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This is an opinion column. The thoughts and viewpoints expressed are those of the author, Dr. Sunni Lampasso, a psychologist, executive coach and the founder of Shaping Success, where she helps EDM artists and industry professionals elevate their careers while prioritizing wellness. As the author of "Level Up Your Influence: A Self-Awareness Guide to Maximizing Your Growth and Unlocking Your Inner Leader," she empowers artists to overcome mental roadblocks, avoid burnout and build a lasting legacy in the music industry. Loneliness is a modern epidemic—30% of young adults in America feel lonely daily or several times a week, according to the American Psychiatric Association. For EDM fans, raves and festivals offer a place to connect, belong and feel alive. However, the experience can have the opposite effect for the DJs who bring us together. As a psychologist who coaches DJs, I've seen how isolation impacts artists beyond what fans see. They constantly juggle creative demands, business pressures and expectations without the support system many professionals take for granted. Before working closely with DJs, I didn't fully grasp their lifestyle's physical and emotional intensity. But I now see how deep the struggles run, from the small stage to the main stage. DJs need support, clarity and guidance to navigate the highs and lows while building a sustainable and fulfilling career. Fans experience the art—the energy of the DJ's performance and the music they produce—but they don't see the hidden side: the loneliness, the stress and the intense pressure DJs experience behind the scenes. The very stages that unite us can isolate them and amplify loneliness, which causes an increased risk of anxiety, depression and physical health issues if not addressed. Constant screen time and political divides contribute to a growing sense of isolation for both fans and artists. EDM events provide fans with community, but touring DJs often experience grueling travel, separation from loved ones and the pressure to consistently perform. The festival experience allows fans to recharge. However, many artists leave feeling drained and isolated as they rush to their next show. Touring schedules can be brutal. Some DJs play around 300 shows each year, often with limited support and schedules that don't include much time for wellness. Combined with a lack of self-care, loneliness further increases the risk for burnout, substance use and mental health struggles. We've seen it firsthand. Avicii's tragic death in 2018 was a wake-up call, and more recently, Alesso canceled shows due to health concerns and exhaustion. Many industry giants, including Armin van Buuren and Zedd, have spoken about using alcohol to push through performances. The conversation about mental health in the music industry isn't new, but real change has been slow. The recent release of the intimate Netflix documentary I'm Tim, which chronicles Avicii's life and career, has reignited the mental health conversation, but more needs to be done. If we want our favorite artists to thrive, we need to rethink how the EDM industry supports its talent. Some artists, labels, fans and festival organizers are beginning to recognize and address the challenges of artist loneliness, but we need more widespread action. Real change requires a collective effort from the entire EDM community: Labels and managersPrioritize sustainable careers over non-stop touring. Mandate rest periods and provide mental health, wellness and coaching resources. And always remember to treat artists as people first. Festival organizers and club ownersCreate backstage wellness spaces, normalize breaks and offer resources like therapists or performance coaches. ArtistsBuild strong support networks inside and outside the industry, and prioritize staying connected when on the road. Speak openly about struggles to help break the stigma and push for better conditions. Try to limit traveling alone. Build a team that cares about you as a person and doesn't just view you as a brand. FansRecognize that DJs are human. If an artist cancels a show for health reasons, show empathy and support rather than criticism and judgment. Show support beyond the music—treat artists as you would treat a friend. EDM is built on a foundation of respect. And that respect must extend to the artists who create the music that fuels our best moments.

After last year's momentous debut in Chicago, Insomniac's beloved Beyond Wonderland festival is returning to the Windy City with a massive lineup. The Alice In Wonderland-themed EDM festival will feature ILLENIUM, Subtronics, Afrojack, Marshmello, SLANDER, Ganja White Night, Crankdat, Virtual Riot and TroyBoi, among many others. In an homage to the birthplace of house music, Insomniac Records and Day Trip are hosting the Caterpillar’s Garden stage to produce "an unforgettable house and techno experience," according to a press release. Attendees there can groove to four-on-the-floor beats from Chicago icons Green Velvet and Gene Farris as well as Walker & Royce, James Hype, Coco & Breezy, MK and more. The lineup also features a handful of compelling b2b performances. Jessica Audiffred and Nostalgix are set to team up for a heavy-hitting DJ set while Hedex and Bou will join forces for a can't-miss drum & bass set. AC Slater and Chris Lorenzo will also perform together under their collaborative alias, Fly With Us. Beyond Wonderland Chicago is scheduled for June 7-8, 2025 at Huntington Bank Pavilion at Northerly Island. You can check out the full lineup below and purchase passes here starting Friday, February 7th at 12pm CT. Insomniac Events Follow Beyond Wonderland Chicago:X: x.com/beyondwlandchi Instagram: instagram.com/beyondwlandchicago TikTok: tiktok.com/@beyondwland Facebook: facebook.com/beyondwlandchicago

Global electronic music icon Solomun will headline Labyrinth on the Thames, London’s newest and most exciting open-air series, on August 8th, 2025. Taking place at the historic Old Royal Naval College, Greenwich, this massively anticipated event is set to bring Solomun’s signature deep and emotive sound to this breathtaking venue, in a London summer exclusive. Solomun will play a mammoth 5-hour set through his expansive record collection. Old Royal Naval College, Greenwich “Performing at such a historic and unique location in London will be truly special, and I can’t wait to share this experience with everyone.” -Solomun Renowned for his ability to craft immersive musical journeys, Solomun has redefined the art of DJing. His “Solomun +1” residency at Pacha Ibiza has become legendary, prioritizing intimacy, connection, and storytelling through music. His performances transcend the typical DJ set, blending deep house, techno, and melodic elements into a transformative experience that resonates long after the final track. For this special event, Solomun will bring his unparalleled energy and artistry to Labyrinth on the Thames, delivering a set that encapsulates his ethos: music that speaks to the soul. The night will be further elevated by world-class production, stunning visuals, and the immersive atmosphere that Labyrinth is renowned for. “Booking Solomun has been a personal goal of mine since joining forces with Nick at Labyrinth. It seems fitting to have gone full circle while launching this iconic venue and we can’t wait to experience a 5 hour masterpiece from one of electronic musics’ greatest talents.” -Michael Dicks, founder of Labyrinth Pre-sale tickets go on sale on February 7th at 10am GMT. Fans can sign up HERE. The post Solomun To Headline London’s Newest Open-Air Series, ‘Labyrinth On The Thames’ appeared first on EDMTunes.

Vancouver-born pianist and producer Hoang has finally unveiled his debut album, Heartstrings, out now via Lost In Dreams Records. This 10-track collection blends melodic bass and dance-pop, offering an intimate exploration of love, loss, and personal growth through Hoang’s signature sound. Get ready to have tissues at your side because this album will have you tearing in no time. Heartstrings features a series of collaborations with notable artists. ‘Better Now,‘ created with Tampa-based producer VLCN and Los Angeles vocalist Casey Cook, explores finding positive outcomes even in difficult times. Cook’s emotive vocals soar over a rich arrangement of guitar-driven synths, delicate piano, strings, and a gentle melodic bassline, with VLCN adding his dynamic touch. VLCN expresses his excitement about the release, noting his long-standing friendship with Hoang and their plans to tour together. The album showcases previously released singles like ‘Already Gone’ (with Danny Olson), the introspective ‘5 Years’ (featuring Dia Frampton), and the cinematic ‘Crashing Down’ (with raph), all praised for their honest storytelling and intricate production. Other collaborators include niko rain, CHENDA, Oliver The Kid, and Britt Lari, each contributing to the album’s emotional depth and sonic variety. Heartstrings marks a defining moment for Hoang, showcasing his dedication to crafting music that resonates universally. Through intricate production and emotional storytelling, the album is a powerful statement, inviting listeners to embrace vulnerability and celebrate transformation. To bring ‘Heartstrings’ to life, Hoang is set to embark on the album’s eponymous North American tour, with stops at renowned venues such as The Vermont Hollywood and Bowery Ballroom. He will Fans can expect an immersive experience that bridges the gap between his studio work and the raw energy of live performance. Complementing the release, Hoang will also unveil exclusive ‘Heartstrings’ jerseys as part of his commemorative merchandise collection. The post Hoang Releases Emotionally Tugging Debut Album ‘Heartstrings’ appeared first on EDMTunes.

Ibiza, the island connected with electronic music and innovative ideas, is about to see a revolution in live entertainment. Eric Prydz’s Holosphere 2.0 will premiere this summer during an exclusive 14-week residency at [UNVRS], the most technologically advanced venue on the White Isle. Called “the biggest show production ever undertaken in Ibiza,” this innovative residency promises to alter what spectators anticipate from live music events. Insiders in the business refer to Prydz’s return to the field as not only a turning point for him but also a leap forward for worldwide audiovisual innovation with his fresh images, next-generation technologies, and larger-than-life concept. What Makes Holosphere 2.0 Revolutionary? Should the original Holosphere be regarded as innovative, Holosphere 2.0 is destined to be revolutionary. 1. A Larger- Than-Life System Since it is far larger than its predecessor, the new sphere requires months of careful design, engineering, and construction. Its sheer enormity means it can only be hosted in facilities with modern infrastructure, which makes [UNVRS] especially suitable for its residency. 2. New Generation Animations and Graphics Holosphere 2.0 boasts the brand-new original animation value of a feature film, comprising multidimensional layers of special translucent LED screens and 3D holographic effects Covering the interior, outside, and internal volume of the sphere, these advances provide a completely immersive experience whereby every position presents a different viewpoint. Imagine standing under a huge brilliant sphere vibrating with coordinated beats and multicolored images—an experience unlike anything else witnessed before. 3. immersive technology for audio Apart from its visual ability, Holosphere 2.0 features next-generation audio technologies meant to surround guests in perfect acoustic environments. Whether stationed far back or dancing near the stage, Prydz’s trademark progressive house tracks will carry you into another world. 4. weekly Development Unlike conventional residences, Prydz intends to innovate musically and visually each week of the 14-week run. Attending several gigs means that fans may come across completely varied setlists, animations, and interactive components, therefore assuring that no two performances are exactly like each other. Why [UNVRS]? One of the few permanent venues in the world able to hold such a bold show is [UNVRS]. Built with future-forward technology in mind, the arena features unmatched technological capacity that exactly complements Prydz’s vision. Holosphere 2.0 is the ideal match for [UNVRS] – Romain Pissenem, Founder, CEO & Show Director of High Scream LTD, notes – Working with Eric Prydz’s team on this visionary production, we are excited to bring his enormous sphere to life with next-generation technologies and provide clubbers an amazing, immersive trip. Furthermore, the residency structure allows Prydz to interact with a large audience while preserving the vitality of a dance floor. Many admirers find Holosphere 2.0 especially enticing because of this mix of intimacy and spectacle. Eric Prydz, the visionary behind Holosphere and the most cutting-edge show Long praised for his ability to combine amazing visual narrative with complex soundscapes, Eric Prydz From his legendary EPIC (Eric Prydz In Concert) series to the original Holosphere, which debuted in 2019 at Tomorrowland, Prydz has regularly pushed the limit when it comes to combining artistry with technology. The first prototype of Holosphere was very spectacular—an eight-tonne floating globe hanging above festival attendees with immersive animations projected across its surface while Prydz performed inside. Tomorrowland needed such great engineering that it had to alter portions of its grounds to fit the construction. Sadly, the first sphere was destroyed by a stage collapse during just one performance, grieving viewers yearning for its resurrection. Five years later, Prydz is back with Holosphere 2.0, a project born of unrelenting commitment and technical development. Yann Pissenem, owner, Founder, and CEO of The Night League and Ushuaïa Entertainment, says, ” Eric Prydz possesses an extraordinary vision and talent for crafting otherworldly experiences—pushing the boundaries of innovation with every show. “With Holosphere 2.0, he has reached an entirely new level, deftly mixing cutting-edge technology with an ambitious scale like never before. ” Eric Prydz’s Holosphere 2.0 Residency At [UNVRS] poster The post Eric Prydz’s Holosphere 2.0 Residency At [UNVRS] appeared first on The Groove Cartel.

Incredible news just in time for Miami Music Week. The Bayfront Park fountain in Downtown Miami was brought back to life and it’s ready for Ultra Music Festival happening March 28-30, 2025. The official Bayfront Park social media recently posted the finished renovation of the fountain, including the new features. Bayfront Park Fountain According to the official social media of the park, the water feature returns after two decades, with a new redesign. The fountain now has over 500 lights, 800 jets and it can project images and videos on a central water screen. We know Ultra will take full advantage of this! Moreover, the renovation was estimated at $5.5 Million, with an operating cost of $20,000-$30,000 a month, according to Axion. History The fountain has been inactive longer than one would think. The original designer Japanese-American architect Isamu Noguchi created the blueprint for the fountain, opening in 1990. After a short-lived run, the fountain stayed closed fo a long time, only opening as a hot air balloon base in 2007. Now, we can enjoy the full glory of the state-of-the-art technology and architecture the fountain presents. Ultra Music Festival Ultra Music Festival is the premiere event in South Florida for EDM. With eight stages and multiple genres, the festival captives tens of thousands of attendees every year. It includes multiple stage takeovers by our favorite djs, top-notch production, and a week filled with music. Ultra is a staple in the industry with multiple events all around the world. The return of the fountain makes it an extra special edition. Furthermore, Music Week involves mutiple parties in eight days, including events at Factory Town, Club Space, multiple label hosted pool parties, radio shows, pop ups, and more. The official Resistance venue M2 is yet to announce its lineup for Music Week. Tickets are still available here and are currently on Tier 4 pricing. They will most likely move onto the next Tier once Phase III of the lineup is revealed, what are you waiting for? The post Bayfront Park Fountain Returns to Life For Ultra appeared first on EDMTunes.

Radius Chicago is down bad. This past weekend a beam fell from their ceiling hurting 2 concertgoers. The 2 were hospitalized and are in good condition. On top of this, a video surfaced of the guard shoving a concert attendee into a door and kicking them while on the ground. Owners of the venue fired this guard. During Levity’s performance, a wooden beam attached to the interior steel frame of Radius detached from the structure and fell on two concert attendees around 1:20 a.m. Saturday. A 29-year-old man sustained minor injuries to his neck and shoulders and was taken to Stroger Hospital in good condition. A 26-year-old woman was hit in the back of the head and began to bleed. Videos surfaced of the security guard forcefully ejecting a person through the door. It is unclear what led to the person being forcibly removed from the premises. Radius released a statement about both incidents. Owner Nick Karounos opened Radius in 2019 as a 55,000 square foot music venue in a former steel factory just west of the Chicago River. The venue has a capacity of almost 4,000 people. A rough night for attendees at Radius Chicago last night. Security was seen forcefully ejecting a person through the door, while inside, a ceiling beam reportedly fell off, injuring some people. Wishing a speedy recovery to those affected by the incident. #chicago pic.twitter.com/FeJzAq2wN8 — CHICAGO CRITTER (@ChicagoCritter) February 1, 2025 The post Beam Falls From Ceiling At Radius Chicago; Security Guard Fired appeared first on EDMTunes.

Indian underground patrons, brace yourselves to witness the line-up of the year (till now)! The trailblazing return of an iconic entity in the country’s underground music territory is on the cards. Sounds Good by sLick!, India’s dominant name in electronic music and live entertainment, is thrilled to announce the debut edition of the Sounds Good Lifestyle and Music Festival 2025. A start studded roster will descend to Mumbai on the 15th & 16th of February at its epochal NESCO Center. Sounds Good will be characterized by 3 immersive stages: the Main Stage, the Vendetta Stage and the House Stage. These are set to grace host to a congregation of more than 30 artists spanning across the weekend. The first-of-its-kind festival promises an extraordinary blend of music, lifestyle, and culinary experiences. With a lineup that pushes boundaries and sets trends, attendees can expect a musical journey like no other. Kevin De Vries will be returning to the Indian shores after a hiatus of 5 years exclusively at SGF. The Afterlife sensation has been on an astronomical ascent with performances laced around the globe & major festivals in recent years. The ‘Dance with Me’ & ‘Metro'(with Mau P) hitmaker has been part of an impressive spree that range across the stages of Tomorrowland, Coachella, EDC Las Vegas, Awakenings & Time Warp. Kevin’s sets decipher the singular energy of his own music into extended journeys. The line-up also oversees the presence of Shimza. A pivotal torchbearer of afro-house music across the globe, the South African prodigy needs no introduction for fans of the genre. Afro admirers will also be excited about the presence of Kilimanjaro. Progressive house titans Jeremy Olander, Simon Doty and Qrion are set to return to their ever swelling list of admirers in the country. Techno monarch Patrice Baumel has carved a niche of his own through his haunting yet groovy basslines & synths. He is poised to emerge at SGF along with the likes of Arapu, FJAAK, Oguz, Boston 168, Lauren Mia & others. Also set to appear the first time in the country are Elli Acula & Priku. SGF is also set to witness the Indian Anjunadeep heavyweight Anyasa for an exclusive B2B with the legendary Ankytrixx. The techno pioneer of the country, Arjun Vagale will be on deck duties as well. Bullzeye & Dotdat are masters of their craft that is sure to reverberate across the corridors of the festival. The full line-up could be accessed here. Sounds Good, formerly known as sLick, has undergone a dynamic rebranding to reflect its expanded vision. Under the leadership of Prateek Pandey, the founder of Sounds Good, it has introduced globally acclaimed platforms like DGTL, Boiler Room & Elrow to India. It has also been the driving force behind debut performances of iconic artists such as Solomun, Tale of Us, Charlotte De Witte and Peggy Gou. While music remains their forte, the rebranding allows to step into the realms of lifestyle and diverse event experiences. This evolution is aimed at catering to a wider audience across all age groups, blending music with lifestyle in innovative ways. Tickets for witnessing this extraordinary spectacle could be secured here. A congregation not to be ignored. A line-up not to be missed! The post Sounds Good Festival Unveils A Star Studded Line-Up Headlined by Kevin de Vries appeared first on EDMTunes.

First premiered during their Anjunadeep Miami b2b set in 2024, ‘Dead Synthy’ marks the first collaboration between progressive house legends Sasha and Marsh. This track is a quintessential slice of progressive house magic. Its calm, inviting atmosphere feels like a journey through little fluffy clouds, weaving in touches of electro and ethereal, angelic vocals. With golden-age vibes that nod to the roots of the genre, ‘Dead Synthy’ is as timeless as it is fresh. Marsh himself remembers the instance the song was born: It was the week leading up to my set with Sasha in Miami. He gave me a call to see if I wanted to collaborate on something to hopefully play in our set… He sent over the initial draft called ‘Dead Synthy,’ I was drawn to the atmosphere, chords, vocals, and arpeggio. I got to work, found the main riff, bassline, and drums, and soon had a first draft we could test. Sasha said my riff sounded a bit ‘Jam & Spoon’… I’m ashamed to say I hadn’t heard of Jam & Spoon at the time. I have no idea how I missed them. I think he was referring to their track ‘Stella’ (Banger). I wondered if that was a dealbreaker on the collaboration, but we rolled with it! I sent the stems back to Sasha, and he beefed up the mix and continued crafting the idea. It was super close when he sent it back. I especially love the breaks in the breakdown – The processing is mental and adds something unique to the track’s journey! Needless to say, it is very surreal to have worked with such a legend as Sasha! I hope there is more to come! -Marsh For Marsh, 2024 was a landmark year. He delivered a steady stream of standout releases and maintained a packed global tour schedule, which included the launch of his ARIA hybrid showcase. This showcase saw him sell out London’s Outernet and close Red Rocks under a blizzard. Marsh starts 2025 on a high note, bringing his signature All Night Long show to Fabric for the second year in a row on February 7th. As for Sasha, his legacy as one of the world’s most celebrated DJs continues to evolve. Known for blending house, techno, and trance into his sets, he’s also made waves beyond the club scene. His score for the Da Vinci interactive exhibition, which premiered in Berlin in 2022, won multiple awards, including Best Immersive Experience (Art Directors Club, 2022) and Best Experimental Design (Creative Pool Awards, 2022). Together, Sasha and Marsh have created something truly special with ‘Dead Synthy’ – a track that’s sure to resonate far beyond the dancefloor. Sasha x Marsh ‘Dead Synthy‘ is out today on Anjunadeep. The post Sasha & Marsh Collaborate On New Single, ‘Dead Synthy’ appeared first on EDMTunes.

California-based producer and DJ Max Styler returns with his latest offering, the Don’t Stop EP, released on January 31, 2025, via Diynamic Music. This electrifying collection of three tracks showcases Styler’s adeptness at blending high-energy beats with melodic elements, solidifying his place in the electronic music scene. Track-by-Track Review 1. Let Em’ Know The EP opens with ‘Let Em’ Know‘ a track that takes listeners on a journey with its mysterious groove. The song gradually builds tension through a pulsating bassline and intricate percussion, leading to an explosive climax that sets the stage for the rest of the EP. This opener highlights Styler’s ability to craft suspenseful arrangements that pay off in a big way. 2. Don’t Stop The title track, ‘Don’t Stop‘ shifts gears with a smooth, grooving bassline that hypnotizes with its deep rhythm. The combination of the bassline and alluring female vocals creates a trance-like state, keeping listeners locked into the track’s relentless groove. This song exemplifies Styler’s skill in blending melodic elements with dancefloor-ready beats. 3. Inferno Closing out the EP, ‘Inferno‘ brings back the drive, reigniting the energy that runs through the entire collection. This high-octane track ensures the EP’s pulsating vibe lasts long after the music stops, leaving listeners craving more. ‘Inferno’ serves as a powerful conclusion, highlighting Styler’s knack for creating tracks that resonate with both club-goers and casual listeners alike. Final Thoughts Max Styler’s Don’t Stop EP is a compelling showcase of his production versatility and ability to craft tracks that captivate and energize. Each song offers a unique experience while maintaining a cohesive sound that ties the EP together. Whether you’re a longtime fan or new to Styler’s work, this EP is a must-listen for anyone seeking fresh, dynamic electronic music. Listen to Max Styler’s Don’t Stop EP below: The post Max Styler’s Don’t Stop EP Delivers a Trio of Dancefloor Anthems appeared first on EDMTunes.

Flux Pavilion and Doctor P have never been ones to ask for permission. As pioneers of the modern dubstep sound, they've spent over a decade bending bass to their will, shaping a movement with anthems that still detonate underground venues and major festivals alike. The producers have now announced their first full-length studio album as a duo, and if its lead single "WDGAF" is any indication, they're making it clear that they’re here to do things their way. "The central thesis of the album is not caring what people think of the music, just making it," Doctor P said in a statement. Few artists have left an imprint on the dubstep genre as deep as Flux Pavilion and Doctor P, who started out as childhood friends before launching the influential Circus Records. Tracks like "Bass Cannon" and "Sweet Shop" helped cement their status as icons, and after years of solo creative endeavor, they’re reuniting for a rare album that promises to bring the genre back to its rawest form. Doctor P (L) and Flux Pavilion (R).Fiona Garden The rollout of the self-titled album will see a steady drip of new music, with one single dropping each week leading up to the full release on March 27th, EDM.com has learned. The lead single, "WDGAF" is a track that reaffirms everything fans love about the duo: unapologetic lyricism, unrelenting bass and a crushing kick-snare rhythm. It's dubstep at its purest—no frills, no compromises, just unfiltered energy. "A timeless statement that echoes through the ages," Flux Pavilion said. of the track, which releases Friday, February 7th. "Sometimes I think it's good to get to the heart of something as quickly as possible. This track was the first one we wrote and set the tone for the rest of the album." With a highly anticipated set at Ultra Music Festival on March 30th, Flux Pavilion and Doctor P are gearing up to remind the world why their sound has endured the test of time. Until then, you can pre-save the duo's self-titled album here. View the original article to see embedded media. Follow Flux Pavilion:X: x.com/Fluxpavilion Instagram: instagram.com/fluxpavilion TikTok: tiktok.com/@fluxpavilionofficial Facebook: facebook.com/fluxpavilion Spotify: spoti.fi/37dBZ1f Follow Doctor P:X: x.com/doctorpcircus Instagram: instagram.com/doctorpcircus Facebook: facebook.com/doctorpcircus Spotify: spoti.fi/2J6euyv

Who says techno music can’t be tropical? Certainly not techno queen Nicole Moudaber, who brought her percussive, loopy style of techno to the stages of Groove Cruise 2025. EDMHouseNetwork caught up with the techno icon about the evolving state of the genre, her affinity for racing, and more onboard Groove Cruise 2025. Read the full interview below: Q1: “Just to start off, what’s the unique experience of playing at Groove Cruise compared to your typical festival? Your Tomorrowland, or where you got to play with Carl Cox earlier this year? Playing those sets in a typical club or festival setting?” Moudaber: “It’s a city on the sea. It’s almost like Vegas on water, so I don’t know. I’m just gonna check it out later, today and tomorrow and get a feel for the place. I’m not gonna probably play my typical kind of techno on this boat. I’m just gonna keep it a bit groovier and sexier. And a bit lighter.” Q2: “How does the atmosphere kind of change your set in that sense? Compared to when you’re playing in a club setting, or playing in a London or Ibiza nightclub, compared to playing on a cruise ship. How does that kind of change your set selection and building process?” Moudaber: “The music that I’m gonna play is the same. It’s just the way that I’m gonna put it together, really. So, yeah, if I know if I’m gonna play tech house, I will be going through certain records. I’m gonna be doing a back to back with Layton [Giordani], and so that’s going to be a bit of melodic techno, and I have all the ammunition. I just need to put it together basically, and for it to make sense.” Q3: “How incredible has it been to kind of see a resurgence in techno this year? Whether it’s Anyma playing in The [Las Vegas] Sphere with melodic techno or even, you know, with women? With Sara Landry being the first hard techno artist on the Tomorrowland mainstage, and you this year with the back-to-backs with Carl Cox killing it in your own right. How great has it been to kind of see techno get a little bit more of that mainstream attention?” Moudaber: “It’s got so many different styles. Now, let’s not confuse what real techno is. What I played with Carl Cox at EDC is like the real underground techno. Melodic techno, it was definitely Prague, what we know as Prague. And what Sara is playing is pretty much hard pop, probably. Which is good in its own right. And I love to listen to it, and she’s excellent. I love that girl. But, yeah, let’s not confuse techno with the other stuff, because they’re not the same.” Q4: “How great has it been to kind of in your own right, preserve that true style of techno. You know, with these other genres of techno kind of popping up, being able to really represent that old style that really still rings true.” Moudaber: “It’s not really old, because there are tons of new records like that at the moment with incredible labels releasing that sort of music. It’s just for me, I prefer that, you know, the big kick, kick drums and the loopy kind of hypnotic, heady kind of techno. You know, not the massive drops and the fluffy stuff. You know, we need to keep it serious a little bit in techno.” Q5: “I know the only thing that rivals your passion for techno music is racing. How is it kind of similar, you know, the thrill of being behind the wheel on a race track and being, you know, up on the decks in front of 1000s, 10s of 1000s of people?” Moudaber: “It’s actually the same kind of adrenaline rush when I’m on the wheels. Probably, it’s more intense than being on stage, being on the wheels, going at 300 miles an hour, you know? Yeah, you can’t beat that. That is the ultimate rush. But, yeah, obviously being on stage with all this energy coming back at you, it’s just an incredible feeling and that’s what I live for, really.” Q6: “Just to finish off, also, I know you come from a lot of diverse backgrounds. Growing up in Nigeria, Lebanon, and now being based in London, how do all those unique backgrounds really show in your style of music and kind of blend in the influences in your production?” Moudaber: “It has influenced me a lot, especially my childhood in Nigeria, where I grew up with a lot of rhythmic and percussions and all about beats and grooves. You can hear it in my production. [It’s] Very percussive in a way, and it’s got funk and soul in it. Even if it’s like the hardest techno that I play, it’s always soulful in a way, and it’s got that sexiness in it. You know, even if I’m playing at 145 BPM, you can still dance to it, so it does reflect in my music. And I’m quite lucky to have experienced all sides of these worlds, and I’m still learning wherever I go all over the world. I absorb their culture, and I try to, I don’t even try. It just comes naturally to me, and I hear it.”

Eric Prydz has announced a "dramatically evolved version" of his acclaimed Holosphere production, which will debut as part of an exclusive residency at Ibiza's tech-forward venue, [UNVRS]. Revered for pushing the boundaries of audiovisual experiences, the Swedish electronic music icon is set to unveil an ambitious update of the groundbreaking concept, which he first introduced in 2019. The arena-scale Holosphere 2.0 show will be the "biggest show production ever undertaken in Ibiza," according to a press release shared with EDM.com. Holosphere made headlines when it debuted at Tomorrowland, featuring an eight-ton, two-story-tall sphere so massive that the festival had to redesign its grounds to fit it. Despite its awe-inspiring impact, the original Holosphere was tragically crushed when a stage collapsed, leaving fans with just one chance to witness its spectacle. Now, after five years of technological advancements and meticulous design, Holosphere 2.0 promises to surpass its predecessor in every way. The new version isn't just bigger—it's smarter. Holosphere 2.0 incorporates a "feature film's worth" of original animations, 3D holographic effects and custom transparent LED layers covering its interior, exterior and even the internal volume of the sphere. Designed to create multidimensional visual experiences that evolve in real-time with his music, the immersive production is "a world first," according to [UNVRS]. The venue is said to be one of the few worldwide capable of supporting the show's scale and technical demands. "With Holosphere 2.0, [Prydz] has reached an entirely new level, seamlessly blending cutting-edge technology with an ambitious scale like never before," said Yann Pissenem, Founder and CEO of The Night League and Ushuaïa Entertainment. "I can't wait to present this new chapter of Eric Prydz at [UNVRS], where audiences will witness something truly unprecedented—transforming this residency into a one-of-a-kind future-forward show that will redefine the global audiovisual experience in 2025." Prydz, meanwhile, called the residency "our most technically advanced show ever attempted." It is scheduled to kick off at [UNVRS] June 2nd and run for 14 weeks until its finale on September 1st. You can watch the trailer below and purchase tickets here.

The India International Music Week (IIMW) 2025, an initiative by the India Music Exchange (IMX), is set to take place in Goa from February 4-6. This first-of-its-kind global music trade conference and showcase festival will feature artists and industry professionals from over 30 countries spanning over various genres such as Electronic, R&B, Indie and Drum n Bass. This inaugural event aims to bridge India’s music industry with global markets, fostering collaboration among artists, record labels, event promoters, and music enthusiasts. The 3 day running event will feature live performances, panel discussions, networking sessions and one of a kind opportunity to connect with like minded people. The festival kicks off on February 4 with the IIMW 2025 Curtain Raiser at Rockpool (W Hotel, Goa), featuring performances by Asian Electronica pioneer Talvin Singh, Shillong-based Blues/R&B artist Tipriti Kharbangar, and Goa’s own Roz Angon. From February 5-6, the IIMW trade conference at The Westin Goa, Anjuna will offer insightful discussions on India’s evolving music scene, open to artists, industry professionals, and fans alike. Evenings will transform into a musical spectacle, with the IIMW Music Showcase Festival taking center stage at Echo, Vagator from 6 PM onwards. Emerging and established artists from around the world will perform, followed by intimate late-night showcases at Vamos, Vagator, offering a personal and immersive experience. Artist Line-up for IIMW 2025 This year’s lineup features a diverse mix of Indian and international talent, including: India: Anoushka Maskey, Anushka, Carissa, Farhan Rehman, Hamza Rahimtula & Rajasthan Folkstars, Jatayu, Madboy/Mink, Nate08 Live, Ox7gen, Rafiki, Shanka Tribe, Shantam, Stalvart John, Tsumyoki with Goa Trap Culture International: Bratri (Czech Republic), Kimyan Law (Austria), Mother’s Cake (Austria), Naaz (Netherlands), Rosa Cecilia (England), Tracy De Sa (France) IIMW 2025 goes beyond performances—it’s a platform for industry growth, collaboration, and global exchange. Whether you’re an artist, professional, or music lover, this event promises an unforgettable cultural and musical experience. Grab your tickets here: https://insider.in/india-international-music-week-echo-feb4-2025/event For more details, contact [email protected].

Four Tet, BADSISTA, Helena Hauff and DVS1 are all set to appear below the Asiat Park's cooling towers this May Continue reading...

Eric Prydz is taking his groundbreaking HOLOSPHERE show to the next level with the announcement of HOLOSPHERE 2.0, set to debut during his brand-new Ibiza residency at UNVRS. This marks a historic moment for the Swedish visionary, as he brings an upgraded version of his mind-blowing visual experience to the island’s nightlife scene. Set to take place at UNVRS, a brand-new mega club opening in Ibiza, this residency will be the exclusive home of HOLOSPHERE 2.0—a reimagined and even more immersive evolution of Prydz’s iconic holographic spectacle. Known for pushing the boundaries of audiovisual technology, Prydz promises a next-level experience, blending cutting-edge 3D visuals with his signature progressive and techno soundscapes. The original HOLOSPHERE made waves at Tomorrowland, where its massive, sphere-shaped LED structure created an unmatched sensory experience. Prydz performed inside an eight-tonne sphere that stood over two stories tall—so massive that Tomorrowland had to redesign its festival grounds to accommodate it. This summer, Prydz has announced that he will bring an even larger Holosphere show to Ibiza’s [UNVRS], staging the island’s biggest production, and most high-tech residency to date. Prydz’s team has been working for over five years to bring Holosphere back, but, as with every new iteration of an Eric Prydz live show, its return depended on ensuring that technology had advanced enough to support the vision of a completely redesigned sphere and an improved concert concept. The first Holosphere, which took two years to build, was tragically crushed when a stage collapsed—after only ever being seen once. Now, Holosphere 2.0 is set to go beyond anything previously imagined. Thanks to advancements in technology, Holosphere 2.0 will be vastly different from its predecessor—not only larger in size but also superior in every aspect. The iconic concept of Prydz performing inside an enormous floating sphere, requiring months of physical construction and engineering, will be elevated by a feature-film’s worth of brand-new original animation, 3D holographic effects, and never-before-seen multidimensional layers of custom transparent LED covering the interior, exterior, and internal volume of the sphere. This truly is a world first—an absolutely revolutionary spectacle. [UNVRS] is one of the only permanent venues in the world capable of housing Holosphere’s expanded form factor on a weekly basis, which is astonishing and underscores the venue’s forward-thinking and technical innovation. For Prydz, it was crucial that the show be performed in front of a large audience, with the freedom of a dancefloor experience. The residency format will allow Prydz to experiment week by week, both musically and visually. Eric Prydz’s Holosphere 2.0 residency at [UNVRS] kicks off on 2nd June and runs for 14 weeks until the closing event on 1st September. Tickets and updates are available at unvrs.com. The post UNVRS Ibiza Announces Eric Prydz HOLOSPHERE 2.0 Residency appeared first on EDMTunes.

Visionary electronic artist tesh has already begun to make a name for himself, creating innovative electronic music, fusing elements of house, UK garage, and techno together, that moves effortlessly between gentle atmospherics and powerful club tracks. He’s also garnered support from influential platforms like Spotify’s Fresh Finds Dance (cover), Fresh Finds, and Chilltronics, while earning airtime on Sirius XM Chill, BBC Radio 1, and Zane Lowe. He’s set to make a 2025 his biggest year to date with the release of his debut EP ‘CYCLES + REPETITIONS’ via San Holo’s bitbird imprint. But, before we can get to that, tesh is building the anticipation by releasing the lead single titled, ‘FINGERTIPS’. ‘FINGERTIPS’ perfectly showcases that signature sound that we described previously. For this single, he merges house and indie rock influences to craft a vivid reflection on memory, longing, and physical connection. With a pulsing rhythm and bittersweet lyrics—”feel you on my fingertips, love it when the feeling hits”—the track encapsulates the fleeting nature of intimacy, balancing sensuality with introspection. “FINGERTIPS is a snapshot of bittersweet nostalgia. The song unfolds as part of a larger theatrical narrative, weaving through my personal journey of love, loss, and emotional duality. It explores those tender moments of intimacy that live in our memory – moments that carry both the warmth of happiness and the ache of knowing they’ve passed. FINGERTIPS reflects on the fleeting nature of beautiful things, and how their temporary existence makes them all the more precious.” – tesh Set against the backdrop of Oroboro – a fictional sprawling dystopian metropolis that fuses the frenetic energy of London, NYC, and LA – ‘CYCLES + REPETITIONS’ promises to weave a dark narrative through the lens of its protagonist. Drawing from a rich palette of electronic influences, the EP chronicles a deeply personal journey through love, loss, addiction, and societal decay. ‘FINGERTIPS’ serves as both a compelling introduction and a defining moment in tesh’s 2025 vision, showcasing his ability to navigate multiple genres while crafting a cohesive and thought-provoking experience T

Armin van Buuren and Adam Beyer are teaming up for their first-ever back-to-back performance at the A State Of Trance (ASOT) Festival 2025. This exciting B2B set will happen at the annual, world-famous trance and progressive festival on February 21-22 at Ahoy Rotterdam once more as the organizers announced last week. Both artists have had fantastic solo careers for over 30 years and have been leaders in the trance and techno music scenes. Armin van Buuren is one of the co-founders of ASOT, and Adam Beyer runs his own label, Drumcode Records. Finally, their musical styles will come together on the ASOT Festival’s Area One stage during the last night, with a special nod to Beyer as he will also do a solo set. Image Courtesy: A State of Trance (ASOT) Other Acts Who Will Also Complement The Must-See B2B Set Of Armin van Buuren And Adam Beyer This performance is part of a lineup filled with awesome B2B sets for ASOT Festival 2025. The event will kick off with a special five-hour set from van Buuren, where he’ll be playing back-to-back with the Ukrainian duo ARTBAT and British DJ Ben Hemsley, plus he’ll do a “face-to-face” set with fellow Dutch artist Maddix. Throughout the weekend, you can catch performances from Aly & Fila, Factor B, Andrew Rayel, Agents Of Time, Giuseppe Ottaviani, Nifra, and ASOT co-founder Ruben de Ronde, who will also play a B2B set with Ferry Corsten. Don’t miss the full lineup below. This year’s festival will also have some cool daytime programming on Saturday, featuring wellness and creativity panels. One of the highlights will be a “Transform Your Health” session with Armin, happening between the nighttime performances. Plus, there’s a private pool party planned for day two! For more information or to purchase final phase tickets, visit festival.astateoftrance.com. Image Courtesy: A State of Trance (ASOT)The post Armin van Buuren Will Play B2B With Adam Beyer At ASOT Rotterdam appeared first on EDMTunes.

Spotify has scored a legal victory that could have lasting consequences for how songwriters get paid in the streaming era. Spotify successfully fended off a lawsuit from the Mechanical Licensing Collective (MLC), which alleged that the company unlawfully slashed songwriter royalties by reclassifying its Premium subscriptions as "bundles" to include audiobooks. U.S. District Judge Analisa Torres reportedly ruled in favor of the streaming giant after determining its proprietors acted within the law when they adjusted the platform's payout structure. The dispute began in early-2024, when Spotify began including 15 hours of audiobook access in its Premium plans. By labeling these subscriptions as "bundles," Spotify qualified for a lower mechanical royalty rate under Phonorecords IV, a 2022 settlement between music publishers and streaming services, per Music Business Worldwide. The MLC, a nonprofit designated to administer digital mechanical royalties, took legal action in May, arguing that Spotify had "unilaterally and unlawfully" reduced payments to songwriters by as much as 50%. Judge Torres rejected the MLC's claims, stating that Spotify’s interpretation of the law was the only "plausible" one. The decision could set a precedent for other streaming services looking to restructure their content offerings accordingly. "Under the facts as alleged, audiobook streaming is a product or service that is distinct from music streaming and has more than token value," Torres said. "Premium is, therefore, properly categorized as a bundle, and the allegations of the complaint do not plausibly suggest otherwise." Spotify welcomed the ruling, characterizing it a validation of its business model. The MLC, meanwhile, expressed deep concerns and indicated that an appeal may be on the table.

When you think about DJing, images of packed dance floors, flashing lights, and late-night sets come to mind. But what if DJing wasn’t just about the party scene? What if it was actually an incredible educational tool for kids, one that boosts creativity, sharpens problem-solving skills, and builds confidence? That’s exactly the kind of thinking behind I Can DJ Anywhere, a new illustrated children’s book by DJ Bear Who? (Edwin Rios). More than just a fun story, the book introduces young readers to the universal power of music, showing that DJing is more than just beats and bass, it’s an art form that can shape young minds in unexpected ways. Music as a Brain BoosterScience has long proven that learning music enhances brain function. Kids who study music show improved memory, better problem-solving abilities, and even stronger math skills. DJing takes this a step further. Unlike traditional instrument training, DJing demands real-time decision-making. It teaches children to recognize patterns, match rhythms, and layer sounds in a way that strengthens their cognitive flexibility. Think about beat-matching, it’s not just a DJ trick. It requires acute auditory processing and mathematical timing. A child learning to mix tracks is unknowingly developing skills that can translate to better focus in the classroom and stronger spatial reasoning. Emotional Intelligence Through SoundOne of the most underrated aspects of DJing is its emotional depth. A great DJ doesn’t just play music, they tell a story, creating a journey of moods and energy shifts. For kids, this is huge. Music is a natural way for them to process emotions. Whether it’s excitement, frustration, or sadness, mixing music allows children to express feelings they might not yet have the words for. Learning how to control sound also teaches emotional regulation. Picking the right song for the right moment isn’t just a DJ skill—it’s a life skill. Confidence and Self-ExpressionPublic speaking is terrifying for many adults, let alone kids. But standing behind decks, selecting tracks, and performing in front of an audience (even if it’s just family and friends) builds confidence like nothing else. DJing encourages kids to take creative risks. There’s no single “right” way to mix music, which means experimentation is encouraged. Every child who picks up a DJ controller is learning to trust their instincts, make bold choices, and embrace their individuality. Beyond the Party: A New Kind of Music EducationDJing isn’t about late nights in clubs—it’s about storytelling, problem-solving, and artistic exploration. Books like I Can DJ Anywhere are helping reshape the narrative, showing kids (and parents) that turntables and controllers can be just as enriching as a piano or a violin. We need to start treating DJing and electronic music production with the same respect as traditional music education. More schools, libraries, and after-school programs should be introducing children to these tools, allowing them to engage with music in a hands-on, contemporary way. By shifting the conversation away from “party culture” and toward creativity and learning, books like I Can DJ Anywhere are paving the way for a new generation of young artists. It’s time to recognize that DJing is more than just entertainment, iit’s an educational powerhouse waiting to be unlocked.

Ben UFO, Carista, Batu, Helena Hauff, and more appear on this year’s line-up Continue reading...

The US DJ and producer has also created the score for the film, which is set to star Eliza González and Aaron Paul Continue reading...

As Groove Cruise entered its final day we decided to sit with one of the brightest stars in progressive house. We caught up with Jeremy Olander, fresh off his amazing b3b with Yotto and Cristoph to talk about the trip, his collaborations, his inspirations, and more. I am Scott from EDMTunes and I am here with Jeremy Olander on the last day of Groove Cruise. How has it been so far? Jeremy – It’s been intense, a lot of fun. I think intense is the best word to describe this feeling. And a lot of music is what makes it a lot of fun. After my set yesterday, I went to see Nicole Moudaber and the vibe there was amazing. It reminded me of Ibiza. You played at three different venues, day 1 at the Aqua Theater outside. Yesterday you were at the theater last night and you did a surprise back-to-back with Cristoph and Yotto. What’s been your favorite place so far? They’ve all been completely different vibes, I think the spontaneous back to back to back was the one I enjoyed the most. I like to be spontaneous and it’s fun when you are playing with friends. I don’t feel as much pressure because you’re sharing the stage with someone else. Also being up after Meduza, James Hype, and Eric was super delightful. Speaking about the back to back, have you every played with them before? That was an unbelievable set, had the makings of a trio super group I have played with them individually back-to-backs, not the three of us together. It was unreal. Everyone was having a great time, someone proposed. We would do it again, but I did like the spontaneous vibe of it the most. I don’t want it to be too planned. Day one we had Eric Prydz, a fellow artist who you have a long history of working with. How has the journey been, from having mentorship from him and then to sharing the stage. I think back to you BBC One Essential mix. How has the learning from him been and between you both now? I have thought about a lot about this. When I started out traveling with him and analyzing how Eric plays. I have caught myself in that I do the same moves. The way he flows his sets, it’s been a great school to stand behind him week after week and see how he plays. As for the learning it has had a great impact on me, like long loops, and long transitions. He’s a close friend and a great mentor, it’s crazy becoming friends with someone you used to look up to for such a long time. We have one more day, are there any other sets you’re looking forward to? Are you going to be exploring around? Any upcoming things you can share with us? We’re playing some mini-golf today, trying to gather some people to play. And then checking out Cristoph and Yotto back-to-back, they’re doing another one. I have a lot going on but I can’t share much just a lot of new music, so stay tuned. The post EDMTunes Chats With Jeremy Olander on Groove Cruise 2025 appeared first on EDMTunes.

The world’s best music festival is always full of surprises, and this year is no different. Tomorrowland Belgium’s 2025 lineup is a spectacle for sure, but with unexpected twists and turns that are sure to keep EDM lovers on their toes. So sit back and don’t worry about looking for the magnifying glass- here’s our top 10 biggest surprises on this year’s lineup: 1. Swedish House Mafia & The Epic B3BThe epic Swedish trio will most certainly be bringing the heat to the Mainstage once again this summer, but they will also be trying something different. For the first in recent years, Steve Angello, Axwell, and Sebastian Ingrosso will come together to perform an exclusive back-to-back-to-back set at the Crystal Garden stage. This B3B is set to highlight more house music and get back to their roots, offering fans a rare and unique opportunity to experience this legendary trio in am intimate setting. 2. All the B2B MagicIf you pulled out our magnifying glass and did a deep dive into the Tomorrowland lineup like I did, I am sure there are so back-to-back performances that left you shocked. Here’s some that are highlight worthy: Anyma B2B Solomun, Azyr B2B Nico Moreno, Dillon Francis B2B Martin Hørger, Dimitri Vegas B2B Fantasm, Dubvision B2B Third Party, HI-LO B2B Eli Brown, Kevin de Vries B2B Cassian, Matisse & Sadko B2B Third Party, Timmy Trumpet B2B Dimitri Vegas, AND MORE. 3. Martin Garrix is BackHave no fear- the world’s #1 DJ is back for another year. While fans certainly felt his absence from Tomorrowland last year, Martin Garrix is set and ready to bring his high-energy sets and iconic EDM anthems back to the Mainstage. 4. Amelie Lens shutting down MainstageTechno has been on the rise, and so has this superstar. This summer, Belgian-native Amelie Lens will shut down Tomorrowland’s Mainstage. Her hard-hitting raw and atmospheric music will leave listeners in awe, as she explores the realm of techno and its sub-genres. 5. Laidback Luke’s ‘Super You & Me’Laidback Luke has been a dance music staple since the mid-90s, and by the mid-00s, he emerged as a key figure in EDM. This year, he’s decided to bring his ‘Super You & Me’ set to Tomorrowland. In a recent Instagram video, he hinted at the meaning of bringing this show back by showing throwback videos from his shows throughout the years. Could this be a return to his roots and the golden era of EDM? I sure hope so. 6. New Stage TakeoversEvery year, Tomorrowland gets bigger and better than ever, and this time they’re having 35+ stage hosts. From Indira Paganotto’s ‘ARTCORE‘ to Fisher’s ‘Catch & Release’, these stage takeovers will be anything but ordinary, and will have something for every fan of every genre of dance music. A few others noteworthy takeovers include: Amelie Lens’ EXHALE, Da Tweekaz presents Tweekamania, Lost Frequencies & Friends, Teletech, and more. 7. More Symphony of Unity than Ever BeforeFor the first time ever, the Freedom Stage will host the Symphony of Unity twice a day each weekend, blending classical and electronic music in a live performance featuring iconic Tomorrowland anthems and the Tomorrowland Hymn. With more shows than ever before, this is one unique experience you won’t want to miss in Boom this summer. 8. Seeing Triple with SolomunThis summer, the People of Tomorrow are in for a real treat. Solomun will take the stage three different times with three unforgettable sets: a Mainstage performance, a back-to-back with Anyma at Crystal Garden, and a stunning audiovisual show at the Freedom Stage. 9. The Stars of TomorrowTomorrowland continues to spotlight rising talent. Ben Böhmer will make his festival debut on the Planaxis Stage, Job Jobse will make his Tomorrowland debut at the Atmosphere Stage, and Andromedik will bring his acclaimed “Andromedik Invites” to the Rose Garden. Emerging artists like CYRIL, Antdot, and Ajna will also showcase the future of electronic music. 10. No Alesso, No Tiësto, No W&W?In a recent post, Alesso announced cancellation of his upcoming shows due to health concerns and exhaustion. While it is not surprising he is not on Tomorrowland’s lineup this summer for those reasons, it only feels right to honor him and wishing him a speedy recovery, knowing his presence and music will be missed. As for Tiësto and W&W missing from the Tomorrowland lineup, this comes as a real surprise. These Dutch DJs have been on the Tomorrowland Belgium lineup for as long as I can remember, and seem to have become staples at the festival each year. Perhaps they needed a break from the world’s largest electronic music festival- or maybe they’ll be announced later? Who knows, but I do know they will all be missed too.

The latest release new album “Desire” is a vibrant ode to youthful dreams and passions, capturing the essence of life’s most exhilarating moments. It celebrates the thrill of friendships, nights out, new connections, the pulse of dance music, and the freedom of living fully. “Desire” is a sonic journey through the fire of ambition and the thrill of chasing what sets the soul alight. Infused with heartfelt emotion, this album blends dynamic melodies with evocative lyrics, painting a vivid picture of the highs and hopes that define youth. “Desire” is an anthem for dreamers, and those who refuse to settle. Getting To Know Jonny Mac Introduce yourself and your project My musical journey began in my teenage years, fuelled by a deep passion for sound and inspired by the energy of ’90s house music. Throughout the 2000s, I experimented with diverse genres, developing a signature style that evolved over time. By the 2010s, I was releasing tracks and refining my craft, establishing myself as a versatile producer. More recently, I have expanded into film soundtracks, infusing my music with a cinematic richness that enhances my ever-evolving discography. Desire Album Project had been on my mind for a while, contemplating the possibilities of manifesting wishes. That’s when I began composing songs that would align with some of my desires and those of others. Were you connected with music from a young age and did anyone inspire you? Yes, I’ve been playing music since I was a young child. I started with the clarinet, then moved on to the violin, saxophone, piano, and guitar. By the age of 16, I was playing in bands and attending dance parties. Back then, I had several musical influences, including Bob Sinclair (who I’m close friends with), Tiesto, Daft Punk, Deadmau5, and the legendary Michael Jackson. What kickstarted your music career? Once upon a time, in Camden Town late in the 2000s, I stumbled upon a club owner promoting a party. Intrigued, I approached him and inquired if he was seeking a DJ. Considering my lack of public experience, he kindly requested a mix CD. I handed it over, and he promptly messaged me, expressing his admiration for my music and inviting me to perform. That moment marked my inaugural gig at the Vauxhall Nightclub in London. Eager to showcase my skills, I crafted a mix of popular songs and performed them at the club. My performance was a resounding success, propelling me to the top 10 on both Beatport and iTunes. It was a pivotal turning point in my music career. Name 3 songs you love and what they mean to you + Youtube links Those songs have had a profound impact on my life. Avicii – Heaven Swedish House Mafia – Don’t You Worry Child Tiesto – Lethal Industry Any words you want to share to encourage other artists or producers? Of course! To all the artists and producers out there struggling to get your music heard or remember, every great musician started somewhere. The key is persistence, passion, and patience. Stay true to your sound, network and collaborate. Every track is a step forward. Experiment, learn from feedback, and refine your craft. Even setbacks are lessons in disguise. I experienced that for years and I can say it is hard but rewarding. How do you nurture your industry relationships? I stay connected on social medias and phones. I keep in touch with producers, DJs, and industry experts via social media, email, or messaging apps. Constantly support their work, listen and comments on their releases, mixes, and projects. Attend their gigs, streams, or events, even if it’s virtual. Offer your expertise, whether it’s production tips, mixing/mastering help, or promotion. Always stay professional and reliable, word travels fast in the industry. Sharing experiences, good or bad. Is there anyone you’d like to thank that’s been crucial to your journey Firstly, I would like to express my gratitude to my mother. She was my unwavering supporter throughout my journey in the music industry. Unfortunately, she passed away a few years ago when the COVID-19 pandemic struck. Secondly, I would like to thank my entire family and close friends for their constant support. They have always been honest with me, even when my songs didn’t sound right. What famous quote represents you best? I take with me the quote “Music is the divine way to tell beautiful, poetic things to the heart.” by Pablo Casals This resonates with my journey, my passion for music, evolution through different genres, and my recent venture into cinematic soundtracks. It reflects how my music isn’t just about beats but storytelling, emotion, and deep artistic expression. If you could play at any venue, where would it be and why? Well, I have to say The Royal Albert Hall, still London’s most iconic venue, has hosted only a few prestigious DJs for specific occasions. It would be an incredible experience to perform with an orchestra there. Any worldly advice you’d like to share? Believe in yourself and be rumble Out Now! Listen Here Social Media Links FACEBOOK | INSTAGRAM | TIKTOK Spotify Link SPOTIFY The post JonnyMac Unleashes “Desire”: A Thrilling Celebration of Youth, Dance, and Living Freely appeared first on Electric Mode.