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'Intermezzo Tre' blends EBM, techno and trance with more soft offerings of ambient and downtempo Continue reading...

"Practising and mastering the new has brought me a broader, more sophisticated panorama in my artistic decisions. They’ve opened doors and introduced new approaches" Continue reading...

Every so often, a vocalist emerges at the forefront of the dance music scene, where he or she evolves into a cultural icon. If it’s not John Martin, Dylan Matthew, or Becky Hill, it’s Liverpool-bred vocal powerhouse Hayla, whose debut solo album, DUSK, has freshly landed. Primarily known for her topline contributions on world-renowned dance records, namely John Summit‘s “Where You Are,” Sub Focus‘ “I Found You,” and, more recently, MEDUZA‘s “Another World,” among others, Hayla, born Hayley Williams, has rapidly risen the ranks as a front-running singer/songwriter in modern electronic music. Riding the wave of her explosive success, Hayla’s debut album marks an independent path forward for the UK singer, performer, musician, and now, music producer. Before its November 1 delivery, six of DUSK‘s album inclusions arrived as early-release singles. “Treading Water,” written and produced alongside Andy Sheldrake and Oliver Reed, materialized as the album’s first one-off preview in August 2022. Two months later, Andy Sheldrake-assisted “Unfold” hit digital stores as a sonic metaphor about “people’s perception of others as if they were a piece of art.” In 2023, Hayla piggybacked on the seismic upheaval achieved by “Where You Are” with the release of “Fall Again,” co-produced by Owen Jones, Ross Walsh & Alex Tepper, before issuing the final two album previews, “Freefall” and “Only I,” in 2024. Like most artists, Hayla enlisted songwriting and production support from respected industry tastemakers during the creation of DUSK. With that said, she took on the grand feat of producing the project’s title track, the last on the album, all on her own. “I was incredibly nervous about putting [‘DUSK’] on the album,” the producer revealed, adding, “I used to be incredibly nervous as a performer, feeling shy singing in front of people… Putting out ‘DUSK’ was sort of a ‘feel the fear and do it anyway’ kind of thing. I’ve always been in awe of producers, and I would love to be able to say that I’ll produce more in the future now that I’ve done this. It’s a completely ambient and experimental piece, and it doesn’t have any lyrics.” Distinguished by swelling pads, layered background vocals, and a bouncy synth topline, “DUSK” caps the album as an authentic resemblance of Hayla’s musicianship and taste-making abilities, “I wanted to throw myself into the deep end, and I’m really happy that I did.” DUSK consists of ten tracks—ten tracks starring, not featuring, Hayla. The UK singer hopes her solo project will appeal to fans of her celebrated collaborations while also showcasing a more vulnerable side of her artistry, “I think I’ve managed to balance the sound and energy from my collaborations with this other side of me,” she explains. “I’m hoping audiences don’t feel alienated from who I am, and what I’d been doing with other artists, because that’s a big part of me as well.” She elaborates, “I’ve always enjoyed electronica, UKG, some more ambient styles, and then there’s a side of me that’s lower tempo, kind of more diary-inspired songwriting… I tried to make this album a nice mixture.” Hayla’s innate knack for songwriting pins her as much more than an EDM topliner, bolstering her credibility in a predominantly male-dominated scene. “It feels amazing to be earning these kinds of accolades in a male dominated genre,” says Hayla, who clinched two Electronic Dance Music Awards for “Vocalist Of The Year” and “Dance Song Of The Year” in 2024. Coming from a “band background,” Hayla’s fleshed out dance records can all be completely stripped back, an example being her 2018-released acoustic rendition of “I Need,” originally produced by UK drum-and-bass artist Wilkinson. “Storytelling within dance music is definitely becoming a lot more prevalent. Most of the songs I write start on a piano and would work as a stripped back piece. If you removed the production from most of the tracks that I’m on, you could hear it in a wine bar, you know?” On December 4th, Hayla will perform her first headline show at Los Angeles’ famed The Roxy Theatre. “It’s going to be a fun evening,” Hayla remarks. Attendees might expect some special arrangements of songs from Hayla’s esteemed repertoire. They also might expect the availability of exclusive vinyl copies of a certain debut album, “Yes, there might be some vinyl, potentially, for some people who turn up. I will reveal more about that soon.” “I just can’t wait to get out there. It’s going to be a mixture of songs from the album, songs that people may have heard before, songs that I’ve released as well as some that I haven’t… I’m really excited for people to hear the new ones live, and of course I’m excited to sing along with the ones that everybody knows.” With the release of her debut album, Hayla is postured to elevate even beyond her famous features come 2025. Buy tickets to Hayla’s upcoming headline show in LA here, listen—for the first time—to the recorded Dancing Astronaut Hayla interview here, and be sure to stream DUSK, in its entirety, below. Dancing Astronaut · Dancing Astronaut Presents: HAYLA [#001] The post More than a feature—How Hayla’s ‘DUSK’ redefines her artistic identity [Interview] appeared first on Dancing Astronaut.

Last weekend, Ignite Group’s Twilight Harbor Festival transformed the Duggal Greenhouse into a mesmerizing realm of electronic music and Halloween spookies. Headlined by Dimitri Vegas, the event was a sensory overload of high hitting beats, dazzling visuals, and a spooky atmosphere. Duggal Greenhouse, a breathtaking industrial space, was adorned with eerie decorations and state-of-the-art lighting, creating the venue into a Halloween festive party. In addition to photo ops, there was also a haunted house that attendees could check out. There was also a complimentary food festival featuring a diverse range of culinary delights, and even a live tuna cutting! Starting off the night, Bassjackers, the dynamic duo known for their hard-hitting basslines and energetic performances, fired up the crowd with their high-octane set. Tracks like ‘All Around the World’ and ‘Bla Bla Bla’ had the audience jumping and cheering, as their signature blend of big room and electro house filled the air. They also performed their latest track ‘Wake the F Up’ which features an alarm clock intro which got everyone a bit confused in the first few seconds but got them all exploding in cheers once the track dropped. It definitely set the tone for the rest of the night. As the night progressed, Dimitri Vegas took the stage in his Spider man suit, captivating the crowd with his signature blend of high-energy tracks and big room sounds. The setlist was a carefully curated journey through the realms of big room, techno, progressive, and techno. Dimitri’s seamless mixing and track selection showcased not only his technical prowess but also his ability to read the crowd and keep them engaged. The energy was constant and nonstop pumping throughout the performance. My personal favorite track of the night is his track ‘Thank You (Not So Bad)’ with Tiesto. For those wanting to continue the party, Ignite Group has a few more shows coming up with R3HAB, and TJR on November 2nd and William Black on November 3rd. Check out the full lineup below. The post Dimitri Vegas Lights Up Duggal Greenhouse with Sold Out Show appeared first on EDMTunes.

DJ and Producer Cody Chase makes his debut on the No Definition label with the release of his latest Tech House single ‘Lift Me Up’. Known for his seamless blend of House and Techno, Cody Chase brings a fresh and balanced approach to this new track, intertwining the nostalgic essence of 1990s House music with contemporary production techniques. As he puts forward a track primed for dancefloors, Cody Chase brings his signature sound into the spotlight, highlighting his approach and creativity with a release that is both high in energy and original in sound. Cody Chase’s background as a live DJ, having gained experience performing his 4-deck live-mixing on stages around the USA and beyond, including at venues like The Fillmore, Pacha, and Superior Ingredients, continues to give way to polished-sounding productions. As ‘Lift Me Up’ comes as the latest example of this, Cody Chase keeps his momentum high, continuing to build on his trajectory that has so far seen industry giants like Tiësto, David Guetta, Benny Benassi and R3HAB offer their support for his music. With the track showcasing his signature style, inviting listeners on a journey through its unique sound and detailed arrangement, Cody Chase brings yet another innovative production to his fans, appearing to uphold his commitment to pushing boundaries as he adds more music to his ever-growing catalogue of work. Reviving a classic House vocal, ‘Lift Me Up’ offers the anthemic vibes of club-ready music while staying true to Cody Chase’s distinct bass-heavy approach. With its solid rhythmic foundation of a pounding bassline and infectious groove, the arrangement weaves in gritty synths, bouncy melodies, and dynamic sonic hits, keeping the soundscape building as filtered vocal lines join, ensuring the track maintains its high energy. The use of crisp percussion, underlying pads, and uplifting progressions keeps the momentum moving forward, with the intensity continuing to rise at the breakdown and hard-hitting drop, culminating in a track that is both engaging and energetic. With his production skills on display, coupled with his innovative signature style, ‘Lift Me Up’ further establishes Cody Chase’s reputation for producing unique, impactful tracks, offering fans and new listeners alike more refreshing music to discover. So, out now via No Definition, dive into ‘Lift Me Up,’ available to stream and download across all major platforms today, and keep up-to-date with Cody Chase’s news, projects and releases by following his journey via social media. Cody Chase Online   Website | Instagram | Soundcloud   No Definition Online   Beatport | Instagram

London-based DJ and Producer IND:RA teams up with Cruel But Fair for his latest Melodic House & Techno single, ‘Rebel’, released through his label, Desert Disco Records. Infusing a driving rhythm with expressive vocal lines and captivating motifs, this release captures IND:RA’s signature style while introducing fresh nuances through the unique influence of Cruel But Fair. Committed to his artistic vision and to uplifting the broader Electronic Music scene, IND:RA continues to push boundaries; from creating innovative productions to captivating live performances, hosting his radio show ‘RE:SET Radio,’ or leading his label Desert Disco Records, his multifaceted journey reflects his dedication to leaving a mark, and with every new release, IND:RA showcases a sonic identity that stands out, and ‘Rebel’ is no exception, reaffirming his creative spirit. In this latest collaboration with Cruel But Fair, IND:RA expands his sonic horizons, adding a new dimension to his catalogue. ‘Rebel’ unfolds as a deep and immersive soundscape, blending powerful beats, pulsating basslines, and captivating vocal hooks. As the track intensifies, layers of dynamic energy and suspenseful sound emerge, weaving in punchy leads, rhythmic arpeggiators, and ethereal pads, the breakdown highlights the vocals, steering the progression as atmospheric textures and striking synths join the mix. The momentum of the track is maintained, keeping listeners enthralled as ‘Rebel’ continues to evolve seamlessly until its conclusion. The collaboration draws on the rich backstory of Cruel But Fair’s track ‘Bruno’ that was used in the production of ‘Rebel;’ about this song the band members, Simon, Nigel and Mark said:“Nigel spent some time in Hamburg, and it inspired ‘Bruno’, which is from Cruel But Fair’s album Altona. It’s about Bruno Tesch, who was a plumber and a leader of a counter demonstration against a march by Nazis through Altona, a working-class district of Hamburg in 1932. 18 people were shot dead by the police and many more injured. Bruno and the other leaders were falsely convicted and executed the following year after a ‘show trial.’ Simon thought ALTONA was a strong image, the theme inspired a few songs on the album, and we think the theme resonates today.” With ‘Rebel’, IND:RA and Cruel But Fair deliver a track that embodies their creative synergy, offering an uniquely crafted fusion of their distinctive musical styles, so don’t forget to follow both artists on social media to stay in the loop about their future releases, live performances, and more exciting projects on the horizon. ‘Rebel’ is out now on Desert Disco Records, available for streaming and download on all major platforms. Listen and Buy ‘Rebel’ Now and purchase here. IND:RA Online Soundcloud | Instagram Cruel But Fair Online Instagram | Beatport

'Forever Held' was created in collaboration with Ólafur Arnalds and is inspired by “love letters from Earth to space” Continue reading...

When it comes to the most influential artists in the electronic dance music world, very few can rival the impact that Fritz Kalkbrenner has had on dancefloors worldwide. With multiple albums and hits to his name, it’s undeniable that whenever he appears on our new music feeds, we’re in for something special. That is exactly the case today as he unveils his brand-new album, ‘Third Place’. This full-length album merges Fritz Kalkbrenner’s signature soulful vocals with driving, rhythmic productions, resulting in what promises to be one of his most captivating works to date. Building on the success of his Gold and Platinum-certified hits, ‘Third Place’ delves even deeper into the emotional and sonic landscapes that have established Kalkbrenner as a key figure in global electronic music. Balancing introspective moods with the pulse of the dancefloor, ‘Third Place’ showcases Fritz Kalkbrenner at his best. As expected from a Fritz Kalkbrenner album, ‘Third Place’ explores fresh territory, touching on house, techno, breakbeat, and dance-pop, crafting a seamless balance between euphoric highs and introspective moments. Drawing inspiration from the sociological concept of “the third place”—those special spaces where creativity and community come together—the album embodies the freedom and emotional release found in clubs and other shared spaces. Here, music becomes not only a powerful catalyst for inspiration but also a medium for unforeseen cognitive connection. The album’s pre-released singles, including ‘Into the Night’ with its Chicago house vibes and ‘The Telepath’ with nostalgic warehouse beats, capture the essence of Fritz Kalkbrenner’s club-driven style. ‘Playing Games,’ featuring Coach Harrison, adds an energetic collaboration, while ‘It Ain’t Over’ balances mainstream appeal with deep dancefloor rhythms. Other tracks like ‘High Line,’ ‘Home,’ ‘Fall Between the Cracks,’ and ‘See You Again’ explore techno, house, and deep house, showcasing the album’s range and artistic finesse across diverse moods. In addition to the album, fans can look forward to an international tour starting in 2025, where Kalkbrenner will bring this album’s unique sound to live audiences around the world.

Devising an effervescent soundscape, this energetic cut captures the essence of Nora En Pure’s sound while riding on an uplifting arrangement. Opening with buoyant synths, juxtaposed with deep bass, this explorative track calls upon vocal samples and soaring sounds to exude emotion and power. Requested by fans all summer long, ‘Vigilant‘ has played a big part in her sets, and continues to connect with listeners wherever it is played. Currently on tour in South America, Nora En Pure joined Claptone’s Masquerade event in Lima, Peru. Travelling to Argentina, she will perform at Fiesta Nacional del Sol in San Juan, followed by The Bow in Buenos Aires. Touching down in Colombia for Ritvales Festival in Medellín, Nora En Pure will complete the leg of the tour with an official Ritvales Afterparty at Salon Amador. A pioneering figure in the Deep House scene, Nora En Pure has built a reputation for her enchanting soundscapes and versatile, emotionally resonant productions. Garnering a dedicated global following, she remains a regular fixture at major music festivals and prestigious club venues around the world. Nora’s music combines a passion for nature and melody with electronic precision, creating experiences that are moving, memorable and timeless. Keep up-to-date with future shows and announcements via BandsInTown and Instagram. You can listen to Nora En Pure’s new record ‘Vigilant’ – out via Enormous Tunes – below and on all available streaming platforms. Stay tuned for more news! The post Nora En Pure Reveals Sought-After Tour ID, ‘Vigilant’ appeared first on EDMTunes.

Today, critically acclaimed Italian Emo-Tech duo Mathame officially unleashed their highly-anticipated single, ‘Discovery Channel’ via Republic and Casablanca Records. The collaboration with Lyke arrives hot on the heels of the duo’s high-octane performances during ADE where they tantalized fans with the explosive track, making it a staple in their sets throughout the week. Discovery Channel The track’s pulsating beat immediately plunges listeners deep into the throws of Mathame’s innovative spirit. At the same time, the driving bassline sets an infectious rhythm and promises an unparalleled sonic journey. The track is driven forward with an instantly recognizable lyrical sample from Bloodhound Gang’s ‘The Bad Touch’. The sample bursts with nostalgia and adds a viscerally addictive layer to the track. ‘Discovery Channel’ showcases Mathame’s technical prowess and boundless vitality as they continue to breathe new life into tracks of other genres and decades. The hard-hitting masterpiece unleashes a euphoric wave of sound. In effect, it invites listeners across the globe to dive deep into the duo’s effervescent vision. Meanwhile, they continue to carve out a unique space for themselves and push the limits of the genre. Mathame Mathame had some words regarding the track: “For us, despite the seemingly light-hearted nature of the original track, it’s one of the most profound memories from our adolescence. It was the golden age of MTV, and The Bad Touch was one of the first music videos we ever saw. Beneath the humor and the energy, we always felt there was this dark, hypnotic melancholy lurking underneath. So, when Lyke suggested we work on it, it was almost instinctive—it felt so natural to bring out that darker tone we had always sensed“. “The track came together in just a few days, like it had been waiting for us to transform it. From the very first moment, we knew we were onto something special. It immediately became a hypnotic, magical piece in our sets, a constant feature that captures the crowd every time. It was magical from the start.” -Mathame 2024 has marked a triumphant return of Mathame’s shared artistic vision. First, it saw the releases of critically-acclaimed singles ‘I Will Find You,’ and ‘Angel’. This accompanied their groundbreaking residency – NEO – at Ibiza’s fabled electronic temple, Amnesia. The event coalesced music and art, bridging the gap between ancient and modern. Moreover, it oversaw the completion of their AV Shows with an electrifying performance during Tomorrowland Weekend One. Besides, it was a one-of-a-kind, first-ever full-length AI-generated feature film in a public venue. On October 5, the duo officially unveiled NEO World, their highly-anticipated world tour, debuted at the iconic Brooklyn Mirage. The two-hour show involved a 360-degree immersive sonic experience, coalescing music and art. Lastly, it centered around the reimagined, nine-meter-tall humanoid – NEO –. The latter is the physical manifestation of the duo’s connective ethos and symbol of unity and peace. Nothing like a revival of our teenage years into an adult interpretation of those hazy dreams. Here is ‘Discovery Channel’: The post Mathame & Lyke Offer Dark Twist With ‘Discovery Channel’ appeared first on EDMTunes.

Champion, Four Tet, Skrillex, and vocalist Naisha have united on the hypnotic new single ‘Talk To Me‘, an entrancing blend of bass, melody, and soulful vocals. The song, releasing on Disorder/Capitol Records, promises to deliver a captivating anthem on self-love. With its ethereal vocals and Hip-Hop influences, the track effortlessly weaves together the distinct talents of its creators, who co-wrote this bold new track together. The anticipation for ‘Talk To Me’ has been building ever since Four Tet and Skrillex teased it as an ID in their recent sets, leaving fans eager for its official release. Exploring Talk To Me The track begins with a funky synth and House drums, establishing an immersive groove that’s perfect for the dance floor. As Naisha’s powerful vocals carry the track forward, listeners are led to a Bass-driven drop. There, you can hear Skrillex’s dynamic energy, Four Tet’s melodic touch, and Champion’s funky style. This addictive beat captures each artist’s unique sound. The result is a fresh and emotive sound that’s sure to resonate with fans. ‘Talk to Me’ album art About the Artists Naisha: A rising artist in the electronic scene, Naisha’s emotive performance shines on ‘Talk To Me‘. Her ethereal Hip-Hop vocal style has drawn attention, making her a noteworthy addition to this high-profile collaboration. Champion: A staple in the UK club scene for over a decade, has carved out a reputation for high-energy tracks and celebrated collaborations. Recently signed to Disorder/Capitol Records, he’s released some of 2024’s most talked-about tracks. One is ‘We Multiply‘ with Bushbaby and Killa P, which received spins from Caribou, Yung Singh, and Ben UFO. His remix of Caribou’s ‘Broke My Heart‘ made waves, with Jamie xx supporting it at Glastonbury and Four Tet spinning it at EDC. This impressive momentum has also earned Champion a Radio One Residency slot for December 2024. In return, solidifying his status as a powerhouse in the Electronic music scene. Skrillex: Known for his innovative and genre-blending approach, Skrillex continues to push the boundaries of Electronic music. From Dubstep and Bass music to this fresh House-influenced sound, he showcases his ability to evolve with each track, keeping fans engaged and eager for more. Four Tet: With a career spanning various genres, including Ambient Electronic, and Indie Electronic, Four Tet brings a signature touch. His contributions can be felt in the track’s hypnotic rhythm, highlighting his skill of seamlessly blending organic and electronic elements. Where to Listen ‘Talk To Me’ is now available on all major streaming platforms. As this dynamic collaboration continues to gain traction, fans can look forward to hearing it live in upcoming performances. The post Skrillex, Four Tet And Friends Unite For ‘Talk To Me’ appeared first on EDMTunes.

English electronic music producer Jon Hopkins is teaming up with NASA in producing a single by the title of ‘Forever Held’. This single, which also features the string arrangements of Icelandic multi-instrumentalist Ólafur Arnalds, has a very unique aspect to it as it will get to venture into the moon itself. According to an article from DJ Mag, the journey that the ‘Forever Held’ will undergo is a part of NASA’s “Space For Earth” installation at the space agency’s HQ in Washington D.C. and it will be a very spectacular journey. This installation is a mesmerizing audiovisual experience that allows small groups of viewers to see Earth from space. To add more scientific wonder and intrigue to ‘Forever Held’, the journey that the single will take part in is a part of NASA’s “Lunar Codex” time capsule, which contains works coming from over 35,000 contemporary writers, musicians, artists, and filmmakers. The planned voyage of Jon Hopkins and Ólafur Arnalds’ ‘Forever Held’ is not the first time that NASA has sent works of music to space. Earlier this past summer, the space agency transmitted ‘The Rain (Supa Dupa Fly)’ by hip-hop icon Missy Elliott to deep space (particularly to the planet Venus) via the agency’s Deep Space Network (DSN). Furthermore, at the beginning of this year, the Kennedy Space Center threw down an after-hours “Rechno party” titled “Kennedy Under The Stars”, on February 2nd and it included amazing live DJ sets, mini golf under neon lights, and interactive science experiments (and this event even came back on August 31st as well). Click ‘Play’ on the link below to stream the latest ‘Forever Held’. The post Jon Hopkins And NASA Will Send A Track To The Moon appeared first on EDMTunes.

new music this week Fifth Juelz Sinca Hayla Stryer Axwell Brooks Man Cub Max Dean Chris Lake ÆON:MODE Nora En Pure Gesaffelstein EMBRZ x bailey Above & Beyond Mathame x LYKE Sultan + Shepard Julian Jordan x Nouni Ytram x MALARKEY x CMC$ Kaskade x Wilkinson x Paige Cavell — Dancing Astronaut (@dancingastro) November 1, 2024 Featured image: Eric Cunningham The post Dancing Astronaut’s New Music Friday: November 1, 2024 appeared first on Dancing Astronaut.

That’s yet another home run for Iryna! Good news come from the Melodic Techno corner of the industry today, as Ukrainian producer 8Kays (real name Iryna Shvydka) has just landed a double signing with Insomniac’s stellar label, Interstellar Recordings. This is actually her debut on the imprint, for a crossing of paths that sees a very successful artist set foot on a very successful record label. Known for her expertise in the genre, 8Kays is one of the veteran producers of Melodic Techno, having carved a name for herself for many years already, and with previous releases which include homes like Afterlife, the iconic and renowned Renaissance Records, Booka Shade’s Blaufiield Music imprint, Above & Beyond’s Anjunabeats, and Eleatics Records. Credit: Keyi Studio ‘Viking / Magma’ 8Kays’ latest offering is a two-track EP, which includes the singles ‘Viking‘ and ‘Magma‘. The former finds her enlisting the vocal prowess of Aussie-born, Germany-based singer/songwriter Kyle Pearce. It balances his poignant, breathy vocal delivery with a meticulously crafted groove with a galloping rhythm. At the same time, the B-side, ‘Magma’, takes its position as the perfect counterpart, a gripping instrumental propelled along by dark, driving drums, pulsating basslines, warbling detuned melodies that are met with by whirring pads, gurgling acid licks and molten call-and-response. 8Kays says, “Viking is one of the tracks I like the most from my recent productions. I do find inherent to the sound I want to pursue: melodic, sensual and effective. And ‘Magma’ is all about power, which I wanted to demonstrate in the track. The volcano was my first idea when I heard the track with my eyes closed, it resonated at the sound/meaning level for me“. Listen to 8Kays‘ latest EP ‘Viking / Magma’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post 8Kays Delivers ‘Viking / Magma’ Two-Tracker On Interstellar Recordings appeared first on EDMTunes.

Friday is undoubtedly my favorite day of the week and for a good reason! It’s when we get to indulge in brilliant new music releases. Today, I’m excited to recommend HI-LO’s second solo track of the year, ‘HYPOMANIA’. HI-LO has been on fire lately, following up his successful collaborations like ‘Afraid to Live (Blacklizt Version)‘ with ZHU and ‘BADDADAN BAD‘. Don’t miss out on ‘HYPOMANIA’ – it’s available now on HILOMATIK across all your favourite streaming platforms. Dive in and enjoy the music! ‘HYPOMANIA’ ‘HYPOMANIA’ is an exhilarating experience—a mild form of mania that ignites joy and hyperactivity- perfectly captured in HI-LO’s newest single. This tune defines ‘HYPOMANIA’ is an exhilarating experience—a mild form of mania that ignites joy and hyperactivity- perfectly captured in HI-LO’s newest single. This tune defines ‘HYPOMANIA’ and transforms the entire club into a euphoric state of excitement. It’s not just a song; it’s one of the standout tracks from the Amsterdam Dance Event (ADE), already buzzing with support from industry heavyweights like Eli Brown, Blasterjaxx, Bassjackers, and Firebeatz. A tune that will be dominating the dance floors across the world this fall. HI-LO Oliver Heldens has masterfully transitioned from mainstream dance music to the esteemed world of techno with his alter-ego, HI-LO. Which has earned him significant recognition in underground circles. HI-LO has become a hallmark of cutting-edge, hard-hitting techno that captivates listeners with its innovative sound. By skillfully merging big room elements with a gritty, raw edge, HI-LO stands out as a trusted tastemaker. His tracks consistently receive robust support from industry giants like Adam Beyer. Recognized as the #1 best-selling and best-streaming techno artist in the last six months on Beatport, HI-LO is setting the standard for artists in the genre. Don’t miss out on his upcoming tour dates for November, if you are in Europe be sure to see him live! Praterdome – Vienna, Austria – November 16 Docks – Hamburg, Germany -November 23 Fairground Festival – Hanover, Germany – November 30 Stay tuned to EDMTunes for all the new music updates! The post HI-LO Releases Second Solo Track Of 2024 ‘HYPOMANIA’ appeared first on EDMTunes.

The new single is the kickoff to a new Tranquility Base EP, much like we had last year. It’s no surprise that Above & Beyond‘s ABGT600 set was full of IDs, some we had been hearing for a while, and others which had their premiere at that very stage in Mexico City. The boys didn’t take too long to start releasing some of these goodies, luckily for us. And the first one to see the light of day is ‘React‘, out today. Rinsed across the globe over the last months, ‘React’ is not only the first song of them to be released since ABGT600, but it’s also the first single of a new Tranquility Base EP, much like the one we got last year, and whose focal point was experimenting with sounds resemblant to their old, legendary alias, Tranquility Base. ‘React’ ‘React’ is the first of five singles which will make up the Tranquility Base Vol. 2 EP, to come out on December 6th. Its predecessor, Vol. 1, peaked in the #1 slot on Beatport’s Techno releases chart, with singles ‘Angry JP8’ and ‘500’ hitting Beatport Trance #1. We can certainly expect some interesting things with this new offering. Woven together by yesteryear synths processed in a modern style, the first seconds of the drop actually remind us of Andrew Bayer’s remix of Push’s classic ‘Strange World’, and then the song takes on a life of its own, tinting detuned supersaws over moogish basslines. The break sees listeners go through a substantial tempo change, for what feels like 108 BPM, to then go back to the energy of the first drop, while carrying the melody of the break. Listen to Above & Beyond‘s ‘React’ by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Above & Beyond Unveil First ABGT600 ID, ‘React’ appeared first on EDMTunes.

Eothen ‘Egon’ Alapatt has been accused of mismanagement and concealing information Continue reading...

Showcasing the best of both dubstep and drum & bass, YDG's "Lose Control" is here to remind us that true skill knows no bounds. The track kicks off with intensity, steeped in flittering, digitized melodies as it builds before giving way to a tactful blend of melodic and heavy dubstep. From there, it only escalates. The vocals and tempo pick up together, delightfully confusing listeners and preparing us for what's to come. Right as it all seems ready to give out to more ground-shaking bass, YDG pulls everything back and fakes us out with a filtered sequence of muffled elevator Muzak before unleashing a tidal wave of hyperactive drum & bass. The electrifying "Lose Control" arrives ahead of the artist's performance at EDC Orlando, and there's no doubt the crowd will feel the track's high voltage. Listen to the new single below and find it on streaming platforms here. Follow YDG:X: x.com/itsydg Instagram: instagram.com/itsydg TikTok: tiktok.com/@itsydg2 Facebook: facebook.com/itsydg Spotify: bit.ly/3YlXh5V

Billed as the world's largest Halloween dance music festival, Escape marked its spooky return to the hallowed grounds of the NOS Events Center last weekend with a few frightfully fun surprises. The immersive Crazy Town area at Escape Halloween.Jamal Eid Known as one of Insomniac Events' most immersive experiences, the two-day event included a new layout and expanded footprint to its sinister San Bernardino location. Some of these changes included the expanded Sewer District, the movement of the Crazy Town area, the addition of the Voodoo Village, and a modification of the Wicked Woods stage. The expanded Sewer District.Jose Murga The new Voodoo Village.Keiki-Lani Knudsen Additionally, this year's event marked the beginning of Insomniac's partnership with the beloved electronic music brand, Boiler Room. Held inside The Cauldron, the warehouse venue included the cultural curator's signature 360° atmosphere for two days of multi-genre productions. Boiler Room takeover inside The Cauldron.Gina Joy The 2024 edition of Escape would also be the last time attendees would be able to party with one of the festival's most iconic features, The Grimm. The giant puppet skeleton, which overlooked the decks inside the main stage for years, is finally being laid to rest after years of eerily commanding the venue's megastructure. In a post to the event's Instagram page, the company revealed it would replace The Grimm and return to its Psycho Circus theme for 2025. The menacing skeleton puppet known as The Grimm, RIP.Gina Joy The Grimm was just one of the many stages held inside the extensive layout at the world's largest Halloween dance music festival. From massive race tracks to intimate art cars, each distinct stage was home to a variety of artists from all corners of the electronic dance space. Take a peek at a few select snapshots from our favorite performances from Escape Halloween 2024. Martin Garrix Gina Joy for Insomniac Events View the 14 images of this gallery on the original article FOLLOW ESCAPE HALLOWEEN:Facebook: facebook.com/EscapeHalloween X: x.com/EscapeHalloween Instagram: instagram.com/escapehalloween

In a world where vocals often play second fiddle to the beat, DUSK, HAYLA's highly anticipated debut album, flips the script. From start to finish, the project presents an intimate journey through vulnerability, heartache and triumph, all while tethered to pulsating dance rhythms. HAYLA's voice becomes the central force, an instrument as dynamic and commanding as any synth in its own right. 'It’s amazing to work with so many of the collaborators I’ve worked with, but when you go at it alone it does feel quite exposing," HAYLA tells EDM.com. "Because of the audience from the DJs I’ve worked with potentially coming over to listen to my music, I hope I live up to people’s expectations... I’m so fortunate to have these audiences listen to my music and support me." "I’m really proud of what I’ve created... It’s something, for once, where I can say, 'I have something tangibly mine' and I hope people get to know me more." From the opening notes of "Only I," DUSK makes one thing clear: HAYLA is here to claim her place as both a vocal powerhouse and a compelling songwriter. The album kicks off with a somber tone as gentle arpeggios bubble beneath her soaring voice, delivering a heart-wrenching yet resolute message. It’s a delicate balance, one that showcases her gift for turning pain into beauty. Elsewhere, HAYLA stuns with "Freefall," a track that encapsulates the emotional core of the album through throbbing basslines and shimmering synths. Co-produced with Grammy-nominated musician Carl Ryden, the song navigates love's most precarious moments in a surefire highlight that feels like both a confession and a catharsis. The depth of "Freefall" is beautifully contrasted by the airiness of another standout track, "Visions of You." "The song story behind it is really when you’re starstruck by infatuation and the thought of that one person that gets you through the day," HAYLA explains. "That one person that you can’t wait to see again that makes you feel good. It was a really fun thing to write. It’s probably the happiest track on the album." HAYLA.c/o Press But HAYLA's strength lies not only in her ability to captivate with anthems of heartache. She also offers profound moments of introspection, such as on the hauntingly beautiful titular track, "DUSK." Produced and written entirely by HAYLA herself, the album's closer invites us into a sonic twilight where languid strings build as her vocals hum in ethereal waves, creating a dreamlike soundscape that drifts into darkness. It’s a track meant for quiet reflection, best enjoyed, as HAYLA herself suggests, just before the world fades into night. "I won’t lie, I was incredibly nervous about showing that side of myself," she tells us. "It’s something I’ve done behind closed doors to broaden my musical horizons and to have a more integral part of ownership of a track. I would really like to do more production. Working with so many amazing producers, to say what you want a track to sound like or integrally be a part of a track is amazing, but to actually do it myself felt like something I wanted to experiment with." "It’s a completely experimental piece," she continues. "It’s an instrumental piece. I suppose its more of a vibey piece. It was something I could actually, for once, put a bit of a, 'This is my body of work' and try to get what’s in my head out into the open. Experimentally, that freedom was great to do.” Fans have more to look forward to from HAYLA as she's set to take the stage at LA's Roxy Theatre for her debut headline show on December 4th. In the meantime, listen to DUSK below and find the new album on streaming platforms here. Follow HAYLA:X: x.com/haylasings TikTok: tiktok.com/@haylasings Instagram: instagram.com/haylasings Facebook: facebook.com/haylasings Spotify: https://spoti.fi/41MXBgq

Zingara, bass music's spiritual sojourner, opens a new passageway through the cosmos with her new EP, For The Crystal Children. The conceptual EP's four tracks place life and time under a microscope, all kicked off by Zingara's personal indoctrination through the title titular track, "For The Crystal Children." "When it was time to start brainstorming new ideas, this concept popped into my head," Zingara said in a statement. "The Crystal Children are souls that volunteer to come to Earth to help the collective learn to love and heal." From there, the EP bursts into a kaleidoscope of color and sound, with Maurice Brown and Steller joining the expedition. An undeniable highlight of the EP is when both join Zingara for its final track, "Rhythm of Life," which is saturated with jazzy saxophone melodies and the sounds of dripping water, mixed and distilled into an otherworldly potion. Zingara's is now embarking on her headlining "For The Crystal Children Tour," which kicks off today in Urbana, Illinois, with 14 other US locations to follow. Tour dates and tickets can be found here. Listen to For The Crystal Children below and find the new EP on streaming platforms here. Follow Zingara:X: x.com/zingaramusic Instagram: instagram.com/zingaramusic TikTok: tiktok.com/@zingaramusic Facebook: facebook.com/zingaramusic Spotify: spoti.fi/3CHceXg

Nintendo has stepped up their game. The iconic brand, owner of franchises such as the Mario Bros, Kirby, Pokémon, and others, has unveiled its latest surprise: a dedicated music streaming app. Nintendo Music, available on iOS and Android, offers a curated selection of classic gaming tunes from franchises like Splatoon, Animal Crossing, and The Legend of Zelda. The app, exclusive to Nintendo Switch Online subscribers, allows users to stream or download tracks for offline listening. It features curated playlists themed around games, moods, and characters, as well as a unique “spoiler” feature that filters out tracks from your unfinished games. For those seeking relaxation, the app also offers extended versions of select tracks, which can last up to an hour. Nintendo’s recent string of unexpected announcements, including the launch of an alarm clock and the development of a mysterious MMO, has kept fans on their toes. While the gaming giant continues to keep its cards close to its chest regarding the next-gen Nintendo console, it’s clear that they are exploring new avenues to engage with their audience. Watch the trailer and read more here. The post Nintendo Launches Streaming App To Compete With Spotify appeared first on EDMTunes.

It's not every day you hear rap icons on mosh pit-inducing dubstep tracks, but Crankdat and Juicy J are here with their heavy-hitting collaboration, "Open The Pit." The pair recently debuted the single together at LA's Hollywood Palladium, where Crankdat sold out a doubleheader in which he said he "accomplished the biggest goal [he] had set for 8 years." The bass music heavyweight, who is gearing up to debut an ambitious stage setup in 2025, provided a fittingly frenzied atmosphere. He then intensified the anticipation to a fever pitch by playing "Open The Pit" at North Coast Music Festival and Lost Lands. The track operates like this: while Juicy J hypnotizes us with the line, "When you hear this song you gon' open up the pit," Crankdat brings about that prophecy with an emphatic dubstep drop. "This song has been three years in the making and getting Juicy J on it was a dream come true," said Crankdat. "Along with the record we are also releasing a music video that has been a labor of love to plan out and help create, and I can’t wait for everyone to see and hear it." The music video is inspired by Grand Theft Auto, which is sure to have the chronically online asking, "We got Crankdat GTA before GTA 6?" You can listen to the raucous single below and find it on streaming platforms here. Follow Crankdat:Instagram: instagram.com/crankdat TikTok: tiktok.com/@crankdat X: x.com/crankdat Facebook: facebook.com/crankdat Spotify: spoti.fi/3l8FXz0

Hot off the music press this New Music Friday, we’re thrilled to dive into Armin’s incredible track ‘Blah Blah Blah’ remixed by Lilly Palmer. You can find it streaming on all your favourite platforms via Armada Music. Don’t miss out—listen to this fiery remix on this beautiful fall morning and let us know what you think! Techno Remix of ‘Blah Blah Blah’ Do you recall the excitement when Armin van Buuren released ‘Blah Blah Blah’ back in 2018? That catchy, repetitive vocal hook was impossible to resist. The original track masterfully blends trance and big-room elements, delivering unmatched energy. Its straightforward yet unforgettable lyrics— “All we ever hear from you is blah blah blah” showcase Armin’s playful spirit while connecting deeply with fans, injecting humour and relatability. Fast forward a few years, and audiences were thrilled to hear Lilly Palmer’s remix. Debuted by Armin himself at A State of Trance 2024 in Rotterdam. This fresh take on ‘Blah Blah Blah’ takes the energy up a notch, with Palmer’s signature intensity and high energy bassline. Palmer’s remix expertly maintains the song’s original punchy vocals while elevating it with intense build-ups and drops. It creates a vibrant, underground energy that resonates with techno and tech-house enthusiasts. Renowned for her powerful blend of techno and innovative crossover elements, the starlet injects her signature psytrance mayhem. This exhilarating reimagining will thrive on dance floors and electrifying festival sets, making it a must have for any playlist. Lilly Palmer Lilly Palmer is an electrifying techno DJ and producer on the rise, celebrated for her dark, driving sound and commanding energy on the dance floor. You’re likely to recognize her from her recent hit,‘Hype Boy.’ Hailing from Germany and now based in Zurich, Switzerland, Lilly has forged a reputation for her innovative style. She seamlessly blending techno, progressive, and tech house with an emphasis on deep basslines and entrancing rhythms. Her music exudes a raw, industrial edge, crafting an atmosphere that transports listeners into a captivating trance. With performances at some of the most prestigious clubs and festivals worldwide, including Tomorrowland, Awakenings, and Amnesia Ibiza, Lilly’s magnetic stage presence and ability to engage audiences make her one of the most in demand artists in the techno scene. Hope you enjoy this rework of the classic and stay tuned to EDMTunes for all your EDM updates. The post Lilly Palmer Remixes Armin’s Legendary Track ‘Blah Blah Blah’ appeared first on EDMTunes.

Hypnotic bass is how Phrva communicates that his reign is just beginning—and while listening to his debut EP Crave, we are all subjects. Crave begins with "Is It All," a mesmerizing track in which gentle vocals float amongst a sea of dark bass. The track's refrain, continuously repeated, conjures a somber introspection. "Mind" comes to bat next, uplifting listeners with a lively trap beat that pinballs a trilling melody. Finally, the EP's last track reminds us what Phrva always wants: "More." That sentiment is stated throughout the track as a cliffhanger of sorts, leaving us wanting the same. "Crave is my first original project, and I hope that it shows the scope of what I’m aiming to achieve with my music," said Phrva, who is set to join Tape B on tour as support for the producer's upcoming Reno and Denver shows. "At the core, Phrva is all about following a feeling and groove and not overthinking it, and the tracks on this project were all created with that mentality." Listen to Crave and find the new EP on streaming platforms here. Follow Phrva:Instagram: instagram.com/phrvabass TikTok: tiktok.com/@phrva X: x.com/phrvabass Spotify: tinyurl.com/36cppyn5