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As reported by Bloomberg, Chinese officials are evaluating a potential option involving Elon Musk acquiring TikTok’s US operations. This is of course if the company fails to fend off a controversial ban. Beijing officials strongly prefer that TikTok remains under the ownership of parent ByteDance Ltd., and the company is contesting the impending ban with an appeal to the US Supreme Court. However, the justices signaled during arguments on Jan. 10 that they are likely to uphold the law. Senior Chinese officials had already begun to debate contingency plans for TikTok as part of an expansive discussion on how to work with Donald Trump’s administration, one of which involves Musk. With more than 170 million users in the US, TikTok could bolster X’s efforts to attract advertisers. Musk also founded a separate artificial intelligence company, xAI, that could benefit from the huge amounts of data generated from TikTok. TikTok’s US operations could be valued at around $40 billion to $50 billion, Bloomberg Intelligence analysts Mandeep Singh and Damian Reimertz estimated last year. That’s a substantial sum even for the world’s richest person. It’s not clear how Musk could pull off such a transaction, whether it would require the sale of other holdings, or whether the US government would approve. He paid $44 billion for Twitter in 2022. There have also been rumors that Mr.Beast and some billionaires are interested in purchasing TikTok. The post China Weighs Sale of TikTok US to Elon Musk as a Possible Option appeared first on EDMTunes.

Now here’s some music to cheer each other up! London-based DJ and producer Oliver Smith brings out a top tier spiritual experience. Alongside Tailor, they released ‘Rely On Me’ via Anjunabeats. The track takes you on a heartwarming journey of inspiration and comfort. Let’s checkout this lovely piece of heaven! ‘Rely on Me’ The song focuses on storytelling and offering yourself for someone you love to rely on you through thick and thin. It feels extra special to hear this lyrics whenever it’s scary to trust people in the face of uncertainty. Moreover, the story flows through a wide array of beautiful melodies and a relaxed tempo that explodes in an inspiring chorus, filled with joy and hope. This is his first 2025 release, following the success of his previous EP 4U, co-produced with Andrew Bayer. A month later, the duo released an extended version called Be Kind Rewind, to make all the sensations last even longer for us. Tailor, also known as robrobrob for his solo projects, offers his celestial vocals to complete the track, and set the emotions properly. The singer has also produced tracks under Lane 8’s This Never Happened, and Tale of Us’ Afterlife. Now, adding Anjunabeats to his repertoir, 2025 sure does look great for the artist. Oliver Smith The DJ and producer is the only artist to be featured in all 16 “Anjunabeats Volumes”, besides label bosses Above & Beyond. Moreover, he consistently receives support from Armin van Buuren, MixMag, Eric Prydz, and Paul van Dyk. His most popular tracks include ‘Lovingly’, ‘Warehouse’, and ‘Be Alone’. Furthermore, his sounds have taken him to headline massive events such as Tomorrowland, EDC LAs Vegas, and Creamfields. Up next, the DJ heads up north to headline shows in Seattle and Vancouver. When it feels scary out there, don’t lose hope, you can ‘Rely On Me’. The post Oliver Smith & Tailor Release Uplifting ‘Rely On Me’ appeared first on EDMTunes.

The Prodigy are set to tear up Coachella festival once again, as Liam Howlett and Maxim bring a new wave of fire along with drummer Leo Crabtree and guitarist Rob Holliday. Following their Coachella Weekend One performance, they will bring their electrifying live show to The Warfield for their only confirmed North American performance beyond the festival. The Warfield show also marks The Prodigy’s first stateside solo show since 2017 – it’s not to be missed! With 34 years at the forefront of the electronic music scene, The Prodigy remains an unstoppable force, even after the tragic loss of their brother, Keith Flint, in 2019. Since their return to the stage in July 2022, the band has delivered their signature explosive live performances across headline slots at festivals including Reading & Leeds, Isle of Wight, and many more, as well as their own UK & European headline arena tours. As they prepare for their 2025 festival run, The Prodigy are also hard at work in the studio, crafting new material to follow up their critically acclaimed album ‘No Tourists,’ which solidified their record-breaking streak of seven consecutive UK No. 1 albums, dating back to 1997’s ‘Music For The Jilted Generation.’ Located at The Warfield Theatre, at 982 Market Street, San Francisco, CA, Tickets go on sale Wednesday, January 22 The post The Prodigy announces first live solo performance in North America since 2017 appeared first on Decoded Magazine.

European live music powerhouse Superstruct Entertainment has reportedly acquired Boiler Room, the iconic electronic music livestream platform, from UK-based ticketing company DICE. The move signals a shift in DICE’s strategic priorities and a new chapter for Boiler Room under Superstruct’s expansive festival and live music umbrella. DICE originally acquired Boiler Room in 2021 after a $122 million funding round and has since secured over $200 million. News of the ticketing company's divestment from the brand comes in the wake of a Bloomberg newsletter that claimed its valuation could reach "hundreds of millions of dollars." Boiler Room, which has streamed events across 120 markets and amassed over a billion views online, will reportedly maintain its leadership team and distinct identity under Superstruct. "As we turn 15 and enter our next stage of growth, we’re excited to be partnering with Superstruct for this chapter," Boiler Room founder Blaise Bellville said. "We feel in good company with their roster of brands, they offer us new opportunities to grow, whilst understanding the importance of staying true to the authenticity that, at its core, is what makes Boiler Room special." For Superstruct, the acquisition follows its own buyout by private-equity giant KKR in a €1.3 billion deal last year. The deal underscores the company's ambitions to expand its influence in electronic music culture by leveraging Boiler Room's community-driven ethos. "We are proud to welcome the talented team at Boiler Room, who have managed to consistently grow the platform over the last 15 years whilst maintaining a distinct cultural approach," added Superstruct CEO Roderik Schlösser. "This partnership perfectly aligns with Superstruct’s mission to celebrate and amplify cultures through creativity, collaboration, and live entertainment. Boiler Room is in the best position it has ever been and we are excited to support them in their promising future ahead." Follow Boiler Room:X: x.com/boilerroomtv Instagram: instagram.com/boilerroomtv TikTok: tiktok.com/@boilerroomtv Facebook: facebook.com/boilerroom.tv

In a rare and revealing interview with Variety, Matteo Milleri—known as Anyma—offered deep insights into his creative process, the groundbreaking Sphere residency, and what lies ahead for his project. Blending technology with music, Anyma’s work transcends traditional music performances, creating fully immersive, multi-sensory experiences. Speaking just a week before the debut of his End of Genesys residency at Las Vegas’ Sphere, Milleri shared his meticulous creative process. From his minimalist Los Angeles home, he revealed running around 20 VR visuals tests with his team, perfecting elements like robotic cello arms and a quantum computer replica. “The final piece is called Human Now, and basically Eva”—the AI character at the center of Anyma’s performances—“is going to turn human to close the circle. But will it work? Is she human?” he mused. A Visionary Experience Anyma’s performances are renowned for their immersive quality, blending state-of-the-art visuals with melodic techno soundscapes. Collaborating with visual artists and utilizing technologies like virtual reality (VR) and extended reality (XR), Milleri creates multisensory experiences that blur the lines between the physical and digital realms. “I started this project basically to explore possibilities beyond what’s physical. But I never had in mind to have it be dissociative, like in a VR. It was more about extended reality,” he says. The residency, initially scheduled for six nights, was extended to eight due to high demand, with six of the eight shows selling out within 24 hours. Over 130,000 tickets have been sold, underscoring the significant interest in Anyma’s innovative approach to live electronic music. Fan-captured clips of the Sphere shows dominated social media over the holidays, amplifying the residency’s impact. The performances marked the culmination of Milleri’s Genesys era, powered by two albums released since 2023. A third album is planned to close this chapter, with new concepts on quantum computing and multiverses—introduced to Milleri by Grimes—already influencing his next steps. “This arrived to a point of saturation,” he admitted. “When ideas get recycled, I’m the first to think, what’s next? I want to move forward. But I want to give it a very glorified ending.” The Anyma project began in 2021 as a personal exploration, with Milleri initially self-funding his work. Overcoming skepticism and financial challenges, he released Genesys in 2023 and grew his platform through viral remixes and global shows. Yet, the Sphere represented a culmination of his efforts. “This is the pivotal moment,” he reflected. “It goes further than what you expect sometimes.” Despite his success, Milleri addressed misconceptions about his rise, particularly criticism suggesting nepotism. One of the reasons Milleri agreed to an interview was to set the record straight. “People don’t know the story of me. I think it happens with a lot of big artists, like they popped up out of nowhere,” he says. “But actually, no, it’s four or five years of grinding, and for me 15 years. I have not stumbled into this. It’s all been focusing to one pivotal moment, which I think for me now is this. It goes further than what you expect sometimes.” Every dollar earned has gone back into his art, he explained, noting that even a concert film of the Sphere residency would have to be self-funded. People have been quick to claim that Milleri’s success comes from his father who this year became CEO of eyewear company EssilorLuxottica, has been funneling money into his project. “The guy got his dad to pay for all his projects.’ Blah blah blah. Like, look, I don’t know if that’s what you want to be saying around because you’re just going to be telling some kid he has a dream that he can’t do it because he’s broke, because you don’t know what happened here but this is what I do. I think I do it at a very high level and dedicated my life to it.” Technological Integration The Las Vegas Sphere, known for its advanced technological capabilities, provides an ideal setting for Anyma’s performances. The venue features a 160,000-square-foot LED screen that delivers a fully immersive viewing experience, complemented by a state-of-the-art sound system. This infrastructure allows Anyma to bring his concepts to life in ways that were previously not possible, creating an environment where technology and art coexist seamlessly. The residency presented a “cybernetic opera” divided into four acts—Genesys, Humana, End of Genesys, and Quantum. These acts explore the integration of human and machine, set against stunning visuals and live performances with collaborators such as FKA Twigs, Grimes, and Ellie Goulding. Genesys III Anyma’s is set to close the Genesys chapter with a third album, Genesys III. A culmination of years of actualizing imagination. Will Eva become human? The post Anyma Gives Rare Interview to Push Back on Nepotism Allegations appeared first on EDMTunes.

VELO x Lab54 presents the VELO [A]PRÈS PARTY, a series of winter parties launching in major UK cities — for your chance to attend, enter the competition on VELO’s Instagram channel* Continue reading...

Peter de Boer says that the secretive artist had helped create a "vivid" mural depicting cows, aliens and robots, as part of a youth art project Continue reading...

In Montréal, they don't just survive winter—they dance through it at Igloofest. Dubbed "the world’s iciest festival," Igloofest officially returns today and runs through February 8th. Zeds Dead, Michael Bibi, Claptone, Apashe, Tape B, Adriatique and Swedish House Mafia's Steve Angello are set to perform, among many other top-tier electronic acts. Dubbed "the world's iciest festival," Igloofest transforms the Old Port of Montréal into a glimmering, glacial dancefloor under the stars. Since its inception back in 2007, the festival has grown from a small-scale winter gathering to one of the city's premier electronic music events, drawing tens of thousands to its icy embrace each year. The festival's charm lies in its unique blend of music and community, its ticket-holders bundling up in chic parkas and neon snowsuits while raving the night away, mittens to to the sky. It's survival gear with style. Igloofest isn't just about braving the cold—it's a dance-off with winter itself. So we caught up with a handful of this year's DJs and performers to share their packing essentials. IMANU c/o Press Item: Merino Wool Gloved Scarf "When looking up the weather in Montreal I saw numbers I've only seen in my bank account. Luckily the other co-founder of 14SAINTDENIS and I had just started experimenting with a merino wool gloved scarf, which has been saving me in the cold of Canadian winter, so I'd say that's currently my must have item!" - IMANU Bon Entendeur Manu Fauque Item: AirPods "We would have loved to be inventive but we're not going to lie, it's really the item we can't do without. This little box comes along with us on all our our tours—it allows us to create demos of our future tracks during our trips, listen to music every day and, above all, reduce the screaming of children during our naps when traveling." - Bon Entendeur Claptone c/o Press Items: Golden Mask, Carrot "Why have one when you can have two? My must-have items for Igloofest are my signature golden mask, which never leaves my side. It has to match the frosty atmosphere. And a carrot to have enough beta-carotin or alternatively build a snowman!" - Claptone Princess Superstar c/o Press Items: Gold Faux Fur Lined Ski Suit, Hand Warmers, Wool Socks, Warm Underwear "I hate being cold. So I am packing a gold faux fur lined ski suit, hand warmers and wool socks. Also underwear that covers the entire butt—no thongs because nobody wants a cold ass." - Princess Superstar Awwful c/o Press Items: Bubblegum Pink Sunglasses, Backup USB "I know my bubblegum pink sunglasses and backup USB drive will always have my back—they’re essential to every Awwful gig." - Awwful Regularfantasy Evan Buggle Item: Snowsuit "For Igloofest, it can get cold so I would definitely make sure to wear my baby blue vintage snowsuit, which doesn't keep me warm because I think it was designed for going to a chalet. But when else would I get to wear it? And some Hotshots for my boots!" - Regularfantasy Follow Igloofest Montréal:X: x.com/igloofest_mtl Instagram: instagram.com/igloofest_mtl Facebook: facebook.com/igloofest

Former owners DICE will continue as Boiler Room's official ticketing partner, after selling the streaming platform for an undisclosed sum Continue reading...

Quicche unveils “Red Eyes,” the latest indietronica release and third single from his forthcoming debut album, “Frisia.” The single continues to heighten anticipation for his album, showcasing Quicche’s signature fusion of electronic textures and indie-driven melodies. With its dynamic soundscape and innovative production, “Red Eyes” offers a compelling preview into the sonic richness and artistic vision that listeners can expect from this evolving project. Breaking away from the album’s folk-inspired roots, “Red Eyes” emerges as a dynamic reinvention infused with danceable garage rock influences. Grünhäuser, the creative force behind the track, crafted the song during a month-long retreat in Northern Germany. Immersed in self-imposed isolation with limited equipment and minimal human contact, he delved deep into the vast potential of his musical soundscape, pushing the boundaries of his creative expression. Quicche’s sound is a rich tapestry woven from experimental indie, folktronica, shoegaze, and ambient music. “Red Eyes” amplifies these eclectic influences, elevated by masterful production that highlights his artistry. The track fluently balances tender vocals with a detailed electronic edge, whilst featuring traditional production and live instrumentation that results in a captivating sonic experience. Quicche Comments “Lyrically, Red Eyes is a direct challenge to anyone who has a bad influence on you. Writing the text felt very liberating, as if it had opened a valve that had been under pressure for a long time.” As listeners anticipate this next release, Quicche’s previous two singles on the legendary Belgian imprint have already set a compelling tone for his debut album. With “Frisia” on the summer horizon, Quicche is already ascending to new heights, solidifying his place as a seasoned and visionary artist that stands out from the masses. Quicche’s “Red Eyes” is set for release on R&S Records on February 14, 2025, and will be available on all major digital platforms. Quicche – “Red Eyes” Pre Order: https://fanlink.tv/red_eyes Find Out More & Follow Quicche | Instagram | Spotify R&S Records Website | Soundcloud | Bandcamp | X The post Quicche Unveils “Red Eyes” on R&S Records: A Journey into Ambient Electronic Sound appeared first on Electric Mode.

In response to the devastating wildfires impacting Los Angeles, SLANDER, NGHTMRE, and the Gud Vibrations label are joining forces for a charity showcase concert at Avalon Hollywood. Scheduled for January 24th, will feature both artists in a high-energy performance with all proceeds going to Red Cross LA and local LA fire departments to support wildfire relief efforts. This show will help in many ways by raising funds for those in need and being a much-needed positive reinforcement after the weeks the city has endured. To no surprise, the event is already sold out. SLANDER and NGHTMRE’s collaboration: a promised good time SLANDER and NGHTMRE have long been known for their collaborations, both on stage and in the studio. The partnership has resulted in several successful releases. One is the hit ‘Gud Vibrations,’ which became a mainstay in the festival circuit. In addition, their shared love for high-energy performances and fusing bass music with emotional melodies has earned them a loyal fanbase. Also, their synergy in creating memorable and positive experiences for their fans will make this event a night to remember. If catching this duo live this year is on your bucket list, don’t give up yet. They have a b2b set on the STARBASE festival lineup. You can check out the info and tickets here. Wildfires Devastating LA The recent wildfires in Los Angeles have left many communities devastated. Thousands are displaced and ther is significant damage to homes and businesses. Altogether, the fires have prompted a massive response from local authorities and the community, with relief efforts ramping up to support those affected. This benefit concert is a powerful example of the LA music community coming together to help in times of crisis. Donation and resource links: Info: shelters, Immediate support, and Housing Donate: Salvation Army in Support of LA wildfire Donate: LA Strong (The City of Los Angeles) Direct Donations: GoFundMe Local donate locations: LA Fire Department The post SLANDER and NGHTMRE Unite for LA Wildfire Relief Concert appeared first on EDMTunes.

The Crazy P frontwoman's family have called her the "image of human kindness and generosity of spirit" Continue reading...

From vinyl-spinning at underground raves to pioneering virtual reality performances, Las Vegas-based DJ and producer Nicky Genesis has spent over 15 years crafting her unique blend of soulful, groovy house music. In this intimate conversation, she shares her journey through electronic music, discusses how she keeps classic tracks alive for modern dance floors, and reveals her vision for the future of virtual reality in live music experiences. Your sound blends deep, groovy house with soulful elements. As a Las Vegas-based artist, how has the city’s dynamic nightlife scene influenced your musical evolution, and what drew you to electronic music initially? I grew up infatuated with music and collected as much as I could. I loved so many genres; Rock, funk, folk, pop, metal, rap, R&B, reggae, and then ventured into electronic music. My intro to electronic dance music was when I entered the rave scene in the early 2000s. That’s when I bought turn tables and taught myself how to spin vinyl and DJ all the music that I loved so much. Raves were still very much an underground scene but I loved the raw energy, the universal connection and collective consciousness through the frequencies. I knew I found my calling. Being such a music enthusiast I knew through DJing, I could share my emotions, create an experience to share with like minded people through the music. so I’ve been collecting music, perfecting my craft, and performing all around the world ever since. Living in Las Vegas has been great to be in a place that offers such a wide variety of music and artists performing constantly. Pretty much all genres of musical performances are available to experience here and I love it. I am grateful to be able to take advantage of being able to see so many great musicians that perform here. You’ve mentioned finding inspiration in classic tracks like Elvis’s “Jailhouse Rock” How do you approach reimagining these timeless pieces for modern dance floors while maintaining their essence? I really love the idea of keeping oldies alive by infusing them into modern versions. Honoring the original while giving it a new twist. A majority of the younger generations don’t really know artists like Elvis or have really listened to his music. So by infusing samples and recording covers of classic songs and remixing them to create new tracks people will want to listen to again and dance to. It breathes a new life by inspiring new music as time goes on. With 15+ years of experience playing clubs and festivals worldwide, what’s been your most memorable festival experience, and how does that influence your approach to creating immersive experiences in the virtual space? I have played countless sets over the years and have had so many incredible experiences. It’s always when the energy exchange between the DJ and the people is palpable. It’s really feeling that connection with each other. This set at Joshua Tree Music festival truly does stand out in my mind because of the amazing energy I felt there. Joshua Tree holds a special place in my heart. The energy portals are real. That night, I truly felt a unity with all the people there. It felt like everyone entered my spaceship and I was taking us all on a ride together. People got up dancing like crazy on the platforms all around me. The place was jumping and swinging. It was an absolute vibe. I live for energy like that. I will always remember that night and smile. The even greater part is, now I can relive it in VR thanks to PulseJet! Your recent collaboration with PulseJet brings virtual reality into the electronic music space. How do you see VR technology shaping the future of live electronic music Performances? I really enjoyed collaborating with Pulse Jet. Being able to film a musical experience and then go back to watch it again in a virtual space was really amazing for me personally. It definitely opens up the possibilities of how we can experience entertainment and relive our favorite live performances and precious memories. As the technology continues to advance, we may be able to experience a live event in HD VR in real time with impeccable precision. I don’t believe it can replace the experience of being up close in real life and feeling the live energy. However, being able to experience an incredible mind blowing set from your favorite artist live, and then to be able to go back and watch it again in your VR goggles and be teleported right back I think is pretty rad. Your recent Instagram post beautifully described music as a universal force that connects people on an “astral plane”; Could you elaborate on how this philosophy shapes your approach to production and performance? Music is composed of frequencies and vibrations. Our bodies and minds also operate with frequencies and vibrations. When we listen to music, it resonates within our minds, bodies and souls. We can feel it inside us, even when words can’t describe the feeling. People can bond as if to be teleporting to another dimension when we are experiencing music together. Even if we don’t speak the same language we can love the same music, dance to it, smile to it, cry to it, and relate to each other. It’s powerful and healing on a spiritual level. Having released music on labels like Glo, Sony, Simplify, Nightbass, Confession, how has your production style evolved since your first release in 2011? The world of music production is constantly evolving. New tools, new techniques. It’s unique for each producer to develop their own personal method that works for them. A lot of EDM producers use the same platform (Ableton) to produce, yet each of us does it a little bit differently. That’s the key to molding your signature sound and skills. I have learned so much over the years and am still learning as I continue to grow as a producer. Discovering new tricks, techniques, customizing sounds and effects. It’s always evolving. Your VJ sets create a unique visual experience alongside your music. What inspired you to incorporate visual elements into your performances, and how do you curate visuals that complement your sound? I love creating an audio and visual experience with the sets. Incorporating a visual element really transcends the experience to tell a story. I love using sacred geometry and beautiful images in motion to elevate the energy of the music. I am creating my vault of custom visuals to play at my shows to bring a unique performance with every set. The influence of disco is evident in your groovy productions. Which disco era artists or tracks have most profoundly impacted your sound? If there’s one thing about me is that I love funky, groovy music. Disco and Soul encapsulates an energy that is joyful, energizing and positive. To dance out your troubles and worries and be fully present with the music. On the dance floor we are all equal, safe and loved. I am very inspired by early Rock and Roll from the 50s, 60s, 70s. Soul, and rock & roll musicians like Little Richard, the “architect of Rock & Roll”! Instruments and organic elements spark a pure and organic energy in my spirit and I want to project that in my music. As both a DJ and producer, how do you balance creating music for home listening versus crafting tracks that will work on large festival systems? The music I listen to at home is very different from the music I get into when I’m prepping for a performance set. When I’m at home I mostly listen to trip hop, downtempo, instrumental hip hop, or ambient melodic deep house, or really any wide variety of music depending on my mood. I can have it playing and enjoy it kinda subconsciously while still going about my daily tasks or work. It soothes my mind. On the other hand when I’m in my studio producing music to play at a club or festival, I go for the most intriguing, stimulating, “stop what you’re doing and dance right now” energy that I can. When I’m playing a club or festival set, my intention is to make you dance, sing, rock out, express yourself, and be fully present with the music and let it move you. Looking ahead, what new directions or experimental sounds are you excited to explore in your upcoming releases? I have a lot of new music I’m working on. I have found a fun pocket of funky dancefloor bangers that are soulful and energetic. That has been the style of music I’ve been releasing lately and I’m loving it. It’s interesting for me because there are days I’ll want to make completely different music. Different genres, different styles than what I play at shows. I don’t feel that limiting your creativity is healthy for an artist. It’s important to express your art however you want without limitations. In the next upcoming years I am looking forward to exploring new depths of my creativity and releasing music that explores deeper layers of my artistic expression. Connect with Nicky Genesis Instagram @ Nicky Genesis Youtube: https://www.youtube.com/@nickygenesismusic Facebook: https://www.facebook.com/nickygenesismusic/ TikTok: @nickygenesis Joshua Tree Festival set: https://www.soundcloud.com/nickygenesis/joshua-tree-festival-set Nicky Genesis · Joshua Tree Music Festival SetCheck out PulseJet PulseJet on Meta: https://www.meta.com/en-gb/experiences/pulsejet/8962379510498367/ PulseJet on the Apple Store: https://apps.apple.com/us/app/pulsejet/id6504533651 PulseJet Website: https://www.pulsejetstudios.com/

On Saturday, March 22, 2025, TradeX in British Columbia will host INSOMNIA 2025, one of the most anticipated music festivals of the year. The festival boasts a stellar lineup, featuring some of the biggest names in electronic music. Headlining the event are Alesso, Alok, KSHMR, Ben Nicky, and Cosmic Gate, who that certainly promise to deliver show-stopping performances. Adding to the excitement is the debut of the ALL NEW Basszone Stage, where fans will experience high-energy sets by Rooler and Lil Texas for the first time ever. INSOMNIA 2025 is designed to be an inclusive event, welcoming music fans of all ages to join in the celebration. For adult guests seeking an elevated experience, an exclusive 19+ VIP option will be available, offering premium perks throughout the night. To make attending even more convenient, shuttle services will run from Vancouver, Burnaby, and Richmond, ensuring hassle-free transportation to and from the venue. Tickets for INSOMNIA 2025 have gone on sale and you can purchase them here.

For years GALA Festival has taken to Peckham Rye Park in South London to deliver a community-oriented event full of house music that honours the originators of club culture. Now for their 10th anniversary they’re taking this event around the world to bring this amazing experience to even more people. The tour will be starting in the festivals home country of England with the first show being in Newcastle followed by another UK gig in Bristol a couple weeks after. The UK shows will have some homegrown DJs including DJ EZ, Pearson Sound and Manami. From there GALA Festival will be spreading its wings as it travels to Tokyo, Lisbon, New York, Chicago, Sao Paulo, Berlin, Amsterdam, and then finally wraps up the tour in Melbourne with each show fielding local talent. 10 years of GALA, 10 cities around the world, 10 nights of intoxicating dance music while collaborating with the likes of Rainbow Disco Club, Gop Tun, Refuge Worldwide, Rush Hour, and Crown Ruler. With more announcements to come on the lineups for the shows abroad there is plenty to look forward to in this exciting expansion from GALA Festival as they widen their network.

These past few weeks in Los Angeles have been difficult for many, especially for some of our favorite musical artists. In a heartfelt message to his fans, The Weeknd has announced on Instagram the cancellation of his highly anticipated Rose Bowl show. Set to be in Los Angeles on January 25, 2025. This is due to the devastating fires currently affecting the region. Out of deep respect and concern for the people of Los Angeles County, he decided to cancel the performance and postpone his upcoming album’s release. Shifting focus to support and recovery The Weeknd, who has long considered Los Angeles a source of profound inspiration in his career, expresses his thoughts and well-wishes for everyone impacted by the fires. In his statement, he emphasized that his focus remains on supporting the recovery efforts. The singer’s words echoed a sense of responsibility to his community. Showing care for the well-being of the people of Los Angeles over his scheduled performances. “This city has always been a profound source of inspiration for me, and my thoughts are with everyone impacted during this difficult time. My focus remains on supporting the recovery of these communities and aiding its incredible people as they rebuild.” The Weeknd’s Message to Fans Postponed Album Release In addition to the Rose Bowl concert cancellation, The Weeknd pushed back the release date of his upcoming album. Originally slated for release on January 25, the album will now be released on January 31, 2025. The artist’s decision to delay the release was made to ensure that his efforts to support the affected communities remain his top priority during this difficult time. Fans are expressing understanding and support for the artist’s decision, with many appreciating his focus on community and recovery in light of such a tragedy. Others have said they are disappointed because they were looking forward to the one positive thing on their schedule outside the grueling fires. Many events in Los Angeles are on the chopping block amidst the wildfires that currently still burning. Even parts of The Grammys are in talks to be postponed or canceled. Donation and resource links: Info: shelters, Immediate support, and Housing Donate: Salvation Army in Support of LA wildfire Donate: LA Strong (The City of Los Angeles) Direct Donations: GoFundMe Local donate locations: LA Fire Department The post The Weeknd Cancels Rose Bowl Show Due to Fires appeared first on EDMTunes.

Insomniac is stepping up to support wildfire victims and first responders with 16 special charity shows over the next two weekends. The events will take place at Academy LA, Avalon Hollywood, Exchange LA, NOVA SD, and BLOOM SD. What makes this effort even more incredible? 100% of net proceeds will be donated to charities focused on rebuilding and recovery efforts. A huge shoutout to the artists making it all happen! Performers like Slander, NGHTMRE, Flosstradamus, Oliver Heldens, Svdden Death, Emo Nite, Deorro, and more have generously volunteered their time and talent to make a difference. Let’s come together, dance, and give back. For tickets and info, visit Insomniac’s website.

It’s officially time to turn the page from Dancing Astronaut‘s end-of-year content from 2024 to 2025. Countless releases from the previous year deserved to be amongst Dancing Astronaut‘s Top 100 Tracks of 2024, and only one reason prevented them from earning that designation: they’re still unreleased. As we formally enter the new year, we are back to present our list of the most-anticipated IDs of 2025. Selected IDs — aside from one — qualify either by having been played live relatively recently or the artist(s) provided a recent update about it. This list is sorted in alphabetical order (by artist). _________________________________________________________________________________________ Alesso, Sick Individuals & Sentinel – Upside Down (slide 1) Anyma & RÜFÜS DU SOL – You Make Me Note: It was included in every Sphere set and Anyma confirmed Genesys III (via Variety) is coming. All we can do at this point is hope it’s on there. Anyma & Y do I – The End Of Genesys (slide 1) Boris Brejcha – 16 Red Even Charlotte de Witte – ID (slide 11) Chris Lake – In My Head / On & On Note: Chris Lake confirmed in a recent stream that several IDs — including these two — would be released in 2025 on “one big project.” Just thinking about how hard this @chrislake ID is (hopefully) gonna hit on the @ultra mainstage (: @lanreako / @natevogelphoto) pic.twitter.com/qP2vkb1Y53 — Dancing Astronaut (@dancingastro) March 14, 2024 Cirez D – Aperture Dom Dolla – Dreamin’ Ekowraith & Wavedash – ID Note: Porter Robinson apparently confirmed in a recent stream that it would be released this year. Currently under a bridge in Brooklyn hearing the Wavedash x Ekowraith ID@wearewavedash @porterrobinson@TeamBandL pic.twitter.com/1OJFaSVrLd — Dancing Astronaut (@dancingastro) September 28, 2024 Eli Brown & HNTR – ID GENESI & MEDUZA – Freak Gorgon City – 5AM at Bagleys (slide 11) Note: Out January 24. Henri & Jem Cooke – ID (slide 3) HI-LO & Kasablanca – ID ID6 on Lane 8’s Winter 2024 Mixtape Note: No artist is confirmed yet ILLENIUM & Hayla – In My Arms ILLENIUM & WYLDE – Ur Alive ISOxo & Skrillex – It’s So Good To Be Alive A new IsoSkrill collab emerged during Coachella and I still have full body chills from it Begging for an @ISOxo_ x @Skrillex EP/album pic.twitter.com/Y3hxRGvh4N — Dancing Astronaut (@dancingastro) April 16, 2024 John Summit & CLOVES – Focus Note: Out January 17 Kamino – Supersonic Knock2 – crank the bass, play the musik Note: Out January 17 on Knock2’s album Lane 8 & Sultan + Shepard’s Proper Intro ID Note: No artist is confirmed yet. Layton Giordani, Linney & Sarah de Warren – Act Of God Note: It’s confirmed to be coming soon on Experts Only. Lilly Palmer & Maddix – We Don’t Care Martin Garrix, Alesso, and Shaun Farrugia – Inside Our Hearts Note: It has not been played live since March 2024 and there has been no public update about it since. Is that stopping us from including it anyway? No. Matisse & Sadko (and Martin Garrix?) – Gold Skies ID Max Styler – Seismic ID (slide 1) Note: It’s at the 59-minute mark of the set upload. PAWSA – Bang Bang Rebūke & Linska – Choose Life SCRIPT & JV – Flex My Ice Note: It’s confirmed to be coming soon on Experts Only. Seven Lions, Jason Ross & HALIENE – Battle Scars Sultan + Shepard & Rinzen – Proper ID (slide 10) Swedish House Mafia – Tomorrowland ID Note: There are currently two versions, including one that is believed to be an Axwell remode. Third ≡ Party – Human Westend – Drum Death Featured image: Sphere Las Vegas The post Dancing Astronaut presents the most-anticipated IDs of 2025 appeared first on Dancing Astronaut.

Los Angeles has been absolutely devastated by the wildfires which have destroyed many people’s homes and have left them in a dire situation. Thousands have already offered support through donations and now Duke Dumont is adding to that effort with a fire relief fundraiser. On January 19th he will be heading to the Sound Nightclub in LA to perform and 100% of the ticketing proceeds will be going towards local fire relief efforts. These proceeds will help those affected by the fire by going towards recovery, cleanup, reopening schools, and implementing measures to help prevent something like this happening again. Support has been coming from all around the world, from all different industries and it’s reassuring to see that music can also assist in bringing this tragedy to an end. Duke Dumont Fire Relief Fundraiser Tickets: https://dice.fm/event/k6357q-duke-dumont-fire-relief-fundraiser-19th-jan-sound-nightclub-los-angeles-tickets LA Fire Department Foundation: https://supportlafd.kindful.com/?campaign=1040812

Created with “DJs and music-lovers” in mind, the newly-launched app allows users to filter by genre and recommends music at random Continue reading...

IMS Ibiza, the thought-leadership platform at the intersection of culture, education, industry, and wellness in electronic music, announces today the first details of its curated programming for the sixteenth edition of the summit, inviting the electronic music community to nominate speakers and panellists they want to see tackle key topics and issues. The summit aims to bridge generational gaps, delving into four decades of electronic music, looking for the insights, values, and experiences that transcend eras, to inform the future of our industry and scene. IMS Ibiza offers an ambitious and innovative program—a true exchange of ideas, wisdom, and creativity across generations. The theme of IMS Ibiza 2025 is INTERGENERATIONAL EXCHANGE, deepening the connection between different generations of the electronic music community, from artists and industry leaders to entrepreneurs, pioneers, and visionary thinkers. The summit will unite seasoned experts and veterans with young innovators of today, fostering collaboration between generations and merging wisdom and perspective with bold and disruptive ideas. Journeying through four ground-breaking decades of Drum ‘n’ Bass, from its humble jungle roots in the UK to its global influence today, FOUR DECADES OF JUNGLE & DRUM ‘N’ BASS: THE MCS TO THE OGS TO THE NEW BREED will explore the genre’s profound cultural impact as both a movement and a community rooted in British multiculturalism. Shifting between the underground and the mainstream to uncover key insights into its enduring legacy as IMS looks to the future of this iconic genre. Delving into Spain’s vibrant electronic music scene, MARKET FOCUS: SPAIN – FROM FIESTAS TO ITS FUTURE explores the country’s deep musical heritage, its profound impact on international trends, and its pivotal role in cultivating the next wave of talent, festivals, and creativity. With insights from key industry players, it highlights the opportunities and challenges shaping the future of one of the world’s most influential music markets. As nightlife reaches a critical crossroads shaped by economic pressures, regulatory challenges, and shifting cultural dynamics, THE FUTURE OF GLOBAL NIGHTLIFE: HOW TO REBUILD A SUSTAINABLE ECO-SYSTEM confronts how these mounting threats make its future increasingly uncertain. This session will explore how the industry can adapt and thrive in the face of these threats to ensure that nightlife remains a transformative cultural experience that inspires and connects generations to come. Hearing loss and tinnitus are on the rise in our culture, with many high-profile artists now using hearing aids – a topic still shrouded in taboo. THE SILENT EPIDEMIC: TINNITUS, HEARING LOSS & LISTENING RESPONSIBLY will highlight the importance of listening responsibly, using ear protection, and addressing the stigma that prevents many from speaking out. It will explore how untreated hearing issues can lead to Alzheimer’s and why it’s time to prioritize long-term health. AFRICA IS NOT A COUNTRY: THE GROWTH OF ELECTRONIC MUSIC ACROSS AFRICA is an in-depth exploration of Africa’s evolving scenes, diving into the continent’s increasing potential in electronic music, the nuances involved between countries, and an exploration of how to engage ethically and sustainably with the markets. It will also focus on Africa’s broader cultural influence through guided listening, deep discussions, and genre storytelling. The landscape for record labels has shifted. More and more artists favour releasing on their own labels, or only agreeing to short term licenses, often shunning the major label route while embracing major label distribution options that have swallowed up most large indie distro routes. SHAPING THE FUTURE OF DANCE & ELECTRONIC LABELS IN 2025: FROM DIY TO DISORDER TO DISTRIBUTION will enlist leading label visionaries, distributors, and managers to sketch out the future of the label – the lifeblood of our scene. The USA is undergoing a rapid evolution; shifts in the ever-growing electronic music market, changes within performing rights organizations, and a shifting political landscape. These developments are setting the stage for disruption in license collection and distribution across North America. What does the next five to ten years look like for live performance revenue streams in one of the world’s most influential music markets? In GET PLAYED, GET PAID: USA THE FINAL FRONTIER HOSTED BY AFEM: ASSOCIATION FOR ELECTRONIC MUSIC we will examine how the industry can set the agenda, and create a fairer rights distribution ecosystem for all. MENTOR MATCHMAKING: EMPOWERING THE NEXT GENERATION will connect the next generation of industry leaders directly with the industry’s most respected figures, including managers, agents, promoters, bookers, and label execs. Young talents aged 27 and under can apply for a ten-minute one-on-one session with their chosen expert to seek advice, share ideas, or discuss their aspirations. One standout mentee will receive ongoing mentorship after the summit. Across three days, IMS Ibiza will unite innovators, creators, visionaries, and disruptors from across the global electronic music ecosystem all in one destination, presenting opportunities for delegates to explore best practices and innovation in music, technology, diversity and inclusion, education, and health and wellness. Co-hosted by leading BBC Radio 1 broadcasters Pete Tong MBE and Jaguar, the summit will deconstruct the topics and issues that really matter to the global electronic music community. The development of the summit programming is overseen by the IMS Ibiza curation committee, who play a vital role in shaping the agenda of the event, ensuring that it remains relevant, engaging, and representative of the dynamic music industry landscape. The curation committee comprises (A-Z): Ben Turner (Co-Founder, IMS), Blaise DeAngelo (Co-Founder, The Art of Areté), Chloe Lula (Senior Producer, Resident Advisor), DannyWhittle (Co-Founder, IMS), Farah Nanji (Artist/Curation Manager, N1NJA/IMS), Grace Ladoja MBE (Co-Founder & CEO, Metallic Inc.), Jaguar (Co-Host/Broadcaster, IMS/BBC Radio One), Katie Sallows (General Manager, IMS), Kikelomo Oludemi (Artist), Pete Tong (Co-Founder/Broadcaster, IMS/BBC Radio One), Silvia Montello (CEO, Voicebox Consulting), Sofia Ilyas (Chief Community Officer, Beatport), Sophia Kearney (Co-Founder, HE.SHE.THEY., Steven Braines (Co-Founder, HE.SHE.THEY.) and Tracie Storey aka Tensuhi (Vibrational Sound Practitioner, Qigong Teacher & Sound Designer). For the second year, the summit will return to the Mondrian Ibiza and Hyde Ibiza hotels, located in the tranquil and idyllic Cala Llonga. Sharing facilities, bars, restaurants, and pool areas with direct access to the beach, both venues will be privatized exclusively for attending delegates to create an intimate, immersive setting for networking and presenting the summit agenda. Just 10 minutes by car or 15 minutes by ferry from Ibiza Town, the new summit venue is an inspiring destination that will unite the global electronic music community. Overlooking the crystal-clear waters of the Mediterranean Sea, and framed by pine-clad hills, this picturesque bay on the east coast of the island enjoys breathtaking sunrises and is perfectly placed for walks in nature to balance out the dynamic summit schedule. IMS Ibiza is proud to continue its collaboration with climate action partner EarthPercent to unleash the power of music in service of the planet. 1% of all IMS Ibiza 2024 delegate badge purchases will be donated to the charity. In addition, the levy will be applied to all event sponsors. Co-founded by Brian Eno, EarthPercent identifies and supports some of the most impactful organisations addressing the climate and biodiversity emergency. Every grant they make is vetted by their world-leading Expert Advisory Panel – an international multidisciplinary, multi-generational, and diverse group of climate scientists, academic researchers, economists, climate communicators, youth activists, community organisers, and policymakers. IMS Ibiza delegates will also be able to experience some of the hottest parties and events on the island, including the iconic IMS Dalt Vila closing celebration. Delegate Badges for IMS Ibiza are available to purchase now on the IMS website including concessions for Students, Under 27s, Ibiza Residents, and delegates using sustainable travel to arrive in Ibiza. Hotel accommodation at Mondrian Ibiza and Hyde Ibiza is also available to purchase, with a limited number of subsidised hotel rooms at Hyde Ibiza available for delegates who are eligible for Student or Under 27 badges, priced at €95 per person, per night, based on double occupancy. Contact [email protected] for more information. Purchase tickets via here The post IMS Ibiza returns for 2025 appeared first on Decoded Magazine.

Irish nightlife campaigners Give Us The Night say the industry is on “the brink of collapse” Continue reading...

Elements Music & Arts Festival lineup includes deadmau5, Illenium, Mau P, Rezz, Sara Landry, Sofi Tukker (DJ Set), Tipper, Zeds Dead, Chase & Status, Claude VonStroke (The Return), DJ Diesel aka Shaq, Eli Brown, Liquid Stranger, Sullivan King B2B Kayzo, Tape B B2B Levity, Wooli, ALLEYCVT, Arc De Soleil, Boogie T, BUNT., Layton Giordani, LP Giobbi, Max Styler, Papadosio, SIDEPIECE, Wax Motif + More The first phase one roster for the Northeast’s leading immersive electronic music festival, Elements Music & Arts Festival, has been unveiled for its 2025 edition coming to Long Pond, Pennsylvania August 8–10. More than just a celebration, Elements is a limitless field of creativity, connection, and adventure where music, art, camping, and community naturally interact. Designed to pique interest and inspire awe, the festival provides a special refuge for inquiry and self-expression, therefore uniting like-minded people in a vivid celebration of freedom and imagination. Against the backdrop of its magical, art-filled forest, spectators can expect the trademark mix of top-tier electronic talent that Elements Festival is renowned for, providing a wide spectrum of sounds and experiences that fit any taste. Elements Music & Arts Festival lineup 2025 Headliners for the 2025 edition include celebrated chart-topping superstar Illenium, world-renowned electronic musician deadmau5, electronic visionary Rezz, Deadbeats label heads Zeds Dead, high priestess of hard techno Sara Landry, and energetic performance duo Sofi Tukker (DJ Set), among some of the most notable names in dance music. The loaded billing spreads with the darker sonics of forward-thinking producer Liquid Stranger, the return of renowned house act Claude von Stroke, trip-hop pioneer Tipper, UK drum & bass flag bearers Chase & Status, and the bigger-than-life DJ Diesel aka Shaquille O’Neal. Performances from in-demand collaborator Wax Motif, Dutch sensation Mau P, techno powerhouse Eli Brown, respected house production duo SIDEPIECE, piano-house icon LP Giobbi, techno new school selector Layton Giordani, and fast riser Max Styler will thrill house and techno fans. Among the phase one slate are hard-hitting sonics including acts like rock-influenced dance pioneers Sullivan King B2B, meteoric electronic acts Levity and Tape B who will perform individual sets in addition to a B2B, drum & bass producer Reaper, and rising Toronto bass DJ and producer Canabliss. It gives us great pleasure to present to you our most varied roster yet, which includes fresh genres for inquisitive travellers, top current artists, upcoming talent, and retro classics. With “Flavors” spread over four major phases and smaller events, we inspire roaming to find something fresh – Elements Co-Founder Timothy Monkiewicz states – A big thank you for all the amazing ideas we got from our DJ survey participants – you’re partners in shaping the future of Elements Festival. The four stages The four main stages of Elements Festival reflect the natural forces it honors. While Earth turns into a strange dreamscape of shimmering trees, cosmic mushrooms, and floating jellyfish, the Fire stage humbs with high-energy performances for thrill seekers. While Water becomes a sunlit playground with acrobats, playful characters, and festival attendees encouraged to embrace swimwear and delve into an immersive 360° stage experience, Air is a hidden sanctuary of sound tucked deep among the forests. Elements Music & Arts Festival Thriving at its site at Long Pond in the woodlands close to the racecourse with an on-site solar farm to drive sustainability projects, Elements has become a unique multi-day camping event. Along with a Health & Wellness lineup including yoga, sound baths, aromatherapy, dance, comedy, and multidisciplinary workshops, fans can explore art cars reminiscent of Burning Man and rows of guest-created theme camps known as Vibe Villages among the grounds, large-scale art installations, interactive performances, and 3D video projection mapping. Co-founder Brett Herman of Elements notes: You’re living on a different world for three to four days at Elements. Beyond the music, there is always something happening at the Bizarre, Fun Factory, Plaza, Wellnest, and many other venues on the festival grounds. Just traveling from one spot to another you’re sure to discover like-minded vibes, set off a side quest, and ignite inspiration. Village and sustainibility One of the most unusual aspects of Elements is its participatory culture. From fans organizing interactive camps in the Vibe Villages, to curating pop-up events along the pathways and generating surprise happenings in the woods, the festival invites, embraces, and supports its festival family that strives to BE the Elements. Designed to elevate underprivileged voices, Elements’ community spirit is further anchored on the Art of Change program. The program’s emphasis in 2024 was environmental change. Applications for the 2025 Art of Change program will open closer to the event; those for Vibe Villages, artists, and performers are now live. Along with an all-new 2025 option called the “Entourage Pass,” which gives backstage access and more, Tier Three GA and VIP passes are available on the official Elements Festival website. Among the other lodging options available to attendees are car camping, glamping, local motels, ready-to-go RVs, or tents. For those who would rather not drive, shuttle passes—which give transportation from big Northeast cities—also abound. The post Elements Music & Arts Festival Announces Lineup for 2025 appeared first on The Groove Cartel.

For The Beloved by Dave Beer, Robert Owens & The Blessed “Nobody on planet Earth is more passionate about dance music than Dave. Every ounce of his unique sense of play, indomitable spirit and total immersion in the genres of dance have gone into this album. Yes, it’s a masterpiece as it had to be, and we’re beyond delighted to bring it out on Jack Said What.” – Irvine Welsh 2025 will see Dave Beer release his debut album under his own name, preceded by a number of top-notch singles. First up comes ‘For The Beloved’, which features some amazing soulful vocals from Chicago house music legend Robert Owens, recorded when he stayed over in Leeds. “‘For The Beloved’ is dedicated to all of my beloved and anyone who’s ever felt the love that comes from the dancefloor and behind the decks of Back To Basics,” Dave says. “It’s dedicated to those who you truly treasure and who you have real gratitude for for having them in your lives, and friends and family that make you feel blessed. Thank you, I love you.” ‘For The Beloved’ is the first single from Dave’s forthcoming album, ‘What Goes Around’, and is being followed by some remixes by none other than US House god Todd Terry, a Back To Basics regular over the years. “I’m at my happiest when I’m making music, and it feels right to be getting this collection out now — the first music I’ve ever released under my own name,” Dave says. “For me, it’s essential that you make music from the heart, for the love of making music and people getting together.” ‘For The Beloved’ in its various iterations is a fine way to kick off the 2025 album campaign from a bona fide legend in the game. A teenage punk rocker, Dave Beer began following The Clash and The Cure around until he fell into jobs as roadie and tour manager for various 80s indie bands. When acid house arrived in the late 1980s, Dave threw himself head-first into the movement and at the turn of the 90s started a club night with best friend Alistair Cook in their home city of Leeds in the north of England. With its punk rock attitude, Back To Basics was an instant success. Tragically, Alistair was killed in a car crash in March 1993 but Dave decided to carry the club night forwards in his great pal’s memory. It was the friendly, community feeling and hedonistic aesthetic that made Basics one of the success stories of the 1990s. Musically, the award-winning nights were on-point: they gave UK debuts to US DJs such as Danny Tenaglia, Derrick Carter and Francois K, early opportunities to Daft Punk, Basement Jaxx and Groove Armada, and helped nurture resident DJs such as Ralph Lawson, Denney, Paul Woolford, Tristan Da Cunha, James Holroyd, Huggy and Burnski. At the centre of the dancefloor madness was Dave Beer — the life and soul of the party, always thinking of others before himself. Hosting a long-running party is a talent in itself. What a lot of people haven’t realised is that Dave also became a great DJ himself, an artist (the edgy Basics flyers were all his own work), a surrealist painter of some repute, and has dabbled in producing music himself over the years — releasing tracks under a number of different pseudonyms like The God Squad, Out Of Order, and, more recently, The Blessed. He also remixed giants such as David Bowie and the Rolling Stones over the years, as well as Afrika Bambaataa and Manchester indie band Intastella. As Back To Basics’s 33rd birthday approached, Dave was diagnosed with cancer. While the cancer was cut out during an operation in early November, Dave had to be taken to intensive care to have a blood transfusion, but he ultimately rallied — it’s not the first time he’s dealt so closely with death. Now recuperated, it’s time to refocus on his music, putting himself squarely in the limelight to receive the plaudits he so heartily deserves. As he convalesced in the hospital, Dave was truly moved by the literally thousands of well-wishers who sent him messages. “I’ve been blown away by the love, and empowered by it,” he says. “This is the real me now. It’s a new chapter, I’ve been feeling enlightened by it all. I’m a different person now — stripped bare, it’s the true me. As my new monk friend says: ’It’s only when the tide goes out that people can see you’re swimming naked.’ Without the mask of intoxication, Dave is relishing this new chapter of his eventful life. “It’s taken all this time for me to escape being the prisoner of my own identity,” he says. “It’s hard to be taken seriously with my music, but I think the tunes speak for themselves. The album is honest in its innocence.” Jack Said What co-founder Irvine Welsh has known Dave since the 90s, while other JSW cohorts Steve Mac and Carl Loben have also had long associations with the Basics man. When Dave said he wanted to send his album over, it was received at JSW HQ with some trepidation — in case it wasn’t up to scratch — but the guys needn’t have worried. The album is called ‘What Goes Around’, and a nice circular element to the relationship came when Jack Said What and Back To Basics jointly hosted a takeover of the main dance tent at Mucky Weekender in September 2024. Marshall Jefferson headlined, while Dave, Ralph Lawson and the whole JSW crew made it a night to remember. And now for the music. The first single ‘For The Beloved’ has several iterations and, a few weeks later, will be followed by several remixes by house music pioneer Todd Terry. It’s a corking first package, a fine way to kick off a priority album campaign for 2025. One of dance music’s true characters, and a fighter, this music by Dave Beer demands to be heard. Proper underground house music with an acid house attitude, Jack Said What is delighted to welcome another legend into the fold. Stream / Download new single here The post ‘The King Of Clubs’ Dave Beer announces debut album appeared first on Decoded Magazine.

The iconic club is set to reopen under a new name Continue reading...