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Despite the updated big booty bass sound and feel of his most recent single “Big Drip,” the Florida-based artist known as 3Fifs generally has generally had a more-heard-hitting style during his decade-long career. The St. Louis native uses his diverse musical style to drive his deeper points home, as is exemplified in the re-release last year of one his of first and heaviest singles, “Dive In Deep.” Now with his return to hip hop, this Urban Songwriter of the Year is just getting started. 3Fifs’s name is a clear reference to the oppression and enslavement of black people in the United States, and his music started off with the same message with his debut single “Dive In Deep” and his 2013 album, Birth of a Nation. “Dive In Deep” featuring Lydia Lyon appeared later on the equally visceral The Runaway EP and is a jazzy update on the classic “Wade In the Water” spiritual song sung by enslaved people in the south. “Dive in Deep” is the first song I ever recorded, but I never promoted it; despite all my day-1 fans encouraging me to do so. As someone inspired by Black history, I knew I wanted to flip a Negro spiritual, and “Wade in the Water” was the first one to come to mind. I wrote the song in my head while I was working a job at the mall and thinking about the type of woman I wanted…“Dive in Deep” is my signature song: it represents everything I am as an artist – smooth, laid back, introspective, and classy. The story and the beat are sexy, the video features my brother, my sister, and my cousin, O So Amazin’, who was tragically taken from us too soon. 3Fifs’s tie-ins to black history aren’t always in his vocals, as he states above, but they nonetheless are very much in the listener’s face. Both Birth of a Nation and The Runaway have stark, callback-to-slavery imagery and toggle between heavy subject matter with tracks like “Preamble,” “Jim Crow,” “Dred Scott” and, of course “Dive In Deep,” and more standard-style bangers like “Danny Bonaduce” feat. O So Amazin and Streetza Ria and “Due Time” feat. Khyre. His flexibility helps get these deeper messages across and has also amassed him an impressive following, with his new ventures amassing nearly a combined 200,000 listens on Spotify. Since re-entering the limelight in 2021 with his single “Season of the Fall,” 3FIfs has launched into some of the newer styles like heavy bass trap but fans can bet his ties to the golden age haven’t gone away completely. The very next track after “Season of the Fall ” is “Smoke In the Breeze,” a smooth, jazzy melding of Nas-style big beat and Dr. Dre funk. Both tracks are fun, danceable, and, most importantly, contain well-spit verses with zero mumble rap. Moving to “Big Drip,” it’s clear 3Fifs wanted to pull some throwback booty bass influence from his move to Florida, and hip hop historians will be able to hear the hint of 2 Live Crew in this track, but it’s also extremely modern and incorporates trap and pop sounds. “Big Drip” may sound like it’s just a fun, collar-popping track but 3Fifs says there’s more to it than that. It’s a very braggadocious song, but as the line says “I spit like I live it:” I was one of the first people to reserve the new Hummer SUV straight off my car business money; my Mom and I lived in a homeless shelter when I was young, but now she has a home on 5 acres, and my Granny definitely was proud of me until her dying day. It’s a feel-good song with a bouncy beat and authentic realism. Hopefully others will relate. “Season of the Fall,” “Smoke In the Breeze” and “Big Drip” will all feature on 3Fifs’s upcoming The Middle Passage EP, which is due out in 2024. As has always been the case with 3Fifs, fans can expect a healthy mix of deep, thought-provoking concepts, stark imagery and a running history of music in the remaining releases. It seems 3Fifs isn’t nearly finished with his message and music yet, and hip hop can only benefit from his presence. “Big Drip” is out now on Spotify along with the rest of 3Fifs work. For a more extensive discography, check out his SoundCloud page and for more videos, subscribe on YouTube. This article was first published on Your EDM. Source: New Artist Spotlight: 3Fifs Bid to Revive Booty Bass With Upcoming EP [Video]

Deucez has had a busy 2023 so far releasing an official remix for ATLiens on Bassrush and embarking on his debut headline tour across 19 cities and counting. Deucez is well known for his heavy gritty riddim within the bass community but has opted for more of a feel-good melodic vibe with his brand new track “Fate (The Way It Is)” out now Cyclops Recordings. It’s a catchy blend of a more pop centered vocal backed by a crisp hip hop beat. It all builds wonderfully towards a tantalizing, uplifting drop that carries a lot of sparks. When asked about how he came up with the track Deucez said: “This song came about when wanting to write a song about how the universe brought my fiancé and I together. How sometimes the people we meet in life can make us feel at home without trying and how inevitable feelings blossom.” He also went on to say “Going into this track I wanted to make something different than my norm not only by recording vocals but the vibe and feeling of the track to really express the feelings involved with love. Cyclops Recordings has always been a dream label for me and am honored to be able to release this song with them!” Listen below! This article was first published on Your EDM. Source: Deucez Drops Tantalizing Melodic Riddim Track “Fate (The Way It Is)”

Oregon-based artist VRG has stormed the music industry with no signs of slowing down. Recently returning to Lost Lands 2023 along with performing an exclusive B2B set with NAZAAR at the Shaq’s Bass All Stars Festival, VRG has proven to be an artist to provide fuel-filled journey with an explosion of genres including trap, dubstep, hard techno, and more. After storming the charts with his recent collaboration on “WATCH YOUR BACK” with DIESEL and Blackway, VRG is back to take full control of his global fan base with the release of his destructive single “STEPUP!” featuring Andy Kutner of AFTERMYFALL. As expected, this song contains a monstrous amount of energy, and sonically very well excecuted. Screamo vocals, heavy metal guitar riffs, and brimming intensitiy all come together as VRG provides a booming series of drops that would make any head banger proud. Listen below! This article was first published on Your EDM. Source: VRG Releases Booming Dubstep Single “STEPUP!”

Z2 is proud to announce ILLENIUM: Presents Starfall, a collaboration with the musical mastermind that channels the infectious energy of his five-album career into a new, neon-splashed graphic novel. Z2 Comics will release ILLENIUM Presents: Starfall on November 21, 2023 in standard hardcover, deluxe hardcover, and super deluxe editions. The deluxe edition will feature an oversized hardcover book in a custom slipcase and come packaged with three art prints illustrated by Alex Moore. The super deluxe edition, which contains the same contents as the deluxe edition, is limited to 100 copies signed by ILLENIUM and also includes a limited edition holographic collectors card in a magnetic case and an enamel pin. In a cold totalitarian society where only the fittest survive, Nick has embraced a new world order of violence and brutality, blindly following his overseers’ wishes no matter how much blood stains his hands. To meet these vicious ends, Nick relies on an addictive Substance—a potent elixir that his malignant overlord rations out to the loyally subservient. But a mysterious woman named Ash soon challenges his worldview, unlocking a potential of harmony rooted in a winding mythology of phoenixes and fire. To transcend the dystopia he helped create, Nick will have to battle demons of addictions and unearth the secrets of ILLENIUM. ILLENIUM joins writers Frank Marraffino (Marvel ZombiesI, Dee Snider: He’s Not Gonna Take It) and artists Pablo Andrés and Luis Expósito Hernández for this gripping new sci-fi venture. Emilio Adrias provides cover art. “The chance to bring my origin story to life in graphic novel form has always been a dream of mine. This will be unlike anything anyone has ever seen from me before.” – Illenium This article was first published on Your EDM. Source: ILLENIUM Announces New Graphic Novel with Z2 Comics

Midnight Pool Party has proven that not only are they house connoisseurs, but kings of creating amazing grooves within each single. Their latest is no exception to the greatness we’ve come to expect from the talented duo, as they’ve unleashed a thumping tech house single “Stamina“. They view it as a song powerful enough to keep your party battery charged and in full swing all weekend long. It’s also one of the song ideas that they wrote during a weekend writing session earlier this year which resulted in a tidy collection of demos that they feel really good about and will be sharing with us all very soon. “This was one of the songs we wrote at the beginning of the year, just after Sydney World Pride where I (Darren), was out partying every day and night. Every weekend for the last 2 years I’ve also been working in the gay club scene, and a lot of people would say to me “I don’t know how you have the stamina to go out every weekend”, so that inspired me to write a banger about partying all the time. I showed the idea to Ollie on our weekend writing trip back in May and we worked on a rough beat, I came up with a hook, and it just grew from there!” – Midnight Pool Party Listen below! This article was first published on Your EDM. Source: Midnight Pool Party Release Thumping New Single “Stamina”

Original Photo by Ivan Meneses for Insomniac Events Earlier this month, Insomniac put on the 28th edition of Nocturnal Wonderland, North America’s longest running rave. I was lucky enough to attend once again this year, and like a Swiss train, Nocturnal just consistently delivers. Whether it’s the immaculate vibes that cannot be matched by any other Insomniac fest, the always stacked lineup, the familiar venue and setup, or the Cosmic Equinox itself; Nocturnal retains its uniqueness and charm. I don’t think there’s any other festival where you have a confluence of people raving for their first time and OGs who have been there since the early days. Once again taking place at the pristine Glen Helen Regional Park in hills north of San Bernardino, this year’s edition of Nocturnal featured absolutely perfect weather. Just because the equinox is on the calendar doesn’t mean that the Southern California summer is over. This year, though, headliners were treated to pleasant fall-like weather, with temperatures never exceeding 80 degrees. In fact, it was downright cloudy on Saturday. As I mentioned, the Nocturnal festival grounds are very familiar to anyone who’s ever been, and with only three official stages, it’s supremely easy to navigate. For non-campers, they walked up the hill to the Glen Helen Pavilion entrance, you walk up the ramp decorated by blacklight painted ferns and you either walk up the hill to the Labyrinth stage, which was headlined by Bassrush all weekend long, or you walked (stumbled) down the hill to Sunken Garden and Wolves’ Den. While the stages at Nocturnal usually retain most of their form from the previous year, unlike EDC, there were some notable differences at the main stage. While it retained the massive circle video panel in the middle of the stage. The top of the stage was adorned in neon colored flowers that bloomed over the course of the nights. The Nocturnal Wonderland logo was front and center while the top border of the stage featured blacklight painted wood panels. The lasers and pyro only got bigger from last year. Original Photo by Jamal Eid for Insomniac Events The Labyrinth stage also had some new features. While the stage maintained the same design, it dispensed with the multiple smaller TV-like video panels for a single long diagonal video panel on each side leading to the tall vertical video panel. Again, lasers and pyro were on point at the stage. My only criticism is that the volume was significantly lower at Labyrinth than at the main stage. Sunken Garden was pushed back a little to allow for more foot traffic (good move) and appeared to be the same as last year. Every single set was amazing this weekend. As for my experience, we walked into the venue on Saturday as Joel Corry was throwing down a nice set of house and techno. We made our way up the hill for our much needed dose of drum & bass from UK legend Dimension. After a little bit we made our way down the hill for the absolute house party that NITTI b2b Marten Horger were throwing down. After that, Jason Ross was a major highlight of the first day, from trance to techno, Ross showed that he can do it all. We enjoyed the sights and sounds of the Sunken Garden as VNNSA threw down before we made our way back to Wolves’ Den for AC Slater’s banging house set, and an immaculate set from Seven Lions where he threw down both his hits and some wild psy-trance. Finally we ended Night one atop the hill with Black Tiger Sex Machine, the duo threw down an insane set that featured heavy dubstep as well as some more melodic tunes to balance it out. Original Photo by Jake West for Insomniac Events We got in a tad later on Sunday (happens to the best of us on the final day), but we made it in time to see some of Pendulum’s set before the absolute highlight of the weekend; Benny Bennasi’s Sunset set. The dance music legend weaved through some deep and clubby tracks before closing his set out with some of his biggest and most beloved hits. He closed his set out with Skrillex’s iconic remix of Benassi’s hit song Cinema. The lasers and production of the stage helped to deliver an unforgettable moment for everyone there. For me, this was an iconic moment; a dance music icon delivering an indelible moment in an iconic space. From there we moved up the hill and bass was the formula for the rest of the night. I was in awe of PhaseOne’s performance, and Eptic delivered an incredible set for all the headliners who were thoroughly enjoying his performance. We stayed atop the hill for GHOSTRYDR (JOYRYDE b2b Ghastly) and enjoyed the old school rave vibes. By that time, everyone had gone down to the Wolves’ Den for Subtronics, so old school ravers were rewarded for their patience. There you have it for another successful edition of Nocturnal. I haven’t seen anything yet confirming next year, but I’d be surprised if Nocturnal didn’t return for its 29th edition at Glen Helen Regional Park. Also, Premier Parking came in clutch, you got dropped off at the camping entrance, and did not have to wait in traffic for an hour to leave the venue. 10/10 recommend. This year’s Nocturnal was pitch perfect, and we can’t wait to return next year. This article was first published on Your EDM. Source: Nocturnal Wonderland Continues Its Tradition of Excellence [Event Review]

Chris Ianuzzi has become a YEDM favorite and an example of the type of experimental electronica that fuels EDM with out EDMers even knowing about it. With a firm foot still in post punk and indie/electronic crossover, Ianuzzi is in a unique position to draw in fans of multiple genres with his well-composed, Philip Glass-style organized chaos. While most of this work is just that: a load of tinkering and technically complex composition meant to sound chaotic, Ianuzzi does sometimes step all the way in to EDM, even to the point where one can find a solid genre or two. This is the case with his new dual single, “Distant Suns” and “Wild Side.” With a actual beats and even a melody, Ianuzzi has channeled his inner raver in “Distant Suns,” the ostensible a-side of the two tracks. The track opens with a feedback-driven vintage tune-in vibe before launching into a trancy straight beat without a buildup. Sad straight beat is accompanied by a 90s rave-style melody which is sort of ambient to the beat, which, without the listener noticing, turns into a more deep techno beat before the whole thing is cut off without ceremony and switches to an industrial-soaked breakbeat. The track continues thus, with the various trance-techno-breakbeat loops starting and stopping arbitrarily and Ianuzzi’s dissonant vocals being, surprisingly, the only element that continues on a followable trajectory. “Distant Suns” is thus able to straddle EDM, post punk and experimental at once: the elements of EDM are there, but the structure is all Ianuzzi and his glorious chaos. It’s clear upon listening to “Wild Side” that in these two tracks, Ianuzzi was playing around with different percussive sounds that are sort of timey and spacey in nature. They’re present in “Distant Suns” but in “Wild Side” they comprise a significant line of music. Also with a surprising amount of perceivable structure, “Wild Side” is actually more linear than “Distant Suns,” as its running bassline drives the track while the minimal trap beat anchors it. Over, aside and around these structures, however, is the sonic equivalent of Tron superimposed over Salvador Dalí’s Persistence of Memory series with the melting clocks. While more industrial-meets-post punk than EDM, “Wild Side” is still cohesive enough to tickle the EDM fan’s fancy as well. It would be excellent at the end of a sunrise set at the end of a festival. Fans can always expect the unexpected from Chris Ianuzzi, and “Distant Suns” and “Wild Side” are no exception. With his last track prior to these being more ambient experimental, it’s nice to see this electronica mad scientist play with beat and percussion once more. “Distant Suns” and “Wild Side” are out now and available to stream on Spotify. This article was first published on Your EDM. Source: Chris Ianuzzi Tackles Melody and the Time-Space Continuum in New Tracks, ‘Distant Suns’ and ‘Wild Side’

black a.m., also known as Sinclair Wheeler, has brought a unique rock-infused spin to the house music world. Since 2019, he has pushed the boundaries of his craft, earning himself spots at marquee events like Insomniac’s Park N Rave series and receiving accolades from industry titans such as John Summit, NGHTMRE, JOYRYDE, Slander, and DJ Craze. This attention wasn’t without merit; Ultra Music officially released his remix of NGHTMRE and Gunna’s “Cash Cow” while also signing tracks to Slow Roast Records and accumulating over 600,000 streams across platforms. Now, this talented artist is back in the saddle with a sizzling new single ’70W (Vaded)’ – supercharged with energy and bass. He masterfully rides the line between electro, bass, and tech house, delivering a result that’s unmistakably unique and captivating. We’re excited to see what he does next but in the meantime, check out the single below! This article was first published on Your EDM. Source: black a.m. Drops Energetic House Single ‘70W (Vaded)’

Egzod, a name synonymous with world-class festivals and a vast, coherent catalog, has always been a torchbearer in weaving stories through his beats. His music has earned mass appeal, topping over 600M total streams. He’s always finding ways to push his creative boundaries which is why we look forward to what he’s going to do next. Now, he’s recently released a remix to Layto’s ‘Five4three2one‘ and this time around, it’s an electrifying future bass tune that yet again demonstrates why Egzod is one of the best at what he does. The two make a dynamic team, as Layto offers a compelling vocal while Egzod delivers on a anthemic arrangement. Check it out below! This article was first published on Your EDM. Source: Egzod Flips Layto’s ‘Five4three2one’ Into Electrifying Future Bass Remix

For fans of experimental electronica, artists like Cerpintxt have to represent the future of this cutting edge discipline. Now located in London by way of her native Egypt, Cerpintxt’s haunted, acoustics-focused science project of a sound has been picked up not only by like-minded atmospheric, drone and visual artists and labels such as CAMP Editions, Carlos Casas, Machinefabriek and Matchess but has bled into the EDM world. Now with her new EP, microtubule encoded memory, Cerpintxt stands to unite the EDM and experimental worlds even further. EDM is almost always driven in some form by the mad scientists who innovate and push the boundaries of what’s possible in electronic music, but quite often, with the exception of artists like Noisia, Amon Tobin, Rezz, Gyrofield and Venetian Snares, EDM and experimental electronica tend to stay in their own respective camps. With her futuristic, Cyber Punk vibe, heavy concept work and meticulous compositional style, Cerpintxt is both pushing the envelope for acoustics and sound design and giving more conventional EDM artists a run for their money going on six years now. Begnning with her ATOMS EP with atmospheric house legend Stevie R. in 2018 right the way through her 2022 single, “Sedimented,” on CAMP Editions to microtubule encoded memory, sound curation as acoustic science, as concept and as evocative music . Cerpintxt’s unique sound work isn’t the only thing that led the drop of microtubule encoded memory being one of the most innovative drops of the year. She’s also very proactive when it comes to her own brand and agenda. In the two years between 2020 and 2022, Cerpintxt didn’t release much production-wise but she began performing her music live, both on multiple radio platforms, on livestreams and at multiple festivals. She also launched her own event based out of London called Boundary Condition. In the artist’s words, it’s a “an audiovisual durational immersion for the rabidly sentimental: investigating the parallelization between dark-jazz, hauntology, and musique concrète as nostalgia-centric practices.” This tagging of her event leads into the branding and vernacular of Cerpintxt. She’s very specific about the language she uses to describe her work, using terms like “hauntology” and “systematic harmonic erosion.” To describe her sound. Listening to her work, all the terms she uses are not wrong, especially when it comes to microtubule encoded memory. The work in this EP is, in fact, a study in haunting sound and in the erosion, or movement, of harmony. Made from endless sound recording loops gathered over years from locations like the pharaonic temple at Serabit El Khadim in her native Egypt, the mountains of the Sinai Peninsula, and the music of Bedouin tribes, Cerpintxt’s long, storied tracks are building, eroding and cycling sounds all at once. Her focus on acoustics not only as necessary for sound but as the sounds themselves is truly inspired. Thomas Dolby would be proud. As a concept, there’s also a political bent to Cerpintxt’s work on microtubule encoded memory, but it’s not one most artists would think of, though it ties in with all the hard graft she put into this EP. In the artist’s own words, “The hauntological element of my work explores a form of sonic activism against the weaponization of love in Egypt.” Once again, the importance is in the way she’s phrased it: no direct, easy to decipher agendas here, but rather an evocative statement that bypasses typical communication and gets to the heart of what’s important. Like the music itself, Cerpintxt wants her audience to feel the energy of what’s around them, whether sonic or otherwise, and make decisions accordingly. There’s a depth to this work that’s not just about tinkering, and that’s likely why it resonates with the EDM world. The first and third tracks on microtubule encoded memory are available now on Cerpintxt’s Bandcamp, while the elusive middle track will be released in October on cassette only. Fans can pre-order on Bandcamp as well. This article was first published on Your EDM. Source: New Artist Spotlight: Cerpintxt Reveals a New EP of ‘Hauntology’ After a Break From Production With New EP, ‘microtubule encoded memory’

SF based artist JONJEN has made a name for himself by skillfully combining melodic bass and house with indie and soundtrack-inspired elements. Since his debut in 2021, JONJEN has gained substantial support from industry titans like Nicky Romero and Yellow Claw’s label Barong Family, opened for artists such as William Black, Sabai, and Hoang, and achieved over a million streams across various platforms. Joining forces with JONJEN, TZUNAAMI, a DJ duo based in Bangkok and NYC, has gained massive traction with their viral mashups on TikTok, YouTube, and Soundcloud since 2020. Their unique blending of vocals with melodic and trap drops has earned them features on renowned platforms like Proximity, Arctic Empire, and Headbanger Radio. Together, the two have joined forces for their anthemic single “Hate It, Love It” featuring the euphoric vocals of GLNNA. It combines heavenly synth melodies with uplifting lyrics, giving this single the strength to power any main stage at your favorite festival. I connected with TZUNAAMI last year when we played at the same show, and realized Eddie went to the same high school as me. It felt like such a small world, and we knew we had to work on something together. Almost a year later, our collab is finally here, and GLNNA did an amazing job bringing it to life with her breathtaking vocals & writing. Our song is about the highs and lows of love when some things don’t necessarily feel right, and we hope it speaks to some of y’all. – JONJEN Listen below! This article was first published on Your EDM. Source: JONJEN & Tzunaami For Anthemic Melodic Bass Single, “Hate It, Love It ft. GLNNA”

IMANU continues to make his mark on the electronic scene with his genre-bending capabilities and willingness to push the sonic boundaries with every single song he releases. He just revealed his latest single “Aching (On A High)” via Zeds Dead’s esteemed imprint, Deadbeats. True to what we’ve come to expect, his creativity yet again impresses us with a more minimalist house approach that’s perfectly executed with a glimmering topline vocal. Everything comes together into a thumping, lo-fi house esque drop that can’t help but make you want to move to it. “With Aching (On A High), I wanted to make a looming dark house track, something you could play at home or in a dark warehouse. Emotional vocals with dark reeses and pads has always been something I’ve loved doing, and I’m happy to continue this trend on this new single.” –IMANU Listen below! This article was first published on Your EDM. Source: IMANU Reveals Thumping House Single “Aching (On A High)” via Deadbeats

Mersiv has been a trailblazer in the Freeform genre since the inception of the Mersiv Sound Project in 2015. His sold-out debut headline at Red Rocks in April 2023, and hits like “Beautiful & Filthy” (4.3million) “Fire Dance” (1.3million), “Get To You ft. Saint Sinner” (2.5million), attest to the artist’s continuing and growing impact on the industry. Now, he’s back with an anthemic single with production act The Ninetys, known for previous collaborations with rap luminaries such as Kendrick Lamar and Top Dawg ENT. Together, these two are a incredible team, fueling the track with unparalleled energy and electrifying synth stabs and bass wubs to make this yet another gem in Mersiv’s arsenal. The release of “Top Floor” follows Mersiv’s announcement of the nationwide Out of Bounds Tour. Check out the dates and the single below! Mersiv’s 2023 Tour Dates: Fri-Sep-15: Kansas City, KS – The Truman Sat-Sep-16: St Louis, MO – Red Flag Sun-Sep-17: Rome, GA – Imagine Festival Thu-Sep-21: Dallas, TX – The Studio Fri-Sep-22: Austin, TX – Concourse Project Sat-Sep-23: Houston, TX – Stereo Live Sat-Sep-30: Phoenix, AZ – Marquee Theater Thu-Oct-5: San Diego, CA – Music Box Fri-Oct-6: Los Angeles, CA – 1720 Sat-Oct-7: San Francisco, CA – Public Works Sun-Oct-8: Arcata, CA – Arcata Theater Thu-Oct-12: San Luis Obispo, CA – Fremont Fri-Oct-13: Las Vegas, NV – Hard Rock Live Sat-Oct-14: Salt Lake City, UT – Complex Thu-Oct-19: Bend, OR – Midtown Ballroom Fri-Oct-20: Portland, OR – 45 East Sat-Oct-21: Seattle, WA – Showbox Sun-Oct-22: Eugene, OR – WOW Hall Thu-Oct-26: Boise, ID – Knitting Factory Fri-Oct-27: Spokane, WA – Knitting Factory Sat-Oct-28: Vancouver, BC – Red Room Tue-Oct-31: Missoula, MT – Wilma Thu-Nov-2: Bozeman, MT – The Elm Friday-Nov 3: Cheyenne, WY – The Lincoln Thu-Nov-9: Des Moines, IA – Woolys Fri-Nov-10: Milwaukee, WI – The Rave Sat-Nov-11: Grand Rapids, MI – The Intersection Sun-Nov-12: Urbana, IL – Canopy Club Thu-Nov-16: Indianapolis, IN – The Vogue Fri-Nov-17: Cleveland, OH – Mulberry’s Sat-Nov-18: Columbus, OH – Otherworld Sat-Nov-25: New Orleans, LA – The Fillmore Thu-Nov-30: Richmond, VA – Broadberry Fri-Dec-1: Asheville, NC – Orange Peel Sat-Dec-2: Charlotte, NC – Blackbox Sun-Dec-3: Charleston, SC – Music Farm Thu-Dec-7: Virginia Beach, VA – Peabody’s Fri-Dec-8: Baltimore, MD – Soundstage Sat-Dec-9: Buffalo, NY – Town Ballroom Sun-Dec-10: Albany, NY – Empire Live Thu-Dec-14: Boston, MA – Big Night Live Fri-Dec-15: New York, NY – Webster Hall Sat-Dec-16: Philadelphia, PA – The Ave Live Dec 30-31: Denver, CO – Decadence NYE This article was first published on Your EDM. Source: Mersiv & The Ninetys For Anthemic Single “Top Floor”

If there’s two artists that always know how to get the party started, it’s Big Gigantic and AHEE. Both have accomplished incredible milestones in each of their careers, making it all the more special that they’re linking up for a massive new, funk and bass fueled single that we are thrilled to premiere – “Oh Dang!”. In classic BG fashion, the track kicks off with a groovy beat, syncopated guitar riffs, and anthemic sax melodies, all building into an electrifying drop that packs a thunderous punch. Guitar solos, bass wubs, and a punchy beat keeps this as a song you just want to keep coming back to – one of our favorites of the year! I remember winning the 2nd place remix for the Big Gigantic remix contest back in 2016, then I had the good fortune of meeting Dom & Jeremy while I was touring with Lucent Dossier. Over the years we kept in touch, I kept making music, playing shows, and eventually joining them on tour. To think back on everything that’s happened that led to this moment – Oh Dang! with Big Gigantic is such a full circle moment for me! – AHEE Outside of music, Big Gigantic remain busy with their A Big Gigantic Difference Foundation, which supports non-profits for at-risk youth, music education, and more. Thus far, they have raised $1 million-plus for charity and show no signs of slowing down. Kick your weekend off right and check out “Oh Dang!” below! This article was first published on Your EDM. Source: PREMIERE: Big Gigantic & AHEE Team Up For Electrifying Single, “Oh Dang!”

The resonance of Kiraw’s performances is nothing short of hypnotic. His vocals, simultaneously soothing and saturated with dark undertones, effortlessly meld with the weighty soundscapes of his tracks. It’s no wonder that his music has found a fervent following within the gym and raver communities, drawing attention like wildfire. “XTC,” a song entirely written, performed, and produced by Kiraw, stands as a testament to his innovation. This track elevates the Techno genre to new heights by merging aggressive, distorted basslines typically found in rave bunker events with razor-sharp lyrics delivered in a whisper-like style. It’s a musical ASMR experience that defies expectations and works exceptionally well within the powerful genre. The impact of “XTC” is evident in its presence on viral charts across the globe, from Germany to Denmark, Belgium to Romania, and beyond. Kiraw’s artistry knows no bounds, and his journey began in 2018, steadily gaining momentum through collaborations with the likes of NightLovell and Scarlxrd. As a pioneer of the “Techno/House Phonk” movement, Kiraw has earned a well-deserved place in the spotlight, catching the eye of major labels and securing a bright future in the music industry. Keep an ear out for Kiraw; he’s an artist destined for greatness. This article was first published on Your EDM. Source: Kiraw Proves Himself With Moment-Capturing Song Titled ‘XTC’

Founded in in 2004 by singer, songwriter, producer and multi-instrumentalist Zion Rock Godchaux, BoomBox has grown and evolved alongside loyal fans across the globe. They’ve developed a signature groove rooted in a back-beat driven style, wrapped around smooth vocals, compelling lyrics, and a mixture of drum machine and live-mixed computer beats laid down by Kinsman MacKay, Godchaux’s brother. Their songs pull from a wide range of genres – from hip hop to funk and a healthy dose of electronic that has shaped their sound and created a space for these guys on numerous festivals. Recently, the boys released a brand new single “Buenas Noches” which arrived in tandem not only with a new album announcement – Dangerous Waters out Nov 10 – but also a massive nationwide tour. It’s fascinating to hear the studio result and then see these guys deliver it in impeccible fashion on the stage, which is why we recommend securing a ticket if they come to a city near you. Speaking to this single, Boombox yet again strikes gold here, perfectly meshing hypnotic synth melodies amidst a driving hip hop beat and spacey vocals. BoomBox adds: “‘Buenas Noches’ is one of our favorite tracks on this album. It really showcases the complimentary approach we have to making music.” Check it out below along with tour dates! Buy tickets here. Tour Dates: September 15: Charlotte NC at Visulite Theatre September 16: Old Fort NC at FloatLife Festival September 29: Lake Perris CA at Same Same But Different Festival October 27: Tempe AZ at Darkstar October 28: Santa Barbara CA at Fields Of Funk Festival November 10: Nashville TN at 3rd and Lindsey November 11: Indianapolis IN at HI-FI November 12: Grand Rapids MI at Elevation November 15: Minneapolis MN at Fine Line November 16: Madison WI at Majestic November 17: Chicago IL at Park West November 18: Detroit MI at Magic Stick November 19: Cleveland OH at Beachland Ballroom December 13: Houston TX at Rockefeller’s December 14: Dallas TX at Deep Ellum December 15: Austin TX at Antone’s December 16: Austin TX at Antone’s December 29: Salt Lake City UT at Commonwealth Room December 30: Crystal Bay NV at Crown Room December 31: Crystal Bay NV at Crown Room 2024 January 05: San Francisco CA at The Independent January 06: San Francisco CA at The Independent January 07: Santa Cruz CA at Moe’s Alley January 10: Durango CO at Animas City Theatre January 11: Fort Collins CO at Aggie Theatre January 12: Denver CO at Gothic Theatre January 13: Denver CO at Gothic Theatre January 14: Frisco CO at 10 Mile Music Hall January 15: Aspen CO at Belly Up This article was first published on Your EDM. Source: Boombox Drops Infectious Single “Buenas Noches” + Reveals Nationwide Tour & New Album

Dre Guazzelli is a DJ and producer based in São Paulo, Brazil, who led quite the career since 2004. He wears a lot of different hats, such as being an entrepreneur and running his own events agency, INNER. Guazzelli has a strong presence in Brazil as well as internationally, garning a global fanbase along with building buzz around his captivating appearances in Ibiza and at the Burning Man festival in the United States. Now, he’s back with a beautiful new single “Rainbow” via David Hohme’s Where The Heart Is imprint. The track features a intriguing spin on the organic house genre, as Dre merges ambiant textures that build seamlessly into a body driving drop. The bass line is sheer perfection as is the percussion, adding an irresistible flair to the track. Check it out for yourself below! This article was first published on Your EDM. Source: Dre Guazzelli Reveals Compelling Single “Rainbow” via Where The Heart Is Records

Edison Cole has been on fire this past year, releasing one of the most viral remixes of Calvin Harris’ “Miracle” landing over 250K streams in 2 months, and garnering support from the worlds largest DJs including Jauz, Svdden Death, Dj Diesel (Shaquille O’Neal) and more, energizing festival stages around the world. With freight train momentum, Edison reminds us just how driven he is with a massive remix of “Self Destruction Mode” via The Chainsmokers premiering it on Tomorrowland’s fantasimal Mainstage. Edison’s Remix opens up into a medley of layers complimenting Bludnymph & Drew’s voices with his effective melodics and songwriting, building up into a thundering drop. It’s impossible not to feel the energy on this one, check it out below! This article was first published on Your EDM. Source: Edison Cole Delivers Electrifying Remix To The Chainsmokers Hit “Self Destruction Mode”

The crafty German artist/producer Maximono earned his tenure in the electronic music scene during the late 90s, meticulously honing his craft in the world of breakbeats, jungle and drum & bass. In 2015, he flipped the script to go on a genre bending crusade with his new interpretation of house music, rapidly catching the attention of tastemaker labels such as Dirtybird, This Ain’t Bristol, Sweat It Out, Confession, Insomniac and CUFF. With a masters degree in low-end theory and a minor in spaced out, wobbly leads, Maximono teamed up with fellow bass graduates and heavy hitters like Malaa, Mat.Joe, Huxley, Kevin Knapp and Marten Hørger to release critically acclaimed songs such as “Arsenic”, “Drummer Loco” and “So High”. Now, he’s back with a simmering album packed full of unreleased tracks via the esteemed imprint This Ain’t Bristol, titled ‘The Outtakes.’ In true Maximono fashion, the album is laced with trippy melodies and hypnotic grooves all across the house spectrum. Creativity is not an issue for him, as he consistently finds ways to expose our ears to new sounds in each track, from distorted bass wubs to breakbeat rhythms. There’s something for everyone on this album, and we are thankful Maximono graced us with getting a listen to some of his vault. Check it out below! This article was first published on Your EDM. Source: Maximono Drops Collection Of Unreleased Tracks ‘The Outtakes’ via This Ain’t Bristol

Mel Monaco may be new to the likes of YEDM readers, but her smooth, effortless form of jazz pop has been lighting up the airwaves and stages in her native Ontario for nearly a decade. With a bell-clear, pitch perfect voice reminiscent of Ella Fitzgerald, a virtuosic knowledge of jazz guitar and piano, and a fun, pop-tinged songwriting style, Monaco is much-loved both for her music and performances in her part of the world, and now with her latest single, the catchy and radio-ready “Love Tides,” it seems she’ll be exploring new waters soon. Monaco’s goal over ten years ago was to release five albums before the age of 30, which she did plus one. Now with six lounge jazz albums, a handful of singles and a number of covers under her belt, it appears that Monaco has switched gears for “Love Tides.” Normally entrenched in jazz and soul with her popular originals like “Witch Sometimes,” “Better Not Bitter” and the commemorative “30 What,” this new song has more pop added to it than previous work. It seems now that Monaco has met her goal, she’s happy to play with other genres and it definitely pays off here. “Love Tides” not only opens with a snappy disco house beat and a funky synth but also with the first vocals rapped by Monaco. It’s likely that her fans were shocked by this change, but the song is just too much of a groove not to be into it immediately. Released as an applause round and love letter to the beautiful summers in the St. Catherines/Niagara area of southern Ontario where Monaco and her band call home, it’s impossible not to call this track a feelgood hit. Not to mention it’s so technically polished that despite the beat and groove of the track, “Love Tides” is almost entirely analog. Monaco works with an amazing band who really stepped up with her vision on this track, making it feel more in the realm of Jamiroquai or P-Funk than the more soulful artists like Bill Withers and Al Green. If fans needed more proof that “Love Tides” was inspired by the Niagara/Muskoka area, Monaco has also released a video for the song which was filmed on the Hamilton, Ontario area waterfront on a yacht with a number of her bandmates. Given that she’s called this song “yacht pop,” it seems quite apropos. It also seems like they had a hell of a lot of fun filming it; if the song itself wasn’t infectious enough, the chill part vibes in the videos will make fans wish for summer to stay just a little longer. Fans of Monaco’s original soul format shouldn’t think of “Love Tides” as a departure from her style but more of a branching out. The already accomplished artist is clearly endlessly creative and diversity comes with that territory. Meanwhile, pop and house fans can now also enjoy this modern funk along with Monaco’s beautiful voice and happy spirit. With a song like this, we don’t have to abandon summer quite yet. “Love Tides” can be streamed on Spotify along with the rest of Mel Monaco’s discography. Check out her YouTube page to see some of her other performances and creative videos. This article was first published on Your EDM. Source: New Artist Spotlight: Mel Monaco and her Band Close out the Summer With ‘Love Tides’

Jersey Club music is on a meteoric rise, and at the forefront of this movement is none other than the genre’s Global Ambassador, DJ Sliink. With his new EP, “Bricks To The 6,” he not only showcases his signature sound but also pushes the boundaries of the genre by blending it with the melodic stylings of Toronto’s SAFE, as well as collaborating with heavy-hitting East Coast talents Bandmanrill and Sha EK. This EP, with its infectious beats and cross-cultural influences, has not only earned critical acclaim but also solidified DJ Sliink’s position as a pioneering figure in the world of electronic music. The EP kicks off with the lead single, “Warrior,” accompanied by an electrifying music video starring DJ Sliink and SAFE. The video adds an extra layer of visual storytelling to the music, enhancing the overall experience for fans. “Warrior” not only captures the essence of the EP but also sets the tone for what’s to come. One of the standout tracks, “Real Hips II,” made an impressive debut by landing at #2 on Billboard’s Dance/Electronic Digital Songs Sales Chart. The song received accolades from respected publications such as XXL, Stereogum, and Brooklyn Vegan. Another track, “In The Night,” earned a coveted spot on The Fader’s “Song You Need In Your Life” playlist, as well as playlist support from Spotify’s “New Music Friday Dance” and “Jersey Club Heat,” along with Apple Music’s “New In Dance.” The EP also features “On Bro” (ft. Bandmanrill) and “Jiggiest In Jersey” (ft. Sha EK & Bandmanrill), further showcasing DJ Sliink’s versatility as a producer and his ability to collaborate seamlessly with a diverse range of artists. Live Performances and Future Plans DJ Sliink’s influence extends far beyond the studio. He recently graced the stage at MoMa PS1’s Warm Up 2023, leaving fans in awe with his electrifying performance. The excitement doesn’t stop there, as he’s set to spin at Coco and Breezy’s NYFW Event on September 9 and take the helm as the music director for Laquan Smith’s NYFW Show on September 11. Fans on the West Coast can also catch DJ Sliink live on September 24 at the Pangea Party in Los Angeles, with more announcements on the horizon. Conclusion: Jersey Club’s Global Ambassador With “Bricks To The 6,” DJ Sliink has cemented his status as a trailblazer in the world of electronic music. This EP not only pushes the boundaries of Jersey Club but also showcases the power of collaboration and cross-cultural influence in the music industry. As DJ Sliink continues to break new ground and captivate audiences worldwide, it’s safe to say that Jersey Club music has never been in better hands. “Bricks To The 6” is a testament to the genre’s evolution and a glimpse into the future of electronic music. This article was first published on Your EDM. Source: A New Chapter: DJ Sliink’s “Bricks To The 6” EP

DROELOE seems to be the king of suprises when it comes to his music, always finding new and creative ways to build anticipation within his community on what he’ll do next. We’ve been gearing up for his album set to drop next week but what we didn’t expect was a suprise 5th single, “Foolish Fish” along with an exclusive chance to listen to the album via Bancamp! ‘Foolish Fish’ is yet another testament to DROELOE’s creative versatility, taking listeners on a unforgettable voyage from start to finish. In a unique twist, DROELOE is granting fans an exclusive opportunity to be among the first to experience ‘The Art of Change’ in its entirety, ahead of its official release. It will be a one-off 1-time listen (in real time) on Monday September 11 at 10am PST (6PM UK Time). This sneak peek is available via Bandcamp, adding an extra layer of excitement for devoted followers eager to dive into DROELOE’s musical evolution. Sign up here. Listen below and pre-order the album here. This article was first published on Your EDM. Source: DROELOE Unveils Surprise Single + Exclusive First Listen To Upcoming Album via Bancamp

New-York based Producer Barkin is aiming to bring the heat back into House. His music is filled with intensity while being beautiful and groovy at the same time. Noticing the genre has lost some edge, his punchy basslines mixed with heavy synths will be setting dance floors ablaze. Vocals used as instruments and deep-moving breakdowns are integral to his tracks. While his drops will get your feet moving, each track has a meaning to be unfolded. Now, he’s back with yet another impressive single, ‘Kitty Club.’ It’s a bass house offering that lights up your speakers from start to finish. On an even more interesting note, Barkin makes reference to each of his cats throughout, (Lulu, Borris, Betty Man, and Bella) – giving them a taste of the spotlight as the bass fuels the dance floor. “‘Kitty Club’ is easily the most fun track I have made. I loved being able to bring my cats into my passion and create something for all cat lovers alike. ‘Kitty Club’ is a special track that people always asked me about during my shows. I welcome everyone to the Kitty Club” – Barkin Listen below! This article was first published on Your EDM. Source: Barkin Brings The Energy On Bass House Single ‘Kitty Club’

Whether it’s edits / remixes of hip hop tracks (both old and new), or sizzling originals, Hood Politics has established itself as a one of the finest labels around, consistently delivering incredible music to fulfill our house appetite. Label A&R Sherm has become a label favorite, and now his recent release sees him pairing up with yet another breakthrough artist Isaac Palmer for their addictive flip of the hit single “P**** & Millions” from Drake and Travis Scott. They set the tone early with a rumbling bass line and punchy drum patterns. Sampling Drake & Scott’s voice with immense creativity, they build the track into one that serves not only as a peak time weapon for the clubs, but for the festival grounds as well. “Cutting my teeth as a Chicago DJ has taught me so much about knowing when to move fast and shift the energy in sets. This edit can take you into the darkness from a light place or vice versa very quickly. Its underground sound and mainstream verses give any DJ the agility and ability to flex the energy while keeping the crowd engaged. Isaac and I had a shared vision to create a track that’s banger and will become a staple in a DJ’s set but also a “must hear” track for every fan.” – Sherm Sherm is fresh off of his biggest performance yet of the year, dominating the Vega Stage at North Coast this past Labor Day Weekend. Check out the single below as well as a some footage from his live set here! https://www.instagram.com/p/CwvE6chAUA7/?utm_source=ig_web_copy_link&igshid=MzRlODBiNWFlZA== This article was first published on Your EDM. Source: Sherm & Isaac Palmer Collab Up For Thumping Edit of Drake & Travis Scott’s Hit via Hood Politics Records

A rising star in the music industry, Andrew Narvaez is inspiring people all over the world by showing them the value in being themselves and accepting their flaws. His alternative pop sound, influenced by melodic rap and post-punk, is resonating with listeners of all backgrounds, from New Jersey to global platforms. Narvaez’s unconventional musical style and outlook on himself as an artist are what set him apart. He began his musical career at the tender age of 13 under the moniker”3G,” which stands for “Give the Glory to God.” As he matured, though, he saw that the name no longer reflected his identity or the truth of his music. Narvaez stated, “I officially switched to using my government name when I was 15 because I didn’t want to try to be someone I wasn’t. Using my given name was a way to show that I am not compartmentalizing my personal and professional lives as an artist. This shift represented his willingness to show his audience the real him despite his imperfections.”At the end of the day, ‘3G’ was a zealous, more naive kid who didn’t fully encapsulate the person of Andrew, an imperfect man living every day to become a better version of himself.” The journey that Narvaez has taken exemplifies the bravery required to present oneself honestly in a field where polished facades are often criticized. His determination to be himself is having an impact on the music industry, inspiring both musicians and listeners to embrace their individuality and find beauty in their flaws. The genre-bending nature of Narvaez’s music is reflective of who he is as a person: uninhibited, forward-thinking, and unafraid to test the status quo. Andrew Narvaez continues to influence the music industry with his infectious sound and genuine demeanor, serving as a role model for both musicians and fans alike. His career exemplifies the significance an artist can have when they have the courage to express themselves honestly. Follow Andrew Narvaez and never miss a beat: 𝐀𝐍𝐃𝐑𝐄𝐖 𝐍𝐀𝐑𝐕𝐀𝐄𝐙 (@andrewjnarvaez) • Instagram photos and videos Andrew Narvaez | Spotify This article was first published on Your EDM. Source: Andrew Narvaez, Prolific Musician: “Imperfect Perfection in Authentic Sound”