Jump to content

News

Stay in the loop with the latest updates, event announcements, and everything happening in the world of dance music — brought to you by RaveLink. 🤖💜
English electronic music producer Jon Hopkins is teaming up with NASA in producing a single by the title of ‘Forever Held’. This single, which also features the string arrangements of Icelandic multi-instrumentalist Ólafur Arnalds, has a very unique aspect to it as it will get to venture into the moon itself. According to an article from DJ Mag, the journey that the ‘Forever Held’ will undergo is a part of NASA’s “Space For Earth” installation at the space agency’s HQ in Washington D.C. and it will be a very spectacular journey. This installation is a mesmerizing audiovisual experience that allows small groups of viewers to see Earth from space. To add more scientific wonder and intrigue to ‘Forever Held’, the journey that the single will take part in is a part of NASA’s “Lunar Codex” time capsule, which contains works coming from over 35,000 contemporary writers, musicians, artists, and filmmakers.
The planned voyage of Jon Hopkins and Ólafur Arnalds’ ‘Forever Held’ is not the first time that NASA has sent works of music to space. Earlier this past summer, the space agency transmitted ‘The Rain (Supa Dupa Fly)’ by hip-hop icon Missy Elliott to deep space (particularly to the planet Venus) via the agency’s Deep Space Network (DSN). Furthermore, at the beginning of this year, the Kennedy Space Center threw down an after-hours “Rechno party” titled “Kennedy Under The Stars”, on February 2nd and it included amazing live DJ sets, mini golf under neon lights, and interactive science experiments (and this event even came back on August 31st as well). Click ‘Play’ on the link below to stream the latest ‘Forever Held’.

The post Jon Hopkins And NASA Will Send A Track To The Moon appeared first on EDMTunes.
Ravebot
That’s yet another home run for Iryna!
Good news come from the Melodic Techno corner of the industry today, as Ukrainian producer 8Kays (real name Iryna Shvydka) has just landed a double signing with Insomniac’s stellar label, Interstellar Recordings. This is actually her debut on the imprint, for a crossing of paths that sees a very successful artist set foot on a very successful record label.
Known for her expertise in the genre, 8Kays is one of the veteran producers of Melodic Techno, having carved a name for herself for many years already, and with previous releases which include homes like Afterlife, the iconic and renowned Renaissance Records, Booka Shade’s Blaufiield Music imprint, Above & Beyond’s Anjunabeats, and Eleatics Records.
Credit: Keyi Studio ‘Viking / Magma’
8Kays’ latest offering is a two-track EP, which includes the singles ‘Viking‘ and ‘Magma‘. The former finds her enlisting the vocal prowess of Aussie-born, Germany-based singer/songwriter Kyle Pearce. It balances his poignant, breathy vocal delivery with a meticulously crafted groove with a galloping rhythm. At the same time, the B-side, ‘Magma’, takes its position as the perfect counterpart, a gripping instrumental propelled along by dark, driving drums, pulsating basslines, warbling detuned melodies that are met with by whirring pads, gurgling acid licks and molten call-and-response. 
8Kays says, “Viking is one of the tracks I like the most from my recent productions. I do find inherent to the sound I want to pursue: melodic, sensual and effective. And ‘Magma’ is all about power, which I wanted to demonstrate in the track. The volcano was my first idea when I heard the track with my eyes closed, it resonated at the sound/meaning level for me“.
Listen to 8Kays‘ latest EP ‘Viking / Magma’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.
The post 8Kays Delivers ‘Viking / Magma’ Two-Tracker On Interstellar Recordings appeared first on EDMTunes.
Ravebot
Friday is undoubtedly my favorite day of the week and for a good reason! It’s when we get to indulge in brilliant new music releases. Today, I’m excited to recommend HI-LO’s second solo track of the year, ‘HYPOMANIA’. HI-LO has been on fire lately, following up his successful collaborations like ‘Afraid to Live (Blacklizt Version)‘ with ZHU and ‘BADDADAN BAD‘. Don’t miss out on ‘HYPOMANIA’ – it’s available now on HILOMATIK across all your favourite streaming platforms. Dive in and enjoy the music!
‘HYPOMANIA’
‘HYPOMANIA’ is an exhilarating experience—a mild form of mania that ignites joy and hyperactivity- perfectly captured in HI-LO’s newest single. This tune defines ‘HYPOMANIA’ is an exhilarating experience—a mild form of mania that ignites joy and hyperactivity- perfectly captured in HI-LO’s newest single. This tune defines ‘HYPOMANIA’ and transforms the entire club into a euphoric state of excitement. It’s not just a song; it’s one of the standout tracks from the Amsterdam Dance Event (ADE), already buzzing with support from industry heavyweights like Eli Brown, Blasterjaxx, Bassjackers, and Firebeatz. A tune that will be dominating the dance floors across the world this fall.
HI-LO
Oliver Heldens has masterfully transitioned from mainstream dance music to the esteemed world of techno with his alter-ego, HI-LO. Which has earned him significant recognition in underground circles. HI-LO has become a hallmark of cutting-edge, hard-hitting techno that captivates listeners with its innovative sound. By skillfully merging big room elements with a gritty, raw edge, HI-LO stands out as a trusted tastemaker. His tracks consistently receive robust support from industry giants like Adam Beyer. Recognized as the #1 best-selling and best-streaming techno artist in the last six months on Beatport, HI-LO is setting the standard for artists in the genre. Don’t miss out on his upcoming tour dates for November, if you are in Europe be sure to see him live!
Praterdome – Vienna, Austria – November 16
Docks – Hamburg, Germany -November 23
Fairground Festival – Hanover, Germany – November 30
Stay tuned to EDMTunes for all the new music updates!
The post HI-LO Releases Second Solo Track Of 2024 ‘HYPOMANIA’ appeared first on EDMTunes.
Ravebot
The new single is the kickoff to a new Tranquility Base EP, much like we had last year.
It’s no surprise that Above & Beyond‘s ABGT600 set was full of IDs, some we had been hearing for a while, and others which had their premiere at that very stage in Mexico City. The boys didn’t take too long to start releasing some of these goodies, luckily for us. And the first one to see the light of day is ‘React‘, out today.
Rinsed across the globe over the last months, ‘React’ is not only the first song of them to be released since ABGT600, but it’s also the first single of a new Tranquility Base EP, much like the one we got last year, and whose focal point was experimenting with sounds resemblant to their old, legendary alias, Tranquility Base.
‘React’
‘React’ is the first of five singles which will make up the Tranquility Base Vol. 2 EP, to come out on December 6th. Its predecessor, Vol. 1, peaked in the #1 slot on Beatport’s Techno releases chart, with singles ‘Angry JP8’ and ‘500’ hitting Beatport Trance #1. We can certainly expect some interesting things with this new offering.
Woven together by yesteryear synths processed in a modern style, the first seconds of the drop actually remind us of Andrew Bayer’s remix of Push’s classic ‘Strange World’, and then the song takes on a life of its own, tinting detuned supersaws over moogish basslines. The break sees listeners go through a substantial tempo change, for what feels like 108 BPM, to then go back to the energy of the first drop, while carrying the melody of the break.
Listen to Above & Beyond‘s ‘React’ by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.
The post Above & Beyond Unveil First ABGT600 ID, ‘React’ appeared first on EDMTunes.
Ravebot
Showcasing the best of both dubstep and drum & bass, YDG's "Lose Control" is here to remind us that true skill knows no bounds.
The track kicks off with intensity, steeped in flittering, digitized melodies as it builds before giving way to a tactful blend of melodic and heavy dubstep. From there, it only escalates.
The vocals and tempo pick up together, delightfully confusing listeners and preparing us for what's to come. Right as it all seems ready to give out to more ground-shaking bass, YDG pulls everything back and fakes us out with a filtered sequence of muffled elevator Muzak before unleashing a tidal wave of hyperactive drum & bass.
The electrifying "Lose Control" arrives ahead of the artist's performance at EDC Orlando, and there's no doubt the crowd will feel the track's high voltage.
Listen to the new single below and find it on streaming platforms here.
Follow YDG:
X: x.com/itsydg
Instagram: instagram.com/itsydg
TikTok: tiktok.com/@itsydg2
Facebook: facebook.com/itsydg
Spotify: bit.ly/3YlXh5V
Ravebot
Billed as the world's largest Halloween dance music festival, Escape marked its spooky return to the hallowed grounds of the NOS Events Center last weekend with a few frightfully fun surprises.
The immersive Crazy Town area at Escape Halloween.Jamal Eid
Known as one of Insomniac Events' most immersive experiences, the two-day event included a new layout and expanded footprint to its sinister San Bernardino location. Some of these changes included the expanded Sewer District, the movement of the Crazy Town area, the addition of the Voodoo Village, and a modification of the Wicked Woods stage.
The expanded Sewer District.Jose Murga
The new Voodoo Village.Keiki-Lani Knudsen
Additionally, this year's event marked the beginning of Insomniac's partnership with the beloved electronic music brand, Boiler Room. Held inside The Cauldron, the warehouse venue included the cultural curator's signature 360° atmosphere for two days of multi-genre productions.
Boiler Room takeover inside The Cauldron.Gina Joy
The 2024 edition of Escape would also be the last time attendees would be able to party with one of the festival's most iconic features, The Grimm. 
The giant puppet skeleton, which overlooked the decks inside the main stage for years, is finally being laid to rest after years of eerily commanding the venue's megastructure. In a post to the event's Instagram page, the company revealed it would replace The Grimm and return to its Psycho Circus theme for 2025.
The menacing skeleton puppet known as The Grimm, RIP.Gina Joy
The Grimm was just one of the many stages held inside the extensive layout at the world's largest Halloween dance music festival. From massive race tracks to intimate art cars, each distinct stage was home to a variety of artists from all corners of the electronic dance space.
Take a peek at a few select snapshots from our favorite performances from Escape Halloween 2024.
Martin Garrix
Gina Joy for Insomniac Events
View the 14 images of this gallery on the original article FOLLOW ESCAPE HALLOWEEN:
Facebook: facebook.com/EscapeHalloween
X: x.com/EscapeHalloween
Instagram: instagram.com/escapehalloween
Ravebot
In a world where vocals often play second fiddle to the beat, DUSK, HAYLA's highly anticipated debut album, flips the script. 
From start to finish, the project presents an intimate journey through vulnerability, heartache and triumph, all while tethered to pulsating dance rhythms. HAYLA's voice becomes the central force, an instrument as dynamic and commanding as any synth in its own right.
'It’s amazing to work with so many of the collaborators I’ve worked with, but when you go at it alone it does feel quite exposing," HAYLA tells EDM.com. "Because of the audience from the DJs I’ve worked with potentially coming over to listen to my music, I hope I live up to people’s expectations... I’m so fortunate to have these audiences listen to my music and support me."
"I’m really proud of what I’ve created... It’s something, for once, where I can say, 'I have something tangibly mine' and I hope people get to know me more."
From the opening notes of "Only I," DUSK makes one thing clear: HAYLA is here to claim her place as both a vocal powerhouse and a compelling songwriter. The album kicks off with a somber tone as gentle arpeggios bubble beneath her soaring voice, delivering a heart-wrenching yet resolute message. It’s a delicate balance, one that showcases her gift for turning pain into beauty.
Elsewhere, HAYLA stuns with "Freefall," a track that encapsulates the emotional core of the album through throbbing basslines and shimmering synths. Co-produced with Grammy-nominated musician Carl Ryden, the song navigates love's most precarious moments in a surefire highlight that feels like both a confession and a catharsis.
The depth of "Freefall" is beautifully contrasted by the airiness of another standout track, "Visions of You."
"The song story behind it is really when you’re starstruck by infatuation and the thought of that one person that gets you through the day," HAYLA explains. "That one person that you can’t wait to see again that makes you feel good. It was a really fun thing to write. It’s probably the happiest track on the album."
HAYLA.c/o Press
But HAYLA's strength lies not only in her ability to captivate with anthems of heartache. She also offers profound moments of introspection, such as on the hauntingly beautiful titular track, "DUSK." Produced and written entirely by HAYLA herself, the album's closer invites us into a sonic twilight where languid strings build as her vocals hum in ethereal waves, creating a dreamlike soundscape that drifts into darkness. 
It’s a track meant for quiet reflection, best enjoyed, as HAYLA herself suggests, just before the world fades into night.
"I won’t lie, I was incredibly nervous about showing that side of myself," she tells us. "It’s something I’ve done behind closed doors to broaden my musical horizons and to have a more integral part of ownership of a track. I would really like to do more production. Working with so many amazing producers, to say what you want a track to sound like or integrally be a part of a track is amazing, but to actually do it myself felt like something I wanted to experiment with."
"It’s a completely experimental piece," she continues. "It’s an instrumental piece. I suppose its more of a vibey piece. It was something I could actually, for once, put a bit of a, 'This is my body of work' and try to get what’s in my head out into the open. Experimentally, that freedom was great to do.”
Fans have more to look forward to from HAYLA as she's set to take the stage at LA's Roxy Theatre for her debut headline show on December 4th. In the meantime, listen to DUSK below and find the new album on streaming platforms here.
Follow HAYLA:
X: x.com/haylasings
TikTok: tiktok.com/@haylasings
Instagram: instagram.com/haylasings
Facebook: facebook.com/haylasings
Spotify: https://spoti.fi/41MXBgq
Ravebot
Zingara, bass music's spiritual sojourner, opens a new passageway through the cosmos with her new EP, For The Crystal Children.
The conceptual EP's four tracks place life and time under a microscope, all kicked off by Zingara's personal indoctrination through the title titular track, "For The Crystal Children."
"When it was time to start brainstorming new ideas, this concept popped into my head," Zingara said in a statement. "The Crystal Children are souls that volunteer to come to Earth to help the collective learn to love and heal."
From there, the EP bursts into a kaleidoscope of color and sound, with Maurice Brown and Steller joining the expedition. An undeniable highlight of the EP is when both join Zingara for its final track, "Rhythm of Life," which is saturated with jazzy saxophone melodies and the sounds of dripping water, mixed and distilled into an otherworldly potion.
Zingara's is now embarking on her headlining "For The Crystal Children Tour," which kicks off today in Urbana, Illinois, with 14 other US locations to follow. Tour dates and tickets can be found here.
Listen to For The Crystal Children below and find the new EP on streaming platforms here.
Follow Zingara:
X: x.com/zingaramusic
Instagram: instagram.com/zingaramusic
TikTok: tiktok.com/@zingaramusic
Facebook: facebook.com/zingaramusic
Spotify: spoti.fi/3CHceXg
Ravebot
Nintendo has stepped up their game. The iconic brand, owner of franchises such as the Mario Bros, Kirby, Pokémon, and others, has unveiled its latest surprise: a dedicated music streaming app. Nintendo Music, available on iOS and Android, offers a curated selection of classic gaming tunes from franchises like Splatoon, Animal Crossing, and The Legend of Zelda.
The app, exclusive to Nintendo Switch Online subscribers, allows users to stream or download tracks for offline listening. It features curated playlists themed around games, moods, and characters, as well as a unique “spoiler” feature that filters out tracks from your unfinished games. For those seeking relaxation, the app also offers extended versions of select tracks, which can last up to an hour.
Nintendo’s recent string of unexpected announcements, including the launch of an alarm clock and the development of a mysterious MMO, has kept fans on their toes. While the gaming giant continues to keep its cards close to its chest regarding the next-gen Nintendo console, it’s clear that they are exploring new avenues to engage with their audience.
Watch the trailer and read more here.
The post Nintendo Launches Streaming App To Compete With Spotify appeared first on EDMTunes.
Ravebot
It's not every day you hear rap icons on mosh pit-inducing dubstep tracks, but Crankdat and Juicy J are here with their heavy-hitting collaboration, "Open The Pit."
The pair recently debuted the single together at LA's Hollywood Palladium, where Crankdat sold out a doubleheader in which he said he "accomplished the biggest goal [he] had set for 8 years."
The bass music heavyweight, who is gearing up to debut an ambitious stage setup in 2025, provided a fittingly frenzied atmosphere. He then intensified the anticipation to a fever pitch by playing "Open The Pit" at North Coast Music Festival and Lost Lands. 
The track operates like this: while Juicy J hypnotizes us with the line, "When you hear this song you gon' open up the pit," Crankdat brings about that prophecy with an emphatic dubstep drop.
"This song has been three years in the making and getting Juicy J on it was a dream come true," said Crankdat. "Along with the record we are also releasing a music video that has been a labor of love to plan out and help create, and I can’t wait for everyone to see and hear it."
The music video is inspired by Grand Theft Auto, which is sure to have the chronically online asking, "We got Crankdat GTA before GTA 6?"
You can listen to the raucous single below and find it on streaming platforms here.
Follow Crankdat:
Instagram: instagram.com/crankdat
TikTok: tiktok.com/@crankdat
X: x.com/crankdat
Facebook: facebook.com/crankdat
Spotify: spoti.fi/3l8FXz0
Ravebot
Hot off the music press this New Music Friday, we’re thrilled to dive into Armin’s incredible track ‘Blah Blah Blah’ remixed by Lilly Palmer. You can find it streaming on all your favourite platforms via Armada Music. Don’t miss out—listen to this fiery remix on this beautiful fall morning and let us know what you think!
Techno Remix of ‘Blah Blah Blah’
Do you recall the excitement when Armin van Buuren released ‘Blah Blah Blah’ back in 2018? That catchy, repetitive vocal hook was impossible to resist. The original track masterfully blends trance and big-room elements, delivering unmatched energy. Its straightforward yet unforgettable lyrics— “All we ever hear from you is blah blah blah” showcase Armin’s playful spirit while connecting deeply with fans, injecting humour and relatability. Fast forward a few years, and audiences were thrilled to hear Lilly Palmer’s remix. Debuted by Armin himself at A State of Trance 2024 in Rotterdam.
This fresh take on ‘Blah Blah Blah’ takes the energy up a notch, with Palmer’s signature intensity and high energy bassline. Palmer’s remix expertly maintains the song’s original punchy vocals while elevating it with intense build-ups and drops. It creates a vibrant, underground energy that resonates with techno and tech-house enthusiasts. Renowned for her powerful blend of techno and innovative crossover elements, the starlet injects her signature psytrance mayhem. This exhilarating reimagining will thrive on dance floors and electrifying festival sets, making it a must have for any playlist.
Lilly Palmer
Lilly Palmer is an electrifying techno DJ and producer on the rise, celebrated for her dark, driving sound and commanding energy on the dance floor. You’re likely to recognize her from her recent hit,‘Hype Boy.’ Hailing from Germany and now based in Zurich, Switzerland, Lilly has forged a reputation for her innovative style. She seamlessly blending techno, progressive, and tech house with an emphasis on deep basslines and entrancing rhythms. Her music exudes a raw, industrial edge, crafting an atmosphere that transports listeners into a captivating trance. With performances at some of the most prestigious clubs and festivals worldwide, including Tomorrowland, Awakenings, and Amnesia Ibiza, Lilly’s magnetic stage presence and ability to engage audiences make her one of the most in demand artists in the techno scene.
Hope you enjoy this rework of the classic and stay tuned to EDMTunes for all your EDM updates.
The post Lilly Palmer Remixes Armin’s Legendary Track ‘Blah Blah Blah’ appeared first on EDMTunes.
Ravebot
Hypnotic bass is how Phrva communicates that his reign is just beginning—and while listening to his debut EP Crave, we are all subjects.
Crave begins with "Is It All," a mesmerizing track in which gentle vocals float amongst a sea of dark bass. The track's refrain, continuously repeated, conjures a somber introspection. "Mind" comes to bat next, uplifting listeners with a lively trap beat that pinballs a trilling melody.
Finally, the EP's last track reminds us what Phrva always wants: "More." That sentiment is stated throughout the track as a cliffhanger of sorts, leaving us wanting the same.
"Crave is my first original project, and I hope that it shows the scope of what I’m aiming to achieve with my music," said Phrva, who is set to join Tape B on tour as support for the producer's upcoming Reno and Denver shows. "At the core, Phrva is all about following a feeling and groove and not overthinking it, and the tracks on this project were all created with that mentality."
Listen to Crave and find the new EP on streaming platforms here.
Follow Phrva:
Instagram: instagram.com/phrvabass
TikTok: tiktok.com/@phrva
X: x.com/phrvabass
Spotify: tinyurl.com/36cppyn5
Ravebot
Like stepping through a wormhole back to the golden age of MTV, Mathame's new single "Discovery Channel" updates an ageless Bloodhound Gang anthem with a modern techno twist. 
Out now on Republic and Casablanca Records, the track pulses with the intensity of a late-night dancefloor drenched in nostalgia. Joining forces with Lyke, the Italian duo has taken Bloodhound Gang's 1999 hit "The Bad Touch" and mutated it into a darker, headier vessel where the gleeful absurdity of the original meets Mathame's shadowy atmospherics. Remembered for its cheeky lyrics and provocative refrain ("So let's do it like they do on the Discovery Channel"), the original became an MTV mainstay, celebrating carefree irreverence and playful energy.
Mathame's interpretation brings the instantly recognizable hook to life with a melodic techno twist, luring listeners with the familiar lyrics only to send them spiraling into a tidal wave of club-shaking synths. Synth stabs surge skyward while the rhythmic thrum of Mathame's bassline hurtles forward.
Since debuting "Discovery Channel" at ADE, the track is becoming a crowd favorite in their performances. "It immediately became a hypnotic, magical piece in our sets," the duo said, adding that its evolution from cheeky pop hit to techno anthem felt instinctive.
Listen to "Discovery Channel" below and find the new single on streaming platforms here.
Follow Mathame:
X: x.com/mathame_ofc
Instagram: instagram.com/mathame
TikTok: tiktok.com/@mathame_official
Facebook: facebook.com/mathamemusic
Spotify: spoti.fi/33LhI2w
Ravebot
When Champion, Four Tet and Skrillex join forces, they don’t wait for an invitation.
"Talk To Me," their new collaborative single featuring Naisha, slips right into the bloodstream with a captivating, bass-heavy beat and entrancing vocals, setting off a heady mix of self-assured swagger and introspective groove that's primed to invigorate dancefloors everywhere.
Melding the creative instincts of Champion, Four Tet and Skrillex with Naisha's impressive vocal range, the track simultaneously feels both immediate and enduring. Champion brings his rhythmic mastery to the mix, crafting a slinky groove that brims with underground grit while Four Tet’s signature experimental touch adds an infectious bounce. All the while, the track's powerful bassline hums and churns with unmistakable Skrillex heft.
Naisha's vocals then float in, her ethereal falsetto pulling us in with a delicate yet direct "talk to me" hook that drips with allure. Her vocals shift seamlessly from angelic lilt to hip-hop-inflected grit, a compelling tension between sultriness and self-confidence.
"Talk To Me" marks another stroke of genius in the collaborative timeline of Four Tet and Skrillex. Their previous collaborations, including the atmospheric "glow" from Fred again..'s recent album, saw the pair testing new sonic boundaries, threading textured soundscapes with a distinctly uplifting flair. The impact of their collaborative history isn’t lost on "Talk To Me," which had become a crowd favorite after plays during Four Tet’s Lollapalooza and Portola sets, among others.
Listen to "Talk To Me" below and find the new single on streaming platforms here.
Follow Skrillex:
X: x.com/skrillex
Instagram: instagram.com/skrillex
TikTok: tiktok.com/@skrillex
Facebook: facebook.com/skrillex
Spotify: tinyurl.com/naka2dyv
Follow Four Tet:
X: x.com/fourtet
Instagram: instagram.com/fourtetkieran
Facebook: facebook.com/fourtetkieran
Spotify: spoti.fi/37kV2Id
Follow Champion:
X: x.com/champion_dj
Instagram: instagram.com/champion_dj
TikTok: tiktok.com/@champion_dj
Facebook: facebook.com/championdj
Spotify: bit.ly/48oAfBo
Follow Naisha:
X: x.com/naishabhargabi
Instagram: instagram.com/naishabhargabi
TikTok: tiktok.com/@naishabhargabii
Facebook: facebook.com/naishabhargabii
Spotify: tinyurl.com/mwxh2nzp
Ravebot
Bexxie and Yurie have joined forces for a stellar new collaboration, "Sacrifice (You & I)."
Blending enthralling house beats with emotive vocals, the track pulses with a raw energy that feels both seductive and eerie. Bexxie's and Yurie's rhythms grip tight as the vocals expose a simmering intensity, unfurling the story of someone caught between love and regret.
An anthem for broken promises, "Sacrifice (You & I)" propels with an edgy, almost ghostly undertow. Lyrics like "I can’t breathe every time our worlds collide" linger with a dark allure, each line unraveling the painful balance between love and loss. It’s house music that haunts—both on the dancefloor and in our minds.
"Sacrifice (You & I)" is out now on Purple Tea Records. Listen to the new single below and find it on streaming platforms here.
Follow Bexxie:
X: x.com/bexxiemusic
Instagram: instagram.com/bexxiemusic
TikTok: tiktok.com/@bexxiemusic
Facebook: facebook.com/bexxiemusic
Spotify: tinyurl.com/yfbbe7rm
Follow Yurie:
X: x.com/christineyurie
Instagram: instagram.com/christineyurie
TikTok: tiktok.com/@christineyurie
Facebook: facebook.com/YurieDJ
Spotify: tinyurl.com/32236c3h
Ravebot
Rising stars SUBSHIFT and Basura Boyz have joined forces to deliver the most sinister tech house banger of the year. The UK-based SUBSHIFT, fresh off electrifying crowds at Tomorrowland and Ushuaia Ibiza, brings his razor-sharp production expertise to the table, while Chicago’s tech house maverick Basura Boyz (Nick) injects his signature acid-laced style into their collaboration “Disco Demon.”

“Disco Demon” tears through speakers with predatory precision and unkind intentions. SUBSHIFT’s masterfully crafted bassline hits like a freight train, while Basura Boyz layers in hypnotic synth work and a vocal hook that burrows deep into your psyche: “I met her at the after’s / She’s my disco demon.” The track, born from an inspired week-long session, caught fire during Miami Music Week, earning instant approval from the Black V Neck crew. Now landing on Strangelove, a sublabel of the legendary Toolroom Records, “Disco Demon” captures two producers operating at the peak of their powers, crafting dark, propulsive tech house that demands to be played at maximum volume.
The post SUBSHIFT & Basura Boyz summon a ‘Disco Demon’ appeared first on Dancing Astronaut.
Ravebot
Champion, Four Tet, Skrillex & Naisha – Talk To Me
Champion joins forces with Four Tet, Skrillex, and Naisha on the hypnotic new single ‘Talk To Me’. The three renowned producers create a bold and sultry soundscape as Naisha shifts fluidly from ethereal vocals to hip-hop inflected delivery on this captivating self-love anthem, which the four artists wrote together. Anticipation for ‘Talk To Me’ has been keen ever since Four Tet and Skrillex teased out the track as an ID in recent sets.
Martin Garrix presents: Ytram x CMC$ x Malarkey – I Don’t Know Your Name (The Wire)
Under his Ytram alias, Martin Garrix teams up with CMC$ and Malarkey for ‘I Don’t Know Your Name (The Wire),’ a deep house track with a haunting vocal hook and dark, atmospheric beats. The trio’s production delivers a bass-heavy, pulsing rhythm that blends Ytram’s underground vibe with CMC$ and Malarkey’s energetic touch, making this a track that stands out for its moody, late-night feel.
Kygo & Imagine Dragons – Stars Will Align (Zerb Remix)
Brazilian producer Zerb brings a fresh spin to Kygo and Imagine Dragons’ ‘Stars Will Align,’ infusing the track with a vibrant, tropical house twist. Zerb’s remix lightens the original’s anthemic feel, adding a bouncy rhythm and laid-back vibe that’s perfect for beachside parties and chill playlists. With bright synths and a catchy groove, this remix breathes new energy into the track.
HI-LO – Hypomania
HI-LO (Oliver Heldens’ techno alias) brings the heat with ‘Hypomania,’ a track that takes listeners on a high-energy journey through thumping basslines and hypnotic synths. Known for his deep, gritty techno sound, HI-LO captures a sense of intensity and release that makes this track perfect for dark rooms and packed dance floors. ‘Hypomania’ is a testament to his ability to keep the underground scene electrified.
Kaskade & Wilkinson – Shine On
Kaskade and Wilkinson come together for the first time on ‘Shine On,’ a track that beautifully merges Kaskade’s melodic house sound with Wilkinson’s drum and bass influence. The result is a powerful, uplifting anthem with deep basslines, lush synths, and an infectious chorus that sticks with you. It’s a versatile track that works for both high-energy sets and reflective moments, showcasing the best of both artists’ styles.
Honorable mentions:
Above & Beyond — React
Armin van Buuren- Blah Blah Blah (Lilly Palmer Remix)
Bassjackers – Wake the F Up
Brooks – Falling
David Guetta & Alphaville & Ava Max — Forever Young (Hypaton Remix)
Dual Damage & MC Livid – Rebel Revolution
Green Velvet – Percolator (Chris Lake & Bontan Remixes)
Headhunterz – Live Forever
Jeffrey Sutorius – Young & Famous
Jonasu, RSCL – Fade Away
MATHAME x LYKE – Discovery Channel
Stream all these tracks and more in our New EDM Friday playlist – follow here.

Ravebot

Important Information

We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue.