Dance Music News

Premier motorsports music festival GRIDLIFE Midwest has unveiled its impressive artist lineup for the 2024 event, featuring headliners Zeds Dead and experimental bass virtuoso Mersiv, both making their festival debuts. Joining them as first-time performers are genre-blending bass act Tape B, renowned dubstep duo Barely Alive, and experimental bass duo Eazybaked. Returning festival veterans include Detroit dubstep maestro G-Rex and percussion-oriented bass artist A Hundred Drums, along with S

Zeds Dead and Blanke have worked together for a while now, be it the latter releasing on Deadbeats and touring, or even remixing “Bumpy Teeth” with Subtronics. But now they’ve finally officially teamed up on a collaboration and it’s everything we could have wanted. “The Machines” hits that midtempo sweet spot, managing to escape the tired trend of 2017-2018 when the genre was first picking up steam. Nowadays, midtempo has been evolving and with Zeds Dead and Blanke at the helm, this is perhaps

Thinking logically, it would make sense that, at some point in time, Zeds Dead and GRiZ have released a song together. Alas, whether it’s hopeful wishes overwriting reality or just the Mandela Effect, the two artists have never officially put out a collaboration — until next week. “Ecstasy of Soul” is due for release next week, December 14. The track debuted last September during the first-ever Zeds Dead b2b GRiZ set at GoldRush Festival in Phoenix, and starts with a cover of the classic theme

Having already teamed up for “Lights Go Down” and “Shake,” Zeds Dead and Jauz once again team up, this time featuring Australian singer/songwriter Nicole Millar, for their new single, “S.O.S.” Compared to the previous two collaborations, “S.O.S” is definitely far more subdued and mellow, forgoing many of the huge bass moments for more of a ballad. Listen below! This article was first published on Your EDM. Source: Zeds Dead and Jauz team up for third collaboration, “S.O.S” with Nicole Milla

Last year, Zeds Dead launched their new label, Altered States, focused on exploring a diverse range of experimental electronic music. The name (likely) comes from their 2013 EP of the same name, though you’ll be lucky to find it anywhere on the internet now. In its stead comes the label and the first album, Catching Z’s, released last year. Now, with a few artists on the label, they’re ready for an official showcase this coming weekend in Brooklyn at Superior Ingredients. At time of publishing

When Zeds Dead first started out, their remixes were untouchable. Whether you’re talking about “Eyes on Fire,” or “Don’t Let Me Be Misunderstood,” or “Volcano,” they were always on point. Over the years, their remixes have taken on a bit of a new identity, but the quality remains. Out today is their new remix for Nessa Barrett’s hit “i hope ur miserable until ur dead,” transforming the upbeat, angsty pop anthem into a darker, more foreboding experience. Incorporating elements of classic garage

It’s not every day a song feels like an artifact from both the past and the future, but Zeds Dead’s "Heartbeat" delivers just that. While the dubstep icons have long been synonymous with bass-heavy dynamics, "Heartbeat" offers a departure, an electro-forward gem that leans into nostalgia without feeling derivative. It's a stylistic pivot and just a taste of what’s to come in Return to the Spectrum of Intergalactic Happiness, their first full-length album in eight years, which thus far is shaping

Zeds Dead already dropped six new singles this year before they recently hopped in the Spotify studio and cooked up a couple new ones, and for that we are eternally grateful. “Rude Boy” was originally released in 2010, and it was the duo’s “first, official release,” something I didn’t really even realize. All their tracks before then were just exceptional remixes, like their legendary “Eyes on Fire” remix which came out in 2007. “Miraculously,” as DC and Hooks put it, they were able to find the

Zeds Dead have pulled back the dimensional curtain on their sophomore album, Return to the Spectrum of Intergalactic Happiness. Due out in early-March 2025, it will be Zeds Dead's first full-length album since 2016's ageless debut, Northern Lights. Today's reveal comes paired with a tour announcement, suggesting the dubstep veterans aren't just dropping tracks—they're architecting an entire universe. "Return to the Spectrum of Intergalactic Happiness, a phrase uttered in a dream is becoming a re

After Deadbeats’ label bosses Zeds Dead kept the suspense building for months, they have finally revealed the highly anticipated lineup for Deadrocks X. Set to take place at Red Rocks Amphitheatre in Colorado on July 2-3, the 10th edition of the annual event will welcome Doctor P, VCTRE, Levity, Mary Droppinz, and Torcha on Day One, and Bou feat. B Live 247, IMANU b2b Nitepunk, Alleycvt, Eater, and Siren on Day 2. With less than a month out from the event, fans have been on the edge of the

Following their last single, “Think Of You,” with Blunts & Blondes, Canadian duo Zeds Dead slow it down considerably with their latest release, “I Took A Ride.” The song is actually a remake/cover of the Caroline Rose original of the same name, released in 2020 on her album Superstar. Zeds Dead add some of their signature house synths and a bouncy rhythm to give the track a more significant house feel, but Rose’s original vocals still carry the track. Listen below. This article was firs

Zeds Dead and HNTR join forces on their latest collaboration, “Aftertaste” featuring AIDN. Out today, the track showcases the best of both artists and will premiere on Zeds Dead’s rising sub-label label, Altered States. With Altered States focusing more on house, techno, and downtempo than main label Deadbeats, it’s no surprise the song weaves brilliantly delicate synths with some increasingly catchy vocals and melodies. Listen below now. This article was first published on Your

Zeds Dead and Flux Pavilion, two of the biggest names in dubstep and bass music, have finally released their first collaboration, joining forces with DeathbyRomy for "Waves." The new track captures the hallmark sounds of all three, leading to a dream collaboration. DeathbyRomy's haunting vocals pave the way for ethereal, synth-heavy soundscapes to blossom in the mix before we're met with the drop's growls and warbling bass. The anthemic single fits perfectly into a festival setting and it's some

What do you get when you mix the genre-defying production of Zeds Dead and the dark, brooding sounds of Moody Good? You get "Mad Ting," the ominous, otherworldly new track out now on Deadbeats. Upon pressing play, we're met with a suspenseful, eerie arrangement paired with a sharp beat. Killa P then enters, spitting ceaselessly smooth lyricism as the bassline comes in full-force. The dubstep track maintains an ominous grace throughout, powerful in all of its wobbly ebbs, flows and dramatic pause

This year’s Bonnaroo lineup just dropped and it’s looking pretty, pretty nice. Among the EDM acts, Zeds Dead and Liquid Stranger headline Thursday night, typically the “soft open” for the main festival weekend though no less important. GRiZ, Subtronics, Peekaboo, Apashe, Boogie T b2b Dirt Monkey b2b Sub Docta and NotLö are handling Friday with Kendrick Lamar headlining. On Saturday, Odesza takes the headline slot with Louis The Child, STS9, Big Wild, Bob Moses, Elderbrook, Walker & Royce,

Impromptu back-to-backs at festival afterparties aren’t unusual. When you have so many artists all in one city — typically without a flight to the next gig or home until the following morning — they’re left to find something to do after their sets. And a popular choice is often to find another DJ’s show and hop on the decks with them. Generally, genre lines are adhered to. Dubstep will find dubstep, house will find house, etc. But if you’re multigenre artists like Zeds Dead, who though they rea

Nathan's loss is Zeds Dead's gain after their record label, Deadbeats, invited competitive eating legend Joey Chestnut to relish a new challenge. Chestnut won't compete in this year's Nathan's Famous International Hot Dog Eating Contest after its organizers, Major League Eating, banned him for working with a rival brand, Impossible Foods. Chestnut, who is prevalently considered the greatest professional eater in history, has won the famed Fourth of July competition every year since 2016. Chestnu

Somewhere between a trippy daydream and the London underground, Zeds Dead's new single, "Sweet Memories," hits you with that vintage wobble that'll make your bones remember 2011. Penning a gritty postcard from dubstep's warehouse days, the influential duo has excavated their roots to serve up a slice of pure nostalgic filth. "Sweet Memories" is vintage Zeds Dead, with thick, viscous bass that seeps through its woozy arrangement like cold honey. There's something almost comforting about how the p

To continue what was been a highlight calendar for zensei ゼンセー, the Canadian native has now added a full-length album to his 2024 resumé. After delivering his sound therapy EP earlier in the year on Monstercat, zensei ゼンセー has now made his formal original debut on Seeking Blue — after carrying out remix duties for Midnight Kids — with an eight-sided LP titled fun.. Preceded by a trifecta of album previews, fun. serves as the intertwining between the electronic dimensions of lo-fi, breakbeat,

10 years ago, the dance music world gave rise to a talent shrouded deep in mystery and broody productions. He would go by the moniker ZHU, and as a true testament to his electronic prowess, he quickly earned himself a Grammy nomination with his chart-topping debut single, "Faded." Throughout the decade, the San Francisco native would hone his sound, from the elemental tones of 2016's Generationwhy to the forward-thinking soundscapes found in 2021's Dreamland. Through star-studded collaborations

Genesis Owusu continues to be one of Australia’s most in-demand exports. Last week, he released a new remix by ZHU of his hit 2022 single, “Get Inspired,” which features a menacing and poetic punk hybridity and an infectious falsetto breakdown. “Zhu wanting to remix ‘Get Inspired’ was a pretty crazy thing to hear,” notes Owusu. “He really came through to twist it into a grimy club track, and even came to spit some bars of his own.” Watch below! This article was first published on Your EDM. S

GRAMMY®-nominated artist ZHU just released his new album, GRACE, via Astralwerks. His most ambitious and unique project yet, GRACE begs to be listened to from beginning to end, as ZHU takes listeners on a journey from darkness to light, tension to release, uncertainty to peace. The album – which is the soundtrack to a forthcoming film that ZHU created – finds him collaborating with such artists as BANKS, Emotional Oranges, UPSAHL and Zero 9:36, among others, and, on his new single, ‘Settle for L

Last year, ZHU released his latest album, DREAMLAND, and followed it up with a deluxe version that included two brand new songs – “Coral.PINK (feat Trombone Shorty)” and “Mannequins & Egos” – plus five previously released tracks that were not included on the original album. Since then, he’s been touring and playing shows, holding off on releasing any new music. Until today. ZHU says, “When I was young, we would rip our favorite songs off the radio straight onto cassettes. I wanted to make

ZHU released the first Musical Chairs Mixtape last July, featuring seven new tracks and collaborations with the likes of Elderbrook, Mr. Carmack, and more. Casual listeners can expect the release of Volume 2 on streaming services fairly soon, but fans who’ve subscribed to ZHU’s text list or Discord were apparently given the release early. A post on Reddit yesterday morning shares the Dropbox link for the mix, featuring a 23-minute mix of new music from the talented artist. As such, there’s stil

Hello Yes was born on the road while guitarist Mitch Bell and saxophonist Aaron Leibowitz were touring with electronic artist ZHU, with whom they are currently packing stadiums with in support of Swedish House Mafia. The sound is novel, conjuring Mitch’s smokey, yet sophisticated guitar and Aaron’s gut-jerking saxophone into compositions that could be described as indie groove meets electro club. Now, they’re out with their newest EP on Gravitas, Lost Signal. This new EP brings in groovy house