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Multi-platinum Dutch-Moroccan DJ and producer R3HAB has reunited with Mexican-American producer Deorro for their latest track, “Gózalo,” marking their first collaboration in a decade. The release blends the best of both artists’ signature styles, seamlessly fusing Deorro’s expertise in Latin rhythms with R3HAB’s high-energy, driving basslines that border on hardstyle. The result is a genre-defying track that bridges the gap between Latin-inspired beats and pure EDM. The summer-ready hit evokes images of peak time partying with an infectious groove and driving pulse “Gózalo” is destined to become a crowd favorite. This collaboration comes ten years after R3HAB and Deorro’s last joint effort, “Flashlight,” which that quickly track became an iconic piece of the big-room EDM golden era, amassing over 130 million streams and maintaining its popularity in DJ sets to this day. As “Gózalo” drops, fans of both artists can expect a fresh, exciting sound that honors both artist’s roots while creating something as unique and exciting as their first collaboration, proving that R3HAB and Deorro’s chemistry is as strong as ever. The post R3HAB and Deorro join forces for the 1st time in decade on Latin-dance heater ‘Gózalo’ appeared first on Dancing Astronaut.

The collection spans Metalheadz mixes to Rinse FM sets, compiled across multiple platforms Continue reading...

Last month Stormzy joined the duo for a surprise live performance of the track at Ushuaïa Ibiza Continue reading...

Souped Up veteran, label-boss and rowdy beat maker, Dutta, returns with ‘Dom Perignon’, a three-track project ready to turn summer 2024 into a wobbly wonderland. ‘Dom Perignon’ Raising the bar of his own dutty-excellence after committing to an intense seven-month stint of musical up-skilling, this bouncy new EP is proof of the Mancunian producer’s hard work, slight change of direction and eagerness to focus more on the musical elements of his tracks. New flavours, new techniques, same old Dutta. We pulled him in to find out more. Dutta! Highlight of the week so far? I met a really nice woman the other night! Work’s going well too. I feel like a lot of good things are landing on my lap at the moment. I’ve been making a lot more healthier choices, putting a bit more love back into the cup and the universe gives back to me tenfold. So yeah – I’ve had a great week this week! The wholesomeness we all wanted. Let’s talk about your new EP on Souped Up – was there anything different you wanted to do with this one? Realistically, for the last 7 months I’ve been taking a lot of time off shows and working on my music, knuckling down on my songwriting and stuff like that. Kind of taking a bit of a different approach with my songwriting, how I’m making my tunes and the direction I’m taking my sound in. So yeah, I wanted my music to be a bit more mature, a bit more songwritey! I wanted to reinvent myself, come with a fresh new sound. Show everyone how much I’ve been working. I wanted to showcase the new skills I’ve been learning over the last 7 months in terms of my production. What brought on this change in direction? I just feel like I kind of needed to reinvent how I was making my tunes. Up the levels of everything, instead of making the same old stuff I’ve been making. I started noticing that there were a lot of things that I could do to improve on. There are things I didn’t struggle with, but the things that I did struggle with I just knuckled down and went back to basics with everything. You find yourself writing the same sort of music. It’s kind of good to step away from the style you’re writing and learn new things and make other types of music. I found after doing that, when I went back to the style I was creating, my confidence in the studio was a lot higher. My consistency is getting a lot better. I think I needed to work on that over the last 7 months and take my music into a new direction. A natural progression for an artist! Is it easy to clock when it’s the right time to step towards a new sound and start upskilling again? I think right now because of people’s attention spans, when you’re making too much or something, people are just getting bored of it. I personally wanted to start writing much more exciting music, so I needed to go back to the drawing board. Personally speaking. You could be an artist who has had one big tune, then you go off and carry on writing thinking your tunes are the best but they’re not. It depends on what sort of artist you are. I’m very self-critical. There’s a lot of ideas that I write that go straight in the bin. All the stuff I’ve been putting out have been tracks I’ve really liked and genuinely wanted to put out. Having a big hit very early on in your journey as an artist must create a huge amount of pressure, perhaps anxiety too? It creates a lot of pressure because everyone is watching. Even being a one trick pony, there’s no consistency there. The proof is in the pudding. You’ve got to be consistently releasing good music. That one trick-pony thing would give me a lot of anxiety. I’ve been making music for about 14 years so it’s a walk in the park. I really enjoy it. It’s what I do in most of my spare time, for fun. So I don’t really feel pressured in the studio or anything like that, but I can imagine if you made a hit, and it’s early on in your career, it’s a lot of pressure because then you need to make a tune as big as that hit. Making music for fun is the one. There’s a lot of value in doing things for fun instead of doing things for money. It’s a big escape for me. Saying that though, even when I’m at my happiest and I’ve got good stuff going on, that also inspires me to sit and make music. It helps me express my emotions a lot better and helps me control what I’m feeling too. It’s more therapy to me than a get rich sort of thing. Even if I didn’t do what I do in drum & bass, I’d still be writing music regardless. That sounds like a very healthy way to make music. Keeping the love for our creative ventures is important, paying your rent off your creativity can sometimes be exhausting. It just becomes a chore. It can be difficult doing the music thing full-time. I left my job when music was paying me more than my job but even then, it’s still good to have a stable income. You might get your first big pay out or you might be going out for a grand a gig or whatever, but if you have other work too, you have stability. It’s healthy to separate your work from your art. You don’t want to be in the studio choring. Like urghhh I need to finish this project. It should be fun. I found myself doing it. I have been releasing music since 2015 so over the last 10 years, I’ve felt a few of the emotions you know. I’ve just tried to not bring any more stress into my life. Life is hard enough as it is, you don’t want to make it any harder regarding the work that you’re doing every day. Especially when that thing is something you love and your art, something you really do pour yourself into it. You’re an independent artist who works across different labels whilst self-releasing too – what are the pros and cons of working in this way? I work with the people I work with, sort of thing. I keep my circle small and I work with the people I’ve worked with for a long time and built a relationship up with. I think it’s good to have creative control over your music. So doing the self-releases and stuff like that fills in the gaps when you don’t have a release on a big label or big artists to work with. Then that creative control keeps the consistency with releasing. Work with big artists and labels too though. Working with labels opens doors for new fanbase, new fans who follow the label and like what the label do too. New people might check you out and then you might become their favourite artist! It opens a lot of doors. Not that it can’t be done independently. If I’ve got any advice for artists, I’d say it’s good to stay with a team and work with a team. You don’t want to be releasing with every label under the sun. Don’t be sending the same demos to all the labels. Wait until you hear back from them, wait til they’ve spoken to ya, then go elsewhere if they turn you down. Don’t be sending all ya tunes to every Tom, Dick and Harry. No ones going to want to hear it. Only if people don’t get back to you after a week or two should you go elsewhere. People like exclusivity. It shows loyalty, which goes a long way in this industry. Artists that you’re rating at the min? Absolutely! I want to shout out Parallel, Hexa, if you’re reading this, go and check those out. They’re making wicked tunes, tunes that are going off in my sets at the minute. Flipnosis too, everyone I’m working with at the min, Serum, Trigga, Upgrade. I’ll leave that there. There’s loads of people. What do you think the best thing, and also the most challenging thing, is about being an artist in 2024? Wow! TikTok. For both! Nah, the most challenging thing in 2024 as a musician is that it’s very saturated. I feel like everyone wants to do it. Everyone wants a quick buck. The music was from the underground and it will always go back round to that… I’m just hoping that it does sometime soon! Things are a bit difficult at the minute. Everyone is still skint from lockdown. All the clubs are shutting. The promoters don’t have the same budgets they had before lockdown. There’s a lot of things affecting the industry that’s out of everyone’s control and a lot of artists are really taking it out on themselves at this time, regarding gigs and feeling disheartened about work and stuff like that. I’m hearing it a lot across the board from a lot of my peers when we’re catching up. Everyone’s finding it difficult. We’re in a massive recession. No one has any money. People at the minute are more than happy to sit at home with a pair of decks, listening to tunes they want to listen to, a load of mates chip in on a nice bottle of vodka for a tenner each, or you go out and spend £100. So what you gunna do. I get it. But people need to support the local scene and support the underground scene because if they don’t and they stop, it’s just going to disappear. Any final words of wisdom? Everyone eat your veggies, everyone support the underground scene and everyone support each other too. Also – everyone reading this, I have an event in Manchester on August 30. Boiler Room style rave with a sick lineup that I’ve catered myself. Very limited ticket capacity. There is a rule that your front camera and back camera will be covered on entry. There’s a policy- no videos in the rave. You can use your phone, if you’ve got too mash-up and you need to find ya friends, you can still do that but otherwise, no phones in the rave. I want people to be locked in the moment and to have a special experience.

Sammy Virji’s DJ set was cut short when an incident was reported in the crowd Continue reading...

Image Source: @haptix.atl, 08/09/2024 In an electrifying showcase of innovation and music, DJ Mag and Twisted Lines brought a one-of-a-kind techno experience to the heart of downtown Atlanta. Held under a bridge near The Underground, this event redefined the boundaries of techno performances in Atlanta with its unique 360-degree ‘boiler room’ setup. Headlined by the phenomenal Sara Landry, the night was a high-octane journey through techno. Landry captivated the crowd with her vibrant energy, ecstatic dance moves, and an array of high-energy beats. Her set included both classic tracks and new hits like “Pressure” and “Heaven,” which had the audience in a continuous state of exhilaration. Supporting acts Sam Wolfe and YSNXS also delivered stellar performances, each bringing their distinctive style to the stage and adding depth to the evening’s lineup. What set this event apart was the lack of traditional LED screens, replaced instead by breathtaking lasers that created a mesmerizing visual experience. Combined with an outstanding sound system, the atmosphere was immersive and unparalleled, marking it as one of Atlanta’s sweatiest and most unique recent events.

‘Take Over Control’‘ was released 14 years ago today, propelling Amsterdam native Afrojack into the EDM spotlight. This track launched the Electro and Progressive House producer’s name globally with its hypnotizing beats, especially its catchy chorus and hook. It quickly became a must-dance-to anthem worldwide. ‘Take Over Control’ dominated the charts in 2010, holding the #1 spot for six weeks on the US Billboard Dance/Mix Show Airplay, Hungary’s Dance Top 40, and Poland’s Dance Top 50. It achieved 2X Platinum status in Australia and Platinum in the United States. Since this breakthrough, Afrojack has continued to make waves in the industry. He founded his own record label in 2014, Wall Recordings, where he released his debut album, Forget the World. He is currently on tour, continuing to cast his spell on new and old audiences alike. To date, ‘Take Over Control’ remains a summertime anthem and brings back the nostalgia of summer 2010 when it first dropped.

It’s fair to say that Porter Robinson has carved a path to the top with his very unique take on EDM which stems back 10 years to ‘Worlds’ where he created a masterpiece that no one else could have thought up. His debut album is one that wasn’t aimed to follow trends, but rather to be true to his own vision of what he wanted to make and has become one of the highest regarded electronic music albums ever created. In the early 2010s Porter Robinson was making a name for himself and gaining traction in the music scene incredibly fast with some great tracks like ‘Say My Name’ and ‘Spitfire.’ It would only be 2 years after his debut single that he would release his breakthrough track ‘Language’ which is without a doubt an iconic track that would launch his career in a big way. Despite the success of his early tracks, he didn’t feel like what he was making was authentic of his true style, and from this revelation ‘Worlds’ was born. With the release of his debut album came a whole new side of Porter Robinson for everyone to hear. Taking inspiration from the legendary Daft Punk and ‘The Legend of Zelda: Ocarina of Time’ game, he would produce a beautiful soundscape of 80s synths and retro video game sounds with a tempo much slower than what he had been previously working at. The music was unlike anything that had been heard before because it wasn’t trying to be anything else. It was simply what Porter Robinson wanted to make as he would explain in an interview in 2015 saying “Worlds was, me taking a break from what I was doing and doing something that was honest, authentic and real.” Despite it being a long way from following the trends of EDM that was hitting the charts, ‘Worlds’ debuted at number one on Billboard’s Top Dance/Electronic Albums and has since gone on to garner over 300 million streams on Spotify. Porter Robinson’s honesty on this album has brought him a great deal of success and huge respect from fans and fellow artists. He has continued in this vein ever since, making music that he loves and music that we love.

*Featured Cover Photo Credit: Luke Eastman / Victor Ruiz Victor Ruiz, the Brazilian Techno producer and one of the world’s most creative producers in the genre, has released a new LP by the name of THIS IS NOT AN ALBUM. This 8-track masterpiece is definitely a wonderful collection of blissful tracks that will make the listener feel a great amount of exhilaration flowing through their body. Victor Ruiz has released THIS IS NOT AN ALBUM on his own label, VOLTA, and this exciting label is now Techno’s fourth-best-selling label — and the producer only founded said imprint two years ago. The album is also a piece of music that serves as another grand step in the Techno genre, especially as it remains to strengthen its already-strong popularity within the Dance/Electronic music industry. THIS IS NOT AN ALBUM is available on all streaming platforms and it also shows why Victor Ruiz is a Techno maestro who continues to enhance his artistry in the music world. Click ‘Play’ on the Spotify link below to stream the album and prepare to embrace the mesmerization of techno in its ever-growing innovative form. Victor Ruiz Brings Out An Invigorating Techno Style Through THIS IS NOT AN ALBUM When Victor Ruiz released THIS IS NOT AN ALBUM, he released an album that was already a creation that took years of careful and precise production. This careful and precise production brings out an invigorating Techno style that reminds the listeners of the Brazilian producer’s love and appreciation for diverse genres and sounds, particularly the sounds coming from various sub-genres. Whether it is Melodic Techno, Dark Techno, etc., the production of each track gives off bountiful influences from those sub-genres that for sure allow the listeners to feel a lot of euphoria. The post Victor Ruiz Provides Powerful LP, ‘THIS IS NOT AN ALBUM’ appeared first on EDMTunes.

Hollywood Park: A Vibrant Urban Playground HARD Summer 2024 marked its debut at the sprawling Hollywood Park, nestled right next to the iconic SoFi Stadium. As the first festival of its kind at this location, expectations were high, and the event did not disappoint. The open-air setup, with stages spread across the massive venue, brought a unique energy to the festival. As the sun dipped below the horizon, airplanes soared overhead, painting a picturesque backdrop for an unforgettable weekend. While the vastness of the venue meant long treks between stages, the breathtaking views and urban setting gave off heavy EDC-like vibes—a true cityscape spectacle. Matt Winkelmeyer for Insomniac Events Vibes That Took Us Back To The Roots From the moment the gates opened, the festival exuded an electric atmosphere. The energy was palpable as festivalgoers from all walks of life embraced the PLUR (Peace, Love, Unity, and Respect) ethos that has long defined the scene. It was a reunion of sorts, reminiscent of the early days of HARD Summer when the community and the music came together in perfect harmony. Whether it was exchanging kandi with new friends or vibing to the beats under the setting sun, the sense of unity was ever-present. Even with a few minor issues, like the long lines and cramped restroom areas, the positive vibes overshadowed any inconveniences. The spirit of HARD Summer was alive and well, making every moment of the festival truly magical. Quinn Tucker for Insomniac Events A Sonic Journey Worth Every Step The music lineup was a festivalgoer’s dream. Acts like Mochakk, Sidepiece, and Zeds Dead brought the house down with electrifying performances. Additionally, Channel Tres and Elderbrook stole the show with their incredible sets. The open layout of the stages allowed for a dynamic auditory experience, where the music flowed freely across the venue. That said, the spread-out stages did present a challenge; a 10-15 minute walk between performances was a reality for those eager to catch their favorite acts. Some technical hiccups, like muffled vocals during Nelly Furtado‘s performance and Wax Motif‘s mic issues, were noticeable, but they didn’t detract from the overall experience. The festival organizers did a commendable job with the stage setups, but a little more polish on the technical side would elevate future editions. Priscilla Rodriguez for Insomniac Events Talent One of the most unforgettable aspects of HARD Summer 2024 was the incredible lineup of musical talent that graced the stages. Even with a packed schedule, the moments I spent at each set were absolute highlights of the festival. Wax Motif delivered a high-energy performance that was made even more special by a surprise guest appearance from Ty Dolla $ign, sending the crowd into a frenzy. Elderbrook and Disclosure both brought their signature sounds, weaving a sonic tapestry that left everyone wanting more. Mochakk kept the energy high, and the Fisher + Chris Lake (Under Construction) set was pure perfection—hit after hit, keeping the vibes alive. Etari kicked off the festival with an exceptional opening set on day one, setting the tone for the weekend. Jamal Eid for Insomniac Events We even managed to make it to an after-party at Academy LA, where Sosa and Cloonee went b2b, delivering an experience that was nothing short of phenomenal. If they’re ever in town, I can’t recommend their performances enough. The newly added Jose Cuervo Locals Only Stage, along with the Boombox Art Car presented by Beatbox, were also standout additions, showcasing the vibrant local talent from Los Angeles. I caught sets from Cherry and Lechuga, who both impressed with their unique sounds. If you’re searching for new artists to follow, keep an ear out for them—they’re sure to make waves in the scene. Gina Joy for Insomniac Events A Stellar Debut Amid Noise Concerns While the festival was an overwhelming success, the loud beats and powerful bass didn’t go unnoticed by the surrounding community. Inglewood’s Mayor James Butts has already stated that future events at this location might face stricter regulations, especially after a surge of noise complaints. It’s a bittersweet note for HARD fans—this might have been the first and last time we experience HARD Summer at Hollywood Park. Despite this, the festival left an indelible mark on all who attended, and the memories will surely linger long after the echoes of the final bass drop fade. Final Thoughts: Hoping For A Return As a first-timer at HARD Summer, I was blown away by the sheer scale and energy of the festival. Additionaly, the urban environment added a fresh twist to the experience, and despite a few areas needing improvement, the weekend was nothing short of epic. Whether or not HARD Summer returns to Hollywood Park, one thing is certain—I’ll be back for more. Furthermore, here’s to hoping the stars align for another unforgettable chapter in the HARD Summer legacy. Lastly, for more information on all things HARD, be sure to check out their official website, here. Gina Joy for Insomniac Events Follow HARD Events: Instagram | Facebook | X | YouTube The post [Event Review] HARD Summer 2024: A Festival For The Books At Hollywood Park appeared first on EDMTunes.

That’s how it’s done. Tale Of Us are back for the usual Italian summer stop in Riccione with a set we were all waiting for. This time, the techno titans debuted on the newly opened Space Riccione. As expected they played a 2+ hours set, mixing classics and brand new tunes. They even dropped some never-played-before gems. Space Riccione is located in an area of the Italian Riviera which is intrinsically linked with electronic music history. Its open-air setting, composed by three dancing area, makes Space Rirccione the perfect settings for Tale Of Us. The massive LED wall, incredible light design, and crystal clear sound system made the experience even more enjoyable. We talked about LED walls so, you could think of the iconic Anyma’s and Afterlife visuals but, no, this time Tale Of Us went dark and deep. The giant dancefloor surrounded by vegetation and filled with palms made everything poetic. Like what happened some weeks before at the Freedom stage at Tomorrowland, the duo delivered a series of IDs and new music, including some brand-new MRAK material. The duo was not alone. Opening the night, Afterlife’s new wonderboy SCRIPT set the stage for a night that can’t even be told. This was one of the few chances you get to experience Tale Of Us in the dark and mysterious mood, without distracting visuals and festivals’ limitations. A club night for the clubbers. Next on the list for Space Riccione is Carl Cox’s Invites on the 14th of August. If you want to catch Tale Of Us, they are currently running Afterlife Residency at Hi Ibiza and they’ll bring their iconic party to Milan this September. More videos and photos are on our Instagram account. The post Tale Of Us brought dark techno back at Space Riccione appeared first on The Groove Cartel.

Available via his Semi Delicious imprint, the record is an effortless blend of classic influences with more forward-thinking elements Continue reading...

...and we're with it Continue reading...

Avicii’s hit single “Without You,” was released 8 years ago on August 11, 2017. The track stands out as a touching reflection on the themes of loss, resilience, and the enduring impact of relationships. The track features emotional vocals from Sandro Cavazza. It showcases Avicii’s signature blend of uplifting melodies and profound lyrical expression, encapsulating the essence of his musical legacy. It is one of the lead tracks released on his fourth and final album, “Avici (01) “. The track is a tribute to personal growth and the strength found in overcoming adversity. The lyrics convey a deep sense of longing, and the realization of how pivotal a person can be in shaping one’s journey. These emotions are taken to a deeper level by Avicii’s masterful production, which combines the driving beat with melodic hooks. The release of “Without You” also marks a significant point in Avicii’s career, serving as a reminder of his talent for crafting music that connects deeply with his listeners. It lives on as a testament to his ability to channel complex emotions into his work, creating songs that are as introspective as they are enjoyable. The infectious rhythm and compelling chorus make it both a dancefloor anthem and a heartfelt ballad. Overall, the track remains a powerful example of how music can capture the ambience of human experience, blending the heartfelt lyrics with an engaging musical backdrop. It continues to resonate with listeners, serving as a lasting reminder of Avicii’s impact on the world of music and the emotional depth he brought to his craft.

Unleashing a torrent of memories, Calvin Harris has delivered a new compilation album, 96 Months, that encapsulates the essence of his work over the past eight years. Aptly titled to reflect the time span it covers, the album brings together 17 tracks that have not only defined Harris' career, but also shaped the global dance music landscape. 96 Months is Harris' victory lap, featuring everything from chart-topping hits like "One Kiss" (with Dua Lipa) to the atmospheric groove of "How Deep Is Your Love" (with Disciples). The compilation doesn’t shy away from showcasing Harris’ knack for crafting anthems that resonate with millions, including the Rihanna-assisted "This Is What You Came For" and his recent collaboration with Ellie Goulding, "Free." With over nine billion streams in aggregate on Spotify, per Billboard, the tracks are a powerful testament to Harris' enduring influence and his uncanny ability to evolve his sound. The project also includes two tracks produced under his Love Regenerator moniker. Listen to 96 Months below and find the album on streaming services here. Follow Calvin Harris:X: x.com/calvinharris Instagram: instagram.com/calvinharris TikTok: tiktok.com/@calvinharris Facebook: facebook.com/calvinharris Spotify: spoti.fi/3mmhsk7

Ben Reid rode 148 miles from Manchester to Newcastle on a children's bike to raise awareness of the grassroots music crisis and fundraise for Cobalt Studios Continue reading...

He's sharing a range of accompanying technique tutorials on Instagram, too Continue reading...

Listen to the most flavour-packed tracks we discovered this week. Music makes the world go round. And in that regard, we’re constantly on the lookout for new, exciting tunes to share with our audience. We’ve found some that cause goosebumps, and make you open your eyes and get up from your chair to dance. So put on your best pair of headphones, or turn up your speakers, and enjoy this week’s New Music Friday. Here are our top picks for the best music we came across this week, in no particular order. And remember, if you would like to contact us for a chance to feature your track on our page, head over to this link right here. Amy Wiles – Here I Am Genre: Trance (Old-School) We had to give the first feature this week to Amy Wiles. Raised inside Anjuna HQ, she developed a unique sound which, initially a bit housier, now dares to go full-on Old School Trance mode. Recent sets from her and many of her singles have that spark of nostalgia we all know and love. This week, she presented her long-awaited ‘Here I Am‘, a track that portrays a minimalistic structure and feelings of yesteryear, in the best way possible. If you couldn’t hear this one live as an ID, now it’s your chance to sing along to it. Catch her at any of her upcoming shows all over the world. And don’t forget to turn on the repeat function in your listening platform of choice. Flowers On Monday & Erdi Irmak – Colors Genre: Organic House Three gigantic Organic House maestros collided today on Nick Warren’s esteemed imprint, The Soundgarden. A two-tracker that also includes a third remix, Flowers On Monday and Erdi Irmak released the Wild & Free EP, for a breath of lovely Organic, from those who know how to cook it to perfection. Of the tracks present, we’re in love with ‘Colors‘, the flipside to the title track. Groovily ambient, yet heavy on the melodies too, there’s something in this track that makes you feel at home, for a certain reason. It kind of hugs you. The arpeggios go up and down in comfortable circles, and the bass peeks over to the higher registres every now and then. Everything weaves together seamlessly. Seizmic – Better Days Genre: Progressive House UK-based Progressive House duo Seizmic also released a tune today. Making a name for themselves in a niche as crowded as Progressive House itself, the boys’ trademark is their blend of cutting-edge production with the iconic sounds of the earlier stages of the genre. This has yielded a recognisable identity, which can be seen on today’s release. ‘Better Days‘ is their latest belter, influenced by artists like Yotto and Eric Prydz. The track has a smart, elegant groove built with warm short leads and a catchy round of percussion, and over said bed of groove lies the core sound of Progressive: hypnotic melodies, arpeggios, and tons of tension-release games. Are you a producer and you want your song featured on EDMTunes? Follow this link right here. Durante – Ancora (Totally Enormous Extinct Dinosaurs Remix) Genre: Deep House Okay, we’ll admit we’re half-cheating with this one, but it’s so good we jus can’t let it go. Durante‘s debut album Enter just got refreshed in the form of the Enter (Remixed) product, a collection of reimagined takes of the tracks originally making up the LP. Among which, comes this absolute floor killer. The renowned producer Totally Enormous Extinct Dinosaurs (TEED for short) reworked ‘Ancora‘, an already powerful track, but somehow, we don’t know how, took it to the next level. Literally one kick in, you’ll already feel the irresistible nature of TEED’s remix. It’s dry, super sharp, and frankly one of the tastiest tunes we’ve heard in a while. Purple Disco Machine – Beat Fantasy Genre: Deep House GRAMMY award-winning producer Purple Disco Machine returned this week with a new single titled ‘Beat Fantasy‘. To be honest with you, it showcases the signature PDM aesthetic in all its glory. Yes, the hard-hitting one-man Disco army continues to slay with his infectious sound elevated by choir-like harmonies. The track carries the same catchy melody that repeats throughout the entire way as you listen. His jumpy bassline keeps your body grooving as you reach for your sunglasses and rock out all summer long. What’s more, the famous vocal sample “Let the beat control your body” echoes in your ears, builds anticipation, hypnotizing you into a disco frenzy, as the beat explodes into a euphoric synth-driven drop. MUST DIE! – The Light Genre: Trapstep, Dubstep Bass star MUST DIE! is back to obliterate the senses with his latest sonic assault, ‘The Light,’ released on Kannibalen Records. Following his label debut ‘Frequency Knife,’ he once again delivers a mind-melting anthem that demands to be heard. From the outset, ‘The Light’ is a dark and ominous journey into the depths of the unknown. MUST DIE!’s signature blend of cinematic atmosphere and bone-shattering basslines creates an immersive experience that transports listeners to another dimension. The track builds with a relentless intensity, culminating in a colossal drop that explodes into a chaotic burst of sound. Final Words Stay tuned, for more of our compilations every Friday — based on demand. Are you a producer and you’d like to be featured in the next edition of our New Music Fridays? Then head over to this link right here, you champ. And be sure to follow EDMTunes for all the latest news and reviews that revolve around our beloved Electronic Dance Music! The post EDMTunes New Music Friday – Week 32 appeared first on EDMTunes.

Get ready for that one anthem which will ignite your Friday. Summer just got a whole lot cooler. Out today is the unexpected, yet highly successful pairing of Shallou and Night Tales. The three minds have cooked up a Disco House gem titled ‘I Just Wanted to Dance‘, and it is a sneak peek into Shallou’s forthcoming EP, 24, summer. The project will be a retrospective of the music he made this summer, inspired by the feelings of the season. Hailing from Washington, D.C., and now based in Los Angeles, Shallou has become a Dance luminary. From humble dorm room beginnings, he’s graced stages like Coachella and Lollapalooza, collaborating with artists like Daya, Elderbrook, and Bob Moses. His music is a blend of heart-wrenching vocals and infectious House beats. Over on the other side of the collab, Night Tales, the duo with a global fanbase, bring a fresh perspective to Electronic music. Their sound has captivated audiences worldwide. After their debut album, Proof, and hits like ‘Only If‘, they’ve headlined festivals, toured Europe, and even made their Coachella debut. Night Tales and Shallou. Credit: @jamesrudman on IG ‘I Just Wanted to Dance’ Melting together sonic influences from the 70s with a feel-good, piano-driven bassline, this Disco House anthem invites its audience on an imaginative and exploratory adventure as both artists depart from their signature sound. The track does a great job of pairing yesteryear’s nostalgic sounds with today’s production techniques. Carefree, energetic, and unforgettable. ‘I Just Wanted to Dance‘ is the beginning of what promises to be a hot summer for both artists. Shallou commented he and Night Tales had met up to brainstorm some ideas. They had created a track that combined their styles well, but with the session winding down, he was tired and unsure if they would produce anything further. However, he started experimenting with piano and gospel vocals, and together they developed a simple drop with vocal chops and House grooves. “This type of song is a little outside both mine and Night Tales’ wheelhouse, but we are both super influenced by old school house and agreed that this track captures that feeling.” -Shallou Whereas Night Tales admit, “We wanted to make a Dance track that would unite people together without the allure of deep, lyric-heavy vocals. Our goal is for listeners to feel the intention immediately, through the sonic atmosphere and instrumentation, allowing themselves to get lost in feeling“. Listen to Shallou and Night Tales‘ sublime ‘I Just Wanted to Dance’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Shallou And Night Tales Release Conjoint Banger, ‘I Just Wanted to Dance’ appeared first on EDMTunes.

If you’ve kept a keen eye on line-ups this summer you’ll have seen the DJ/MC combo of Hoax and PVC. Off the back of their collaborations ‘Sekkle’ and ‘Spark It’ the pair are bringing their partnership to the dance. Looking ahead, Hoax and PVC are primed for an explosive future, with multiple collaborations in the pipeline and a series of live performances set to light up festival stages across the UK and beyond. We decided to let the lads do the legwork and ask each other the questions in this b2b interview. How are you doing? What have you been up to? PVC: I’ve been good just a lot of working, a lot of making music, obviously working with Hoax. I’ve been trying to get on the drum and bass side a bit more- practising and producing really. Producing as well? PVC: Yeah, you have to understand the knowledge of everything to appreciate the producer side of things when you get into a studio, so you can add your bit. I’m trying to hone my own drum and bass sound at the moment. Hoax: I’ve been the same really, been producing. Travelling between London and Bristol and getting in the studio with people. I went down to Brighton a little while back to work with Unglued which was good fun. I stayed over at his with his young kids and his fiance which was really nice. Me and him played the Hospitality In The Woods warm-up and we tied it into the same trip. We’re in the midst of festival season now, It’s my first year of really playing loads of festivals, which is fun. How did you meet each other? Hoax: The first tune we ever did together came out on Hospital, it was actually on Anaïs’ mixtape. But it was an instrumental. I wanted to get an MC on it and I really wanted PVC. We’d never actually spoken before. I’d messaged him a couple of times and he didn’t ever get back to me, he just kept looking and ignoring me… I mean, I get it, when you get thousands of tracks in your inbox, you can just miss stuff. Or he just didn’t bother replying. Haha! I was working with Onyx Recordings at the time, so I said to Chris who runs the label ‘Please, can you just message him from the Onyx account? Because you’ve got 20K that he might actually notice it.” And then he did notice it. The rest is history we met up and just hit it off. We’ve made a few tunes together now. PVC: Lesson of the story, always check your message request folder Hoax: Exactly. You never know what’s in there. I don’t think either of us knew that all this would happen off the back of that one tune. Neither of us thought we’d be working with Hospital off the back of it. What’s it like to work with Hospital Records? Hoax: They’re fantastic. It’s so nice because you’ve got the directors who are great. And then you’ve got the actual bulk of the team who are all people much a similar age to me, with their finger on the pulse. They’re all great. I love working with them Tell us about your latest release… Hoax: ‘Spark It’. It’s a sort of a deep rumbler- it’s a heavy bass tune all tied together with Ryan’s great vocals. PVC: You sent it to me and the lyrics came straight away. Whereas, sometimes I can sit on tunes for months and not get a rough idea until maybe the producer sends me an improved version or something. Hoax: Really? You’re such a quick writer, which really helps. I fire you an idea and by the end of the day, you’ll have a verse, chorus a hook and everything all written out and sent back and recorded. So thanks! Your vocals are some of the easiest to process. So I can just slam them and get them in really easily. PVC: Sometimes it’s that. It depends on the tune. Every time you send me a tune. It’s been like, “Okay cool, this is something I can just do.” It flows easily. You’re production definitely helps. Is this an ongoing collaborative relationship, have you got more in the works? Hoax: We’ve got a couple of tracks we’re currently working on and we’re doing a lot of live sets together this summer with Ryan on the mic hosting and me on the decks. We’ve had Brigton and Hospitality On The Beach, and we’ve some big ones coming up that we can’t quite mention yet. Ready to take over your interview? PVC: I’ll start, who’s your biggest influence right now and has it changed? Hoax: If I had to think around the full spectrum of drum and bass in terms of everything that inspires me- it would be someone like Break, he has probably been my longest-standing inspiration. He nails all the pillars; he has the bass, the soulful side, the heavy side and the really tight mixdown and clean mastering. His tunes are just great and his live sets are brilliant he’s probably my biggest inspiration of all time. It hasn’t changed because he’s been in the game for so long. I think a lot of people would have a similar answer, to be honest. He seems to be one of the most well-respected people in the scene. Hoax: My turn, what was your favourite cartoon growing up? PVC: I was a proper Cartoon Network kid so it was Ed, Edd and Eddy, Powerpuff Girls, Dexter’s Lab. Now it’s probably American Dad. I’ve got the tattoos on my legs to prove it. UKF : What characters have you got? PVC: I’ve got Roger dressed as Cupid. UKF: Roger for the win… Hoax: I loved Scooby-Doo, I used to love Sponge Bob. PVC: What’s your best festival memory? Hoax: They all seem to happen at Boomtown which is standard really, but there’s one last year that stands out. There was a mud pit in the middle of the Origin crowd and there was just this guy with a fish mask on and then another guy with a fishing rod. The fishing rod guy was passing the fish guy who was flapping along in the mud. I remember thinking “This is very Boomtown!” But the best memories are things like seeing High Contrast. He always just plays great sets and always hits you in the feels. PVC: There’s always a lot of stuff that happens. I remember coming back from Reading once, I got separated from my pals and I missed the last train home. Everything was closed and empty, I just fell asleep at the station- everybody left me. Then one of the cleaners from the station was like “Hey, it’s gonna close but do you want to go to sleep in the office?” So he let me sleep in the office and woke me up when the trains started. I had all my belongings and stuff and he put me up for the night. Hoax: That’s so funny! Next question- What’s one tune that you’ve had on your USB since you started DJing that you still play now? PVC: I always manage to creep in Bicep– ‘Glue’. Especially if I’m playing day sets. Because again, it gets you in the feels and that can create the best memories. Other than that Wookie ‘Battle’, is probably the one that I play in every one of my garage sets. I love Wookie and that kind of era for me was special for UKG and it’s what I base my sets around. PVC: What about you? Hoax: One that’s always been in my sets is Shy FX ‘Cloud 9’ just because… If I had to go back to the other answer about the biggest inspiration, it has to be Shy FX as well because he is the daddy, he’s the king of writing songs that everyone can relate to. PVC: What’s your go-to meal deal? Hoax: I like a wrap over a sandwich, so maybe a Chicken Caesar wrap. If it had to be a sandwich probably again- a chicken sandwich or some sort of chicken salad. I really like Squares crisps; the salt and vinegar ones and a smoothie or a little ice tea. PVC: Always Sweet Chilli Walkers for me with a Chicken, Bacon and Stuffing sandwich and I have a milkshake or a Fanta. Hoax: What’s the best show that you can remember playing? PVC: Everything recently has come about so fast so it’s felt like I’ve been dropped into certain situations that are massive ticks off the bucket list. So it’s a really tough choice. I would say the closing party at Printworks with TQD is something I’ll remember forever. Then maybe the Drumsheds set for Craig David or playing with 24hr Garage Girls. Playing to that many people was just something I’d never experienced having that as a first-time experience was humbling and I wanted to happen more. Now we’ve linked up and are doing things all around the world, there’s gonna be plenty more memories to come and things to look forward to. Hoax: My favourite show that I’ve played so far might be my Thursday night set on Olive Grove at Hospitality On The Beach this year. The vibe was incredible and I really got into the flow and dug deep for some tunes I hadn’t played in a while, which was really refreshing. I also have to mention my Arcadia set at Glastonbury as the stage was just incredible – definitely a bucket list moment for me to be able to play on the dragonfly and it was great fun going b2b with Anaïs and Unglued. PVC: If you could only use three plugins for the rest of your life, what would they be? Hoax: I use Serum on every tune its my go-to since I can use it for all my synth needs and I use a lot of stock Ableton stuff. Then it would have to be Pro Q3 as an EQ- it’s such a boring answer but it’s just such a great EQ and I wouldn’t want to use any other. Hoax: And what about you? PVC: Serum always. Just because you can make anything out of it. I’d have to do UAD Neve Preamp for my mic, it makes everything sound crisp. Before I send anything off I always Preamp… Hoax: The secret sauce, is it? PVC: Everybody’s… And then, I don’t know- it’s between Nectar and Sausage Fattener- which is completely different, but I need one. Hoax: I can’t believe that plug-in is a real thing, I’ve not got it on my new laptop. I need to get it again… A sausage fattener just makes everything a little bit better. Hoax: What’s your favourite thing about your hometown that you want to big up to everyone else? PVC: I grew up in Croydon, but I would happily call Brighton my hometown because I’ve lived here nearly half my life and it’s been so good to me. It’s done me so well, not just in my surroundings but mentally and physically- I feel so much better being by the sea. Brighton can be a hub to everywhere else in my eyes. It just has a certain vibe that everybody carries. It’s just so good for what I want to do and what I want to be. For performers and musicians everybody so friendly and accepting and it’s a vibe. There isn’t a single bad vibe down here at all. Hoax: And it’s always like that. I love it, every time I’ve been there I’ve had a good time. My hometown is Bristol. It’s probably the hometown of half of the bass producers in the country. And for that reason, it is great because you’re surrounded by like-minded people. Although it can get a bit saturated sometimes, everyone and their mum is a drum and bass producer or DJ. Which is great though, because it means collaborating and meeting people, especially in the early stages of your career is really easy. In the summer it’s great for day raves. You’re close to South Wales if you want to get out of the noise for a bit. There are probably a million articles about why Bristol is good for drum and bass, so I won’t bore you with the details. I’m originally from Devon which is quite the opposite really, there’s a big free party scene down there which is good fun, but, I haven’t looked back since moving to Bristol. I love it.

If you’ve ever attended Tomorrowland, you were likely greeted by a gentle floral fragrance as you entered the festival grounds or camped in Dreamville. Now, that signature scent has been bottled for everyone to enjoy as Tomorrowland introduces its own perfume, Elixir of Life. Originally inspired by the 2016 festival theme, this fragrance transports you right back to Tomorrowland’s enchanting atmosphere. Elixir of Life captures the natural beauty of Belgium’s De Schorre landscape, with the crisp scent of juicy pear, the tartness of tangy cassis, and the freshness of green grass. These fragrances evoke the vibrant ambiance of the festival’s rolling hills. As the scent continues, earthy crumpled green leaves, delicate gardenia, and lily of the valley emerge, bringing a sense of tranquility and elegance. Moss and musk provide a rich, warm foundation. Housed in a 100ml bottle straight out of a fairy tale, the fragrance is encased in antique gold framing, with green sea glass and a blooming red rose cap, making it as enchanting as the scent itself. Tomorrowland is a global phenomenon, uniting people from diverse backgrounds through the universal language of Electronic Dance music. Every summer, it welcomes 400,000 visitors from over 200 countries, celebrating music across more than 16 stages. In honor of Tomorrowland’s 20th anniversary, the festival introduced the Elixir of Life stage at the 2024 event, seamlessly connecting the new fragrance with the festival’s immersive experience. Adorned with lush foliage and fantastical elements, the stage reflected the mythical realm of Silvyra, further enhancing the festival’s tradition of blending music with elaborate storytelling and visual artistry. For $139 USD, Elixir of Life provides the opportunity to relive your Tomorrowland memories and carry a piece of its magic with you, wherever you go. Get it at store.tomorrowland.com. The post Tomorrowland Bottles The Magic Of Its Signature Fragrance, ‘Elixir of Life’ appeared first on EDMTunes.

Effervescent producer/DJ/singer-songwriter duo Eli & Fur unveil ‘Love Again’, in collaboration with Hugo Cantarra and Richard Judge. The next intoxicating single off their highly-anticipated album, Dreamscapes. ‘Love Again’ Immediately enveloping listeners in a celestial soundscape that is equal parts euphoric andenergizing, ‘Love Again’ begins as a whisper of endless possibilities. It captures the exhilarating trepidation of the unknown. Soft, airy synths intertwine with gentle, uplifting beats. Moreover, the unwinding of the track effortlessly mimics the rhythmic elevation of a rising heartbeat. It makes you unsure yet excited by the anticipation of the adventure that reverberates just beyond the horizon. The duo reflected on the single: “’Love Again’ is a collaboration with super talented producers and writers Hugo Cantarra and Richard Judge. This track is one that has been connecting on the dancefloor so beautifully and we have been dying to get it out into the world“. “For us the song encapsulates that feeling of being free and inspires, endless possibilities, dancing and letting go. Our favorite memories of this track are the reactions when we play it out, to see people singing the words to an unreleased track really fills us with joy. We are so happy to finally share this one with the world.” Eli & Fur Richard Judge Richard Judge is a British singer, songwriter & DJ from London. Once an Indie band frontman, Judge turned his attention to the Dance world. Ever since, he has collaborated with some of its biggest names. These include Kungs, Benny Benassi, Roger Sanchez, and Korolova, to name just a few. His most recent collaboration with Eli & Fur ‘Halo’ received huge support as Radio 1’s “Party Starter” and KISS FM’s “Fresh Off The Press.” Their follow-up together comes in the form of ‘Love Again’. Hugo Cantarra Hugo Cantarra is a London-based French DJ/producer who lives and breathes the culture of Dance music. He has become a staple in the Melodic House scene over the recent years. For example, he has accumulated 36 million streams, and 1.5 million Shazams. Another milestone of his is being an official remixer for Gorgon City, Technotronic, Acraze, Danny Howard and so on. His remixes and productions have been supported by the likes of Bedouin, Tripolism, WhoMadeWho, Korolova, and MK to say a few. Plus rotations on radios like SiriusXM, KissFM UK and a resident slot on Radio FG. He has upcoming singles coming with Ross Quinn, Skylar Grey, Blue Hawaii, Blythe, and Koates, among others. He also has multiple club releases coming on Camelphat, Adriatique, and BLOND:ISH’s labels this year. Dreamscapes Arriving on September 27th on [PIAS] Électronique, ‘Dreamscapes’ will invite listeners on an explorative odyssey into the next evolution of their sound, revealing their most authentic expression to date. The sophomore album by the London-born, LA-based duo, unfolds itself in the introspective, yet transformative spaces that come alive between the hours of dusk and dawn. In this nocturnal interlude, the veil between self and surroundings grows thin and time suddenly stands still. As the outside world fades away a sense of solace and sanctuary sets in, opening the door for the ordinary to give way to the extraordinary. An electrifying opus that tempts the intricate interplay of thoughts and emotions, Dreamscapes is a 15-track homage to the cathartic musings of our most solitary wanderings of all corners of the night and the flashes in between. We have always loved Eli & Fur but now, we will ‘Love Again’ even harder: The post Sonic-Platonic Soulmates Eli & Fur Release Long-Awaited ‘Love Again’ appeared first on EDMTunes.

Trance tends to be extremely nostalgic and euphoric. That’s why we love it! And you’re really going to enjoy Ben Gold and Bo Bruce‘s newest collaboration. Their newest track ‘Half Light’ is now available through Armada Music and it channels the original ethos of the label through incredible feelings one can hear throughout the track. Time to light it up! ‘Half Light’ Highly anticipated by Trance fans all over the world since its premiere at A State of Trance in Rotterdam, Ben Gold and Bo Bruce’s high-magnitude collaboration is one in a million. Intermixing the Amsterdam-based DJ and producer’s timeless and euphoric trademark sound with the crystalline vocals of English singer-songwriter Bo Bryce, ‘Half Light’ is a vocal banger beyond fans’ wildest dreams. The track has extremely moving sounds from earlier Trance tracks from the ’90s and ’00s. However, the melodies are transcendental, therefore they are timeless and appeal to the present. Bo’s vocals wallow throughout the track. Furthermore, the buildups with the high energy synths result in a massive blast of emotions. The song transports you through joyous soundscapes that will hypnotize you all night. More of Ben Gold The Dutch DJ and producer is nothing short of amazing. One of Armada Music’s strongest contenders, Ben Gold continuously graces Trance Stages all over the World. From Ultra Music Festival Miami to Creamfields UK, the DJ delivers his beautiful sounds through incredible craftmanship. One of his highest achievements includes creating the A State of Trance Anthem in 2016. Moreover, multiple DJs have supported Ben Gold throughout his career, including Markus Schulz, Armin van Buuren, Aly & Fila, and Ferry Corsten. Ben will continue touring most of the UK for the last leg of the summer, and he will make some appearances for Dreamstate in the US. (source) More of Bo Bruce The British singer-songwriter has always been a competitive soul, becoming a runner-up on BBC’s The Voice back in 2012. The achievement paid off, as it catapulted her into massive collabs within the Trance circuit. She has collaborated with heavyweights such as Bryan Kearney, Gareth Emery, and Paul van Dyk. Thus, her trajectory continues to grow as her vocals carry her heart and soul. She also has a duo project with Henry Zero7 called Equador, which has reached over 1 million streams on Spotify. (source) In a world filled with darkness, even a ‘Half Light’ shines the brightest. The post Ben Gold Showcases Radiance With New Track ‘Half Light’ appeared first on EDMTunes.

Imagine the leaves on the trees are rustling and reaching out as you walk through a technicolor dreamland of vibrant golds and lush greens. That's where Nora En Pure takes you with her new single, "Hyperreal (Middle of the Night)," featuring Robinson. The influential deep house producer is beloved for her organic, celestial soundscapes, which reappear more entrancing than ever. At its start, the track features clear, soaring vocals that explore the need to belong, which then seem to be made insignificant by a spiritual call from nature. The beat then picks up in lockstep with the optimism of the lyrics, leading to a paradisiacal drop. The track ultimately leaves us with a a sense of rejuvenation, reminiscent of a journey well-traveled. Until now, the South Africa-born producer had only played "Hyperreal (Middle of the Night)" in her famously majestic performances and Purified Radio show. Out now on Big Beat Records, the track comes amid a busy touring schedule, which will bring her across the world from the US to East Africa to Switzerland and back. Listen to the single below and find it on your favorite streaming platform here. Follow Nora En Pure:X: x.com/noraenpure Instagram: instagram.com/noraenpure Facebook: facebook.com/noraenpure Spotify: spoti.fi/3hppwf6

One might consider Zedd the Willy Wonka of the electronic music scene after the DJ partnered with 5 Gum to host a scavenger hunt to find the golden (or in this case, glowing) tickets to an exclusive rave. The secretive, intimate rave will be held on August 22nd inside a New York City bodega, giving searchers just under two weeks to hunt. To find its secret location, fans will have to follow a series of hints shared on 5 Gum and Zedd's social media channels as well as "decipher clues hidden in plain sight," according to a press release. The first 25 people to figure out the intimate venue must visit the bodega in advance to receive a glow-in-the-dark pack of 5 Gum, which will double as their ticket. "I love to deliver the unexpected at my shows, and performing at what will be one of my most intimate and unique venues yet—an actual New York City bodega—certainly aligns with that," Zedd said. "Partnering with 5 Gum to deliver this amazing experience will definitely be one for the books." 5 Gum Ahead of their miniature rave, 5 Gum called the bodega "Zedd's smallest venue ever." The superstar DJ and producer said he'll play new music from Telos, his first album in nearly a decade, which is scheduled to release on August 30th. "We know that 5 Gum and Zedd fans alike are known to embrace the thrill of a new adventure, so what better way to do that than getting the chance to be one of the few to uncover and attend such an intimate, unforgettable experience with a world-renowned DJ," added Maria Urista, Vice President, Gum & Mints at Mars. As for hopeful fans who don't secure one of the 25 tickets, there's still a chance of winning $500 for tickets to spend on Zedd's upcoming tour or event merchandise. The drawing will start on 5 Gum's website August 26th before wrapping on September 6th. The event will follow the release of Zedd's new single "Lucky," a fittingly named track for those in search of the rare tickets. The song, which Zedd dropped today, features rising singer-songwriter Remi Wolf. Take a listen below and find it on streaming platforms here. Follow Zedd:X: x.com/zedd Instagram: instagram.com/zedd TikTok: tiktok.com/@zedd Facebook: facebook.com/zedd Spotify: spoti.fi/2CoYpk2