Ravebot

The Anjunachill Revisited series welcomes California-based producer and musician Eric Luttrell to the label, with a brand new downtempo revisit of his standout track ’Sunrise Song’. This track comes from his third studio album Life at Full Speed released on Anjunadeep last year. The album embodies Luttrell’s signature sound, indie-laced house music characterized by uplifting melodies, intricately woven synths, and infectious grooves. Now, ‘Sunrise Song (Luttrell Revisit)’ is a new downtempo version of the original track. The standalone beloved original has over 3 million streams and support across SiriusXM Chill, KCRW’s Jason Bentley, and even KISS FM. Now, Luttrell doubles down on his craft to give his acolytes a gentle rendition of the original, intertwining deep, emotive piano sounds with atmospheric elements. The softer, steadier beat is perfect to unwind to. The initial rendition swayed back and forth, moving the melody forward in Anjunadeep fashion. And this is a perfect accompaniment or even denouement. It’s everything you know and love about the Anjunadeep veteran, soon to be an Anjunachill mainstay. “To revisit this track I wanted to bringn out its ethereal and emotional side. I hope the soul of the original shines through so you may relax and unwind” – Luttrell The San Francisco native developed his unique brand of indie-laced house and techno from many different influences. After breaking into the electronic music scene with The M Machine, Eric embarked on his solo journey in 2016. His career birthed the acclaimed Need You EP on Anjunadeep. Classics like Generate and Intergalactic Plastic EPs followed. Luttrell quickly became an Anjuna fan favorite while garnering support from BBC Radio 1 and SiriusXM. We’ve followed his dreamy soundscapes throughout 2019, a massive year for him. His tracks bring that distinctive sound to the forefront of dance music. He has graced stages globally including Outsidelands, Electric Forest, Lightning in a Bottle, and the Anjunadeep Open Air tour. Fast forward to 2025 and Luttrell has released three studio albums as well as a captivating trilogy EP series titled Music For My Memories. He has amassed over 100 million streams and remixed for the likes of Lane 8, Moby & Tycho. Hot off Toronto and New York, follow him through Life at Full Speed. Listen to ‘Sunrise Song (Luttrell Revisit)’ out now on Anjunachill. Luttrell – Sunrise Song (Luttrell Revisit) | Buy/Stream The post Luttrell – Sunrise Song (Luttrell Revisit) appeared first on EDMTunes.

Wehbba’s highly anticipated EP, “E” is out now on his own multi-art platform, HIFN. It is a three-track offering including a literary wordscape that dives deep into the euphoria, energy and enigmas of rave culture. This showcases Wehbba’s ability to seamlessly fuse sound and storytelling through a relentless work ethic, a die-hard passion for forward-thinking music, and an unmistakable musical identity. Catch Wehbba as a creative force at the forefront of the electronic music scene with another chart-topping release. Firstly, ‘Enigma‘ soaks the listener with acidic meditation, ebbing, flowing, and peaking. The rush that clarifies your mind is also chaos, where time expands and disappears. The words “Did I go too hard, did I get too high, baby tell me was it real or did I lose my mind” depict anyone’s internal monologue of surrender and disorientation. Let they hypnotic beats and bassline spiral around you into a vortex that dissolves the outside world. Secondly, ‘Euphoria‘ captures what radiant waves of bliss would sound like. A shimmering melody ascends before it pauses for an ecstatic release. The beat and bassline soon hit, pulsating with purpose and syncing up with the rhythms of body and mind. That melody and pulse enrapture you in interconnected feelings of weightlessness and embody the collective and personal experience of dance music. Lastly, Wehbba stays true to HIFN form with the release of ‘E-Wordscape‘. It is a gaze and tune into the EP’s theme of a visceral experience. The text, rooted in the symbols and emotions of rave culture, unfolds a narrative inspired by the energy and iconography of the scene. What’s more, Wehbba’s vocal performance adds a personal and experimental touch to the EP. His community voted that he blend his own vocals with AI-generated versions to expand on the ethos of HIFN. What you get is layers of vocoding for an ethereal, thalassic journey into space where sound and literature exist in symbiotic harmony. About Wehbba Wehbba draws from his background as a guitar player/composer and the raw attitude and energetic elements of techno music for his extensive catalog of standout releases. He’s released on a wide range of leading record labels, like Drumcode, RAM Records, Soma, Mute, and more. The Brazilian mainstay is a highly in-demand remixer that worked with some most respected icons such as Depeche Mode’s Martin Gore, Laurent Garnier, and partnered with Adam Beyer on ‘In From The Night‘. High profile collaborators also incude Stephan Bodzin, Joseph Capriati, ANNA, Sam Paganini, Victor Ruiz, John Digweed, and so much more. His dense and fierce rhythmic sound echoes through dance floors worldwide. His explosive performances include Awakenings, Sonar, Tomorrowland, Ultra, Warehouse Project, Sonnemondsterne Festival, Club Space, and Fabric. Not to mention, the Brooklyn Mirage, Warung, Crobar, Womb, and countless others. The multi-faceted studio wizard only brings the best of live experimentation focusing on the dance floor. With the creation of HIFN, his new label aims to be a developing platform for multi-art explorations within music and literature. Its first track, ‘Nitro‘, released last March and garnered strong support from Carl Cox, Adam Beyer, and ANNA. Listen to Wehbba’s “E” EP now. Wehbba – “E” EP | Buy/Stream The post Wehbba Releases A Sonic and Literary Exploration of Rave Culture with “E” EP appeared first on EDMTunes.

Research from Tinnitus UK found that prolonged delays in treatment negatively impacted the quality of life of 65.8% of patients Continue reading...

Global leader in music festivals and live events, Insomniac Events in collaboration with Chicago based events promoter, Auris Presents, has revealed the highly anticipated lineup for the second edition of Beyond Wonderland Chicago. Set to take place at Huntington Bank Pavilion at Northerly Island on June 7-8, 2025, Beyond Wonderland Chicago promises an immersive experience where an eclectic mix of house, techno, bass, and melodic artists awaits. Two-day GA, GA+, and VIP tickets are available via layaway, beginning with just a $9.99 deposit, this Friday, February 7 at 12 p.m. CT at Chicago.BeyondWonderland.com. The event will feature four stages with electrifying performances from top electronic acts. Attendees can look forward to electrifying performances across four stages, showcasing the best in electronic music. Among the standout acts is ILLENIUM, the Chicago-born superstar whose emotionally charged anthems have cemented him as one of dance music’s most beloved acts. Joining him are GRAMMY® Award-winning artists Afrojack and Cassian, and GRAMMY-nominated stars Marshmello, Slander, MEDUZA, and Audien. Additional EDM heavyweights include dubstep/trap hitmaker Crankdat, Dutch powerhouse duo Yellow Claw, and the GRAMMY-nominated duo SIDEPIECE. With Chicago’s deep-rooted influence in house music, Insomniac Records and Day Trip will team up to host the Caterpillar’s Garden stage, delivering an unforgettable house and techno experience. Headliners can groove to the sounds of Chicago icons Green Velvet and Gene Farris, along with up-and-coming locals Dom Chap and Avi Sic, alongside globally renowned selectors MK, James Hype, Coco & Breezy, and Walker & Royce. A highly anticipated b2b set from Biscits and Martin Ikin will also take the stage, blending high-energy tech house with deep, driving basslines. Beyond Wonderland Chicago 2025 also boasts a powerhouse bass lineup, featuring headlining performances from Subtronics, Virtual Riot, and Ganja White Night, plus a special b2b set from drum & bass standouts Hedex and Bou. Fans can also expect genre-defying performances from TroyBoi, Blanke, Mersiv, and Odd Mob, each bringing their own distinct sound to the festival’s diverse lineup. Other standout sets include AC Slater and Chris Lorenzo’s high-energy collaborative project Fly With Us, as well as iconic b2b performances from Jessica Audiffred and Nostalgix and Matroda and San Pacho. To keep the party going, Insomniac will host official after-parties at multiple venues across Chicago on both nights, details TBA. The post Beyond Wonderland Chicago 2025 Lineup Is Here! appeared first on EDMTunes.

Pheonix remains a hotbed for some of the premiere lineups in dance and electronic music behind the dedication of promoter Relentless Beats. One of its flagship festivals, PHXLIGHTS, just announced the lineup for its 2025 edition, Solar Sound System. Featuring headliners like Rezz, Louis The Child, NGHTMRE, Said The Sky and more, PHXLIGHTS is shaping up to be the place to be in the Valley of the Sun on April 4 – 5. The lineup is as deep as one could hop,e with Of The Trees, Netsky, Kaivon, It’s Murph, Hybrid Minds, J.Worra, Jon Casey and Zero rounding out the headliners. PHXLIGHTS once again returns to its home at Phoenix Raceway. General on-sale for the festival is ongoing with two-day tickets starting at $139.50 and single-day tickets starting at $65. Visit its website to buy tickets and for more info. Featured image: PHXLIGHTS The post PHXLIGHTS returns to Phoenix Raceway with Rezz, Louis The Child, NGHTMRE and more appeared first on Dancing Astronaut.

The British composer warned that without stricter rules on copyright, music as we know it could "fade into history" Continue reading...

PRESAVE HERE VENDETTA is an enigmatic EDM DJ/Producer from Los Angeles, CA, who fuses EDM with elements of heavy metal, pop, and hip-hop to form his distinctly cinematic sound. His music delves into the dichotomy of darkness and light, exploring themes of wrath, redemption, and hope in a post-apocalyptic world. Drawing inspiration from the ultimate battle of good versus evil in Revelation 19, VENDETTA uses music and film to narrate an epic journey toward a ‘new genesis.’ With over 15 years of experience as a DJ under other aliases, VENDETTA’s true identity remains shrouded in mystery. VENDETTA’s latest single, Adrenaline (feat. MERŌN), is a pulse-pounding liquid drum-and-bass track that thrusts listeners into a high-octane chase through a post-apocalyptic cityscape. GETTING TO KNOW VENDETTA Introduce yourself and your project My name is VENDETTA. I’m an EDM DJ/Producer from Los Angeles, CA, who fuses EDM with elements of heavy metal, pop, and hip-hop to form a distinctly cinematic sound. My music delves into the dichotomy of darkness and light, exploring themes of wrath, redemption, and hope in a post-apocalyptic world. Drawing inspiration from the ultimate battle of good versus evil in Revelation 19, I utilise music and film to narrate an epic journey toward a ‘new genesis.’ Explain what musical genre fits you best Definitely, EDM. I dabble in everything from drum-and-bass to dubstep. The type of EDM I make depends on the mood I’m in. Were you connected with music from a young age and did anyone inspire you? Starting in the late 90s I started listening to the electronic music compilations from The Ministry of Sound. This was my intro to electronic music. What kickstarted your music career? I’ve always wanted to create and produce my own music, but never focused on it and dedicated the required time. After COVID and lockdowns I realised I should focus on what I’m passionate about, my music, so I began spending more time writing and creating demos in late 2023 into 2024. Tell us more about your sound and how it’s evolved over time My influences are old-school electronic, hip-hop, and heavy metal. I love creating rhythmic, heavy sounds that make people want to dance and move. I’ve found that my taste keeps evolving with every track I release. I’ll hear a new song or band and use that as influence for a new track. For example, an upcoming track called Get Out (The Way) was inspired by a particular style of UK electronic from Charli XCX. How do you nurture your industry relationships? The music business is ALL about relationships. Perform as many shows as you can and go to as many industry events as you can. It will take time to build a network and a team. Is there anyone you’d like to thank that’s been crucial to your journey? Jesus Christ is my inspiration for everything. He gives me breath in my lungs. I couldn’t do anything without Him! Name 3 songs you love and what they mean to you Genesis by Justice is probably the best electronic song ever made, in my opinion. Their use of sampling and original beats makes them unrivalled. Latch by Disclosure is one of those tracks that helped turn the tide and make EDM popular in the US Up Down Jumper by Boris Brejcha is a minimalist masterpiece. One of my recent favourites. What’s your favourite piece of studio equipment or software? Logic Pro definitely. It’s so versatile and I can make anything with it. Sampling, synthesising, unlimited. Name your favourite club or festival and how it makes you feel It seems these days all the best clubs are in Las Vegas. The Sphere is literally out of this world. If I’m going to one city to see DJs, I’m going to Vegas. Name an outlandish rider request? Paleo cookies please ☺ Favourite clubbing memory and who or what did it involve? Skrillex at the Wynn in Las Vegas with my girlfriend at the time. Was so crowded you literally couldn’t move on the dance floor. But the music made up for it. What famous quote represents you best? “I just find myself happy with the simple things. Appreciating the blessings God gave me.” -DMX Music is….. How I express myself and how I connect with other people. If you like my music, we’ll get along. One song you really couldn’t live without and why? Why Don’t We Do It In The Road? by The Beatles pretty much encapsulates my emotion at any moment of any day Namedrop your favourite 5 artists or DJs Moby, Skrillex, Justice, Zhu, and Diplo What was your first music memory and how did it fuel your fire? My first live show as a kid, my mom took me to see New Kids on the Block. My first big EDM experience was visiting The Ministry of Sound in London and enjoying the many rooms there. Tell us more about your plans for the future I hope to start touring and playing more live shows in the 2nd half of 2025 and into 2026. Keep an eye out on my social media for locations and dates! Any worldly advice you’d like to share? Grind. Keep making music and putting songs out. You’ll get better each release and learn something you can incorporate later. The post Interview with VENDETTA: On his latest high-energy EDM track ‘Adrenaline’ appeared first on Electric Mode.

In just one day, Tiësto will be celebrating the lunar new year at Pulse Event’s third edition of Spring Festival. After a massive first weekend featuring ILLENIUM, DJ Snake, and Diesel, Tiësto will be finishing the second weekend strong with two back to back nights on February 6 and February 7 at Avant Gardner. To make things even more grand, he will be performing a special three hour extended set each night. Friday is sold out but tickets for the Thursday show are still available here But be quick because its expected to sell out! photo credits: @ChrisLavado On night 1, American duo BONNIE X CLYDE known for their genre bending approach to dance music will be bringing their eclectic blend of trap, house, bass, and pop production. Watching them perform live is fun as their music style is upbeat and dancefloor oriented, Joining the dynamic duo is LA producer Wuki whose sound has been influenced by the sounds of Detroit ghettotech and Chicago footwork scenes. His ability to seamlessly mix booty, breaks, electro, and house into hard-hitting club-shakers has become a trademark of the Wuki sound. Besides his unique production, he’s done hit remixes including for The Chainsmokers, RL Grime, Kill The Noise, Galantis and has releases on notable imprints such as Mad Decent, OWSLA & more. Joining Tiësto on support for night two is Korean American DJ, producer, and vocalist SOHMI. She’s taken the scene by storm in just a few years and has established herself as having an unique, minimal and dynamic house sound. Her sound is shaped by her classical music background, drawing inspiration from both the grand structures of symphonic masters and the minimalist techniques of 20th-century composers. This foundation is interwoven with the influence of 90s and early 2000s R&B and UK pop/garage artists like Aaliyah, Cassie, and Craig David. Her artistic drive lies in connecting these diverse sonic worlds, creating music that feels both familiar and refreshingly innovative. Her latest release is an upbeat joy bringer with Rinzen titled ‘Stay’. Other local artists performing this week include SunrYse, Dimsvm, and Finessen. Before watching all the amazing artists perform this week, be sure to stop by the festival night market to partake in all the installations and games. The perfect photo ops await with your friends to celebrate the lunar new year. There will also be prizes to win at the different booths available. The post Tiësto to Perform Special 3 Hour Set Back to Back Nights at Spring Festival in NYC appeared first on EDMTunes.

Before SOFI TUKKER filled festival stages with their unapologetic dance anthems, Tucker Halpern was a 6'9" basketball phenom at Brown University, carving a path toward the pros. Basketball was his complete identity, but when a mysterious illness benched him for seven grueling months back in 2011, his plans unraveled and he withdrew from Brown. In that void—and in the throes of depression—he stumbled into electronic music, and the world got SOFI TUKKER. Fast-forward to 2025, and Halpern is finally suiting up for the NBA—sort of. The chart-topping DJ and producer is hitting the hardwood for the 2025 NBA All-Star Celebrity Game, fulfilling what he says is a lifelong dream. "We all grow up with crazy dreams, mine was to be an NBA All-Star," Halpern wrote on social media. "I worked for 22 years pushing myself to the physical limit to get as close as I possibly could, but it was out of reach for many reasons." It's a poetic twist: the very thing that sidelined his basketball career became the catalyst for his musical success, and now music is his ticket back to the court. Halpern, who was his high school's all-time scoring leader and a McDonald's All-American nominee before captaining his college team at Brown, admits he’s not the athlete he once was, but that's beside the point. "Today, many years later, I get to say that music has brought me full circle to fulfill my biggest dream, to play in the NBA (Celebrity All-Star Game)," Halpern continued. "If you know me you know how much this means to me. I’m not the player or athlete I once was, but I’m doing my best to get back into it and try not to embarrass myself." View the original article to see embedded media. He's set to hoop in Oakland alongside Grammy-nominated singer-songwriter Noah Kahan, Orange Is the New Black actor Pablo Schreiber, streamer Kai Cenat and country music artist Shaboozey, among others. Halpern's team will be coached by 2 Chainz and baseball's all-time home runs leader, Barry Bonds, while his opponents will be led by NFL legend Jerry Rice and influencer Khaby Lame. Halpern opened up about his playing days in an interview with EDM.com last summer, when we sat down with him and his SOFI TUKKER bandmate, Sophie Hawley-Weld, to discuss their third album, BREAD. "Seeing myself as an artist... it was a hard transition," Halpern said. "When I first told people, 'I want to make music, I want to be a producer, I want to be a DJ, I want to be an artist,' they kinda laughed. They're like, 'No, you're in this box. You're an athlete, you can't do that.' And it wasn't until there was enough people believing in it that accepted me as an artist or accepted that I wasn't just an athlete pretending to be an artist." The 2025 NBA All-Star Celebrity Game is scheduled to air on ESPN Friday, February 14th at 7pm ET.

*Featured Cover Photo Credit: Alesso (@alesso / Instagram) Alesso shared a heartfelt video on his Instagram account a couple days ago, opening up about his health issues and the unfortunate cancellations of several tour shows that have sparked concern among his fans. For months, speculation has circulated online about the reasons behind Alesso’s decreased frequency in performances compared to his past tours. This have led to Alesso recently announcing back in December that he has cancelled his performances due to “health concerns stemming from overexertion”. In the emotional video on Instagram, the Swedish dance/electronic music icon candidly reveals that he awoke one morning to a distressing, severe ringing in his ears, even though he had not performed the night before. Although he has dealt with ear ringing in the past, he admits that this experience has been unlike anything he has encountered before. The recent diagnosis of tinnitus for Alesso and what will happen next for him After seeking medical advice, Alesso was diagnosed with tinnitus, a common yet often debilitating ear condition that affects many individuals in the music industry. Besides the persistent ringing, tinnitus can also produce various unsettling sounds, such as buzzing, whistling, or roaring, in one or both ears. These sounds can be relentless or may fluctuate in their intensity and pitch, making it challenging for those afflicted to find relief. In his video, Alesso reflects on the grueling pace of his 14-year career, during which he has never taken a substantial break. Recognizing the toll that this lifestyle has taken on his well-being, he has made the difficult decision to slow down and prioritize his mental and physical health. While this does not signify an end to his performances in 2025, it does mean that fans can expect to see him on stage much less frequently than before. Thankfully, those eager to experience his music will still have the opportunity to catch him at Ultra later in March, along with a select number of other festivals. The post Alesso Shares Update About Health Issues and Show Cancellations appeared first on EDMTunes.

The music industry is tough. Traditional distributors charge hefty upfront fees, lock you into confusing contracts, and often leave you without access to key platforms like Beatport. For artists and labels, it’s a constant battle to get your music heard, protect your rights, and actually get paid what you deserve. Enter Nexatunes – the platform that’s rewriting the rules. Founded by Tanja Ramseger, Nexatunes was built to solve the pain points musicians face every day. It’s not just another distribution service; it’s a comprehensive toolkit designed to empower artists and labels to thrive in the digital age. Here’s how Nexatunes is paving the way: Global Digital Distribution: Your music, everywhere. From Spotify and Apple Music to Beatport – yes, Beatport! – Nexatunes ensures your tracks reach every major platform and digital store worldwide. No Upfront Fees: Unlike other distributors, Nexatunes doesn’t charge you a dime upfront. Instead, we operate on a fair royalty-split basis, meaning we only earn when you earn. Monthly Royalty Payments: Say goodbye to waiting months for your money. Nexatunes delivers transparent, monthly payouts so you can focus on creating, not chasing payments. YouTube Monetization: Unlock a powerful revenue stream by monetizing your music on YouTube, including user-generated content. Beatport Optimization: As a hub for electronic music, Beatport is essential for many artists. Nexatunes gives you direct access and tools to maximize your presence in this competitive market. Rights Management: Protect your creative work with a robust tracking system that ensures you’re always in control. Promotional Opportunities: Get noticed. Nexatunes connects you with curated playlists and partner networks to boost your visibility and grow your audience. “I’ve seen fi rsthand how broken the traditional system is,” says Tanja Ramseger, owner of Nexatunes. “Artists and labels deserve better – they deserve a platform that’s fair, transparent, and truly supports their growth. That’s why I created Nexatunes.” Nexatunes isn’t just a distributor; it’s a partner for artists and labels. Whether you’re an emerging talent or an established label, Nexatunes provides the tools, industry expertise, and global reach to help you succeed. The music industry is changing, and Nexatunes is leading the charge. Ready to join the revolution? For more information or interview inquiries, please contact. Email: [email protected] Website: https://nexatunes.com/ Nexatunes – Your Music, Your Future.

It marks the “first original” e-Dancer release since 1998’s ‘Heavenly’ Continue reading...

In 1998 Kevin Saunderson’s e-Dancer released Heavenly, the definitive Detroit techno album. Now, Kevin Saunderson, in collaboration with his son Dantiez, has created the first original e-Dancer album in over 25 years. e-Dancer is groove-fuelled, underground techno straight from the heart of Detroit. e-Dancer’s evolution into a father-son project was unveiled in October 2024 with the release of debut single, Melodica. Now, Emotions, lays down the next glimpse of the album with deep, hypnotic grooves, warmed by synths that echo the original essence of the alias. Built to jack dancefloors worldwide, the self-titled e-Dancer is a 10-track collection of rich, soulful, underground techno that features propulsive rhythms, stripped-back percussion and bone-rattling basslines. Blending Kevin’s 1990s groove-driven legacy with Dantiez’s fresh, dynamic energy to evolve the iconic sound for a new generation of techno fans. It will be released on May 21, ahead of the 2025 edition of Detroit’s Movement Festival, the annual electronic music weekender which Kevin co-founded. This milestone marks a decade of collaboration between Kevin and Dantiez, which began with their back-to-back debut at Boiler Room’s Chicago House Legacy Session alongside legends like Phuture and Roy Davis Jr. What blossomed over the next ten years is a powerful alliance between father and son. Bringing one of the most influential house music groups back to global acclaim, Kevin’s formative Inner City, with a live tour at revered festivals and venues like Glastonbury and Warehouse Project. Alongside the first Inner City album in 30 years, featuring a powerful Idris Elba collaboration. Now, the first e-Dancer album in over 25 years. e-Dancer by e-Dancer, Kevin Saunderson, Dantiez Kevin left an indelible mark with e-Dancer’s seminal debut album Heavenly, released in 1998. A timeless techno masterpiece launched amidst socio-political turmoil and protest. It served as a battle cry to unite people through the groove – a mission that Kevin has echoed across decades and one that has woven itself into Dantiez’s creative process. “When I decided to make music, my path was to make people dance. It always will be. Dance is happiness; it’s joyful. It’s a connection between different cultures, races and people worldwide.” Kevin says “I know it’s in Dantiez’s DNA too. When people hear the album, I hope they hear the connection between a father and son on the same path of creating music.” “My productions are often deeper and emotive because I focus on the feeling of people coming together, dancing as one. I experienced the unifying power of music at my first Movement Festival when I was 10 years old, and it left a lasting impact” explains Danteiz. “I hope people feel the synergy between the original e-Dancer and its new iteration on this album.” Dantiez, a self-taught producer who began making music out of high school aged 18, stands as a testament to the enduring power and potential of electronic music, blending his decade spanning heritage with a fresh wave of Detroit techno while paying homage to his father’s sonic palette. From the Motor City to the world, e-Dancer and the Saunderson’s continue to write the legacy of Detroit techno. e-Dancer – e-Dancer Release date: 21st May Label: One House Format: Vinyl / Digital / Streaming Track list Melodica Emotions Dancer Frequency Symbolical Reece Punch Drumtalk Bring The Funk Feel The Rhythm Escape Stream / Download here The post Kevin Saunderson announces first e-Dancer album in 25+ years appeared first on Decoded Magazine.

What’s even better than an EDM festival on a cruise to the Caribbean? An EDM festival on a cruise to the Caribbean with the number one DJ in the world, James Hype. EDMHouseNetwork interviewed Hype onboard Groove Cruise 2025 about his path to DJ’ing superstardom & more. Be sure to catch the full interview below: Q1: “Just to start off, you mentioned how Groove Cruise is a very different environment. It’s kind of like a festival, but an organized festival. How do you curate your set for something like Groove Cruise, compared to, say, OMNIA or Tomorrowland mainstage? And really change based on that atmosphere?” Hype: “Well, as soon as I got on the ship today, I saw so many people wearing STEREOHYPE shirts. I was like, well, we got some real hardcore fans on here. And when those people are in front of me, I know they want to hear like, classic James Hype records, and they want to hear the kind of stuff that I’d be playing on a live stream. Whereas if I was to play OMNIA or Tomorrowland, then you’re trying to appeal to a wider audience. So when I’m trying to appeal to the wider audience, I’ll be trying to think of like popular tracks and play them in my way. Whereas when I’m playing to the STEREOHYPE [crowd], I know that I can go straight down that rabbit hole.” Q2: “I saw in a Reddit Q&A one time, you mentioned how important it is to use influences from your musical upbringing [in production.] You mentioned how hip hop and some of those jungle beats were really influential to your production. So I’m curious, what’s one non-EDM artist who was really influential to your production style?” Hype: “Production? Wow, non EDM production. I can’t think of like a specific artist for this. But recently, I’ve been listening to rock music from the 70s and stuff, and a little bit of metal as well. And it’s, I never really listened to a lot of it before, so it’s kind of like it’s a whole new thing I’m discovering. So maybe that’ll influence my production in the next few months. Who knows?” Q3: “I know the “real DJ’ing brand is obviously your whole thing, and many consider you the best technical DJ in the world. How did you go about really refining that technical aspect growing up? Was it just kind of watching your favorite DJs? Was it really a hands on approach? How did you really get to refining that and you know, finding that technique?” Hype: “When I was learning to DJ, there wasn’t YouTube. So, so it was trial and error. You know, I didn’t really have any friends that were DJs. So I was playing with my mom’s old records on some belt drive turntables. And I sort of self taught myself all the way. So my techniques are probably a bit strange compared to some other peoples’. And then when I started DJing in the clubs, I was DJing the clubs every night like a resident DJ. And when you’re playing for six hours every night, you start to get bored. So I was like, ‘oh, let me try to play a little acapella there.’ And that’s the style was just kind of born from that. And then when it started to catch on online, I was like, ‘oh, people like this, I’ll do it more.'” Q4: “Additionally, what’s the fine balance that DJs need to find of being able to read the crowd and play the music they want to hear, but also staying true to their style?” Hype: “It’s a very important balance. And it’s not a fixed balance either, because there’s always a show that you’ll do that … maybe like, let’s say, at Tomorrowland mainstage. If you play Tomorrowland mainstage, you get to play to a huge number of people and even more people watch you online. It’s a huge opportunity to reach people all over the world, but it’s also, you have to think about, how am I going to speak to these people who maybe have never heard this sound before? So, the balance is always different, depending on the show. And the balance is also very important, because you’ve got to be true to yourself, otherwise you are absolutely nothing. I think the key comes with knowing a lot about music and a lot of music, because then you end up … it’s like if the songs are your bullets, then you have a huge arsenal to choose from, and that allows you to play to the room while also playing true to yourself. Whereas if you only have that kind of Beatport top ten, then you really just don’t have a very big arsenal.” Q5: “Just to finish off, we’re on Groove Cruise, a tropical cruise. I gotta ask you, what’s your tropical drink of choice? You a daiquiri guy? Or a piña colada guy?” Hype: “I’ve been on vacation recently, and I was drinking spicy margaritas. Is that a vacation drink? Yeah, I’ll have that.”

Heralded as the world’s most international house and techno festival brand, ULTRA Worldwide’s esteemed underground series RESISTANCE stands at the forefront of innovation in the global underground music scene, bringing its visionary programming to more than 35 cities across all six inhabited continents—spanning stadium stages, international tours, and award-winning residencies. Now, RESISTANCE announces its triumphant return to the White Isle this summer for RESISTANCE Ibiza 2025, reclaiming its status as a defining force in Ibiza nightlife with a nine-week residency at the world-famous Amnesia Ibiza, which remains as a haven for those who seek authentic clubbing. Running every Wednesday from July 23 through September 17, 2025, RESISTANCE Ibiza 2025 will be anchored by Season Residents Adam Beyer and ARTBAT, who will deliver weekly headlining performances, rotating between Amnesia’s immersive Main Room and emblematic sky-roof Terrace—ensuring each night stands as its own distinct sonic voyage. Both Adam Beyer and ARTBAT have become fixtures across RESISTANCE’s international stages; headlining events in far-flung cities like Seoul, Split, Tokyo, and Santiago, commanding the decks of Ultra Music Festival’s iconic RESISTANCE MegaStructure, and selling out shows at RESISTANCE Miami‘s M2 residency. RESISTANCE Ibiza 2025 will deliver its signature blend of cutting-edge programming, state-of-the-art production, and immersive audiovisual experiences – the same elements that earned the residency DJ Awards’ coveted ‘Best Ibiza Night’ 2018 accolade. In 2017, RESISTANCE launched its first-ever club residency at the world’s largest nightclub, Privilege Ibiza, quickly establishing itself as a cornerstone of the island’s nightlife. Over three banner seasons, RESISTANCE Ibiza orchestrated a series of never-before-seen, “you-had-to-be-there” moments in house and techno history. Highlights include the global-debut B2B set from techno titans Carl Cox and Maceo Plex, as well as the first-ever B3B performance from Nicole Moudaber, Dubfire, and Paco Osuna, whose marathon set during the 2017 Season Closing Party instantly became a defining moment in RESISTANCE lore. RESISTANCE Ibiza also lays claim to reuniting the legendary duo of Sasha and John Digweed for an exclusive 2017 season residency. This partnership marked the pair’s first Ibiza appearances together since 2009, and their first club residency in more than 15 years—a momentous return to form not seen since their fabled tenure at Twilo New York ended in 2001. In 2023, ULTRA Worldwide unveiled its debut U.S. club residency – RESISTANCE Miami– in the festival’s Miami Beach hometown at nightlife haven M2 Miami, transporting RESISTANCE’s signature immersive clubbing experience from Ibiza to America for the very first time. Now in its acclaimed second season, RESISTANCE Miami’s six-month, Saturday night residency has become a staple of the city’s house and techno culture, notching more than 30 sold-out shows, and showcasing headlining performances from underground luminaries like Boris Brejcha, Carl Cox, Eric Prydz, Charlotte de Witte, CamelPhat, Joris Voorn, Mind Against, and Amelie Lens. The 2025 Ibiza residency brings the story full circle as RESISTANCE debuts at Amnesia—the venue that hosted ULTRA Worldwide’s first Ibiza event in 2007. A momentous reunion nearly 20 years in the making, RESISTANCE Ibiza 2025 will transform Amnesia’s hallowed architecture into multisensory spectacles all season long, showcasing the large-scale productions, top-of-the-line visual design, and transcendent soundscapes that have come to define the RESISTANCE brand globally. Today’s RESISTANCE Ibiza 2025 announcement also marks the launch of RESISTANCE’s revolutionary, yearlong global club residency program, creating an unprecedented circuit of clubbing experiences from Miami to the Mediterranean. This first-of-its-kind format bridges RESISTANCE’s acclaimed U.S. club presence in Ultra’s hometown of Miami Beach, with its award-winning Ibiza residency, merging two of dance music’s most iconic destinations into a singular, transcontinental movement. Few brands, if any, have successfully established such a cohesive, continuous club presence across multiple continents, making RESISTANCE a trailblazer in its own right. By uniting two of the world’s most iconic nightlife destinations under one visionary brand, RESISTANCE sets a new benchmark for underground clubbing culture. JOIN THE RESISTANCE Be part of this revolutionary chapter in music history. €50 All Night Entry Early Bird Tickets On Sale at resistanceibiza.com, and stay tuned for additional programming announcements to follow.

Insomniac, the world’s leading music festival and live events experience creator, and Auris Presents have unveiled the eagerly anticipated lineup for the second edition of Beyond Wonderland Chicago. Returning to Huntington Bank Pavilion at Northerly Island on June 7-8, 2025, the newest addition to the beloved Beyond Wonderland franchise promises an unparalleled immersive experience in The Windy City. Attendees will be transported down the rabbit hole into Alice’s whimsical wonderland, where a genre-spanning lineup awaits – including house and techno legends, bass music superstars, and melodic visionaries. Headliners can look forward to electrifying performances across four stages, showcasing the best in electronic music. Among the standout acts is ILLENIUM, the Chicago-born superstar whose emotionally charged anthems have cemented him as one of dance music’s most beloved acts. Joining him are GRAMMY® Award-winning artists Afrojack and Cassian, and GRAMMY-nominated stars Marshmello, Slander, MEDUZA, and Audien. Additional EDM heavyweights include dubstep/trap hitmaker Crankdat, Dutch powerhouse duo Yellow Claw, and the GRAMMY-nominated duo SIDEPIECE. With Chicago’s deep-rooted influence in house music, Insomniac Records and Day Trip will team up to host the Caterpillar’s Garden stage, delivering an unforgettable house and techno experience. Headliners can groove to the sounds of Chicago icons Green Velvet and Gene Farris, along with up-and-coming locals Dom Chap and Avi Sic, alongside globally renowned selectors MK, James Hype, Coco & Breezy, and Walker & Royce. A highly anticipated b2b set from Biscits and Martin Ikin will also take the stage, blending high-energy tech house with deep, driving basslines. Beyond Wonderland Chicago 2025 also boasts a powerhouse bass lineup, featuring headlining performances from Subtronics, Virtual Riot, and Ganja White Night, plus a special b2b set from drum & bass standouts Hedex and Bou. Fans can also expect genre-defying performances from TroyBoi, Blanke, Mersiv, and Odd Mob, each bringing their own distinct sound to the festival’s diverse lineup. Other standout sets include AC Slater and Chris Lorenzo’s high-energy collaborative project Fly With Us, as well as iconic b2b performances from Jessica Audiffred and Nostalgix and Matroda and San Pacho. Additionally, Insomniac is set to keep the magic going both nights, bringing official after parties to more than five venues across the city. Full details on these shows will be revealed in the coming months. In collaboration with Chicago’s premiere producer of experiential festivals & events, Auris Presents, the event showcases a diverse range of electronic sub-genres, including house, techno, trance, and bass. The four state-of-the-art themed stages – Queen’s Domain, Mad Hatter’s Castle hosted by Bassrush, Cheshire Woods hosted by Lost in Dreams, and Caterpillar’s Garden hosted by Insomniac Records and Day Trip – will provide the immersive experience the beloved Beyond Wonderland franchise is known for. The 119-acre venue on Northerly Island offers a stunning background for the live music, featuring unparalleled views of the city’s picturesque downtown skyline that sits pretty on the shores of Lake Michigan. Two-day GA, GA+, and VIP tickets are available for purchase beginning this Friday, February 7 at 12 p.m. CT at Chicago.BeyondWonderland.com.

The Night Time Industries Association (NTIA) proudly presents the third edition of the UK Electronic Music Industry Report, in collaboration with Audience Strategies and supported by Amazon Music. This groundbreaking report highlights the undeniable economic, cultural, and community value of the electronic music industry in the UK. The 2025 report underscores electronic music’s significant contributions to the national economy, detailing its impact across recorded music, publishing, and the vibrant live music sector, including concerts, events, and festivals. It also highlights the essential role of electronic music nightclubs in fostering community, inclusivity, and tolerance – values that are deeply embedded in the genre’s DNA. Despite these contributions, electronic music continues to be sidelined from policy discussions and excluded from key support mechanisms within the Department for Culture. This marginalisation undermines not only the industry’s economic potential, but also its ability to nurture creativity, innovation, and future talent. The NTIA calls on the Government to acknowledge electronic music’s rightful place in the cultural and economic landscape, ensuring that it is no longer disregarded in national conversations about music and the arts. A key focus of the report is the importance of education in securing the industry’s future. Addressing gaps in the talent pipeline is essential for sustaining growth and fostering the next generation of artists, producers, and industry professionals. By investing in education, innovation, and community engagement, the UK can continue to be a global leader in electronic music. There are both challenges and opportunities ahead, but with Government recognition and meaningful support, the electronic music industry can thrive, creating jobs, driving economic growth, and enriching cultural life across the country. The NTIA urges the Department for Culture to embrace electronic music, provide it with the platform it deserves, and work collaboratively to unlock its full potential. Key Highlights from the 2025 Report: Economic Impact: Electronic music remains a dynamic economic and cultural cornerstone of the UK, contributing an estimated £2.4 billion in 2024 alone and recorded music and publishing together reached £133.9 million in domestic revenues. – Global Recognition: £81.3 million: Estimated UK electronic music exports in 2024 (recorded music + publishing), up 3% from last year. – Festival Frontiers: Demand for electronic music at festivals continues to thrive. 310 UK festivals in 2024 featured electronic music (up from 294 in 2023), drawing over a million attendees – a 14% increase. This surge has pushed festival revenues up to £646.2 million – Nightclubs Numbers: 851 nightclubs in 2024 (down from 875 in 2023). With a total revenue of £1,232 million: Total economic contribution from nightclubs in 2024, down 16% from £1,463 million in 2023. – Recorded Music Publishing and Exports: £215.2 million Overall total for recorded music, publishing, and exports—rising 1.7% from £211.7 million last year. Cultural Impact: 80%: The share of the top 30 global artists over the last year who have been significantly influenced by electronic music, up from 73% previously. Artists Exposure: 29% share of artists performing at UK festivals in 2024 are electronic—the highest of any genre (Rock 22%, Pop 20%). Events Audience Growth: 72 Independent festivals cancelled, postponed, or closed in 2024, despite overall attendance growth for the sector. Beyond the numbers, the ‘Electronic Beats, Economic Treats 2025’ report dives into the narratives that defined 2024, uncovers emerging trends for 2024, and celebrates the sector’s influencers through insightful case studies. For a comparative perspective, take a moment to download and review “Electronic Beats, Economic Treats 2024.” Download the 2023 Report Unlock exclusive access to ‘The third UK Electronic Music Industry Report’ by entering your email address. ThirdDown full 2025 report here Michael Kill, CEO of the Night Time Industries Association, commented: “Electronic music is one of the UK’s most significant cultural exports, contributing an estimated £2.4 billion to the economy in 2024 alone. Yet, despite its undeniable influence and growth, it remains hidden and marginalised by the Department for Culture, Media and Sport. This report reinforces the importance of electronic music having a seat at the table—DCMS must recognise this sector as a truly valuable commodity, not an afterthought.” “From the rise in UK festivals embracing electronic music—310 in 2024, drawing over a million attendees—to its growing global influence, this genre continues to shape contemporary culture. 80% of the world’s top 30 artists have been significantly shaped by electronic music. The numbers speak for themselves: this is not just a niche genre, but a driving force in the creative economy.” “For too long, the electronic music industry has been overlooked when it comes to policy and support. It is time for the government to engage meaningfully, acknowledging its vast economic and cultural impact. This is not just about music—it is about jobs, communities, and the UK’s standing on the global stage.” Rufy Ghazi, Audience Strategies: “As a lifelong fan of electronic music and a DJ, my love for this genre has grown even stronger through this research. The UK’s electronic music scene is a beautiful testament to resilience and creativity, especially during tough times. Adapting to economic pressures, artists and venues have discovered ways to connect with audiences, embracing fresh ideas and new formats to keep the music alive and thriving. We spoke to 30 experts from the scene, and our research has revealed just how important this community is. It drives real economic value, from small grassroots venues to massive international festivals. These spaces are more than just places to dance; they foster a sense of belonging and ignite cultural innovation that enriches neighbourhoods across the country. Despite challenges like venue closures and rising costs, we’re seeing exciting growth in areas like hybrid spaces, community-owned venues, and creative programming that reaches diverse audiences. The industry’s influence isn’t limited to the UK; it resonates globally, and the genre’s export value is undeniably strong. With the right support mechanisms and policies, the UK can solidify its position as a leader in electronic music. The evidence is clear: supporting electronic music isn’t just about preserving nightlife – it’s about investing in one of Britain’s most dynamic cultural and economic assets.” Dame Caroline Dinenage, Chair of the DCMS Select Committee: “Electronic music is a vital part of the UK’s rich cultural tapestry, showcasing our nation’s creativity and innovation on the global stage. It has grown from grassroots communities into a world-renowned industry, generating significant economic and cultural exports.” “Protecting and nurturing grassroots electronic music is essential—not only for supporting emerging talent but also for safeguarding this vibrant and influential part of our cultural heritage. It is a cornerstone of our creative identity and must be valued as a key contributor to the UK’s soft power and global reputation.” Wes Saunders, CEO Defected Records: “In the kaleidoscopic world of electronic music, where the sounds of tomorrow are constantly being shaped today, we stand at an extraordinary intersection of culture, technology, and commerce. As we venture into 2025, it’s essential to recognise the profound impact and transformative power of the electronic music industry – not just within the borders of the United Kingdom but as a pivotal force on the global stage.” “Electronic music thrives through the interplay of live performances, digital streams, and the unyielding spirit of its creators and fans. From the underground clubs to massive festival stages, from the private studios of bedroom producers to the public playlists of global streaming platforms, electronic music weaves a tapestry of cultural exchange and economic opportunity.” Steven Braines, Co-founder, HE.SHE.THEY, Board Member, NTIA: “As an advocate for equality, diversity, inclusion, and innovation within electronic music, I am honoured to contribute to this year’s Electronic Music Report. The genre has always been at the forefront of cultural change, breaking boundaries and bringing people together through the universal power of sound. From the underground rave culture to the global festival stages, electronic music has continuously evolved, pushing the limits of what’s possible and inspiring countless communities across the world.” “As we look ahead, I am filled with hope for the future of our scene. The next generation of artists, producers, and fans are shaping a more inclusive, creative, and dynamic environment. Let us all work together to nurture this growth, ensuring that the future of electronic music is brighter, more inclusive, and more innovative than ever before.” The post 2025 Electronic Music Report highlights £2.4 Billion contribution to UK economy appeared first on Decoded Magazine.

Ibiza’s latest venue, [UNVRS], announces the introduction of its latest residency: Eric Prydz’s Holosphere 2.0. This exclusive 14-week run will see the globally acclaimed artist debut a dramatically evolved version of his cutting-edge show, redefining the future of live electronic music experiences. Eric Prydz’s Holosphere debuted in 2019 as one of the most technologically and visually ambitious live music shows in the world. Prydz performed inside an eight-tonne sphere that stood over two stories tall—so massive that Tomorrowland had to redesign its festival grounds to accommodate it. This summer, Prydz has announced that he will bring an even larger Holosphere show to Ibiza’s [UNVRS], staging the island’s biggest production, and most high-tech residency to date. Yann Pissenem, Owner, Founder & CEO of The Night League and Ushuaïa Entertainment, goes on to say: “Eric Prydz possesses an extraordinary vision and talent for crafting otherworldly experiences—pushing the boundaries of innovation with every show. With Holosphere 2.0, he has reached an entirely new level, seamlessly blending cutting-edge technology with an ambitious scale like never before. I can’t wait to present this new chapter of Eric Prydz at [UNVRS], where audiences will witness something truly unprecedented—transforming this residency into a one-of-a-kind future-forward show that will redefine the global audiovisual experience in 2025.” Prydz’s team has been working for over five years to bring Holosphere back, but, as with every new iteration of an Eric Prydz live show, its return depended on ensuring that technology had advanced enough to support the vision of a completely redesigned sphere and an improved concert concept. The first Holosphere, which took two years to build, was tragically crushed when a stage collapsed—after only ever being seen once. Now, Holosphere 2.0 is set to go beyond anything previously imagined. Thanks to advancements in technology, Holosphere 2.0 will be vastly different from its predecessor—not only larger in size but also superior in every aspect. The iconic concept of Prydz performing inside an enormous floating sphere, requiring months of physical construction and engineering, will be elevated by a feature-film’s worth of brand-new original animation, 3D holographic effects, and never-before-seen multidimensional layers of custom transparent LED covering the interior, exterior, and internal volume of the sphere. This truly is a world first—an absolutely revolutionary spectacle. Romain Pissenem, Founder, CEO & Show Director of High Scream LTD: “Holosphere 2.0 is the perfect match for [UNVRS]. We are thrilled to collaborate with Eric Prydz’s team on this visionary show, bringing his colossal sphere to life with next-generation technology and delivering an unforgettable, immersive journey for clubbers.” [UNVRS] is one of the only permanent venues in the world capable of housing Holosphere’s expanded form factor on a weekly basis, which is astonishing and underscores the venue’s forward-thinking and technical innovation. For Prydz, it was crucial that the show be performed in front of a large audience, with the freedom of a dancefloor experience. The residency format will allow Prydz to experiment week by week, both musically and visually. As Prydz continues to push the boundaries of audiovisual live performances, Holosphere 2.0 at [UNVRS] promises to be a dramatic evolution of its predecessor. Enhanced with next-generation visual animations and state-of-the-art production advancements, this show will take audiences on an unparalleled sensory journey. Eric Prydz’s Holosphere 2.0 residency at [UNVRS] kicks off on 2nd June and runs for 14 weeks until the closing event on 1st September. Tickets and updates are available at unvrs.com. The post Eric Prydz’s Holosphere 2.0 to make debut with season-long residency at [UNVRS] appeared first on Decoded Magazine.

Dialled In has announced it’s latest initiative combining a one-day industry conference, residency programme, and comprehensive mentorship scheme to support South Asian talent in the creative industries. The launch event will take place on 22 February 2025 at Big Creative Academy in Walthamstow, representing a significant step forward in empowering the next generation of South Asian talent in the creative sectors. This announcement comes following the launch of their open call for artists to apply for their new artist residency, Resonate. Dialled Industry Conference Date: Saturday, 22 February 2025 Venue: Big Creative Academy, Clifton Avenue, London E17 6HL Tickets: Free for all (with optional £5 / £10 donation to future Dialled Industry projects). Dialled Industry specifically targets aspiring creatives aged 18 and over who face challenges breaking into the creative industries, offering practical pathways to success. Additionally, it serves emerging and established South Asian talents seeking to grow their presence in music, art, and culture while celebrating and advancing South Asian creativity on a global stage. The programme also welcomes creative industry professionals—labels, promoters, and curators—interested in discovering and nurturing diverse talent, and fostering meaningful mentorship and collaboration opportunities between established figures and emerging creatives. Programming Highlights The initiative launches with a landmark conference featuring workshops, panel discussions, and keynote presentations from industry leaders, including Raji Rags, Pritt, NAINA, Anu, Anita Chibba (founder of Diet Paratha), plus representatives from Pxssy Palace and more. Key topics include: Industry Leadership Panels: Insights into label management, venues, and agencies Creative Career Pathways: Tips on partnerships, funding, and artist development Professional Development: Exploring sustainability, polymath careers, and hands-on skills Technical Training: Artist development workshops Panels Moderated by Tara Joshi + Thempress, panels featuring speakers including Anu, Balraj Samrai, Josh De Silva, Lucy Atkinson and more will cover topics such as, 10 Years of Pxssy Palace What’s The Reality of Running A Label How To Get Into Radio, and more. Workshops Facilitated by D-Lish, G33, Hark1karan, India Bharadwaj, Yushy and more, workshops will include, Beginner DJ Workshops How To Win Funding How To Capture Authentic Stories Through Photography Intro To Music Production, and more. Mentorship Following the conference, Dialled Industry will launch its mentorship programme later this year, introducing participants to vital behind-the-scenes roles in the creative industries. This structured initiative aims to build sustainable pathways for South Asian talent while fostering cross-cultural innovation and collaboration. The conference marks a partnership between Waltham Forest Council and Dialled In. Speaking on this, Councillor Rosalind Doré, Cabinet Member for Libraries, Culture and Sports and Leisure at Waltham Forest Council said: “It has been exciting to see how Dialled In has grown as a platform for South Asian creativity since their first festivals right here in Waltham Forest – in Uplands and Lloyd Park. Our shared commitment to empowering the next generation, particularly those who face added barriers, with the skills needed in creative careers is paving the way for a brighter, more inclusive future. The mentoring, insight and collaboration with industry professionals that Dialled Industry will offer are vital in creating more equitable routes into the creative industries.” About Dialled Industry Dialled Industry, Dialled In’s latest initiative, fosters equitable opportunities for South Asian creatives in music, art, and culture. Through a powerful combination of mentorship, training, and community-building, the programme advances South Asian artistry within global narratives. It marks a vital step in nurturing and empowering creativity while paving the way for a more inclusive and innovative future in the arts. Resonate Resonate, is new a 10-day residency at Migration Studios (March 2025), funded by PRS Foundation and Arts Council England. This opportunity will support emerging South Asian live musicians and producers, providing fully funded studio time and the chance to perform at Dialled In events/showcases. More information is available HERE. Prospective applicants must submit their ideas for the camp via this application form. The post Dialled Industry announce free music conference 22nd Feb – London appeared first on Decoded Magazine.

First premiered during their Anjunadeep Miami b2b set in 2024, ‘Dead Synthy’ marks the first collaboration between progressive house legends Sasha and Marsh. This track is a quintessential slice of progressive house magic. Its calm, inviting atmosphere feels like a journey through little fluffy clouds, weaving in touches of electro and ethereal, angelic vocals. With golden-age vibes that nod to the genre’s roots, ‘Dead Synthy’ is as timeless as it is fresh. Reflecting on the collaboration, Marsh shares: “It was the week leading up to my set with Sasha in Miami. He gave me a call to see if I wanted to collaborate on something to hopefully play in our set… He sent over the initial draft called ‘Dead Synthy,’ I was drawn to the atmosphere, chords, vocals, and arpeggio. I got to work, found the main riff, bassline, and drums, and soon had a first draft we could test. Sasha said my riff sounded a bit ‘Jam & Spoon’… I’m ashamed to say I hadn’t heard of Jam & Spoon at the time. I have no idea how I missed them. I think he was referring to their track ‘Stella’ (Banger). I wondered if that was a dealbreaker on the collaboration, but we rolled with it! I sent the stems back to Sasha, and he beefed up the mix and continued crafting the idea. It was super close when he sent it back. I especially love the breaks in the breakdown – The processing is mental and adds something unique to the track’s journey! Needless to say, it is very surreal to have worked with such a legend as Sasha! I hope there is more to come!” For Marsh, 2024 was a landmark year. He delivered a steady stream of standout releases and maintained a packed global tour schedule, which included the launch of his ARIA hybrid showcase. This showcase saw him sell out London’s Outernet and close Red Rocks under a blizzard. Marsh starts 2025 on a high note, bringing his signature All Night Long show to Fabric for the second year in a row on February 7th. As for Sasha, his legacy as one of the world’s most celebrated DJs continues to evolve. Known for blending house, techno, and trance into his sets, he’s also made waves beyond the club scene. His score for the Da Vinci interactive exhibition, which premiered in Berlin in 2022, won multiple awards, including Best Immersive Experience (Art Directors Club, 2022) and Best Experimental Design (Creative Pool Awards, 2022). Together, Sasha and Marsh have created something truly special with ‘Dead Synthy’ – a track that’s sure to resonate far beyond the dancefloor. Sasha x Marsh “Dead Synthy” is out now on Anjunadeep. Stream / download here The post Sasha and Marsh collaborate on a new single, “Dead Synthy” appeared first on Decoded Magazine.

As a regular at Club Der Visionaere, Mitarakis was a beloved member of the Berlin club scene Continue reading...

From the Cornish coast to the Hollywood Hills, Joshua Mellody aka. dubstep hall of famer Zomboy, has come a long way from his days spinning head bangers in London. First plucked and guided by the watchful eye of the late Never Say Die’s; SkisM, the past decade has seen him steadily establish a career spanning cities, continents and concepts. A staple of and synonymous with the US bass music scene, the mighty dubmaster recently celebrated the release of sequel Dead Man Walking pt2 – a final installment of the pinnacle two part EP that doesn’t hold back, in a polished collection of gritty punk and metal electronica bass havens. But raging basslines aside, Zomboy brings the calm collectedness of a pro, to all his efforts. Now established on his own terms, proud owner of Rott ‘N Roll Records and most recently adding the strings of Designer and Animator to his bow, the maestro takes steps to ensure his peace is not disturbed; taking his time with each new project, crafting his own path and focusing on wellbeing above all else. We caught up on the fresh SLANDER & Bring Me The Horizon ‘Wish I Could Forget’ Remix, music therapy, Adele and the goings-on of the US scene. Congrats on the remix release! What does that track mean to you? I’m very picky about what I take on as remixes. I’m picky about everything, haha, so this was special. First of all, I love Bring Me the Horizon; they’re childhood idols of mine. I love what they’ve done with their career and how they’ve evolved along the way. I fully support everything they’ve done. Just knowing I was going to be able to work with one of Ollie’s vocal tracks, I was like, “Yep, I’m in!” I love the energy of the original. SLANDER obviously kept it very breaksy and upbeat, and I thought, “There’s so much room to make this gnarly…” Bringing some of that Zomboy ‘cinematic violence’ in… Exactly. The vocal is also very fitting for the extremely personal experiences I’ve gone through over the last few years and the lead vocal being, “I wish that I could forget.” Very apt. I love how much this resonated with you. It’s a powerful track. How did it feel to play it at Red Rocks, Colorado, in 2024? It was a moment. The story is, firstly, I’m notorious for writing 90% of a song in the first hour. The other hundred hours are spent nerding out, tweaking, and doing stuff no one will ever notice. So when I got confirmed for the show and they asked me to play the remix, I was still finishing Dead Man Walking Pt. 2. I didn’t have time to start the remix earlier. It was actually the day before Red Rocks, and I was flying back from Germany to Denver. I finished making the song and the visualizer for it on that ten-hour flight! I also played a little prank on the crowd and the SLANDER guys. Early in their career, they were playing right before me at a festival in Canada, not long after ‘Like a Bitch’ was popping off. Everyone was playing it at the time. They were on before me, and I heard them playing it! It was definitely a mistake; I think they just forgot to take it out of the set. I vividly remember my tour manager running onto the stage and pulling the fader down. So at Red Rocks, I thought I’d get my own back. I started playing the remix, but quickly I jumped on the mic to make it clear I was kidding and that it was totally planned! Haha! Finally vindicated. Being well over a decade into your career now, what’s the most important lesson you’ve learned? When I was becoming a young adult and touring, I didn’t have time to be an adult and figure out who I was. Luckily, I’ve been able to do that now. But inevitably, everyone has to come off the road. No matter how much you love it, after doing music for a while, it becomes a job like any other. It’s taught me that it doesn’t matter how incredible your line of work is eventually, it will feel like a job. Sometimes, you’ll wish for stability. It’s stressful. It’s tiring. It comes with all the negatives of a ‘normal’ job too. I still love it, but I want to talk about the other side of it as well. Yes, it’s important to acknowledge all the unique challenges that come with working in this industry. There’s definitely no HR… Can you imagine?! So, we can’t not talk about the Dead Man Walking Pt.2 EP. There are some emotionally intense themes in there. What’s the story behind the sequel? The theme of Dead Man Walking was triggered when Tommy, my former manager, SkisM, decided to call it quits, retire, and put Never Say Die to rest. He discovered me. He was the one who convinced me to be an artist. When he retired, I felt very lost. I wondered if I’d still be good without him being my guru, mentor, and tastemaker. I thought people might see me as an Old Western ‘dead man walking’. That phrase stuck with me. A ‘dead man walking’ is also a zombie, so it has a shallow meaning and a deeper one. The shallow meaning is obvious, but the deeper meaning is: what do people think of me without him guiding my career? Can I still do this without him? This EP and its sister Pt. 1 hold a lot of deep meaning. Yes, there’s a lot of depth to it. Post-pandemic, I’ve gone through a lot of personal growth, therapy and healing. It’s been an emotional and life-changing few years. Starting Zomboy 14 years ago, I was very young. All I knew was touring nonstop. So, yeah, there’s a lot of soul-searching and reflection. I tried to pour that journey into the music. That is beautiful. It sounds like music has been very therapeutic for you. Yeah, it’s a bit of everything. It’s both the antidote and the poison at the same time. It consumes your life in the best and worst ways. Indeed. How do you create that ‘cinematic violence’ in sound? ‘Cinematic violence’ is a phrase coined by my photographer/videographer back in Los Angeles called Emma. I’ve always been fascinated by movie scores and orchestral music in general. To me, there was a big gap between emotion and bass music. Nothing evokes that feeling quite like movie scores and big orchestras. I wanted to bring as much of that emotion into my world as I could but in a very aggressive way. Hence, cinematic violence. In general, I tend to borrow inspiration from everything except bass music. I like to pull from cinematic elements and different genres, then meld them into bass music. As for how I do it, most of the time it’s a rhythm thing. If I have a rhythm in mind, that will often kickstart the process whether it’s a rhythm that becomes the drop (which I can translate into a string section as the theme) or just something rhythmic that gives the track its DNA. Dubstep really lends itself to epic, cinematic, battle-themed music. Agree! Epic scenes for an epic genre. I really love how you try to release only one record a year. What’s the reasoning behind that? Very early on, I realized that everyone around me was flooding the scene with music. I get that it’s good to have a lot of content out there, but at the same time, there doesn’t seem to be much quality control. People feel like they have to release something constantly, and a lot of music comes out that, in my opinion, might have been better saved as an ID for live shows. Personally, I’ve always followed the ethos of releasing one solid record a year, with maybe a few remixes on the side. I know the fanbase would love more, but that’s just how I work. You’re the Adele of bass music. Oh, if only! One record every six years, luxury… How can producers maintain that level of quality control? The scene evolves so much, even within a single year, that newer artists often feel the pressure to jump on every trend and release content frequently. For some, that approach works especially for up-and-comers trying to build a name. But once you’re established, I think it’s important to focus on quality control. Ask yourself: what’s your brand? What do you want to achieve? Then try to stick to that vision. Doing so naturally brings a bit more restraint in deciding what’s worth releasing. That’s just my technique, though. There are valid reasons for putting out lots of content, but for me, I’ve chosen a different path. Sound wisdom. Speaking of other creative pursuits, is it true you create your own visuals? Yes! It’s all me: the artwork, the visualizers, and all the live show visuals. I do everything in Blender— all my own 3D animations— and it’s a lot of work. That’s also part of the reason I don’t release as much music. There’s so much planning and creativity involved beyond just writing the tracks. Honestly, if I wanted to produce more music, I’d probably need to hire a small army to keep up with everything else. It all makes sense now! That’s incredible. Do you have a favorite project of all time? Conceptually and visually, the Dead Man Walking Part One and Two saga stands out. It’s the first time I’ve felt confident enough to fully showcase my animation work and visuals. I’ve been doing that stuff for years, but I’d usually reach a point where I’d tell myself, “I’m too busy writing the music; I’ll let someone else handle the artwork.” It’s only in the last three or four years that I’ve built up the confidence to take full creative control. Now I don’t have to go back and forth explaining ideas; I just create them myself. This Part One and Part Two project has been an absolute blast. It’s been amazing to see how far I could take a theme, all while still being “just” a dubstep producer on the surface. What do you want to do next? With music, I want to go back to having fun with it— not taking things so seriously or sticking to heavy themes. It’s funny because some of my most-streamed songs are the ones I wrote purely for fun. I forgot about that when I got caught up in creating cinematic, dark, thematic pieces. I’ve done the drama; now I’m ready to just enjoy the process again. More dancing. More dance music. Exactly. The kind of music that makes me do this with my head. [Mimics a head movement.] People call me out on it all the time because I do it a lot on stage! I feel that. I’ve been there with a sore neck from headbanging. Try doing that for an hour straight, four nights a week, for 10 years. During the most intense touring seasons of my career, my neck got so thick from all the muscle I built up headbanging. When I’d be flying and sleeping upright on planes, I never let my head droop because my neck muscles were so strong they just held my head up while I slept. I was literally planted in my neck, just chilling. That’s definitely going in the article. Zomboy, the thick-neck zombie. You’re, of course, very established in the US. What’s the scene like there compared to the UK? The scene out there is just fucking incredible. That’s not to say there isn’t a good scene in the UK, but for the kind of music I do, aggressive, in-your-face dubstep, it didn’t have a long shelf life there. Whenever I get to play in London, it’s always so much fun, but the promoters lost confidence in dubstep. The scene influenced the promoters too much, and they got scared. Fair enough, business is business. If they didn’t feel confident, why would they take the risk? But the reality is, the scene is still there. It’s just that no one had the guts to rebuild it. Meanwhile, America did. They ran with it, and they’re still running with it. That’s why I’ll always be eternally thankful for them. They invest back into the scene. The promoters in the US don’t just pocket the money and run; they reinvest it. They grow the community into something bigger and better, building it up instead of just chasing a quick cash grab. It’s so important to invest in grassroots, especially now. Absolutely. I feel I’ve been consistently lucky that everything I’ve done has worked out. For newcomers, I’d say that maintaining a sense of mystery, what I call the ‘old music magic,’ has been crucial for me. Back in the day, you couldn’t just DM your favorite artists. Being a little inaccessible adds to your aura. Not only does it protect your personal life, but it’s good for your mental health, too. Of course, I recognize that’s easier said than done, especially for me 14 years into my career. These days, things are different. Accessibility is part of the game now. But it’s all about balance. More sound advice there, thank you. Finally, what’s your resolution for 2025? Just to have some fun again. I want to go back to that feeling I had when I was starting out when it wasn’t so serious and I was just truly happy. Full circle. We love to hear this, thank you for sharing! Do you have a message for your fans before we wrap up? Just a massive thank you, really. Thank you for sticking with me all these years, especially during those moments when I’ve been quieter or when I’ve experimented with something new. I genuinely appreciate every single person who takes the time to listen to my music, come to my shows, or support me in any way. It means the world. And here’s to more head-banging, more cinematic violence, and a lot more fun in 2025!

“I love how Jai Wolf brings new life to ‘We Rise‘ while keeping the nostalgic energy of the song alive,” says bitbird label boss San Holo of Wolf’s freshly pressed interpretation of the Gold-certified record. “I know a lot of people have very personal memories with respect to the song, and I know this remix will bring you right back to those special moments.” One full decade after the original Skrillex-endorsed San Holo record landed on streaming platforms, Bangladeshi producer Jai Wolf has formalized his personal take on the chart-topping electronic anthem. Now streaming everywhere via SHINE LIGHT RECORDS, Jai Wolf’s official “We Rise” remix has hit digital shelves with a resounding impact. In maintaining the original’s melodic structure, the “Indian Summer” visionary has synthesized a refreshing rendition of a genre-defying masterpiece. Marking his first widespread release of 2025, subsequent to his November 2024-issued Red Eye EP, Jai Wolf’s “We Rise” remix arrives during a cutting-edge era in dance music. Indulge once again in the timeless melody of San Holo’s contemporary classic by streaming Jai Wolf’s official “We Rise” remix below. Featured image: RUKES The post Jai Wolf creatively reimagines San Holo’s beloved ‘We Rise’ appeared first on Dancing Astronaut.

This is an opinion column. The thoughts and viewpoints expressed are those of the author, Dr. Sunni Lampasso, a psychologist, executive coach and the founder of Shaping Success, where she helps EDM artists and industry professionals elevate their careers while prioritizing wellness. As the author of "Level Up Your Influence: A Self-Awareness Guide to Maximizing Your Growth and Unlocking Your Inner Leader," she empowers artists to overcome mental roadblocks, avoid burnout and build a lasting legacy in the music industry. Loneliness is a modern epidemic—30% of young adults in America feel lonely daily or several times a week, according to the American Psychiatric Association. For EDM fans, raves and festivals offer a place to connect, belong and feel alive. However, the experience can have the opposite effect for the DJs who bring us together. As a psychologist who coaches DJs, I've seen how isolation impacts artists beyond what fans see. They constantly juggle creative demands, business pressures and expectations without the support system many professionals take for granted. Before working closely with DJs, I didn't fully grasp their lifestyle's physical and emotional intensity. But I now see how deep the struggles run, from the small stage to the main stage. DJs need support, clarity and guidance to navigate the highs and lows while building a sustainable and fulfilling career. Fans experience the art—the energy of the DJ's performance and the music they produce—but they don't see the hidden side: the loneliness, the stress and the intense pressure DJs experience behind the scenes. The very stages that unite us can isolate them and amplify loneliness, which causes an increased risk of anxiety, depression and physical health issues if not addressed. Constant screen time and political divides contribute to a growing sense of isolation for both fans and artists. EDM events provide fans with community, but touring DJs often experience grueling travel, separation from loved ones and the pressure to consistently perform. The festival experience allows fans to recharge. However, many artists leave feeling drained and isolated as they rush to their next show. Touring schedules can be brutal. Some DJs play around 300 shows each year, often with limited support and schedules that don't include much time for wellness. Combined with a lack of self-care, loneliness further increases the risk for burnout, substance use and mental health struggles. We've seen it firsthand. Avicii's tragic death in 2018 was a wake-up call, and more recently, Alesso canceled shows due to health concerns and exhaustion. Many industry giants, including Armin van Buuren and Zedd, have spoken about using alcohol to push through performances. The conversation about mental health in the music industry isn't new, but real change has been slow. The recent release of the intimate Netflix documentary I'm Tim, which chronicles Avicii's life and career, has reignited the mental health conversation, but more needs to be done. If we want our favorite artists to thrive, we need to rethink how the EDM industry supports its talent. Some artists, labels, fans and festival organizers are beginning to recognize and address the challenges of artist loneliness, but we need more widespread action. Real change requires a collective effort from the entire EDM community: Labels and managersPrioritize sustainable careers over non-stop touring. Mandate rest periods and provide mental health, wellness and coaching resources. And always remember to treat artists as people first. Festival organizers and club ownersCreate backstage wellness spaces, normalize breaks and offer resources like therapists or performance coaches. ArtistsBuild strong support networks inside and outside the industry, and prioritize staying connected when on the road. Speak openly about struggles to help break the stigma and push for better conditions. Try to limit traveling alone. Build a team that cares about you as a person and doesn't just view you as a brand. FansRecognize that DJs are human. If an artist cancels a show for health reasons, show empathy and support rather than criticism and judgment. Show support beyond the music—treat artists as you would treat a friend. EDM is built on a foundation of respect. And that respect must extend to the artists who create the music that fuels our best moments.

After last year's momentous debut in Chicago, Insomniac's beloved Beyond Wonderland festival is returning to the Windy City with a massive lineup. The Alice In Wonderland-themed EDM festival will feature ILLENIUM, Subtronics, Afrojack, Marshmello, SLANDER, Ganja White Night, Crankdat, Virtual Riot and TroyBoi, among many others. In an homage to the birthplace of house music, Insomniac Records and Day Trip are hosting the Caterpillar’s Garden stage to produce "an unforgettable house and techno experience," according to a press release. Attendees there can groove to four-on-the-floor beats from Chicago icons Green Velvet and Gene Farris as well as Walker & Royce, James Hype, Coco & Breezy, MK and more. The lineup also features a handful of compelling b2b performances. Jessica Audiffred and Nostalgix are set to team up for a heavy-hitting DJ set while Hedex and Bou will join forces for a can't-miss drum & bass set. AC Slater and Chris Lorenzo will also perform together under their collaborative alias, Fly With Us. Beyond Wonderland Chicago is scheduled for June 7-8, 2025 at Huntington Bank Pavilion at Northerly Island. You can check out the full lineup below and purchase passes here starting Friday, February 7th at 12pm CT. Insomniac Events Follow Beyond Wonderland Chicago:X: x.com/beyondwlandchi Instagram: instagram.com/beyondwlandchicago TikTok: tiktok.com/@beyondwland Facebook: facebook.com/beyondwlandchicago