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The post New EDM This Week – March 15th Best Releases Playlist appeared first on EDM Sauce.
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Between securing tickets, booking accommodations, arranging transportation, and budgeting for food and drinks, the costs can quickly spiral out of control. However, have no fear, because One N Only Travel is here to level up your festival experience, offering a one-of-a-kind comprehensive package that combines convenience, affordability, and of course unparalleled fun.
EDC Vegas is world renowned for being a top-tier festival but let’s face the facts partying in Las Vegas doesn’t come cheap. With exorbitant hotel rates, sky-high transportation costs, and sold-out shuttle services, navigating the logistics of EDC can be overwhelming. That’s where One N Only steps in, offering a safe and hassle-free solution that ensures you make the most of your EDC adventure without breaking the bank.
The Ultimate Party Package
Why spend the time, energy, and money booking everything individually when you can get it all at once cheaper?
Let’s look at the cost breakdown.
Starting at just $2000, the One N Only standard package includes:
– Two shuttle passes ($600 value)
– Daily breakfast ($80 value)
– Luxurious hotel accommodations at Serene Resort Las Vegas ($1200 value)
– Exclusive day parties ($100 value)
– Early and late check-out options ($200 value)
– Complimentary access to the hotel on the Thursday before EDC ($400 value)
– Free beauty bar ($200 value)
But that’s not all! The standard package also includes an exclusive resort kimono, ensuring you’re dressed to impress throughout the weekend whether it’s lounging by the pool or hitting up an after party. Plus, with the Serene Resort located just a quick seven minutes from the airport, getting to and from your accommodation is a breeze.
One N Only goes above and beyond to enhance your EDC experience with an array of exclusive amenities. From an onsite tattoo parlor ($100-$150 value) to unlimited alcoholic and non-alcoholic drinks on the shuttle ($60 value), discounts on drinks and merchandise at the resort, you’ll save even more while living it up in style.
The Perfect Blend of Fun & Savings
With the hotel takeover, there are no hidden fees or resort charges – everything is transparent and upfront (unlike most hotels in Vegas). Additionally, the custom boutique experience ensures that solo travelers who are looking to make new friends (or find that special someone) are paired with like-minded roommates, while couples have the option to share accommodations with other groups, saving you even more money.
When it comes to getting to and from EDC Vegas the One N Only shuttles offer safe and reliable transportation to and from the festival, with early departures to minimize traffic delays. With the option to hop on and off at any stop, you can explore the city at your own pace without worrying about getting lost or dealing with unreliable or unsafe rideshare services. With a strategic location just a four-minute drive from the Las Vegas Strip, you can enjoy every moment of Las Vegas without worrying about how you’ll be getting home.
One N Only has more than 12 years of experience in creating unforgettable festival experiences at EDC Las Vegas. Whether you’re traveling solo or with a group, on a tight budget or looking for a hassle-free adventure, our package has you covered. With wallet-friendly dining options within walking distance of the hotel (looking at you White Castle and Chick Fil-A), you can indulge in post-party munchies without breaking the bank.
Don’t settle for a mediocre EDC experience – unleash the ultimate adventure with One N Only Travel. Book now for an unforgettable weekend filled with music, excitement, and memories that will last a lifetime. For more information visit the One N Only Resort Takeover during EDC LV website HERE.
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Between securing tickets, booking accommodations, arranging transportation, and budgeting for food and drinks, the costs can quickly spiral out of control. However, have no fear, because One N Only Travel is here to level up your festival experience, offering a one-of-a-kind comprehensive package that combines convenience, affordability, and of course unparalleled fun.
EDC Vegas is world renowned for being a top-tier festival but let’s face the facts partying in Las Vegas doesn’t come cheap. With exorbitant hotel rates, sky-high transportation costs, and sold-out shuttle services, navigating the logistics of EDC can be overwhelming. That’s where One N Only steps in, offering a safe and hassle-free solution that ensures you make the most of your EDC adventure without breaking the bank.
The Ultimate Party Package
Why spend the time, energy, and money booking everything individually when you can get it all at once cheaper?
Let’s look at the cost breakdown.
Starting at just $2000, the One N Only standard package includes:
– Two shuttle passes ($600 value)
– Daily breakfast ($80 value)
– Luxurious hotel accommodations at Serene Resort Las Vegas ($1200 value)
– Exclusive day parties ($100 value)
– Early and late check-out options ($200 value)
– Complimentary access to the hotel on the Thursday before EDC ($400 value)
– Free beauty bar ($200 value)
But that’s not all! The standard package also includes an exclusive resort kimono, ensuring you’re dressed to impress throughout the weekend whether it’s lounging by the pool or hitting up an after party. Plus, with the Serene Resort located just a quick seven minutes from the airport, getting to and from your accommodation is a breeze.
One N Only goes above and beyond to enhance your EDC experience with an array of exclusive amenities. From an onsite tattoo parlor ($100-$150 value) to unlimited alcoholic and non-alcoholic drinks on the shuttle ($60 value), discounts on drinks and merchandise at the resort, you’ll save even more while living it up in style.
The Perfect Blend of Fun & Savings
With the hotel takeover, there are no hidden fees or resort charges – everything is transparent and upfront (unlike most hotels in Vegas). Additionally, the custom boutique experience ensures that solo travelers who are looking to make new friends (or find that special someone) are paired with like-minded roommates, while couples have the option to share accommodations with other groups, saving you even more money.
When it comes to getting to and from EDC Vegas the One N Only shuttles offer safe and reliable transportation to and from the festival, with early departures to minimize traffic delays. With the option to hop on and off at any stop, you can explore the city at your own pace without worrying about getting lost or dealing with unreliable or unsafe rideshare services. With a strategic location just a four-minute drive from the Las Vegas Strip, you can enjoy every moment of Las Vegas without worrying about how you’ll be getting home.
One N Only has more than 12 years of experience in creating unforgettable festival experiences at EDC Las Vegas. Whether you’re traveling solo or with a group, on a tight budget or looking for a hassle-free adventure, our package has you covered. With wallet-friendly dining options within walking distance of the hotel (looking at you White Castle and Chick Fil-A), you can indulge in post-party munchies without breaking the bank.
Don’t settle for a mediocre EDC experience – unleash the ultimate adventure with One N Only Travel. Book now for an unforgettable weekend filled with music, excitement, and memories that will last a lifetime. For more information visit the One N Only Resort Takeover during EDC LV website HERE.
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The lead single, ‘Chit Chat’, released on the 19th of January, showcases the growth in sound that BIJOU has gone through since his last album in 2020. Accompanying this lead single we’ve got dancefloor fillers such as ‘Mercy’, ‘Mobbing’, ‘Firestarter’, ‘Slow Motion’, and ‘All Over Me’. With collaborations alongside No/Me, AK RENNY, Dr. Fresch, and Gold Lemonade, it’s no surprise that this album is packed with heavy hitting singles. Not just an album packed with bangers, but they are all blended together in a story with multiple interludes between each track bringing them all together in unison.
This EP is not just a collection of tracks; it’s a narrative of growth, exploration, and the pursuit of a sound that resonates on a grand scale. With the promise of large vocal-driven house records set to drop later this year, BIJOU is poised to captivate audiences worldwide, proving that his musical journey is one that continually defies expectations. ‘LIGHTS OUT’ is more than an EP – it’s a milestone, marking the evolution of a music producer who has not only mastered his craft but is ready to redefine it.
Stream this album below.
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The lead single, ‘Chit Chat’, released on the 19th of January, showcases the growth in sound that BIJOU has gone through since his last album in 2020. Accompanying this lead single we’ve got dancefloor fillers such as ‘Mercy’, ‘Mobbing’, ‘Firestarter’, ‘Slow Motion’, and ‘All Over Me’. With collaborations alongside No/Me, AK RENNY, Dr. Fresch, and Gold Lemonade, it’s no surprise that this album is packed with heavy hitting singles. Not just an album packed with bangers, but they are all blended together in a story with multiple interludes between each track bringing them all together in unison.
This EP is not just a collection of tracks; it’s a narrative of growth, exploration, and the pursuit of a sound that resonates on a grand scale. With the promise of large vocal-driven house records set to drop later this year, BIJOU is poised to captivate audiences worldwide, proving that his musical journey is one that continually defies expectations. ‘LIGHTS OUT’ is more than an EP – it’s a milestone, marking the evolution of a music producer who has not only mastered his craft but is ready to redefine it.
Stream this album below.
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Dua Lipa announces ‘Radical Optimism’ album: A Fusion of Psychedelia, Trip Hop, and Britpop
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The Association of Independent Festivals (AIF), which conducted the research, said that “The timing of this milestone suggests that the number of festival cancellations this year will far outstrip 2023, when a total of 36 festivals were cancelled before they were due to take place.”
READ MORE: “Right now, the economics of streaming are very broken”: sonu.stream co-founder Laura Jaramillo wants to re-shape streaming The report continued: “Without intervention, it’s expected that the UK could see over 100 festivals disappear in 2024 due to rising costs. Without having had a single steady season since the pandemic in which to recover, the country’s festivals are under more financial strain than ever.”
Affected festivals include Nozstock: The Hidden Valley, which will be cancelled after 26 years this July, as well as Standon Calling, Neighbourhood Weekender, NASS, Doune The Rabbit Hole and Tokyo World.
Last month, AIF launched the 5% For Festivals campaign which sought for a VAT reduction on festival tickets that would save many event promoters from closure. Temporary support from the UK Government – lowering VAT from 20% to 5% on ticket sales for the next three years – is all that’s needed to give festival promoters the space they need to rebuild, said the AIF.
AIF CEO John Rostron states: “It’s with grave concern that we again sound the alarm to [the] Government upon passing this critical milestone. UK festivals are disappearing at a worrying rate, and we as a nation are witnessing the erosion of one of our most successful and unique cultural industry sectors.
“We have done the research: a reduction of VAT to 5% on festival tickets over the next three years is a conservative, targeted and temporary measure that would save almost all of the festival businesses that are likely to fall by the wayside this year and many more over the years to come. We need this intervention now.”
Earlier this year, Music Venues Trust reported that 2023 was the worst year for music venue closures in the UK, with a whopping 125 venues closed, 4,000 jobs lost, 14,500 events cancelled and 193,230 gigs scrapped as a result.
The post 21 UK festivals called off, postponed or cancelled altogether – with over 100 in danger of disappearing without immediate action appeared first on MusicTech.
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For years, DJs, festival organisers and fans have campaigned to secure the status of the city’s techno scene amidst fears that the culture wouldn’t survive without it.
READ MORE: Tidal introduces Circles, a social network for musicians to discuss their experiences in the industry Clubcommission – a network of Berlin’s techno clubs and musicians – praised the move as “another milestone for Berlin techno producers, artists, club operators and event organisers”.
Non-profit organisation Rave The Planet, who spent the past few years campaigning for the addition of Techno into the UNESCO list, also celebrated the news on their social media accounts: “Congratulations to all the cultural creators who have shaped and contributed to Berlin’s techno culture,” they said.
“A big thank you to everyone involved who has been with us on this journey since Hans Cousto’s initial idea in 2011. Special thanks to the Expert Committee on Intangible Cultural Heritage at the German UNESCO Commission!”
“This is a major milestone for the entire culture, and our joy is beyond words.”
According to The Spiegel, Berlin techno is probably the “youngest tradition” to be added to the list of cultural German traditions. The move is likely to bring about increased funding and easier access to government subsidies to clubs. Hurdles and requirements for opening and maintaining clubs could also be reduced.
Per Mixmag, Rave The Planet began lobbying German authorities to apply for intangible cultural heritage status of Berlin techno in 2021. The move came after reports that an estimated 100 clubs in Berlin have shut down in the last decade.
Created in 2003, the UNESCO intangible cultural heritage list seeks to protect cultural traditions worldwide as well as raise awareness of their significance. Berlin’s techno scene is one of six new entries to the list in Germany, which features mountaineering and fruit wine among others.
Of the inclusion, Claudia Roth, the Minister of State for Culture, says that Berlin techno culture stands for “values such as diversity, respect and cosmopolitanism.”
The post Techno in Berlin officially joins the UNESCO cultural heritage list appeared first on MusicTech.
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This comprises headlining stars on the main stage, the largest-ever Kendal Calling lineup at Tim Peaks, fresh talents from the forefront of new music at Calling Out, vibrant world music performances by Chai Wallahs, and hilarious comedy acts at The Soapbox.
Described as ‘the mini-Glastonbury of the North’ by some, Kendal Calling features headlining performances this year from five must-see acts: Noel Gallagher’s High Flying Birds, Paolo Nutini, The Streets, Paul Heaton with guest singer Rianne Downey, and Keane, alongside a diverse lineup of hundreds of other artists for festival attendees to enjoy.
Over four days, forty thousand festival goers will gather once again in the fields as Kendal Calling transforms into Cumbria’s third largest town. The ultimate festival gathering, Kendal Calling is filled with otherworldly entertainment and escapism designed to intrigue, surprise and entertain all ages. Kendal Calling will take place from 1 – 4 August 2024 and tickets are on sale now at www.kendalcalling.co.uk.
Lucy Spraggan joins the Kendal Calling lineup, marking her highly anticipated return with the release of her latest album last August. Also included are Charlotte Plank, known for recent collaborations with Rudimental and Turno and praised by NME and Zane Lowe. Additional acts like Sugababes, The Snuts, Feeder, and British youth counterculture rockers Bilk will be performing. ADMT, creator of the hit “Midas Touch,” Alfie Jukes with his single “Eyes Wide” released in January, along with Future Utopia and teen punk powerhouse HotWax, are set to grace the Fields stage.
Kendal Calling isn’t complete without Tim Burgess’ renowned Tim Peaks Diner, showcasing legendary sets and exceptional coffee. Today, Tim Peaks unveils its impressive lineup, promising even more excitement. Alongside anticipated secret performances, festival-goers can expect surprises until the reveal. This summer, A Certain Ratio will perform live at the Diner, with their set swiftly transferred to vinyl for purchase at Kendal Calling’s Sunday event. Fans can even get their albums signed by the band, who express their enthusiasm for this opportunity at Tim Peaks Diner.
Having received his Fellowship at The Royal Northern College of Music in November, Tim Burgess will be collaborating with the Session Orchestra for a one off performance alongside Dexys Midnight Runners legend Helen O’Hara. Elsewhere across the weekend at everyone’s favourite Diner, Dave Haslam will be hosting two book events as well as one of his legendary DJ sets on the Friday night which is not to be missed. Two Headed Horse, who have been involved in the Help Us Help Us Bands project will be performing at Tim Peaks, as well as Leeds rockers Ultimate Thunder whose story with Tim Burgess was covered by the press globally. Chris Hawkins will be bringing Names In Songs to life for the first time at a festival as part of his Tim Peaks FM show on Saturday. And there is much, much more still to come.
Tim Burgess expressed, “I mention this annually, but I truly believe that this could be our finest lineup yet. Having A Certain Ratio perform live and turning their set into an album is a dream come true for me.”
“Calling Out, Kendal’s renowned music discovery platform, has been a launching pad for emerging artists worldwide en route to the main stage. It has welcomed acclaimed acts like Mumford & Sons, London Grammar, and The 1975. This year, notable talents including Sundara Karma, The K’s, and Peace will grace the stage, along with new additions Benjamin Francis Leftwich and ADMT. Antony Szmeriek, BBY, Lauren Hibberd, and Felix White’s latest endeavor, 86TVs, are also set to perform.”
Chai Wallahs, a distinctive touring venue, has made its return, solidifying its reputation as the ultimate hub for world music, jazz, hip hop, reggae, funk, and soul enthusiasts. For more than 15 years, Chai Wallahs has been a melting pot of diverse musical genres, creating unforgettable experiences where global sounds converge. This season, Chai Wallahs will showcase an impressive lineup of performers guaranteed to captivate audiences. Headlining this event is Tom McGuire & The Brassholes, an acclaimed 8-piece soul/funk group from Glasgow known for their infectious energy on stage. Also gracing the venue is Omega Nebula, bringing their spirited reggae rhythms and powerful basslines, promising an electrifying show that will move the crowd. Alongside these acts, Chai Wallahs will feature a range of talented bands and artists from around the world, such as The Allergies Live, Dr Meaker, and Jamu, establishing itself as a must-visit destination for exceptional global music, complemented by delectable pizza and a vibrant atmosphere.
“The Soapbox, a hub for entertainment in the UK, features a diverse range of shows from uproarious stand-up comedians to the extravagant world of Drag Bingo. Catering to various audiences with both family-friendly and more adult-oriented performances, it promises something for everyone. Today, Kendal unveils the initial lineup gracing The Soapbox stage to enchant festival attendees, showcasing talents like Angelos Epithemiou, Olivia Lee, Jojo Sutherland, Micky P Kerr, Rich Wilson, Matt Bragg, Tadima Mahlunge, Danny McLoughlin, Phil Chapman, Dani Johns & Jenny Hart.”
“Here are some gentle prompts from the performers who illuminated the Kendal Calling 2023 stage, underscoring the festival’s exceptional charm.”
“After years of anticipation, I finally got to perform at Kendal Calling today. It’s indescribable; such an incredible day.” – Melanie C
“An amazing adventure with amazing individuals!” – Rick Astley
“The best festival and our most beloved festival performance ever!” – Lottery winners
Kendal once again comes Calling in 2024 1 – 4 August. Get your tickets at www.kendalcalling.co.uk – see you in the fields.
The post Kendal Calling reveals full line-up with hundreds more artists first appeared on UK Festival Feed.
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AXMO unveil earth-shattering anthem ‘Back Again’: Listen
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Music production can be described as harnessing technology in the pursuit of art. But, as Kalide puts it, “creativity is not a one-size-fits-all” — in other words, there are those who lean towards the technical, and others who are all about the musical art. It’s the latter group who are the particular target audience for the newly updated and overhauled Collage, Kalide’s unique take on a multi-effects plugin.
READ MORE: Newfangled Audio’s Recirculate may be the last delay plugin you ever need Anonymous widgets
Interaction view in the Collage 2.0 Collage’s main view — the Interaction view — comes as a shock when you start loading presets. Each has its own coloured and/or textured background, accompanied by one or more unlabelled, chunky and often unconventional-looking widgets. And that’s it!
Waggling a widget will do something, although it isn’t clear in advance what this will be (and isn’t always clear post-waggle either). Hovering your mouse over a widget opens a chunky label, but the names that are displayed aren’t always helpful. Sometimes, these favour flowery ambiguity over succinct accuracy, but even where a more conventional name is used, it isn’t clear what it refers to — “blend”, for example, could have multiple meanings.
As it turns out, the peculiar widgets are nothing more than artsy knobs and sliders that act as macro controllers, linking to parameters from within the maximum of eleven effects processors that underlie a Collage preset. These processors, accessed from the plugin’s Editor view, can be enabled and disabled as needed and can be arranged in any order.
Editor view in the Collage 2.0 The plugin includes an easy-to-use tool for adding and positioning widgets, and for mapping each to up to three effect parameters. In addition, each widget can be modulated by one of four internal LFOs, adding automatic and rhythmic movement to the parameters they are controlling. There is a large collection of widgets on offer ranging from the almost conventional to the downright bizarre (a knob that looks like a curtain pole finial, anybody…?)
The idea is, of course, that you can create a blend of the underlying effects along with your own customised user interface for controlling them. The ability to combine parameters from different effect processors under one macro control makes for some interesting performance possibilities too, especially if using a hardware controller.
Controller or no, we strongly dislike the lack of permanent labels. Kalide appears to take the view that this encourages experimentation and focuses attention on the sound rather than the parameter. Unfortunately, we find it deeply off-putting to be presented with screen after screen of peculiar, anonymous widgets, often laid out randomly, against a similarly random background.
Interaction view in the Collage 2.0 Effects and variations in Collage 2.0
Each of Collage’s effect processors handles a particular type of effect — reverb or filtering or whatever — and most offer multiple variants within that type, giving a grand total of 43 different processors to choose from.
Artsiness for artsiness’ sake makes another appearance here in the names of the effects themselves, with examples such as “Starboard” for modulation effects and “Calico” for delay. The type of effect is shown in a pop-up when mousing over, but could just as easily have been included in the static label: “Calico Delay” would be just fine!
This obtuseness continues into the naming of effect variants too, for example “Smear” and “Eskalator” for types of reverb, “Pulley” and “Incidence” for EQs, and “Midas” and “Guardian” for flavours of stereo adjustment.
Interaction view in the Collage 2.0 This manner of naming may make sense to some, but it is meaningless to us. We do not accept the premise that the proper effect names (reverb, delay, compressor, etc.) and effect type names (hall reverb, parametric EQ, chorus, etc.) are confusing or overly technical. Inventing a whole new vocabulary hinders understanding and intuition rather than helping it.
We also feel the editing views, though easy enough to use, are just unpleasant to look at, with overly bright and garish backgrounds, and a hideous, scrawly, Comic-Sans-like typeface. It’s enough to burn your eyeballs — ironic, then, that the plugin offers a high-contrast mode for the visually impaired. On a serious note, it’s very positive that Kalide supports this group of users, but we would strongly advise the brand also includes a skin that is less intense and that uses crisper, more legible typography.
Editor view in the Collage 2.0 Does Collage 2.0 actually work?
Collage’s individual effects sound impressive and the ways you can combine and control them are almost limitless. The main Interaction view encourages real-time control and performance and, if using the right blend of effects and macro configurations, can give some very satisfying results. It is this combining of effects and effect parameters that is Collage’s strongest suit, allowing you to create original and performable effect chains. The unconventional styling aims to encourage experimentation and focus one’s attention on the sound, all of which is perfectly laudable.
However, many of the presets on offer are little more than standard processors — a compressor or an EQ for example — but with only a handful of the processor’s parameters exposed as widgets within the main view; others may combine multiple effects but only expose controls for one — a reverb and EQ, for example, but with only EQ cut/boost controls provided. Such usage fails to take advantage of Collage’s best feature — namely the ability to combine parameters within a single macro, so we struggle to see the point. In such cases, we would always prefer to use a regular-looking plugin with regular controls and accompanying labels.
Assign view in the Collage 2.0 There are a couple of fundamental paradoxes in Collage’s workflow too.
Firstly, the unique styling is supposed to encourage intuitive interaction but, with no commonality of function, layout or design from one preset to another and no permanently visible labels, there is no prospect of developing an intuitive sense of what the plugin’s controls actually do. What ensues, then, is reluctantly loading presets without having a clue what they will do, and then randomly poking at widgets to find out. You may hit on a happy accident, but this is neither a creative nor intuitive way of working.
Secondly, if you wish to take Collage beyond its factory presets, you have to delve into the processes of configuring the effects you plan to use, choosing which parameters to expose and which to combine with other parameters, and designing the user interface to configure the widgets that combine and control those parameters. This is a cool thing to be able to do, but music production doesn’t get much more technical than this!
Design view in the Collage 2.0 Should you buy Collage 2.0?
There will be producers who welcome Collage’s visual quirkiness and (claimed) banishment of technical detail but, for us, it is precisely these aspects of the plugin that we find hardest to get on board with. They just don’t deliver what they are supposed to.
Despite its undeniable versatility and uniqueness, in trying to appeal to our purely artistic sides Collage reduces rather than enhances its accessibility, intuitiveness and, as a result, its creative potential.
Key features
Mac and Windows plugin (AAX, AU and VST) Fully customisable main user interface for each preset 11 effects processors: Calico: delays Cloak: convolution processor Colossus: waveshaping or bit crushing distortion Crest: gates, expanders, etc. Equator: EQ Kilter: filters Panoply: stereo field processor Quell: compression processors Quiver: rhythmic gating Starboard: modulation effects Verbal: reverbs 43 different effect types in total 4 LFOs that can map to macro control widgets The post Kalide’s Collage 2.0 tries to remove the technicalities from music production — but why? appeared first on MusicTech.
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Celebrating the return of their massive Future Rave residency at the world’s famous Hï Ibiza, David Guetta and MORTEN unveil a brand new EP via Spinnin’ Records. True to their Future Rave genre, both singles ‘The Future Is Now’ and ‘The Truth’ fuse techno groove, progressive hooks, and sturdy bass chords into a fresh approach to their self-coined festival sound.
PER PLEKS ft. Roland Clark – WTF (Dimitri Vegas & Like Mike Edit)
Always one to bring unique elements to their mainstage sound, Dimitri Vegas & Like Mike team up with PER PLEKS and Roland Clark to bring us a stomping new techno infused single ‘WTF’. A high octane single that is sure to get your sound system shaking, these artists deliver the perfect dose in time for festival season.
Nicky Romero – Turn Off The Lights VIP
When Nicky Romero released ‘Turn Off The Lights’ in 2023 he fans were blown away. Now, the Dutchman returns to our new music feed in style to bring us a special VIP version and we can’t get enough of it. Taking the house vibe from the first version and injecting it with more energy this single proves how talented Nicky Romero is.
Cloonee – Sippin’ Yak (We Like)
Today, Cloonee is releasing his hotly anticipated single ‘Sippin’ Yak (We Like)’ via Chaos/HellBent & Astralwerks. The song has been exploding both online and live around the world with fans demanding its release! ‘Sippin’ Yak (We Like)’ releases ahead of Cloonees’ packed touring schedule which includes both weekends at Coachella, a residency in Las Vegas (LIV Beach), a headline show at Brooklyn Mirage and a headline show in Miami in March, among other tour dates.
Honorable mentions:
Agdem – Samdo
Argy – New World (Album)
AXMO – Back Again
Blinders, Skytech, Evie – Feelings (That I Can’t Deny)
Cedric Gervais – Soy Candela
Curbi, Nadia Gattas – Want My Love
D-Block & S-te-fan – Fire
Dabin, Said The Sky, Clara Mae – In The End
Eats Everything, Chris Lorenzo, Lily McKenzie – Ghosts
EDX, Frey – Holy Wood (Eran Hersh Remix)
Fall Out Boy – Heartbreak Feels So Good (Dillon Francis Remix)
Four Tet – Three (Album)
Hayden James, Anabel Englund – Different Worlds
Maddix & Basswell – My Gasoline (Hard Edit)
MAKJ & Faustix – Trouble
Matroda – Boombox
Noizu ft. Madge – Acid Rain
NOME. – Rabbit Hole
Pleasurekraft – Tarantula (Max Styler Remix)
Rezz – Can You See Me (LP)
SAYMYNITTI & Blasterjaxx – Midnight
Showtek – We Speak Music (D-Sturb remix)
Steff da Campo & Ilkay Sencan – Kintsugi
Steve Angello – Rejoice (Still Young Remix)
Supermode – Tell Me Why (James Carter Remix)
Toby Romeo, Sam Fisher – Shine
Vicetone, Emily Falvey – Count Me Out
Yellow Claw & Natte Visstick – CRUSH
Zhu – Grace (Album)
Stream all these tracks and more in our New EDM Friday playlist – follow here.
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Celebrating the return of their massive Future Rave residency at the world’s famous Hï Ibiza, David Guetta and MORTEN unveil a brand new EP via Spinnin’ Records. True to their Future Rave genre, both singles ‘The Future Is Now’ and ‘The Truth’ fuse techno groove, progressive hooks, and sturdy bass chords into a fresh approach to their self-coined festival sound.
PER PLEKS ft. Roland Clark – WTF (Dimitri Vegas & Like Mike Edit)
Always one to bring unique elements to their mainstage sound, Dimitri Vegas & Like Mike team up with PER PLEKS and Roland Clark to bring us a stomping new techno infused single ‘WTF’. A high octane single that is sure to get your sound system shaking, these artists deliver the perfect dose in time for festival season.
Nicky Romero – Turn Off The Lights VIP
When Nicky Romero released ‘Turn Off The Lights’ in 2023 he fans were blown away. Now, the Dutchman returns to our new music feed in style to bring us a special VIP version and we can’t get enough of it. Taking the house vibe from the first version and injecting it with more energy this single proves how talented Nicky Romero is.
Cloonee – Sippin’ Yak (We Like)
Today, Cloonee is releasing his hotly anticipated single ‘Sippin’ Yak (We Like)’ via Chaos/HellBent & Astralwerks. The song has been exploding both online and live around the world with fans demanding its release! ‘Sippin’ Yak (We Like)’ releases ahead of Cloonees’ packed touring schedule which includes both weekends at Coachella, a residency in Las Vegas (LIV Beach), a headline show at Brooklyn Mirage and a headline show in Miami in March, among other tour dates.
Honorable mentions:
Agdem – Samdo
Argy – New World (Album)
AXMO – Back Again
Blinders, Skytech, Evie – Feelings (That I Can’t Deny)
Cedric Gervais – Soy Candela
Curbi, Nadia Gattas – Want My Love
D-Block & S-te-fan – Fire
Dabin, Said The Sky, Clara Mae – In The End
Eats Everything, Chris Lorenzo, Lily McKenzie – Ghosts
EDX, Frey – Holy Wood (Eran Hersh Remix)
Fall Out Boy – Heartbreak Feels So Good (Dillon Francis Remix)
Four Tet – Three (Album)
Hayden James, Anabel Englund – Different Worlds
Maddix & Basswell – My Gasoline (Hard Edit)
MAKJ & Faustix – Trouble
Matroda – Boombox
Noizu ft. Madge – Acid Rain
NOME. – Rabbit Hole
Pleasurekraft – Tarantula (Max Styler Remix)
Rezz – Can You See Me (LP)
SAYMYNITTI & Blasterjaxx – Midnight
Showtek – We Speak Music (D-Sturb remix)
Steff da Campo & Ilkay Sencan – Kintsugi
Steve Angello – Rejoice (Still Young Remix)
Supermode – Tell Me Why (James Carter Remix)
Toby Romeo, Sam Fisher – Shine
Vicetone, Emily Falvey – Count Me Out
Yellow Claw & Natte Visstick – CRUSH
Zhu – Grace (Album)
Stream all these tracks and more in our New EDM Friday playlist – follow here.
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The event, one of the nation's leading electronic music summits, was founded in 1985 and is estimated to attract roughly 100,000 people. Marking the brand's 35th anniversary, next year's Winter Music Conference will be the first since 2019.
The summit had been scheduled to return the following year, but the impact of the pandemic throttled its plans. Influential speakers scheduled to appear in 2020 included Patrick Moxey, founder of Ultra Records; Lyor Cohen, YouTube's Global Head of Music; and superstar dance music duo SOFI TUKKER, among many others.
Organizers ultimately launched the first virtual Winter Music Conference in its history, developing a slate of VR-based music programming in collaboration with VRJAM. Over 50 artists performed virtual DJ sets at the time, including pioneering Chicago house music legend Marshall Jefferson.
Details on the 2025 Winter Music Conference have been emailed to all badge holders, according to an announcement shared by organizers on X.
Follow Winter Music Conference:
Website: wintermusicconference.com
Facebook: facebook.com/wintermusicconference
X: x.com/WMCtweets
Instagram: instagram.com/wintermusicconference
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The renowned DJ and producer, whose real name is Jennifer Lee, has been confirmed to perform at the Galaxy's home of Dignity Health Sports Park. She'll take the stage this Saturday, March 16th in celebration of Women's History Month.
It's a momentous homecoming for Lee, who was raised in Southern California. Her high-profile set in the Galaxy's new cutting-edge DJ booth will follow that of Alesso, who recently DJed at the Galaxy's MLS regular season home opener.
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The news of TOKiMONSTA's unique DJ set arrives amid a resolute effort by the Galaxy to "revolutionize" its game-day experience for Major League Soccer fans. The club has encouraged them to arrive early for Saturday's match against St. Louis City SC to experience the full scope of the Grammy-nominated artist's performance.
In other TOKiMONSTA news, Lee recently launched Sonu, an innovative, artist-centric music platform developed as a solution to ameliorate today's inequitable streaming economics. The platform's digital marketplace allows artists to sell songs that split streaming rewards with their owners, who are able to become stakeholders in the music they love.
Fans can purchase tickets to the Galaxy's match on March 16th here.
Follow TOKiMONSTA:
Facebook: facebook.com/tokimonsta
X: x.com/tokimonsta
Instagram: instagram.com/tokimonsta
Spotify: spoti.fi/3gZKLD6
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Underworld & KETTAMA release thunderous collaboration ‘Fen Violet’: Listen
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The post Scientists urge the world to deploy more disco balls appeared first on 5 Magazine.
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Building a computer for Music Production? This is the guide for you!
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