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It comes after complaints that Spotify “deprives” artists of royalties Continue reading...

The 15,000-capacity venue's license had been under threat following a number of serious incidents last year, including two drug-related deaths and a stabbing Continue reading...

The formerly 15,000-capacity venue's license had been under threat following a number of serious incidents last year, including two drug-related deaths and a stabbing Continue reading...

Everyone has their own way of celebrating the end of the year, but for those who wanted to do so in the most memorable way – and with a bang – one of the three Awakenings New Year’s events on December 28th, 29th, or 31st was undoubtedly the place to be. EDMHouseNetwork had the pleasure of attending numerous Awakenings events throughout 2024, each one leaving us in awe. The event we attended on December 29th was no exception. One of the most spectacular aspects of Awakenings is how they consistently outdo themselves with every event, especially in terms of production and stage design. It’s not just that each event offers a fresh take on design and visuals, but the way the production evolves throughout the day to create a unique atmosphere for every DJ is truly remarkable. The time, effort, skill, and resources required to pull this off are nothing short of extraordinary. Not only are attendees taken on a journey through music that continually shifts and evolves, but they’re also immersed in a dynamic visual experience that matches the energy of each set. On December 29th, the production and stage design featured an impressive array of triangles positioned in a 360-degree configuration throughout the iconic Gashouder. This was complemented by 700 LED strips, resulting in a staggering total of nearly 1 kilometer of LED lighting. For the first time ever, Awakenings also combined two of their iconic centerpiece elements-the mirror ball and the mesmerizing mirror-into a single event. The mirror ball remained the central focal point, while the mirror shone brilliantly behind the DJ booth, creating a stunning visual synergy. Musically, the event focused on groove techno, with a lineup that delivered an unforgettable day. Thomas Traxx kicked things off with high-energy, classic-meets-modern techno. JakoJako entranced the crowd with her modular synths and experimental beats, while Funk Assault elevated the energy with groovy, funk-infused techno. Ben Klock followed with his signature deep, hypnotic, and powerful set, and Rødhåd took the audience on a journey with his atmospheric and driving techno. Finally, Nina Kraviz closed the night with an eclectic mix of acid and experimental techno. Photo credit: Charlotte van der GaagOnce again, we were blown away by how seamlessly every element – production, stage design, and the diverse styles of the DJs – came together to create something truly extraordinary, and a standout moment of the night was the flawless transition between Ben Klock and Rødhåd. Both delivered mesmerizing sets on their own, but together, they crafted an electrifying progression, building anticipation, excitement, and an irresistible surge in tempo. Moments like these on the dancefloor are rare – when the entire audience becomes united by a shared energy that transcends the music. It’s not just about the beats or melodies being exceptional; it’s about the entire experience reaching deep and connecting souls on a profound level. This was one of those special moments, and it will linger far beyond the last beat of Awakenings New Years on the 2024. What made this experience even more special was the bittersweet realization that the Awakenings New Year’s celebrations at Gashouder, also called the ‘’Techno Temple’’, marked the end of an era – at least for the next 1.5 years – as the legendary venue will undergo major renovations starting in 2025. Leaving the Gashouder for the last time after an event that left us longing for more, felt like a farewell and temporary goodbye to a space that has been central to countless unforgettable moments. However, looking ahead to what Awakenings has in store for 2025, there’s no doubt that the coming year will be filled with exciting surprises and groundbreaking experiences. In May 2024, Awakenings introduced its very first edition of Upclose, focusing on the more progressive and niche corners of techno – a concept that was enthusiastically embraced by the community. The second edition is already set for May 17th and 18th, 2025, with more information about lineups and tickets available here. In July 2024, Awakenings celebrated the third edition of its headliner-driven Awakenings Summer Festival, a massive three-day techno extravaganza that drew nearly 100,000 visitors. The fourth edition is scheduled for July 11–13, 2025, and details about the first wave of artists can be found here. For a glimpse into the amazing experience EDMHouseNetwork had at the 2024 Summer Festival, check out our full coverage here. We’ve said it before, and we’ll say it again: Awakenings and Upclose continue to push boundaries and set new standards in the music event industry. Their relentless innovation in production techniques, bold experimentation with new concepts, and unwavering commitment to quality is a great example of the kind of passion, grit, and vision needed to remain at the forefront and push the industry to new heights. We at EDMHouseNetwork extend a heartfelt thank you to Awakenings, Upclose, and every individual who contributed to the incredible experiences of 2024 – We can’t wait to see what 2025 has in store!

ODESZA, the superstar electronic music duo known for their cinematic soundscapes and larger-than-life performances, are switching gears in 2025 with an intimate DJ residency at Wynn Las Vegas. The announcement marks a rare return to the decks for ODESZA, who have largely focused on their large-scale, live instrument-infused performances in recent years. That includes their prolific touring run of The Last Goodbye, their scintillating fourth album, which persisted for roughly three years and is now universally regarded as their most innovative production yet. For fans, today's announcement is a double dose of good news. Not only will the residency offer a chance to see a different side of ODESZA, but the duo's return to the studio hints at new music on the horizon. Expect Wynn's sleek venues, XS and Encore Beach Club, to become a testing ground for their evolving sound in 2025. "2025, back in the studio!" the duo said in a statement. "We've been finding a ton of new inspiration while we've been working on new music. We want to share some of it with you all—so we’re gonna do some DJ sets this year at Wynn Las Vegas." You can check out the schedule below and purchase tickets here. Wynn Nightlife Follow ODESZA:X: x.com/odesza Instagram: instagram.com/odesza TikTok: tiktok.com/@odesza Facebook: facebook.com/odesza Spotify: tinyurl.com/jmn8cyre

Rising electronic music Artist Maffstar is back with his latest high-energy anthem, ‘Falling’, out now on LVLD Music Group. This dynamic track showcases Maffstar’s undeniable talent for creating dancefloor-ready hits, blending captivating pop vocals with powerful progressive leads. ‘Falling’ takes listeners on an exhilarating journey, beginning with a darker, moody atmosphere that builds into explosive chorus sections featuring wild, energetic leads. The track’s bright middle section channels a euphoric mainstage rave vibe, making it a must-add to playlists for fans of dance music. Maffstar’s Evolution and Future Vision Since his debut release just two years ago, Maffstar has been steadily evolving his sound, drawing inspiration from a diverse range of electronic genres, including melodic house, dance, and pop. His commitment to refining his artistry has solidified his place as a promising talent in the electronic music scene. With 2025 on the horizon, Maffstar shows no signs of slowing down. Fans can look forward to even bigger releases as he continues to push creative boundaries and deliver music that resonates with global audiences. About LVLD Music Group LVLD Music Group is a powerhouse label known for championing groundbreaking artists and delivering music that defines the future of dance and electronic genres. ‘Falling’ is the latest testament to their commitment to showcasing innovative talent. Stream it now ‘Falling’ is available now on all major streaming platforms. Don’t miss out on this electrifying track – add it to your playlist and experience the energy for yourself.

The dance floor just got a whole lot hotter with the release of ‘Like Woah’, the latest tech house track from Donny Graves. Known for delivering electrifying beats, Donny Graves has crafted a powerful anthem that’s set to dominate club playlists worldwide. ‘Like Woah’ is a heavy-hitting tech house masterpiece designed to surprise and energize crowds. Its relentless drops and infectious energy make it the ultimate addition to any set, ensuring that every dance floor it touches lights up with pure, unfiltered energy. A Glimpse Into Donny Graves’s Creative Process Donny Graves is no stranger to the grind, spending each day immersed in the studio crafting remixes, reworks, and original tracks. With a relentless dedication to pushing boundaries, fans can expect even more groundbreaking releases in the near future. About the Visuals Two captivating visuals accompany ‘Like Woah’, giving fans a look at both sides of Donny Graves’ artistry. One showcases a detailed, upfront portrait, while the other captures a fun, action-packed moment that reflects the energy of the track. Stream it now Available on all major streaming platforms, ‘Like Woah’ is ready to set the vibe for your next party or set. Add it to your playlists and experience the heavy-hitting magic for yourself.

Ternion Sound are disbanding after 2025, the electronic music trio announced today. In a heartfelt statement, the group comprising Jack Denney, Aric Okerman and Andrew Hill expressed immense pride in their seven-year journey. Hill and his partner are now expecting their first child in March, and with various personal and professional factors in play, they've decided to bring the project to a close. The origins of the Minneapolis-based trio can be traced back to 2016's Infrasound Music Festival, where each of its producers joined forces for an impromptu DJ set. They quickly became known for their unique sound, which blends dubstep and experimental bass with reverence for the UK underground. Their scintillating debut album, Digital Artifice, released in October 2023 on Noisia's venerable VISION label, showcasing their versatility through 26 tracks. Promising a memorable final chapter to their career, Denney, Okerman and Hill are now planning a farewell tour and are currently in talks with their favorite promoters. "From the onset, we created Ternion Sound for specific reasons and we’ve tried to stay true to those the whole time: Playing on sound systems that honor the music, integrity in how we portray ourselves, education, sustainability, and freedom to explore compositionally inside of bass music," Ternion Sound said in a statement. "Hopefully we’ve represented those ideals with our project and we hope to have inspired others to do the same." You can read the group's full statement below. Ternion Sound/Instagram Follow Ternion Sound:X: x.com/ternionsound Instagram: instagram.com/ternionsound Facebook: facebook.com/ternionsound Spotify: spoti.fi/46dWVSI

A brand-new EDM festival is colonizing this summer in Wisconsin, bringing an extraterrestrial twist to a venue better known for heavy metal and country music. Force Fields, the latest venture from the organizers behind Rock Fest and Hoofbeat, leans hard into the region's reputation as a UFO hotspot. Promising "mind-bending visuals" and "awe-inspiring production," the marketing plays up an alien invasion narrative that feels perfectly at home in Cadott, where locals have reported mysterious lights and unexplained phenomena for decades. It's a shrewd pivot for the proprietors of Force Fields, Chippewa Valley Music Festivals, who are betting that electronic music's futuristic aesthetics will resonate with Wisconsin's festival landscape, where EDM events of this scale are relatively rare. "Launching Force Fields is a thrilling new chapter for us," CVMF's Wade Asher said in a press release back in July. "There’s an excitement in crafting a festival that not only showcases the hottest EDM artists, but also immerses attendees in a narrative that’s as deep and mysteries as the universe itself. We’re excited for fans to experience it." Whether the new camping festival can successfully merge rural Wisconsin's UFO mythology with rave culture remains to be seen, but they've unveiled an inaugural lineup to meet the moment. Headlining the first-ever Force Fields are Rezz, RL Grime, Marshmello, Liquid Stranger, PEEKABOO, Flux Pavilion, INZO and Mersiv. The undercard is also impressive, featuring LYNY, MPH, Ravenscoon and EDM.com Class of 2023 stars Blossom and A Hundred Drums, among others. Force Fields is scheduled for June 6-7, 2025 in Cadott, Wisconsin. You can check out the lineup below and purchase passes here. The inaugural Force Fields lineup features Rezz, RL Grime, Marshmello, PEEKABOO, Flux Pavilion and more.Force Fields Follow Force Fields:Instagram: instagram.com/forcefieldsfestival X: x.com/forcefieldswi YouTube: youtube.com/@forcefieldsfestival Facebook: facebook.com/p/force-fields-61562259687582

Victoria Vassiliki Daldas and Theo Zeitner met on the dating app in 2018, forming the duo after discovering they had the same "intense passion for music" in 2019 Continue reading...

Shelly Auguste first filed for a restraining order against the American DJ in November 2020, while the US artist had responded with a separate restraining order in 2021 Continue reading...

Facebook and Instagram parent company Meta announced on Tuesday a significant shift in its content moderation strategy, abandoning its partnership with independent fact-checkers in favor of a user-driven system similar to that employed by Elon Musk’s X (formerly Twitter). Shifting Focus to Community Notes Meta will discontinue its program with third-party fact-checking organizations, citing concerns about potential biases within the expert community and the volume of content flagged for review. Instead, the company will implement a “Community Notes” model, empowering users to collaboratively identify and provide context for potentially misleading information. In conjunction with this change, Meta plans to relax restrictions on certain topics, including immigration and gender, to prioritize addressing more serious violations like terrorism, child exploitation, and drug-related content. The company acknowledged that its previous approach, characterized by intricate content moderation systems, may have resulted in excessive censorship. Potential Implications The changes announced by Meta are expected to have a significant impact on the content users encounter on Facebook, Instagram, and Threads. The shift towards community-driven moderation and the relaxation of certain content policies could lead to a more diverse and less curated user experience, but also raise concerns about the potential for the spread of misinformation and harmful content. Meta’s decision to overhaul its content moderation strategy marks a significant departure from its previous approach and will undoubtedly be closely watched by policymakers, researchers, and users alike. The post Meta Ditches Third-Party Fact-Checking, Replacing with Community Notes appeared first on EDMTunes.

Since the first edition in 2013, DGTL Festival has distinguished itself as a unique festival with a focus on music, art, sustainability and social safety. This Spring, as the first rays of sunshine stretch their way across the Amsterdam NDSM shipyard, DGTL Festival will rise again. Taking place April 18, 19 and 20, 2025, DGTL once again marks the start of a new festival season—a collective awakening from hibernation. Under the theme ‘New Horizons‘, DGTL invites innovation, discovery and connection. Check out the full lineup below: Reflecting this message is the line-up of DGTL’s thirteenth edition. Spread over multiple stages, DGTL brings a mix of groundbreaking pioneers and established headliners who are redefining electronic music. Brutalismus 3000, with their raw energy, and Anetha, a driving force in modern techno, represent the cutting edge of the genre. On the brand new Current stage, artists such as DJ Heartstring and Malugi take you on a journey through innovative sounds, from trance to eurodance. Making his DGTL Festival debut with a set not to be missed is icon and techno legend Joris Voorn, entering the DGTL stage for the very first time with his signature melodic house. Together with The Blaze, a critically acclaimed French act, and Carlita, known for her unique genre crossover, the 2025 line-up promises an unparalleled mix of energy and experience. Early Bird and Regular tickets for Saturday and Sunday are now sold out. With the full announcement of the line-up, DGTL expects that the last weekend tickets and day tickets will also go quickly, giving a clear starting signal for both domestic and foreign fans to get a ticket on time. You can check tickets here. New Current stage This year, DGTL Festival welcomes the brand new Current Stage, which will make its 2025 debut on the iconic NDSM slope. This stage focuses on eurodance and trance, and offers a dynamic program with progressive artists who explore – and push – the boundaries of electronic music. Expect an energetic mix of stirring sets and an undeniable euphoria throughout both days, as visitors enjoy panoramic views over the water and the enchanting sunset that puts the festival in a truly magical light. The Current Stage promises to be a striking and innovative addition to the festival. Dynamic sets by Malugi, who combines ’90s influences with an uptempo vibe, and Pegassi, who interweaves techno, trance, house and hip-hop, will provide an unforgettable experience. On Sunday, DJ Heartstring will close with a finale that will bring the audience into ecstasy with their unique mix of trance, electro and techno. The performances on this stage are powerful, the energy is unmistakable, and the discoveries are surprising. Impressive Sunday program DGTL Festival closes on Sunday in line with the New Horizons theme: a celebration of connection, innovation and energy. As the last sounds of the various stages slowly fade away and the spring sun sets again, we look forward together to a new festival season filled with encounters, fresh perspectives and sincere commitment to each other. Monolink closes the Modular stage with an impressive live performance. With its unique sound and emotional depth, Monolink will provide the perfect ending to three days full of music and experience. Sunday also features a series of impressive acts, including Honey Dijon, who will conquer the dance floor with her iconic house sound. Franky Rizardo joins the line-up and takes Sunday to new heights with his energetic set. The Italian techno duo 999999999 provides a raw, energetic experience that promises to make the NDSM Docklands vibrate. Fatima Yamaha, the project of visionary producer Bas Bron, presents a live set in which house, techno and synthwave merge seamlessly. The legendary Moodymann, with his soulful blend of house, funk and deep Detroit techno, also joins the Sunday line-up for one of the most memorable sets of the day. In addition, Folamour, known for its unique mix of disco, house, funk and soul, provides wonderful, danceable tracks that make the festival buzz with energy. About DGTL Since the first edition in 2013, DGTL has distinguished itself as a unique festival with a focus on music, art, sustainability and social safety. With this, DGTL has secured its position in the festival landscape worldwide. The DGTL team is committed to inclusivity for all genders, backgrounds, sexual orientations, identities and ages. In 2022, DGTL began its journey exploring the concepts of safe spaces and festival ethics with the DGTL Safe(r) Project. For this year’s edition, DGTL will continue on that journey. In 2022, DGTL reached an important milestone and became the first circular dance festival in the world. The Amsterdam festival has now gone far beyond national borders with editions in Santiago, São Paulo, Goa, Bengaluru, Mumbai and Lima. The post DGTL Festival Announces Full 2025 Lineup appeared first on EDMTunes.

Carl Cox has shared his full Burning Man 2024 DJ set for Mayan Warrior, his first-ever performance for the beloved music and art collective. Black Rock City was a living organism when Cox took the decks, turning the playa into an electric sunrise birthed from the ashes of tragedy. The iconic Mayan Warrior art car had been destroyed in a fire and rebuilt as the dazzling Galaxyer before debuting at last year's event in the Nevada desert. Cox performed as the sun kissed the horizon, throwing down a radiant set that felt more like a reclamation. The techno legend, ever the showman, took a moment to appreciate both the unforgettable atmosphere and the resurrection of the prized structure. "Watching it rise from the ashes and return to the Playa was truly incredible," he said in a statement today. "Relive this unforgettable sunrise with me and the amazing energy we created together. A moment that will last forever!" You can watch Cox's full DJ set below. It's also available to stream on SoundCloud. Follow Carl Cox:X: x.com/carl_cox Instagram: instagram.com/carlcoxofficial TikTok: tiktok.com/@carlcox Facebook: facebook.com/carlcox247 Spotify: spoti.fi/3oJKvw8

OUT NOW Listen Here Influences Daft Punk Super Mal’s iconic track Bigger Than Big returns with an electrifying remix package featuring two fresh interpretations: one from The Green Man and another by rising Bristol-based Drum & Bass producer Harvey Gordon, aka Creatures. Having recently reclaimed the rights to their music from Universal, Super Mal collaborated with Creatures to bring these remixes to life, staying true to their plan to revisit the track when the time was right. Beyond music, the release also aims to raise funds to help protect the Amazon Rainforest, as nature and environmental preservation have become a major inspiration for the project. Originally a top 20 hit and featured on NOW That’s What I Call Music 67, Bigger Than Big is reimagined here with The Green Man’s influence and Creatures’ dynamic, cutting-edge style, making it a powerful return to the dance floor. SuperMal burst onto the electro and house scene in 2006, making waves with a fresh, high-energy sound. In 2007, they achieved breakout success with Bigger Than Big, a track featuring electro icon Luciana, who had recently scored a UK chart hit with Yeah Yeah. Signed to Universal Music, Bigger Than Big climbed into the top 20 and earned a spot on NOW That’s What I Call Music 67. Today, Super Mal is back with new remixes, pledging all proceeds to Amazon Frontlines to support the preservation of the Amazon. Getting to know Super Mal Introduce yourself and your project I’m James, one of the founder members of Super Mal, an electro project from back in the day! I recently got the rights to my single back from Universal so decided to do some mixes and give any proceeds away to a cause close to my heart which is preserving the natural world. I did the Green Man remix and I also got my current favourite artist Creatures on the dials. Explain what musical genre fits you best I was big into Daft Punk so pretended to be French, hence the band name. I was into French House and electro. But my whole life I have been big into Jungle and Drum & Bass and it’s the genre of a lot of the music I am making these days. Were you connected with music from a young age and did anyone inspire you? Yes! I got into chart music from a very young age, maybe 8, and then my tastes broadened into everything, Metal, Hard House, Jungle, Hardcore, mostly anything extreme. At school I often got into bands way before the herd arrived. I was playing instruments from age 7. What kickstarted your music career? I kickstarted it! I was networking big time, hanging out with A&R guys, listening to demos for them for work experience, working in label post rooms, doing tiny gigs, anything I could to get myself out there. Eventually I met the right people at the right time and had some success as an artist. Tell us more about your sound and how it’s evolved over time Well personally it’s evolved by exploring different genres that I love and trying to create the best music I can. Recently I’ve been working with Harvey Gordon aka Creatures who is an amazing Drum & Bass artist, everyone should check out his work if you like D&B. Any words you want to share to encourage other artists or producers? Work hard on your music and building your following and success will come, people will notice. Good music usually rises to the top and gets noticed. Don’t go in unsolicited. How do you nurture your industry relationships? I don’t to be honest, I have no need to, it’s always been a minefield. However, if I was starting out today, I would be looking for the good execs who care about music and the artists, there are good people out there! Is there anyone you’d like to thank that’s been crucial to your journey? Yeah, I’d like to thank my wife Viki, David Joseph, one of the greats, a veteran of the music industry who wrote me a good reference when I needed it most. James Reynolds, Nick Clow and a lady called Emma Shalless for having such good taste. What’s your favourite piece of studio equipment or software? It’s got to be the 808 still, use it all the time. Name your favourite club or festival and how it makes you feel Glastonbury, when the sun shines it’s incredible, no feeling like it. Name an outlandish rider request? We counted ourselves lucky if we got riders. Favourite clubbing memory and who or what did it involve? Going raving with my best mate Danny Stevens, DJ’s Randall & Grooverider What famous quote represents you best? ‘Ask not for whom the bell tolls, it tolls for thee’ – Hemmingway If you could play at any venue, where would it be and why? I’ve been lucky enough to play a lot of the good ones, but Glasto on some medium sized stage would be ideal! Music is the direction I went in, and it will take care of you if you let it! One song you really couldn’t live without and why? Really hard question, Pixies ‘Debaser’, but there are loads. This one never gets old for me. Namedrop your favourite 5 artists or DJs (past or present) Creatures, Daft Punk, DJ Hype, Grooverider, Randall, What was your first music memory and how did it fuel your fire? Starship ‘We Built This City’ as a child blew my mind, showing my age! Fell in love with music after that to an intense degree. Tell us more about your plans for the future I’m going to be doing more music of course, and I have got into trying to inspire future generations by making soundscapes out in nature with music production students. I think it’s important to get people to reconnect and appreciate nature! Any worldly advice you’d like to share? True success starts and flows from within. Listen to more of Super Mal Spotify | Apple Music The post Dream Electro Duo Super Mal revive the hype around their hit single with a set of new remixes ‘Bigger Than Big’ appeared first on Electric Mode.

Spring 2025 marks the return of DGTL Amsterdam, transforming the city's iconic NDSM shipyard into a hub of electronic music-fueled energy and innovation. This year's theme, "New Horizons," encapsulates a bold vision for discovery, perfectly mirrored in a lineup that fuses underground pioneers with global heavyweights. Heading to Amsterdam this year are influential DJs and producers like Carlita, 999999999, Honey Dijon, Folamour, Moodymann, Patrick Mason and Brutalismus 3000, who will perform across multiple stages. The finale promises emotional depth, with Monolink closing out the Modular Stage. 2025 will also see the debut of DGTL's new Current Stage, a fresh addition spotlighting Eurodance and trance music. Picture pulsing beats from DJ Heartstring and Malugi syncing with panoramic waterfront sunsets. The Current Stage "promises to be a striking and innovative addition to the festival," per a press release. DGTL Amsterdam is scheduled to return to the NDSM Docklands from April 18-20, 2025. You can check out the full lineup below and purchase tickets here. DGTL Follow DGTL:Instagram: instagram.com/dgtlfestival TikTok: tiktok.com/@dgtlfestival Facebook: facebook.com/dgtlfestival

Few could have predicted that Nicole Kidman, an actress synonymous with icy thrillers and sweeping period dramas, would end up trading red carpets for the shadowy glow of a Queens techno club. But that's exactly what happened when filming Halina Reijn's erotic thriller Babygirl, in which the Oscar-winning actress immerses herself in the pulse of underground rave culture, proving once again that her range knows no bounds. Inside Basement, the beloved nightclub tucked beneath the Knockdown Center in Queens, Babygirl finds Kidman's character Romy navigating a labyrinth of strobe-lit rooms in search of her lover Samuel, played by Harris Dickinson. Basement, already a mecca for New York’s underground dance aficionados, gains an added layer of mystique with Kidman's appearance in the film. Perhaps your next late-night escapade will include an unexpected sighting of the Babygirl star. At the 2024 GQ Men of the Year event, she casually admitted her fondness for rave culture. "I'm a small party person, but I do like a rave," Kidman quipped to an interviewer at the time. "I told you, I'm an extreme person." Released Christmas Day, the A24 film is currently in theaters nationwide. Nicole Kidman @ Basement in babygirl….. I - Yes you can have a wristband! You are giving pic.twitter.com/zjjIcOdQjd — Fashion Faguette. (@fashionfaguette) January 4, 2025

This Spring, as the first rays of sunshine stretch their way across the Amsterdam NDSM shipyard, DGTL Festival rises. On April 18, 19 and 20, 2025, DGTL once again marks the start of a new festival season—a collective awakening from hibernation. Under the theme ‘New Horizons’, DGTL invites innovation, discovery and connection. Reflecting this message is the line-up of DGTL’s thirteenth edition. Spread over multiple stages, DGTL brings a mix of groundbreaking pioneers and established headliners who are redefining electronic music. Brutalismus 3000, with their raw energy, and Anetha, a driving force in modern techno, represent the cutting edge of the genre. On the brand new Current Stage, artists such as DJ Heartstring and Malugi take you on a journey through innovative sounds, from trance to eurodance. Making his DGTL Festival debut with a set not to be missed is icon and techno legend Joris Voorn, entering the DGTL stage for the very first time with his signature melodic house. Together with The Blaze, a critically acclaimed French act, and Carlita, known for her unique genre crossover, the 2025 line-up promises an unparalleled mix of energy and experience. Early Bird and Regular tickets for Saturday and Sunday are now sold out. With the full announcement of the line-up, DGTL expects that the last weekend tickets and day tickets will also go quickly, giving a clear starting signal for both domestic and foreign fans to get a ticket on time. New Current stage This year, DGTL Festival welcomes the brand new Current Stage, which will make its 2025 debut on the iconic NDSM slope. This stage focuses on eurodance and trance, and offers a dynamic program with progressive artists who explore – and push – the boundaries of electronic music. Expect an energetic mix of stirring sets and an undeniable euphoria throughout both days, as visitors enjoy panoramic views over the water and the enchanting sunset that puts the festival in a truly magical light. The Current Stage promises to be a striking and innovative addition to the festival. Dynamic sets by Malugi, who combines ’90s influences with an uptempo vibe, and Pegassi, who interweaves techno, trance, house and hip-hop, will provide an unforgettable experience. On Sunday, DJ Heartstring will close with a finale that will bring the audience into ecstasy with their unique mix of trance, electro and techno. The performances on this stage are powerful, the energy is unmistakable, and the discoveries are surprising. Impressive Sunday program DGTL Festival closes on Sunday in line with the New Horizons theme: a celebration of connection, innovation and energy. As the last sounds of the various stages slowly fade away and the spring sun sets again, we look forward together to a new festival season filled with encounters, fresh perspectives and sincere commitment to each other. Monolink closes the Modular stage with an impressive live performance. With its unique sound and emotional depth, Monolink will provide the perfect ending to three days full of music and experience. Sunday also features a series of impressive acts, including Honey Dijon, who will conquer the dance floor with her iconic house sound. Franky Rizardo joins the line-up and takes Sunday to new heights with his energetic set. The Italian techno duo 999999999 provides a raw, energetic experience that promises to make the NDSM Docklands vibrate. Fatima Yamaha, the project of visionary producer Bas Bron, presents a live set in which house, techno and synthwave merge seamlessly. The legendary Moodymann, with his soulful blend of house, funk and deep Detroit techno, also joins the Sunday line-up for one of the most memorable sets of the day. In addition, Folamour, known for its unique mix of disco, house, funk and soul, provides wonderful, danceable tracks that make the festival buzz with energy.

One World Radio, Tomorrowland’s official radio station, is kicking off the new year with an exciting new lineup! Joining our regular hosts, we’re thrilled to welcome Hardwell and Yotto as they launch their very own shows. For nearly six years now, One World Radio has been bringing the magic of music to millions of listeners across more than 130 countries. You can tune in via tomorrowland.com and the Tomorrowland App, or catch us on DAB+ in Belgium, the Netherlands, Switzerland, and Malta, and on FM in Romania. New Monthly Shows We’re thrilled to share some exciting news from One World Radio! Starting soon, They will be launching two fantastic new monthly shows! Every last Friday of the month for ‘Hardwell Presents Euphoria,’ hosted by the amazing Dutch legend Hardwell. And every second Sunday, get ready for ‘Yotto’s Odd World’ with the talented Finnish DJ and producer Yotto! But that’s not all! One World Radios is also welcoming two wonderful new hosts to our family: the fabulous Andrea Zara, known for her work with Kiss FM, and the rising UK house star Carly Wilford. Hardwell: “I’m really excited to kick off my new monthly show, ‘Hardwell presents Euphoria’, on One World Radio. This show is all about diving deeper into the music I love and creating a new space for us all to enjoy the freshest new releases, as well as some classic anthems. Can’t wait for you all to tune in and join me on this new journey!” All shows on One World Radio Tomorrowland Top 30: every Friday from 14:00 to 16:00, the Australian DJ sisters NERVO present the Tomorrowland Top 30, a rundown of the 30 most popular dance hits chosen by music fans around the world. Armin’s Weekend Kick-Off: world-famous Dutch DJ Armin van Buuren closes out the work week with a bang. Each Friday night between 22:00 and 22:30, he will be playing his favorite music in ‘Armin’s Weekend Kick-Off’. A different resident DJ pops by each Friday between 21:00 and 22:00: Brazilian superstar Alok (‘Alok’s Infinite Experience’), Italian duo DJs From Mars (‘Mash-Up Universe’), Brazilian artist Vintage Culture and Dutch legend Hardwell (‘Hardwell presents Euphoria’) will alternate with their own show. Belgian female techno star Amber Broos is hosting her own monthly show ‘Sorry For The Noise’, while other top artists such as Dutch veteran Laidback Luke (‘Wayback Luke’), Australian crowd favorite Timmy Trumpet (‘Full Moon’), Dutch duo Sunnery James & Ryan Marciano, Italian DJ Dino Lenny (CORE Radio Show) and Finnish artist Yotto (‘Yotto’s Odd World’) also return on a monthly basis. Belgian female hard dance powerhouse MANDY takes over every first Monday of the month with ‘MANDY Mondays’, setting the pace for the week ahead. Each third Tuesday of the month, Austin Kramer, the former Global Head of Dance & Electronic Music at Spotify, carefully selects 10 unreleased tracks to premiere during his show ‘UNreleased with Austin Kramer’. The place to discover new records and talent for the very first time. One of the eyecatchers is the ‘Tomorrowland Friendship Mix’, every Thursday evening between 21:00 and 22:00. One World Radio invites a world-class artist to take over the radio with an exclusive one-hour guest mix. Every morning between 07:00 and 12:00, Justin Wilkes (from London) wakes you up with the ‘Daybreak Sessions’, a selection of the finest blissful and deeper sounds. ‘Your Saturday’ with Andrea Zara (from London), every Saturday between 14:00 and 18:00. ‘4:4’ with Carly Wilford (from London), every Wednesday between 21:00 and 22:00. ‘Around The World’ with Camille Pollie (from Brussels), every weekday between 12:00 and 14:00. ‘Celebrate The Magic’ with Ben Malone (from London) from Monday till Friday between 19:00 and 21:00. ‘United Through Music’ and the ‘Best of One World Radio’ with Adam K (from London). ‘Relive The Madness’ with MC Stretch, the official voice of the Tomorrowland Mainstage. ‘Tomorrowland Anthems’ with Greg Jake (from Texas). Tune in every day to One World Radio via tomorrowland.com and the Tomorrowland App. The post Tomorrowland One World Radio Has A New Schedule For 2025 appeared first on EDMTunes.

MITCH DB is back at it with his latest single, ‘Hot N Cold’ via Day & Night Records. A swift return following his cover of ‘Lovefool’ alongside Poylow and Raïko earlier this month, this newest production sees MITCH DB bring his signature sound to listeners once more, offering another Hypertechno rework together with Producers Wrex and Gulmee. Having been leading an exciting journey since first gaining attention in 2018, MITCH DB comes to this project with a breadth of experience, passion, and skill. Since embarking on his pursuits, his list of career highlights has only grown; from touring internationally, across Europe and South East Asia while amassing impressive streaming milestones, with currently over 70 million plays to date, MITCH DB continues to foster connections with a wide range of worldwide listeners, bringing edits, remixes, and mashups, together with energetic live performances, to ensure his network of fans keeps growing. His collaborators, Wrex and Gulmee, bring a similar range of knowledge and experience to their work on ‘Hot N Cold.’ Wrex himself has garnered over a decade on the Electronic Music scene, creating music that has earned him the support of industry heavyweights like Martin Garrix, Don Diablo, and Mike Williams, while Gulmee, although a young talent within the genre, has too been paving a promising trajectory, putting forward his genre-blending sound through originals and remixes. Presenting a vibrant sound from the get-go with its uplifting arpeggiators, crisp vocals and lively beats, the energy of ‘Hot N Cold’ only intensifies as the heavy-hitting kick and pounding bass weave together to form the driving arrangement of the track. Then, through the verses, atmospheric textures join, building once again as the production journeys towards the chorus, adding exciting risers to keep the momentum pushing forward and the party-starter vibes high. A track whose impactful sound and distinct energy are sure to resonate with listeners, offering a sonic journey that is as bold as it is exhilarating, ‘Hot N Cold’ sees MITCH DB, along with his collaborators, deliver another dancefloor anthem that seamlessly blends their unique styles to culminate in a cohesive yet dynamic track. For MITCH DB, this latest release comes as a continuation of his promising trajectory, striking out as a demonstration of his signature sound and approach. With the track out now via Day & Night Records, listen to ‘Hot N Cold’ from MITCH DB, Wrex, and Gulmee today and follow each Artist via social media to keep up with their latest releases and news. Listen and Buy ‘Hot N Cold’ Here: MITCH DB Online   Spotify | Instagram | Website  Wrex Online   Spotify | Instagram Gulmee Online   Spotify | Instagram Day & Night Records Online   Beatport | Instagram

7 Synthesis unveils a Piano House single with ‘Going Back To My Roots,’ a track originally written by the Motown legend Lamont Dozier in 1977, which has since seen numerous reinterpretations: from the Richie Havens Piano House take to the Soul-Dance trio Odyssey’s, Disco-infused version, Synthesis now combines these two reworks to create their own distinct rendition, bringing in Afrobeat inspirations and the soulful vocals of Nana Genesis to offer a fresh production for Electronic Music fans of today. A collaboration between two passionate musicians, Ronnie and Marcin, Synthesis is a project that combines forward-thinking creativity with nostalgic influences, drawing on various inspirations to reflect their journeys and showcase the innovation behind their approach. As the music offered pays homage to genres like Disco, Funk, and Soul, all while looking ahead to bring in the modernity of Electronic Dance Music, Synthesis aims to deliver a sound that resonates with both longtime fans of traditional Dance music and newer audiences alike. With this latest release, Synthesis showcases its signature fusion-based approach, resulting in a production that bridges the gap between classic sounds and contemporary style. The track kicks off with evocative piano chordal progressions, as elevating risers, soulful vocal lines, and energetic beats join, leading into a rich soundscape where layers of expressive vocals, a dynamic bassline, and intricate percussive elements punctuate the mix. As considered production techniques add to the evolving sound of the rework, culminating in moments of tension and release, the sonic journey remains engaging, inviting listeners into Synthesis’ creative world and introducing a signature style that sees diverse inspirations converge and musical originality thrive. A release highlighting the boundary-pushing creativity rooted at the core of the Synthesis project, this new take on ‘Going Back To My Roots’ emerges as a unique reimagining, seamlessly blending nostalgic influences with modern energy. So, a display of the collaborative effort behind the project, listen now to the Synthesis rework of ‘Going Back To My Roots’ to discover the sound that continues to define this exciting project. Listen Now to ‘Going Back To My Roots’: Synthesis Online Instagram

Closing out a milestone year, breakthrough DJ and producer Ollie Mundy has firmly established himself as a rising force on the international scene. Hailed by media and industry figureheads as one to closely watch. The UK-based artist has continued to make meteoric waves with his innovative sound and dynamic presence. In 2025, Ollie Mundy is set to make his highly anticipated return to Ibiza, building on a series of standout winter events on the island. Renowned for his signature sound and electrifying vibe, Ollie has cultivated a loyal following and proudly announced his second consecutive year with the award-winning event series ‘Back To Mine’ and ‘Days Of Disco’. The summer season holds even greater promise, with exciting collaborations already in the works and exclusive OVAVA label parties to be unveiled as the new year begins, cementing Ollie’s status as a key figure in Ibiza’s dynamic music scene. With a lineup of new releases already signed and slated for an early-season drop, Ollie Mundy‘s sound is poised to dominate the island’s biggest parties once again with his unique sound, solidifying his status as a key player in Ibiza’s musical landscape. Ollie Mundy has had a landmark year, delivering standout performances at London’s legendary Fabric and New York City’s Hot Situations, alongside high-profile UK festival appearances and a triumphant return to Burning Man, his spiritual home. His tracks have garnered widespread support across Germany, France, Egypt, Australia, the UK, Ibiza, Colombia, and beyond, with releases on respected labels like My Other Side of the Moon and Sondela. Ollie comments: “I’m really excited about the future of the label, especially with the incredible amount of interest coming in so quickly. Recently performing for legends like Jo Mills and Soul Central in Ibiza has further motivated me to expand my presence on the island. As my production evolves, I can’t wait to share my forthcoming releases, really highlighting the energy and emotion my music sets to convey.” This year has also marked a pivotal moment in his evolution, highlighted by the launch of his own imprint, OVAVA Music. Riding the global wave of attention toward his genre, Ollie has achieved extensive streaming success, with recent playlists reaching over 300,000 listeners and cementing his growing influence on the international stage. Ollie Mundy’s recent releases, ‘Kimra’ and ‘Nothing,’ have solidified both his rising influence and OVAVA Music’s growing presence in the scene. Closing out the year, Ollie has unveiled an exclusive DJ promo featuring a collection of unreleased tracks, including ‘Uh Oooh,’ ‘The Mountains,’ and ‘Searching.’ These tracks have already garnered high-profile support and been spotlighted in renowned publications such as DJ Mag, Mixmag, and Techno Mood, further amplifying his reputation in the industry. As Ollie Mundy prepares for his Ibiza residency, fans can expect an exciting mix of new music and major updates in 2025. With a packed schedule and rising influence, his momentum is only set to grow.

Paradise City Festival is getting ready for its tenth edition, which will take place on June 27, 28, and 29 2025 in the exquisite gardens of Ribaucourt Castle in Perk, Steenokkerzeel following a few calm months. Starting on Wednesday, January 8 at 12:00, are ticket sales. From a small celebration with just 5,500 guests over two days in 2015, what began ten years ago is now a globally acknowledged event. Paradise City stays loyal to its basic values: superb music, innovative staging, and strong attention to sustainability, with more than 43,000 attendees in 2024 and an amazing line-up of 134 musicians across seven stages. Organiser Gilles De Decker underlines that the route to success has not been without difficulties. We started rather naively, with a lot of idealism and a clear vision, but it has taken years to get to where we are today. The second edition in 2016 was almost the end of Paradise City. Heavy rain and mud kept visitors away, and financially, it was a disaster. That we continued after that edition still feels like a small miracle. Paradise City once more showed its fortitude during COVID-19. The crew set up 20 smaller events on a lake with 60 boats for groups of eight and the DJ along the waterfront while most celebrations were called off. It was a creative solution in a difficult time, and it felt great to bring people together safely during those tough times – De Decker says. Ten years of Paradise City reveals many highlights when one looks back. Gilles describes a pure bliss moment on the Castle Stage in 2019 from DJ Koze’s performance: The energy broke loose, and everything came together perfectly. It was magical – Job Jobse’s closing set at the Forest Stage last summer also sticks with him – Never before have I experienced such intensity and euphoria. Paradise City Festival crowd Paradise City, in the meantime, is likewise looking outside Belgium. Next August, the celebration in Austria will feature the fourth edition of the Paradies Garten Festival, a rather smaller-scale event with three stages next to a castle outside Vienna. With success, the same fundamental principles of excellent artists, sustainability, and beautiful surroundings are carried through here. A clear taste for Austrian music has developed among enthusiasts. “It feels fantastic to see our idea flourish abroad,” notes De Decker. Thanks to outstanding accomplishments in energy, waste management, water saving, and sustainable mobility, Paradise City was given the esteemed AGF Awards as the most sustainable music event in 2024 worldwide. The festival set itself apart with creative solar energy solutions, reusable materials, and environmentally friendly transportation choices like more trains and electric shuttle buses. Organiser Gilles De Decker stresses – Festivals can have a negative impact on the environment. That is why we keep improving ourselves and want to set an example for a sustainable future. While we are proud of what we have achieved, we know there is still much work to do. Whatever the future brings, quality music will always remain central at Paradise City. We want to remain cutting-edge and continue to represent the current scene – De Decker – We consciously choose quality over quantity and stick to intimate stages without big growth ambitions regarding visitor numbers. Making good electronic music bigger and highlighting the cultural impact remains our mission. Although the first half of this summer’s lineup will be revealed next week, the organizers already suggested a special combination of modern artists and iconic pioneers. Our tenth anniversary is a tribute to the founding fathers of electronic music – says De Decker. – They laid the foundations for the culture we cherish. At the same time, we are looking ahead by offering new talent a place next to the veterans – side by side, shoulder to shoulder. It will be a meeting of generations bursting with energy and creativity. Paradise City 2025 tickets will start to sell on the website on Wednesday, January 8 at 12:00. Those who wish to be sure should be fast since tickets often sell out fast. The post Paradise City Festival to celebrate 10 years of activity appeared first on The Groove Cartel.

Updated penalties on alcohol sales and consumption will hit the White Isle in 2025 Continue reading...

Dates: 17th – 21st July, 2025 Location: The Garden Resort, Tisno Tickets 999999999, Anfisa Letyago, Ben Sims, Dax J, Ellen Allien, Hector Oaks, Kobosil, Mall Grab, Vtss and many more are announced to perform at Terminal V Croatia World-renowned Scottish techno festival Terminal V returns to Tisno, Croatia, for what will be a standout second edition from July 17th to 21st 2025. The scene-leading festival once again offers four open-air stages, beachside dance floors and intimate relaxation areas by the crystal-clear Adriatic Sea at The Garden Resort for thousands of dedicated music lovers. They will assemble for another cutting-edge soundtrack that offers up the very best in techno from across the spectrum and a mix of legends, new school stars and plenty in between. Terminal V’s inaugural Croatian edition was a remarkable debut that created unforgettable memories for all those in attendance, as well as generating plenty of rave reviews from press and punters alike. Say Derek Martin and Simon McGrath, the festival’s founders, “The first Terminal V Croatia Festival was a new beginning for us. Visitor reactions were overwhelmingly positive, giving us extra motivation to organise the second edition which is now just over 200 days away. We also hope to see some Croatian visitors at our Scottish edition which takes place from April 19th to 20th in Edinburgh!” Terminal V is known for pulling out all the stops when it comes to production, and that will be the case again in summer with cutting edge light and sound across the superb Barbarella’s, the more secluded Olive Grove, the epic Main Stage and the superb Beach Stage. Tisno’s blissful Garden Resort is a natural hideaway with a sweeping bay, glistening Adriatic sea and the chance to dance under a hot sun or twinkling stars at a range of different venues as well as on unmissable daily boat parties and late night afterparties which run until sunrise. As if this wasn’t enough, there will be plenty of adrenaline-pumping water sports to enjoy by day. Musically, there is plenty to get excited about with international stars like Hector Oaks, Kobosil, Ben Sims, Ellen Allien and Dax J joined by contemporary heroes such as VTSS, 999999999, Anfisa Letyago, Carv, Miss Bashful and DBBD and Hannah Laing amongst many more. From hard techno to euphoric trance and everything in between, all shades of sound will be catered for. Terminal V Croatia blends the best underground sounds with a mix of rich local culture, a beautiful destination, plenty of extra activities and much more. Do not miss out and get your tickets now at https://terminalvcroatia.com/. LINEUP 999999999 / ALERICO / ALEX FARELL / ANFISA LETYAGO AZYR / BASSWELL / BEN SIMS / BENWAL / BIIANCO / BLK. / CARV / CLTX DARIA KOLOSOVA / DAX J / ELLEN ALLIEN / FANTASM FISH56OCTAGON / FRANCK / HANNAH LAING / HECTOR OAKS KETTAMA / KOBOSIL / LEE ANN ROBERTS LESSSS / MALL GRAB / MARRØN MCR-T / MISCHLUFT MISS BASHFUL & DBBD / PEGASSI / SAM ALFRED / SHLOMO SIM0NE / SNTS / SPFDJ / UPPER90 VTSS / X CLUB The post TERMINAL V CROATIA ANNOUNCES LINE UP FOR 2025 EDITION appeared first on Electric Mode.