Ravebot

Original Photo by Ivan Meneses for Insomniac Events It’s been a week since Escape Halloween took over the NOS Events Center for its 12th edition, and like most things Insomniac, the festival just got bigger and better. Featuring mind-blowing production, sick attention-to-detail, immersive Halloween experiences, blistering sets, immaculate vibes, and plenty of space to move and groove to; Insomniac pulled out all the stops for the largest Halloween festival on the continent. It was our first time back at the NOS Events Center since last year’s Countdown and our first Escape since 2019! One of the things that definitely stood out is how wide open and easily accessible everything was. Insomniac has definitely taken steps to make it easier to access all of the vast NOS Events Center where their events take place. At no point at all did I deal with bottlenecks or crowd congestion. The other thing that, of course, stands out upon entering the Escape festival grounds is just how immersive it is. With the exception of EDC, (the flagship festival) Escape has without a doubt the highest production values, the most performers, the most Easter Eggs to explore for. Escape is simply massive, and, if you ask me, is the best of Insomniac’s Southern California festivals. It certainly didn’t hurt that the weather was absolutely perfect for the weekend too. Original Photo by Jake West for Insomniac Events I’m not wrong when I say that this was the biggest Escape to date, they actually added a fifth stage inside the Citrus building, Wicked Woods. Crazy Town, which ostensibly serves as Downtown Escape, is a perfect meeting spot. Its location is easily accessible from all stages, and its landmarks are unmistakable. The fire organ is a sight to behold and always has a performance popping off, it’s the perfect place to sit and take in the splendor of the festival grounds. The Crazy Town fountain is also a perfect spot to reunite with your crew and figure out the next move. Oh, and of course, they’re all great photo ops too. As far as the stages go, they were all top notch. The main stage is, of course, The Grimm, a massive cloaked skeleton with its two hands stretched out clutching two spherical stones. Again, outside of EDC, this has to be the best Insomniac stage around. The lasers got major reinforcements and the huge video panels lining the ceiling of the mega-structure helped to create an even more immersive experience. Even if you were seated on the fake grass or at the tables outside of the mega-structure, you still felt like you were immersed in the stage. Sound and video production were A+ this weekend. Original Photo by Jamal Eid for Insomniac Events The second stage was Feeding Grounds, also inside a mega-structure. This stage’s theme was a massive spider web. White canvas adorned the ceiling of the mega structure and instead of a disco ball, there was a massive black widow spider hanging above the stage in its place. The third stage was Sanitarium, a slightly smaller mega-structure, its rectangular video panels would play macabre and disturbing images of a mad surgeon conducting unsound experiments. The stage that probably got the best treatment of all though was Sewer District, the Factory 93 stage. When I went to Escape in the past this was not a stage I gave much thought to. I figured let the techno snobs hang in the back. Well, techno has now permeated the mainstream and I was keen to check out a set at Sewer District. Insomniac fully leaned into shipping trailers and an underground warehouse type of vibe. The light panels were just right and the sound was pitch perfect. I talked to several headliners who said that Sewer District had some of the best sets of the weekend. Original Photo by Marlene Sanchez for Insomniac Events Speaking of the sets, let me tell you about them. Every single DJ absolutely brought it this weekend. Everyone’s got to go a little bit deeper, a little bit darker, especially the closers, to match that Halloween vibe, and that’s exactly what we got. Friday night really didn’t get going until I watched AFROJACK’s set at the Grimm. The Dutch legend did not disappoint, dropping a massive set that ignited the crowd. This was the set that truly set the night off as AFROJACK took full advantage of the Grimm’s production capabilities. After that I caught a little hardstyle over at Sanitarium, then headed back to the Grimm for Above & Beyond. Much like AFROJACK’s set, the crowd packed in the stage to overflow capacity. Jono & Paavo threw down a captivating set that had the crowd enraptured. Above & Beyond always strives for “moments like these” and they certainly achieved it at Escape. After A&B, I headed over to Feeding Grounds, which was hosted by Bassrush for the night, to have my face just melted off. ATLiens were well into their set of wonky dubstep, rap mashups and trap beats. It’s always nice to see the different vibes at different stages, but aside from the Grimm, the Basscon stage was bringing better vibes than the Bassrush stage. Zomboy followed up ATLiens and also proceeded to ignite the crowd. Original Photo by Felicia Garcia for Insomniac Events I proceeded back over to the Grimm, but I made a quick stop at the new stage, Wicked Woods. I’m always a sucker for an indoor stage, and Insomniac made the most of the space they were given. Setting up a mini forest behind the DJ booth as well as a circular video board, Wicked Woods was a huge come up if you happened upon it. Not too crowded, but still stellar production. I watched a little bit of K?d’s Throwback Set and I wish I had caught more. Finally back to the Grimm, Kaskade closed the night with an incredible set that saw him lean into the REDUX sound and turn the Escape mainstage into an underground club. The lasers and stage production could not have been more on point. We got there nice and early on Sunday. As I mentioned before I started things out at Sewer District and caught Charles D. Despite the early time slot and smaller crowd, the vibes were on point for Sewer District. I was now prepared for techno on Halloween weekend. I flitted between stages and sets checking out TOBEHONEST at Sanitarium, Ship Wrek at the Grimm, who drew a massive and rowdy crowd for such an early time slot, and Rossy at Feeding Grounds, who killed it with her blend of bass house and trap. Original Photo by Ivan Meneses for Insomniac Events After that, it was back to the Grimm for Matroda’s massive house set. Along with the permeation of techno into the mainstream, the re-eruption of house music has to be noted too. My god, people absolutely love house music. I didn’t recognize a single song Matroda dropped, but it was still a dope set and the vibes were unmatched. Tchami came on next and dropped a set for the ages. Opening with the AC Slater x Chris Lorenzo (Fly With Us) track “Seismic”, Tchami’s mix of French house was absolutely perfect. The lasers and pyro also started taking over. DJ Snake took the stage next and turned the Grimm into an absolute trap house. The beats were coming hard and fast with DJ Snake, and the packed crowd was more than ready for all of his hits. “Southside”, “Trust Nobody”, “Lean On” and he even dropped Knock2’s “dashstar”. A memorable set indeed. Zedd was up next and he thrilled the crowd by opening with his “Where You Are” remix. The packed out crowd was chanting along with the lyrics. Zedd was also one of the few DJs to dress up for Halloween as he sported a Super Saiyan outfit (from Dragonball Z). Zedd dropped a masterful set consisting of his hits like “I Want You to Know” and “Stay the Night” on top of his energetic live edits and some EDM classics like Eric Prydz’s “Call on Me”. Original Photo by Ivan Meneses for Insomniac Events Finally, Armin van Buuren closed out the weekend. Armin perfectly blended trance and techno for the best Halloween set imaginable. Armin maintained his signature sound while seamlessly blending in some dark techno beats that were perfect for the spooky season. It was an absolute joy to be back at Escape after three full years away, the longest drought we’ve had between Insomniac festivals. The Pandemic denied headliners festivals in 2020. I didn’t get to Escape in 2021 because there was the Fall Edition of EDC a week before. I could have gone in 2022, but I didn’t. I’m elated to have made it back in 2023. Although no announcement has been made, I would expect Escape to return for its spookiest 13th edition next year. Original Photo by Scott Hutchinson for Insomniac Events This article was first published on Your EDM. Source: Insomniac Outdoes Itself for the Biggest and Best Escape Halloween to Date [Event Review]

Steinberg has unveiled Cubase 13, marking a significant leap in music production software. This latest version introduces a revamped user The post Steinberg announces Cubase 13 appeared first on Gearjunkies - Music tech news, Reviews, Videos, Synthesizers, Studio, Recording. View the full article

2023 is far from over, but we wanted to look forward to the upcoming 20th anniversary of the Groove Cruise. Taking place Jan 24-28, 2024 and departing Miami and going to Great Stirrup Cay in the Bahamas, the most iconic music festival at sea will take place on the Norwegian Encore, the largest and most luxurious ship to date. To get you Groove Cruisers ready to set sail in a couple of months, we’re happy to share this exclusive playlist from MiTiS, curated just for the upcoming 20th anniversary sailing. The lineup for the upcoming edition of the cruise fest is absolutely stacked. Tiësto, Diplo and John Summit will headline the cruise. Other featured acts include MiTiS, Aly & Fila, Disco Lines, Gem & Tauri, Joel Corry, Kyle Walker, LP Giobbi, Markus Schulz, Trivecta, VNSSA and many more. Additionally, Groove Cruise has also announced it’s 2025 edition, taking place Jan 23-27, 2025. Again departing Miami, the 2025 edition will sail to Labadee, Haiti on the Royal Caribbean’s Allure of the Seas. So, even if you miss out on this year’s sailing, you can still reserve a spot on the 2025 cruise for only a $99 deposit. Check out MiTiS’ exclusive Groove Cruise playlist and the 2025 announcement video below. Click here for Groove Cruise 2025 tickets. This article was first published on Your EDM. Source: MiTiS Shares Exclusive Groove Cruise 20th Anniversary Playlist

Cloudy Parallels, a dynamic music duo with roots in the United States and Vietnam, is creating quite a splash with their highly anticipated debut single, “Everlasting.” This captivating track, that just released today – features the soulful vocals of Donna Tella, and it’s poised to be a smash in the world of Future Bass music. Hailing from the sunny shores of California, San Diego, and the picturesque landscapes of Eahleo, Dak Lak, Vietnam, Cloudy Parallels brings a fusion of cultural influences and diverse musical backgrounds into their work. This collaboration is not only a transcontinental effort but also a testament to the universal language of music. “Everlasting” is a Future Bass masterpiece that tugs at the heartstrings and offers a unique listening experience. What sets this track apart is not only Cloudy Parallels’ debut but also the profound emotional depth it carries. The combination of their intricate production, rhythmic textures, and Donna Tella’s enchanting vocals creates an atmospheric journey that is nothing short of magical. Listeners can expect a rollercoaster of emotions as “Everlasting” sweeps them into a world of musical innovation and pure sentiment. Cloudy Parallels has poured their hearts and souls into this single, making it a promising start to their career as a duo. As “Everlasting” hits the airwaves today, Cloudy Parallels also has exciting news for their growing fan base. They have a series of upcoming tracks in the works, featuring collaborations with prominent vocalists like Robbie Rosen. This expansion of their portfolio showcases their ambition and dedication to bringing fresh and compelling music to their audience. Be sure to check out, everlasting on Spotify and Apple Music. You will not be disappointed! This article was first published on Your EDM. Source: Cloudy Parallels’ Musical Odyssey Begins with“Everlasting”

Nomad Navi is an electronic music producer and DJ from the San Francisco Bay Area whose sound is composed of retro synths, dark aggressive basses, and mid-tempo dance rhythms. At an early age, he developed an interest in electronic music, often recreating his favorite songs on his piano -keyboard naturally paving his way to music production. His latest single “Blood Moon” sees this talented producer linking up with Calivania for their mesmerizing synth wave single “Blood Moon” that’s utterly irresistible. Packed with catchy vocal melodies, pumping synth chords, and a 80’s esque beat, “Blood Moon” feels like a timeless track that is much of a hit today as it could have been 30 years ago. “The nostalgia of the ’80s has always been a place of inspiration for me, and I wanted to capture that essence in this track. Calivania‘s ethereal vocals seemed to complement the synthwave soundscape perfectly. Her voice breathed life into the music, adding an otherworldly dimension.” – Nomad Navi Listen below! This article was first published on Your EDM. Source: Nomad Navi & Calivania Team Up For Mesmerizing Synth Wave Single “Blood Moon”

When it comes to drum and bass, few do it as good as Australian dnb legends Pendulum. Over the course of their career, they’ve achieved 3 platinum albums along with a #1 & #2 hit in the UK – known especially for never being afraid to push the creative boundaries when it comes to this genre. After releasing two massive singles this summer – “Halo ft. Matt Tuck” and “Colourfast”, the band has now delivered their highly anticipated ‘Anima’ EP that all together is some of their most polished work to date. Their ability to crossover into rock and screamo genres while still maintaining their iconic sound, especially on “Halo” with Bullet For My Valentine frontman Matt Tuck and “Mercy Killing” with breakthrough UK rapper/screamo artist Scarlxrd” display just how talented these guys are. “It very quickly became clear that Scar [Scarlxrd] was one of our favorite people that we’ve ever had in the studio. He’s pure energy. Nothing was off-limits. Trap verse? Let’s do it. Slightly-more-pop-punk-than-usual chorus? Fuck it, let’s go.” – Rob Swire (Pendulum) The beauty of the EP lies in its unpredictability. Whether you’re an old school Pendulum fan, a pop-punk fan, or just a sucker for big vocal hooks, this EP has something for everyone. Listen below! This article was first published on Your EDM. Source: Pendulum Deliver Electrifying ‘Anima’ EP

Ari Amun is an American singer-songwriter based in both Atlanta and New York City. Priding herself on her original but inspired vocal style, she adds a differentiating tone to mainstream pop and R&B grooves. Raised in Powder Springs, Georgia, Amun knew she needed to branch out to greater landscapes. Once accepted to NYU’s Contemporary Vocal program she knew she was solidifying her devotion to her craft. Now in her sophomore year of college, Ari Amun can’t wait to share her growing songbook with the world. Watch the new video below. The new track, released on 3 November 2023, sees Amun’s soulful delivery shining atop a hard-hitting house beat from featured producer Madhi. Leaping across genre lines, ‘Human Nature’ lands somewhere special between the R&B and Pop spectrums. The featured single incorporates Afro-Jazz improvisations with spell-bindingly bluesy soul. As the chorus drops in, it’s met by a funky bassline determined to keep you moving. “I’m very proud of the songs I wrote and produced in high school as I wouldn’t be the songwriter and singer I am without them, but at the same time, I’m excited to release music that’s more aligned with my artistry. I have worked very hard over the past couple of years, especially on who I am as a vocalist, and I feel “Human Nature” is a great opener to what’s to come.” Connect with Ari Amun: Website I Instagram I X I Facebook

Canadian singer/songwriter, Riotron, has teamed up with Australian club superstar Timmy Trumpet to reshape fan favorite hit “Justin’s Song” into an uplifting hardstyle-esque anthem like only Timmy Trumpet can do. Built on the back of the original track’s darker, melancholic chords, and a vocal hook that’s truly radio-ready, the new single adds Trumpet’s trademark blitzkrieg style making it a bright club jam. Riotron said, “Timmy Trumpet is a genius. He flipped our dark little introspective song into full anthem mode” Riotron shared. “Now ‘Justin’ is everyone of us, chasing those dreams that won’t let us go.” Timmy Trumpet declared, “I loved the original vocal the first time I heard it and knew with the right rework it could work great in my live sets. Making this was fun and I can’t wait to play it!” Of course, Timmy is most famous for his full-on, no holds barred performances, high energy delivery and of course for his live trumpet playing prowess. With an original visualizer collaboration coming from Titanic Sinclair (Poppy, Vic Mensa, Børns), the song itself takes you on an emotional journey into new realms for Riotron and his growing catalog of unusual dance music and collaborations. Hailing from Winnipeg, Canada, Riotron is the brainchild of singer/songwriter Jeff Fettes. The electro-pop artist combines elements of 80s synthwave, EDM, and jazz into a distinctly unique sound. The name is derived from the hit song ‘Rio’ by Duran Duran and the 1982 fantasy sci-fi film ‘Tron’. Be on the lookout for more remixes, mind bending visuals, and Riotron’s first LP in the new year. “Justin’s Song (Timmy Trumpet Remix)” is Released via M3 Recordings. This article was first published on Your EDM. Source: Canadian Retrowave Artist Riotron Teams Up With Timmy Trumpet On Remix of ‘Justin’s Song’

Canadian singer/songwriter, Riotron, has teamed up with Australian club superstar Timmy Trumpet to reshape fan favorite hit “Justin’s Song” into an uplifting hardstyle-esque anthem like only Timmy Trumpet can do. Built on the back of the original track’s darker, melancholic chords, and a vocal hook that’s truly radio-ready, the new single adds Trumpet’s trademark blitzkrieg style making it a bright club jam. Riotron said, “Timmy Trumpet is a genius. He flipped our dark little introspective song into full anthem mode” Riotron shared. “Now ‘Justin’ is everyone of us, chasing those dreams that won’t let us go.” Timmy Trumpet declared, “I loved the original vocal the first time I heard it and knew with the right rework it could work great in my live sets. Making this was fun and I can’t wait to play it!” Of course, Timmy is most famous for his full-on, no holds barred performances, high energy delivery and of course for his live trumpet playing prowess. With an original visualizer collaboration coming from Titanic Sinclair (Poppy, Vic Mensa, Børns), the song itself takes you on an emotional journey into new realms for Riotron and his growing catalog of unusual dance music and collaborations. Hailing from Winnipeg, Canada, Riotron is the brainchild of singer/songwriter Jeff Fettes. The electro-pop artist combines elements of 80s synthwave, EDM, and jazz into a distinctly unique sound. The name is derived from the hit song ‘Rio’ by Duran Duran and the 1982 fantasy sci-fi film ‘Tron’. Be on the lookout for more remixes, mind bending visuals, and Riotron’s first LP in the new year. “Justin’s Song (Timmy Trumpet Remix)” is Released via M3 Recordings. This article was first published on Your EDM. Source: Canadian Retrowave Artist Riotron Teams Up With Timmy Trumpet On Remix of ‘Justin’s Song’

African producer Nitefreak recently reunited with Afro-house collective helmed by Sean Thomas AKA &friends and key vocal collaborator Phina Asa for a joint-release entitled “Ike Onu”, to make their debut via acclaimed international dance brand Tomorrowland’s record imprint. This formal collaborative production between Nitefreak and &friends follows up the success of Nitefreak’s remix of &friends’ pivotal single “Ode Ireti” ft. Oluwadamvic and eL-Jay. The remix saw unprecedented, viral success – receiving massive radio and touring support from top names in the space including Keinemusik, the infectious chorus “o-le-le” has become a staple in the sets of many titans of dance music. “Ike Onu” means “Stronger Together” in the native African language of Igbo. The song is smooth and soulful, with Phina Asa’s vocals making their way back to the &friends soundwaves for the third time this year, following up her first single “Dangerous” and the projects’ Armada Music debut with an official cover of Armin Van Buuren’s “This Is What It Feels Like”. The poignant percussion of the track boasts both signature sonic elements that belong to both &friends and Nitefreak all on their own, but find their way to the same track in perfect harmony. The lyrics of the song are heartfelt, reflecting on the challenges of the modern world while recognizing the complexity of life and importance of unity and collaboration for growth and resilience. The meaning of the track aptly demonstrates the continued creative partnership that has helped put both Nitefreak and &friends’ productions on a world stage. Sharing on the lyrics of the track, Phina Asa says “The idea behind this song was that I thought about the world today, and how it doesn’t look how it used to. It’s getting more challenging and complex, and in life we can’t thrive on our own without any help. We need people to support us, push us, hold us accountable, and help us grow.” 2023 is already delivering a thoughtfully produced, artfully composed compilation of works from both Nitefreak and &friends respectively. Through a holistic, multifaceted approach, both artists are set to make their way to even more dance floors around the world to unite us all. Check it out below! This article was first published on Your EDM. Source: Nitefreak joins forces with &friends and vocalist Phina Asa to make Tomorrowland Music Debut with Beautiful Single, “Ike Onu”

Halloween may be behind us but that doesn’t mean we have to forgoe all the spooky music in its entirety – especially since celebrated bass producer AVANCE recently issued a eerie, heavily bass infused, EP titled ‘Alive In A Coffin’ via Cyclops Recordings. It is a testament to his creative depth and willingness to explore the darker corners of electronic music. The EP’s immersive storytelling and haunting soundscapes that draws listeners into its mysterious depths. AVANCE’s mastery of sound design shines through each song through intricate melodies and evocative rhythms. Check it out for yourself below! This article was first published on Your EDM. Source: AVANCE Delivers Spooky ‘Alive In A Coffin’ EP via Cyclops Recordings

With over a decade of delivering mesmeric hits and riveting live sets, What So Not has consistently been at the forefront of sonic exploration. His remix of RÜFÜS DU SOL’s “Innerbloom” and 2022 album, Anomaly, showcase his ability to pull from a variety of influences to forge something fresh and organic. During the last few months, What So Not has been heating up with a series of summer anthems, such as his chilling September release with San Holo, “ENERGY”. Just as dynamic and imaginative of an artist is Daktyl, a mixed bag of talent. His career surrounds appearances on the likes of Monstercat, while touring alongside ODESZA, Bonobo, TroyBoi, and other industry powerhouses. This gifted multi-instrumentalist’s latest EP, Chaos Theory Pt. 2, is nothing short of remarkable. It represents an introspective and hypnotic collaborative journey with visionary-lyricist hybrid Benni Ola. Together, these two visionary artists prove to be an unstoppable team. Their latest single “Fever” is a testament to their unbridled creativity. It’s an explosion of euphoric melodies and blissful vocals backed by thumping dnb , all together making this one feel like an instant classic. “Emerging from a fever dream, the lead riff came to us in the final stages. A squeaky, vibrant ball of energy shifted the frame to hopefulness. We drew parallels to pivotal revelations through psychedelics & life experience; seemingly dire circumstances leading to euphoria & your true path.” – What So Not “Personally, the lyrics to me are about dedication. Feverish passion, commitment, and purpose. For both Chris [What So Not] and I, we have found that through music. It is how we give shape to the world around us. Conversely, making music is absolutely an addiction. I cannot, and never want to, stop. Everyone is chasing this feeling that is within all of us, but can come in many forms, such as raising a family or teaching. It can of course take a darker shape, but it is important to try to bend it to the light, whatever that means to you.” – Daktyl For the first time, the pair recently performed “Fever” to close out What So Not’s prime-time set at Same Same But Different Festival. There was an unrivaled sense of happiness and positivity in the air, as the crowd collectively held their hands up, swaying to the buildup of this uplifting tune. Additionally, Daktyl and What So Not have recorded a spellbinding live performance video of “Fever”. Listen below! This article was first published on Your EDM. Source: What So Not & Daktyl Collab For Euphoric Dnb Single “Fever” [Monstercat]

Example is a legend in not only the UK, but the global dance and hip-hop scene too. Platinum albums, chart-topping singles, headline festivals slots, and a lengthy stint releasing inescapable anthems that bridge the gap between electronic, rap, and pop are merely a couple of Example’s many career accolades. Debuting his project in 2017, Moss has risen to become one of Australia’s most enchanting artists. Known for his bass-driven heaters, he has shared the stage with Skrillex, RL Grime, and Flosstradamus, to name a few. On top of his DJing skillset, Moss’s mind-bending sound design has been supported by Marshmello, Yellow Claw, and Jauz, with recognition from the top regional outlets of Rolling Stone AU and triple j. Together, these two make an incredible team, bringing enormous energy in their most recent collab that also pairs as their debut on Monstercat, titled “Strictly 4 Tha”. Laced with a gritty rap vocal from Example, Moss expertly weaves in electrifying synth chords and thundering bass wubs to make this one really go off. “From dark raves to a club stage, we made this tune for the underground – the place where dance music took shape and continues to thrive. After linking with Example at BIGSOUND, I pulled up this ID in the studio. He went wild on it, throwing bars until settling on this hella cheeky verse. We went back to our roots – bringing the rave to listeners with a record that’s ‘Strictly 4 Tha’ underground!” – Moss Another aspect that truly makes this collaborative project unique, is that the cover art for “Strictly 4 Tha” was painted by Example himself. This graffiti-esque blend of eye-catching components proves that Example’s artistry extends beyond his music-making abilities. “By chance, I caught a Moss show in Brisbane at a Spotify party. I hadn’t heard bass music as exciting as his for ages. We met afterward and instantly hit it off. It was awesome getting to know him as a person and at the same time we were creating music. Now, almost a year later, we have something really exciting to present in the form of ‘Strictly 4 Tha’. Bassheads around the world are gonna lose their shit!” – Example Listen below! This article was first published on Your EDM. Source: Example & Moss Team Up For Bass Heavy Monstercat Debut, “Strictly 4 Tha”

Original Photo Courtesy of Insomniac Alienz are planning another invasion of Rave Land in Southern California for New Year’s weekend. The human overlords have finally unveiled the massive lineup that will be taking over the NOS Events Center as they try to mount their defense against the Lazer-Rays, massive flying space mantas that are bringing some of the most powerful lasers Earth has ever seen. All hijinks aside, Insomniac has dropped an insane lineup for this year’s edition of Countdown NYE. Highlights include the Chainsmokers, Tiësto, deadmau5, Porter Robinson (DJ Set), Nero (DJ Set), Alison Wonderland, FISHER, Oliver Heldens and much, much more. If you made it to this past weekend’s ESCAPE Halloween, you know that the much hyped lasers will not leave you disappointed. If you’re in Southern California for New Year’s weekend, Countdown is the place to be. Ring in the new year with some of the most dynamic acts in dance music. You might even get abducted at midnight; you might be a little sore the next morning, who knows? Get your tickets for Countdown NYE here. This article was first published on Your EDM. Source: Insomniac Unveils Out of this World Lineup for Countdown 2023

Wide Blue Sound introduces SILENCER, a pioneering plug-in revolutionizing reverb by leveraging the patent-pending TimeGate process. This innovative tool resets The post Wide Blue Sound reimagines reverb with Silencer appeared first on Gearjunkies - Music tech news, Reviews, Videos, Synthesizers, Studio, Recording. View the full article

When YEDM originally interviewed German darkwave powerhouse and multimedia artist Anne Wichmann mid-pandemic, we covered a host of topics, from the COVID lockdown to her videos to her generally “difficult” psyche, but the fact that she had also made music with her brother, guitarist Volker Wichmann, in the early 00s. The partnership presumably ended when Anne moved to Brooklyn from their native Hamburg, Germany. Now, almost two decades later, the duo have reunited (although they still live on different continents) to create SuperWAV, a stripped down rock project that just released its second EP, aTypical. Given Anne’s largely darkwave and electro background and the fact that the siblings likely had to use a lot of digital tech to create the music together due to their physical distance, SuperWAV is surprisingly sparse when it comes to electronic musical elements. They’re present, but the pair has been decidedly focused on brass tacks with both their debut EP, Elements, and the just-dropped aTypical. According to Anne: We wanted the songs to be straightforward, direct and in your face. Basically: Let’s take out everything that the song does not need. Reduce it to pure guts! The theme of (personality) archetypes is a complex one, and its exploration is adding a thoughtful layer to the music. Despite the stripped-down, bare bones rock feel to aTypical, it’s also certainly true that it’s a very nuanced EP. One could expect nothing less from Anne Wichmann and her blood relatives. Each track is named after one of the five personality archetypes; both the lyrics and music are meant to be an interpretation of each one. “The Lover,” for example, is rough and passionate and explores the old adage, “love is blind” in the lyrics, while “The Innocent” is full of ambient echo and the lyrics discuss the inevitable destruction of innocence. Dubbed “stoner rock” by the band themselves, fans of Anne’s former projects will struggle to find the connection to her old darkwave work but it is there in subtle ways. While they wanted to keep the music on the punk edge of post punk or the minimal edge of grunge, there are still elements of drone and darkwave in the background production and tone of the album, respectively. SuperWAV’s first EP, 2018’s Elements had more obvious connections to electronica, but the backing production, arrangement and engineering of aTypical relied on that darkwave knowledge from past projects, according to Volker. It’s so much fun to work together again, and exciting to find new ways of collaborating across such a long distance. For ATYPICAL it feels like we picked up where RAWJAW (the Wichmanns’ earlier band in the early 00s) ended – yet finding our own sound of today in every tune. No matter what you call this new Wichmann project, fans will likely see the sister-brother duo going back and forth over the lines of analog and digital in many ways as the continue to develop the project. It seems to be a point of interest for both of them. In the meantime, SuperWAV are building a super wave of a discography and fans should expect the unexpected from this dynamic musical duo. aTypical is out now and can be streamed on Spotify. This article was first published on Your EDM. Source: She’s Excited! Creator Ann Wichmann Re-Teams Up With Brother Volker for New Project Beyond Darkwave: this is SuperWAV

The journey of Ian Oliver from the snowy expanses of Denver, Colorado, to becoming barnacle boi, the in-demand DJ/producer, is one of dedication and artistry. His production style, imbued with emotions, nostalgia, and atmospheric trap nuances, has been shaped by his years in Denver. While barnacle boi’s original works stand out, his remixes of classic hits from the early 90s and 2000s, such as “All The Things She Said” by tAtU and “Crawling” by Linkin Park, have garnered him massive acclaim. Esteemed artists like Alice Glass, formerly of the renowned electronic duo “Crystal Castles”, and Finn Wolfhard from the hit Netflix series “Stranger Things”, along with artists like Bones (TeamSESH), Holly Stell, and Madi Larson, have all endorsed and lauded barnacle boi’s talent. Now, he’s making his label debut on vibe.digital records with a mesmerizing single “Love Hotel” that yet again proves just how talented barnacle boi is in the studio. He masterfully weaves downtempo, somewhat eerie textures amidst a irresistible trap beat. Every moment and pulse transports listeners to an other worldly dimension, a ride you never want to end. Listen below! This article was first published on Your EDM. Source: barnacle boi Drops Mesmerizing Downtempo/trap Single “Love Hotel”

French artist Maxence Janvrin, better known as Eole, has released a new two-track EP, From Yesterday Until Tomorrow, via Enchanté Records. After actively DJing in Paris for the last 5 years, and gaining inspiration from hot contemporary artists like Fred Again…, Sammy Virji and Kaytranada, Eole’s captivating sound dares to reinvigorate French House. Despite this being Eole’s debut release, the young producer has already worked with luxury brands and tastemakers, composing tracks and scores for Kourtrajmé, Gucci, Arte, Charles de Vilmorin, Zalando, Rochas and Palais de Tokyo. Not to mention holding the title as French music ambassador for JBL Europe. From Yesterday Until Tomorrow is set to further solidify Eole as a stalwart in French House and beyond. Spawning richly-textured and tight UK House beats with a distinctly Parisian palette, From Yesterday Until Tomorrow is a mosaic of Eole’s hybrid influences. Embossed with glittering melodies which dance over pulsing breakbeat rhythms, glitched out vocal tracks pan and telescope in stereo. Both new tracks draw out an irreverently fresh summer sound filled with psychedelic avenues and ambient patches. From Yesterday features warbling synths and heavy bass filtered through a happy haze. Creating a perfect blend between minimal and nuanced. The EP’s featured track ‘Until Tomorrow’ debuted on Deep House Sweden – a dance-ready daze that pulls no punches and subtly draws you in with hypnotic vocals. With the release of his new EP, Eole commented: “I wanted to break down the boundaries that French artists set for themselves, to dare to cross oceans with relevant music. All the experiences I’ve had with Gucci, JBL, Zalando, Foot Locker and even Kourtrajme have pushed me to assert myself with this project. I’ve been waiting for this moment for 15 years, to unleash the beast in the arena, so that Eole can finally starts blowing the storm.” Follow Eole: Facebook – Soundcloud – TikTok – Instagram – Spotify Follow Enchanté Records: Facebook – Twitter – Soundcloud – Youtube – Instagram

With a base or early synth pop, the shoegaze concept of wall of sound and a heavy bent towards experimental or progressive electronica, the first single off Millennium Resorts’ shows how far one can take all of those genres. The Austin production/musician duo has technically made two singles out of the first track on their upcoming album, In the Key of David, because they are quite different from each other. If they were a fully EDM outfit, they might have called them an original and a VIP mix, but with one foot soundly in prog rock and shoegaze, they used “full album version” and “radio edit.” No matter what you call them, the two versions of “Happiness” are a great introduction into the immersive, multi-genre world of Millennium Resorts. With “Happiness” releasing just this past week on October 27, Millennium Resorts plan to release one more track, “The Big Show,” before In the Key of David drops on January 26. Presumably, these are the first two tracks of the album, as they’ve said it’s a concept album and meant to be listened to from start to finish. One of the most important aspects of ‘In The Key of David’ is that it is meant to be listened to from front to back. The album was composed and executed as an album. It was never just a song here and there, it was completely outlined before the production started. That said, “Happiness” works quite well as a stand-alone piece. With shoegaze-style ambient programming and guitar riffs licking at the edges of the song, the full version channels dream pop like M83 or Washed Out but with a different, more rock-forward format. The Moog-style ambient synths are there to support the vox and guitar rather than all the elements flowing together. As the duo were inspired by the likes of Pink Floyd and other progressive rock acts in the genre’s heyday, it makes sense that “Happiness” would flow in this way. With a healthy dose of experimental composition as well, the album piece is somewhere in the space where MGMT would meet Silversun Pickups: utilizing all the best elements of every modern genre to create an immersive and emotive experience. Once the guitar solo kicks in near the end of the nearly eight-minute track, listeners will be completely drawn in. The radio edit of “Happiness” has a shorter intro but there is nonetheless a different intro created for it. The verse and initial music also sound more minimal and raw. Whether this is because the Millennium Resorts created different production or simply because the cuts and edits are so masterful that it creates the feeling of a completely different track doesn’t really matter; it’s a different experience. Aside from all the style and substance of their work, Millennium Resorts seem to be all about the experience. They want to immerse the listener in this world of sound they’ve created, and if “Happiness” is anything to go by, they’re excellent at doing just that. In the Key of David will likely be an even headier experience, and fans of this experimental style of dream pop mixed with prog rock and a touch of future bass should look forward to it. “Happiness” is out now and can be streamed on Spotify or Bandcamp. The subsequent teaser track and the full album In the Key of David will be available on these same platforms in November and January, respectively. This article was first published on Your EDM. Source: New Artist Spotlight: Millennium Resorts Combines the Best Parts of Future Bass, Dream Pop, and Prog Rock in Upcoming Album

Ultra Miami has unveiled Phase 1 of its 2024 lineup, and it is absolutely stacked. Ultra mainstays like Hardwell, David Guetta, AFROJACK, Martin Garrix and Tiësto will be returning to Bayfront Park as per usual. Additionally, there will be huge sets from Eric Prydz and Calvin Harris, who is making his first Ultra appearance since 2013, as well as new sets from FISHER x Chris Lake’s “Under Construction” and a special live set from Svdden Death, Space Laces and Eptic as Masterhand. SLANDER, Sasha & John Digweed, Excision, Gryffin, Zeds Dead and more round out the Phase 1 lineup release. Get your tickets here, whether it’s your first Ultra or your twentieth, this year’s lineup is not to be slept on. Ultra continues to provide some of the best bang for your buck, and the setting in the heart of Downtown Miami cannot be emulated. Stay tuned for more Ultra lineup reveals! Check out the official trailer and lineup below This article was first published on Your EDM. Source: Ultra Music Festival Drops Star Studded Phase 1 Lineup

Waldorf Music is introducing Largo 2, an enhanced and visually adaptable software synthesizer that now offers a scalable user interface. The post Waldorf Music annouces Largo 2 software synthesizer appeared first on Gearjunkies - Music tech news, Reviews, Videos, Synthesizers, Studio, Recording. View the full article

The music realm is no stranger to emerging talents, but Josefine, the Swedish songstress, stands out with a luminous flair. Her recent track, ‘Clap’, showcases her knack for weaving tunes that linger in the heart and echo in the mind. From the moment of its debut, ‘Clap’ has soared, enchanting audiences worldwide. The song’s irresistible refrain and standout melodies pay homage to the celebrated legacy of Swedish musical craftsmanship, renowned for churning out hits that strike a chord across continents. It comes as no surprise that the track has swiftly carved a niche among both ardent fans and fresh ears. Josefine’s odyssey in the musical landscape is nothing less than awe-inspiring. Boasting a staggering 35 million streams, she’s solidified her position as a musical titan. Her distinctive fusion of heartfelt lyrics and melodic genius has garnered the spotlight from prominent YouTube platforms, magnifying her influence. Esteemed channels like MrRevillz, 7clouds, and Chill Nation have championed her compositions, bringing her melodious charm to a vast audience of music aficionados. Reflecting on the muse behind ‘Clap’, Josefine remarked, “The rhythm and soul of Swedish tunes have always held a special place in my heart. Their melodies have this unique way of staying with you. That’s the spirit I aimed to encapsulate in ‘Clap’, and the response has been overwhelmingly positive.” This article was first published on Your EDM. Source: Swedish Sensation Josefine Strikes Gold with Latest Single ‘Clap’

ZUSO is a project from Australian producer Gabriel Cuenca, who has crafting an mesmerizing atmospheric-house sound that is simply irresistible. His ability to create warm soundscapes that whisk your mind blissfully away is a true talent, and is proving to be an artist to keep an eye on for this next year. His latest single “Hold Me” provides a more liquid drum and bass feel, paired with an ethereal vocal that has an intoxicating effect over your spirit. Soothing atmospherics and escapism are two reoccurring themes found in most of ZUSO’s music, and “Hold Me” has both of those things in spades. “‘Hold Me’ is a smooth breath of fresh air. It’s very cool being able to combine this dnb type sound with my own kind of style and textures. I wrote the beat quite quickly and then I found the vocal sample in this sample-pack that I remembered using ages ago for one of the first ever demos I made. It just had such a nice chilled and gentle vibe which I really loved. I wanted the song to give off this wholesome calming energy and the ‘Hold Me’ vocal fits that tone perfectly. It definitely has the escapism feel to it as well, which is a common theme I base a lot of my music off. I then added some nice emotionally driven chords and pads along with a nice guitar riff just to add to that feeling, and yea hopefully it’s something you can all relate to and enjoy.” ~ ZUSO Listen below! This article was first published on Your EDM. Source: ZUSO Delivers Mesmerizing Dnb Single “Hold Me”

Adopted from Guatemala at a young age and raised in New York, Gromo has evolved into a producer who’s not afraid to blend his love for rock and roll, hip hop, and heavy metal into thrilling electronic music tracks. He has studied at NYU’s prestigious Clive Davis Institute; traveled the world performing Ultra events in Miami, Europe, and throughout Asia; and collaborated with artists such as pop singer Rhea Raj and producer/singer-songwriter Hush. Now, he’s gearing up for his ‘Vortex’ EP, sharing one of the singles titled “The Protganist” featuring Taylor Gang member Chevy Woods. Hip Hop meets bass house in a splendid way as Gromo arranges thumping backbeat with fiery 808’s and synth stabs to make this one you could imagine rocking clubs late into the night. “Chevy and I connected virtually during the pandemic when we collaborated on a trap style beat. Chevy has always been an MC I’ve admired and it was great bouncing ideas back and forth. I had the vocals for about three years before adding them to ‘The Protagonist’ track. I was inspired to add his vocals after watching Fred again..’s Boiler Room set. It threw me back to highschool days mixing for NYC high schoolers and ravers at Ultra, which was a challenge because at that time there was not a lot of hybridization of genres. It was either rap or dance music. ‘The Protagonist’ is a live mashup of both.” – Gromo Listen below! This article was first published on Your EDM. Source: Gromo Teams Up With Rapper Chevy Woods For Bass House Single “The Protagonist”

Although in music for the past 20 years, mredrollo is still relatively new on the scene with a sound that blends punchy rhythms and uplifting progressions. His releases have reached the Beatport Top 10 and are being heard regularly on dance floors of ‘All Day I Dream’ parties around the world, gaining wide support from Lee Burridge, Tim Green, Sébastien Léger, Facundo Mohrr, Madraas and many more. Now, he’s making his debut on David Hohme’s esteemed Where The Heart Is imprint with his latest single “Follower”. It’s a beautiful melodic house song that incorporates tropical-esque rhythms backed by a driving beat and uplifting progressions. Everything comes together seamlessly as mredrollo whisks you away into a pure state of bliss for the songs entirety. Where The Heart Is Records continues to be a home for some of the best talent in the industry and we cannot wait to hear what’s coming next. Listen below! This article was first published on Your EDM. Source: mredrollo Releases Upbeat Melodic House Gem “Follower” Via Where The Heart Is Records