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When the worlds of fate, talent, and determination collide, they often create a melody that lingers. For RN ISMO, this collision has been nothing short of harmonic brilliance. The minimal house scene has witnessed an unparalleled confluence of sound and storytelling with his entrancing journey. Imagine a young, eager talent submitting a seemingly simple remix for a contest hosted by Woodlands Studios. This task, made available by the renowned Detlef, was a call to remix Detlef’s piece, “Dub Clap,” for the renowned label, Issues. RN ISMO’s rendition stood out, not for its complexity, but its arresting simplicity. This winning moment was more than just a victory; it was RN ISMO’s gateway into the intricate universe of minimal house. Fast forward a bit, and the world is now graced with “Growing Up”. This masterpiece intricately weaves RN ISMO’s seasoned sound with Cami Jones’s moving vocals. While their earlier work, “Melting Head”, gave listeners a taste, “Growing Up” serves as a rich, musical memoir, detailing the metamorphosis of an artist. Life’s symphony often feels like a repetitive tune, but RN ISMO’s journey resonates differently. It’s a melodic manifestation of aspirations from the past marrying present-day triumphs, rising like a phoenix and rhythmically dancing to its beats. Detroit’s vibrant underground scene was the crucible where RN ISMO’s unique sound was molded. His singular blend of minimal grooves and eye for technicality soon turned heads regionally and online. His debut stunner “Elevate” made waves on the Tech House Hype chart on Beatport. But it wasn’t just his original creations that earned him applause. His refreshing take on Detlef’s “Dub Clap,” mentioned above, placed him on the global music map. By 2022, RN ISMO joined forces with Repopulate Mars, further anchoring his reputation with tracks like “Melting Head”, in tandem with Andre Salmon and Cami Jones. His Beatport chart successes, including the “Underground” EP on ARRITMIA and the “All I Can Be” EP, continued to accentuate his musical growth. Sharing stages with luminaries such as John Summit and Westend, and absorbing wisdom from mentor Ramin Rezaie, RN ISMO’s ascent is a sign to his value of taking advantage of the opportunities life presents each and every day. This article was first published on Your EDM. Source: RN ISMO Returns To His Roots Via ‘Growing Up,’ Released On Label: Issues

Croatia’s maestro of music, Matroda, has long commanded reverence in the house music realm. He’s consitently releases hit after hit, that’s dominated clubs and festivals all over the world. His latest creation, “In The Air,” released on his label Terminal Underground, is a testament to his incredible artistry. This house anthem takes us on a captivating journey, blending Matroda’s signature keyboard-driven progressions with a pulsating bassline, crafting a rich tapestry of rhythm and melody. The addition of an uplifting vocal layer adds a touch of emotional complexity, creating an enchanting musical chiaroscuro. “In The Air” is more than a song; it’s an invitation to elevate our senses and immerse ourselves in Matroda’s vibrant sonic universe. Listen below! This article was first published on Your EDM. Source: Matroda Releases Another Sizzling Tech House Single, “In The Air”

At only 20 years of age, the singer, songwriter and award-winning jazz musician known as ADVIKA has already made a significant name for herself with an impressive body of work that belies her age. She began releasing jazz-infused pop folk songs in 2020 as she entered the prestigious Berklee College of Music’s Electronic Production and Design program, but her accolades as a vocalist, multi-instrumentalist and Carnatic singer began well before her college-level studies. She won the the YoungArts award in jazz vocals and songwriting and performed at the Newport Jazz Festival in 2018, where she won the Berklee Newport Jazz Festival Scholarship. She’s also a merit scholar at Berklee. Imagine not only being recruited but paid to go to one of the best music schools in the world. One listen to ADVIKA’s work and it becomes abundantly clear that there were no mistakes at Berklee admissions. The thing that stands out the most has to be her pitch perfect voice, even in her earlier work. Pitch perfect doesn’t even really describe ADVIKA’s vocals: describe there’s pitch perfect, and then there’s absolutely flawless. Not a waver or a waffle in tone, yet full of emotion and poignancy, ADVIKA was destined to go far no matter what level he schooling reached. It’s possible that ADVIKA is so effortlessly able to reach these tones with such clarity due to her Carnatic training: a form of Southern Indian classical music which is distinct from more northern/Islamic fused music, Carnatic vocals focus on a complex tonal system that must be clear and pitch-focused due to how many distinct notes there are in the scale. As a lover of jazz and its own complex vocal and tonal standards, this may be how ADVIKA chose to pay homage to both east an west as she began to carve out her style. It certainly means she doesn’t sound like anyone else in the pop world. In terms of her songwriting and composition, ADVIKA’s first releases are jazz and pop folk-based with just a hint of ambient electronic structure and her also nearly perfect viola work, her most recent singles, “Come Back to Earth” and “Put Your Heart Away,” see the gifted artist really flexing her electronic production muscles. With what sounds like a tabla drum loop backing the track in a nod to her South Indian heritage, ADVIKA pulls various instrumentals in with more and more electronic programming as the track goes on, writing the track like a classical composition as is comes together. This whole song is meant to support her goosebump-inducing vocals, which are also multi-layered to create a complex harmony. The effect is chilling and emotive before you even begin to recognize the depth of the lyrics. The lyrics describe the deep anguish of gradual separation in a relationship that once held a promise, watching them slowly detach themselves from each other. One holds onto the promise and hopes that the other comes back. And when they do decide to come back, it’s too late. There is nothing left anymore. The strongest bonds can be ephemeral if not cared for and nurtured. The song’s energy builds throughout, going from a mournful call to a realization of the end. -ADVIKA Just released a couple of weeks ago, ADVIKA’s “Put Your Heart Away” also shows her promise as an EDM/pop fusion artist. Setting her jazzy vocals to a disco house tune she also created herself, it seems even with all the praise she’s gained in jazz and classical disciplines thus far doesn’t mean she plans to stay there. With so much raw talent and an already impressive discography, the sky is truly the limit for ADVIKA, and it will be up to her whether she wants to “Come Back to Earth” for us mere mortals. “Come Back to Earth” and ADVIKA’s other stunning works can be streamed on her Spotify page. It’s a good one to bookmark for future as well, as this is clearly just the beginning for this multi-talented artist. This article was first published on Your EDM. Source: New Artist Spotlight: Boston Artist ADVIKA Adds a Shot of EDM to Her Impressive Jazzy Pop/Jazz Fusion Style [Lyric Video]

Australian DJ, Producer, Audio Engineer, and founder of record label Sorta Kinda Music Damo Cox is a true sonic maven with an unapologetic captivation for all genres of music. Currently residing on the sunny shores of the Gold Coast in Queensland, Damo delivers his tunes straight from the studio to festivals including Splendour in the Grass as well as clubs & bars from Cairns to Sydney. His music speaks for itself and his latest EP ‘Wub Me’ is yet another gem to add to his toolbelt. It’s a fantastic musical rollercoaster that takes you on a wild journey through the world of house music. The first track, “Get With Me,” is pure dancefloor magic that offers rumbling bass grooves and seamless sampling that makes this one irresisable. “Deep Wubs,” follows and pans out to be the chill counterpart. It slows things down, giving you a chance to catch your breath and get lost in its mesmerizing melodies. One thing that Damo Cox yet again proves is his ability to create such different yet cohesive tracks. We had the chance to speak with him about his music and this EP. Enjoy! Can you share some insights into the inspiration behind the Wub Me EP? I wrote both at a point when I was going through a tough time with my mental health. It was a bit of a roller coaster! There would be some dark days, and there would be some really good days. I wanted the EP to showcase the light and dark, so ‘Deep Wubs’ has those darker undertones and a deeper vibe, whereas ‘Get With Me’ is on the lighter side, especially with the bouncy bass line. Around the time I was working on “Get With Me” I came across a video breaking down all the different samples Liam Howlett used in The Prodigy’s album “Jilted Generation” which gave me some ideas to experiment with when I was working on the vocals for the track. I was listening to a fair bit of Paul Karkbrenner which I feel was a bit of an inspiration behind the deeper vibes that came out in “Deep Wubs” and the The XX’s track “The Intro” was what I used to model the sound design for the synth plucks I used in the track. How would you describe the overall vibe and sound of the tracks on the “Wub Me” EP? I think the vibe of the EP reflects what I was going through at the time, with the light and dark, I guess you could say. “Get With Me” being the more club focused track, has a fun, bouncy vibe to it. Whereas “Deep Wubs” has that darker, deeper vibe to it. Were there any specific goals or intentions you had in mind with this release? I’ve been challenging myself to push my sound into different genres and really let the ideas and creativity flow when I’m producing. So this EP was really about showcasing some of the different sounds I have been creating. How do you know when a release is ‘done’ and ready for exporting, are there signs you look for or certain feelings you get? Whenever I talk to other producers, we all say the same thing, that it never really feels “done”! You can drive yourself mad by continually making tweaks and changing different elements in a track. Being an audio engineer as well, I think that makes it even worse at times because the standard has to be very high for me to be happy with it. Giving a track the dancefloor test is usually the best way to know if it is done or not, I think. ‘Get With Me’, for example, I actually hadn’t intended to ever release that track. But every time I drop it in a set, the people on the dance floor love it! So I guess that’s the ultimate way of knowing a track is ready. What was your creative process like for this release? Was it smooth and quick or perhaps more challenging than expected? “Deep Wubs” creatively came together pretty smoothly, and I actually held on to the track for a while thinking it wasn’t finished because I felt it needed a vocal to bring it all together, but in the end I ended up bringing the synth forward in the mix and making it the feature of the track. “Get With Me” was definitely a long process that never seemed to end. I tried and tested it out so many times, and dancefloors love it, but for me, there was always something that felt off. Just before I played at the Initiation NYE 2022/23 Festival, I ended up reworking some of the percussive elements in the track and testing them out in my set at the festival, and when it dropped, the vibe from the crowd was off the chain! So it only took two years, but I was finally happy with the track haha. Do you prefer being in the studio versus on stage, or you don’t have a preference? These are two completely different modes for me. I can disappear into the studio for days, totally immersed in a creative headspace, barely making contact with humanity, but in a totally happy place. Being on stage is almost the polar opposite; it’s a shift in gears where it’s all about connection with people through music. The energies are totally different, but you need that in life, right? Plus, being on stage gives you the opportunity to actually witness how those introverted hours in the studio affect people. It’s hands down the best way to know whether you’ve hit the mark with what you’ve created. Charting and stuff is nice, of course, but the ultimate kick is seeing people vibing with and responding positively to something you’ve created. That’s happiness right there! What are some industry or cultural changes that stand out from when you started the Damo Cox project until now? Since I started out, there have been so many changes in the industry. COVID was obviously something that flipped the industry completely on its head, which put a strain on festivals, clubs, and venues in the last few years, especially here in Australia. Despite the downsides, there’s been plenty of positives though. I think it has forced a lot of people to think differently about the way they put on their events and the different spaces in which they are held. Which is cool because I think there is an awesome underground scene building here in Australia that could put us on the map and make Australia a top-notch music destination over the next few years if it continues to grow at the rate that it is. Another thing that has changed over the years I’ve been in the industry is the rate at which music is consumed and how quickly styles, sounds, and genres become the “current sound” one week and within a few weeks it’s moved on to something else. The industry has always cycled through different genres and sounds, but in the digital age of music and with how closely everyone is connected, it’s crazy how fast it moves now. In a way, it is sad because there is some really amazing music that is getting lost in the noise because of how fast paced it is, on the other hand it is introducing more and more people to different sounds in the electronic music realm. This article was first published on Your EDM. Source: PREMIERE: Damo Cox Delivers Infectious ‘Wub Me’ EP + Interview

The wait is finally over, Zedd’s coveted remix of John Summit’s now iconic track “Where You Are” is available now on all platforms. Zedd has used his euphoric remix of John Summit’s iconic track as his intro for all of his new sets, including massive appearances at Ultra Miami and EDC Las Vegas. Utilizing some of Zedd’s tried and true tactics, including the ticking clock, this is a remix that is sure to excite fans of all genres. Combining Hayla’s timeless vocals with Zedd’s impeccable progressive house melodies, “Where You Are” is sure to dominate any set, whether it’s a Zedd main stage set, or a John Summit after hours. The chord progression along with the dancefloor-ready beat is impeccable. This is a song that has been on repeat, play it at max volume. Check out Zedd’s official remix of John Summit & Hayla’s “Where You Are” out now on Off the Grid. This article was first published on Your EDM. Source: Zedd Drops Incredible Remix of John Summit’s “Where You Are”

You might be feeling the FOMO watching all of your friends on vacation in Europe this summer on their IG feeds. But, fear not; you can get your revenge by going on a winter vacation on the pristine beaches of the Mexican Riviera and partying to the sounds of world class DJs at Holy Ship! Wrecked this December. Taking place at the Hard Rock Riviera Maya on the shores of the Yucatan Peninsula, Holy Ship! Wrecked is the premiere destination festival; featuring a world class lineup and a bevy of luxury resort amenities. Holy Ship! Wrecked is a HARD event, so the lineup reflects the diversity and eclecticness of HARD. House music is heavily featured this year as names like Chris Lake, Chris Lorenzo, Dombresky, Mau P and Wax Motif grace the lineup poster. D&B is also well represented on the Holy Ship! Wrecked lineup as artists like Sub Focus, Culture Shock and 1991. Other highlights include renowned HARD artists like 4B, Valentino Khan, Troyboi and Boys Noize. On top of the stacked lineup, you can expect party takeovers from ArdyPardy, Black Book, Desert Hearts, and more. The musical journey of Holy Ship! Wrecked will transport fans from sunset to sunrise, flowing between six uniquely intimate stage environments, pool and beachside pop ups, plus late night sets and surprise sets to keep the party going. The dedicated Shipfam community can also expect all of the extracurricular activities the event is known for – theme nights, old school field day games, fashion shows, the OG Party, and many more surprises captained by fan-favorite artists. Holy Ship! Wrecked will take place December 12-16 at the Hard Rock Riviera Maya. Click here for ticket & room options. This article was first published on Your EDM. Source: Holy Ship! Wrecked Announces Lineup for 2023 Edition

Antman Ant is, by his own admission, nothing if not an OG raver so it’s not really fair to call him a “new artist.” He has, however, been sort of hiding his huge talent from the wider EDM world, so he’s new to us. Producing since well before the current generation of EDM fans were even born, his work is less about any sort of throwback style than a consistent evolution that’s moved in time with that of dance music at large. This means he can, and often does, draw on nearly 30 years of dance, sound design and groove to make his music. His latest releases, April’s heady, ambient-laced deep house album Resonate and the just-released singles, the ethereal and ambient “Weightless” and the deep disco bop called “Breathe It In” certainly prove that point. Happy to be in the underground for many years, splicing together vintage electro and modern bass house for the fun of it seemed to be Antman Ant’s bag until the pandemic hit. As with many creatives, the Sussex, UK native found himself with more time he ever dared dream and the need to create both for himself and for the entertainment-starved public. He got to work releasing and has amassed a huge discography since 2020: seven full albums and a string of interstitial and teaser tracks in between. It appears Antman had been sitting on a veritable treasure trove of tunes the like of which the house and ambient worlds have never seen in such a short period. He quickly became a deep house playlist favorite on Spotify and is gaining traction on Beatport, with some of his singles being picked up by Dark City Music. The scale of music Ant’s been able to release in just under three years is impressive, sure, but it’s the quality of the work that pushes him into gobstopping territory. Each track is a rich, complete composition drawing from every style and genre imaginable and harnessing to the artist’s own unique and emotive style, each album takes the listener on a journey through emotion more than music. This isn’t your usual club house, though it’s often fresh and very danceable. It’s impossible to go through Ant’s massive catalog in the space of a short article so we’ll be focusing on the most recent releases, but suffice it to say if you want beautiful beach music that incorporates all the best parts of house, ambient, progressive and trance, look no further than his Spotify page. Now, to highlight a few key points from Resonate: this album opens with a beatless intro track that really sets the tone for the rest of the album. Ant’s not one to rest on his laurels with any particular genre, and “100 Years Asleep” is certainly a nod to that. With a haunting piano melody grounding this track rather than a discernable drum or bassline, Ant also showcases his experimental side in the ambient sound design. What a side it is, as well, as a perfectly pitched sine wave synth is pushed through the beginning of the track, along with other sound samples that sort of make the track feel like we’re listening to the soundtrack of the world turning. It’s both relaxing and a promise of the work to come. From beatless to “Progressive Beats,” Resonate proceeds to take listeners on a temporal journey through ambient rave with everything from the afore-mentioned progressive beats to deep bass rumbles to celestial, Goa-style melodies. There’s always a mix of old school and modern, and Ant employs the vintage elements in a number of different ways: sometimes it’s a sample, others it’s the equipment he uses. It’s so varied yet well-constructed, “Resonate” it’s almost like a perfectly constructed DJ set paying homage to all the eras of rave, but it’s all written and produced by one artist. While they’re certainly as good as the album, upon listening to Ant’s recent tracks post-Resonate, “Weightless” and “Breathe It In,” it’s instantly clear why he didn’t include them. They both have a totally different vibe to the album. With a definite celestial and 90s Enya-inspired instrumental track, there’s a levity to “Weightless” (hence the name) that is removed from the deep vibes of the Resonate tracks. “Breathe It In,” just released in late July, however, is full of electro and big room sounds while also being rooted in Ant’s signature vintage synth style. “Breathe It In” is easily the most ravey, dancefloor track of the 2023 releases, and it will likely play well at festivals as the summer season draws to a close. That’s likely Antman Ant’s ultimate goal: reviving the dancefloor in his own unique way, bringing the history of rave to this point in its near 40-year history in a way that modern crowds can not only appreciate it but love where we’ve come from and where we’re going. Now with real momentum and an unmistakable talent, here’s hoping Antman Ant’s work continues to Resonate with ravers for another 40 years and beyond. Check out “Breathe It In,” “Weightless” and the rest of Antman Ant’s mindblowing discography on Spotify and rave on. This article was first published on Your EDM. Source: New Artist Spotlight: Antman Ant’s New Album Will ‘Resonate’ With EDM and Ambient Fans Alike

Over the last few decades, the EDM scene has witnessed the rise of enigmatic artists like Marshmello, Zhu, and Daft Punk, who captivate audiences while shrouding their identities. Now, the mysterious figure known as Disco Face is stepping into the spotlight, and the buzz surrounding this anonymous producer and singer-songwriter is hard to ignore. Debuting on TikTok in mid-2022, Disco Face quickly caught the attention of music lovers with his viral mashups, amassing over 500k followers in just four months. Known for his bright electronic dance music infused with dark, alternative influences, he stands out by using unique samples, often sourced from viral TikTokers who enthusiastically reshare his creations. The intrigue doesn’t stop there—artists like David Kushner, CeeLo Green, and Angus & Julia Stone have taken notice of Disco Face through his captivating covers of their hit songs, each earning over 10 million views. To add to the mystique, he made a discreet appearance on Comedy Central’s TV show, “Tales From the Trip.” Disco Face recently released “Daylight,” a stunning cover of David Kushner’s song, marking his first official label release under TH3RD BRAIN records—the team behind artists like Zhu and Emmit Fenn. In this track, he brilliantly intertwines a unique sample from Chrish, whose video garnered nearly 200 million views on TikTok. As “Daylight” captivates listeners with its dance-worthy spin on David Kushner’s original, Disco Face leaves fans eager for more. The anticipation grows as they wonder about the person beneath the mask. Speculations abound, with some believing this could be a secret project by Bo Burnham, a testament to the enigmatic aura that Disco Face exudes. With original works on the horizon, Disco Face’s journey is just beginning. As his musical narrative unfolds, we can’t help but wonder—what’s next for this mysterious sensation, and what other surprises will he unveil? One thing is for sure: Disco Face is an artist whose identity may remain in the shadows, but his music shines brightly for the world to embrace. This article was first published on Your EDM. Source: Is Disco Face The Next Marshmello? TikTok Seems To Think So…

The highly anticipated release of the collaborative EP “Lonely Together” by the rocktronic/melodic bass trio, SadBois, is just around the corner on July 26th, 2023. The EP, distributed through Flux Pavilion’s Circus Electric, a sub-division of Circus Records, boasts an exceptional lineup of talented artists, each contributing their unique sound to create a captivating exploration of the complex and universal emotion of loneliness. With “Lonely Together,” SadBois endeavors to delve deep into the intricacies of the human experience, offering an ironic perspective on the isolating feeling of loneliness. By collaborating with various artists, the EP sends a powerful message about the shared aspect of this profound emotion while simultaneously showcasing its diverse manifestations. SadBois seeks to encapsulate the multifaceted nature of loneliness and its transformative influence on personal growth and self-discovery. The EP opens with the emotionally charged track “Lonely Nights,” a haunting collaboration between SadBois and MashBit, featuring the ethereal vocals of UNDY. This mesmerizing composition sets the tone for the rest of the EP. Continuing the journey is “Worst Day Ever,” a poignant collaboration between SadBois and PatFromLastYear, seamlessly blending their artistic visions and showcasing the soulful voice of Micah Martin. The emotional depth of this track resonates strongly with listeners, providing a profound exploration of despair and solitude. Next in line is “What It Feels Like,” a powerful and introspective collaboration between SadBois and TENZO. This track masterfully combines SadBois’ signature electronic elements with TENZO’s mesmerizing melodies, resulting in a sonic tapestry that beautifully captures the essence of loneliness. The hauntingly enchanting vocals of LÚTHIEN further elevate the emotional intensity of the piece, immersing listeners in its ethereal ambiance. Bringing the EP to a close is “Bringing Me Back,” a collaboration between SadBois and ARNHEMIA, featuring the heartfelt vocals of Rickie Lane. This final track serves as a poignant reflection on the journey of overcoming loneliness and finding solace within oneself. The combination of heartfelt lyrics and dynamic production by SadBois and ARNHEMIA results in a cathartic and uplifting conclusion to the EP. Mark your calendars for the release of this soul-stirring EP on Circus Electric, as SadBois concludes an epic chapter in their musical journey. In their own words, SadBois stated, “We wanted to create a body of work that looks to take the complex emotion of loneliness and describe the human experience almost ironically by making a collaborative body of work regarding an emotion that can make one feel isolated. Instead of explaining the internalization of loneliness, we wanted to capture how this emotion can be a shared experience but still show the vast range of how the emotion can present itself, there are times where loneliness can be empowering and there are times where it can be saddening but these times help shape who we are and who we can become.” This article was first published on Your EDM. Source: SadBois Comes Full-Circle With Release Of ‘Lonely Together’ EP On Circus Electric

One of the hottest and most unique new talents to emerge out of Jamaica’s fertile music scene, vocalist/songwriter Marcilli (they/them) fuses dance music, R&B and Latin pop into an irresistible brew on their new single, the defiantly incendiary ‘Done (Breakup Anthem)’. Inspired by the edgier bits of Billie Elish, Rihanna, Suga of BTS and R&B icon Daniel Caesar, Marcilli is one of the first and few openly queer-identified Jamaican artists, coming out of a strict cultural heritage that often remains hostile to members of the LGBTQ community. Marcilli shared their thoughts on the release: “writing this song was born out of some serious heartbreak and disappointment, but seeing it evolve into the project it is today, gives me such a boost of encouragement. Honestly, it’s one of the things I’m most proud of so far, and I really hope it can inspire others to set their own boundaries and know their damn worth.” Boldly blazing trails, bucking trends and declaring their independence from heartbreak, Marcilli is pointedly releasing their single right before Jamaican Independence Day, the most important holiday on the island nation, ready to open doors and set an example for future generations of artists who want to freely express themselves. Co-written by ace producer Alexx Antaeus, who has previously worked with The Rolling Stones, Earth Wind and Fire and Julian Marley, ‘Done (Breakup Anthem)’ also features a Spanish-language vocal turn from New York-based Puerto Rican act Natalis, who has sung on platinum-selling tracks by J Cole, Kanye West and Popcaan. Follow Marcilli here This article was first published on Your EDM. Source: Gender fluid artist Marcilli breaks barriers with their new single ‘Done’ to celebrate Jamaican Independence Day

Okay, so maybe the subtitle is just a very niche fantasy held by only the author of this article and some other vintage tech geeks, but a form of progressive electronica has been making its way through the ranks recently, and even more indie electronica acts like Gorillaz and Bonobo do take a couple of pages here and there from the prog rock book. That said, it’s likely not many EDM fans or even more experimental electro lovers would think to put the likes of Yes, Frank Zappa and King Crimson together with synthy electronica melodies and backing. Luckily, Canadian singer, multi-instrumentalist and producer Wes McClintock has endeavored to merge these two seemingly opposing worlds, and the result is equal parts soulful and interesting with just a little bit of musical wackiness thrown in. His newest album, Open Dream, layers various types of vintage keys, heavy analog bass and an indie rock core to create this fusion. It incorporates loads of different styles to achieve this, playing on the edge of early 2000s hipster rock while bringing in earlier influences like funk, folk, prog rock and, of course, vintage synths like the legendary Moog to pick up almost everything awesome from he late 60s through to today. Open Dream opens with an 80s synth-heavy instrumental track called “Sky.” A true intro to the next intro, “Sky” sets the tone of the album, adding a loungey groove from McClintock’s funky bass and at least two more types of vintage synths into the mix. Just as it seems like the tune is about to drop into the rest of the song, it fades out before the next song, “Imaginary Sounds.” Much more in the indie camp than its predecessor, “Imaginary Sounds” has the warmth and depth many indie rock tracks lack nowadays, and that’s supplied by the expertly played bass and backing electronic sound design. This is a theme that repeats throughout the album, no matter what style or genre McClintock decides to stuff into each track, and likely is and will be part of his signature sound. “Falling,” Open Dream‘s third track, is where listeners will really hear McClintock’s love for prog rock, with a bassline and composition clearly influenced by the legendary Canadian band Yes’s most famous track, “Roundabout.” “Falling” is much spicier, however, as towards the end its impeccable structure purposely devolves into more chaotic synths and a dissonant, almost Zappa-esque guitar solo beings the track to an abrupt stop. What awaits it after that high-energy, beautiful mess? Nothing other than the sweet, soothing tones of a celestial folk song, called “Waiting In Line.” It’s clear by this arrangement that McClintock doesn’t intend for the listener to get used to any one style before he switches it up completely, which is smart. Fans can pick their faves for playlists but it also makes for an exciting journey along the trajectory of this album and possibly introduces people to styles, genres and modes of listening to which they’d never otherwise be exposed. Open Dream continues to toggle between styles as it continues on, sucking up more and more styles and subgenres in its path. Shrewd listeners will be able to pick up some industrial programming in “Breaking Into Noting,” a faint soupçon of trap in “Last Time” and some Daft Punk-like funky house in “A Different Kind of Sane” but it’s really about the composition that makes the album work on a whole. Then the album closes with another instrumental track called “Sand,” a fitting way to bring the dreamer back to earth. Picking up on the name, Open Dream is truly an open forum of ideas and styles with an emotive, relatable heart that allows it and McClintock to transcend genre. Tldr: it’s just really good music. Open Dream is out now and can be streamed on Spotify or purchased on Bandcamp. This article was first published on Your EDM. Source: New Artist Spotlight: Wes McClintock’s Synthy Update to Indie and Prog Rock [Video]

Insomniac’s premiere trance festival, Dreamstate, is getting even bigger and better this year, relocating to the Queen Mary Waterfront in Long Beach. This will be the second Insomniac festival that takes over the space following two years of Day Trip. While the two different festivals take on a decidedly different vibe, the results should be the same, an immaculate seaside experience in an iconic Southern California landscape all while top tier music soundtracks the experience. In addition to trance legends such as Armin van Buuren, Cosmic Gate, Ferry Corsten, Gareth Emery, Giuseppe Ottaviani, Paul Oakenfold, Paul van Dyk, Vini Vici and so many more; Techno will also be making appearance at Dreamstate. Maddix is the one name that really stands out, but expect way more artists that are pushing the tempo past 128. Tickets to Dreamstate are available here. Get ready to experience the West Coast’s premiere trance festival November 17-18 at the Queen Mary Waterfront in Long Beach. This article was first published on Your EDM. Source: Insomniac Drops Full Lineup for Dreamstate SoCal at New Queen Mary Waterfront Location

Explore our in-depth Shure SM7B review. Learn about this dynamic microphone's features, sound quality, design, and our final verdict on its value.View the full article

Image credit: Rachael Baker @RWPhotography Setting himself apart from the crowd with a visceral, embodied tone is Kansas-based Klay Cartier. Listening to his latest offering, a make-your-head-nod single titled ‘Good For Nothin’’, we were carried away by a whirlwind of precision. Anything but tame, the classic hip-hop drums slam relentlessly beneath the warmth of Klay’s timbre – Toto, we’re not in Kansas anymore. Stream / Download: Klay Cartier – ‘Good For Nothin’’ This young man is being talked about. Having previously featured in NOTION Magazine, WordPlay Magazine, and The Pit London, he has garnered early press support for his latest single from the noteworthy music publication CLASH Magazine. And today we’re adding our support. To mark the occasion, we got to know more about this rising name. Here is Klay Cartier: When recording ‘Good For Nothing’’ how did you get into the zone? Once I heard the heavy percussion and the guitar melody that we ended up reversing, I was instantly excited, I had this butterfly feeling, and I felt like I could really do something amazing to this. Singers and producers often have different tastes. How do you negotiate decisions about the sound direction with your producer? With my producers, it can really be a power struggle because we both care about the song and we both want the song to be good, but sometimes if not all the time we just hear a different version of the song that may be what we originally intended on when it came to the creation, ultimately we just have to compromise and find a solution that fits both of our tastes. Personally, I try not to be bratty so sometimes I can easily find a compromise and be open to change. Looking back, what were some of your earliest entries into music appreciation? And music production? I remember sneaking into my mom’s CD collection and just listening to ‘90s R&B and ‘00s R&B, and I would lay next to the radio getting lost in the music. I’d even write down my favourite lyrics from the songs. As far as music production, I’ve only started to dive into that recently since I’ve been more hands-on with my music production. Take us through your list of dream software/gear you would like to get? Definitely a Neumann U67! I’m a microphone geek and, to me, that’s one of the best microphones out right now! What do you need with you when you sit down to write or produce? My phone! I’m always recording different harmonies and weird sounds that I think would sound cool in a beat, so often I like to play those back to see if they inspire anything whether it be a hook or a verse. What other artistic revenues do you pursue? Besides acting and modelling, I write poetry under a pseudonym, one which I’m not ready to reveal just yet. Studio work and music creation or performing and interacting with a live audience, what do you prefer? Performing and interacting with an audience for sure! There’s just a certain euphoric feeling when you’re on stage, and it’s kind of like you’re forced to live in the moment. You’re not worried about yesterday or tomorrow; you’re engulfed in the present. What has been the most memorable moment of your career so far? Seeing the messages and comments of people who say that they can’t stop listening to my music. That may sound simple, but there were times when I thought no one would ever listen to my songs. Name 3 artists you would love to collaborate with in the future Definitely Drake, 21 Savage, and SZA. Do you think music should provide social commentary and reflect the current world? Most definitely. What would music be if it didn’t narrate the times? Music not only provides the soundtrack to our lives, but it connects us and helps us unite. I think it’s our responsibility as artists to stay as authentic and genuine as we can, so it’s very important for us to comment on what’s going on. What can we expect from you in the near future? Any upcoming projects or gigs in the pipeline that you would like to tell us about? Currently, I’m getting into acting and developing a fitness series, so be on the lookout for that, especially with the fitness series, which will be featured on my TikTok. One last thought to leave your fans with? Be good to people even when they are not good to you. Follow Klay Cartier: Facebook – Twitter – Soundcloud – TikTok – Youtube – Instagram – Spotify

&friends has continually proven himself to be the master at tribal and afro house, with an incredible gift at crafting the finest grooves you’ll ever hear. Now, he’s back with a robust EP ‘Ominira’ in collaboration with fellow producer Samuel Cosmic, signed to his Hidden Hands imprint. ‘Ominira’ is a 2-track delivery, with “Halele” and “Ineko” showcasing returning core vocalists Oluwadamvic and Phina Asa. Meaning “Liberty” in the poetic native language of Yoruba, ‘Ominira’ reflectively weaves together a captivating narrative of resilience, defiance and triumph. Personal at its core, across both tracks Oluwadamvic and Phina take listeners on a melodic journey that explores themes of perseverance, freedom and oppression. Check it out below! This article was first published on Your EDM. Source: &friends Releases Compelling Two Track EP, ‘Ominira’

We can always count on Rich Furniss to provide delectable grooves reminiscent of the classic house sound with a modern touch. He recently teamed up with Boogietraxx and RONI for their sun soaked house anthem “What You Got” that’s bursting with beauty and joy the minute you press play. This disco-infused house track is a breath of fresh air, perfectly capturing the essence of feel-good vibes and uplifting melodies. Boogietraxx came to me with this track; it was an amazing idea with a great vocal. I was excited to bring this song to the finish line. It feels like a summertime feel-good anthem. – Rich Furniss Listen below! This article was first published on Your EDM. Source: Rich Furniss, Boogietraxx, and RONI Unleash Sun-Soaked House Anthem “What Ya Got”

When it comes to tech house, few do it better than San Pacho. He’s proven to be one of the most exciting rising artists and now he’s recently teamed up with No Thanks for their punchy tech house collab, “Freak.” Once again signed to Matroda’s Terminal Underground, “Freak” showcases the thumping grooves that San Pacho has become known for, along with tribal/latin influenced drum patterns. It’s another smash for San Pacho and we cannot wait to hear what’s next. Listen below! This article was first published on Your EDM. Source: San Pacho & No Thanks Team Up On For Punchy Tech-House Single “Freak”

Australian dance maestro Odd Mob continues his upward trajectory with the release of his latest EP, “Club Rompas,” following the success of the peak time anthem “XTC.” Having already wowed crowds at Coachella, EDC Las Vegas, and various clubs across Australia, New Zealand, and the US, Odd Mob draws inspiration from his global dance floor experience, crafting a collection of tracks perfectly suited for both intimate rave caves and massive festival stages. The EP opens with the already acclaimed single “XTC,” a club stomper that has received support from industry heavyweights such as Dom Dolla, Sarah Story, and Chris Lake. Throughout the EP, Odd Mob‘s signature bass-heavy production shines as he takes listeners on a journey to the “Underground.” A collaboration with Chicago-based bass house duo Birthdayy Partyy, the track experiments with industrial elements, featuring sirens and intense metallic synthesis leading to a powerful drop. “Guest List,” another collaboration with Chicago natives Basura Boyz, mesmerizes listeners with its hypnotic basslines, dominating the dance floor. The EP concludes with “Blisters On My Feet feat. Basura Boyz,” featuring a rolling low end and captivating vocal hooks that keep listeners locked into the groove. Odd Mob shares his inspiration for the EP, stating, “‘Club Rompas’ does exactly what it says on the label. It’s meant to hit you hard in the club and make you dance! This EP came together after my first post-COVID tour in the US, spending 24 hours in Chicago where I collaborated with Birthdayy Partyy for the first version of ‘Underground.’ That same night, I met Basura Boyz, who later sent me some fantastic one-liners that ended up in ‘Blisters On My Feet’ and ‘Guest List.'” With an exceptional year in North America, including two successful tours and a Coachella debut, Odd Mob has established himself as a versatile artist behind the decks and in the studio. His expertly crafted tracks have earned praise from top DJs worldwide, including John Summit, Skrillex, Diplo, and Oliver Heldens. “LEFT TO RIGHT,” his iconic club hit, received monumental support before its official release, while “Been Dreaming” caught the attention of BBC Radio 1’s Sarah Story. The momentum continues to build as Odd Mob‘s innovative productions showcase his limitless talent. Having electrified crowds in Australia with the success of “LEFT TO RIGHT,” Odd Mob now brings his high-energy performances to headline and festival slots across Australia and New Zealand. He will also return to the US for appearances at Shambhala, Hard Summer, Sunset Music Festival, and more. As Odd Mob‘s star continues to rise, he solidifies his position as a leading force in the global dance music scene, leaving audiences worldwide eagerly anticipating his next electrifying creations.

Los Angeles-based producer/DJ CHYL has just released her debut EP, Mini Motors, on Dim Mak. The five-track EP is a lesson in speed house; as you might surmise every track is played at a blistering tempo. However, despite the high BPM, speed house is undeniably fun, it’s impossible to not just hop around and get lost in the pulsating rhythm. Kudos to CHYL for mastering this craft. Featuring five stellar tracks and inspired by CHYL’s love of childhood toys, Mini Motors is an essential for any workout playlist. It’s also great driving home from work music (provided you’re not sitting in traffic). The lead single “Hooyah!” is a certified banger and perfectly sets up what you’re going to experience while listening to the EP. The other single, “Barbie” is incredibly timely, of course. I personally enjoyed the trap sensibilities of “Eclipse”, and I thought that the closing track “Hachiroku” was an absolute banger that would go hard in any main stage DJ’s set. “Mini Motors is born out of my desire to inject a lighthearted, playful energy into the world of electronic dance music.” CHYL says. “As I immersed myself in production, I often found myself reminiscing about the carefree days of my childhood, filled with toys and imaginative adventures. The idea of capturing that childlike wonder and blending it with my signature fast-paced, and fun style became the main concept for my EP. I wanted to create a collection of tracks that would transport my listeners back to their own childhood memories, where toys, like the ones on Mini Motors’ cover art, held a special place in their hearts. I drew inspiration from the rush of speed and delight of play and produced these tracks with as much vibrancy and energy as possible.” She continues, “I hope this EP will also make you tap into your inner child and experience the exhilarating rush of a musical rollercoaster. Thank you for listening. Let’s buckle up, put on our racing goggles, and prepare to be overtaken by adrenaline as we zoom through the sonic world of Mini Motors!” Mini Motors is out now on Dim Mak. CHYL will be opening the HARD stage at HARD Summer next weekend. Make sure to check out her set if you can! This article was first published on Your EDM. Source: CHYL Drops Impeccable Speed House EP Mini Motors

Steve Aoki and Showtek are back with another massive, festival ready single, “Mirror Mirror.” Four years after teaming up on “Rave,” these two legendary artists are back with a darker techno single. Just because they’re experimenting with a new sound, however, doesn’t mean “Mirror Mirror” doesn’t go just as hard. In fact, you can hear a lot of Aoki and Showtek trademarks in the track. The plugin may be different, but the rhythms are undeniably Aoki and Showtek. Along with the stellar production, we get breathy vocals from Jem Cooke that perfectly encapsulate the underground warehouse vibe of the song. She also might get the line of the year, “Mirror mirror, who’s the baddest of the them all?” Despite the darker opening part of the song, the final drop is exploding with all of the energy of a cake hitting one’s face. “‘Mirror Mirror’ is more than just a song; it’s a sonic fusion of our creative energies, a testament to our shared passion for pushing boundaries and delivering an unforgettable experience,” Steve Aoki says. “Brace yourselves for a high-octane journey that will shatter mirrors and ignite souls on the dancefloor.” Check out the latest from Steve Aoki x Showtek x Jem Cooke, “Mirror Mirror” out now on Spinnin’/Skink. You can catch Steve closing down the main stage for Tomorrowland this Saturday on the live stream. This article was first published on Your EDM. Source: Steve Aoki and Showtek Team Up for Another Festival Banger “Mirror Mirror”

Oliver Heldens has been a busy man this summer; playing multiple sets at world renowned festivals and pumping out a steady stream of releases under two names. Just last week, under his HI-LO alias, Oliver returned to Adam Beyer’s Drumcode label with another A/B side release “CRESCENDO”/”OPEN YOUR MIND”. This is HI-LO’s third such offering on Drumcode, following “Hypnos/Hera” in 2021 and “Rabbit Hole” with Layton Giordani last year. “CRESCENDO” follows the HI-LO formula to a T, with a pounding kick drum, dark and vibey rhythm and creeping synths. “My aim was to craft something hypnotic, dark, and trippy while maintaining a melodic and groovy essence,” Oliver says. “Personally, ‘CRESCENDO’ is one of those tracks I can play on an endless loop without getting tired of it. It has been exhilarating to witness the overwhelming response to the track in my HI-LO sets and in Adam’s sets at Time Warp in Germany and Brazil.” “OPEN YOUR MIND” is an energetic banger that will get you grooving to the beat. The trademark HI-LO kick drum is there to open the track, but the bassline and unrelenting beat take center stage on this track. Not surprisingly, this is a track that has made it into Oliver’s more mainstream sets. Regardless of genre, “Open Your Mind” is a certifiable banger. “After months of road testing and fine-tuning, I am beyond excited about the final result.” Oliver added of “OPEN YOUR MIND. “I’ve had a blast playing this track not only in my HI-LO sets but also in several ‘mainstage’ sets as Oliver Heldens.” Check out the latest from HI-LO “CRESCENDO/OPEN YOUR MIND” out now on Drumcode. Make sure to check out HI-LO’s upcoming summer tour dates as well. July 28: Tomorrowland x Drumcode – Boom, Belgium August 4: Weeknd Festival – Helsinki, Finland August 12: Fresh Fest – Chorzów, Poland August 27: Mysteryland x Drumcode Stage – Amsterdam, Netherlands September 3: Electric Zoo – New York, United States This article was first published on Your EDM. Source: HI-LO Returns to Drumcode with CRESCENDO/OPEN YOUR MIND EP

Fresh off a massive performance at Tomorrowland’s mainstage, Dimitri Vegas & Like Mike are back with the first single, “She Knows”, from their upcoming debut studio album. “She Knows” is the perfect leadoff track for their upcoming album, Rewind + Repeat, as it’s a wonderful shot of nostalgia. DVLM teamed up with longtime collaborator and fellow superstar, David Guetta, as well as Akon. Guetta and Akon first teamed up back in 2009 for “Sexy Bitch” one of the first true crossover pop/EDM hits. The production on the track is pretty minimal, there’s a light synth rhythm and a moderate buildup, but overall Akon’s vocals are allowed to really shine. Needless to say, this makes this a very radio/streaming friendly song. The final product is extremely pleasant to listen to; if you remember the TRL days like I do, Akon’s vocals are instantly satisfying. Again, simplicity; it’s just Akon crooning about a woman who knows how attractive she is. No matter how much things change, they always stay the same. “It’s so great to team up with David again for this summer anthem – we’re also huge Akon fans, so to bring those two back together on our collaboration is next level for us.” DVLM say. “The sample from The Sunclub’s ‘Fiesta’ is part of our musical history and journey and sets the tone of what we want to achieve with our upcoming album: going back to our roots!” Check out the latest from Dimitri Vegas & Like Mike x David Guetta x Afro Bros, “She Knows” with Akon, out now on Smash the House. Stay tuned for more singles from the upcoming album, other confirmed collaborators include Armin van Buuren and Lil Jon. You can also catch them on the Tomorrowland live stream this Saturday as well. This article was first published on Your EDM. Source: Dimitri Vegas & Like Mike Team Up with David Guetta and Akon for New Single, “She Knows”

The artist known to the drum & bass world as Moleman has always done things his own way. Releasing mostly on the grassroots label Fat Tape records since he began with this moniker in 2011, Moleman has lived up to his name as he’s generally shirked the limelight and big labels, preferring to do his own A&R and work with people who support his vision. Hiw music speaks for itself, however, and he’s still managed to become a household name in liquid D&B and is a favorite on Liquicity radio, BBC Radio and 1Extra, DJ Mag, et al. The upcoming release of Moleman’s new project, a full-length LP called Duality due out this week on July 30, is no exception to his track record of doing things his own way. He’s self-releasing this 13-track album, which studies the two different sides of his work, hence the name. The first part of Duality is more energetic and pop-driven, while the second half is introspective and ambient. Let’s not cast aspersions based on that description, however: all the tracks on Duality are still up to Moleman’s high standards of production, sound design and flowy, melodic liquid. The opening track on Duality, entitled “This Feeling” opens with quite an existential sample about perception, so even though Moleman considers the second half of the album to be the more contemplative side, fans might find themselves in a deep think even while they dance to the fast snares, celestial melodies and insane ameny breakdowns. The next track, “Beautiful Dreamer” has a similar, semi-trippy spoken word opener that may remind some dreampop fans of M83’s earlier work but it’s got that 174 pitch that is the heartbeat of any D&B head. 174 is certainly not the only tempo on Duality. Moleman draws from his work in other genres to bring dubstep, future bass and even trip hop bits into tracks like “Take On the World” and “Solar Flare.” Every track is distinctively his, however, with that instantly recognizable, lighter-than-air sound design and those crisp drumlines. By the end of the album, listeners will have bee taken on a journey through the best of liquid D&B and through the mind of Moleman. YEDM managed to get a hold of “Starlight,” a celestially-inspired track from the second part of Duality which contains some of the fastest secondary snares ever heard juxtaposed with a vintage sample used in hip hop and rave music for nearly four decades, taken from an audio recording of an audience member during a performance of Lyn Collins’s “Think (About It) in 1972. It somehow blends seamlessly into this 2023 liquid track and gives it that ravey edge for which Moleman is known. Moleman · Moleman – Starlight (Your EDM Premiere) Duality is really a study on the many way liquid is still a very big part of the beating heart of drum & bass, pulling melody and influence from so many bygone eras and turning it into something beautiful for the modern ear. As one of the masters of the subgenre, Moleman is not only showing the many facets of his own career but of liquid and drum & bass on the whole. Expect to hear something from this album at every festival and sunrise set this season and into the future; it’s an instant classic. Duality drops on July 30 and is available to pre-order on Bandcamp or to pre-save on Spotify. This article was first published on Your EDM. Source: Your EDM Premiere: Melodic D&B Treasure Moleman to Self-Release New LP, ‘Duality’

The term “ambient” gets batted around quite a bit in electronic music, whether it’s to describe background sound design, a certain style of synth or melody or even the mood of a piece. There is, however, still a pretty strong self-defining ambient genre within electronica, though artists’ adherence to that format seems to be in varying degrees. On one end of the spectrum is meditation music or new age work that’s largely beatless and meant for relaxation. On the other end are acts like Moby, Enigma and Bonobo, who have added EDM bits to their work to create more pop cachet. Somewhere it the middle of that spectrum is where Gianfranco Finds himself. Rather than releasing a long-play album as he did with his first endeavor in 2014, the indie-electronica fusion album Love Is Rain, Pescetti took a page from the current streaming and playlist culture’s book and decided to release his new string of tracks one by one, starting in January with the synthy, new wave-tinged “Sundog.” With this track and the ensuing works, “Clownspunk,” a cheeky electronica cover of “Fly Me to the Moon” and his latest, “The Wake,” Pescetti seems to have ditched the more indie side of things (as well as his vocals, for now) and become a full-time ambient EDM artist. There’s still a good glug of vintage synth and tune work in these new tracks, but for now, it looks like Pescetti intendss to explore the depths of ambient music, especially with “The Wake.” In writing “The Wake,” I sought out to create an instrumental piece that explores the theme of melancholy for a time past, death, and new beginnings. The title has a dual meaning, referring to both the practice of mourning and the path left behind by a boat, a symbol of movement and progress If a double meaning in an instrumental piece doesn’t point to ambient and experimental, we’re not really sure what does. It’s interesting that while Pescetti has removed some elements from his latest work, it seems he’s actually stretching his wings and giving himself more space for playing with sound in his production at the same time. He uses his bass-playing skills to add to the opening string melody and then folds both into the ensuing beat and synthwork. The result is seamless, dreamy, and very much in line with the likes of some of the most famous ambient artists. This new, experimental work seems to incorporate all Pescetti’s favorite parts of his previous work whilst moving onwards and upwards. It’s progress, indeed, and it will be interesting to see where Pescetti goes with his next tracks. He seems to have found an excellent new sound in “the wake” of his older work. “The Wake” and the rest of Gianfranco Pescetti’s discography is available to stream on Spotify and to purchase on Bandcamp. This article was first published on Your EDM. Source: New Artist Spotlight: Ambient Artist Gianfranco Pescetti Releases First New Tracks in Nearly a Decade [Video]

From the innovative mind of Melbourne-native Robbie Bergin, Throttle exploded onto the electronic music circuit at just 14-years-old, when he signed his first song. Fast-forward to today, he has racked over 300 million streams on Spotify alone and has dazzled crowds across the world’s biggest stages, from Tomorrowland to EDC Las Vegas. He recently took a hiatus, over the past year, as Throttle expanded his influence in the fashion community, while traveling and embracing his love for nature, art, and culture. These adventures have led to a whirlpool of inspiration which he has poured into his latest single, “I Walk This Earth All By Myself,” signed to Monstercat. A fusion of his musical roots and new-age sound design, this may be Throttle’s most sophisticated work to date. It surpasses already high expectations with its glimmering vocals, and captivating effects, and a riveting bassline that collectively draw on his unrivaled passion and creativity. “For me this record is bursting with life, with the excitement of the unknown, of new experiences, of sadness and happiness, and I can’t wait for the world to hear it.” – Throttle Listen below! This article was first published on Your EDM. Source: Throttle Returns With Sensational Drum & Bass Single “I Walk This Earth All By Myself” [Monstercat]