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black a.m. Drops Energetic House Single ‘70W (Vaded)’

black a.m., also known as Sinclair Wheeler, has brought a unique rock-infused spin to the house music world. Since 2019, he has pushed the boundaries of his craft, earning himself spots at marquee events like Insomniac’s Park N Rave series and receiving accolades from industry titans such as John Summit, NGHTMRE, JOYRYDE, Slander, and DJ Craze. This attention wasn’t without merit; Ultra Music officially released his remix of NGHTMRE and Gunna’s “Cash Cow” while also signing tracks to Slow Roast Records and accumulating over 600,000 streams across platforms.
Now, this talented artist is back in the saddle with a sizzling new single ’70W (Vaded)’ – supercharged with energy and bass. He masterfully rides the line between electro, bass, and tech house, delivering a result that’s unmistakably unique and captivating.
We’re excited to see what he does next but in the meantime, check out the single below!
This article was first published on Your EDM. Source: black a.m. Drops Energetic House Single ‘70W (Vaded)’
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Egzod Flips Layto’s ‘Five4three2one’ Into Electrifying Future Bass Remix

Egzod, a name synonymous with world-class festivals and a vast, coherent catalog, has always been a torchbearer in weaving stories through his beats. His music has earned mass appeal, topping over 600M total streams. He’s always finding ways to push his creative boundaries which is why we look forward to what he’s going to do next.
Now, he’s recently released a remix to Layto’s ‘Five4three2one‘ and this time around, it’s an electrifying future bass tune that yet again demonstrates why Egzod is one of the best at what he does. The two make a dynamic team, as Layto offers a compelling vocal while Egzod delivers on a anthemic arrangement.
Check it out below!
This article was first published on Your EDM. Source: Egzod Flips Layto’s ‘Five4three2one’ Into Electrifying Future Bass Remix
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New Artist Spotlight: Cerpintxt Reveals a New EP of ‘Hauntology’ After a Break From Production With New EP, ‘microtubule encoded memory’

For fans of experimental electronica, artists like Cerpintxt have to represent the future of this cutting edge discipline. Now located in London by way of her native Egypt, Cerpintxt’s haunted, acoustics-focused science project of a sound has been picked up not only by like-minded atmospheric, drone and visual artists and labels such as CAMP Editions, Carlos Casas, Machinefabriek and Matchess but has bled into the EDM world. Now with her new EP, microtubule encoded memory, Cerpintxt stands to unite the EDM and experimental worlds even further.
EDM is almost always driven in some form by the mad scientists who innovate and push the boundaries of what’s possible in electronic music, but quite often, with the exception of artists like Noisia, Amon Tobin, Rezz, Gyrofield and Venetian Snares, EDM and experimental electronica tend to stay in their own respective camps. With her futuristic, Cyber Punk vibe, heavy concept work and meticulous compositional style, Cerpintxt is both pushing the envelope for acoustics and sound design and giving more conventional EDM artists a run for their money going on six years now. Begnning with her ATOMS EP with atmospheric house legend Stevie R. in 2018 right the way through her 2022 single, “Sedimented,” on CAMP Editions to microtubule encoded memory, sound curation as acoustic science, as concept and as evocative music .
Cerpintxt’s unique sound work isn’t the only thing that led the drop of microtubule encoded memory being one of the most innovative drops of the year. She’s also very proactive when it comes to her own brand and agenda. In the two years between 2020 and 2022, Cerpintxt didn’t release much production-wise but she began performing her music live, both on multiple radio platforms, on livestreams and at multiple festivals. She also launched her own event based out of London called Boundary Condition. In the artist’s words, it’s a “an audiovisual durational immersion for the rabidly sentimental: investigating the parallelization between dark-jazz, hauntology, and musique concrète as nostalgia-centric practices.”
This tagging of her event leads into the branding and vernacular of Cerpintxt. She’s very specific about the language she uses to describe her work, using terms like “hauntology” and “systematic harmonic erosion.” To describe her sound. Listening to her work, all the terms she uses are not wrong, especially when it comes to microtubule encoded memory. The work in this EP is, in fact, a study in haunting sound and in the erosion, or movement, of harmony. Made from endless sound recording loops gathered over years from locations like the pharaonic temple at Serabit El Khadim in her native Egypt, the mountains of the Sinai Peninsula, and the music of Bedouin tribes, Cerpintxt’s long, storied tracks are building, eroding and cycling sounds all at once. Her focus on acoustics not only as necessary for sound but as the sounds themselves is truly inspired. Thomas Dolby would be proud.
As a concept, there’s also a political bent to Cerpintxt’s work on microtubule encoded memory, but it’s not one most artists would think of, though it ties in with all the hard graft she put into this EP. In the artist’s own words, “The hauntological element of my work explores a form of sonic activism against the weaponization of love in Egypt.” Once again, the importance is in the way she’s phrased it: no direct, easy to decipher agendas here, but rather an evocative statement that bypasses typical communication and gets to the heart of what’s important. Like the music itself, Cerpintxt wants her audience to feel the energy of what’s around them, whether sonic or otherwise, and make decisions accordingly. There’s a depth to this work that’s not just about tinkering, and that’s likely why it resonates with the EDM world.
The first and third tracks on microtubule encoded memory are available now on Cerpintxt’s Bandcamp, while the elusive middle track will be released in October on cassette only. Fans can pre-order on Bandcamp as well.
This article was first published on Your EDM. Source: New Artist Spotlight: Cerpintxt Reveals a New EP of ‘Hauntology’ After a Break From Production With New EP, ‘microtubule encoded memory’
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JONJEN & Tzunaami For Anthemic Melodic Bass Single, “Hate It, Love It ft. GLNNA”

SF based artist JONJEN has made a name for himself by skillfully combining melodic bass and house with indie and soundtrack-inspired elements. Since his debut in 2021, JONJEN has gained substantial support from industry titans like Nicky Romero and Yellow Claw’s label Barong Family, opened for artists such as William Black, Sabai, and Hoang, and achieved over a million streams across various platforms.
Joining forces with JONJEN, TZUNAAMI, a DJ duo based in Bangkok and NYC, has gained massive traction with their viral mashups on TikTok, YouTube, and Soundcloud since 2020. Their unique blending of vocals with melodic and trap drops has earned them features on renowned platforms like Proximity, Arctic Empire, and Headbanger Radio.
Together, the two have joined forces for their anthemic single “Hate It, Love It” featuring the euphoric vocals of GLNNA. It combines heavenly synth melodies with uplifting lyrics, giving this single the strength to power any main stage at your favorite festival.
Listen below!
This article was first published on Your EDM. Source: JONJEN & Tzunaami For Anthemic Melodic Bass Single, “Hate It, Love It ft. GLNNA”
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IMANU Reveals Thumping House Single “Aching (On A High)” via Deadbeats

IMANU continues to make his mark on the electronic scene with his genre-bending capabilities and willingness to push the sonic boundaries with every single song he releases.
He just revealed his latest single “Aching (On A High)” via Zeds Dead’s esteemed imprint, Deadbeats. True to what we’ve come to expect, his creativity yet again impresses us with a more minimalist house approach that’s perfectly executed with a glimmering topline vocal. Everything comes together into a thumping, lo-fi house esque drop that can’t help but make you want to move to it.
Listen below!
This article was first published on Your EDM. Source: IMANU Reveals Thumping House Single “Aching (On A High)” via Deadbeats
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Mersiv & The Ninetys For Anthemic Single “Top Floor”

Mersiv has been a trailblazer in the Freeform genre since the inception of the Mersiv Sound Project in 2015. His sold-out debut headline at Red Rocks in April 2023, and hits like “Beautiful & Filthy” (4.3million) “Fire Dance” (1.3million), “Get To You ft. Saint Sinner” (2.5million), attest to the artist’s continuing and growing impact on the industry.
Now, he’s back with an anthemic single with production act The Ninetys, known for previous collaborations with rap luminaries such as Kendrick Lamar and Top Dawg ENT. Together, these two are a incredible team, fueling the track with unparalleled energy and electrifying synth stabs and bass wubs to make this yet another gem in Mersiv’s arsenal.
The release of “Top Floor” follows Mersiv’s announcement of the nationwide Out of Bounds Tour. Check out the dates and the single below!
Mersiv’s 2023 Tour Dates:
Fri-Sep-15: Kansas City, KS – The Truman Sat-Sep-16: St Louis, MO – Red Flag Sun-Sep-17: Rome, GA – Imagine Festival Thu-Sep-21: Dallas, TX – The Studio Fri-Sep-22: Austin, TX – Concourse Project Sat-Sep-23: Houston, TX – Stereo Live Sat-Sep-30: Phoenix, AZ – Marquee Theater Thu-Oct-5: San Diego, CA – Music Box Fri-Oct-6: Los Angeles, CA – 1720 Sat-Oct-7: San Francisco, CA – Public Works Sun-Oct-8: Arcata, CA – Arcata Theater Thu-Oct-12: San Luis Obispo, CA – Fremont Fri-Oct-13: Las Vegas, NV – Hard Rock Live Sat-Oct-14: Salt Lake City, UT – Complex Thu-Oct-19: Bend, OR – Midtown Ballroom Fri-Oct-20: Portland, OR – 45 East Sat-Oct-21: Seattle, WA – Showbox Sun-Oct-22: Eugene, OR – WOW Hall Thu-Oct-26: Boise, ID – Knitting Factory Fri-Oct-27: Spokane, WA – Knitting Factory Sat-Oct-28: Vancouver, BC – Red Room Tue-Oct-31: Missoula, MT – Wilma Thu-Nov-2: Bozeman, MT – The Elm Friday-Nov 3: Cheyenne, WY – The Lincoln Thu-Nov-9: Des Moines, IA – Woolys Fri-Nov-10: Milwaukee, WI – The Rave Sat-Nov-11: Grand Rapids, MI – The Intersection Sun-Nov-12: Urbana, IL – Canopy Club Thu-Nov-16: Indianapolis, IN – The Vogue Fri-Nov-17: Cleveland, OH – Mulberry’s Sat-Nov-18: Columbus, OH – Otherworld Sat-Nov-25: New Orleans, LA – The Fillmore Thu-Nov-30: Richmond, VA – Broadberry Fri-Dec-1: Asheville, NC – Orange Peel Sat-Dec-2: Charlotte, NC – Blackbox Sun-Dec-3: Charleston, SC – Music Farm Thu-Dec-7: Virginia Beach, VA – Peabody’s Fri-Dec-8: Baltimore, MD – Soundstage Sat-Dec-9: Buffalo, NY – Town Ballroom Sun-Dec-10: Albany, NY – Empire Live Thu-Dec-14: Boston, MA – Big Night Live Fri-Dec-15: New York, NY – Webster Hall Sat-Dec-16: Philadelphia, PA – The Ave Live Dec 30-31: Denver, CO – Decadence NYE This article was first published on Your EDM. Source: Mersiv & The Ninetys For Anthemic Single “Top Floor”
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PREMIERE: Big Gigantic & AHEE Team Up For Electrifying Single, “Oh Dang!”

If there’s two artists that always know how to get the party started, it’s Big Gigantic and AHEE. Both have accomplished incredible milestones in each of their careers, making it all the more special that they’re linking up for a massive new, funk and bass fueled single that we are thrilled to premiere – “Oh Dang!”.
In classic BG fashion, the track kicks off with a groovy beat, syncopated guitar riffs, and anthemic sax melodies, all building into an electrifying drop that packs a thunderous punch. Guitar solos, bass wubs, and a punchy beat keeps this as a song you just want to keep coming back to – one of our favorites of the year!
Outside of music, Big Gigantic remain busy with their A Big Gigantic Difference Foundation, which supports non-profits for at-risk youth, music education, and more. Thus far, they have raised $1 million-plus for charity and show no signs of slowing down.
Kick your weekend off right and check out “Oh Dang!” below!
This article was first published on Your EDM. Source: PREMIERE: Big Gigantic & AHEE Team Up For Electrifying Single, “Oh Dang!”
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Kiraw Proves Himself With Moment-Capturing Song Titled ‘XTC’

The resonance of Kiraw’s performances is nothing short of hypnotic. His vocals, simultaneously soothing and saturated with dark undertones, effortlessly meld with the weighty soundscapes of his tracks. It’s no wonder that his music has found a fervent following within the gym and raver communities, drawing attention like wildfire.
“XTC,” a song entirely written, performed, and produced by Kiraw, stands as a testament to his innovation. This track elevates the Techno genre to new heights by merging aggressive, distorted basslines typically found in rave bunker events with razor-sharp lyrics delivered in a whisper-like style. It’s a musical ASMR experience that defies expectations and works exceptionally well within the powerful genre.
The impact of “XTC” is evident in its presence on viral charts across the globe, from Germany to Denmark, Belgium to Romania, and beyond. Kiraw’s artistry knows no bounds, and his journey began in 2018, steadily gaining momentum through collaborations with the likes of NightLovell and Scarlxrd. As a pioneer of the “Techno/House Phonk” movement, Kiraw has earned a well-deserved place in the spotlight, catching the eye of major labels and securing a bright future in the music industry. Keep an ear out for Kiraw; he’s an artist destined for greatness.
This article was first published on Your EDM. Source: Kiraw Proves Himself With Moment-Capturing Song Titled ‘XTC’
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Boombox Drops Infectious Single “Buenas Noches” + Reveals Nationwide Tour & New Album

Founded in in 2004 by singer, songwriter, producer and multi-instrumentalist Zion Rock Godchaux, BoomBox has grown and evolved alongside loyal fans across the globe. They’ve developed a signature groove rooted in a back-beat driven style, wrapped around smooth vocals, compelling lyrics, and a mixture of drum machine and live-mixed computer beats laid down by Kinsman MacKay, Godchaux’s brother. Their songs pull from a wide range of genres – from hip hop to funk and a healthy dose of electronic that has shaped their sound and created a space for these guys on numerous festivals.
Recently, the boys released a brand new single “Buenas Noches” which arrived in tandem not only with a new album announcement – Dangerous Waters out Nov 10 – but also a massive nationwide tour. It’s fascinating to hear the studio result and then see these guys deliver it in impeccible fashion on the stage, which is why we recommend securing a ticket if they come to a city near you.
Speaking to this single, Boombox yet again strikes gold here, perfectly meshing hypnotic synth melodies amidst a driving hip hop beat and spacey vocals. BoomBox adds:
“‘Buenas Noches’ is one of our favorite tracks on this album. It really showcases the complimentary approach we have to making music.”
Check it out below along with tour dates!
Buy tickets here.
Tour Dates: September 15: Charlotte NC at Visulite Theatre
September 16: Old Fort NC at FloatLife Festival
September 29: Lake Perris CA at Same Same But Different Festival
October 27: Tempe AZ at Darkstar
October 28: Santa Barbara CA at Fields Of Funk Festival
November 10: Nashville TN at 3rd and Lindsey
November 11: Indianapolis IN at HI-FI
November 12: Grand Rapids MI at Elevation
November 15: Minneapolis MN at Fine Line
November 16: Madison WI at Majestic
November 17: Chicago IL at Park West
November 18: Detroit MI at Magic Stick
November 19: Cleveland OH at Beachland Ballroom
December 13: Houston TX at Rockefeller’s
December 14: Dallas TX at Deep Ellum
December 15: Austin TX at Antone’s
December 16: Austin TX at Antone’s
December 29: Salt Lake City UT at Commonwealth Room
December 30: Crystal Bay NV at Crown Room
December 31: Crystal Bay NV at Crown Room
2024
January 05: San Francisco CA at The Independent
January 06: San Francisco CA at The Independent
January 07: Santa Cruz CA at Moe’s Alley
January 10: Durango CO at Animas City Theatre
January 11: Fort Collins CO at Aggie Theatre
January 12: Denver CO at Gothic Theatre
January 13: Denver CO at Gothic Theatre
January 14: Frisco CO at 10 Mile Music Hall
January 15: Aspen CO at Belly Up
This article was first published on Your EDM. Source: Boombox Drops Infectious Single “Buenas Noches” + Reveals Nationwide Tour & New Album
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Dre Guazzelli Reveals Compelling Single “Rainbow” via Where The Heart Is Records

Dre Guazzelli is a DJ and producer based in São Paulo, Brazil, who led quite the career since 2004. He wears a lot of different hats, such as being an entrepreneur and running his own events agency, INNER. Guazzelli has a strong presence in Brazil as well as internationally, garning a global fanbase along with building buzz around his captivating appearances in Ibiza and at the Burning Man festival in the United States.
Now, he’s back with a beautiful new single “Rainbow” via David Hohme’s Where The Heart Is imprint. The track features a intriguing spin on the organic house genre, as Dre merges ambiant textures that build seamlessly into a body driving drop. The bass line is sheer perfection as is the percussion, adding an irresistible flair to the track.
Check it out for yourself below!
This article was first published on Your EDM. Source: Dre Guazzelli Reveals Compelling Single “Rainbow” via Where The Heart Is Records
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Edison Cole Delivers Electrifying Remix To The Chainsmokers Hit “Self Destruction Mode”

Edison Cole has been on fire this past year, releasing one of the most viral remixes of Calvin Harris’ “Miracle” landing over 250K streams in 2 months, and garnering support from the worlds largest DJs including Jauz, Svdden Death, Dj Diesel (Shaquille O’Neal) and more, energizing festival stages around the world.
With freight train momentum, Edison reminds us just how driven he is with a massive remix of “Self Destruction Mode” via The Chainsmokers premiering it on Tomorrowland’s fantasimal Mainstage. Edison’s Remix opens up into a medley of layers complimenting Bludnymph & Drew’s voices with his effective melodics and songwriting, building up into a thundering drop.
It’s impossible not to feel the energy on this one, check it out below!
This article was first published on Your EDM. Source: Edison Cole Delivers Electrifying Remix To The Chainsmokers Hit “Self Destruction Mode”
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Maximono Drops Collection Of Unreleased Tracks ‘The Outtakes’ via This Ain’t Bristol

The crafty German artist/producer Maximono earned his tenure in the electronic music scene during the late 90s, meticulously honing his craft in the world of breakbeats, jungle and drum & bass. In 2015, he flipped the script to go on a genre bending crusade with his new interpretation of house music, rapidly catching the attention of tastemaker labels such as Dirtybird, This Ain’t Bristol, Sweat It Out, Confession, Insomniac and CUFF. With a masters degree in low-end theory and a minor in spaced out, wobbly leads, Maximono teamed up with fellow bass graduates and heavy hitters like Malaa, Mat.Joe, Huxley, Kevin Knapp and Marten Hørger to release critically acclaimed songs such as “Arsenic”, “Drummer Loco” and “So High”.
Now, he’s back with a simmering album packed full of unreleased tracks via the esteemed imprint This Ain’t Bristol, titled ‘The Outtakes.’ In true Maximono fashion, the album is laced with trippy melodies and hypnotic grooves all across the house spectrum. Creativity is not an issue for him, as he consistently finds ways to expose our ears to new sounds in each track, from distorted bass wubs to breakbeat rhythms.
There’s something for everyone on this album, and we are thankful Maximono graced us with getting a listen to some of his vault. Check it out below!
This article was first published on Your EDM. Source: Maximono Drops Collection Of Unreleased Tracks ‘The Outtakes’ via This Ain’t Bristol
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New Artist Spotlight: Mel Monaco and her Band Close out the Summer With ‘Love Tides’

Mel Monaco may be new to the likes of YEDM readers, but her smooth, effortless form of jazz pop has been lighting up the airwaves and stages in her native Ontario for nearly a decade. With a bell-clear, pitch perfect voice reminiscent of Ella Fitzgerald, a virtuosic knowledge of jazz guitar and piano, and a fun, pop-tinged songwriting style, Monaco is much-loved both for her music and performances in her part of the world, and now with her latest single, the catchy and radio-ready “Love Tides,” it seems she’ll be exploring new waters soon.
Monaco’s goal over ten years ago was to release five albums before the age of 30, which she did plus one. Now with six lounge jazz albums, a handful of singles and a number of covers under her belt, it appears that Monaco has switched gears for “Love Tides.” Normally entrenched in jazz and soul with her popular originals like “Witch Sometimes,” “Better Not Bitter” and the commemorative “30 What,” this new song has more pop added to it than previous work. It seems now that Monaco has met her goal, she’s happy to play with other genres and it definitely pays off here.
“Love Tides” not only opens with a snappy disco house beat and a funky synth but also with the first vocals rapped by Monaco. It’s likely that her fans were shocked by this change, but the song is just too much of a groove not to be into it immediately. Released as an applause round and love letter to the beautiful summers in the St. Catherines/Niagara area of southern Ontario where Monaco and her band call home, it’s impossible not to call this track a feelgood hit. Not to mention it’s so technically polished that despite the beat and groove of the track, “Love Tides” is almost entirely analog. Monaco works with an amazing band who really stepped up with her vision on this track, making it feel more in the realm of Jamiroquai or P-Funk than the more soulful artists like Bill Withers and Al Green.
If fans needed more proof that “Love Tides” was inspired by the Niagara/Muskoka area, Monaco has also released a video for the song which was filmed on the Hamilton, Ontario area waterfront on a yacht with a number of her bandmates. Given that she’s called this song “yacht pop,” it seems quite apropos. It also seems like they had a hell of a lot of fun filming it; if the song itself wasn’t infectious enough, the chill part vibes in the videos will make fans wish for summer to stay just a little longer.
Fans of Monaco’s original soul format shouldn’t think of “Love Tides” as a departure from her style but more of a branching out. The already accomplished artist is clearly endlessly creative and diversity comes with that territory. Meanwhile, pop and house fans can now also enjoy this modern funk along with Monaco’s beautiful voice and happy spirit. With a song like this, we don’t have to abandon summer quite yet.
“Love Tides” can be streamed on Spotify along with the rest of Mel Monaco’s discography. Check out her YouTube page to see some of her other performances and creative videos.
This article was first published on Your EDM. Source: New Artist Spotlight: Mel Monaco and her Band Close out the Summer With ‘Love Tides’
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A New Chapter: DJ Sliink’s “Bricks To The 6” EP

Jersey Club music is on a meteoric rise, and at the forefront of this movement is none other than the genre’s Global Ambassador, DJ Sliink. With his new EP, “Bricks To The 6,” he not only showcases his signature sound but also pushes the boundaries of the genre by blending it with the melodic stylings of Toronto’s SAFE, as well as collaborating with heavy-hitting East Coast talents Bandmanrill and Sha EK. This EP, with its infectious beats and cross-cultural influences, has not only earned critical acclaim but also solidified DJ Sliink’s position as a pioneering figure in the world of electronic music.
The EP kicks off with the lead single, “Warrior,” accompanied by an electrifying music video starring DJ Sliink and SAFE. The video adds an extra layer of visual storytelling to the music, enhancing the overall experience for fans. “Warrior” not only captures the essence of the EP but also sets the tone for what’s to come.
One of the standout tracks, “Real Hips II,” made an impressive debut by landing at #2 on Billboard’s Dance/Electronic Digital Songs Sales Chart. The song received accolades from respected publications such as XXL, Stereogum, and Brooklyn Vegan. Another track, “In The Night,” earned a coveted spot on The Fader’s “Song You Need In Your Life” playlist, as well as playlist support from Spotify’s “New Music Friday Dance” and “Jersey Club Heat,” along with Apple Music’s “New In Dance.”
The EP also features “On Bro” (ft. Bandmanrill) and “Jiggiest In Jersey” (ft. Sha EK & Bandmanrill), further showcasing DJ Sliink’s versatility as a producer and his ability to collaborate seamlessly with a diverse range of artists.
Live Performances and Future Plans DJ Sliink’s influence extends far beyond the studio. He recently graced the stage at MoMa PS1’s Warm Up 2023, leaving fans in awe with his electrifying performance. The excitement doesn’t stop there, as he’s set to spin at Coco and Breezy’s NYFW Event on September 9 and take the helm as the music director for Laquan Smith’s NYFW Show on September 11. Fans on the West Coast can also catch DJ Sliink live on September 24 at the Pangea Party in Los Angeles, with more announcements on the horizon.
Conclusion: Jersey Club’s Global Ambassador With “Bricks To The 6,” DJ Sliink has cemented his status as a trailblazer in the world of electronic music. This EP not only pushes the boundaries of Jersey Club but also showcases the power of collaboration and cross-cultural influence in the music industry. As DJ Sliink continues to break new ground and captivate audiences worldwide, it’s safe to say that Jersey Club music has never been in better hands. “Bricks To The 6” is a testament to the genre’s evolution and a glimpse into the future of electronic music.


This article was first published on Your EDM. Source: A New Chapter: DJ Sliink’s “Bricks To The 6” EP
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DROELOE Unveils Surprise Single + Exclusive First Listen To Upcoming Album via Bancamp

DROELOE seems to be the king of suprises when it comes to his music, always finding new and creative ways to build anticipation within his community on what he’ll do next. We’ve been gearing up for his album set to drop next week but what we didn’t expect was a suprise 5th single, “Foolish Fish” along with an exclusive chance to listen to the album via Bancamp!
‘Foolish Fish’ is yet another testament to DROELOE’s creative versatility, taking listeners on a unforgettable voyage from start to finish.
In a unique twist, DROELOE is granting fans an exclusive opportunity to be among the first to experience ‘The Art of Change’ in its entirety, ahead of its official release. It will be a one-off 1-time listen (in real time) on Monday September 11 at 10am PST (6PM UK Time). This sneak peek is available via Bandcamp, adding an extra layer of excitement for devoted followers eager to dive into DROELOE’s musical evolution. Sign up here.
Listen below and pre-order the album here.
This article was first published on Your EDM. Source: DROELOE Unveils Surprise Single + Exclusive First Listen To Upcoming Album via Bancamp
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Barkin Brings The Energy On Bass House Single ‘Kitty Club’

New-York based Producer Barkin is aiming to bring the heat back into House. His music is filled with intensity while being beautiful and groovy at the same time. Noticing the genre has lost some edge, his punchy basslines mixed with heavy synths will be setting dance floors ablaze. Vocals used as instruments and deep-moving breakdowns are integral to his tracks. While his drops will get your feet moving, each track has a meaning to be unfolded.
Now, he’s back with yet another impressive single, ‘Kitty Club.’ It’s a bass house offering that lights up your speakers from start to finish. On an even more interesting note, Barkin makes reference to each of his cats throughout, (Lulu, Borris, Betty Man, and Bella) – giving them a taste of the spotlight as the bass fuels the dance floor.
Listen below!
This article was first published on Your EDM. Source: Barkin Brings The Energy On Bass House Single ‘Kitty Club’
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Sherm & Isaac Palmer Collab Up For Thumping Edit of Drake & Travis Scott’s Hit via Hood Politics Records

Whether it’s edits / remixes of hip hop tracks (both old and new), or sizzling originals, Hood Politics has established itself as a one of the finest labels around, consistently delivering incredible music to fulfill our house appetite.
Label A&R Sherm has become a label favorite, and now his recent release sees him pairing up with yet another breakthrough artist Isaac Palmer for their addictive flip of the hit single “P**** & Millions” from Drake and Travis Scott.
They set the tone early with a rumbling bass line and punchy drum patterns. Sampling Drake & Scott’s voice with immense creativity, they build the track into one that serves not only as a peak time weapon for the clubs, but for the festival grounds as well.
Sherm is fresh off of his biggest performance yet of the year, dominating the Vega Stage at North Coast this past Labor Day Weekend. Check out the single below as well as a some footage from his live set here!
https://www.instagram.com/p/CwvE6chAUA7/?utm_source=ig_web_copy_link&igshid=MzRlODBiNWFlZA==
This article was first published on Your EDM. Source: Sherm & Isaac Palmer Collab Up For Thumping Edit of Drake & Travis Scott’s Hit via Hood Politics Records
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Andrew Narvaez, Prolific Musician: “Imperfect Perfection in Authentic Sound”

A rising star in the music industry, Andrew Narvaez is inspiring people all over the world by
showing them the value in being themselves and accepting their flaws. His alternative pop
sound, influenced by melodic rap and post-punk, is resonating with listeners of all
backgrounds, from New Jersey to global platforms.
Narvaez’s unconventional musical style and outlook on himself as an artist are what set him
apart. He began his musical career at the tender age of 13 under the moniker”3G,” which
stands for “Give the Glory to God.” As he matured, though, he saw that the name no longer
reflected his identity or the truth of his music.


Narvaez stated, “I officially switched to using my government name when I was 15 because I
didn’t want to try to be someone I wasn’t. Using my given name was a way to show that I am
not compartmentalizing my personal and professional lives as an artist.
This shift represented his willingness to show his audience the real him despite his
imperfections.”At the end of the day, ‘3G’ was a zealous, more naive kid who didn’t fully
encapsulate the person of Andrew, an imperfect man living every day to become a better
version of himself.”

The journey that Narvaez has taken exemplifies the bravery required to present oneself
honestly in a field where polished facades are often criticized. His determination to be
himself is having an impact on the music industry, inspiring both musicians and listeners to
embrace their individuality and find beauty in their flaws.
The genre-bending nature of Narvaez’s music is reflective of who he is as a person:
uninhibited, forward-thinking, and unafraid to test the status quo.

Andrew Narvaez continues to influence the music industry with his infectious sound and
genuine demeanor, serving as a role model for both musicians and fans alike. His career
exemplifies the significance an artist can have when they have the courage to express
themselves honestly.

Follow Andrew Narvaez and never miss a beat:
𝐀𝐍𝐃𝐑𝐄𝐖 𝐍𝐀𝐑𝐕𝐀𝐄𝐙 (@andrewjnarvaez) • Instagram photos and videos
Andrew Narvaez | Spotify
This article was first published on Your EDM. Source: Andrew Narvaez, Prolific Musician: “Imperfect Perfection in Authentic Sound”
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R3HAB and W&W Team Up for Catchy Eurodance Theme “Million Places”

Fresh off the heels of their massive VIP remix for “Rock My Body” together, R3HAB and W&W have released their fourth official collaboration, “Million Places.” This one is really unique as it’s a Eurodance inspired track; a genre that W&W is very familiar with, but we haven’t really seen R3HAB dabble in. The result is, as you would expect, an incredibly catchy melodic track that will have the festival stage hopping.
The Dutch superstars first premiered the song during their Tomorrowland Winter b2b and it’s pretty clear why this track dominates festival stages. It’s anthemic, it has ethereal vocals, there’s piano breaks, everything about the track is huge. I’ve only caught this track via livestream, but there’s no doubt, “Million Places” is sure to be a mainstay in both W&W and R3HAB’s live sets.
“After months of testing and finesse-ing, Willem, Ward, and I are excited to officially release ‘Million Places.’” R3HAB says. “It was inspiring to premiere this record at Tomorrowland Winter during our b2b set, and we agreed the record was ready to release after the great response at Tomorrowland Mainstage last month. It’s our fourth and most anticipated collab, and I think our work keeps getting better.”
“Loved working on this one with R3HAB, the vocals instantly hit us,” W&W say, “And it’s goosebumps every time we play it.”
Check out the latest from R3HAB and W&W, “Million Places” out now on Rave Culture. Re-live their Tomorrowland Winter set below as well.
This article was first published on Your EDM. Source: R3HAB and W&W Team Up for Catchy Eurodance Theme “Million Places”
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AC Slater & Chris Lorenzo Release First Offical Fly With Us Track “Shrine Banger”

Two years since AC Slater and Chris Lorenzo first collaborated on a track called “Fly With Us” on Nightbass, the two titans of house music have finally released an official single under their new collaborative project of the same name. Fittingly, Fly With Us’ debut release is “Shrine Banger,” the opener to their first b2b performance at the Shrine Auditorium in Los Angeles a year ago.
“Shrine Banger” is an absolute house heater, needless to say it’s the perfect blend of Slater and Lorenzo’s similar, but unique styles. The drop hits hard with some squeaky synths, a nasty low end, and that perfect vocal sample, “And, I’m flying on a jet!”
Coming off a hot performance at HARD Summer last month, Slater and Lorenzo have announced their first ever Fly With Us show next month, appropriately at the Shrine. Tickets for the show are available here. Check out the debut single from Fly With Us (AC Slater x Chris Lorenzo), “Shrine Banger” out now on UKF.
This article was first published on Your EDM. Source: AC Slater & Chris Lorenzo Release First Offical Fly With Us Track “Shrine Banger”
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Night Owl Radio Drops Nocturnal Wonderland 2023 Mega-Mix

Nocturnal Wonderland is only two weeks away, so, you know what that means? Insomniac’s Night Owl Radio has dropped the official Nocturnal 2023 Mega-Mix featuring tracks from every artist on the lineup.
As per usual, this year’s edition of Nocturnal is absolutely stacked. Night One highlights include Seven Lions, Black Tiger Sex Machine, AC Slater, Jason Ross, NITTI b2b Marten Horger and much more. Night Two might be even more massive than Night One; Alison Wonderland, GHOST RYDR (JOYRYDE b2b GHASTLY), Valentino Khan, Bear Grillz, Dombresky, Dab the Sky (Dabin b2b Said the Sky), and Pendulum (DJ Set) are among some of the can’t miss acts on Sunday.
Tickets are still available for Southern California’s longest running dance music festival. Whether you’re new to the rave scene or you’ve been wide awake since 1993, Nocturnal Wonderland is always one of the most welcoming and inclusive festivals on the scene. Check out the Nocturnal 2023 Mega-Mix and the official Nocturnal 2023 trailer below and prepare to celebrate the Cosmic Equinox.
This article was first published on Your EDM. Source: Night Owl Radio Drops Nocturnal Wonderland 2023 Mega-Mix
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Your EDM Premiere: Enter Alley ‘Cat’s Big Bad Dark City’ With Some Big, Bad, Dark Amens [Armory]

Alley Cat is a London-based expat of over two decades and a drum & bass veteran for at least that long, as well as co-head of ESP Agency and Kokeshi Records and a major voice in the EQ50 womxn’s music collective. She also just started her own radio show with KoolFM on RinseFM. If anyone knows how big and backand dark London can be, it’s Alley Cat. With all her industry credits and connections, Alley Cat’s music has always been decidedly personal to her own taste and she’s known for not following trends. In a world where pop D&B and dancefloor are bringing in the crowds, Alley Cat is happy to play her own way, and she still has plenty of takers: this summer alone she’s played Let It Roll, Locus, Outlook UK and Boomtown, just to name the big ones, and will be playing next weekend at Sun and Bass. D&B veteran is a bit of an understatement.
Alley Cat’s last chronological release was the 2015 digital re-release on Offshore Recordings of a 2009 two-sided vinyl single called “Sweet Spot”/”Radiate” with her good friend, the sadly recently passed dubstep and breakbeat producer, Vaccine. 2012 was her actual most recently produced release on the Kokeshi Kompilation album with the snappy halftime/hop hop hybrid track, “Don’t Edit Me.” Since then, she’s been focused on all the stuff listed above, but it seems she’s also been working away at her own stuff lo these eleven years, through all the changes to the industry, the pandemic and all the other big, bad, dark stuff in recent history. To say this EP title is apt would be an understatement.
All that political author posturing aside, it’s likely Alley Cat named her EP Big Bad Dark City as more of an homage, or at least as a nod to the vibes on said EP. Big, bad, deep and dark also seems to perfectly describe the sound she’s created here, with a heavy focus on deep bass sounds and deeper sound design. This is not the deep drum & bass that is prevalent nowadays, but something more intelligent and tribal, as the opening title track makes immediately clear. With what sounds like steel drum samples and an analog tom and snare creating the main drums, the beat comes in at intervals during the intro before filling in the main track with more snappy snare ornamentations and a deep, dark, primal bass note to ground each phrase. Emotive and rolling, there’s the slightest throwback to early breakbeat but there’s so much innovation here in terms of composition audiences might miss it if they blink.
Luckily, the next track, “Construction Tune” sets the record straight on where Alley’s favors lie in terms of sound combos. A straight up and down, amen-filled breakbeat track of the highest order, here the artist merges old school sounds, samples and vibes with modern techniques and sound design (and possibly a little construction noise from her own house) to bring this oft-forgotten-nowadays style forward to 2023. Still trippy, tribal and totally her own, “Construction Tune” would be cool to hear mixed with other genres, and given that Alley self-describes her sound as “drum, bass, dubstep, whatever,” it likely will be in the future.
Our premiere for today is the last track on Big Bad Dark City, called “May Day.” The amen, Venetian Snares-style snare fun is even more front and center on this track; in fact it’s the main feature. Alley’s gone full ambient on this tune when it comes to the higher registers, with sine wave synths swelling in and out of the track as the structure is once again a backwards jungle/breakbeat combo that hearkens back to the inception of D&B. The warmth of all these sounds put together is truly like nothing else being released right now, and it’s clear that’s what this artist wants. The OG heads will recognize all the samples of D&B and electronic yore, but younger audiences will see this track for its innovation and clean production style. It’s really all in the eye – or ear, in this case – of the beholder, and “May Day” has something for every ear.
It seems an 11-year hiatus from production hasn’t dulled Alley Cat’s compositional senses, nor her sense of what she wants her sound to be. This artist knows what she’s about, both in the industry and in her artistic expression. The Big Bad Dark City tends to demand that of its artists, and in Alley Cat’s case, it’s a result that’s definitely worth the time it took to create.
Big Bad Dark City releases tomorrow, September 1 on Armory, a new label out of Sacramento. Click here to purchase or stream starting tomorrow and here for links to Alley Cat’s other projects.

This article was first published on Your EDM. Source: Your EDM Premiere: Enter Alley ‘Cat’s Big Bad Dark City’ With Some Big, Bad, Dark Amens [Armory]
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Teenage Prodigy Orlando Kallen Makes Explosive Debut with “Lone Wolf”

Teenage prodigy Orlando Kallen stands out from the crowd with his ground-breaking debut single “Lone Wolf” in a world where musical genres are constantly being blurred and reinvented. Australian-born musician Orlando, who has Greek, Egyptian, and Croatian ancestry, has finally released his long-awaited track today, ushering in a new era of musical experimentation.
“Lone Wolf” is a rich tapestry of diverse influences, reflecting Orlando’s dynamic musical background, and is a far cry from the monotony of mass-produced pop. “Lone Wolf” channels the spirit of its many influences, from the edgy rock of Lenny Kravitz to the emotionally charged pop of Billie Eilish to the timeless allure of Elvis Presley, while forging its own path.
Orlando said, “Everything about ‘Lone Wolf’ is reflective of my life, its highs and lows. I hope this song encourages anyone who has ever felt different to follow their own path. This song represents my personal journey of self-discovery and the unifying power of music.
Those who have followed Orlando’s rapid rise will not be surprised by the strength of his first work. From his early training at Australia’s NIDA and David Jaanz International Singing Academy to his recent award as “Best Leading Actor” from the Music Theatre Guild of Victoria, Orlando has never failed to impress with his natural musical talent and captivating stage presence.
The release of “Lone Wolf” is the first step in Orlando’s grand plan to bring people together and inspire them with his music. As this powerful track reverberates around the world, it gives listeners a taste of the life-altering experience that awaits them in his upcoming debut album.
About Orlando Kallen
Australian-born 18-year-old musical prodigy Orlando Kallen. Orlando’s debut single “Lone Wolf” heralds the beginning of a promising career in the international music industry thanks to his multifaceted talent in musical theater, vocals, piano, guitar, gospel, R&B, and rock. Orlando Kallen is a promising new talent on the international music scene, drawing attention thanks to his captivating live shows and distinctive sound.



This article was first published on Your EDM. Source: Teenage Prodigy Orlando Kallen Makes Explosive Debut with “Lone Wolf”
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Phil Collins as Electro? One for the GenXers with Jenn Vix’s Cover of ‘In the Air Tonight’ [Video]

Your EDM featured Jenn Vix last year in our New Artist Spotlight series, as the synthwave and rock veteran had begun to dabble in electro with her single “Mr. Strange.” Now with a budding solo career after working with so many big names of the 80s and 90s like The Cure and The Psychedelic Furs, it was only a matter of time before she’d thumb through her rock legend Rolodex and coming out with a killer collab. Such is the case with her cover of Phil Collins’s legendary anthem to anger, “In the Air Tonight.”
When listening to the original Collins track, it’s clear to see that the drummer/songwriter/producer was light years ahead of his time, so much so that the production values of the 1981 instant classic hold up against anything producers are doing in modern labs. There’s a heavy element of synthwave in the original, thought it’s generally regarded as rock, which makes it seem polished and also more than a little ominous.
With Vix being well-known in synth and rock circles of the 80s and 90s, it’s not surprising that she might try a cover of “In the Air Tonight,” but it is a fun surprise to learn who she chose to work with on this stripped-down, pseudo-darkwave version. It’s none other than Vernon Reid, the Grammy-winning guitarist from the wildly successful 90s band Living Colour. Reid lends his amazing guitar skills to this cover as Vix shows her chops on the drums, and the track thus takes on quite a different style from the original.
With a darkwave beat played by Vix on v-drums, her version of “In the Air Tonight” opens with Reid’s intense ornamentation on the original guitar work, adding a surprising dose of blues to the mix and a pitched-up key to match Vix’s vocals. Said vocals have VIx’s telltale deep and maudlin tones which somehow transform the track, along with the bluesy guitar, into something more sad and desolate than eerie and angry. It’s an interesting choice but makes sense in the context of both musicians’ work. In some ways it almost seems as if it’s a response track to Collins’s original, with Vix playing the defensive object of Collins’s anger rather than the vengeful protagonist.
This new narrative is reflected in the video Vix and her JFIVENINE Media production company released at the same time as the track. In it, among the shots of her on drums and of Redi’s virtuosic guitar playing, There’s a stark black background always surrounding Vix, sometimes over the water with the moon in the backgrounds and sometimes looking like she’s on the run in an LA neighborhood. She appears sad and worried as she sings, again as if she is responding in defense to some unseen person beyond the fourth wall. Collins’s video had a similar black-and-dark setting, mostly with closeup shots of his angry face or wide shots in a small room taking aggressive postures or striking the walls. Vix hasn’t confirmed this call-and-response vibe was her intention in the song or video, it’s just a theory. Watch and decide for yourselves.
No matter what the vibe was supposed to be Jenn Vix’s cover of “In the Air Tonight” is a fun re-work of a classic that still gets lauded today as one of the all-time greatest tracks of the 80s and 90s. With Vix herself and 90s legend Reid on this track, one can’t help but be nostalgic for those early synth rock and post punk days, and the magic talents like Collins, Vix and Reid created then.
The “In the Air Tonight” cover is currently only available on Vix’s YouTube page but it will likely migrate to Spotify soon. In the meantime, check out some of her other work here.
This article was first published on Your EDM. Source: Phil Collins as Electro? One for the GenXers with Jenn Vix’s Cover of ‘In the Air Tonight’ [Video]
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Your EDM Premiere: Brand New Artist Carry the Branches Poised to Create New Musical Worlds With Their Upcoming EP, ‘Zombie Telegram’

The Brooklyn-based artist behind this new and naturalistic approach to electrono-pop called Carry the Branches is Sonar Mallory, and they’ve got an absolutely mental backstory. Born into an obscure cult which believed in, in their own words, “impossible physics and a secret world government,” Mallory luckily found a refuge in music from an early age and even before escaping the cult as a teenager, they became an accomplished multi-instrumentalist with the intention of professionally playing violin in a string quartet.
Understandably, it was a long journey for Sonar to assimilate into wider society, and they put music on hold once in New York, focusing on another important career as a psychotherapist. This was likely helpful to them as well in understanding and breaking free of cult mentality and learning their own identity. Music seemed to always be simmering under the surface, however, and when COVID hit, the “obsessive refuge” Mallory once took in it re-surfaced. Working through the pandemic on production, songwriting and creating a sound, Carry the Branches was born.
Mallory just recently announced the release of their first EP, Zombie Telegram, which will be out in full by December and features some of the most unique and innovative sounds and emotions music has seen in recent years. Described by the artist as, “if Sparklehorse covered Elliot Smith,” there are loads of elements at play here. Mallory have the ability to bridge electronica, rock and chamber pop in a way that sounds much more naturalistic and even holistic, hearkening back to the golden years of Bjork and In Rainbows-era Radiohead, but even that doesn’t do it justice.
With the lead single from Zombie Telegram, a poignant nod to their own story called “We’re Not Coming Back,” Carry the Branches introduces the world to Mallory’s sound via an indie pop structure. Said structure, however, is only meant to carry all the innovation contained therein. It sort of begins and ends with Mallory’s vocals and production, both of which hold a sort of ethereal power that really should be called experimental. With a filigree of high-pitched instruments creating ornamentation over the complex and layered sound design in most of the song, it’s a deep, heart-based musical energy that evolves into a cacophony of all the elements coming together in organized chaos at the end of the track. All the elements of the track that just lined the edges are now all jockeying for center stage, a chaos that certainly represents breaking out of the mind control under which Mallory was raised. It’s chilling stuff, and the lyrics are even more visceral.
Our YEDM premiere is the second monthly track from Zombie Telegram, due out on September 4th and called “Green Night.” A little more seated in electronica, this track has a disco house beat which is done on analog drums so it once again nicely straddles the rock and EDM worlds. The track begins as a meditation on self and identity in the lyrics, and the smooth, somehow foresty-feeling music goes along with them to put the listeners into the same contemplative space. This track seems to be about processing trauma while trying to find oneself and also a testament to Mallory’s own trans journey. Their lyrics really show Mallory’s psych chops, speaking many uncomfortable human truths in a way that’s not judgmental and universally relatable while also being highly personal. This is achieved with the extraordinary tone and timbre of their vocals as well; they seem to have at once earthy, celestial and deeply emotional tones, once again breaking into a sort of primal cry of pain and release at the end of the track.
Even if you don’t hear the lyrics or understand Mallory’s intended meaning in these first two tracks, the humanity and relatability in both “We’re Not Coming Back” and “Green Night” is nearly impossible to ignore. Sonar Mallory is a being formed by some of the hardest parts of this world but who seems to have transcended it through that pain and control into a form of music said world desperately needs right now. As more of their work is released, it’s likely Carry the Branches will be on a trajectory similar to that of Arca and other queer artists who have been able to share their experience and show, unequivocally, that the trans experience is a human experience and part of a greater social evolution. Per the opening lyrics of “Green Night,” “don’t be afraid, I’m not a man; I wear this skin because I can.”
“Green Night” releases on Spotify on September 4th. Click here to pre-save, and go to Carry the Branches’ main Spotify page or Bandcamp to hear “We’re Not Coming Back” in full and check back for the other tracks to be released each month as well as a collab dance remix of “Green Night.”
This article was first published on Your EDM. Source: Your EDM Premiere: Brand New Artist Carry the Branches Poised to Create New Musical Worlds With Their Upcoming EP, ‘Zombie Telegram’
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