoking a real nostalgic response, when soulful R&B ruled the radio waves. Despite its classic feel though, it evokes contemporary images of artists such as Bryson Tiller and Jermemih. Klay Cartier had this to say: “I’m so excited about this release because I’m finally giving people what they want. I’m showcasing my natural ability in R&B and I’m bringing back that classic R&B. This song is sexy, sultry and definitely an ode to the early 00’s R&B.” Follow Klay Cartier: Facebook – X – Soundcloud – TikTok – Youtube – Instagram – Spotify

Charlotte de Witte is a pro at captivating audiences around the globe and soon enough she’ll debut her latest concept — KNTXT Turbo Club, an epic 3-day pop-up series during Amsterdam Dance Event (ADE) 2023. The techno powerhouse, DJ/producer, label owner and tastemaker known for her “dark and stripped-back” productions will indeed make her mark on Amsterdam this year — as de Witte’s brainchild KNTXT intends to add to the culture with three unique lineups over October 19 – 21. Details of KNTXT Turbo Club remain top secret for now, but the series promises solo sets and exclusive b2b sessions. Although exact venue and lineups will not be revealed until the very last minute, techno lovers can count on impeccable talent and underground energy near the heart of the city. Here’s a hint on location: “Our secret club is located in ‘Zeeheldenbuurt’, only 5 minutes away from Amsterdam central station & 8 minutes from Rijksmuseum.” While there’s much to explore over ADE weekend, KNTXT Turbo Club stands out with its passion for quality techno. We expect Charlotte de Witte to bring her distinct brand of fierceness and intensity to the stage along with her favorite artists of the moment. Get KNTXT Turbo Club passes here! KNTXT Turbo Club x ADE This article was first published on Your EDM. Source: Charlotte de Witte to Debut KNTXT Turbo Club 3-Day Pop-Up at ADE 2023

Amsterdam Dance Event (ADE) is soon to host its most extensive installment yet with an additional conference day, taking place from October 18-22, 2023. By the numbers, the ADE 2023 program boasts five days and nights across 200+ venues, including 1,000+ events and featuring 2,500+ artists. With already endless options and opportunities for electronic music artists and professionals to explore, a second wave of prominent DJ/producers have been added to the mix. Latest additions to the lineup and programming include: Adam Beyer, Anetha, A-Trak, Carista, Charlotte de Witte, DJ Holographic, Fatima Yamaha, Hardwell, Héctor Oaks, HoneyLuv, Interplanetary Criminal, Islandman, KI/KI, Peggy Gou, and many more. Other featured artists include: 999999999, Amelie Lens, Armin van Buuren, Paula Temple, Dax J, Mama Snake, DJ Stingray 313, I Hate Models, Sara Landry, WNDRLST, The Blessed Madonna, Nastia Reigel, Farrago and the list goes on and on. In addition, the second wave of ADE Lab confirmations have been revealed: Cultivating Communities w/ Saoirse, ISAbella, LYDO, Bella Hall; Cercle’s own creative masterclass; and Echobox’s radio workshop and more. We appreciate everything ADE has in store for 2023 — Get your ADE Pro pass, Lab pass or day passes here! ADE 2023 Lineup This article was first published on Your EDM. Source: ADE Reveals Massive Second Wave of Artists for 2023

It’s no secret that DROELOE is one of the most forward thinking artists around. He consistently pushes sonic and creative boundaries that make it impossible to place him in just one genre. His latest offering – ‘The Art of Change’ – is his debut solo album and shows DROELOE at his absolute best and most vulnerable at the same time. At the same time, he seamlessly traverses indie, future bass, drum and bass, two step, UK garage genres in a way that feels entirely organic. Perhaps the most unique aspect to the album is that it documents DROELOE having conversations throughout the album with past and future selves as he ages throughout life. It’s perfectly executed and at times, sharing exuberance about life and at others, showing regret for mistakes made – all the while still wanting to make an effort to grow. “This album is a collection of ideas that I find important within my own personal development. It is a journey to turn these ideas into songs and symbolic places, one that helps me to visit those ideas more often. I want to become a more active participant in my own growth, this album is a step in that direction” – DROELOE Each song is intentional and has a purpose on the album. A few standouts for us include the mesmerizing single “Strange Wave,” indie / drum n bass single “Landscape,” the anthemic tune “Lionheart” and “Counting Ten,” the album’s final number that concludes the experience in an emotive, somewhat bittersweet manner. All in all, ‘The Art of Change’ is an album that is sure to stand the test of time – one that no matter how many times you listen – you only want to listen more. Check it out below! This article was first published on Your EDM. Source: DROELOE Releases Beautiful, Sonically Eclectic Debut Solo Album ‘The Art of Change’

Following the successful launch of its 3-day Easter edition and a series of summer pop-ups, The BPM Festival has announced its third edition at its base of Tamarindo, Costa Rica on January 24th-28th, 2024. Over the course of 5 days, guests will be treated to an extraordinary and immersive experience set against the breathtaking backdrop of Tamarindo’s sandy beaches, tropical forests, and vibrant local culture. Phase one of the festival’s diverse lineup kicks off with over 60 names, including Bedouin, Carlo Lio, DJ Holographic, Eagles & Butterflies, Eli & Fur, Franky Rizardo, GORDO, Hernán Cattaneo, HUGEL, Øostil, Paco Osuna, Sainte Vie, and Sidney Charles amongst many other leading artists in house and techno. It’s the perfect way to kick off the new year – set in a beautiful location as the backdrop. A new stage is promised this year, and to further enhance their BPM experience, guests will also have access to a curated selection of daytime pop-up parties. The BPM Festival has partnered with TULU Travel, offering 5-night full-service accommodation packages at several hotels situated within the heart of Tamarindo. Sold separately from festival passes, travelers can choose between the iconic Hotel Diria and the adults-only Jardin Del Eden. Ranging from $630 to $1315 per person, select packages include roundtrip airport transfers, daily breakfast buffets, yoga classes, meet and greets, and more. Grab your tickets and don’t miss out on the BPM Festival! This article was first published on Your EDM. Source: The BPM Festival Announces Phase 1 Lineup Ft. Gordo, Franky Wah, Eli & Fur + more

Despite the updated big booty bass sound and feel of his most recent single “Big Drip,” the Florida-based artist known as 3Fifs generally has generally had a more-heard-hitting style during his decade-long career. The St. Louis native uses his diverse musical style to drive his deeper points home, as is exemplified in the re-release last year of one his of first and heaviest singles, “Dive In Deep.” Now with his return to hip hop, this Urban Songwriter of the Year is just getting started. 3Fifs’s name is a clear reference to the oppression and enslavement of black people in the United States, and his music started off with the same message with his debut single “Dive In Deep” and his 2013 album, Birth of a Nation. “Dive In Deep” featuring Lydia Lyon appeared later on the equally visceral The Runaway EP and is a jazzy update on the classic “Wade In the Water” spiritual song sung by enslaved people in the south. “Dive in Deep” is the first song I ever recorded, but I never promoted it; despite all my day-1 fans encouraging me to do so. As someone inspired by Black history, I knew I wanted to flip a Negro spiritual, and “Wade in the Water” was the first one to come to mind. I wrote the song in my head while I was working a job at the mall and thinking about the type of woman I wanted…“Dive in Deep” is my signature song: it represents everything I am as an artist – smooth, laid back, introspective, and classy. The story and the beat are sexy, the video features my brother, my sister, and my cousin, O So Amazin’, who was tragically taken from us too soon. 3Fifs’s tie-ins to black history aren’t always in his vocals, as he states above, but they nonetheless are very much in the listener’s face. Both Birth of a Nation and The Runaway have stark, callback-to-slavery imagery and toggle between heavy subject matter with tracks like “Preamble,” “Jim Crow,” “Dred Scott” and, of course “Dive In Deep,” and more standard-style bangers like “Danny Bonaduce” feat. O So Amazin and Streetza Ria and “Due Time” feat. Khyre. His flexibility helps get these deeper messages across and has also amassed him an impressive following, with his new ventures amassing nearly a combined 200,000 listens on Spotify. Since re-entering the limelight in 2021 with his single “Season of the Fall,” 3FIfs has launched into some of the newer styles like heavy bass trap but fans can bet his ties to the golden age haven’t gone away completely. The very next track after “Season of the Fall ” is “Smoke In the Breeze,” a smooth, jazzy melding of Nas-style big beat and Dr. Dre funk. Both tracks are fun, danceable, and, most importantly, contain well-spit verses with zero mumble rap. Moving to “Big Drip,” it’s clear 3Fifs wanted to pull some throwback booty bass influence from his move to Florida, and hip hop historians will be able to hear the hint of 2 Live Crew in this track, but it’s also extremely modern and incorporates trap and pop sounds. “Big Drip” may sound like it’s just a fun, collar-popping track but 3Fifs says there’s more to it than that. It’s a very braggadocious song, but as the line says “I spit like I live it:” I was one of the first people to reserve the new Hummer SUV straight off my car business money; my Mom and I lived in a homeless shelter when I was young, but now she has a home on 5 acres, and my Granny definitely was proud of me until her dying day. It’s a feel-good song with a bouncy beat and authentic realism. Hopefully others will relate. “Season of the Fall,” “Smoke In the Breeze” and “Big Drip” will all feature on 3Fifs’s upcoming The Middle Passage EP, which is due out in 2024. As has always been the case with 3Fifs, fans can expect a healthy mix of deep, thought-provoking concepts, stark imagery and a running history of music in the remaining releases. It seems 3Fifs isn’t nearly finished with his message and music yet, and hip hop can only benefit from his presence. “Big Drip” is out now on Spotify along with the rest of 3Fifs work. For a more extensive discography, check out his SoundCloud page and for more videos, subscribe on YouTube. This article was first published on Your EDM. Source: New Artist Spotlight: 3Fifs Bid to Revive Booty Bass With Upcoming EP [Video]

Deucez has had a busy 2023 so far releasing an official remix for ATLiens on Bassrush and embarking on his debut headline tour across 19 cities and counting. Deucez is well known for his heavy gritty riddim within the bass community but has opted for more of a feel-good melodic vibe with his brand new track “Fate (The Way It Is)” out now Cyclops Recordings. It’s a catchy blend of a more pop centered vocal backed by a crisp hip hop beat. It all builds wonderfully towards a tantalizing, uplifting drop that carries a lot of sparks. When asked about how he came up with the track Deucez said: “This song came about when wanting to write a song about how the universe brought my fiancé and I together. How sometimes the people we meet in life can make us feel at home without trying and how inevitable feelings blossom.” He also went on to say “Going into this track I wanted to make something different than my norm not only by recording vocals but the vibe and feeling of the track to really express the feelings involved with love. Cyclops Recordings has always been a dream label for me and am honored to be able to release this song with them!” Listen below! This article was first published on Your EDM. Source: Deucez Drops Tantalizing Melodic Riddim Track “Fate (The Way It Is)”

Oregon-based artist VRG has stormed the music industry with no signs of slowing down. Recently returning to Lost Lands 2023 along with performing an exclusive B2B set with NAZAAR at the Shaq’s Bass All Stars Festival, VRG has proven to be an artist to provide fuel-filled journey with an explosion of genres including trap, dubstep, hard techno, and more. After storming the charts with his recent collaboration on “WATCH YOUR BACK” with DIESEL and Blackway, VRG is back to take full control of his global fan base with the release of his destructive single “STEPUP!” featuring Andy Kutner of AFTERMYFALL. As expected, this song contains a monstrous amount of energy, and sonically very well excecuted. Screamo vocals, heavy metal guitar riffs, and brimming intensitiy all come together as VRG provides a booming series of drops that would make any head banger proud. Listen below! This article was first published on Your EDM. Source: VRG Releases Booming Dubstep Single “STEPUP!”

Z2 is proud to announce ILLENIUM: Presents Starfall, a collaboration with the musical mastermind that channels the infectious energy of his five-album career into a new, neon-splashed graphic novel. Z2 Comics will release ILLENIUM Presents: Starfall on November 21, 2023 in standard hardcover, deluxe hardcover, and super deluxe editions. The deluxe edition will feature an oversized hardcover book in a custom slipcase and come packaged with three art prints illustrated by Alex Moore. The super deluxe edition, which contains the same contents as the deluxe edition, is limited to 100 copies signed by ILLENIUM and also includes a limited edition holographic collectors card in a magnetic case and an enamel pin. In a cold totalitarian society where only the fittest survive, Nick has embraced a new world order of violence and brutality, blindly following his overseers’ wishes no matter how much blood stains his hands. To meet these vicious ends, Nick relies on an addictive Substance—a potent elixir that his malignant overlord rations out to the loyally subservient. But a mysterious woman named Ash soon challenges his worldview, unlocking a potential of harmony rooted in a winding mythology of phoenixes and fire. To transcend the dystopia he helped create, Nick will have to battle demons of addictions and unearth the secrets of ILLENIUM. ILLENIUM joins writers Frank Marraffino (Marvel ZombiesI, Dee Snider: He’s Not Gonna Take It) and artists Pablo Andrés and Luis Expósito Hernández for this gripping new sci-fi venture. Emilio Adrias provides cover art. “The chance to bring my origin story to life in graphic novel form has always been a dream of mine. This will be unlike anything anyone has ever seen from me before.” – Illenium This article was first published on Your EDM. Source: ILLENIUM Announces New Graphic Novel with Z2 Comics

Midnight Pool Party has proven that not only are they house connoisseurs, but kings of creating amazing grooves within each single. Their latest is no exception to the greatness we’ve come to expect from the talented duo, as they’ve unleashed a thumping tech house single “Stamina“. They view it as a song powerful enough to keep your party battery charged and in full swing all weekend long. It’s also one of the song ideas that they wrote during a weekend writing session earlier this year which resulted in a tidy collection of demos that they feel really good about and will be sharing with us all very soon. “This was one of the songs we wrote at the beginning of the year, just after Sydney World Pride where I (Darren), was out partying every day and night. Every weekend for the last 2 years I’ve also been working in the gay club scene, and a lot of people would say to me “I don’t know how you have the stamina to go out every weekend”, so that inspired me to write a banger about partying all the time. I showed the idea to Ollie on our weekend writing trip back in May and we worked on a rough beat, I came up with a hook, and it just grew from there!” – Midnight Pool Party Listen below! This article was first published on Your EDM. Source: Midnight Pool Party Release Thumping New Single “Stamina”

Original Photo by Ivan Meneses for Insomniac Events Earlier this month, Insomniac put on the 28th edition of Nocturnal Wonderland, North America’s longest running rave. I was lucky enough to attend once again this year, and like a Swiss train, Nocturnal just consistently delivers. Whether it’s the immaculate vibes that cannot be matched by any other Insomniac fest, the always stacked lineup, the familiar venue and setup, or the Cosmic Equinox itself; Nocturnal retains its uniqueness and charm. I don’t think there’s any other festival where you have a confluence of people raving for their first time and OGs who have been there since the early days. Once again taking place at the pristine Glen Helen Regional Park in hills north of San Bernardino, this year’s edition of Nocturnal featured absolutely perfect weather. Just because the equinox is on the calendar doesn’t mean that the Southern California summer is over. This year, though, headliners were treated to pleasant fall-like weather, with temperatures never exceeding 80 degrees. In fact, it was downright cloudy on Saturday. As I mentioned, the Nocturnal festival grounds are very familiar to anyone who’s ever been, and with only three official stages, it’s supremely easy to navigate. For non-campers, they walked up the hill to the Glen Helen Pavilion entrance, you walk up the ramp decorated by blacklight painted ferns and you either walk up the hill to the Labyrinth stage, which was headlined by Bassrush all weekend long, or you walked (stumbled) down the hill to Sunken Garden and Wolves’ Den. While the stages at Nocturnal usually retain most of their form from the previous year, unlike EDC, there were some notable differences at the main stage. While it retained the massive circle video panel in the middle of the stage. The top of the stage was adorned in neon colored flowers that bloomed over the course of the nights. The Nocturnal Wonderland logo was front and center while the top border of the stage featured blacklight painted wood panels. The lasers and pyro only got bigger from last year. Original Photo by Jamal Eid for Insomniac Events The Labyrinth stage also had some new features. While the stage maintained the same design, it dispensed with the multiple smaller TV-like video panels for a single long diagonal video panel on each side leading to the tall vertical video panel. Again, lasers and pyro were on point at the stage. My only criticism is that the volume was significantly lower at Labyrinth than at the main stage. Sunken Garden was pushed back a little to allow for more foot traffic (good move) and appeared to be the same as last year. Every single set was amazing this weekend. As for my experience, we walked into the venue on Saturday as Joel Corry was throwing down a nice set of house and techno. We made our way up the hill for our much needed dose of drum & bass from UK legend Dimension. After a little bit we made our way down the hill for the absolute house party that NITTI b2b Marten Horger were throwing down. After that, Jason Ross was a major highlight of the first day, from trance to techno, Ross showed that he can do it all. We enjoyed the sights and sounds of the Sunken Garden as VNNSA threw down before we made our way back to Wolves’ Den for AC Slater’s banging house set, and an immaculate set from Seven Lions where he threw down both his hits and some wild psy-trance. Finally we ended Night one atop the hill with Black Tiger Sex Machine, the duo threw down an insane set that featured heavy dubstep as well as some more melodic tunes to balance it out. Original Photo by Jake West for Insomniac Events We got in a tad later on Sunday (happens to the best of us on the final day), but we made it in time to see some of Pendulum’s set before the absolute highlight of the weekend; Benny Bennasi’s Sunset set. The dance music legend weaved through some deep and clubby tracks before closing his set out with some of his biggest and most beloved hits. He closed his set out with Skrillex’s iconic remix of Benassi’s hit song Cinema. The lasers and production of the stage helped to deliver an unforgettable moment for everyone there. For me, this was an iconic moment; a dance music icon delivering an indelible moment in an iconic space. From there we moved up the hill and bass was the formula for the rest of the night. I was in awe of PhaseOne’s performance, and Eptic delivered an incredible set for all the headliners who were thoroughly enjoying his performance. We stayed atop the hill for GHOSTRYDR (JOYRYDE b2b Ghastly) and enjoyed the old school rave vibes. By that time, everyone had gone down to the Wolves’ Den for Subtronics, so old school ravers were rewarded for their patience. There you have it for another successful edition of Nocturnal. I haven’t seen anything yet confirming next year, but I’d be surprised if Nocturnal didn’t return for its 29th edition at Glen Helen Regional Park. Also, Premier Parking came in clutch, you got dropped off at the camping entrance, and did not have to wait in traffic for an hour to leave the venue. 10/10 recommend. This year’s Nocturnal was pitch perfect, and we can’t wait to return next year. This article was first published on Your EDM. Source: Nocturnal Wonderland Continues Its Tradition of Excellence [Event Review]

Chris Ianuzzi has become a YEDM favorite and an example of the type of experimental electronica that fuels EDM with out EDMers even knowing about it. With a firm foot still in post punk and indie/electronic crossover, Ianuzzi is in a unique position to draw in fans of multiple genres with his well-composed, Philip Glass-style organized chaos. While most of this work is just that: a load of tinkering and technically complex composition meant to sound chaotic, Ianuzzi does sometimes step all the way in to EDM, even to the point where one can find a solid genre or two. This is the case with his new dual single, “Distant Suns” and “Wild Side.” With a actual beats and even a melody, Ianuzzi has channeled his inner raver in “Distant Suns,” the ostensible a-side of the two tracks. The track opens with a feedback-driven vintage tune-in vibe before launching into a trancy straight beat without a buildup. Sad straight beat is accompanied by a 90s rave-style melody which is sort of ambient to the beat, which, without the listener noticing, turns into a more deep techno beat before the whole thing is cut off without ceremony and switches to an industrial-soaked breakbeat. The track continues thus, with the various trance-techno-breakbeat loops starting and stopping arbitrarily and Ianuzzi’s dissonant vocals being, surprisingly, the only element that continues on a followable trajectory. “Distant Suns” is thus able to straddle EDM, post punk and experimental at once: the elements of EDM are there, but the structure is all Ianuzzi and his glorious chaos. It’s clear upon listening to “Wild Side” that in these two tracks, Ianuzzi was playing around with different percussive sounds that are sort of timey and spacey in nature. They’re present in “Distant Suns” but in “Wild Side” they comprise a significant line of music. Also with a surprising amount of perceivable structure, “Wild Side” is actually more linear than “Distant Suns,” as its running bassline drives the track while the minimal trap beat anchors it. Over, aside and around these structures, however, is the sonic equivalent of Tron superimposed over Salvador Dalí’s Persistence of Memory series with the melting clocks. While more industrial-meets-post punk than EDM, “Wild Side” is still cohesive enough to tickle the EDM fan’s fancy as well. It would be excellent at the end of a sunrise set at the end of a festival. Fans can always expect the unexpected from Chris Ianuzzi, and “Distant Suns” and “Wild Side” are no exception. With his last track prior to these being more ambient experimental, it’s nice to see this electronica mad scientist play with beat and percussion once more. “Distant Suns” and “Wild Side” are out now and available to stream on Spotify. This article was first published on Your EDM. Source: Chris Ianuzzi Tackles Melody and the Time-Space Continuum in New Tracks, ‘Distant Suns’ and ‘Wild Side’

black a.m., also known as Sinclair Wheeler, has brought a unique rock-infused spin to the house music world. Since 2019, he has pushed the boundaries of his craft, earning himself spots at marquee events like Insomniac’s Park N Rave series and receiving accolades from industry titans such as John Summit, NGHTMRE, JOYRYDE, Slander, and DJ Craze. This attention wasn’t without merit; Ultra Music officially released his remix of NGHTMRE and Gunna’s “Cash Cow” while also signing tracks to Slow Roast Records and accumulating over 600,000 streams across platforms. Now, this talented artist is back in the saddle with a sizzling new single ’70W (Vaded)’ – supercharged with energy and bass. He masterfully rides the line between electro, bass, and tech house, delivering a result that’s unmistakably unique and captivating. We’re excited to see what he does next but in the meantime, check out the single below! This article was first published on Your EDM. Source: black a.m. Drops Energetic House Single ‘70W (Vaded)’

Egzod, a name synonymous with world-class festivals and a vast, coherent catalog, has always been a torchbearer in weaving stories through his beats. His music has earned mass appeal, topping over 600M total streams. He’s always finding ways to push his creative boundaries which is why we look forward to what he’s going to do next. Now, he’s recently released a remix to Layto’s ‘Five4three2one‘ and this time around, it’s an electrifying future bass tune that yet again demonstrates why Egzod is one of the best at what he does. The two make a dynamic team, as Layto offers a compelling vocal while Egzod delivers on a anthemic arrangement. Check it out below! This article was first published on Your EDM. Source: Egzod Flips Layto’s ‘Five4three2one’ Into Electrifying Future Bass Remix

For fans of experimental electronica, artists like Cerpintxt have to represent the future of this cutting edge discipline. Now located in London by way of her native Egypt, Cerpintxt’s haunted, acoustics-focused science project of a sound has been picked up not only by like-minded atmospheric, drone and visual artists and labels such as CAMP Editions, Carlos Casas, Machinefabriek and Matchess but has bled into the EDM world. Now with her new EP, microtubule encoded memory, Cerpintxt stands to unite the EDM and experimental worlds even further. EDM is almost always driven in some form by the mad scientists who innovate and push the boundaries of what’s possible in electronic music, but quite often, with the exception of artists like Noisia, Amon Tobin, Rezz, Gyrofield and Venetian Snares, EDM and experimental electronica tend to stay in their own respective camps. With her futuristic, Cyber Punk vibe, heavy concept work and meticulous compositional style, Cerpintxt is both pushing the envelope for acoustics and sound design and giving more conventional EDM artists a run for their money going on six years now. Begnning with her ATOMS EP with atmospheric house legend Stevie R. in 2018 right the way through her 2022 single, “Sedimented,” on CAMP Editions to microtubule encoded memory, sound curation as acoustic science, as concept and as evocative music . Cerpintxt’s unique sound work isn’t the only thing that led the drop of microtubule encoded memory being one of the most innovative drops of the year. She’s also very proactive when it comes to her own brand and agenda. In the two years between 2020 and 2022, Cerpintxt didn’t release much production-wise but she began performing her music live, both on multiple radio platforms, on livestreams and at multiple festivals. She also launched her own event based out of London called Boundary Condition. In the artist’s words, it’s a “an audiovisual durational immersion for the rabidly sentimental: investigating the parallelization between dark-jazz, hauntology, and musique concrète as nostalgia-centric practices.” This tagging of her event leads into the branding and vernacular of Cerpintxt. She’s very specific about the language she uses to describe her work, using terms like “hauntology” and “systematic harmonic erosion.” To describe her sound. Listening to her work, all the terms she uses are not wrong, especially when it comes to microtubule encoded memory. The work in this EP is, in fact, a study in haunting sound and in the erosion, or movement, of harmony. Made from endless sound recording loops gathered over years from locations like the pharaonic temple at Serabit El Khadim in her native Egypt, the mountains of the Sinai Peninsula, and the music of Bedouin tribes, Cerpintxt’s long, storied tracks are building, eroding and cycling sounds all at once. Her focus on acoustics not only as necessary for sound but as the sounds themselves is truly inspired. Thomas Dolby would be proud. As a concept, there’s also a political bent to Cerpintxt’s work on microtubule encoded memory, but it’s not one most artists would think of, though it ties in with all the hard graft she put into this EP. In the artist’s own words, “The hauntological element of my work explores a form of sonic activism against the weaponization of love in Egypt.” Once again, the importance is in the way she’s phrased it: no direct, easy to decipher agendas here, but rather an evocative statement that bypasses typical communication and gets to the heart of what’s important. Like the music itself, Cerpintxt wants her audience to feel the energy of what’s around them, whether sonic or otherwise, and make decisions accordingly. There’s a depth to this work that’s not just about tinkering, and that’s likely why it resonates with the EDM world. The first and third tracks on microtubule encoded memory are available now on Cerpintxt’s Bandcamp, while the elusive middle track will be released in October on cassette only. Fans can pre-order on Bandcamp as well. This article was first published on Your EDM. Source: New Artist Spotlight: Cerpintxt Reveals a New EP of ‘Hauntology’ After a Break From Production With New EP, ‘microtubule encoded memory’

SF based artist JONJEN has made a name for himself by skillfully combining melodic bass and house with indie and soundtrack-inspired elements. Since his debut in 2021, JONJEN has gained substantial support from industry titans like Nicky Romero and Yellow Claw’s label Barong Family, opened for artists such as William Black, Sabai, and Hoang, and achieved over a million streams across various platforms. Joining forces with JONJEN, TZUNAAMI, a DJ duo based in Bangkok and NYC, has gained massive traction with their viral mashups on TikTok, YouTube, and Soundcloud since 2020. Their unique blending of vocals with melodic and trap drops has earned them features on renowned platforms like Proximity, Arctic Empire, and Headbanger Radio. Together, the two have joined forces for their anthemic single “Hate It, Love It” featuring the euphoric vocals of GLNNA. It combines heavenly synth melodies with uplifting lyrics, giving this single the strength to power any main stage at your favorite festival. I connected with TZUNAAMI last year when we played at the same show, and realized Eddie went to the same high school as me. It felt like such a small world, and we knew we had to work on something together. Almost a year later, our collab is finally here, and GLNNA did an amazing job bringing it to life with her breathtaking vocals & writing. Our song is about the highs and lows of love when some things don’t necessarily feel right, and we hope it speaks to some of y’all. – JONJEN Listen below! This article was first published on Your EDM. Source: JONJEN & Tzunaami For Anthemic Melodic Bass Single, “Hate It, Love It ft. GLNNA”

IMANU continues to make his mark on the electronic scene with his genre-bending capabilities and willingness to push the sonic boundaries with every single song he releases. He just revealed his latest single “Aching (On A High)” via Zeds Dead’s esteemed imprint, Deadbeats. True to what we’ve come to expect, his creativity yet again impresses us with a more minimalist house approach that’s perfectly executed with a glimmering topline vocal. Everything comes together into a thumping, lo-fi house esque drop that can’t help but make you want to move to it. “With Aching (On A High), I wanted to make a looming dark house track, something you could play at home or in a dark warehouse. Emotional vocals with dark reeses and pads has always been something I’ve loved doing, and I’m happy to continue this trend on this new single.” –IMANU Listen below! This article was first published on Your EDM. Source: IMANU Reveals Thumping House Single “Aching (On A High)” via Deadbeats

Mersiv has been a trailblazer in the Freeform genre since the inception of the Mersiv Sound Project in 2015. His sold-out debut headline at Red Rocks in April 2023, and hits like “Beautiful & Filthy” (4.3million) “Fire Dance” (1.3million), “Get To You ft. Saint Sinner” (2.5million), attest to the artist’s continuing and growing impact on the industry. Now, he’s back with an anthemic single with production act The Ninetys, known for previous collaborations with rap luminaries such as Kendrick Lamar and Top Dawg ENT. Together, these two are a incredible team, fueling the track with unparalleled energy and electrifying synth stabs and bass wubs to make this yet another gem in Mersiv’s arsenal. The release of “Top Floor” follows Mersiv’s announcement of the nationwide Out of Bounds Tour. Check out the dates and the single below! Mersiv’s 2023 Tour Dates: Fri-Sep-15: Kansas City, KS – The Truman Sat-Sep-16: St Louis, MO – Red Flag Sun-Sep-17: Rome, GA – Imagine Festival Thu-Sep-21: Dallas, TX – The Studio Fri-Sep-22: Austin, TX – Concourse Project Sat-Sep-23: Houston, TX – Stereo Live Sat-Sep-30: Phoenix, AZ – Marquee Theater Thu-Oct-5: San Diego, CA – Music Box Fri-Oct-6: Los Angeles, CA – 1720 Sat-Oct-7: San Francisco, CA – Public Works Sun-Oct-8: Arcata, CA – Arcata Theater Thu-Oct-12: San Luis Obispo, CA – Fremont Fri-Oct-13: Las Vegas, NV – Hard Rock Live Sat-Oct-14: Salt Lake City, UT – Complex Thu-Oct-19: Bend, OR – Midtown Ballroom Fri-Oct-20: Portland, OR – 45 East Sat-Oct-21: Seattle, WA – Showbox Sun-Oct-22: Eugene, OR – WOW Hall Thu-Oct-26: Boise, ID – Knitting Factory Fri-Oct-27: Spokane, WA – Knitting Factory Sat-Oct-28: Vancouver, BC – Red Room Tue-Oct-31: Missoula, MT – Wilma Thu-Nov-2: Bozeman, MT – The Elm Friday-Nov 3: Cheyenne, WY – The Lincoln Thu-Nov-9: Des Moines, IA – Woolys Fri-Nov-10: Milwaukee, WI – The Rave Sat-Nov-11: Grand Rapids, MI – The Intersection Sun-Nov-12: Urbana, IL – Canopy Club Thu-Nov-16: Indianapolis, IN – The Vogue Fri-Nov-17: Cleveland, OH – Mulberry’s Sat-Nov-18: Columbus, OH – Otherworld Sat-Nov-25: New Orleans, LA – The Fillmore Thu-Nov-30: Richmond, VA – Broadberry Fri-Dec-1: Asheville, NC – Orange Peel Sat-Dec-2: Charlotte, NC – Blackbox Sun-Dec-3: Charleston, SC – Music Farm Thu-Dec-7: Virginia Beach, VA – Peabody’s Fri-Dec-8: Baltimore, MD – Soundstage Sat-Dec-9: Buffalo, NY – Town Ballroom Sun-Dec-10: Albany, NY – Empire Live Thu-Dec-14: Boston, MA – Big Night Live Fri-Dec-15: New York, NY – Webster Hall Sat-Dec-16: Philadelphia, PA – The Ave Live Dec 30-31: Denver, CO – Decadence NYE This article was first published on Your EDM. Source: Mersiv & The Ninetys For Anthemic Single “Top Floor”

If there’s two artists that always know how to get the party started, it’s Big Gigantic and AHEE. Both have accomplished incredible milestones in each of their careers, making it all the more special that they’re linking up for a massive new, funk and bass fueled single that we are thrilled to premiere – “Oh Dang!”. In classic BG fashion, the track kicks off with a groovy beat, syncopated guitar riffs, and anthemic sax melodies, all building into an electrifying drop that packs a thunderous punch. Guitar solos, bass wubs, and a punchy beat keeps this as a song you just want to keep coming back to – one of our favorites of the year! I remember winning the 2nd place remix for the Big Gigantic remix contest back in 2016, then I had the good fortune of meeting Dom & Jeremy while I was touring with Lucent Dossier. Over the years we kept in touch, I kept making music, playing shows, and eventually joining them on tour. To think back on everything that’s happened that led to this moment – Oh Dang! with Big Gigantic is such a full circle moment for me! – AHEE Outside of music, Big Gigantic remain busy with their A Big Gigantic Difference Foundation, which supports non-profits for at-risk youth, music education, and more. Thus far, they have raised $1 million-plus for charity and show no signs of slowing down. Kick your weekend off right and check out “Oh Dang!” below! This article was first published on Your EDM. Source: PREMIERE: Big Gigantic & AHEE Team Up For Electrifying Single, “Oh Dang!”

The resonance of Kiraw’s performances is nothing short of hypnotic. His vocals, simultaneously soothing and saturated with dark undertones, effortlessly meld with the weighty soundscapes of his tracks. It’s no wonder that his music has found a fervent following within the gym and raver communities, drawing attention like wildfire. “XTC,” a song entirely written, performed, and produced by Kiraw, stands as a testament to his innovation. This track elevates the Techno genre to new heights by merging aggressive, distorted basslines typically found in rave bunker events with razor-sharp lyrics delivered in a whisper-like style. It’s a musical ASMR experience that defies expectations and works exceptionally well within the powerful genre. The impact of “XTC” is evident in its presence on viral charts across the globe, from Germany to Denmark, Belgium to Romania, and beyond. Kiraw’s artistry knows no bounds, and his journey began in 2018, steadily gaining momentum through collaborations with the likes of NightLovell and Scarlxrd. As a pioneer of the “Techno/House Phonk” movement, Kiraw has earned a well-deserved place in the spotlight, catching the eye of major labels and securing a bright future in the music industry. Keep an ear out for Kiraw; he’s an artist destined for greatness. This article was first published on Your EDM. Source: Kiraw Proves Himself With Moment-Capturing Song Titled ‘XTC’

Founded in in 2004 by singer, songwriter, producer and multi-instrumentalist Zion Rock Godchaux, BoomBox has grown and evolved alongside loyal fans across the globe. They’ve developed a signature groove rooted in a back-beat driven style, wrapped around smooth vocals, compelling lyrics, and a mixture of drum machine and live-mixed computer beats laid down by Kinsman MacKay, Godchaux’s brother. Their songs pull from a wide range of genres – from hip hop to funk and a healthy dose of electronic that has shaped their sound and created a space for these guys on numerous festivals. Recently, the boys released a brand new single “Buenas Noches” which arrived in tandem not only with a new album announcement – Dangerous Waters out Nov 10 – but also a massive nationwide tour. It’s fascinating to hear the studio result and then see these guys deliver it in impeccible fashion on the stage, which is why we recommend securing a ticket if they come to a city near you. Speaking to this single, Boombox yet again strikes gold here, perfectly meshing hypnotic synth melodies amidst a driving hip hop beat and spacey vocals. BoomBox adds: “‘Buenas Noches’ is one of our favorite tracks on this album. It really showcases the complimentary approach we have to making music.” Check it out below along with tour dates! Buy tickets here. Tour Dates: September 15: Charlotte NC at Visulite Theatre September 16: Old Fort NC at FloatLife Festival September 29: Lake Perris CA at Same Same But Different Festival October 27: Tempe AZ at Darkstar October 28: Santa Barbara CA at Fields Of Funk Festival November 10: Nashville TN at 3rd and Lindsey November 11: Indianapolis IN at HI-FI November 12: Grand Rapids MI at Elevation November 15: Minneapolis MN at Fine Line November 16: Madison WI at Majestic November 17: Chicago IL at Park West November 18: Detroit MI at Magic Stick November 19: Cleveland OH at Beachland Ballroom December 13: Houston TX at Rockefeller’s December 14: Dallas TX at Deep Ellum December 15: Austin TX at Antone’s December 16: Austin TX at Antone’s December 29: Salt Lake City UT at Commonwealth Room December 30: Crystal Bay NV at Crown Room December 31: Crystal Bay NV at Crown Room 2024 January 05: San Francisco CA at The Independent January 06: San Francisco CA at The Independent January 07: Santa Cruz CA at Moe’s Alley January 10: Durango CO at Animas City Theatre January 11: Fort Collins CO at Aggie Theatre January 12: Denver CO at Gothic Theatre January 13: Denver CO at Gothic Theatre January 14: Frisco CO at 10 Mile Music Hall January 15: Aspen CO at Belly Up This article was first published on Your EDM. Source: Boombox Drops Infectious Single “Buenas Noches” + Reveals Nationwide Tour & New Album