Ravebot

A set of three backdrops is currently due to fetch almost £600 at auction Continue reading...

It doesn’t seem all that long ago when engineers began to get access to relatively inexpensive mastering limiters that emulated the gear that only mastering engineers had previously. That led to a wave of way-too-loud mixes that we’re only now beginning to recover from. That said, there’s a whole new category of mastering plugins that […] The post New Music Gear Monday: Submission Audio Flatline 2 Mastering Maximizer Plugin appeared first on Bobby Owsinski's Music Production Blog. View the full article

Our fresh find this week is Caspark and Vreden – who just released their latest single, “Woah,” and it's giving us that great old-school Kaytranada sound. “Woah” is perfect for chilling, dancing, or anything in between. The duo blends rappy verses with smooth melodic hooks in a seamless, engaging way. Under the mentorship of the The post Caspark and Vreden’s Hit A Homerun With “Woah” appeared first on EDM Sauce. View the full article

Our fresh find this week is Caspark and Vreden – who just released their latest single, “Woah,” and it's giving us that great old-school Kaytranada sound. “Woah” is perfect for chilling, dancing, or anything in between. The duo blends rappy verses with smooth melodic hooks in a seamless, engaging way. Under the mentorship of the The post Caspark and Vreden’s Hit A Homerun With “Woah” appeared first on EDM Sauce.

In a surprising twist on the US iTunes dance charts, a new artist has captivated our attention and is poised to make a splash worldwide. “Veins,” a collaborative masterpiece between German dance-house sensation Liquidfive and the soul-stirring vocalist B Martin, has not only broken into the top 10, but is also just an absolute banger. The post Liquidfive Breaks Into Top 10 US Dance Charts Alongside Illenium and Galantis With “Veins” appeared first on EDM Sauce. View the full article

In a surprising twist on the US iTunes dance charts, a new artist has captivated our attention and is poised to make a splash worldwide. “Veins,” a collaborative masterpiece between German dance-house sensation Liquidfive and the soul-stirring vocalist B Martin, has not only broken into the top 10, but is also just an absolute banger. The post Liquidfive Breaks Into Top 10 US Dance Charts Alongside Illenium and Galantis With “Veins” appeared first on EDM Sauce.

'Broken Strings' EP is an intricate, meandering four-track affair Continue reading...

The record comes with an accompanying hypersensory visualiser Continue reading...

Global sensations Don Diablo and Major Lazer join forces for the release of their latest single, “Jiggy Woogie,” now available on Don Diablo‘s label HEXAGON. Featuring the legendary vocals of Jamaican sensation Baby Lawd, this groundbreaking track promises to ignite dance floors worldwide. Premiered to a rapturous audience at the prestigious Untold Festival in Dubai last month, “Jiggy Woogie” marks a historic collaboration between Don Diablo and Major Lazer. Showcasing their unparalleled synergy, the performance offered a tantalizing glimpse into the infectious energy of the track and the excitement it has generated among fans. “We are thrilled to bring ‘Jiggy Woogie’ to our fans across the globe,” said Don Diablo. “Working with Major Lazer has been high on my wishlist for a few years now, and this track represents more than just music; it’s a cultural moment, bringing together artists from different backgrounds to create something truly special.” “We had a blast working with the legend Don Diablo and Baby Lawd on this one,” added Major Lazer. “‘Jiggy Woogie’ embodies the spirit of collaboration and the joy of music, and we can’t wait for everyone to hear it.” Don Diablo, currently ranked as the world’s #13 DJ by DJ MAG Top 100, continues to push boundaries with his innovative sound. His third studio album “FORΞVΞR,” released in September 2021, showcases his evolution as an artist and his ability to transcend genres with ease. With his HEXAGON radio show reaching millions of listeners across 68 countries and his influential HEXAGON record label, Don Diablo remains a driving force in the electronic music industry. Major Lazer, the brainchild of Diplo, Walshy Fire, and Ape Drums, has redefined the fusion of dancehall and electronic beats, producing chart-topping hits like “Lean On” and “Cold Water.” Their latest album “Music is the Weapon,” released in October 2020, features collaborations with a diverse array of artists, highlighting their commitment to breaking down musical barriers and creating unforgettable experiences for fans. Baby Lawd, with his captivating voice and infectious rhythms, has quickly risen to prominence in the international music scene. The success of the original “Jiggy Woogie” track on TikTok catapulted him into the spotlight, setting the stage for this highly anticipated collaboration. “Jiggy Woogie” is available now on all major streaming platforms. Join Don Diablo, Major Lazer, and Baby Lawd on an unforgettable musical journey that transcends boundaries and celebrates the universal language of music.

While his mask may conceal his face, REAPER's influence as a producer has given him another identity: one of the torchbearers of the American drum & bass movement. He's further solidified his reputation after releasing his sophomore album, CHALLENGER, on Bassrush, comprising seven masterful tracks. From his signature soaring synths to his frenetic percussion, it's the enigmatic producer's most influential work to date. The album's intro track "BALANCE" expertly captures REAPER's artistry. Its vocals pair effortlessly with a rumbling beat, adding two distinct hypnotic layers that beautifully break the ice. Elsewhere, "COLD CASE" sees the producer reuniting with Bella Renee after their breakout hit "IMY" in 2022. Their new collaboration embraces the same uplifting energy as Renee's enchanting vocals once again blend with REAPER's powerful production. All said and done, CHALLENGER is a defining work for REAPER, who is reinforcing himself as a leader of America's drum & bass renaissance as he continues to tour and write inventive music. You can listen to the new album below and find it on streaming platforms here. View the original article to see embedded media. FOLLOW REAPER:Facebook: facebook.com/reapernoises Twitter: twitter.com/reapernoises Instagram: instagram.com/reapernoises Spotify: spoti.fi/3b7iZ66

A new artistic chapter is unfolding in the story of Covex. The esteemed producer is jumping headlong into 2024 by unveiling bits and pieces of OSCILLATE, his hotly anticipated sophomore album. Out May 16th via the renowned record label Seeking Blue, the project is shaping up to be his best piece of work yet. After making a splash with "Power," a scintillating combination of garage production and aching vocals from Yianna, Covex has now teamed up with Fi Sullivan for "Another Night." Out now, the stunning track combines the whimsy of indie-pop with bubbly sound design with playful production and a powerful topline from Sullivan. Nostalgic and dancefloor-ready, it beautifully sets the stage for his album rollout. EDM.com caught up with Covex to discuss the creative and collaborative process of “Another Night,” lessons learned from his upcoming project, his plans for 2024, and more. EDM.com: Your collaboration with Fi Sullivan on "Another Night" seems to have been an incredibly efficient and fruitful process. Can you walk us through how the lyrics and melody came together in just one day, and how Sullivan's vocals added that special touch to the track? Covex: Fi and I have been friends for around five years and since seeing her live, I knew she had something powerful in her voice and lyrics. We toyed with the idea of making a song together for a long time but it wasn’t until I made the instrumental for “Another Night” I knew she would be a great fit. Fi came over to my home studio in the summer of 2023, I showed her a few ideas but “Another Night” stuck out the most. We agreed we wanted to make a dance banger but to keep it sweet and light-hearted. It was one of those magical sessions where things flowed very naturally. She would come up with a line, and then I would immediately follow that with another. The process was quick and seamless. Her voice has so much emotion and soul. Without her on this track, it wouldn’t be the same. View the original article to see embedded media. EDM.com: “Another Night" combines indie-pop and dance music elements in a stunning way, something a combination of sounds you’re no stranger to. How do you navigate the creative space between these genres? Covex: I rarely go into making music with the intention of combining genres. With this song, in particular, I started by sampling my fingers running across my upright piano strings. I created a dense bed of ambiance and natural sound, then started messing around with a lead sound using one of Ableton’s Max For Live devices, and finally filled it all in with a driving bassline. I think what makes it the combination of those genres is the use of natural and synthetic sounds. EDM.com: "Another Night" sets the stage for what promises to be a standout year for you. Can you give our readers a sneak peek into what they can expect from your forthcoming album? Covex: My second album OSCILLATE continues the story of my previous EPs, Solis and Luna. The album is a story about the human experience and duality of life. It’s divided into two discs—the first is a more light-hearted, bright, upbeat side which I’ll continue to call Solis (resembling the sun) and the second is a darker, heavier and more emotional side called Luna (resembling the moon). When creating the EP’s, I knew I wanted them to be part of a larger body of work. It’s a story I’ve wanted to tell for many years and it’s my favorite project I’ve ever made. EDM.com: Could you share the most pivotal lesson you learned while creating “Another Night,” or the entire album in general? Covex: It’s impossible to know when a song is done but there’s usually a feeling you have on the first day of creating the idea, a very emotional feeling. It’s important to save that moment in the song and not “edit” it away. EDM.com: If you had to describe the album in three words, what would those be? Covex: Duality, Sun and Moon. EDM.com: Your debut album A Change of Perspective was released back in 2021. How did your approach to producing and conceptualizing this forthcoming album differ from your debut, and what growth do you feel it represents in your musical journey? Covex: My debut A Change of Perspective and my forthcoming OSCILLATE have many similarities. The music that I’ve made and continue to make, doesn’t necessarily fit into one box. Some days I love to make pretty, ethereal music and others I’m excited to try out a new bass sound design technique. It’s always been like this. I get easily bored by trying to “fit in” to a certain sound or emotion. In creating OSCILLATE, I wanted to showcase both sides of those sounds and feelings by separating the record into two distinct pieces. I learned a lot about myself through the three years of creating this, both artistically and personally. I experienced some monstrous highs and the lowest of lows, which all can be felt and heard in this album. This album gave me a new sense of purpose and confidence. I’m insanely proud of this work. FOLLOW COVEX:Facebook: facebook.com/covexmusic Instagram: instagram.com/covexmusic X: x.com/CovexMusic Spotify: spoti.fi/3ll8PUr

After a yearlong hiatus, husband and wife duo The Two Fake Blondes are back with something entirely new, an infectious drum & bass track, "Holy Spirit Lead." The song originally began as an acoustic demo that the pair eventually transformed into a drum & bass arrangement. The song embodies the passion The Two Fake Blondes channel into each of their tunes, kicking things off with enchanting vocals before introducing a drop with an ethereal LFO sequence, ultimately delivering a unique take on the red-hot genre. Since debuting their project in 2020, The Two Fake Blondes unveiled their debut album, Out Of The Darkness, in 2021 and have received support from a handful of notable artists like Steve Aoki and Don Diablo. While their primary focus has been danceable house tracks, their foray into drum & bass has proven to be a positive one so far. You can listen to "Holy Spirit Lead" below and on streaming platforms here. FOLLOW THE TWO FAKE BLONDES:Facebook: facebook.com/thetwofakeblondes X: x.com/the2fakeblondes Instagram: instagram.com/thetwofakeblondes Spotify: tinyurl.com/2syx794e

In a world where music often feels as though it's retreading familiar ground, Whethan's new single with AG Club and Snakehips ignites a fresh blaze. With its bulbous, punchy bassline and loungey synths, "Room Is On Fire" stands as a testament to the power of simplicity. The track's hook, delivered in a deadpan tone, contrasts sharply with its high-energy verses, creating a dynamic interplay that's sure to both captivate and intrigue from start to finish. The new single marks a significant moment for Whethan, serving as the lead single from his long-awaited 2024 album, Life of a Wallflower Vol. 2. The announcement arrives nearly six years after the release of its predecessor, a breakthrough project that catapulted Whethan into the spotlight and solidified his position as a leading producer in the dance music scene. The 2018 effort, which included global dance hits "Good Nights" and "Superlove," went on to amass over a billion streams across platforms. Whethan's new album, Life of a Wallflower Vol. 2, is expected to release in June. Take a listen to "Room Is On Fire" below. FOLLOW WHETHAN:Facebook: facebook.com/whethanmusic Instagram: instagram.com/whethan X: x.com/whethanmusic Spotify: spoti.fi/3hiiFmK FOLLOW SNAKEHIPS:Facebook: facebook.com/Snakehipsuk X: x.com/snakehipsuk Instagram: instagram.com/snakehipsmusic Spotify: spoti.fi/2ZwdAkr

The Do LaB is where the unexpected becomes the norm at Coachella, transforming every moment into an adventure that elevates the spirit of discovery. Standing as a longtime cornerstone of the festival's experience, the stage has now unveiled a lineup that promises to blend the boundaries between genres, generations and geographical origins. This year, The Do LaB has curated an eclectic mix of artists that span the spectrum of electronic music, from a new branded set by Alesso titled "BODY HI," to the spirited rhythms of Chase & Status and the underground sensibilities of DJ Tennis. Notably, the lineup also shines a spotlight on Hamdi and HoneyLuv, two rising stars who were recently named to the EDM.com Class of 2024. But the allure of The Do LaB extends beyond its carefully curated lineup—it's the unexpected surprises that truly define the essence of the stage. Reflecting on Do LaB's legacy of over a decade, it's clear that its essence lies in the art of surprise, curating unpredictable moments into unforgettable memories. From last-minute bookings of headline-caliber acts such as ODESZA to back-to-back sets that become the stuff of festival lore, the stage's organizers have mastered the craft of delivering surprise performances that captivate and enthrall. "It’s pretty exciting to have so many people care about it," Jesse Flemming, the music-booking member of The Do LaB's founding team, told EDM.com at Coachella last year. "Everybody knows there’s gonna be some surprises so everyone signs up to hear the announcements, and before it gets out there everyone wants to know instead of waiting until the last minute. I love it." As Coachella 2024 draws near, with its weekends set for April 12-14 and April 19-21 respectively, the promise of The Do LaB's stage looms large as a beacon for those seeking the extraordinary. Check out the full lineup below. c/o Press FOLLOW DO LAB:Facebook: facebook.com/TheDoLaB X: x.com/thedolab Instagram: instagram.com/thedolab

The track is the second taken from the producer's wellness-inspired album Continue reading...

The record leverages on the transformative power of music, drawing upon a life-altering experience at a young age Continue reading...

When Claude VonStroke first made his transition to Barclay Crenshaw, fans had no idea what to expect. But with the release of his debut album, he has bared his soul. Open Channel is a bold departure for Crenshaw. Through each of its 10 tracks, he takes us through an eclectic listening experience that flows masterfully between experimental bass, dub and funk, without any genre taking center stage. Open Channel is delightfully unpredictable, expertly weaving through a wide palette of bass-centric sounds while keeping the production cohesive throughout. One moment you're hearing the grumbling, low-end heavy sounds of "King of Monsters" and then next you're getting down to the groovy beat of "The Quiet Storm." While transitioning to a new project is never easy, Crenshaw has done it with the gravitas of a seasoned dance music vet. Though his music may be entirely different than his wonky Dirtybird house music as Claude VonStroke, he's stepped into something that feels just as personal. If his previous success is any indicator, Crenshaw will be a mainstay in experimental bass music for years to come. "I’m full focused, dialed in and ready to go," he said in an intimate op-ed penned for EDM.com in late-2023. "I switched to my real name, Barclay Crenshaw, and went back to my roots in bass music and I couldn’t be happier or more excited than right now. You can listen to Open Channel below and find the new album on streaming platforms here. FOLLOW BARCLAY CRENSHAW:Instagram: instagram.com/barclaycrenshaw Facebook: facebook.com/BarclayCrenshaw Spotify: spoti.fi/47lRQsf

This one's been a long time coming. After first teasing their collaboration way back in 2022, DIESEL and LEVEL UP have finally delivered their heavy-hitting collaboration, "LVL UP." Arriving by way of Monstercat, the track brings the explosiveness for which both producers are known, combining their sounds for a true dubstep anthem. The track features DIESEL's unmistakable vocals and its devastating drop is a stunner, complete with laser-like synths and warbling bass befit for the globe's biggest stages. All said and done, "LVL UP" is a bona fide crowd-pleaser that's set to dominate the festival circuit come summertime. DIESEL has been on a roll after unleashing his debut album GORILLA WARFARE, which featured collaborations with Jessica Audiffred, Hairitage, CELO and many more. LEVEL UP has also stayed busy, releasing her Seance and SHADOW SYMPHONY EPs as well as a monster remix of Kayzo's "SHT SHOW." You can listen to "LVL UP" below and find it on streaming platforms here. FOLLOW DIESEL:Facebook: facebook.com/shaq X: x.com/djdiesel Instagram: instagram.com/djdiesel Spotify: spoti.fi/3zoP9WO FOLLOW LEVEL UP:Facebook: facebook.com/Levelupdubs X: x.com/levelupdub Instagram: instagram.com/levelupdub Spotify: spoti.fi/3qU70j8

Musicians may soon get a long-awaited raise at the expense of streaming services. In an effort led by representatives Rashida Tlaib and Jamaal Bowman, the United Musicians and Allied Workers (UMAW) have proposed the Living Wage for Musicians Act to Congress. The bill would help ensure that artists are able to build a successful career in the tumultuous age of digital music streaming, according to its authors. "Streaming has changed the music industry, but it's leaving countless artists struggling to make ends meet behind," Tlaib said in a statement. "It's only right that the people who create the music we love get their fair share, so that they can thrive, not just survive." It's important to note that this is an additional royalty on top of artists' current royalties. The new royalty would be paid directly to artists, bypassing the tortuous, multi-level corporate filter every penny of streaming revenue goes through. Platform subscription fees and a 10% levy on non-subscription revenue would fund these royalties, ensuring that artists receive a minimum of one penny per stream, a rate that is significantly higher than what streaming services currently pay. The royalties would be paid out through a central fund and would be subject to an eventual cap on the amount of profit per month. UMAW have also launched a petition in support of the bill, asking for musicians, music professionals, advocacy groups and independent labels to pledge support. "There is a lot of talk in the industry about how to 'fix' streaming – but the streaming platforms and major labels have already had their say for more than a decade, and they have failed musicians," UMAW organizer and musician Damon Krukowski said in a statement. "The Living Wage for Musicians Act presents a new, artist-centered solution to make streaming work for the many and not just the few. We need to return value to recordings by injecting more money into the system, and we need to pay artists and musicians directly for streaming their work."

Revamped live-industry-first initiative returns for 2024 with six acts revealed for year-long development programme Six ReBalance artists to receive studio time, mentoring, educational days and a guaranteed slot at a Festival Republic event In 2024, Festival Republic reintroduces ReBalance, a pioneering initiative in the U.K. empowering women and gender-expansive artists on stage and in the studio. Six emerging acts have been revealed for the redesigned program. ReBalance offers a proactive development program aimed at tackling challenges in the music industry pipeline, providing valuable support to up-and-coming talent. Participants will benefit from five days of studio time to work on their projects, individualized mentorship, educational sessions with industry experts in London and Manchester, and a showcase at the year’s end. Additionally, each artist will secure a slot at a Festival Republic event in 2025. Selected by a panel of industry experts, artists Mary O’Donnell, Sprout, Bebeluna, samxemma, cruush, and Red Ivory will collaborate with carefully chosen producers and studios for their projects, receiving invaluable mentoring from top industry professionals. Through practical education sessions, they will access the latest industry insights and hands-on experience. All recording sessions will involve women or gender-expansive professionals to create an inclusive environment where artists can thrive while also offering production credits. Festival Republic’s Managing Director Melvin Benn announced the relaunch of ReBalance, aiming to support emerging artists by providing tools, connections, and a commitment to booking them at one of their events. Visit https://rebalancemusic.com/ for more information.

American Express presents BST Hyde Park is excited to announce their final headliner for 2024. Chart-topping country sensation Morgan Wallen will perform on Thursday 4 July, with the full line-up to be announced. Tickets for this incredible show go on sale Wednesday 13 March, 10am GMT available at www.bst-hydepark.com Morgan Wallen expresses his fondness for the UK, stating, “My initial visit last autumn was truly memorable. The experiences and interactions were remarkable. Performing at venues graced by icons such as Pink Floyd and The Rolling Stones is a tremendous privilege for my band and me. We eagerly anticipate our return.” One of today’s brightest stars in music, Morgan Wallen has been riding a non-stop wave of success with a string of 11 No. 1 hits and electrifying live shows with 2.4 million fans already holding tickets to his world tour. On the heels of releasing digital series Abbey Road Sessions recorded at the famous Abbey Road Studios – including five live recordings from One Thing At A Time, an unreleased fan favourite, ‘Lies Lies Lies’, and a never-before-recorded cover of Nothing But Thieves’ ‘Graveyard Whistling’ – Morgan Wallen will return to London this July. Watch/listen to Abbey Road Sessions HERE. Wallen’s rise to prominence has been nothing short of meteoric. Hailed by Billboard for making “his superstar arrival as a touring artist” in 2022, 11-time 2023 Billboard Music Awards-winner Morgan Wallen continues to reign as one of Country’s top touring artists. Spanning 5 countries and 3 continents, Wallen’s 57-show 2023 One Night At A Time World Tour was named a Pollstar and Billboard Country Tour of the Year and delivered the man the New York Times dubbed “one of the biggest stars in pop, period” to fans worldwide. Wallen will bring the show to BST Hyde Park for the first time this summer. Wallen’s genuine narrative and heartfelt expression resonated with supporters, catapulting him to the forefront of the country music domain. In the previous year, he unveiled his third studio album, “One Thing At A Time,” dominating the all-genre Billboard 200 chart for 18 non-consecutive weeks. This achievement tied Garth Brooks’ “Ropin’ the Wind” for the most weeks at No. 1 for a Country album and secured its position as the most-streamed album of the year on Spotify. His popular tracks like ‘Whiskey Glasses’, ‘More Than My Hometown’, and ‘7 Summers’ have collectively amassed over 28 billion on-demand streams, captivating audiences across airwaves and playlists. The 6x-Platinum single ‘Last Night’ alone garnered a staggering 1.5 billion streams worldwide, making it the most-streamed song in the U.S. on Apple Music and Spotify, and securing its place as the longest-running solo No. 1 hit in Hot 100 history, maintaining the top spot for a total of 16 weeks. The American Express presents BST Hyde Park 2024 lineup promises to be exceptionally impressive, featuring Morgan Wallen alongside previously revealed headliners SZA (29 June), Kings of Leon (30 June), Andrea Bocelli (5 July), Robbie Williams (6 July), Shania Twain (7 July), Stevie Nicks (12 July), Kylie (13 July), and Stray Kids (14 July). The complete daily lineup will be announced soon. This announcement comes after the remarkable achievement of BST Hyde Park 2023, showcasing iconic performances by P!NK, Guns N’ Roses, Take That, BLACKPINK, Bruce Springsteen and the E Street Band, Billy Joel, and Lana Del Rey. The post Morgan Wallen will headline BST Hyde Park first appeared on UK Festival Feed.

Noel Gallagher’s High Flying Birds have announced the supporting acts for their upcoming summer outdoor headline performances at Wigan’s Robin Park and London’s Alexandra Palace in July. Lancashire underdogs, Lottery Winners, who achieved a UK #1 record with their latest album Anxiety Replacement Therapy, will kick off the show at Wigan’s Robin Park on July 18th. Also appearing are The Slow Reader’s Club from Manchester, lauded as a group poised to conquer the world by the Manchester Evening News. Noel Gallagher’s High Flying Birds will headline at London’s Alexandra Palace Park on the 20th of July. The renowned indie trio Hugo, Felix, and Will White, along with 86TVs and Echo & The Bunnymen, will open the show, following their ongoing Best Of tour till March 2024, marking over 40 years in the industry. In summer 2024, Noel Gallagher’s High Flying Birds will headline shows following intimate warm-up gigs at select UK venues this month. Sold-out upcoming performances at Poole’s Lighthouse (17th March), Bournemouth O2 Academy (18th March), and Portsmouth’s Guildhall (20th March) will precede their return to the Royal Albert Hall for a Teenage Cancer Trust benefit concert, marking a significant full circle moment since Noel’s inaugural performance at the charity’s debut event in 2000. Headlining both Kendall Calling and Y Not Festival in August, Noel will also perform huge outdoor headline gigs at ​​Warwick Castle (Sunday 21st July), Cardiff Castle (Wednesday 17th July), and an already sold out The Piece Hall at Halifax (Thursday 1st August) after sell out shows at these venues in 2022. Last remaining tickets are available here. Fans can anticipate sets featuring a diverse range of Oasis classics and a selection of tracks from Noel Gallagher’s successful solo career with his band, the High Flying Birds, spanning the past twelve years. Noel Gallagher’s High Flying Birds will debut live performances following their successful UK arena shows in December. This tour capped off their extensive 2023 schedule that spanned three continents, featuring a notable 26-date North American tour and headline outdoor concerts at iconic venues like Crystal Palace Bowl and Brighton Beach. These events celebrated the release of Noel’s fourth solo album, ‘Council Skies’. The summer season concluded with the band’s largest headline show yet at Wythenshawe Park in Manchester during the August Bank Holiday weekend. The BBC hailed Noel Gallagher’s High Flying Birds’ recent live shows as “emotional and thrilling,” the Daily Mirror praised them as “typically legendary,” CLASH described the performances as “effortlessly brilliant,” the Evening Standard called them “heroic,” and The i Newspaper confirmed that “Noel Gallagher’s gonna live forever.” ‘Fans and media widely consider ‘Council Skies’ as Noel’s most comprehensive solo work yet, featuring tracks like ‘Open The Door, See What You Find,’ ‘Pretty Boy,’ ‘Easy Now,’ and the recent single ‘We’re Gonna Get There In The End.’ The album has garnered significant critical acclaim, earning a place on various Albums Of The Year lists, including recognition from publications like MOJO and Rolling Stone UK.’ ‘Council Skies’ is available now on CD, heavyweight vinyl with bonus 7”, LP picture disc plus various digital formats including a Dolby Atmos spatial audio version. All Council Skies formats are available here. Tickets for Noel Gallagher’s High Flying Birds summer 2024 tour dates are available here. The post Noel Gallagher’s High Flying Birds confirm support acts for Wigan and London first appeared on UK Festival Feed.

The renowned RADAR Festival, known for pushing boundaries, will conclude their 2024 lineup with an unforgettable performance by the legendary prog-metal band Leprous, who will debut a real-time song request set in the UK. RADAR has revealed day splits for this year’s edition, featuring The Midnight headlining Friday with Plini and Vola, while TesseracT leads Saturday alongside Dirty Loops and The Fall of Troy. Leprous will be joined by Sungazer, Humanity’s Last Breath, and other top progressive musical acts. And if that’s not enough, there are still after-parties and masterclasses, plus at least three more incredible bands to be announced for RADAR 2024 – shaping up to be the new music event in the UK this year. And, demonstrating their commitment to new bands, RADAR have also announced that they will be the first venue to donate a portion of ticket sales proceeds to Music Venue Trust, in order to support grassroots music venues. Get tickets from: RADARfestival.co.uk “Festival co-organizer Joe James expressed his joy in welcoming back RADAR alumni, Leprous, to our larger Manchester stage after their 2022 headline performance in Guildford. Being a band he has always cherished, having them return for a special fan interactive set is a moment of pride.” “We are thrilled to finally release the day splits, although it took longer than expected. Three final acts are yet to be announced, so stay tuned for more updates! Next, we will reveal the masterclass programme. Excited for July!” RADAR, the UK’s most thrilling new progressive music festival, relocated to Manchester for its 2023 edition, marking the third installment of the event. RADAR Festival 2023 triumphed with a stellar lineup featuring Sleep Token as Friday headliners, alongside Periphery (Sunday) and Igorrr (Saturday), showcasing top talents from the UK progressive underground scene and beyond. RADAR is known for being a premier platform for international artists, hosting debut UK performances by notable acts such as Dirty Loops (2022) and The Callous Daoboys (2023) in previous years. RADAR concluded their exceptionally successful 2022 by clinching the Best New Festival Award at the UK Festival Awards on December 6 in Manchester. Additionally, they were nominated for Best Small Festival and Best Metropolitan Festival at the 2023 UK Festival Awards. Combining international talent and established local achievements, RADAR Festival has emerged as a leading advocate for innovative guitar-driven progressive music. Unrestricted by genre boundaries and open to all, the festival made its debut in 2019 to critical acclaim, featuring standout acts like Animals As Leaders, Agent Fresco, and Rolo Tomassi. Following a COVID-induced break, RADAR Festival returned in 2022 with an expanded three-day lineup, showcasing triumphant performances by Leprous, Haken, Dirty Loops, Plini, Conjurer, Soen, and others. RADAR Festival focuses on pushing boundaries by introducing new genres to the lineup and stages this year, marking just the start of its innovative journey. The post RADAR Festival 2024 announces final headliner plus day splits first appeared on UK Festival Feed.

Yulia Niko's debut album is a profound reminder that even in the darkest times, the soul can find its twin flame within. The Berlin-based DJ and producer today unveiled the new album, Twinsoul, on Armin van Buuren's venerated Armada label. Grappling with the loss of her late father, each of its aching songs represents a scintilla of Niko's soul, she says, ultimately intertwining to form a latticework of auditory stories in his memory. Imagine a kaleidoscope shattered by loss, its pieces refracting fragmented memories of enduring love. Twinsoul is the process of meticulously reassembling them with the glue of vulnerable songwriting and visceral house music, inviting listeners to evolve in lockstep—just like family members. Yulia Niko.c/o Armada Music Niko's roots in electronic music run deep. After a car accident hospitalized her for two months in critical condition at the age of 15, she discovered a love of crate-digging and found solace in old Ibiza discs, Ministry of Sound CDs and classic house records. Astoundingly, just one year later, she played her first gig. But it was the tragic death of her father that lit the fuse of true self-discovery. Tethering itself to her experiences in its wake, Twinsoul is a vessel for Niko to chart a course for emotional closure. With airy synths that echo unspoken conversations and bass that throbs like a constant reminder of a presence now absent, the album is a dancefloor therapy session. We caught up with Niko to discuss the captivating emotional arc of Twinsoul and the poignant stories woven within its music. Take a listen to the new album below and read on to discover more about its origins. EDM.com: Can you walk us through your interpretation of the concept of the soul? Yulia Niko: Soul? That's a hard question, but I would maybe describe it as an inner identity. Something that is spiritual and special, is what makes us extraordinary, and probably travels from body to body. This is what I prefer to believe in, and it gives me hope that maybe I can enjoy my artist life. Of course, when talking about the name of my album Twinsoul and I mention the fact that I am so similar to my father, we are talking about genes—but I would not name the album TwinGenes, right? So yeah, I think it is a nice, unique name with a kind vibe that captures my inspiration for the album. EDM.com: Creating art from a period of grief can be daunting. What steps did you take to stay grounded considering the emotional vertigo of the circumstances? I should admit, I do have a good psychologist and I have been in therapy for many years, in addition to meditating, and developing myself and my mental health by reading books or articles, and trying different practices. Music is always my escape from reality. Whenever I feel down, moody, tired or whatever it is, I am always making music, listening or searching… life without music would not be possible. Losing my father was a very hard experience, and people who have lost a parent understand that it truly changes something inside of you. Somehow, everything I've stated above has worked really well, but it was extremely hard to heal. Now, I’ve made it, and even better, I’ve let myself enjoy making real music, besides "loopy techno." I made an emotional album with ten songs, and something my father would actually enjoy listening to. Yulia Niko.c/o Armada Music EDM.com: Did producing Twinsoul help you connect with cherished memories of your dad? Or gain closure and comfort? In general, the fact that we’re talking about him so much because of the album already makes me so happy. He deserves it so much, and I hope his soul can somehow see it. If we do share one soul, part of him is inside of me, so maybe that's why it makes me feel so right. Making the album wasn’t something that I used to gain closure or comfort—it is something that my heart called for and I learned to listen to my heart. To produce the album, knowing that I dedicate this work of art to him, makes me so proud and excited, and is probably why I’m so pleased with the end result. EDM.com: Each track in the album is described as having a distinct narrative. Can you share the story behind one specific song that resonates most closely with you? Yulia Niko: "Success is a path not a destination, the ego is afraid. He wants to control because he is afraid." These are lyrics from "Exito" featuring Sil Romero. It is an absolutely original song written with Sil, who is one of my closest friends. She is from Chile, but based in Berlin. Throughout my life, success has been important but it's not like I have huge expectations for anything in particular. I just try to enjoy my journey and as long as it's comfortable and not stressful. Wherever I am at the end, I am just grateful. Life is too short to get upset. The cover picture on my phone screen says "I am enough." This is such an important message nowadays, when people have unlimited access to social media and so many people get stressed by not being somewhere or not having something. Sil and I come from countries where it's not that easy to make it as an artist, so that's why this song is the best representation of us both, actually. Plus it's a great message for my father, who was always so pushy, in a good way but also sometimes too much. But he made it so now I feel balanced and know how to do it right. Yulia Niko.c/o Armada Music EDM.com: As an artist, how do you find balance between expressing personal vulnerability through your music and maintaining a sense of personal privacy? Yulia Niko: There are always things from life which influence your art. People always like to have a story, and I don't want to create fake stories; I have enough of my own real ones. I have some lines which I never would cross in sharing about my life—I mostly try to share only about things that are related to the music I’m making. I actually would really like to write a book, because I think I have quite an interesting experience traveling the world and meeting so many people, analyzing a lot and finding many similarities between them. When it comes to my father's death, I would agree that maybe it is a bit much to share—or I thought so—but it had such a big impact on my life. I did not post on Instagram for people who never knew him, I just did something better by creating this album so people actually have a chance to get to know him, who he was and why he deserves this tribute. EDM.com: Deep house music is known for its soulful and evocative nature. Why do you think that is? Yulia Niko: Deep house, the name already describes itself. Deep, trippy, hypnotic rhythm with beautiful sounds and vocals which take you on a journey and provide you comfort for an exact moment of your life, and make you feel like in “inner home or house." I just came up with that! I swear I did not Google it. This is the exact feeling I felt when I heard deep house when I was 15, and it guided me through so many difficult situations since then, which brought me to the here and now. When I make music, I always have the keywords "uplifting, happy, groovy." I think this is why people get intrigued by deep house, or really any kind of music made with this intention. It just sounds really good and nice. EDM.com: From the euphoric highs to melancholic lows, there's a captivating emotional arc across the album. What do you hope listeners feel as they join you on this journey? Yulia Niko: I hope that listeners will find their own home and escape—hear a song which makes them feel really good, and really special. That they wake up and start the day with this particular tune, because as soon as they hear the first four beats they start to smile. This album is my first, maybe my last. Maybe not, but it is real—a real piece of art, which means everything to me! And I am honored to share my life with you. Enjoy listening to it. Thank you for listening. Follow Yulia Niko:Instagram: instagram.com/yulianiko Facebook: facebook.com/yulianikomusic Spotify: tinyurl.com/ptbz7tte

Nearing the March 22 release of his debut album, Pangea, Mahmut Orhan has issued one final album preview in “Kettle’s Up.” Now streaming everywhere via Ultra Records, the gritty new techno cut features dance music vocalist Botan, who previously collaborated with Orhan last September on “Backwards.” Marking their second joint effort, “Kettle’s Up” consists of club-rattling synth stabs and colossal build ups, cohesively bound by Botan’s gravelly vocal topline. Thus far, Mahmut Orhan has delivered seven singles that will appear on Pangea. Arriving on the heels of Tuana Yilmaz-assisted “Nighter,” “Kettle’s Up” officially caps the pre-album rollout. Stream “Kettle’s Up,” by Mahmut Orhan and Botan, below. Featured image: Sea Star Festival The post Mahmut Orhan shares final early-release album single, ‘Kettle’s Up’ appeared first on Dancing Astronaut.