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Skrillex is returning to Miami's Ultra Music Festival for the first time in a decade, he revealed on social media today. The dubstep icon revealed the news after Ultra's organizers wished him a happy birthday, writing, "See you in March." Skrillex's upcoming headlining set will be his first solo performance at the storied Bayfront Park festival in a decade. He DJed alongside Boys Noize under the duo's collaborative alias, Dog Blood, in 2019. Ultra has always been a playground for culture-defining moments, and fans are already speculating about what Skrillex's 2025 set might entail. Whether it's a nostalgia-laden journey through his greatest hits or a showcase of his long-awaited new albums, one thing is certain: his return is shaping up to be one of the most talked-about performances of the year. Skrillex joins a lineup featuring Martin Garrix, Hardwell, Zedd, Alesso, Armin van Buuren, Axwell, Charlotte de Witte, Above & Beyond, Afrojack, Tiësto, Anyma b2b Solomun and deadmau5 b2b Pendulum, among other electronic superstars. Ultra is scheduled to return to its longtime home of Bayfront Park from March 28-30, 2025 and tickets are on sale now. Check out Skrillex's announcement below. See you in March🐣 https://t.co/jwHOJ7ZYqh — Skrillex (@Skrillex) January 15, 2025 Follow Skrillex:X: x.com/skrillex Instagram: instagram.com/skrillex TikTok: tiktok.com/@skrillex Facebook: facebook.com/skrillex Spotify: tinyurl.com/naka2dyv Follow Ultra Music Festival:X: x.com/ultra Instagram: instagram.com/ultra TikTok: tiktok.com/@ultra Facebook: facebook.com/ultra

Following an incredible debut show at Dubai’s stunning Bohemia Beach Club for New Year’s Eve, Defected announces a new residency at the venue for 2025. Set against panoramic views of the Dubai Marina, Palm Jumeirah and Ain Dubai with touches of Ibiza glamour throughout the venue, the residency demonstrates the label’s growth in UAE, following the success of their two Defected Dubai festivals in 2023 and 2024. Launching the residency on Saturday 22 February 2025, Defected recruits UK house mainstay Hot Since 82 and America’s breakout house talent and electrifying selector HoneyLuv to kick off the series of shows, supported by Bohemia resident Fabrice.With more shows to be announced, Defected’s partnership with Bohemia Beach Club is set to be an unmissable experience for house fans in Dubai this year. Be sure to secure your spot on the dance floor by booking your tickets now.

After 25 years of building one of dance music’s most devoted communities, Above & Beyond is formalizing their relationship with ambient music through Anjunachill, a rebrand of their Reflections imprint that feels less like a business decision and more like a coming home for the trio. The journey to Anjunachill reads like electronic music mythology: three producers who conquered trance (Anjunabeats) and deep house (Anjunadeep) find themselves playing yoga sets at Burning Man’s Robot Heart stage. That 2014 sunrise session sparked “Flow State,” their RIAA Gold-certified meditation album that proved electronic music could heal as effectively as it could move bodies. Fast forward through 250 releases and 150 million streams under the Reflections banner, and suddenly that spontaneous desert moment ushered in destiny. Now re-named Anjunachill, the refreshed imprint’s inaugural release “Shall We Begin,” was first teased to 15,000 devotees at ABGT600 in Mexico City. The track exists in that ethereal space Above & Beyond carved out with classics like “Sun In Your Eyes” and “Tri-State” – all patient builds and emotional payoffs that hit harder precisely because they whisper instead of shout. The label’s future looks equally compelling: Planet of Souls (a new project from NERD/Gorillaz collaborator Paul Rogers), South African neo-classical duo Ad Harmonium, and Anjunadeep favorites like Luttrell exploring their contemplative side. Between Glastonbury showcases and BBC 6 Music cosigns, Anjunachill isn’t just preserving dance music’s meditative heart – it’s proving that sometimes the most revolutionary acts in electronic music happen at 0 BPM. As Above & Beyond prepares for their Coachella debut this April, Anjunachill feels like perfect timing – a reminder that the same producers who mastered main stage euphoria have always been equally fluent in introspection. The post Above & Beyond’s Third Act: The Launch of Anjunachill appeared first on Dancing Astronaut.

Not only have two of the most important figures in dubstep, Skream and Benga, announced a new album, but they're also sharing daily updates from the studio. After performing together for the first time in a decade back in the fall of 2023, the influential producers have been not-so-subtlety teasing their studio reunion. Now, they've officially confirmed a new collaborative album. In honor of this monumental work-in-progress, Skream and Benga created a joint Instagram account and have been regularly posting updates on the project. Fans can hear snippets of unreleased music, watch the duo blow off some steam in their downtime and even see what they had for dinner on some of their workdays. This behind-the-scenes account has been a delight for longtime fans and gives them an intimate glimpse into the creation of one of the year's most anticipated electronic albums. Neither Skream nor Benga has announced a title or release date of the album at the time of this writing. In the meantime, you can watch their footage recorded from London's Miloco Studios below. Follow Skream:X: x.com/i_skream Instagram: instagram.com/skreamizm TikTok: tiktok.com/@skreamizm Facebook: facebook.com/pg/skream Spotify: spoti.fi/38vLBWo Follow Benga:X: x.com/iambenga Instagram: instagram.com/iambenga Facebook: facebook.com/iambenga Spotify: spoti.fi/3q2b4A1

Hold onto your glowsticks, folks. In a move that has the electronic music world buzzing, live entertainment behemoth Superstruct Entertainment has acquired the iconic underground streaming platform Boiler Room. This news, reported by Pollstar, has sparked a flurry of speculation and debate: What does this acquisition mean for the future of Boiler Room, and for the underground electronic music scene it champions? For those somehow unfamiliar, Superstruct is the powerhouse behind some of the world’s biggest festivals, including Sziget, Sónar, Flow Festival, Øyafestivalen, and elrow. They’re a major force in the live events industry, known for large-scale productions and mainstream appeal. Boiler Room, on the other hand, has built its reputation on showcasing emerging talent and underground sounds from across the electronic music spectrum. Its intimate, often raw DJ sets, streamed live from unique locations around the globe, have become legendary. It has been an important launch pad for countless artists, and a cultural touchstone for fans of cutting-edge electronic music. So, What’s the Deal? While details of the acquisition are still emerging, the core question on everyone’s mind is: will Boiler Room retain its underground ethos under the ownership of a festival giant like Superstruct? Potential Positives: Increased Resources: Superstruct’s backing could provide Boiler Room with the resources to expand its operations, improve production quality, and reach even wider audiences. New Opportunities for Artists: The connection to Superstruct’s vast network of festivals could create exciting new opportunities for Boiler Room artists to perform on larger stages and reach new fans. Enhanced Platform: Superstruct’s experience in event production and technology could lead to improvements in the Boiler Room platform, potentially offering a more immersive and engaging viewing experience. Concerns and Questions: Maintaining Independence: Will Boiler Room be able to maintain its curatorial independence and commitment to showcasing underground talent, or will it be pressured to cater to more mainstream tastes? Commercialization: Will the platform become overly commercialized, with a focus on maximizing profits at the expense of its original mission? Shift in Focus: Will the focus shift from intimate, underground sets to larger, festival-style productions, potentially diluting the essence of what made Boiler Room unique? The Verdict? It’s too early to say definitively what the future holds for Boiler Room under Superstruct’s ownership. The acquisition presents both exciting possibilities and potential pitfalls. It could be a chance to elevate Boiler Room to new heights, while preserving its core values. Or, it could lead to a gradual shift away from its underground roots. One thing is certain: the electronic music community will be watching closely. Boiler Room has played a vital role in shaping the scene, and its future trajectory will undoubtedly have a significant impact. What are your thoughts on this acquisition? Will Superstruct be a good steward of the Boiler Room legacy? Let us know in the comments! The post Boiler Room Acquired by Festival Giant Superstruct Entertainment: What Does it Mean for the Underground? appeared first on EDMTunes.

The UK government recently announced on January 10th that it is placing a cap on ticket resale prices for live events. According to an article from Mixmag, the UK government proposed a “30% above face value or less” limit and this cap comes from UK Culture, Media and Sport Secretary Lisa Nandy‘s plans to “end the ‘misery’ endured by fans at the hands of ticket touts”. Additionally, The Guardian reported that these “touts” had gained huge profits due to selling hundreds of tickets a year, and even to the detriment of the purchasers’ wallets (especially in these uncertain global economic conditions). As a result of these unfortunate actions, there have been many politicians, musicians, and theatre industry professionals who campaigned to stop resellers from marking up ticket prices and sell them on ticket reseller websites, particularly Viagogo and StubHub. Other plans that strengthen the ticket resale prices cap policy The legendary British electronic music legend Fatboy Slim even said, “Great to see money being put back into fans’ pockets instead of resellers.” Other plans that strengthen the ticket resale prices cap policy would be implementing legal obligations for these resale websites and apps so they can continue to uphold trading standards. Additionally, the resale websites should also adhere to the competition watchdog to ensure that they provide accurate information to buyers who expressed strong interest in purchasing the tickets. UK Prime Minister Keir Starmer chimed in to the new policy and stated via his post on X that he had promised the British people that he vowed to stop the rip offs that consumer had previously suffered from the ticket touts. He then added that his government has “set out plans to cap resale prices and ban ticket hoarding”. The cap on ticket resale prices is a great step to save people from spending more than what they should spend for their entertainment pleasures. The ticket reselling companies have expressed in the past that having the cap will “lead to an increase of outright ticket fraud”. Throughout this whole year of 2025, and perhaps other upcoming years, event consumers should continue to keep an eye out for ticket resellers so that those resellers can keep their promises in upholding this policy. The post UK Government Is Placing a Cap on Ticket Resale Prices appeared first on EDMTunes.

On Wednesday, January 29th, IHEARTCOMIX, Brownies & Lemonade, Another Planet Entertainment, and Teragram will present the 7th edition of their LA Gives Back fundraiser at The Bellwether. This time, LA Gives Back: Fire Relief will rally the Los Angeles community to raise funds for charities to support victims of the fire, first responders, and animals who need help due to the devastating Los Angeles wildfires. 100% of the funds raised will go to charity. The lineup will be announced at a later date, and as usual, the night will be staked by some of LA’s best promoters curating multiple stages inside the venue. Previous LA GIVES BACK lineups have included ZEDD, Bonobo, Madeon, Flying Lotus, TOKiMONSTA, Boys Noize, A-Trak, SNL’s Sarah Sherman, JPEGMafia, Louis The Child, Tim Heidecker & Weyes Blood, Eric André, and more, and the event series has collectively raised over $250,000 for LA-based charities and initiatives. “There’s nothing the IHEARTCOMIX team and I care about more than our Los Angeles community—it’s what made us who we are,” said Franki Chan of IHEARTCOMIX. “Over the past few days, it has been extremely painful to witness so many close friends, family members, and colleagues lose their homes. Even more heartbreaking, is knowing the road to recovery will be long. In moments like these, we believe it’s our duty to channel our best talents to support those in need. LA Gives Back has always been that vehicle for us, so we hope this event will make a meaningful contribution in providing some relief to our community.” “The devastation Los Angeles has endured the past week from these wildfires made it clear we had to do something. LA Gives Back has been our longstanding event series focused on providing aid to our city and we’re so happy to bring it back for this crucial moment to provide wildfire relief for our city.” –Brownies & Lemonade Stay tuned for more details in the coming weeks. For more information on LA GIVES BACK click here. The post Brownies & Lemonade, IHEARTCOMIX, & More To Host Fundraiser Concert, ‘LA Gives Back: Fire Relief’ appeared first on EDMTunes.

Nostalgix has returned to Dim Mak for her latest track, "Power," a transformative collaboration with Bipolar Sunshine. The bass house track is an electrifying blend of dark, energizing beats and smooth vocals from Bipolar Sunshine. While her two previous singles "Don’t Keep Me Waiting" and "Show Me Love" explored a period of darkness in her life, "Power" was written as Nostalgix began to step into her strength, and you can feel the transformation. The official music video, which she directed, follows the pair along the LA skyline in a retro Mercedes, the same one seen at the end of the "Show Me Love" video. Fans who watch the videos for her last two releases, she says, will "see the beautiful storyline and transformation that happens within those records, along with some hidden messages in the videos." Watch the official "Power" music video below and find the new track on streaming platforms here. Follow Nostalgix:X: x.com/nostalgixmusic Instagram: instagram.com/nostalgixmusic TikTok: tiktok.com/@nostalgixmusic Facebook: facebook.com/nostalgixmusic Spotify: spoti.fi/3l98zsw Follow Bipolar Sunshine:X: x.com/bipolarsunshine Instagram: instagram.com/bipolarsunshine TikTok: tiktok.com/@bipolarsunshine_ Facebook: facebook.com/bipolarsunshine Spotify: spoti.fi/39MNyip

David Guetta has secured a record-breaking 17th #1 record on the Dance/Mix Show Airplay chart, eclipsing Calvin Harris for the most since its inception, Billboard reports. He achieved the title after "Forever Young," his October 2024 track with Ava Max, topped the chart last week. The song, additionally created in collaboration with Alphaville, is a rework of the German synthpop band's 1984 hit of the same name. Behind the two dance music juggernauts is Rihanna with 12 and The Chainsmokers with 10. The chart "measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 60 top 40-formatted reporters" and has been monitored since 2003, per Billboard. Watch Guetta perform "Forever Young" below live from the DJ's iconic "F*** ME I’M FAMOUS!" residency at Ushuaïa Ibiza. You can stream the track here. Follow David Guetta:X: x.com/davidguetta Instagram: instagram.com/davidguetta TikTok: tiktok.com/@davidguetta Facebook: facebook.com/davidguetta Spotify: spoti.fi/3fHbpAC

Andrea was diagnosed with stage four cancer in late 2023 Continue reading...

More than a DJ, BLOND:ISH is on a mission to help people live their best lives. Her famously high energy levels and on-point selections are what ensure dancers escape each and every time she plays. With her genre-defying sound and magnetic presence, BLOND:ISH creates an atmosphere that opens hearts and heightens the senses. This party comes a week ahead of her new album ‘Never Walk Alone’, releasing on 14 February 2025 on Insomniac Records and offering a great window into her club-ready sound. As well as leading the way with her music, BLOND:ISH is also a keen environmental activist who founded the nonprofit charity Bye Bye Plastics to eliminate single-use plastics from music venues and events. Playa Pacha at FIVE LUXE will amplify the volume of BLOND:ISH’s message through its 100% solar powered parties and LEED Platinum rated green entertainment venue. Backed by 50 years of party expertise from the legendary Pacha Ibiza, this is an unmissable event with another of the world’s most sought after DJs. Availability on the dancefloor is limited, so secure your spot now.

At the Neon Countdown pre-party at Void Club in Bangkok, we caught up with Thom, representing Blasterjaxx, to talk about their return to Thailand, his solo venture into techno with the Thomm Project, and how the duo continues to push boundaries with their Big Room sound. From unforgettable stage moments to advice for rising talent, Thom shared a thoughtful perspective on their journey and creative evolution. Let’s dive into the conversation! The first question I have for you has to do with Neon and just performing in Thailand. So you’ve performed here multiple times and you’re back in Thailand but this time you’re back for Neon Countdown’s pre party. How does it feel to return to such a vibrant fan base and bring your energy to a unique event but this time at Void club? It’s always a good time. I’ve never played at Void so let’s see how it will be. As tonight is part of Neon Countdown, it’ll be good and the crowd in Bangkok is good as always. Now, the next question I have is for you Thom. So, you’ve recently ventured into Techno with your solo project Thomm. What inspired the creative exploration and how do you balance it with the high-energy sound that is Blasterjaxx? It’s funny cause so far we’ve released only one track but we also uploaded a live set. It’s more up-tempo. The older we get, music changes, it evolves and sometimes we just enjoy making different sounds. We’ve been doing that for sometime now but with Blasterjaxx you’re a bit stuck in a commercial bubble so you have to deliver things that hit an X amount of streams or an X amount of targets. But with the Thomm project, we’re starting from scratch and starting something new. For the past 7-8 months we’ve been making a lot of music and mostly music for Thomm because we had finished many Blasterjaxx tracks already so we had some time to focus on the Thomm project. Other than that, I would say that it’s like going back to basics for us because we had no expectations and no rules. We just did whatever we wanted without any pressure. You’ve actually been doing this whole thing of making music for a very long time. Yep. That’s true. Sometimes it happens where we’re in the studio and working on Big Room, where it happens where we’re like we’ve done a lot of the classic Big Room stuff, we’ve played it out so sometimes it’s very difficult to come up with something new. That’s why I love exploring a new sound and just seeing where it goes. Honestly, we will see wherever it will go. Maybe after a year we’ll say this is nothing for us and we’ll pull back but we don’t know yet. For now everything looks good and we have a lot of great tracks coming up and a lot of great collaborations coming up with Techno artists for the Thomm project so let’s see how it goes. I’m intrigued now to see how things turn out because I’ve never been a techno fan, but lately I’ve become super interested in hard techno, is that something you’ll be incorporating too? The hard techno thing is something I personally like but to make it, we’re more along the lines of being somewhere in between big-time driving techno and a bit of hard here and there but I wouldn’t say we’re hard techno.. Now since you’ve talked about your music evolution, I’d like to talk about how Big Room has remained as a cornerstone of your identity so what I’d like to know is how you keep the genre evolved, and there’s also the expectation that fans have so how do you stay true to that? Well it’s funny because the fans consider it Big Room, but I think we don’t really identify the name as Big Room as we’ve sped up the BPM, used different kicks and changed directions where we’ve used less of the classic Big Room elements but people still say it’s Big Room. I would say that we are Big Room that way, we never made it to sound like Big Room that way, but we just love music that’s energetic and over dramatic and stuff like that. It’s how we like it but for some reason, some people call it Big Room. The next question I have is about how you’ve played all over the world at many legendary venues and festivals, so can you share one unforgettable moment from the stage that has stuck with you even if you look back 10 years from now, it’s still going to be a core memory? One of my best memories was when we played on the EDC mainstage in 2014. It was funny cause we were so new in the scene and had no idea what EDC was back then and we were playing peak time on the mainstage at EDC with 60-80 thousand attendees and we had no idea what to expect. So we prepared the set the way we usually do and I remember when we walked on stage, we were in shock. We were like what is this. It was great. Other than that, Tomorrowland Brasil was great. We felt like we were on a natural high because it was so good. But at the same time I would also have to say that Tomorrowland (Belgium) was great last year because we played on the mainstage after a long time and we played early. We were like we’ll see how many people show up cause it was pretty early during the day but it was packed for that time and it gave us goosebumps. This is my last question for, so I would like to know what’s your advice for rising talent seeing as you’ve been in the scene for a while now and you’ve had a lot of collaborations so what’s one piece of advice you could give to new talent? Well I have two pieces of advice that I think are very useful. First of all, I would say make sure that whenever you get a contract for anything that’s longer than one release, make sure you have a lawyer to look over it. It might cost you a bit of money but trust me, it’s worth it because before you know it, you might end up being stuck in a 360 deal for the next ten years and it could stop or slow down your career. Other than that, my second advice would be to make music according to whatever you are feelling. Don’t think that just because this sound is hype right now so I’m going to make it but by the time you get really good to release some stuff, the genre might no longer be in trend. As long as you make something you really like and it gives you joy, one day it could become something and then that’s your moment to shine. So in short you’re saying to take a risk but also to be careful of the risk you’re taking? Basically, don’t follow the hype but do what you feel like doing and what you feel like making such as whatever genre you feel like making music in because one day that genre might be taking over the world. Well, thanks so much for speaking to me on behalf of EDM House Network. You’re welcome.

Apashe is putting the finishing touches on his latest masterpiece. On the "Antagonist 2.0 Tour," he will be flanked by a philharmonic orchestra for two ambitious concerts. The performances make a bold statement but, more importantly, bring fans closer than ever to his vision. Apashe’s unique electronic blend introduces under-appreciated classical music to new listeners. Furthering that mission is the driving force for his upcoming shows. He's set to perform with the philharmonic orchestra at Seattle’s Wamu Theatre on January 24th and Paris’ Zenith on February 8th. The scale is impressive, certainly, but it’s about more than pageantry. Working with a philharmonic orchestra allows Apashe to communicate the beauty of classical music still lost in translation. "It's definitely another step, another level… The goal is to bring live on stage something closer to the recordings of how the music is made," Apashe tells EDM.com. "Both of my previous albums were symphonic recordings that were then mixed with electronic music." "I wanted to bring that part of the making of that music to the stage. Now that we’re playing with a full philharmonic, it’s definitely closer to the source of those recordings. You get all these musicians. You get the real sound and the mix that is destroyed with the electronics." The scale of Apashe’s philharmonic orchestral show is unlike anything the musician has attempted before. He admits it’s a difficult mountain to conquer. “Proportionally, it’s becoming such a complicated thing to logistically put together,” Apashe admits. “It started as a dream. Now that it’s a reality, no one in my team or I expected this to be so complicated or so expensive. It’s very intense but I’m glad it’s working out really well. Everyone is happy. But let’s just say it’s different than coming on stage with a USB and doing a DJ set.” DJing is not a flawless act. For every time you’ve caught a DJ blundering, there are countless times they’ve pivoted without raising suspicion. Apashe is more than capable of adjusting on the fly, but the nature of his orchestral shows leaves little room for error. Surgical precision is required for this unique undertaking. “Since I’m launching all the clips and structure, I can’t skip measures,” Apashe explains. “If I trigger the wrong part, the musicians will be lost from the music sheets. Everything is fairly well-timed.” “We’re playing with very professional musicians. They’re able to play anything in front of them if the music sheets are well-written. It’s really important once the set is decided that we make those sheets and it’s very clear for everyone.” Karel Chladek Apashe’s special blend of electronic and classical music resonates with millions. His growing success—highlighted by the scale of his upcoming philharmonic orchestra shows—is remarkable when you learn that he didn’t envision this life. Before Apashe’s full-time music career, John De Buck was a sound designer producing music as a hobby. He worked in sound design for AAA video game franchises like Assassin’s Creed, Far Cry and Watch Dogs. “I’d work nine to five sound design, then stay after five—sometimes way to late—to work on my music," De Buck says. But I did it for fun… The fact that it was fun for me, and not stressful, really helped me not get sick of it, and a pleasure." “It’s important to mention that it was a hobby for me. I never saw it as a real career path necessarily. I was always putting myself in a situation where I wasn’t closing any doors. It’s different for everyone. For me, I needed to feel secure so I wouldn’t be stressed. Feeling good made it easy for me to spend time doing my hobby because I knew I had a stable job that was close to music.' Every artist’s motivation is different. Many pursue a music career as an all-or-nothing venture. For Apashe, music needed to always remain a labor of love. “The day I switched from one to the other was because I had no choice,” he recalls. “I was starting to tour during the weekend. I started asking for extra days off so I could leave on Thursday instead of Saturday. At some point, I had a full tour where I had to take three months off. That’s when I jumped in the water.” “But it’s different for everyone. I needed that stability and I probably should’ve quit way before to only do music. But I knew my mindset would be stressed and the outcome of the music wouldn’t have been as good. But other people are different.” Xavier Cyr Apashe acknowledges that different artists require different motivators to push their creativity. One concept the “Majesty” producer struggles with, however, is why any musician would sacrifice art’s joy. “Listen to yourself but keep it fun,” he recommends. “I don’t see why you would do that if it’s not fun. If it’s not a hobby. I never quite understood people who stopped making music or playing an instrument once it’s not for the job anymore. That means you were just doing it for the money or dreaming of having a famous career or whatever? They have to do what they want but I never related to that personally." “The day that I quit music, if that happens, I’m never going to fully quit. I’m still going to make music. My dad built a studio in his basement. He’s 60-something. He’s never had a job in music. He just loves music and that’s something I relate to, that he probably shared with me.” Fortunately for Apashe’s fans, there's no end in sight. You can purchase tickets to his philharmonic orchestra shows in Seattle and Paris, plus other dates on the "Antagonist 2.0 Tour" here. Follow Apashe:X: x.com/apashe_music Instagram: instagram.com/apashe TikTok: tiktok.com/@apashemusic Facebook: facebook.com/apashe.official Spotify: spoti.fi/2CSiT5C

Coming off the back of a massive year of success Fisher has kicked off 2025 with a bang. On January 10th he performed in Auckland, New Zealand to a crowd of 24,000 people earning him the Guinness World Record for the largest electronic music show in New Zealand’s history. 2024 was big for Fisher as he cracked into the top 10 of the DJ Mag Top 100 DJs list becoming the highest ranked house DJ along with releasing a slew of great tracks. Most notably he released a remix of Gotye’s classic ‘Somebody That I Used To Know’ with the remix having now received over 150 million streams on Spotify making it one of Fisher’s most streamed songs. Now this year he’s already added to his many accolades after bringing his crazy onstage antics and addictively groovy house to Victoria Park in New Zealand where he earned his Guinness World Record certificate. The Aussie DJ is flying higher than ever before which is evident from all the videos from his sets which show the size of the crowds and the unbelievable crowd control he has. There’s not a soul in sight who isn’t moving or singing along and to be able to achieve that when there’s a crowd of 24,000 people in front of him is wild. 2025 is already looking like a very bright year for Fisher as he’s looking more energetic than ever on stage and sounding better than ever in the studio.

The late MC Conrad’s voice was more than an instrument – it was the heart and soul of a movement. This Friday February 17 we see the release of Con*Natural, an album celebrating his unparalleled artistry, the genre takes a moment to reflect on his legacy while propelling his influence into the future. The album is being released by friend and collaborator Makoto, and all the proceeds will be going to his family and the MC Conrad Foundation. The foundation was established in honour of MC Conrad to support young and emerging artists and aims to fill gaps in musical education covering topics such as intellectual property, PRS, and how to set yourself up as a self-employed artist. This posthumous collection arrives as both a tribute and a revelation, weaving together a tapestry of never-before-heard tracks and collaborations that span the sonic spectrum. With contributions from some of the finest names in the scene, including DJ Marky, Makoto, Digital, and DJ Prime Cuts, Con*Natural is a powerful reminder of why MC Conrad’s lyrical prowess resonated so deeply. Con*Natural isn’t merely an album; it’s a living document of Conrad’s journey as a pioneer of drum and bass. It highlights his ability to marry lyricism and rhythm in a way that feels as vital now as it did during his earliest recordings. The album’s collaborators clearly approached the project with a sense of reverence, resulting in tracks that honor the past while embracing innovation. For fans and newcomers alike, Con*Natural serves as both an entry point and a deep dive into the essence of MC Conrad’s artistry. It’s a celebration of a voice that gave the genre its soul and a reminder of the community his work fostered within electronic music. You can pre-order the album here.

The 12-track record lands this April on Domino’s Double Six imprint Continue reading...

The dawn of a new year brings change and much to celebrate at the Above & Beyond HQ! Anjunachill (rebranded from Reflections) is now the third frontline label under their Anjuna umbrella. It houses the group’s ambient, downtempo, and chillout catalog. In celebration of its 25th anniversary and the launch of Anjunachill, the Anjuna label family is unveiling a brand refresh for 2025. With the design of its own bespoke typeface, ‘Decima Sans’, and the iconic ‘Anjuna A’ at its core, the refreshed identity honors Anjuna’s rich heritage while establishing a versatile design foundation for the label’s future growth. The Genres Alongside longstanding flagship imprints Anjunabeats and Anjunadeep, two of the world’s most respected imprints in dance music, Anjunachill is keeping the brand’s signature ethos with emotive and melodic music at its core. The Anjuna brand is historically synonymous with quality dancefloor-dominating club records. These range right from trance and progressive to the fundamentals of deep house. Above & Beyond’s newest imprint, Anjunachill lives in the worlds of ambient, downtempo, and chillout. The genres which are associated with a rich, intertwined history with dance music and the Anjuna brand itself. The Origins Anjunachill is the latest chapter of a journey that began with Above & Beyond at Burning Man in 2014. It follows a spontaneous sunset yoga set on the iconic Robot Heart stage. This transformative experience sparked the creation of their dedicated yoga and meditation album, Flow State. Following the success of ‘Flow State,’ in 2020, the first EP in a new chillout series, ‘Reflections Vol. 1,’ was released on Anjunadeep. This marked a pivotal moment in establishing a dedicated home for Anjuna’s chillout catalog. Officially launched in May 2022 as Reflections, the label flourished as a standalone space for ambient and downtempo music. Over the past three years, the Reflections label has released over 250 recordings from 70+ artists. It has amassed over 150 million streams in the process. The label has released critically acclaimed albums from Mark Barrott, Cephas Azariah, Yotto and Croquet Club. It has also received glowing coverage from Pitchfork, Resident Advisor, and BBC Radio 6 Music. With standout live showcases at Glastonbury and sold-out events at ADE, Reflections has established its reputation as a credible tastemaker in the chillout space. Anjunachill proudly carries the torch, continuing to champion, discover, and nurture some of the finest talents. Talents in ambient, downtempo, and neo-classical music. We’ve always believed that the best music is timeless. It has a unique power that can resonate across generations. Ambient music has been a part of Anjuna and Above & Beyond since the beginning, starting with our first album ‘Tri-State.’ Including ambient tracks on our albums has always felt right to us. Music can be comforting and healing, especially living in this hectic world. It’s music that grounds us and helps us find peace. Looking back over 25 years, it’s incredible to see how many timeless pieces have emerged from our labels and how they still have that same feeling Above & beyond The Signs of Arrival To long-time fans of Anjuna and Above & Beyond, the Anjunachill rebrand will come as no surprise. Quieter moments have always been essential components of the band’s chart-topping electronic albums. The chillout genre is one the Anjuna family of labels have a long history in – from catalog classics on Above & Beyond albums. It includes their debut LP title track ’Tri-State’ and ’Sun In Your Eyes’ from Group Therapy, to much-loved fan-favorite moments from Andrew Bayer, Cubicolor and Croquet Club, to the RIAA-certified Gold ‘Don’t Leave’ (a single from the ‘Flow State’ album) in 2019. The Initial Artists Artist priorities for 2025 include Cephas Azariah, Mark Barrott, and newcomers Planet of Souls. Planet of Souls is the exciting new downtempo alias of prolific producer Paul Rogers (NERD, Gorillaz and Pete Tong) and close friend Tom Barlow, a sound design master. Anjunachill also welcomes new additions to the label, including Anjunadeep’s Luttrell, Steven Weston, BAILE and Cornelius SA, Anjunabeats’ PROFF, as well as new faces in the form of South African neo-classical duo Ad Harmonium and British producer Toutounji. The First Release Anjunachill’s first release comes on January 14 by way of Above & Beyond’s new single, ‘Shall We Begin.’ Debuting as the intro for Above & Beyond’s guest mix on the 500th episode of the Anjunadeep Edition last summer, ’Shall We Begin’ is a moving downtempo electronic piece that takes listeners on a three-minute emotional journey. Echoing the sweeping soundscapes of their iconic ‘Flow State’ album, the track is poignant, reflective, sentimental, and captivating. In October 2024, 15,000 fans got a sneak preview of ‘Shall We Begin’. It served as the soundtrack to the mysterious ‘Anjuna 25′ teaser video and was played right before Above & Beyond’s headline set at Above & Beyond’s 600th Group Therapy Radio Show (ABGT600) in Mexico City. This aptly named tune not only kicks off the Anjunachill label but ushers in an exciting era for Above & Beyond. They are set to play at the Coachella Valley Music & Arts Festival in Indio, California, this April. ‘Shall We Begin’ is now available worldwide via Anjunachill. The post Above & Beyond Announces the Rebranding of Their Third Frontline label – Anjunachill appeared first on EDMTunes.

Elements Music & Arts Festival, the Northeast’s premier immersive electronic music experience, has revealed the phase one lineup for its 2025 edition. Returning to Long Pond, Pennsylvania from August 8-10, Elements is more than just a festival. It is a boundless arena of creativity, connection, and adventure – where music, art, camping, and community seamlessly merge. Designed to spark curiosity and inspire wonder, the festival offers a unique haven for exploration and self-expression, uniting kindred spirits in a vibrant celebration of freedom and imagination. Set against the backdrop of its enchanting, art-filled forest, attendees can look forward to the signature blend of top-tier electronic talent. Elements Festival offers a diverse range of sounds and experiences suited to every taste. From House to Techno to Riddim and DnB, everyone in the rave fam will be happy. The Lineup Featuring some of the most noteworthy names in dance music, headliners for the 2025 edition include celebrated chart-topping superstar Illenium, world-renowned electronic musician deadmau5, electronic visionary Rezz, Deadbeats label heads Zeds Dead, high priestess of hard techno Sara Landry, and energetic performance duo Sofi Tukker (DJ Set). The stacked billing expands with the darker sonics of forward-thinking producer Liquid Stranger. The return of legendary house act Claude VonStroke, trip-hop pioneer Tipper, UK drum & bass flag bearers Chase & Status, and the larger-than-life DJ Diesel aka Shaquille O’Neal. House and techno enthusiasts can look forward to performances from in-demand collaborator Wax Motif and Dutch sensation Mau P. Techno powerhouse Eli Brown, esteemed house production duo SIDEPIECE, piano-house icon LP Giobbi, techno new school selector Layton Giordani, and fast riser Max Styler. Hard-hitting sonics will also prevail with acts like rock-influenced dance pioneers Sullivan King B2B Kayzo, meteoric electronic acts Levity, and Tape B who will play individual sets in addition to a B2B. Drum & bass producer Reaper and rising Toronto bass DJ and producer Canabliss are among the phase one slate. Tickets are on sale now! The post Elements Announces Star-Studded 2025 Lineup appeared first on EDMTunes.

Festival season is right around the corner and that means lineups are going to start dropping left and right. Along the East-Coast, all eyes are always on the biggest annual festival in the Tri-State area, Governors Ball but the wait is finally over as they have just dropped a massive lineup to this year’s event. Year after year, Gov Ball always seems to outdo themselves. From the talents performing on the stages to the overall experience of just being at the festival, every year we see a new high. Headlining this year’s festival will be Olivia Rodrigo, Tyler, The Creator, Benson Boone, Hozier, Feid, and Glass Animals to offer a diverse music experience across. While the headliners for Gov Ball are always star-studded, the overall lineup this year is just as impressive. Friday, you’ll be able to catch Mk.gee, Tyla, and T-Pain to just name a few. Supporting Olivia and Feid on Saturday are Conan Gray, wave to earth, Carseat Headrest and many more. To close out the weekend festivities on Sunday, you’ll be able to catch performances by Raye, Mark Ambor, and The Japanese House to accompany closing performances from Hozier and Glass Animals. The festival will be returning back to their home at Flushing Meadows Corona Park in Queens, New York for their event this year. SMS Presale begins this Thursday, January 16th between 10 and 11AM EST. This is your one and only way at securing tickets for this year’s festival at the CHEAPEST possible price. Sign up for your pre-sale code HERE now to participate. Public on-sale will begin at 11AM EST this Thursday after the conclusion of pre-sale. If you like to party in style, GA+, VIP Pit View and Cabana ticketing options are also available for this year’s festival. Check out the full Governors Ball 2025 lineup below. The post Governors Ball Announces Lineup for 2025 Festival Featuring Olivia Rodrigo, Hozier and more appeared first on EDMTunes.

The elements are aligning for an unforgettable weekend after the organizers of Elements Music & Arts Festival unveiled an epic first phase of artists appearing on its 2025 lineup. With heavy-hitters like ILLENIUM, deadmau5, Rezz and EDM.com Class of 2024 star Sara Landry leading the charge, this year’s festival promises a perfect storm of electronic music, art and immersive experiences in Long Pond, PA. The highlights of this year’s lineup extend well beyond the top-line performers. Claude VonStroke is primed to continue his highly anticipated comeback tour at Elements following a yearlong performance hiatus while Tipper will deliver one of his final festival sets as he nears retirement. Elsewhere on the lineup, Tape B and Levity are set to join forces for a can't-miss b2b set while DJ Diesel (Shaquille O'Neal) is sure to open up the pit with a powerhouse performance. Check out the lineup below. Ready for impact? ✨ Your #Elements2025 Phase One lineup has crash landed and it's full of sights and sounds to behold. pic.twitter.com/FVRIO2MXIJ — Elements Music & Arts Festival (@elementsfest_) January 14, 2025 Set within the serene Pocono Mountains at the Long Pond location, Elements has evolved from a boutique waterfront gathering to one of the Northeast's most beloved annual electronic music festivals. Its distinctive ethos combines top-tier production with vibrant visual art, interactive performances and community-driven "Vibe Villages." Attendees can also expect plenty of extras, including captivating art cars, large-scale art installations, 3D video projection mapping and a health and wellness program featuring yoga, sound baths and aromatherapy. The festival, which prides itself on sustainability, will continue to leverage its onsite solar farm while delivering transformative experiences within its art-filled forest setting. With a reputation for curating diverse lineups while fostering a close-knit festival community, Elements 2025 aims to be the brand's most memorable festival yet. Elements 2025 is scheduled for August 8-10. Tickets are on sale now. Follow Elements Music & Arts Festival:X: x.com/elementsfestnyc Instagram: instagram.com/elementsfestival_ TikTok: tiktok.com/@elementsfestival Facebook: facebook.com/ElementsFestNYC

Elements Music Festival is excited to announce the Phase 1 lineup for its highly anticipated 2025 edition. This year’s festival will feature an impressive roster of headliners, including electronic icons Deadmau5, Illenium, and even Dirtybird Records founder, Claude VonStroke. The event will take place from August 8-10, 2025, at the scenic Long Pond, Pennsylvania, where the festival’s immersive forest setting will elevate the entire experience. This year will surely be providing a truly unique atmosphere that past attendees have praised for its artistic and vibrant energy. While Elements Music Festival is renowned for its focus on bass-heavy genres like dubstep, the lineup offers a diverse range of talent across various EDM styles. From chart-topping headliners to the rising stars on the undercard, there is something for every music lover. Acts like Layz, Reaper, and The Sponges bring their own distinct sounds and rapidly growing fanbases, ensuring electrifying sets that will leave lasting impressions. These artists, alongside a host of other talented performers, will add to the festival’s dynamic mix of genres and sounds, making it a must-attend event for any EDM enthusiast. Beyond the music, Elements is more than just a festival—it’s an immersive camping experience where attendees can connect with like-minded fans in a breathtaking natural environment. The festival’s reputation for fostering a community of passionate music lovers and artists alike continues to grow, as fans embrace its artistic energy and one-of-a-kind atmosphere. Whether you’re camping under the stars or exploring the scenic surroundings, Elements offers an unforgettable weekend in every sense. As the lineup continues to grow, we’ll be sure to keep you updated with the latest announcements. In the meantime, don’t miss out on checking out these must-see artists: Layton Giordani Max Styler Sidepiece Tape B Tipper

A significant chapter has occurred in the legal battle against music producer Diplo (real name Thomas Wesley Pentz). The anonymous plaintiff, known as “Jane Doe“, who had accused Diplo of sharing “revenge porn”, has voluntarily dismissed her lawsuit. This decision follows a recent court order that would have compelled her to reveal her real name to proceed with the case. In a court filing submitted on Monday, January 13th, Doe’s legal counsel requested the dismissal of the lawsuit “without prejudice“, allowing for the potential re-filing of the case at a later date. The reason for this dismissal and any plans for future legal action remain undisclosed as Doe’s attorneys have not yet responded to requests for comment. This development comes two weeks after Judge Mónica Ramírez Almadani ruled that Doe must disclose her true identity to continue pursuing her allegations. While acknowledging the sensitive and highly personal nature of the accusations, the judge determined that Doe had failed to provide sufficient legal grounds for maintaining anonymity. Judge Almadani emphasized the inherent public scrutiny associated with legal proceedings, citing precedent that those utilizing the courts must be prepared to face such scrutiny. Doe’s attorneys had previously vowed to appeal this ruling, citing the potential for severe emotional and psychological harm to the survivor. However, the status of any appeal remains uncertain following the voluntary dismissal of the lawsuit. Diplo’s legal team has consistently denied the allegations, labeling them as an “obvious shakedown attempt“. In contrast, Doe’s lawsuit, filed in June, alleged a consensual relationship with Diplo from 2016 to 2023, during which she occasionally consented to sexual recordings. However, she claimed that Diplo subsequently shared these recordings without her knowledge or consent, causing significant emotional and psychological distress. The lawsuit accused Diplo of violating the federal Violence Against Women Act, amended in 2022 to prohibit the non-consensual sharing of intimate images. It also cited California’s revenge porn law. [H/T] Billboard The post Diplo Accuser Drops Revenge Porn Lawsuit After Court Order appeared first on EDMTunes.

The tremors of Martin Garrix's epic performance on Ultra's storied Mainstage last year not only shook the foundations of Miami, but also the entire internet. His DJ set has been confirmed as the year's most-viewed setlist online, according to our friends at 1001Tracklists, the world's leading DJ tracklist database. One of the festival's biggest crowds came on Saturday, March 23rd, when the Dutch superstar delivered yet another unforgettable performance and built upon an Ultra legacy that's reaching mythical levels with each passing year. Garrix, who was recently featured in EDM.com's list of the best music producers of 2024 threw down his signature blend of euphoric drops, unexpected twists and pure, unadulterated energy at Bayfront Park. He dropped a bevy of unreleased tracks and entwined them with his most prized dance anthems, like "High On Life," "Animals" and "Tremor." A particularly poignant moment came with his spin of Avicii's "Waiting for Love," which Garrix premiered at Ultra's 2015 festival after co-producing the record alongside the late EDM icon. You can watch Garrix's full Ultra 2024 performance below and find the tracklist here. Follow Martin Garrix:X: x.com/martingarrix Instagram: instagram.com/martingarrix TikTok: tiktok.com/@martingarrix Facebook: facebook.com/martin.garrix Spotify: spoti.fi/2YszVxQ

French DJ and producer Malaa is starting 2025 with a bang, announcing two new albums, All In and Blackout, set for release on January 17, 2025. Known for his mysterious persona and groundbreaking tracks, Malaa is taking his artistry to a new level, exploring duality in his music through this ambitious project. All In promises a melodic and emotionally resonant sound, featuring collaborations with artists like Jeremih. On the other hand, Blackout teases a high-octane, chaotic energy, highlighted by the explosive single ‘Simiya’ featuring Dutch dancehall artist Kalibwoy. This duality aligns with Malaa’s revelation in 2024 about his creative alter ego, a concept that will culminate in a unique live performance showcasing both personas. The dual album release will coincide with the debut of a new live stage concept in Brooklyn, offering fans a fully immersive experience. Malaa shared the announcement and a teaser video on his Instagram, exciting fans worldwide. “This is a project that has been in the making for years. I can’t wait to share both sides of my music with you,” he wrote. Check out his Instagram for more updates and behind-the-scenes content. As a core member of the Pardon My French collective alongside DJ Snake, Tchami, and Mercer, Malaa has continually pushed boundaries in House music. Fans eagerly anticipate All In and Blackout, which promise to explore new dimensions of Malaa’s artistry. Both albums will be available on streaming platforms starting January 17, 2025. Don’t miss the chance to witness the next chapter in Malaa’s evolving journey. The post Malaa Unveils Two New Albums And Bold Concept For 2025 appeared first on EDMTunes.

Nora En Pure is bringing her signature Purified event back to Miami Music Week in 2025, and this year’s edition promises to be unforgettable! After an incredible showcase at Ultra Music Festival in 2024, the Queen of Deep House is elevating the experience by taking over the lush tropical paradise of Jungle Island on March 27, 2025. Fans can expect a one-of-a-kind atmosphere blending mesmerizing music with the natural beauty of Miami’s tropical landscape. Known for curating unforgettable events, Nora En Pure has turned Purified into a global sensation, and this Miami installment is sure to raise the bar even higher. Tickets are already on sale, so head over to the link in her bio or story to secure your spot. To make the event even more exciting, Nora is offering fans a chance to win two guest list spots! All you need to do is: Tag a friend in the comments. Share the post in your story. Winners will be announced within 48 hours, so don’t miss out on your chance to attend this magical event for free. Get ready to immerse yourself in the soulful sounds of Nora En Pure while surrounded by tropical vibes. March 27, 2025, is shaping up to be a highlight of Miami Music Week. The post Nora En Pure Announces Miami Music Week Purified Event At Jungle Island appeared first on EDMTunes.