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The tremors of Martin Garrix's epic performance on Ultra's storied Mainstage last year not only shook the foundations of Miami, but also the entire internet. His DJ set has been confirmed as the year's most-viewed setlist online, according to our friends at 1001Tracklists, the world's leading DJ tracklist database. One of the festival's biggest crowds came on Saturday, March 23rd, when the Dutch superstar delivered yet another unforgettable performance and built upon an Ultra legacy that's reaching mythical levels with each passing year. Garrix, who was recently featured in EDM.com's list of the best music producers of 2024 threw down his signature blend of euphoric drops, unexpected twists and pure, unadulterated energy at Bayfront Park. He dropped a bevy of unreleased tracks and entwined them with his most prized dance anthems, like "High On Life," "Animals" and "Tremor." A particularly poignant moment came with his spin of Avicii's "Waiting for Love," which Garrix premiered at Ultra's 2015 festival after co-producing the record alongside the late EDM icon. You can watch Garrix's full Ultra 2024 performance below and find the tracklist here. Follow Martin Garrix:X: x.com/martingarrix Instagram: instagram.com/martingarrix TikTok: tiktok.com/@martingarrix Facebook: facebook.com/martin.garrix Spotify: spoti.fi/2YszVxQ

French DJ and producer Malaa is starting 2025 with a bang, announcing two new albums, All In and Blackout, set for release on January 17, 2025. Known for his mysterious persona and groundbreaking tracks, Malaa is taking his artistry to a new level, exploring duality in his music through this ambitious project. All In promises a melodic and emotionally resonant sound, featuring collaborations with artists like Jeremih. On the other hand, Blackout teases a high-octane, chaotic energy, highlighted by the explosive single ‘Simiya’ featuring Dutch dancehall artist Kalibwoy. This duality aligns with Malaa’s revelation in 2024 about his creative alter ego, a concept that will culminate in a unique live performance showcasing both personas. The dual album release will coincide with the debut of a new live stage concept in Brooklyn, offering fans a fully immersive experience. Malaa shared the announcement and a teaser video on his Instagram, exciting fans worldwide. “This is a project that has been in the making for years. I can’t wait to share both sides of my music with you,” he wrote. Check out his Instagram for more updates and behind-the-scenes content. As a core member of the Pardon My French collective alongside DJ Snake, Tchami, and Mercer, Malaa has continually pushed boundaries in House music. Fans eagerly anticipate All In and Blackout, which promise to explore new dimensions of Malaa’s artistry. Both albums will be available on streaming platforms starting January 17, 2025. Don’t miss the chance to witness the next chapter in Malaa’s evolving journey. The post Malaa Unveils Two New Albums And Bold Concept For 2025 appeared first on EDMTunes.

Nora En Pure is bringing her signature Purified event back to Miami Music Week in 2025, and this year’s edition promises to be unforgettable! After an incredible showcase at Ultra Music Festival in 2024, the Queen of Deep House is elevating the experience by taking over the lush tropical paradise of Jungle Island on March 27, 2025. Fans can expect a one-of-a-kind atmosphere blending mesmerizing music with the natural beauty of Miami’s tropical landscape. Known for curating unforgettable events, Nora En Pure has turned Purified into a global sensation, and this Miami installment is sure to raise the bar even higher. Tickets are already on sale, so head over to the link in her bio or story to secure your spot. To make the event even more exciting, Nora is offering fans a chance to win two guest list spots! All you need to do is: Tag a friend in the comments. Share the post in your story. Winners will be announced within 48 hours, so don’t miss out on your chance to attend this magical event for free. Get ready to immerse yourself in the soulful sounds of Nora En Pure while surrounded by tropical vibes. March 27, 2025, is shaping up to be a highlight of Miami Music Week. The post Nora En Pure Announces Miami Music Week Purified Event At Jungle Island appeared first on EDMTunes.

Relentless Beats just unveiled the lineup for their highly anticipated PHXLIGHTS: Solar Sound System festival, taking place April 4-5 at Phoenix Raceway in Avondale, Arizona. A symphony of planetary sounds transmitting from the far reaches of space, all with a common destination, has begun its journey back to Arizona for its 2025 installment. Feeding off the sun above, PHXLIGHTS: Solar Sound System, the next materialization of the interstellar Relentless Beats festival, will arrive in Arizona this Spring. Radiating heat, the lineup for PHXLIGHTS: Solar Sound System shines bright, headlined by the Space Mom herself, REZZ; the return of Louis The Child to Arizona; producer and Gud Vibrations co-founder NGHTMRE, and producer and visual artist Of the Trees. Additional Interstellar Ambassadors of the Solar Sound System include Said the Sky, Netsky, It’s Murph, Kaivon, Hybrid Minds, J. Worra, Zero, Jon Casey, Edward Joseph, and Dark Mark. Future transmissions will be relayed in the coming weeks with additional artists, activations, experiences, and more. All Two-Day ticket levels for PHXLIGHTS: Solar Sound System will go on sale Wednesday, January 15, at 10 a.m. MST. Fans can sign up for early access presale access here, which go on sale Tuesday, January 14 at 10 a.m. MST. All details, ticket types, table reservations (strictly 21+), and payment plans are available online at www.phxlightsfest.com and www.relentlessbeats.com. In the meantime, you can watch the PHXLIGHTS: Supernova 2024 Official Aftermovie down below. The post Relentless Beats Unveils Lineup For 2025 PHXLIGHTS: Solar Sound System appeared first on EDMTunes.

Above & Beyond have announced the launch of Anjunachill, a label dedicated to the atmospheric sounds of ambient and downtempo music. As their Anjuna family celebrates its 25th anniversary, Above & Beyond are turning a new page in their storied legacy. Anjunachill, formerly known as Reflections, has been unveiled as the third cornerstone of their iconic label trio, joining Anjunabeats and Anjunadeep in carrying the torch. This evolution amplifies Anjuna's commitment to emotive, melodic music across genres and tempos, now offering a sanctuary for tranquil and meditative sounds. "Ambient music has been a part of Anjuna and Above & Beyond since the beginning, starting with our first album Tri-State. Including ambient tracks on our albums has always felt right to us," the group said in a statement. "Music can be comforting and healing, especially living in this hectic world. It’s music that grounds us and helps us find peace. Looking back over 25 years, it’s incredible to see how many timeless pieces have emerged from our labels and how they still have that same feeling." Above & Beyond.Luke Dyson The roots of Anjunachill trace back to Above & Beyond’s transformative 2014 Robot Heart performance at Burning Man, where a sunset yoga set inspired their Flow State project. The spark eventually led to 2020’s Reflections Vol. 1 EP under the Anjunadeep umbrella, forming the groundwork for Anjunachill. The label launches today by virtue of Above & Beyond’s breathtaking new single, "Shall We Begin." A mesmerizing blend of delicate piano chords, ethereal pads and tender percussive whispers, the track emerges like a sunrise breaking over a still horizon. Each note resonates with the emotional clarity that harkens back to the trio’s Flow State era, bringing listeners into a serene embrace of introspection. The track had already captured the hearts of thousands prior to its release, serving as the opening theme for Above & Beyond's 500th Anjunadeep Edition mix and the soundtrack to their Anjuna 25 teaser at ABGT600 in Mexico City. Listen to "Shall We Begin" below and find the new single on streaming services here. Follow Above & Beyond:Instagram: instagram.com/aboveandbeyond X: x.com/aboveandbeyond TikTok: tiktok.com/@aboveandbeyondofficial Facebook: facebook.com/aboveandbeyond Spotify: spoti.fi/3fHhX1z

In the whirlwind evolution of electronic dance music in the 2010s, one genre boldly stood out, capturing the imagination of millions – Dubstep. At the helm of this exhilarating movement was none other than the American sensation, Skrillex, who reigned supreme as the genre’s undisputed king. Skrillex‘s dynamic career has seen him electrifying main stages globally, while also creating chart-topping hits not just under his illustrious alias but also for pop megastars like Justin Bieber. As Skrillex turns 37, we embark on a musical odyssey, revisiting his top 10 tracks that have left an indelible mark on the landscape of electronic music. Working For It with Zhu & THEY. – 247m Would You Ever with Poo Bear – 249m First of the Year (Equinox) – 259m Make It Bun Dem with Damian Marley – 321m HUMBLE. (Remix) – 323m Wild for the Night with A$AP Rocky, Birdy Nam Nam & Lord Flacko – 340m Purple Lamborghini with Rick Ross – 427m Bangarang ft. Sirah – 497m In Da Getto with J Balvin – 512m Where Are Ü Now with Justin Bieber – 1.1b

The South African musician passed away after a long illness, his family confirmed Continue reading...

According to director Joe Wright, the eight-part series on the Italian fascist leader’s rise to power will have a “‘90s rave aesthetic” Continue reading...

XILS-lab has launched The Eighty — effectively acting as a virtual Vangelis soundalike homage to an iconic Seventies-vintage synth classic that the Academy Award-winning Greek musician, composer, and producer of electronic, progressive, ambient, and classical orchestral music made into his signature sound, thanks to its exceptionally complete performer expression features (such as a layered keyboard that was both velocity- and pressure-sensitive in action, albeit, unlike most keyboards of the time, that aftertouch could be applied to individual voices, and a ribbon controller allowing for polyphonic pitch-bends and glissandos), faithful to the original and enhanced for the future as the latest entry into the audio software company’s lengthening lineup of virtual instruments. It is fair to say that Bladerunner — the now-classic Ridley Scott-directed sci-fi film from 1982 set in a dystopian future Los Angeles of 2019 — is, for many, inextricably linked with Vangelis’ BAFTA- and Golden Globe-nominated score, showcasing his superlative skills with that iconic Seventies-vintage synth classic that was arguably as ahead of its time as that trailblazing score to which its sound subsequently became inextricably linked in itself. Much missed, Vangelis left this mortal coil in 2022, sadly, while the relatively few remaining fully operational examples of Yamaha’s CS-80 synth — supporting true eight-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers — that musically meant so much to him are highly coveted by high-flying collectors, commanding eye-watering prices extending into high five-figure territory, putting them well beyond the reach of mere musical mortals… not that many could comfortably carry one anyway as they weigh in at a back-breaking 100kg/220lbs (including built-in hard case), regardless of how deep their pockets may well be! Fast forward to today, though, and XILS-lab’s The Eighty virtual instrument is inspired by the iconic Yamaha CS-80 as a meticulously-crafted software emulation, faithfully recreating its distinct sound and character. It includes the original presets and integrates various performance features to mirror an authentic CS-80 experience while offering new enhancements. Enter the two main synthesis signal paths inspired by the CS-80, featuring the linked HPF (High-Pass Filter) and LPF (Low-Pass Filter) that contribute to its iconic sound, while a third synthesis signal path can additionally be blended through an innovative 2D mixer for expanded sonic possibilities. Put it this way, though: those meticulously modelled zero-delay 12 dB resonant high-pass and low-pass filters are implemented in each synthesis signal path to maintain an analogue-like sound without digital artefacts, while the meticulously modelled oscillators also include unique CS-80 characteristics such as saw wave creation with short pulses, thereby ensuring distinctive tone and texture. The Eighty offers polyphonic aftertouch, keyboard followers, and velocity sensitivity, allowing players to shape sounds with nuanced expression — albeit whether they can match that which was demonstrated on so many memorable musical occasions by Vangelis is down to how well the player in question can actually play! Performance options additionally include the SUB OSCILLATOR and RING MODULATOR sections, designed to enhance live playability. And as if that was not enough to be getting on with, the sophisticated ARPEGGIATOR supports cyclical modulation and muting, going beyond simple up-and-down chord patterns to breathe life into arpeggiated sequences. Furthermore, four integrated effects — DEL (delay), PHA (phaser), RVB (reverb), and EQ (equalisation) — with independent routing options duly deliver a warm and deep sound. Meanwhile, MOD (modulation) options include that RING MODULATOR section with ATTCK (attack) and DEC (decay) envelope control, as well as CHORUS for TREM (tremolo), vibrato, and ensemble effects. An advanced, single-window preset manager facilitates speedy access to The Eighty’s sounds, with over 500 presets from renowned sound designers — including the original 12 presets that helped shape iconic tracks by the likes of Stevie Wonder and, of course, Vangelis. Ultimately, users can manage, tag, and organise presets efficiently to streamline sound selection. Surely Vangelis — were he still with us — would approve of XILS-lab so successfully recreating the tools that musically shaped Bladerunner and many more cultural milestones. The Eighty is available to purchase as an iLok-protected virtual instrument plug-in (including computer-based authorisation), priced at a time-limited introductory promo price of only €89.00 EUR until January 31, 2025 — rising thereafter to its regular price of €179.00 EUR — directly from XILS-lab here: https://www.xils-lab.com/store/theeighty/ The Eighty is downloadable in 64-bit AAX (native)-, AU-, VST2.4-, and VST3-compatible formats for macOS (10.13+) and 64-bit AAX (native)-, VST2.4-, and VST3-compatible formats for Windows (7/8/10/11) from here: https://www.xils-lab.com/store/resources/#theeighty A time-limited full version of The Eighty can be requested for pre-purchase evaluation purposes here: https://www.xils-lab.com/store/theeighty/#xils-download-id-3 The post XILS-lab launches The Eighty as virtual Vangelis soundalike homage to iconic Seventies synth classic appeared first on Decoded Magazine.

As if closing 2024 and ringing in the New Year at Anyma‘s groundbreaking Sphere show wasn’t enough, the next stop on our NYE adventure that night took us to the newly expanded LIV Las Vegas. We were expecting a Tiesto set, but instead we got a ticket to the hottest show in town where Anyma decided to take his Sphere afterparty. On December 28, 2024, LIV Las Vegas re-opened after a several month hiatus where the club expanded and upgraded within a year of its grand opening. Industry experts say the upgrades give LIV LV the most sophisticated nightclub effects system in America. They call it a “spaceship experience” with two massive moveable truss circles that change the entire look of the club, synchronized with CO2 jets that create crazy visuals. It required a rewrite of the local fire code to accommodate! The expansion also included expanded areas for patrons so the capacity could be increased. This was the epic venue for a once in a lifetime show. Tiesto had already taken the decks by the time we arrived, as the Sphere show ended at 130am and it took some time to make the trek over. Upon arrival, the scale and grandeur of the club is on immediate display. It’s like Hi Ibiza, but it’s ritzier and newer and much bigger than the OG LIV Miami. Tiesto was playing an assorted of recent hits and some remixes of his classics, but the music started to shift towards more melodic and deeper sounds. I was surprised as it was more like his VERWEST alias but harder hitting. Then I remembered that he was scheduled to play the Sphere with Anyma on Jan 1, Zamna Tulum, and Space Miami in January. Tiesto has been working on some more underground sounds! Then things got even better. Suddenly a distinctly melodic techno track came on and the screens all around the club (they are everywhere) started showing “Anyma” on them! We looked to the front and Anyma had arrived and had taken the decks to play B2B with Tiesto. He had not announced any afterparties for the Sphere show that night so this was a real treat and a first-ever b2b between these titans. Anyma played a bunch of tracks that he had not just played at the Sphere and they were just as intense and incredible as the Sphere show. He did, of course, throw in quite a few of the hits from the Sphere show as well. All told Anyma probably played about an hour to 90 minutes, and it was hard to tell whether they were trading off tracks or just letting Anyma play for a while. There were some tracks in there that felt like they were either Tiesto tracks or they were Anyma remixes that were tributes to Tiesto. Eventually Anyma left the stage and Tiesto finished things out until around 5am. It was absolutely a night to remember! The post Tiesto & Anyma Rang in 2025 at the Newly Expanded LIV Las Vegas appeared first on EDMTunes.

Eptic, known for his hard-hitting dubstep style with massive tracks like his collab with Marshmello ‘Hitta’, has announced that he will be taking a break from touring citing exhaustion as one of the main reasons for this hiatus. The Belgian DJ posted a heartfelt message to his fans via social media saying, “I’ve got very lucky that I’ve been able to do something I love for almost 15 years now, and none of that would be possible without you guys.” Despite this, he has decided that he needs to take a break from touring to work on his health, spend time with family, and to finish and write music. He has stated that he could be away for “a couple of months or longer” but is unsure when he will return. It’s very important for artists to look after themselves and having been touring since he was 17 years old it’s fair to say that Eptic needs and deserves a break. Though he won’t be on stage for a while there is still plenty to look forward to from him as he is continuing to produce new music and will hopefully be back soon feeling ready to rock the house.

South African musician Jono Stephenson presents his amazing new single Digital Rain, a monument to his mastery of melodic techno and deep house, continuing his path with Purified Records. Following up with the glittering Midnight Sun and the joint hymn Pulling Me To You featuring Paradoks and Frynn, Jono has become a regular on the label since first appearing with Pathfinder as part of the Fragments XVIII compilation. With Digital Rain, Jono confirms his status as a unique talent by fusing dancefloor energy with great emotional impact. Digital Rain is a moving trip with flowing musical textures and throbbing bass tones. The track’s rich, ambient layers evoke distance and reflection, and its powerful rhythm drives it onward with hypnotic intensity. Jono creates a work that appeals physically and emotionally by deftly combining darker overtones with cheerful tunes. Captured after many days of heavy rain by Jan Erik Waider, the “Digital Rain” artwork features the River Otta close to the Norwegian town of Lom. Based in Hamburg, Germany, Jan is a fine art photographer most noted for capturing northern latitudes abstract scenes. Emphasizing water, ice, and complex natural patterns, his art highlights the beauty concealed in the minute elements of the planet we live on. Driven by silt, the water produced arresting patterns across the currents. The river’s name probably comes from the Old Norse word ótta, which means “to scare” or “to terrify.” Fed by glaciers, the river is well-known for its forceful and ferocious flooding, especially during glacial melt during times of great rainfall. Working to save important ecosystems and oppose damaging infrastructure projects, International Rivers is a worldwide organization committed to safeguarding rivers and defending the rights of communities depending on them. Helping them fight climate change, protecting freshwater biodiversity, and enabling local people to flourish sustainably. Looking to support further environmental preservation? With the power of the people, explore Only One, the action platform for the world, on a mission to restore ocean health and combat the climate crisis. The post Jono Stephenson returns to Purified with ‘Digital Rain’ appeared first on The Groove Cartel.

ben sims · BEN SIMS pres RUN IT RED 117. NOV 2024 (PT2) We start the new year with the UK’s Ben Sims, one of techno’s most exciting talents – a DJ who has stayed true to the genre’s funk, groove and electronic fused origins whilst continuing to embrace and nurture its development over the past 25 odd years. Schooled on a diet of Hip Hop, Reggae, Soul, House and Rave in the 80s, he played a huge part in defining British dance music in the 90s and continues to be an ardent champion of new music, producers and DJs via his many nights, record labels, radio shows, podcasts and relentless touring endeavours. As a DJ, Sims commands your attention, both visually and musically with anything from 3 to 5 decks running near constantly and hands, faders, effects and EQs a blur as tunes overlap to create a dense and quickly evolving collage of sound. Whether playing to 50, 500, or 5000 this unbridled energy and commitment to the art of mixing never falters and shows why Sims is regarded as one of the true masters on the circuit, both a DJ’s DJ and a straight-up party rocker in equal measures. In the studio, Sims has notched up over 50 original productions as well as countless remixes and edits in the past two decades. Embraced by techno’s originators and Detroit ambassadors he’s been, uniquely for a UK artist, called upon by Jeff Mills, Robert Hood and Kevin Saunderson for remixes as well as contributing to the majority of influential European labels from Mote Evolver to Drumcode to Cosmic to Token via Tresor, CLR, and his own (now completed) Theory imprint. Most recently, his disco/house leanings have birthed Ron Bacardi, an alias that has quickly established itself and resulted in 12”s dropping on Bass Culture, Karlovak, Way Back Wednesday and Hardgroove. Outside of the studio and club, the dedication, enthusiasm and search for the next great record/ talent continues. His monthly Run it Red radio show on NTS Live is devoted to new music, his club night, Machine (co-founded with Kirk Degiorgio), was set up to only showcase new music and his label activities, currently taking in Symbolism and Hardgroove, continue to provide rock-solid platforms for new producers whilst also showcasing his own studio experiments. Never resting on his laurels, Sims continues to challenge himself at every turn. From a succession of dynamic b2b sets with other highly respected Techno DJs like DVS1, James Ruskin, ROD or Truncate, through his small-room b2b club night Kabuki, countless label/release projects, or devotion to actively seeking out interesting club nights to play alongside the tried and tested, there’s always something fresh to get excited about with Ben Sims and you can trust that when the current boom (and its converts) move on, he’ll still be here, doing his thing and pushing his vision of techno. Tracklisting 1. Vera Logdanidi – Euphoria. Semantica 2. Simoncino – Dub Theory IV. Quintessentials 3. JR Disc – Thrust. Detroit Basics 4. Carlos Nilmmns – IRL (Lo). Distangled 5. Francesco Mami – Stilgar (Reboot Remix). Rhythm Cult 6. Sound Stream – Off The Rack. Sound Stream 7. Sound Stream – El Acetato ’94. Sound Stream 8. DJ Sneak – A Taste Of The 90s. Heist 9. The Oliverwho Factory – Feel. Faith Beat 10. Scan 7 – VII. Tresor 11. Flabaire – Life Flow. Bass Culture 12. Nathan Kofi – Wekū. De Lichting 13. Fred P – Vibe To The Rhythm. Synchrophone 14. Taelue – Deviancy. Synchrophone 15. Sound Stream – Make It Right. Sound Stream 16. Carlos Nilmmns – Cabana. Distangled 17. Stroef – Lost Hallways. Boomstraat 1818 18. Mark Williams – Oh Boy (Dub). Hardgroove 19. Uncertain – Feel. RSPX 20. Adlas – Open Question. Hayes 21. Oruam Zior – Torrente. Illegal Alien 22. Stephen Brown – Replika. Synchrophone 23. Scan 7 – Planet Energy. Tresor 24. Operator – Up, Then Down. Mord 25. Fhase 87 – Minimalism 04. Unreleased 26. Massimo Logli – Open Wide. Superbra 27. Stephen Brown – Compare. Synchrophone 28. Mark Williams – Take My Love. Hardgroove 29. Linkan Ray – Flight To Tokyo. Be As One 30. Mella Dee – Fiedel Played A Big One. Warehouse Music 31. PAB165 – Domination. Planet Rhythm 32. Operator – Running From The Man. Mord 33. A Thousand Details – Queimadela. Ear To Ground 34. Mike Dehnert – Berlin Rush. Matter+ 35. G-Man – Throw. Synchrophone 36. Mark Williams – Your Eyes. Hardgroove 37. Rethe – Momentum Shift. Inner Tension 38. KiNK & Raredub – Time To Change (Marcel Dettmann Universal Raw Mix). Mutual Rytm 39. Private Press – Very Cosmic. Hardgroove 40. Kaiser – Ozono (Kriz Remix). KSR 41. Fhase 87 – Minimalism 05. Unreleased 42. DHÆÜR – Chapter 03 (Deluka Remix). Supercinema 43. Dynamic Forces – Holding Out. Pleistocene Future 44. Dold – Slate. The Third Room 45. Sarf – Orden Disruptivo (Lidvall Remix). Analog Section 46. Kaan Pirecioglu – Magnet. Float 47. Dimi Angelis – Intergalactic (Decka Remix). ANGLS 48. Lidvall – Too Serious!. Symbolism 49. Mal Hombre – Titan Eclipse. Reverse 50. Taken – Ice Truck. TH Tar Hallow 51. Vertical Spectrum – Jej Fizymatenta. Edit Select 52. Møntero – Staying Strong. Liberta 53. A4 – Four Rays. Edit Select 54. Stanislav Lavskyy – LTA-1. Corpus Black 55. Border One – Gazing Eye. Border One 56. Stroef – Widow’s Lair. Boomstraat 1818 57. Dimi Angelis – Chrysalis. ANGLS 58. DJ Lily – Succumb To The Algorithm. Lilies 59. JØHRN – Morning Has Broken. Faut Section 60. Pyramidal Decode – Freshwater Use. Warm Up 61. Lidvall – He Scares Me. Symbolism 62. Milo Radd – Memory Quest. Edit Select 63. Detroit In Effect – Tear The Roof Off. M.A.P. 64. Usurp – There Is Someone Else. Headset (Edit) 65. Neil Landstrumm – Before AMS. Unknown 66. Techmarine Bottom Feeders – We Cannot Help You (The Exaltics Remix). EPM 67. Peverelist – Pulse XIV. Livity 68. Shadow Child & DJ Haus – Magic Waves. Unknown To The Unknown 69. Forest On Stasys – Magnetismo. Aura Sonora 70. Synkro & DYL – Last Chance. Relation Reset 71. Finalversion3 – Todos Los Siempres (Oscar Mulero Remix). Gordo Trax 72. Forest On Stasys – Domo. Aura Sonora 73. Brendon Moeller – Radiation. Samurai Music 74. Ruff Cherry – Exonda. Midgar 75. Etch – Clockwork Romance. Ilian Tape 76. Galaxian – Sterile Vision. Herrensauna 77. Crossing X – Back. Avion 78. Vril – Habit Forming. 1800 Haight Street 79. Dialog – Better Way (Vocal & Version). DOT 80. Uun – Never For The Ever. Mord The post Mix of the Week – Ben Sims appeared first on Decoded Magazine.

The producer – who’s sat on rare and unreleased music for years – lost his home in the fires Continue reading...

Hi! Who are you? Peter: Hello, I am Peter, known to some as Peter Piper or Energy. I’m 34 with blonde hair, blue eyes and an irresistible lust for life. Ollie: Easy! I’m Ollie or sub-antics. Together we run Overview Music and have done for the past 6 years now. What’s your ethos? Peter: A real focus on quality and consistency. We have a very DIY philosophy and try to be as personable and communicative as possible. Ollie: Create a relaxed and open environment where artists can express themselves, create relationships and be part of something bigger. All rise together! Tell us your origin story… Peter: Ollie and I met for the first time at a show in Egg, London, he recognised me from my podcast whilst I was at Lifestyle Music. I knew of his platform sub-antics, we hit it off and I started feeding his dub addiction. A few months later after I was booted out of that label, I decided to start my own and turned to Ollie to see if he wanted to get involved. When he told me he was a video animator, I didn’t give him much choice. The rest is history! Ollie: Bang on! Can’t say I remember a whole lot from that Egg show but couldn’t forget that. I was doing my own thing on Soundcloud at the time and had caught onto what Pete was doing over at Lifestyle. After meeting in a London we kept in contact over the next year. During that time I can remember a few occasions of him telling me I should start a label. Next thing I know at the end of 2018 I got the message and thought why not! And here we are… Tell us about your local scene… Ollie: Bristol based here. Been here for about 3 years now, originally from Bedford a bit North of London. I guess it’s between here and London for the current hub of drum & bass! No shortage of nights going on all the time and we’re incredibly spoiled with the acts that come through. Peter: I’m originally from a small town called Horsham in Sussex, a surprising hotbed of D&B talent, but moved down to the south coast to sunny Brighton well, Hove, actually. It’s a real cultural area, very open and accepting. You can be who you want and there’s quite literally something for everyone. The drum & bass scene is strong, with a lot of artists & labels around or passing through. We also have one of the best small nightclubs in the whole country- Volks. If you think differently you are wrong! Do you have a specific sound or vibe? Peter: Overview has been known for more ‘’deep’’ and ‘’minimal’’ sounding music, but our sound has definitely evolved over time. The artists we work with dictate this really, so now we also put out more upfront tracks and have even started dipping our toes into the 140 realm. For us it’s still very much about underground aesthetics though and being honest with what we believe in; taking risks and not just being profit or numbers driven. Ollie: Yeah, echoing Pete it for sure started out a bit ‘deeper’ or more ‘techy’. As time passes your artists evolve and the label evolves with them, after all they define the sound to some extent. It’s a lot broader now but always comes back to forward thinking underground music at the core. Who can we see releasing with you? Peter: Where do we start? A few of our mainstays that have been with us since around the beginning include Klinical, Waeys, Wingz, Rizzle, Operate, Ill Truth, Creatures, Nami, gyrofield, Skylark & GROUND. In recent times we’ve added Koherent, Rueben, YAANO, Azotix, VELLE, Emperor & Kyrist all to the roster. We also work with some incredible vocalists including LaMeduza, Rider Shafique, Collette Warren, SOLAH, Visionobi, Freddy B & T-Man. Ollie: Yeah we’re incredibly lucky to work with such a talented group of artists (and just lovely people). To look at 2025 shaping up and still having those familiar names from the very beginning really is a joy. Got to also shout out my Bristol locals Thread, Para & SMG who have all come on board this year too. Some serious talent coming through which is great to see. Tell us about your A&R process… Peter: We have a very hands-off approach to A&R most of the time. We very much try to let the artists do what they want and we find the best music is usually created in that environment, made with that trust. Ollie: Beyond a simple yes and no it’s mainly just refinement. Our artists are super capable so there’s often little technical input needed. If the vibe is there and it resonates with me and Pete we’re good to go! What makes you different from other labels? Ollie: Our artists and their sounds. I don’t know many labels where you’d hear quite the breadth of sonics across a roster and discography. Peter: I’d currently say our consistency. Although we are releasing more music than ever, I don’t feel we’re dropping the bar just to fit a schedule, we just genuinely have that many brilliant artists making that much good music. We’re not super interested in chasing trends either. Yes some artists might want to take their sound a certain way, but we aren’t sitting here thinking ‘x is popular right now, we should be doing this’. We really just try to do what comes naturally and it’s working. Ollie and I are not producers either, although that can have its limitations, it means we’re very much focused solely on the label and probably have more of a fan/listener perspective. There’s not too many labels in our position where that is the case! What does it take to run a bass music label in 2025? Peter: On an independent level, it requires being as multi-disciplinary as possible. Between both of us we can run almost every aspect of a label from the art to animation, to events and accounting. It’s been a major key to our success but it has required a lot of thankless hours. Ollie: In 2025? Probably an ability to shut out the noise. It’s becoming such a big space now and with social media it can be easy to get caught up in what others are doing and start comparing. Stay true to yourself and focus on what you’re doing. What have you got coming up we should look out for? Peter: We are in the process of releasing our 100th release! It’s a two part remix compilation called ‘Overview100’ and it’s a massive milestone for our little label. We’re also going full steam ahead with Overview shows right now and have dates around the UK in Manchester, Brighton, Milton Keynes, Leeds & Bournemouth, as well as abroad in Austria, Germany, The Netherlands & Italy. Our next label tour to New Zealand & Australia is also shaping up! Ollie: Beyond that there’s some really exciting music coming in 2025. Some familiar faces and some new! And not just drum & bass. Overview Music Website

This year started as a whirlwind, and in similar fashion of last year, nature has been ravaging events. However, we did not see this one coming. There was a lot of discussion on the possibility of the 67th GRAMMY Awards being postponed due to the tragic LA fires affecting over 35,000 acres currently. The big night was scheduled for Sunday, February 2nd at the Crypto.com Arena in downtown Los Angeles is in jeopardy of changing its course and all the adjacent events from the production. Earlier today, the Academy had announced that the event will proceed as planned. Rescheduling the GRAMMYS? The Grammy Awards, music biggest night, pays homage to the giants of the industry. Each genre, spoken word, and collaborative works is honored during this evening. This includes EDM artists. This year, however, the event is facing the possible threat of wildfires, raising questions whether it’ll happen at all. Senior executives and Recording Academy leaders have already mentioned the possibility of a reschedule, as well as modifying the event to serve as a fundraiser to aid the city dealing with the wildfires. This decade alone, this would be the third time the show is postponed/cancelled. The first two times happened during the COVID and OMICRON outbreaks, which affected the entire world. Wildfires The fires spread quickly since last Tuesday due to high winds. The origin area was the Pacific Palisades, before migrating to Santa Monica and Malibu. As of now, the death toll has risen to 24 and there have been thousands of residents misplaced, with their homes burnt to ashes. First responders have done what they can to contain the fire, with help from different states, and countries. Our heart goes to the city of Los Angeles, a safehaven for music, EDM and the underground. The post GRAMMYs Set to Proceed as Planned Despite LA Fires appeared first on EDMTunes.

When disaster strikes, the power of music often rises to meet the moment. SLANDER and NGHTMRE, the minds behind the beloved Gud Vibrations label, are channeling that energy into action. As the Los Angeles wildfire crisis rages on, the trio has announced a benefit concert to raise funds and bring their community together in support of the city amid one of its darkest moments. All proceeds from the upcoming event will be donated to Red Cross LA and a number of local fire departments, delivering vital resources to the frontlines of disaster relief. 24 people have died so far, according to the California Department of Forestry and Fire Protection, and evacuation orders are in effect for 105,000 residents. The coastal Palisades Fire, the largest and most devastating blaze of a cluster of ongoing wildfires, is now "one of the most destructive natural disasters in the history of Los Angeles," according to Los Angeles Fire Chief Kristin Crowley. SLANDER and NGHTMRE's charity showcase will take place January 24th at Avalon Hollywood, one of the region's most storied nightlife venues. A historic venue with roots dating back to 1927, Avalon will serve as the perfect symbolic backdrop in a powerful display of unity. In addition to an epic night of live music, fans can participate in an early-evening merch pop-up in the club's lobby before the show starts at 9pm. Fans can sign up for updates on the release of tickets here. c/o SLANDER Follow SLANDER:X: x.com/slanderofficial TikTok: tiktok.com/@slanderofficial Instagram: instagram.com/slanderofficial Facebook: facebook.com/slanderofficial Spotify: spoti.fi/3zpUP2P Follow NGHTMRE:X: x.com/nghtmre TikTok: tiktok.com/@nghtmre Instagram: instagram.com/nghtmre Facebook: facebook.com/nghtmre Spotify: spoti.fi/3fkyQ1C

When FISHER comes to town, ordinary nights become tales of legend. Returning to New Zealand for the first time in over six years, the house music superstar descended on Auckland's Victoria Park January 10th and delivered a performance fit for the history books. He drew in 24,000 fans and headlined what was ultimately confirmed as the country's largest electronic music event. That's according to the show's organizers, Trademark Live, a leading event brand in the Aotearoa music industry who produces over 200 shows a year. FISHER also received a Guinness World Record certificate for the achievement. FISHER holding a Guinness World Records certificate after headlining the largest electronic music show in New Zealand's history.FISHER/Instagram Few can whip up a crowd like FISHER on a summer night, and the Australian DJ proved once again why he's one of the hottest commodities in dance music. The record-breaking turnout transformed the park into a groovy sea of bucket hats, Hawaiian shirts and pure euphoric energy. Tracks like "Losing It" and "You Little Beauty" even had fans braving the elements, dancing through teeming rain and transforming what otherwise would have been a potential washout into a triumphant spectacle. The night also represented somewhat of a turning point for Auckland’s live music scene. FISHER's performance filled a void left by the cancellation of the 2025 edition of Bay Dreams, which was once the country's biggest and most iconic festival. Promoters, inspired by a simpler format of single-artist showcases, bet big on FISHER—and it all paid off. For FISHER, the historic night was undoubtedly owed in part to his remarkable 2024. Riding high on collaborations like "Waiting For Tonight" (with Jennifer Lopez) and "Somebody" (with Gotye, Kimbra, Chris Lake and Sante Sansone), he brought his trove of hits to the stage with unparalleled showmanship. You can watch footage from the show below. Follow FISHER:X: x.com/followthefishtv Instagram: instagram.com/followthefishtv TikTok: tiktok.com/@fisher Facebook: facebook.com/followthefishtv.tv Spotify: tinyurl.com/ywmrm645

Renowned electronic music producer Eptic has announced an indefinite hiatus from touring, citing exhaustion and a desire to focus on personal well-being. In a candid post on social media, the Belgian dubstep virtuoso revealed that after years of non-stop travel, he's stepping back to focus on his health, creativity and personal life. Eptic, known for his innovative sound design and heavy-hitting bass music, explained that the relentless nature of his touring schedule has been impacting his ability to create the music he envisions. "I’ve been traveling the world pretty much constantly since I was 17 and while I wouldn’t trade those experiences for ANYTHING, I’ve realized I can’t make the music/art that I want if I’m this exhausted and on planes all the time," he wrote. "I’m going to take some time to finish and write music, work on my health and spend time with family and friends. If that’s a couple of months or longer is up in the air I can’t really say." While the hiatus leaves a gap in the touring circuit, Eptic's fans and fellow artists are eager to see what creative projects emerge from this period of reflection. Whether his break lasts a matter of months or years, the focus remains on quality over quantity—a sentiment resonating deeply within his community. "Absolute legend and well deserved rest!" NGHTMRE commented. "Your music is a constant source of inspiration. Excited to hear what you write during this rest time!" "Big ups bro, take that time, make that art," Blanke added. "You constantly raise the bar for the quality we should be striving for." You can read Eptic's full statement below. Eptic/Instagram Follow Eptic:X: X.com/Eptic Instagram: instagram.com/eptic TikTok: tiktok.com/@eptic Facebook: facebook.com/eptic Spotify: spoti.fi/35CnTGp

Ravers across Southern California eager to ring in the new year were recently presented with various electronic events to ring in 2025. From massive indoor raves to multi-stage outdoor festivals, these events provided expanded opportunities for this raucous holiday from Los Angeles to San Diego. However, out of all of the dance music festivities throughout sunny SoCal, there was one event that stood out amongst the rest due to its location, amenities and killer roster of artists: Proper NYE. Produced by FNGRS CRSSD, the two-day event returned to its home inside MLB's Petco Park, home of the San Diego Padres. For its third iteration, the fest's producers once again partnered with stadium officials to provide an unmatched New Year's experience for dance music enthusiasts. The Lot Stage, Petco Park Daniela Becerra Four distinct stages dotted the venue: a grassy knoll, an asphalt lot with city views, an obscure wall with a waterfall feature and a massive mainstage offering stadium seating or standing room only in the field. Each locale offered unique curated soundscapes ranging from house, techno, trance and progressive. From veteran house music staples to leading ladies of the techno scene, check out these select photos from some of the performances found at San Diego's Proper NYE. John Summit.Keiki Knudsen Green Velvet.Keiki Knudsen Kaskade.Keiki Knudsen Dom Dolla.Felicia Garcia Cassian.Felicia Garcia Charlotte de Witte. Daniela Becerra Francis Mercier. Daniela Becerra Mau P. Daniela Becerra Boys Noize. Daniela Becerra Mindchatter. Daniela Becerra Durante b2b Hana. Daniela Becerra Elderbrook. Daniela Becerra Follow Proper NYE:Facebook: facebook.com/propernye X: x.com/propernye Instagram: instagram.com/propernye Follow CRSSD:Facebook: facebook.com/FNGRSCRSSD X: x.com/fngrsxcrssd Instagram: instagram.com/fngrscrssd

Tulum’s palm trees have long murmured tales of legendary electronic music evenings, but the recent Keinemusik concert at Zamna left another kind of echo in its wake. Known for their flawless mix of deep house and melodic techno, the Berlin-based group faced unheard-of criticism after what many called a fundamentally poor presentation shook the electronic music scene. What could have been another victory in Keinemusik’s worldwide trip instead became a hot topic of debate when Adam Port abruptly exited midway through the set. Rampa and &ME, the remaining members, carried on performing, but based on several guest reports, the magic that usually defines their presentations had already vanished into the humid Tulum air. Longtime fans who traveled from as far as Egypt and New York to see what they anticipated would be another unforgettable Keinemusik experience were sharply critical of the performance. Rather, they came across what one seasoned raver called “the worst event in 12 years of raving.” Not confined to casual observations, seasoned fans noted several technical problems, most notably the repeated usage of C Major progressions producing what they regarded as a “flat, dense, and boring” soundscape. The problems went much beyond music choices. The typically flawless chemistry between Adam Port, Rampa, and &ME seemed strained and uncomfortable as viewers observed obvious conflict between the performing members. This outward conflict turned into a disjointed environment devoid of the cohesive experience Keinemusik has developed their name. The event has spurred a more general discussion about the change in Tulum’s electronic music scene. Once revered as an underground sanctuary, it is now under scrutiny for putting Instagram-worthy events above musical depth. The Keinemusik concert appears to have turned into a lightning rod for these mounting worries about the commercialization of electronic music culture. For many ardent supporters, the Zamna concert signaled a possible turning point in their connection with the collective, not only a bad night. Particularly considering the great time, money, and emotional energy many had invested to attend the concert, supporters who had followed Keinemusik across countries voiced not only sadness but also a sense of betrayal. Although a single performance cannot undo years of musical excellence, the Zamna event has begged serious issues of responsibility in electronic music society. The implicit compact of professional honesty and artistic authenticity becomes ever more important in a time when supporters spend ever more major funds in following their preferred musicians. The electronic music scene waits and wonders for now whether this event will act as a trigger for transformation or mark another chapter in the continuous development of dance music culture. Clearly, even while the terrain of electronic music keeps changing under our feet, the standards for authenticity and professional commitment remain as high as ever. The post Keinemusik face backlash from fans after Zamna Tulum show appeared first on The Groove Cartel.

New York City is adding to its long list of accolades. A world city and arguably the best city in the United States has been named the party capital of the U.S. Beating out Las Vegas and Miami, NYC stands alone at the top. Mattress Next Day, furniture merchants, awarded the city that never sleeps the new ranking. They analyzed cities across the country for going-out search interest on Google. This included the number of events and clubs, safety, public transit costs, and number of four-star hotels and restaurants. Gotham grabbed first place, with 610 events occurring at night. This nearly doubles the number of the runner-up (Las Vegas). While most venues close up at 4 am, there are quite a few that stay open all night – Nowadays in Brooklyn for instance. Of course from the dance music side, The Brooklyn Mirage leads the way and was awarded best large club in the country in 2023. NYC has also been named the #1 travel destination in the US by Trip Advisor this year. Las Vegas, aka Sin City, had over 100,000 Google searches for nightlife events in a given month. It is home to the renowned Las Vegas Strip, huge clubs with DJ residencies, lavish casinos, and a range of restaurants. Boston came in 3rd reportedly for its restaurant and hotel scene. Austin placed 4th for being the cheapest travel party destination. Rounding out the top 5 was San Diego. The post New York City Named Party Capital of U.S. appeared first on EDMTunes.

MatricK‘s original ‘Body Move’ track was already a favorite among dance music enthusiasts, but when Hardwell put his signature spin on it, the remix took on a whole new life. With its pulsating rhythm, catchy melody, and expertly crafted drops, the Hardwell edit of ‘Body Move’ quickly became a mainstay in DJ sets and festival lineups around the world. What sets Hardwell’s edit of MatricK’s ‘Body Move’ remix apart is his ability to elevate the track without losing the essence of the original. By carefully layering new elements, tweaking the arrangement, and fine-tuning the mix, Hardwell managed to enhance the energy and impact of the remix, making it a standout in both artists’ discographies. About MatricK Oleg Korolkov aka MatricK – one of the youngest and brightest representatives of EDM-scene, not only in Russia, but also in the world. His sound is a unique blend of energy, power and melody. He knows how to harmoniously combine the beauty and power of music in all of his tracks. He started his career back in 2006 and for the past few years, MatricK has made great progress in his music. His tracks and remixes are regularly supported from the world’s DJs such as: Markus Schulz, Paul van Dyk, Andrew Rayel, MaRLo, Bobina, DJ Feel, Giuseppe Ottaviani, Ben Gold and many others. And also you can find his music on a few of the biggest labels in the world including Armada Music, Black Hole Recordings. His radio show “Transformation” broadcasts every Friday on Radio Record, the #1 dance radio station in the Russia. Every day his music gets more and more fans and attention from the world’s DJs. Maybe MatricK is something new in trance music and he will definitely surprise you. So, keep in touch and get ready for something big! About Hardwell Music maturity came swiftly for the now seasoned-veteran Robbert van de Corput, better known as Hardwell. At the age of 25, the young Dutch titan capped off a 10 year journey when he was crowned World’s #1 DJ in the 2013 DJ Mag Top 100 DJs Poll cementing his position as the electronic scenes newest superstar DJ and becoming the youngest ever winner of the coveted Top 100 DJs award. In 2014 the Dutch megastar did it again – being crowned World’s #1 DJ in the 2014 edition of DJ Mag’s Top 100 DJs Poll for a second consecutive year. Despite relinquishing his crown in 2015, though still taking the highly respectable second-place spot, it’s clear that Hardwell has already created a legacy that would put most of his counterparts to shame. This award-winning DJ, producer, musician, label owner and lover of all things music has not only helped shape the current state of EDM, but has left an everlasting imprint on it. The post MatricK – Body Move (Hardwell Edit) appeared first on EDMTunes.

‘We’ve always believed that the best music is timeless. It has a unique power that can resonate across generations. Ambient music has been a part of Anjuna and Above & Beyond since the beginning, starting with our first album ‘Tri-State.’ Including ambient tracks on our albums has always felt right to us. Music can be comforting and healing, especially living in this hectic world. It’s music that grounds us and helps us find peace. Looking back over 25 years, it’s incredible to see how many timeless pieces have emerged from our labels and how they still have that same feeling.’ – Above & Beyond The dawn of a new year brings change and much to celebrate at Anjuna HQ. To kick things off, Anjunachill (rebranded from Reflections) is now the third frontline label under the Anjuna umbrella, housing the group’s ambient, downtempo, and chillout catalog. In celebration of its 25th anniversary and the launch of Anjunachill, the Anjuna label family is unveiling a brand refresh for 2025. With the design of its own bespoke typeface, ‘Decima Sans,’ and the iconic ‘Anjuna A’ at its core, the refreshed identity honors Anjuna’s rich heritage while establishing a versatile design foundation for the label’s future growth. Alongside longstanding flagship imprints Anjunabeats and Anjunadeep—two of the world’s most respected imprints in dance music—Anjunachill is keeping the brand’s signature ethos with emotive and melodic music at its core. While the Anjuna brand is historically synonymous with quality dancefloor-dominating club records, ranging from trance and progressive to deep house, Above & Beyond’s newest imprint, Anjunachill lives in the worlds of ambient, downtempo, and chillout – genres with a rich, intertwined history with dance music and the Anjuna brand itself. Anjunachill is the latest chapter of a journey that began with Above & Beyond at Burning Man in 2014. Following a spontaneous sunset yoga set on the iconic Robot Heart stage, this transformative experience sparked the creation of their dedicated yoga and meditation album, ‘Flow State.’ Following the success of ‘Flow State,’ in 2020, the first EP in a new chillout series, ‘Reflections Vol. 1,’ was released on Anjunadeep. This marked a pivotal moment in establishing a dedicated home for Anjuna’s chillout catalog. Officially launched in May 2022 as Reflections, the label flourished as a standalone space for ambient and downtempo music. Over the past three years, the Reflections label has released over 250 recordings from 70+ artists, amassing over 150 million streams. The label has released critically acclaimed albums from Mark Barrott, Cephas Azariah, Yotto, and Croquet Club, receiving glowing coverage from Pitchfork, Resident Advisor, and BBC Radio 6 Music. With standout live showcases at Glastonbury and sold-out events at ADE, Reflections has established its reputation as a credible tastemaker in the chillout space. Now, Anjunachill proudly carries the torch, continuing to champion, discover, and nurture some of the finest talents in ambient, downtempo, and neo-classical music. To long-time fans of Anjuna and Above & Beyond, the Anjunachill rebrand will come as no surprise; quieter moments have always been essential components of the band’s chart-topping electronic albums. The chillout genre is one the Anjuna family of labels have a long history in – from catalog classics on Above & Beyond albums like their debut LP title track ’Tri-State’ and ’Sun In Your Eyes’ from Group Therapy, to much-loved fan-favorite moments from Andrew Bayer, Cubicolor and Croquet Club, to the RIAA-certified Gold ‘Don’t Leave’ (a single from the ‘Flow State’ album) in 2019. Artist priorities for 2025 include Cephas Azariah, Mark Barrott, and newcomers Planet of Souls. Planet of Souls is the exciting new downtempo alias of prolific producer Paul Rogers (NERD, Gorillaz, and Pete Tong) and close friend Tom Barlow, a sound design master. Anjunachill also welcomes new additions to the label, including Anjunadeep’s Luttrell, Steven Weston, BAILE, and Cornelius SA, Anjunabeats’ PROFF, as well as new faces in the form of South African neo-classical duo Ad Harmonium and British producer Toutounji. Anjunachill’s first release comes on January 14 by way of Above & Beyond’s new single, ‘Shall We Begin.’ Debuting as the intro for Above & Beyond’s guest mix on the 500th episode of the Anjunadeep Edition last summer, ’Shall We Begin’ is a moving downtempo electronic piece that takes listeners on a three-minute emotional journey. Echoing the sweeping soundscapes of their iconic ‘Flow State’ album, the track is poignant, reflective, sentimental, and captivating. In October 2024, 15,000 fans got a sneak preview of ‘Shall We Begin’ as it served as the soundtrack to the mysterious ‘Anjuna 25’ teaser video played right before Above & Beyond’s headline set at Above & Beyond’s 600th Group Therapy Radio Show (ABGT600) in Mexico City. This aptly named tune not only kicks off the Anjunachill label but ushers in an exciting era for Above & Beyond, who are set to play at the Coachella Valley Music & Arts Festival in Indio, California, this April. ‘Shall We Begin’ is available worldwide on January 14 via Anjunachill. The post Above & Beyond announces the rebranding of their third frontline label, Anjunachill appeared first on Decoded Magazine.

Magickal by Damian Lazarus Damian Lazarus has released his fifth studio album, Magickal via Crosstown Rebels. In a move that defies industry norms, the album lands as a shock drop—bypassing the trend of staggered single releases and instead offering the extended artistic experience from day one. “With Magickal, I wanted to do things differently. I’ve sought to bypass the current trend of drawn-out single drops and fragmented album experiences. For me, this is about returning to the idea of an album as a complete, cohesive artistic statement—a pinnacle moment rather than an afterthought. After the release, we’ll explore the music further with singles, remixes, and a world tour, where I’m planning to present the album in some fresh, innovative ways. All to be revealed soon.” – Damian Lazarus. Coinciding with the album’s release is Day Zero, Damian’s legendary annual festival that brings music, nature, and community together. Created to celebrate the end of the Mayan calendar in 2012, Day Zero has become more than just an iconic event and stands as a cultural pillar and benchmark for immersive experiences on the global festival circuit. Set against a backdrop of breathtaking natural beauty deep in the Mexican jungles of Tulum, Day Zero seamlessly blends music and cutting-edge production with deep respect for local culture, heritage, and traditions. By integrating rituals and customs into its programming while adopting sustainable practices, Day Zero sets a precedent for how modern events can honour ancient traditions in meaningful and contemporary ways. A central piece of Damian’s expansive world, this ethos not only inspires his creative vision and process but also forms the foundation for the immersive world of Magickal – mirroring the album’s themes of unity, transcendence, and the magical power of connection, and providing the perfect launchpad for the LP. Crafted during a transformative period in Damian’s life, Magickal reflects his newfound sobriety and evolved outlook, channelling clarity and emotional depth into every track. Featuring an impressive lineup of collaborators, the album draws on global influences while revisiting key moments from Damian’s extensive discography. Highlights include ‘Alive’, a blend of pop sensibilities and Damian’s signature sound featuring the Bloom Twins, and the flamenco-infused ‘La Hija De Juan Simón’ with Spanish duo Méstiza. Other standout tracks include the amapiano-inspired ‘Warrior Dance’ with Ghanaian artist Jojo Abot, ‘Falling Down’, a collaboration with TEED and A-Trak, alongside Mathew Jonson’s virtuoso contributions on ‘Are You Dreaming?’ and Zoe Kypri’s soulful vocals on ‘So Low’. Themes of mental elevation and sonic exploration run throughout Magickal. Tracks like ‘Sunrise Generation’ featuring Fink evoke moments of collective awe and spiritual upliftment, inspired by gatherings at sunrise. Damian’s ability to weave these emotional touchpoints with innovative rhythms solidifies his reputation as a master of musical transcendence – with luminous lead single ‘Searchin’ alongside Jem Cooke, whose collaboration with Damian dates back to ‘Flourish’ in 2020, dropping alongside the album and accompanied by a remix from Rekids head honcho, Radio Slave. Additional singles, including the aforementioned ‘Alive’ and ‘Warrior Dance’, plus new edits and expansive remixes, will follow the release, alongside a world tour featuring appearances at Coachella and more. The Crosstown boss will also host a unique launch event at Nômade in Tulum (January 8), with a series of performances from special guests and unique activations for those in attendance. With Magickal, Damian Lazarus reaffirms his status as a trailblazer in electronic music, offering a profound journey into sound, spirit, and connection. Damian will bring this sense of magic to his upcoming album tour, with renowned magician DEKAY joining him at select dates to perform street magic and illusions for the crowd. Kicking off with Day Zero, the Magickal World Tour will touch four continents throughout the first half of 2025 with over 40 stops in Italy, Mexico, France, Spain, Indonesia, Turkey, Germany, Brazil, and more. On the US front, Damian will headline iconic venues in New York, Miami, Los Angeles, San Francisco, and El Paso, along with Damian’s performances at both weekends of Coachella. Other notable dates include festival appearances at Piknic Elektronik and UNUM Festival, as well as the return of his Hï Ibiza residency. Magickal Tracklist 1. Searchin’ (feat. Jem Cooke) 2. So Low (feat. Zoe Kypri) 3. Why Don’t U 4. Falling Down (feat. Totally Enormous Extinct Dinosaurs & A-Trak) 5. La Hija De Juan Simon (feat. Mestiza) 6. R U Dreaming? (feat. Mathew Jonson) 7. Sunrise Generation (feat. Fink) 8. Force (feat. Jojo Abot) Additional Singles: Alive (feat. Bloom Twins) Warrior Dance (feat. Jojo Abot) Stream / Download here The post Damian Lazarus releases new album Magickal appeared first on Decoded Magazine.