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It’s been a while since we last chatted with the venerable Dutch trap duo Yellow Claw. They’ve left an indelible mark on the scene over the past decade and with Jim and Nils taking over Los Angeles this past month, we figured this was the best time to chat with them. They’ve been releasing a steady stream of music this past year, including a full album from their more house/tech-driven side project €URO TRA$H. They also just wrapped up a full North American tour which included a b2b set with Flosstradamus at HARD Summer Los Angeles. We had a brief chat with Nils from Yellow Claw about new music, the €URO TRA$H side project, their shows, and the state of dance music. Hey Jim and Nils! Thanks for taking the time to chat with us. We’ve been loving all the new music you guys have been putting out this year. How do you guys keep the music fresh after all these years while still maintaining that classic Yellow Claw Sound? I feel like “Cold Like Snow” and “Hey Sensei” really embody that. “That is something that isn’t always easy. It definitely involves us being critical on the stuff we make and sometimes scrapping a song even when it’s completely done, mixed and mastered. And naturally it gets harder every year to do something within what we think is Yellow Claw but we don’t stop looking for it until we found it.” Speaking of new music, you guys have released a full album under your €URO TRA$H alias. What were the origins of €URO TRA$H and what can fans expect going forward? Also, what’s your take on producers/artists taking on side-projects and/or aliases? “Jim and I have always been very hesitant of starting a side project. But we finally made the call to do it after we made a whole bunch of music that was just so very much different from the Yellow Claw lane and we’re both extremely happy we did it cause it’s a lot of fun so far. The €URO TRA$H project is a blank page and that gives us endless possibilities creatively. When it comes to music, marketing, art and videos. It’s a more loosely artistic project and we now know that’s exactly what we were looking for.” Tell us about your run of Los Angeles shows? I feel like it had been a while since you guys were here in Southern California. I was lucky enough to catch your Academy show, you guys killed it and I thought the crowd was amazing. How did that performance compare to your €URO TRA$H set and your b2b with Flosstradamus at HARD Summer? “LA was fire as always. A city that has relentlessly supported us throughout the years. These three shows couldn’t have been more different from one another actually. From a night that was solely focussed on the groove, a hard bass/techno night and a back to back set with Flosstradamus to celebrate a decade of trap music in its earliest and purest form. To us, creatively, a perfect combination that kept us on our toes and smiling at the same time.” I always ask whenever someone comes through Los Angeles, do you have a favorite restaurant or spot that you have to visit? “SIMPANG ASIA in Culver City. There’s one in Venice now too btw. Authentic Indonesian food.” When you guys aren’t making music or touring, what do you like to do for fun? Any favorite shows you guys have? “Jim watches everything. He’s a true cinema freak. I like to read as well. Right now I’m watching ‘Unbelievable’. Very good so far.” What’s you guys’ take on the state of dance music in 2023? Seems like we’re in a pretty strong place, festivals are thriving. How do you guys feel and any predictions for where dance music might go as we head toward the end of the year? “We feel the same way. I actually said the same thing to one of the Insomniac guys last week. It’s good to see everybody back on the dance floor. And also creatively new lanes are emerging and that’s beautiful.” Check out Yellow Claw’s latest “Cold Like Snow” with Sorn. Re-live their EDC Las Vegas set as well! This article was first published on Your EDM. Source: Yellow Claw Talk Staying Fresh, Los Angeles Tour Dates, €URO TRA$H and more [Interview]

Up-and-comers in the American Hip-hop scene Suave n Thick released their catchy new single ‘Long Distance’ on the 25th of August via Suave n Thick LLC. Having previously worked with producers such as Rawsmoov (Juvenile), megaTRONG (MoneyMan) and Strew-B (Soulja Boy), ‘Long Distance’ was even mixed and mastered by Maxime Morin, who has previously worked with the likes of H.E.R and A$AP Rocky. Listen: Suave n Thick – ‘Long Distance’ ‘Long Distance’ is doused in an effortless sheen. Nostalgic and slick, the beat and flow give off a distinct Nate Dogg and Warren G vibe as the duo effortlessly combines elements of R&B and Hip-Hop. With solid storytelling and lyricism, It’s a track focused on the emotions we all feel when falling for someone, and how that love grows stronger in their absence. Combining elements of west-coast hip hop with pop for a dash of mainstream sensibility, It’s a song with a little bit of everything for anyone. Suave n Thick had this to say, “‘Long Distance’ is a collaborative effort between us and a London based producer, Eclectic. The record utilizes elements of west coast hip hop, contemporary R&B, and even pop to capture the feeling of longing for that special someone as distance makes the heart grow fonder” Follow Suave n Thick: Linktree – Soundcloud – TikTok – Youtube – Instagram – Spotify

LA-based bass music producer GunFight continues to make waves with his latest single, “Hooligan.” Over the past 3+ years, GunFight has solidified his position as a dynamic force in the electronic music scene, consistently delivering tracks that push genre boundaries. “Hooligan” is no exception, blending ruthless dubstep elements with mind-bending sound design influenced by the riddim subgenre. The track opens with immersive melodies reminiscent of a video game, drawing listeners into its captivating sonic world. As “Hooligan” progresses, GunFight expertly builds tension before launching into a series of explosive drops that showcases his mastery of bass music production. The track’s engaging structure and gritty textures highlight GunFight’s unique approach to production. With support from industry heavyweights like Don Diablo, Jauz, and Zeds Dead, GunFight’s reputation continues to grow, and “Hooligan” is yet another testament to his prowess in crafting cutting-edge bass music. This article was first published on Your EDM. Source: GunFight Drops Explosive New Dubstep Single, “Hooligan”

The FriendShip is back in 2024 and ready to set sail, and this year’s lineup is one of the strongest of any festival, land or sea. After featuring a secret lineup last year, this year’s edition of Gary Richards AKA Destructo‘s signature festival cruise boasts massive names including Boys Noize, Chris Lorenzo, Chris Lake, Dr. Fresch, Rusko, Justin Martin, Desert Hearts and much more. However, the crown jewel of the lineup is Skrillex performing a special beachfront set when the cruise docks for a 24-hour island party at Harvest Caye in Belize. Destructo will also perform his Sunset Sermon at the beach party. Setting sail from Miami on January 6th, 2024, the voyage will offer attendees a picturesque journey through the Caribbean, making a stop in Belize for the 24-hour island party at Harvest Caye, before culminating back in Miami on January 11th, 2024. The cruise will take place on the Norwegian Joy. On top of all the musical acts and cruise amenities there will also be a burlesque show from Dita Von Teese, “Shipteese” as well as live comedy from Nick Thune & Martin Urbano. Cabins are still available, head over to thefriendship.com for cabin and booking info. As Destructo says “There’s a place my friends and I go to do fun things—the kind of fun that creates everlasting memories, moments that are priceless and irreplaceable. When I look back and reminisce about the experiences that shaped me, I’ll think about all the friends I made along the way. They are more than ALL MY FRIENDS; they are my family!” This article was first published on Your EDM. Source: FriendShip Unveils Completely Stacked Lineup for 2024 Sailing

Billboard-charting NY-based DJ & producer HARBER has had a huge year so far, signing to Lowly and celebrating hundreds of thousands of streams on his deubt on the label, “Medicine”. Now, he’s back with his second single via Lowly, this time teaming up with the irresistable vocal talent Alex Jones for “Remedy”. It feels like the perfect fusion of Swedish House Mafia with Joel Corry, in HARBER’s own unique flair that makes this track resonate. It’s well thought out and executed from start to finish, cementing it as yet another hit for this burgeoning artist. “‘Remedy’ really felt like the perfect follow-up to my last single “Medicine.” It’s one of my favorite songs that I’ve produced to date and I’m so excited to finally be able to share it with the world!” – HARBER Listen below! This article was first published on Your EDM. Source: HARBER Strikes Gold With Another Hit Single “Remedy ft. Alex Jones” via Lowly

We finally have the long awaited BIJOU and Drezo collab we’ve all been waiting for. “Goons” is the perfect blend of both producers’ styles. It’s got all the darkness of a Drezo song, but has that funky rhythm of a BIJOU song. These two artists go way back to their days in Arizona, so this is a fitting collab. Back with the jump off…”Goons” wastes no time getting into it, with that funky Drezo rhythm setting the tone. The track starts to expand on the back end of this first rhythm section, the synths build up until they are one with the beat. If the second drop doesn’t get your rear end shaking, I don’t know what to tell you. “Goons” is a serious dancefloor heater that is sure to ignite any house party. Check out the latest from BIJOU x Drezo, “Goons” out now on DND Records. This article was first published on Your EDM. Source: BIJOU and Drezo Team Up for Massive New Collab “Goons”

As you all know, we are massive fans of Depeche Mode remixes here at Your EDM. They are one of the pioneering electronic music acts of all time, and their releases always demand attention. Enter HI-LO’s remix of “Speak to Me”, the most recent single off of Depeche Mode’s new album Memento Mori. No stranger to remixing and mashing up classic electronic and dance acts, the HI-LO remix of “Speak to Me” is sure to delight fans of both artists. The remix keeps the original melody of the song as a base and features Dave Gahan’s vocals front and center. This is a classic HI-LO production that should seamlessly slide into both Oliver Heldens and HI-LO sets. “It’s an absolute honor to do a remix for the iconic Depeche Mode, especially for such a special song like ‘Speak To Me.’” Oliver Heldens says. “The song felt very honest and real to me, so I tried my best to stay true to the original spirit, but also put my own twist on it. I built around the vocals and the synth pads with a more melodic approach than the usual peak-time techno stuff I am producing but still incorporated some earth-shattering yet warm-sounding bass synths and some heavy drums to take it to a different realm. Thanks, Dave and Martin, for trusting my vision!” Check out the official HI-LO remix of Depeche Mode’s latest “Speak to Me”, out now on Columbia. Re-live HI-LO’s recent Tomorrowland set at the Freedom Stage as well. This article was first published on Your EDM. Source: HI-LO Drops Epic Remix For Depeche Mode’s Latest “Speak to Me”

Tiësto is back with two more brand new remixes that have been lighting up his live sets lately. The first is a remix of Alok & Ava Max’s reimagining of the 1996 trance tune “Ayla” by Ayla called “Car Keys.” Anyone who has ever heard a dance music song immediately recognizes the du-du-dunh-dun-dun synth beats from the original track. While Alok & Ava Max’s version was kind of more old school sounding more reliant on vocals; the Tiësto remix unleashes those famous notes for the main stage. This one has been a weapon in many DJs live sets the past few months. The second remix is Tiësto’s hardcore remix of Issey Cross’s “Bittersweet Goodbye.” Utilizing the instantly recognizable violin melody from The Verve’s 1997 smash hit “Bittersweet Symphony”, “Bittersweet Goodbye” was the perfect closing tune for Tiësto’s Tomorrowland set this year. In fact, he even brought Issey Cross out to sing during his weekend two performance. Aside from capturing a melody that any millennial will recognize, this remix sees Tiësto dabbling more in D&B and hardcore, and we’re all for it over here. Check out Tiesto’s latest remixes below. You can also relive his Tomorrowland set too. This article was first published on Your EDM. Source: Tiësto Drops Two Incredible Remixes, “Bittersweet Goodbye” and “Car Keys” Inspired by 90s Classics

With COVID and all the great requisite music swirling around during those years, music fans could generally be forgiven for a couple of tracks slipping through the cracks but something as big as a collab between underground rap hip hop genius Mic Nickels and legendary Wu Tang big voice Method Man…we at YEDM ashamed of ourselves. The track in question, “El Matador,” dropped as the last track on Nickels’ 2021 album Bars for Days, which also featured Timbo King, Teen AF and vocalist Jeanette Berry but perhaps got lost in the rip tide of tracks that came from bred artists during COVID. Now with the re-release, a sick animated video and three wildly different remixes, it seems the potential energy of “El Matador” is about to turn kinetic. With over 20 years in the hip hop game as himself, his two other aliases, his jazz/hip hop fusion band Nickel and Dime Ops and his co-founding of international collective, MHB, it stands to reason that Mic Nickels has more than a few influential hip hop friends. In fact “El Matador” was originally supposed to be a collab with another hip hop heavy hitter, the late MF DOOM. This track was originally slated to feature MF DOOM. He agreed before he passed but never completed it. Eventually we filled in with Method Man, which was incredible. (It was) a complete honor for him to hear my music and say ‘yeah, I can get with that!’ The idea behind the track was to discuss how one deals with their opponents, almost how a matador plays with their aggressor. The premise came to me after reading The Sun Also Rises, by Hemingway. I wrote and recorded it before any other MCs listened, so it doesn’t cater towards Meth or anyone else’s style. Just pure poetry. That poetry was originally done over a Wu Tang-inspired beat by MHB producer Mr. Cord with a funky as fuck bassline by acclaimed jazz double bass player Dezron Douglas, but the new remixes are all over the place. As Nickels’ focus tends to be on the lyrics of any project, it’s clear he loved the bars here enough to see them re-worked in a variety off ways. The Bizzythowed remix is a nu metal-style rock version with guitar by Brandon “Bizzy” Hollemon and scratch work done by Dj Keef Wookie, whereas the O.P. Supa is another minimal New York-inspired mix that’s smooth and gives the lyrics space. The Spotanola remix is heavier on the jazz vibes, likely inspired by Nickels’ own connection to jazz. Utilizing the theory that truly good lyrics can work with any genre, Nickels has not only re-introduced this hidden gem to the music world but re-vamped it to reach an even broader audience. If three remixes weren’t enough, Nickels also commissioned a cool animated music video for the original track, released last month, illustrated by Charles “Ooge” Ugas and animated by Animo Studios. Set, of course, on the streets of New York, it’s a mini-anime with visceral compositional shots and a spaghetti western-style narrative that highlights those aspects of “El Matador” that tie into the track’s original concept. Obviously Meff and Nickels emerge victorious in the MC showdown, and the last shot is a “missing flyer” with DOOM’s logo on it, an homage to the original original that never happened. With a personal lore so steeped in the NYC hip hop scene that his work completely embodies it at this point, it’s odd that “El Matador” sort of just slid into the Mic Nickels discography without many of his fans noticing, but he’s certainly fixing that now. A perfectionist of some measure, NIckels is known for waiting to really promote things and he may, in this case, have been waiting on this epic video being done, as is also his wont. That said, now it’s out and hitting hip hop hard, just like most of Nickels’ work, and with four different versions for fans to choose from. If you’re a hip hop fan and haven’t heard of this triple musical (quadruple?) threat, it’s time to get on board with “El Matador.” “El Matador” is streamable on Spotify, along with his discography under this moniker. Check out his gritty hip hop memoir, also named Bars for Days, on Amazon. This article was first published on Your EDM. Source: Mic Nickels Just Re-released and Remixed HIs Track With Method Man and It’s a Good Thing He Did [Video]

North Coast, the premiere Midwest Labor Day weekend festival is only two short weeks away. The lineup is massive as always, featuring top tier acts such as Alesso, Marshmello, Zeds Dead, DJ Snake, Duke Dumont and more. In fact, the lineup is so stacked that artists like Jauz, Chris Lorenzo and Black Tiger Sex Machine are on the second line of the festival poster. With the festival right around the corner, none other than Dabin has shared an exclusive North Coast playlist on Spotify. Dabin will be playing the Stadium Stage on Sunday night at the festival. Get a taste of all the feels with this Dabin curated playlist. Single-day and weekend tickets are still available for North Coast. Why not take a trip to the Chicago-area this Labor Day weekend? All you have to miss is great music. This article was first published on Your EDM. Source: Dabin Shares Exclusive Playlist Ahead of North Coast Festival

Renowned Serbian melodic techno artist, Space Motion, joins forces with acclaimed melodic sensation Jordan John and celebrated UK songstress Charlotte OC to create an epochal track titled ‘Baby Blue,’ released on August 11. This highly anticipated collaboration promises to be a late summer dancefloor masterpiece that seamlessly blends emotive vocals with powerful electronic elements. Fresh off the success of his highly acclaimed 10-track album on Steve Lawler’s prestigious Evive/Armada label, Space Motion returns to the scene with ‘Baby Blue,’ a collaboration that showcases the extraordinary talents of world-class artists. With the support of industry luminaries like Solomun, Damian Lazarus, and Bedouin, Space Motion’s music has garnered widespread acclaim. ‘Baby Blue’ has quickly become a must-play on both radio and dance floors, captivating listeners with its emotional depth and infectious groove. The track unfolds into an emotion-driven sonic journey, guided by the impeccable grooves of Jordan John and Space Motion. The enchanting vocals of Charlotte OC add a hauntingly beautiful layer, as she croons, “look how you control the room, all eyes on you… You’re the evening sky, you’re the sun upon my skin, your constant light… Baby Blue.” The collaboration captures listeners’ emotions, merging Jordan John’s smooth melodies and captivating synths with Space Motion’s dynamic progression and bass impact. Amidst mesmerizing whispers from Charlotte OC, proclaiming “and when you move I move,” Jordan and Space Motion craft a symphony of elements that leave an indelible mark on both the dance floor and the listener’s soul. Reflecting on the project, Jordan John shared, “The record came together in such a unique fashion. Charlotte’s indie pop background and my percussion-based influences merged seamlessly into a more Progressive/Techno track. With Space Motion’s profound influence on my career, I knew he would elevate this piece to its full cinematic and emotional potential. I can’t wait to share this with you all on August 11th.” The release of ‘Baby Blue’ aligns perfectly with Space Motion’s ascent as a leading Progressive artist and Charlotte OC’s exploration of the electronic music scene. Meanwhile, Jordan John is set to make his South American debut on his World Tour, headlining and sharing the stage with renowned Melodic Techno acts like Magdalena, Oostil, and Kevin Saunderson. This article was first published on Your EDM. Source: Serbian Melodic Techno Maestro Space Motion Collaborates with Jordan John and Charlotte OC on Transformative Track ‘Baby Blue’

To no one’s surprise, 2023 is going by in a blink of an eye, and there is nothing we can do but sit back and try and enjoy it while we can. This is why, with only four months to go until the end of the year, FNGRS CRRSD has announced the lineup for PROPER NYE/NYD event to try and give us all something special to look forward to. This announcement comes on the heels of a successful debut sell-out last year, and a sold-out fall edition of CRSSD festival this September. Returning to PetCo Park in San Diego, CA, PROPER has swiftly become a destination festival in Southern California. While the final lineup will host over 50 unique and talented artists, phase one definitely sets things off on the right foot. Leading the charge is Black Book Records‘ maestro, Chris Lake, and deadmau5‘s transformative alter-ego, TESTPILOT. But that’s just the beginning – brace yourself for an incredible lineup featuring Grammy-nominated electronic sorcerer ZHU, the immersive realm of Higher Ground, Mad Decent’s genre-bending powerhouse Diplo, UK’s triple-platinum sensation CamelPhat, and Germany’s enigmatic sonic enchanter Claptone. The sonic journey continues with sensational acts like North London’s chart-topping wizards Gorgon City, Aussie favorite Sonny Fodera, beat-making icon Chris Lorenzo, hit-maker Duke Dumont, and the cherished UK duo Eli & Fur. For dedicated house music aficionados, the PROPER lineup is a treasure trove of musical delights. Groove with Walker & Royce, journey to Sydney’s dance paradise with platinum sensation Hayden James, immerse in Layla Benitez‘s global allure, and explore Cloonee‘s sonic odyssey. But the execution of pure talent doesn’t end there! Feel the four-to-the-floor rhythms of Latin House star HUGEL, embrace tech house prowess with Biscits and Kyle Watson, savor Franky Wah‘s melodic artistry, and rise with Chicago’s underground star Azzecca. PROPER’s techno lineup boasts a constellation of stars, including the Berlin production duo Pan-Pot, German standout Chris Avantgarde from Afterlife, the rising rave sensation Rebūke, and the emerging maestro of melodic techno, Massano. PROPER unfolds on the expansive grounds of Petco Park, with dynamic stage setups peppered across the sprawling locale. As a true emblem of Southern California, Petco Park treats electronic music aficionados to panoramic vistas of downtown San Diego, nestled at the core of the city’s pulse. This iconic venue sets the perfect stage for a New Year’s Eve celebration resonating with the beats of both current and forthcoming luminaries of the genre. Alumni presale will begin on Thursday, 8/17 at 12PM PST and is available to all purchasers from CRSSD Spring or CRSSD Fall 2023, PROPER NYE 2022/23, and the FNGRS CRSSD Petco Park 2022/23 shows. SMS Community presale will begin on Friday, 8/18 at 12PM PST and general public on-sale for GA and VIP tickets will begin on Friday, 8/18 at 2PM PST. Fans can text “PROPERNYE” to (855) 912-1457 to receive SMS Community presale access. PROPER NYE/NYD is a 21+ festival. Photo: Daniela Becerra / @killedwithkindness This article was first published on Your EDM. Source: FNGRS CRSSD Announces PROPER NYE/NYD 2023 Lineup

Renowned producers Dirty Audio and Bobby Blakdout have joined forces to deliver a powerful Trap/Bass remix of their hit track “Bands,” featuring the Gucci Mane. With the added creativity of Hekler and Dabow, the chart-topping original has been transformed into an electrifying and ground-shaking rendition that is set to take the music world by storm. Hekler and Dabow, both acclaimed in their own right, have masterfully reimagined “Bands,” infusing it with their signature styles and unique soundscapes. The remix boasts an aggressive blend of trap and bass elements that provide a thrilling listening experience, pushing the boundaries of the genre to new heights. From the moment the beat drops, the track commands attention with its bone-rattling drops and infectious energy. Check it out below! This article was first published on Your EDM. Source: Heckler & Dabow Remix Dirty Audio & Bobby Blakdout’s Hit “Bands ft. Gucci Mane”

With over 500 million streams to her credit, RIELL is no stranger to the limelight. Having toured in more than three international circuits spanning continents, and collaborated with industry giants such as Blasterjaxx, Excision, The FatRat, Besomorph, and Neoni, her journey is a testament to her unparalleled talent and drive. She’s working on a hotly anticipated 18 track album and leading into it, has unveiled a glistening dance pop single “Happy For You”. With its upbeat rhythm, this song finds the perfect balance between a raw edge and a catchy pop vibe. It’s like a cool fusion of pop and rock, designed to get stuck in your head on purpose. Check it out below! This article was first published on Your EDM. Source: Reill Drops Catchy Dance Pop Single “Happy For You”

CHASSI and IMAN have been making waves individually in the electronic music scene, and their collaboration on “DASH” represents a significant milestone in their careers. The track is a testament to their shared passion for pushing boundaries and creating groundbreaking music that transcends genres. You can expect a sonic rollercoaster ride with “DASH” as it expertly blends hard-hitting dubstep elements with infectious melodies and intricately crafted rhythms. From the atmospheric intro to the adrenaline-fueled drops, the track exudes an irresistible energy. Listen below! This article was first published on Your EDM. Source: CHASSI & IMAN Release Thundering Single “Dash”

Cementing the title as the ‘biggest DJ in the world’ and throwing down massive energetic sets during his “SUMMER OF BASS” Tour, DIESEL is in full force as he teams up with the ‘Queen of Bass’ Jessica Audiffred to unleash their latest single, “NO FEAR” via Monstercat. With vocals from SHAQ and apparent bass-fluid and shape-shifting sound immediately from the start, listeners are about to be taken on an electrifying dubstep journey inspired by DIESEL and Jessica Audiffred’s ever-evolving sound design. By bringing the two prominent electronic music producers together for this highly-anticipated collaboration, the adrenaline begins to rush through your veins as infectious basslines quickly take over at a rapid pace. Ready or not to enter a night of wrenching bass and menacing synths, DIESEL and Jessica Auddiffred are opening the doors into their world of jaw-dropping madness. “This was a super special collab for me because I’ve always admired Shaq, he’s a legend, so when he mentioned me on Twitter saying he wanted to do a collab with me I was shocked, I had a track that I’d been working on for a while that I thought of as a festival weapon but it wasn’t quite ready for release, so I sent it to him and he loved it, he added his touch and his vocal which really brought it to life. I grabbed a sample from a kids’ choir and all together resulted in “no fear”, releasing this track on Monstercat is perfect because you can definitely hear our styles meshed together, I met Shaq in person for the very first time at Forbidden Kingdom in Orlando and he invited me on stage with him, we immediately clicked, he’s an amazing person and you can tell we’re both excited about this song! ” – Jessica Audiffred Listen below! This article was first published on Your EDM. Source: DIESEL & Jessica Audiffred Have ‘No Fear’ With Their Latest Single

The mastermind behind LEFTI, Alex Suarez, walks the world as a touring musician, DJ, and songwriter. Today, he stands in the spotlight as a highly successful and sought after figure in the house scene, creating waves not only in Brooklyn but across the world. His rich discography, spanning releases on iconic labels like Toolroom, Love & Other, and Let There Be House, is a testament to his growth and evolution over time. Major labels including Atlantic, Warner, and Universal having caught wind of his chops over the years, tapping him for a reimagining of songs through various remix projects. He’s a force celebrated and supported by industry giants — gaining support from Calvin Harris, Disclosure, Claptone, and Fatboy Slim. Now, he’s back with a soulful and insatiable house single ‘Get What You Want’, this time linking up with Brandon Markell Holmes. It’s a club anthem with a perfect blend of the old school with the new, that carries this undeniable energy, our favorite from LEFTI to date. “Brandon is a powerhouse. Hearing his dynamic vocal abilities and stylizations that he performs, I was really excited and honored to work with him and proud to call him one of my good friends. We had nothing but a good time making this record in the studio and we just wanted to bring some confidence to the table with a side of camp, layer that over a nasty house groove and I think we did just that.” – LEFTI Listen below! This article was first published on Your EDM. Source: LEFTI & Brandon Markell Holmes Link Up For Insatiable House Single ‘Get What You Want’

BIG VENTI’s electrifying masterpiece “BY THE WAY” shoots straight to the top of the iTunes Dance Charts, claiming the coveted No. 1 spot. Hit the road with the smooth beats, irresistible synth melodies, and the unforgettable vocal style of LA’s BIG VENTI. This rising star brings a fresh and daring fusion of EDM and Hip Hop that will have you hooked from the first listen. What sets him apart is his ability to infuse his own unique style and sound into each genre he explores. With his infectious melodies and warm vocal tone, BIG VENTI delivers a captivating and passionate sound. Drawing inspiration from multiple genres, he has forged his path as a versatile music artist. Step into the world of BIG VENTI, and you’ll find a true fashion icon rocking fresh shades, and custom Party Hills Apparel fits that elevate his recognizable image. But it’s not just about looks. His persona is magnetic and endearing; whenever he enters a room, good vibes accompany him. BIG VENTI’s presence is larger than life; his music reflects that -it speaks volumes. His latest project, “BY THE WAY,” is an EDM album infused with the sounds of Calvin Harris, David Guetta, and Avicii. It brings a refreshing dance vibe with a modern twist that elevates the genre. The way Big Venti mixes EDM and rap suggests an evident influence from DJ Khaled, as the album has that same party-starting energy. With many different approaches, from piano-led-house to the driving pulse of Detroit techno, he does it all and well. The kaleidoscopic array of colors draws from the nightlife, as each track is colored with a distinctive neon hue. Production embraces the immaculate as the album is mastered to perfection, allowing every note to be fully felt. ​ An escapist attitude reigns supreme on the title track and opener, “By The Way.” The vocals present many approaches – from the classic dance duet to the staccato flow that punctuates the rest of the song. The lead melody is a driving force in the track, with the chords possessing an undeniable richness. Adding another dimension to the recording, the breakdown feels seductive, with the allure of both vocalists surrendering to the beat.​ “Sunset Strip (EDM Remix)” goes right for Los Angeles glamour. BIG VENTI’s double-time flow in his rap verses perfectly complements the instrumental’s upbeat energy. His clever word choice throughout the song radiates a sense of freedom and liberation. ​ The ambiance of “They Don’t Know” offers a respite from the heavier tracks. While there is an infectious bassline that rolls through, it has a lighter, mystical philosophy. Deep in the tropical flavor of the sound, elements of chillout room legends like the KLF and the Future Sound of London rise out of the atmosphere. As the style continues to evolve, we can expect to hear even more innovative and exciting music from this artist. ​ Catchy melodies get infused into the rhythm of the dub-influenced “Coachella.” A panoply of different layers gives the track a psychedelic swirl. Deep in the sound, he lets the view of the temporary autonomous zone, or “TAZ,” take over. BIG VENTI wants to live in a dance environment which adds to the communal quality. Vocals cascade downwards, washing over the listener, giving the song a peaceful, meditative aspect behind the addictive groove. ​ Deep house elements go for a heartfelt, gospel-like aspect on “Stitches (EDM Remix).” The amount of name-dropping and outright displays of luxury gives this track a profound swagger. A nuanced intersection of contemporary hip-hop meets pop meets EDM is fully displayed. With this hybrid approach, the piece contains a wide swath of emotional states, never content to settle into one. This combination results in a sound that is both current and timeless. ​ Idealism reigns supreme in the yearning for “Utopia.” Taking the essence of the utopian dream of a better life, happiness runs through it. BIG VENTI’s passionate vocal delivery especially stands out on this track. Ending things with a sheer blast is the sweat dripping off the walls’ bliss of “By The Way (Club Mix),” which ties together all that came before in a final rush of electronica. The club mixes lives true to its title. With “BY THE WAY,” BIG VENTI demonstrates his prowess in combining EDM and rap influences, resulting in an album filled with timeless beats and unforgettable flow. The electronic beats of EDM and the punchy production provide the perfect foundation for the rhythmic flow of Hip-Hop attitude. With its daring fusion of EDM and Hip Hop, the song reflects the city’s diverse and eclectic music scene, making it a perfect anthem for the SoCal party-goers. “BY THE WAY” is a thrilling ride that ignites the senses and leaves you feeling as vibrant and alive as The City of Angels. “By The Way” presents the undaunted dance floor power of Big Venti in delivering banger after banger with gleeful abandon. With so much talent on tap, it’s no wonder that BIG VENTI is quickly becoming This article was first published on Your EDM. Source: BIG VENTI Delivers a New Sound to EDM with his SoCal Style on “ByThe Way.”

In an age of division, international recording artist Kēvens has crafted a resonant anthem of unity: “Sweet Lady Liberty”. Released in 2018, this stirring composition paints a compelling picture of a country built on the principles of liberty and equality. However, Kēvens’ message dives deeper. It reminds us of our collective responsibility to cherish these ideals and the power each of us holds to drive societal change. As a former DJ from Miami, Kēven’s journey led him to the groundbreaking, progressive reggae group, Le Coup. Yet, his evolution as an artist truly took flight when he embraced his calling as an actor/singer/songwriter. Inspired by diverse influences and a commitment to personal growth, he emerged as an artist committed to promoting themes of multiculturalism, spiritual enlightenment, artistic expression, and unyielding positivity with his songs. More than just a musician, Kēven is an ambassador of change. “Every song I sing speaks to each person individually and differently, depending on what they’re going through in life,” he says. “My music helps people connect with themselves on an elevated level.” The profundity of his songs echoes the depth of his vision. “Sweet Lady Liberty” is a song with the purpose of touching hearts, inspiring minds, and contributing to a discourse of progressive positivity. This electronic reggae masterpiece invokes listeners to broaden their perspectives, celebrate unity, and embark on a journey of transformation and self-discovery. It’s a powerful call to action to break free from the chains of old habits and make transformative self-discoveries. Kēven music rings out in a world that grows more divided daily. Today, where age, nationality, race, and religion seem to widen the chasm between us, Kēvens voice offers an antidote. His music is not just a composition of notes and words; it’s a key to the unity dance, inviting people worldwide to celebrate shared humanity. Venture into Kevens’ soul-stirring world with “Sweet Lady Liberty”. Available for streaming on Spotify and YouTube, this anthem is not just a song but a heartfelt declaration of freedom and unity. Kēvens invite us all to experience the joy of embracing the grandeur of liberty. His artistry extends beyond simple entertainment. It’s a transformative journey toward higher consciousness and personal growth. In a world desperately yearning for change and unity, Kēvens voice resonates with hope and inspires action. He is not just singing about liberty and equality; he encourages all to be custodians of these precious ideals. He sees the universal hunger for something greater and offers his music as sustenance, nurturing souls with his empowering anthem of independence, “Sweet Lady Liberty”. The song is a clarion call to reclaim the ideals upon which we’ve built our society, a powerful anthem for positive change. Embark on a journey of self-discovery and spiritual growth with Kēvens’ music. With his beats as your guide and his lyrics as your mantra, you might find that this song is more than a celebration of liberty; it’s a call to become the change you wish to see in the world. This article was first published on Your EDM. Source: Kēvens’ Empowering Anthem, “Sweet LadyLiberty”, Inspires Unity and Change

GRAMMY and ARIA-nominated DJ and producer FISHER, and fellow Australian singer-songwriter Kita Alexander, unite in their latest single, ‘Atmosphere‘. The second FISHER ID previewed during his 2023 Coachella set with Chris Lake, ‘Atmosphere’ has already amassed over 2000 creations and millions of views on TikTok, fervently urging for its official release. Seamlessly fusing FISHER’s signature beats with Kita’s otherworldly vocals, ‘Atmosphere’ guides listeners on a euphoric journey through space before descending into a deep and dark dance drop. ‘Atmosphere’ follows an impressive list of releases from FISHER over the last 12 months including the huge tech-house hit ‘Take It Off’ with Aatig which reached #1 on Beatport in just the first few days from release. The track also follows FISHER’s rework of Bob Sinclar’s legendary ‘World, Hold On’ which immediately hit the Spotify Viral charts in the US, UK, Australia and New Zealand. The rework has today reach gold ARIA-accreditation in Australia. This came alongside his record-breaking Australian tour in November 2022. The sold out four-date tour setting a record for the most tickets sold for an Australian DJ and 75,000 tickets sold across the country in November 2022. Across the equator, FISHER launched his own festival in Malta called, TRIIP. The three-day festival had a DJ line-up curated by FISHER and took place across historic castles, pools and boats on the Mediterranean for the first weekend of summer. After which is an all-new busy time of year for FISHER, including his all-new weekly residency at Hï Ibiza that kicked off in June this year. Known for his wild sense of humour and energetic DJing style, FISHER first burst onto the electronic scene with tracks ‘Stop It’ and ‘Ya Kidding’ and has since become one of the scene’s most in-demand talents. He then dropped ‘Losing It’, his breakout track that earned him his first GRAMMY nomination. Fast-forward to 2023 and the track has now amassed well over half a billion streams – cementing its status as one of the biggest dance records of the decade in the process.

There’s a certain undeniable effect that LMFAO has had on electronic music in the US that will stand the test of time. Their bright and electrifying tunes helped fuel parties all over the USA. Co-founding member Redfoo hasn’t lost his lively spirit, and after recently returning with a collaboration with Dainjazone titled “Long Live Party Rock”, he’s now tapped Sak Noel for a vibrant latin house remix that is purely irresistable. Adding a spicy twist to this club anthem is the remix by Sak Noel, the Latin Grammy Nominee and multiple times Gold & Platinum certified DJ. Known for his pioneering fusion of electronic music with Latin vibes, Sak Noel, the first Spanish DJ to hit #1 on the UK Singles Chart, has released this remix to his massive followership, garnering over a million impressions in just a few weeks. Check it out below! This article was first published on Your EDM. Source: LMFAO Member Redfoo Taps Sak Noel For Latin House Remix of Collab with Dainjazone, “Long Live Party Rock”

Rising techno artist alice.km has led quite the impressive career thus far. She has amassed over 120k+ Spotify streams in 2022 alone, performed at prominent music festivals such as Arrival Festival, and opened for Drumcode’s Tempe tour. Also, alice.km clinched victory at Circus Recordings’ remix competition and is soon to officially release a remix “Collide” by Maxinne, signed by the label. Now, she’s back with an electrifying techno EP titled ‘The Back Beat’ thats packed with hypnotic rhythms and true to the name, a irresistible back beat. The title track thrusts the listener into a dystopian experience with pulsing basslines and strategic vocal snippets. The second track, “Talk To Me,” rounds off the EP in perfect fashion, maintaining the techno intensity while sprinkling in raw, seductive melodies. This is yet another amazing pack of songs from alice.km. Check it out below! This article was first published on Your EDM. Source: alice.km Delivers Electrifying Techno EP ‘The Back Beat’

HARD Summer and Insomniac Events made their triumphant return to the city of Los Angeles this past weekend. It was the first full scale electronic music festival to be held in the city in a decade; the first since HARD Summer last took place at LA State Historic Park in 2013. The city has been warming up for this; Kaskade and deadumau5 played a full show at the Coliseum last December, and Insomniac has been hosting events at “The Torch”, the Coliseum’s northeast entrance. However, this was the first multi-day festival to be held on the Exposition Park grounds since EDC back in 2010. Overall, the weekend was a huge success and is hopefully the runway for more Los Angeles-based events. Since this was a completely new setup, there’s a lot to get into. The Festival Layout HARD Summer has been at the familiar NOS Events Center the past two years, and it occupied the Fontana Speedway, three of the four years prior to that. Insomniac went absolutely huge with the festival layout for the return to Los Angeles. The HARD stage occupied the entire area behind both the Coliseum and the BMO Stadium, with MLK Blvd running along the south end of the festival. Headliners could walk into both of the aforementioned venues and not only easily access the floor, but just chill and sit in the bountiful grandstands that both stadiums provided. The HARD stage was the very first place headliners walked in and gaining access to the Green (Coliseum), Purple (BMO Stadium) and Pink stages was super easy. Getting from HARD to HARDer was a little bit of a walk, however, no one got lost here. VIP headliners also got access to an incredible air-conditioned area inside BMO. No bottlenecks, easy to move around, 9/10. The Stages It’s tough to compare the HARD stage to stages at festivals like EDC or Tomorrowland which all have very unique themes. Over the years, what’s made HARD unique is that it really doesn’t have any type of aesthetic, other than backyard summer BBQ, however, that doesn’t mean that HARD doesn’t have impressive production. In fact, the HARDer, Green and Purple stages all had mind-blowing production. The HARDer stage kind of resembled the Ultra Europe stage. The stage was divided into two horizontal rows of video panels extending outwards and curving inwards behind the DJ booth. Rows of lights illuminated the columns in between the LED panels. Getting up close, you got absolutely lost in the stage design. The Green stage inside the Coliseum had an absolutely massive scope. The stage featured a square video panel border extending out and getting bigger in three different rounds of panels. Lasers and pyro made the stage come alive at night, and being inside the massive Coliseum gave the Green stage a scope that the HARDer stage didn’t have. Same for the Purple Stage inside the BMO, which is a brand new, world class stadium. The stage featured massive diamond shaped video boards protruding out into the crowd. The main video board behind the stage showcased all the madness that was going on. For Diplo b2b Blond:ish, they even had a basketball hoop set up for each DJ to shoot free throws on whilst the other one spun. Maybe one of the greatest setups I’ve ever seen. While the HARD stage was massive, it lacked the grandness and creativity of the other stages. It was the same trapezoidal design that’s featured each of the past couple years at NOS. I love the red and the added lasers were much appreciated, but, at a stage where the average headliner was probably really far away from the stage, it felt small. The sound was not impeccable either. Metro came in clutch If you’re a veteran SoCal raver like me, you’re probably very familiar with that dreadful drive from LA to San Bernardino. It can approach two hours, if you’re like me, you’re staying at a Motel 6 or Comfort Inn somewhere in the Inland Empire, it’s a lot to get out there for a two or three day festival. This year it appears that local headliners overwhelmingly took advantage of public transportation and took the Metro to Downtown Los Angeles. For $3.50 a day you rode maybe 30-45 minutes worry free to and from the venue. No searching for parking, no expensive rideshares; if you didn’t take the Metro down to the festival…well, kudos to you for spending unnecessary money. And, although it was hot in DTLA, low 90’s, it was nothing like San Bernardino, which experienced triple digit heat both days of the weekend. The Lineup There’s never really been a bad HARD lineup, HARD has always been known for having some of the most eclectic and unique lineups across all festivals. There are always HARD stalwarts like Diplo, Skrillex, Dillon Francis, Flosstradamus, however, this year, the festival went in on unique b2bs and appealed to the older millennial in all of us. Kaskade b2b John Summit and Skrillex b2b Four Tet were the headliners this year. One difference between HARD and other Insomniac festivals, best believe there is a designated headliner. Hip-hop was also well represented with 21 Savage and Kid Cudi each taking over the Purple Stage. Early 2000s favorites Fat Joe and Ludacris also performed. Ludacris’s performance was notable as he absolutely packed out the HARDer stage. Seemingly every millennial in Los Angeles was there. Disco was also strongly represented at the festival with Yung Bae at the HARD stage and Jungle at the Purple stage. You never know who will be headlining HARD, but you know it will always be good. Areas the Could Use Some Improvement Alright it’s come to that time where I have to call some things out. In this case, there were only two things that stood out to me, but they stood out big time. Obviously, there’s going to be growing pains with a new festival location, but these need to be addressed. First, the bottleneck at the entrance. While there was nothing wrong with walking down Bill Robertson Ln from the Metro stop, or wherever you may have parked, there were basically 2 VIP entrances and 8 GA entrances to the entire festival. That’s a fraction of what is usually available at NOS Events Center or previously at the Fontana Speedway were there were multiple entrances. It was completely unorganized getting into the venue and I’m sure plenty of people just walked past the hearty staff who were wristbanding. Maybe open up more entrances on MLK Blvd? But, there needs to be more room for ingress and a more orderly way to get wristbanded. Second, the VIP section at the HARDer stage. It’s tough to complain about any VIP area, after all, you’re there. But, if you paid for HARD VIP and spent any decent amount of time at the HARDer stage, you were vastly disappointed. The pool was small and crowded, and similarly to the entrances there were basically six bars serving the entire VIP area; needless to say the lines were not exactly moving smoothly. I understand that space was limited at the event, but the HARDer VIP section did not live up to expectations. That’s pretty much that on HARD Summer Los Angeles 2023. Despite a couple of missteps, the festival was an overwhelming success. Fingers crossed that HARD maintains its home here in Los Angeles for the foreseeable future. Nothing has been announced yet, but stay tuned to Insomniac’s socials for future updates. This article was first published on Your EDM. Source: The Epic Return of HARD Summer to Los Angeles [Event Review]

Teeming with experimental sensibilities and a heavy dose of bass, RANKZ’s latest single “Alien Technology” is a true stunner. The rising talent, who kickstarted his career back in 2021, is still buzzing off his recent BURN EP with “Alien Technology” serving as the perfect followup. Out via renowned artist Naeleck’s Dancing Dead imprint, the single 3-minute single is a stunning combination of mind-bending sound design and heavy drums, making for a stunning showcase of RANKZ’s multi-faceted bass music style. RANKZ’s rise since his debut has been beyond explosive. Pushing what he refers to as palatable experimental bass music, RANKZ has managed to sign his tunes to acclaimed labels such as Bassrush Records and Jauz’s Bite This, while securing live performance slots alongside pioneering bass music artists such as Ghastly, Subtronics, PhaseOne, Feed Me, Level Up, Tvboo and more. Stay tuned with RANKZ, as he certainly has a lot more exciting singles dropping throughout the rest of 2023. This article was first published on Your EDM. Source: RANKZ Unveils Explosive Hybrid Bass Single “Alien Technology” Via Naeleck’s Dancing Dead

Automhate, the prodigious dubstep producer known for his unrelenting intensity, bone-rattling basslines, and audacious sound design, has dropped his highly anticipated release on Funtcase’s label, DPMO. With five tracks that push the boundaries of the genre, Automhate once again proves his prowess as a dominant force in the dubstep scene. Each track on this release is a testament to Automhate’s signature style, characterised by thunderous basslines, intricate synth work, and an unwavering intensity that takes listeners on an exhilarating sonic journey. Collaborations with Mad Dubz and Hukae bring an added dimension to the release, showcasing Automhate’s ability to seamlessly merge his unique sound with the artistic visions of their peers. This article was first published on Your EDM. Source: Automate Proves He Is A Dominant Force In The Dubstep Scene With ‘Robotico’ EP