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Known for his rich history and contributions to drum & bass and beyond, Crystal Clear has earned his place as a respected artist. Having been associated with Playaz Recordings, Sofa Sound Bristol, and ThirtyOne Recordings, his latest project the ‘Selector EP’ on V Recordings, marks a pivotal moment in his career. With several releases already under his belt in 2024, Crystal Clear has captivated audiences once again with his latest EP, featuring even more exciting collaborations. After a brief hiatus from the scene to collaborate with major labels, Crystal Clear returns to the genre with a fresh EP on V Recordings. The project showcases several collaborations, and highlights his consistent rise as a producer. In this interview, we catch up with Crystal Clear, to dive behind the scenes into the work he’s been putting into his craft, the story behind his latest project, and all the exciting plans he has lined up for this summer, and beyond. How are you? My day was all right. I just spent the last hour standing in the cold while my son was at football training. I’ve been on dad duty this evening, and it’s definitely getting colder. I literally just got him into bed and finally sat down. So yeah, I’m all good—just trying to find the energy to work on some music, but I’m not sure I’ll get to it tonight. Tell me about the new EP for V, how long have you been working on it? I made the bulk of it back in the summer. I started off by writing ‘Selector’ around April. It was one of those ones where I basically wrote it and then found the sample—I heard the sample from Bryan Gee and thought, right, that’s a really good sample. I didn’t tell Bryan; I just made the tune and sent it to him. He called me up, laughing down the phone at me. Where did you grab the sample from… It was from an interview that Bryan Gee did—it just popped up on my Instagram feed. I heard him talking about the science of sound systems and culture, and I immediately knew I had to make something with it before someone else did. I sent it over to him, and he really liked it, but he was a bit self-conscious about his voice. He said, “But I’m sort of stuttering my words and stuff,” and I told him, “No, that’s what makes it real.” It sounds authentic, like a proper sample. The way I laid it out gives it this sing-song quality—it kind of bounces around the beats, you know? It just fits so well. It turned out great, and it’s really fun to mix with. I’ve been enjoying playing that and ‘Slow It Down’ with Kathryn Brenna. How did that one come to be with Kathryn Brenna? I’d literally just welcomed our new baby last June, and about a week after that, this idea started kicking around. Initially, I was taking a month off to focus on being a new dad. She took it away, did her thing, and sent me some vocals back. When I got back in the studio, it all came together. You have a couple more collabs on there as well… Minor Forms and I met at a Sofa Sound party in Brixton. We got chatting and said, “We should try to write a tune together or something,” since we both liked each other’s music. It was like, “Why don’t we just kick something around and see what happens?” He sent me a loop, I rejigged it, added a bassline, and we sent it back and forth. It all came together pretty quickly. It’s great when they come together quickly…how about ‘Earthquake’ with Amoss… I’m not quite sure how it all came together. I think we got chatting on Instagram, and it was like, “Yeah, let’s write something and see how it comes together.” So, I sent him a loop. He rejigged it, got a basic rhythm going, and then sent it back to me. I finished it and added the earthquake sample, which has really been going off. It’s one of those tracks that people have been messaging me about for a while. I got the EP together and sent it off to Bryan Gee. He said, “Yeah, this is great.” This must have been around September. He mentioned, “We can probably get it out before the end of the year.” I was like, “Well, I think it’d be better to give it a bit more time, let it build a bit more, and give DJs a chance to play it. Let it build organically, rather than rushing it out just to have it out there.” Maybe I’m old school, but I prefer to build things a little more and give people time to get to know the tunes—especially the crowds. I’ve noticed, when I’ve been playing them at gigs recently, people know the tune. So when you drop it, hands go in the air because they’re already familiar with it. It’s good to take your time and let people hear it first—that’s definitely a smart approach. It’s that familiarity, you know? When people know the tune, it doesn’t take away from its exclusivity. A lot of DJs think, “I need to play the freshest stuff,” but the crowds love it when they recognise something, and you get that reaction from them. That’s why “Bricks Don’t Roll” still goes off—it just works. I think the EP has definitely worked out well, and there seems to be a lot of anticipation for it. It’s come together nicely. On the latest V Podcast, it’s kind of funny how Bryan was mentioning that you took a break but you were still producing, just other generes… Yeah, I was definitely doing other things. I got the opportunity to sign with one of the Universal Music Group labels and work on a crossover project. I was at a point where I wanted to stretch my legs production-wise and explore different directions, just to see what I could do. I’d been making exclusively drum & bass for eight years, and I wanted to see where that rabbit hole would lead. I played a lot of great shows and festivals. Eventually, that ran its course, and I found myself getting into different styles of music. I started exploring more house and techno and wanted to dive into that a bit, see if I could make something in that space. I’d been used to working with breakbeats, so I thought, “Alright, let’s see if I can do something completely different.” Was that the project Melody’s Enemy? Yes, it started off as a collaboration between myself and MC Codebreaker. People don’t realise that Codebreaker is actually a sick producer. He’s one of the guys who taught me the basics when I first started out. I learned a lot from him, especially in terms of sound design, and he really helped me perfect my craft. Eventually, I reached a point where I felt like I kind of knew what I was doing in the studio, if that makes sense. I was working on techno for a while, but then I started hearing things from drum and bass again. I still kept one ear on the scene, listening out for things that caught my interest. I heard a few things that piqued my curiosity, and I felt like there might be some unfinished business, shall we say. When I was making drum and bass before, it felt like I didn’t really know what I was doing—I was literally just throwing sounds at the screen until it sounded good. Considering your discography, that’s crazy talk.. The thing is, the vibes were always there, and I had the energy, but the mixdowns and refinement weren’t. It took me stepping away to learn my craft in other scenes, and then I was able to come back and make the music I’d always wanted to create. Things are going well… I’m kind of surprised, but not really. When I made my first batch of tunes after coming back, I had a bit of trepidation. I was thinking, “Is anyone going to care?” You know, “Is everyone going to say, ‘You went off and did other stuff, you’re not welcome here’?” But I thought, “Alright, I’ll make the music I want to make, and we’ll see if people like it.” Last year was a great year for me—a really good one. The scene has changed quite a bit since the last time I was active in it, but it was still a great year. The reception to my EPs was really positive, and I had more gigs in the UK than I ever had before. I’m pleasantly surprised by how it’s been received. Is there anything else that you can reveal about the rest of the year? I’m starting off with the V Recordings EP, and I’m really excited about that. It’s a label I’ve wanted to work with properly for over twenty years, and it’s just never happened until now. So, yeah, I’m really excited it’s finally coming together. I’ve got a lot of shows filling up the diary, which is nice to get out there. I’m also doing an EP for RUN, the label from D*Minds. Can you tell us more about that? I’ve remixed ‘Selecta,’ which has been going off, and I’ve just started a collaboration with D*Minds as well, so that’s in the works. Sweetpea and I made a tune called ‘Ten Minutes,’ which will be coming out on V Recordings at some point. Bryan’s been hammering that—I even started my mix on the V Recordings podcast with it. I’ve also done another collaboration with Minor Forms; we’ve actually worked on a couple of tracks together. I’m probably going to do some more stuff with Sweetpea and with Amoss, too, because we work really well together. I’ve written something for Riya’s album as well. I’m just going to keep writing music and see where it comes out. I’m possibly going to start a label myself, but it depends on how much music I can write, to be honest. I’ve got quite a lot on my plate and not a lot of time, but at some point, there probably will be a label. We’ll see! How do you envision managing everything? I’m going to try and finish more music, but the thing is, music takes time, you know? Creativity takes time—it’s difficult to just keep churning stuff out quickly. I try to work fast, but it’s not always easy. In my downtime, when I’m not making tunes, I plan in my head what I need to do when I’m in the studio, so hopefully, I can stay productive. It doesn’t always work out that way, but I keep reminding myself that creativity takes time. I need to give myself the space to make the best tunes possible.

On a ground-breaking new EP, “One Mind,” contemporary Belgian techno powerhouses Charlotte de Witte and Amelie Lens team up. The EP falls between their back-to-back events at the Flanders Expo in Ghent on January 31, February 1, and February 8, 2025, for which they sold 69,000 tickets. Over the past few years, this pair has really polished the sound of techno between them. Both hail from Belgium and rose up via the clubbing scene with their own original interpretations of techno and its several subtleties. Both Amelie and Charlotte’s voices are gently blended on the tracks, together, as one, therefore strengthening the EP’s cohesive notion. Starting with rock-solid, earth-rattling kicks and intimate vocal whispers that lure you in close, the stunning “One Mind” features electrifying grooves, and flashy, strobe-illuminated synths that guarantee hands will shoot skywards as acid lines add more drama. Another great, turbocharged, acid-laced trance-techno gem with high speed drums and synths running under frosty spoken lines that convey spine tingling sensuality is “Where Do We Go.” Two of the strongest creative forces in modern techno are coming together here. The post Charlotte de Witte & Amelie Lens release collaboration EP “One Mind” appeared first on The Groove Cartel.

For nearly three decades, Rockstar Energy presents Creamfields has been at the forefront of electronic music, earning its reputation as one of the world’s most iconic and biggest dance festivals. With 80,000 fans from across the globe making the annual pilgrimage to what has become the Mecca for dance music lovers and artists alike. And as one of the most eagerly awaited lineup announcements in the festival calendar, Cream HQ has just revealed its first headliner – ANYMA for a UK Exclusive. Undoubtedly the biggest name in electronic music today, Anyma is the groundbreaking multidisciplinary audio-visual project led by Matteo Milleri. As a founding member of Afterlife, Matteo brings his visionary alter ego to life, merging DJing, futurism, and creative direction to craft a cutting-edge, immersive experience. His forward-thinking approach has redefined the electronic music landscape in recent years, captivating audiences around the world. His groundbreaking performances have dominated the internet, none more so than his recent sold-out Las Vegas residency. In a historic milestone, he has become the first electronic artist to headline the world’s most advanced immersive venue—Sphere. Creamfields is once again setting the tone for what promises to be another unforgettable year, with Anyma set to close out the festival in epic style on Sunday 24th August. With the bar already set sky high, excitement is building for the full line up announcement which is expected to drop at the end of February, and if this first headliner is any indication, festival goers are in for something truly special.

The festival was subject to a licensing meeting earlier this week Continue reading...

Occult Vision; a new LP based imprint, offers a space for artists to share a more complete body of their work. The label aims to create windows into the deeper, alternative and often more authentic sounds of carefully selected artists. It’s rare a producer in the underground house and techno scene has this type of platform and Occult Vision aims to fill the void. Their first album is from one of Frankfurt’s finest producers, Frank Heinrich. Known to most as Reboot and sharing what will be his first solo LP since 2016, the label has here an intricately crafted collection of music that was brought to life during the lockdown phase of the pandemic. This unique time had a resounding impact on Frank’s creativity in the studio, leading to a sound that strongly represented his emotions throughout that period. The tracks they have helped to curate for this release are often melancholic, yet hopeful with carefully placed textures and rhythms carrying a stripped-back yet emotive energy throughout. This isn’t your typical club music; it’s more personal and meant as a listening experience. “On A Grind” presents the harshness and rawness of that period for so many of us and whilst you will hear Reboot style weaved into these tracks, Frank hopes that you will feel the passion and emotions put into this record accompanying you in your own moments of reflection. Available via here The post Reboot kicks off 2025 with a stunning eight-track long player appeared first on Decoded Magazine.

This includes £88.4 million from recorded music, while electronic-focused festivals brought in around £646.2 million Continue reading...

Dom Dolla ft. Daya – Dreamin’ Dom Dolla teams up with Daya for ‘Dreamin’,’ an energetic house anthem infused with sultry vocals and groovy basslines. The track’s hypnotic rhythm and Daya’s ethereal delivery make it a mesmerizing addition to Dom Dolla’s growing catalog of club heaters. Amelie Lens & Charlotte de Witte – One Mind (EP) Female techno powerhouses Amelie Lens and Charlotte de Witte unite for One Mind, a relentless EP packed with dark, pounding beats and hypnotic soundscapes. Blending high-energy kicks with eerie atmospheres, this release is a masterclass in peak-time underground techno. GØDMAX – Catching Feelings GØDMAX opens up his catalog for 2025 with ‘Catching Feelings,’ a melodic house track with a catchy vocal hook and driving tempo. The song uses rattling synths and samples to carry the energy while the low end brings the power. David Guetta & Jaden Bojsen – Let’s Go (HUGEL Remix) HUGEL reworks ‘Let’s Go’ into a bouncy tech-house anthem, infusing the track with percussive grooves and a club-ready bassline. This remix brings a fresh, underground energy to the original, making it a must-play for DJs looking to hype up their sets. Swedish House Mafia & The Weeknd – Closing Night Swedish House Mafia reunites with The Weeknd for ‘Closing Night,’ a cinematic and emotive dance track that blends atmospheric synths with Abel’s signature vocals. With its dark, euphoric vibe and soaring melodies, this track captures the essence of a perfect festival finale. Honorable mentions: Adam Beyer – Do It for the Bass Bakermat ft. Ron Carroll – Life Funkin Matt – Tamagotchi Hannah Wants ft. ARA – Hold Me Jengi – Bass In Da Blood KEVU, Amero & Hallasen ft. Nito-Onna – Seven Nation Army Kill The Buzz, Jimmy Clash, Robbie Rosen – Fire In The Sky Leandro Da Silva, Tyago Baby – Dime Mami Linska – Bad Boy (GENESI Remix) LIZOT x Captain Curtis x Kickbait – Criminal (Gangster) Loco Dice & Carl Cox – Road Runner Reinier Zonneveld, Pan-Pot & Cari Golden – Captain my Captain (Filth on Acid Mix) Riton – Bounce in the Brass () Robert Falcon – La La La Robin Schulz & FAST BOY – Million Good Reasons Sikdope – Final Call (EP) Solomun, Jain – Tout le monde est fou (Club version) Vini Vici x LUNAX x Mark Neve ft. Widemode – Born Again (Babylonia)

If nostalgia had a sound, it would come wrapped in Dev’s signature swagger and nonchalance channeling through the speakers. It would sound, in other words, like The Cataracs. The duo that fueled the electro-pop explosion of the previous decade with Dev at their side is officially reuniting, and if their recent announcement is any indication, the world is about to party like it's 2010 all over again. "2025's over… It’s officially 2010," they declared on social media, dropping a cryptic social post that sent shockwaves through fans who never stopped hitting replay on "Like a G6." The Cataracs' work was a sweat-soaked invitation to dancefloor hedonism, a fusion of electro, hip-hop and pure pop mischief. Their fingerprints were all over the sound of the time, and while one half of the duo went on to reinvent himself as KSHMR, the DNA of The Cataracs never really disappeared. Now, in an era obsessed with Y2K nostalgia, their return feels like the perfect storm. The resurgence of blog-era fashion, throwback playlists stacked with 2010s bangers, and the unshakable dominance of dance music all point to one thing: the world is ready for The Cataracs and Dev to make us feel fly once again. Their comeback collaboration, "Whistle," is due out February 21st. View the original article to see embedded media. Follow The Cataracs:Instagram: instagram.com/thecataracs X: x.com/thecataracs Facebook: facebook.com/thecataracs Spotify: spotf.fi/vsdQzwb Follow DEV:Instagram: instagram.com/devescaliente X: x.com/devishot TikTok: tiktok.com/@devescaliente Facebook: facebook.com/devishot Spotify: tinyurl.com/4zkbdrwc

There's a particular brand of courage in admitting you miss someone who has every right to ignore your message—the new collaboration from SABAI, Somna and RUNN captures this vulnerability with stunning precision. Out now via SABAI's own imprint, IKIGAI Music, "I Miss You" is a melodic bass track that explores the ache of reaching out to someone who once knew you completely, even when you know you might not deserve their response. This is bass music for the quiet hours when the party's long over and you're left alone with your thoughts and your phone, thumb hovering over that contact you promised yourself you wouldn't call. The track opens with gentle guitar plucks that feel like hesitant footsteps toward a door you're nervous to knock on. When SABAI and Somna's soaring drop hits, it's like all those pent-up feelings finally breaking through the surface. SABAI and Somna's production creates a delicate soundscape where RUNN's tender vocals can breathe and resonate. In an era of ghosting and digital disconnection, her vulnerable lyrics remind us of the humanity in admitting we need someone back in our lives. The way she sings "It isn't fair after everything I put you through" carries just the right mix of regret and desperation. "I Miss You" is signature SABAI, who is on the rise after his sold-out solo headline show at LA's famed Hollywood Palladium, where he introduced a full live band experience. On the other hand, the track marks a departure for Somna, a longtime staple of the trance music community. He's been releasing music for over 15 years and leading one of trance's most prolific labels, AVA Recordings, as its co-owners. Listen to "I Miss You" below and find the new single on streaming platforms here. Follow SABAI:X: x.com/sabai_music Instagram: instagram.com/sabaimusic TikTok: tiktok.com/@sabaimusic Facebook: facebook.com/sabaimusic Spotify: tinyurl.com/3sxrbadc Follow Somna:X: x.com/somnamusic Instagram: instagram.com/somnamusic TikTok: tiktok.com/@somnamusic Facebook: facebook.com/somnamusic Spotify: tinyurl.com/bd6myyx Follow RUNN:X: x.com/_watchmerunn Instagram: instagram.com/watchmerunn TikTok: tiktok.com/@watchmerunn Facebook: facebook.com/watchmerunn Spotify: spoti.fi/34KKa4D

The best house tracks transport you somewhere else, and Dom Dolla's latest, "Dreamin," hands you a first-class ticket. The Australian dance music superstar joined forces with chart-topping songstress Daya for the new collaboration, out now via Good Fortune Records. Their chemistry is a match made in heaven, delivering a hypnotic house record that explores the disorienting beauty of fleeting moments. Dolla once again demonstrates his uncanny ability to craft memorable dancefloor weapons that resonate far beyond the stage. The strength of "Dreamin" lies in its ability to evoke that universal sensation of wondering whether our most perfect memories are real or merely a mirage, too good to be true. Daya masterfully captures those moments of suspended reality with a gossamer vocal performance that dances between dreamlike detachment and intense intimacy. "All my friends, so sweet and innocent / The story never ends, all good but now I think I'm dreaming / Sunny days, it's such a pretty place / I see your smiling face, woke up and now I think I'm dreaming." The release arrives a month prior to Dolla's headline of New York City's illustrious Madison Square Garden, scheduled for March 7-8, 2025. The momentous doubleheader is a big moment for the breakout DJ, whose global hit "girl$" was recently named by EDM.com as one of 2024's best house tracks. Listen to "Dreamin" below and find the new single on streaming platforms here. Follow Dom Dolla:X: x.com/domdolla Instagram: Instagram.com/domdolla TikTok: tiktok.com/@domdolla Facebook: facebook.com/domdollamusic Spotify: spoti.fi/3g2cuTm Follow Daya:X: x.com/daya Instagram: instagram.com/daya TikTok: tiktok.com/@daya Facebook: facebook.com/theofficialdaya Spotify: tinyurl.com/3jy8kyte

Sónar 2025 completes its lineup with over 50 new additions to a diverse, original lineup. The 32nd edition of Barcelona’s Festival of Music, Innovation and Creativity takes place this June 12-14. Now, the total number of live shows, DJ sets and multidisciplinary performances is 117! Music will play across 10 stages with Sónar by Day and Sónar by Night. This includes a brand new Boiler Room stage and the return of SonarLab x Printworks London. Previously, live acts included Plastikman, Arca, Polo & Pan, Eric Prydz, BICEP present CHROMA AV/DJ, Peggy Gou, Max Cooper, Cora Novoa and Daito Manabe, Additionally, Four Tet, Vintage Culture, Helena Hauff and Barry Can’t Swim. What’s more, Skrillex b2b Blawan, Armin van Buuren b2b Indira Paganotto, and many more. So, who’s been added to the roster? Check out the originality and diversity of Pa Salieu‘s afrobeat and amapiano-inspired take on UK rap and drill. Or Sega Bodega’s unique blend of club and pop music via Dengue Dengue Dengue who contributes Andean polyrhythms. Herbert & Momoko are a new collaboration while a number of b2b sets shall also take place. Those include Skee Mask b2b Actress and Alinka b2b Shaun J. Wright to connect eras, styles, and scenes. Plus, DJ sets from Dixon, Dee Diggs, and 90s legend Ultra Naté. Additionally, find a moving tribute to prolific Japanese electronic musician and composer, Ryuichi Sakamoto, by electronic music icons Alva Noto and Fennez. Triple Latin Grammy winner Nathy Peluso presents her Club Grasa remix album. What’s Coming for Sónar 2025 Sónar is a place for fans of all styles and scenes, old friends and new. With the Boiler Room debut, it’s sure to bring excitement. Meanwhile, Sónar by Night also sees the return of Sónar’s collaboration with Printworks London, the co-curated SonarLab x Printworks stage keeping the spirit of the iconic UK venue alive during its current re-development. A 6 x 10m vertical screen, horizontal lighting across the dance floor, and on-point programming come together for a 2-night celebration of the best in international clubbing. All types of tickets for Sónar 2025 are now on sale at sonar.es, with discounts for European Youth Card holders, and installment payments also available now. For the full lineup, see the roster below. The post Sónar 2025 Boasts Massive 117 Artist Lineup Taking Place in Barcelona this June appeared first on EDMTunes.

EDC Las Vegas is only 100 days away and that means another lineup reveal – through music! Insomniac Events just announced that the music reveal lineup will take place next Wednesday, February 12th at 6pm PST. We’re excited to see who will play this year through this megamix of featured artists. EDCLV takes place this May 16-18 at the Las Vegas Motor Speedway. The massive lineup will be played through Insomniac Radio, with your one and only host, Pasquale Rotella. Last year, EDC Las Vegas held its biggest edition yet where thousands of people trekked to the desert for this annual tradition. Friday artists included Adventure Club, David Guetta, Steve Aoki, Adam Beyer, and more. Saturday boasted Alison Wonderland, Dillon Francis, Zedd, Tiesto, Four Tet, Aly & Fila, and much more. Sunday closed out into the early morning with Sara Landry, Excision, Seven Lions, Mau P, Martin Garrix, John Summit, and many many more. Not to mention the plethora of back-to-back sets that left attendees in a frenzy. It’s anyone’s guess as to who will play this year. Jot your guesses down and get ready for some fun. We can bet the event shall host its nine stages ranging from hardstyle, drum and bass, dubstep, trance, house, techno, and all your favorite sounds. Art cars will boost the sounds of independent artists for your journey across, around, and in between the speedway. What’s more, the event held a fantastic drone show each night last year, slathering the night sky with interstellar visuals and production. Under the neon lights, fireworks, and electric sky, attendees can leave the outside world behind and enter a new one. For those that may not make it, performances may be expected to stream via broadcast and radio. So, stay tuned for that update as we follow closer towards the event. Previously broadcasted livestreams included performances from KineticFIELD, circuitGROUNDS, neonGARDEN, bassPOD, cosmicMEADOW, and stereoBLOOM. GA and VIP passes are sold out. However, you can still snag a GA+ pass here. Hotel EDC packages are also available here. Tune in at insom.co/lineupreveal and join your fellow Headliners in piecing together EDC Las Vegas 2025! The post EDC Las Vegas 2025 Once Again Reveals Lineup Through Music Megamix! appeared first on EDMTunes.

The weeks ahead will mark the end of a seminal chapter for Anyma, the Italian techno superstar who made history by headlining the first-ever electronic music residency at the iconic Vegas Sphere. The Afterlife co-founder has now opened up about his unprecedented residency as it nears its "bittersweet" end. Anyma, who is typically laconic on social media, took to Instagram to reflect on what he called the "most difficult and fulfilling challenge" of his life. "3 years ago I set out hoping to realize my vision of a transcendental world, one you can travel through and experience unlike anything, anywhere else," Anyma wrote. "From nothing more than a concept that I’d hope to share one day to this… the final shows at @sphere." "I cannot lie and say it isn’t bittersweet but I’m most proud knowing we’re finally touching the future of live experiences. Our new mixed media medium is more than anything I could have hoped for when originally starting Anyma." View the original article to see embedded media. Anyma's immersive shows at the Sphere have effectively redefined live electronic music performances. Whether the genre will maintain its foothold at the record-breaking venue remains to be seen, but one thing is certain: his residency has set a high bar, not just for EDM, but for the entertainment industry at large. After an eight-show engagement, he's now set to return to the Sphere from February 27-28 and March 1-2. The final four concerts will feature "new music, visuals and special guests," according to Anyma, as well as supporting DJ sets from John Summit, Solomun, Cassian, Peggy Gou and more. EDM.com was in the Sphere for the opener of "Afterlife Presents Anyma 'The End of Genesys'" as well as the residency's climax, its captivating New Year's Eve concert. Read our review of the pioneering production here. Follow Anyma:Instagram: instagram.com/anyma TikTok: tiktok.com/@anyma X: x.com/anyma_eva Facebook: facebook.com/anyma.ofc Spotify: tinyurl.com/2p976k79

In a shocking study that absolutely no one asked for, researchers have mapped out the intersection of BPM and bowel movements by identifying the top artists people listen to on the toilet. New research conducted by QS Supplies, a prominent UK-based retailer specializing in bathroom products, unveils a strange but undeniable truth: when it comes to dropping beats—and other things—the bathroom is the most intimate venue. This, ahem, explosive study highlights a trio of influential producers as the most popular electronic artists people listen to while going #2. Topping the list is the pioneering Aphex Twin, whose complex rhythms and experimental sounds raise some interesting questions about the relationship between ambient techno and ambient... well, you get the idea. Calvin Harris' dance anthems and DJ Snake's bass-heavy bangers round out the top three, proving that even in our most vulnerable moments, we're still looking for that perfect drop. But it's not all carefree listening. 38% of respondents said they use AirPods on the toilet and 5% admitted to feeling anxiety about being overheard during their bathroom breaks—because who wants their deep, emotional connection with Calvin Harris to be interrupted by a roommate's curiosity? Outside the confines of electronic music, earning the dubious top spot in this smelly category was chart-topping rapper Tyler, The Creator. He's followed by Drake, Kanye West, Kendrick Lamar, $uicideboy$ and Travis Scott, which seems more like a reflection of hip-hop's streaming domination than the listening habits of the reflection we see in the water below. However, it does say a lot about the most popular artists who fans listen to in the shower and bathtub. Both of those lists are topped by Taylor Swift, who is nowhere to be found in the study's pooping data. Turns out, when it comes to bathroom habits, hip-hop is for the drop and Swift is for the drip. QS Supplies' researchers say they surveyed 500 British and 500 American participants about their music-listening habits in the bathroom. They also analyzed over 300,000 songs appearing on playlists filtered by the term "pooping" as well as "shower" and "bathtub." You can read the company's full study here.

The hard dance community is buzzing with speculation after a surprising move from Q-Dance. The company has quietly updated its mobile application, and in doing so, completely removed its own name. The app is now branded solely as Defqon.1, its flagship festival. While this may seem like a small rebranding move, it raises serious questions about the future of the iconic hard dance brand. A Struggling Giant? For over two decades, Q-Dance has been a defining force in the hard dance scene, creating legendary events like Qlimax, Q-Base, Qapital, and multiple international editions of Defqon.1. However, since the COVID-19 pandemic, the Dutch powerhouse has faced increasing difficulties. Many of its most beloved events have been canceled, including the Defqon.1 editions in Chile and Australia, the long-running Q-Base, and more recently, the shocking demise of Qlimax, a festival many considered the spiritual home of raw and euphoric hardstyle. Defqon.1: The Last Man Standing? Another concerning sign has been the shift in Q-Dance’s Dediqated program, which once offered early ticket access for multiple events but has since become exclusive to Defqon.1. Now, with the mobile app rebranded entirely around Defqon.1, many are wondering if Q-Dance is being slowly absorbed into its flagship festival, leaving behind the rest of its event portfolio. Adding to the concerns, Q-Dance’s presence at major festivals has been steadily declining. The company previously hosted full takeover stages at Tomorrowland, showcasing the best of hardstyle over an entire weekend. Then, their presence was reduced to a single day. More recently, it was scaled down to just a few sets with a mini end show. In 2025, for the first time in years, Q-Dance will have no presence at Tomorrowland at all. In addition, in a recent episode of the Dutch podcast “De Machine,” the owner of Defqon.1 and Q-Dance shed light on the company’s evolving strategy. He revealed that instead of expanding, Q-Dance aims to focus on fewer events while ensuring they are the absolute best in the industry. This aligns with recent shifts. While this approach could mean more high-quality, immersive experiences, it also raises concerns about the long-term future of some of Q-Dance’s most iconic events. You can listen to the full interview here. What’s Next? Is Q-Dance simply undergoing a rebrand, or are we witnessing the slow disappearance of one of hard dance’s most influential brands? For now, it’s all speculation, but with so many major changes happening in the last few years, it’s clear that Q-Dance is at a crossroads. Whether this marks the beginning of a new era or the end of an institution remains to be seen. [H/T] Guettapen The post Is This The End of Q-Dance? Major Rebrand Sparks Speculation appeared first on EDMTunes.

Well, well, well… We’re heading back to Florida for this year’s Miami Music Week next month, and we can’t wait to return to our favorite club. Club Space Miami just announced its 2025 itinerary — an entire week of debauchery and never-ending music. In a similar fashion to events like Art Basel, Club Space will host yet another neverending closing party. Starting March 25th, the Club will host top-notch talent from the worldwide House and Techno scene, day and night. Club Space Music Week 2025 Tuesday starts off strong and sexy with the French producer HUGEL‘s takeover. His takeover will surely ‘Make the Girls Dance’, as he brings a well-crafted lineup from his label. The music icon is sure to leave a fashionable impression, given his debut collab clothing line TAFARI WORLD — nothing like some delicious and sultry Tech and Latin House grooves on a Tuesday night. Then, the Aussie eclectic and fun DJ FISHER brings out his roster from his label Catch & Release, to spice up our hump day. The ‘Ocean’ author will sure have our Wednesday in full throttle with nothing but good vibes and good beats. Thursday sees the return of Club Space royalty The Martinez Brothers b2b Loco Dice. The DJs are consistently in Music Week and Art Basel lineups, spreading joy each year. If you thought that was fun wait until you see the weekend lineup. On Friday, the British label Solid Grooves returns for their yearly takeover. The PAWSA and Michael Bibi-owned imprint will inspire with their lineup of industry heavyweights. Last year the event included sets by Marco Carola, Dennis Ferrer, PAWSA, BLOND:ISH, Joseph Capriati, and more. Saturday, Link Miami Rebels will host a special evening with headliners Innellea, CamelPhat and many more. This day will change the tempo a little bit from the rest of the weekend with tasty melodic techno and progressive melodies. Furthermore, the Club Space owner gave a few clues about a very special headliner on Saturday. Hints allude to Anyma, the Italian DJ and history-maker. The ‘Hypnotized’ producer is now preparing for yet another week of the End of Genesys shows at the Sphere in Las Vegas, at the end of February. Of course, we can’t close out Music Week without a proper closing party. Club Space gears out to another 24+ hour party that starts Sunday night and usually ends Tuesday morning. Make sure you bring comfy shoes! The surprise lineup usually reveals the roster closer to showtime. The waitlist for week passes is available here, with single-night passes available as well. See you all at the Terrace! The post Club Space’s Miami Music Week 2025 Itinerary Is Here appeared first on EDMTunes.

Three minds have joined forces for one catchy little product. We’ve got news to share today, as Kenn Colt, Cirillo JR, and Lorjs have released their brand-new track ‘Saxo‘. The collaboration masterfully incorporates elements of EDM, Afro Tech House, and Big Room. The song’s creation began when Colt and Cirillo met at Amsterdam Dance Event last year. When the authors of a song are good, you know the track has a high chance of being phenomenal, and such is the case here. The acts behind ‘Saxo’ are all professional artists — Kenn Colt being a DJ, producer, label owner, and radio host with over 50 million streams on Spotify, and Cirillo JR and Lorjs not falling behind, with both having landed gigs around the world and earning the support of countless top-tier DJs. ‘Saxo’ Groovy and energetic, ‘Saxo’ wastes absolutely no time in foreplaying for a hook, for it’s got several of them scattered throughout its duration. The first thing you’ll hear when hitting ‘Play’ is the playful vocal, and now that you’re hooked, vocal chops and a Latin arrangement will take over, setting the tone for the song. Around 20 seconds in, comes the start of the show, who the track has been named after: an upbeat saxophone performance, which is bound to get you humming. And just to ease your curiosity, the third hook I’d mention is a vocal sample that plays in the second half of each drop. This song leaves you no chance to be indifferent: it gets you going from the very first second. Listen to Kenn Colt, Cirillo JR, and Lorjs‘ ‘Saxo’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Kenn Colt, Cirillo JR, And Lorjs Unite For Groovy Single ‘Saxo’ appeared first on EDMTunes.

UNTOLD Festival will celebrate 10 years of existence and promises a legendary edition in Romania this summer. The gem music festival is welcoming the first artists who are preparing unique shows for the anniversary edition. The lineup includes Anyma, Martin Garrix, Armin van Buuren, Fisher, Tiësto, Alok, Steve Angello, Adriatique, Black Coffee, Dom Dolla, Hugel, Marco Carola and more. Post Malone, Becky Hill, and Rag’N’Bone Man are the first live acts revealed. The iconic UNTOLD X will host exclusive premieres and special appearances from August 7-10. It will be held in the heart of Transylvania, in the welcoming city of Cluj-Napoca. Across eight stages and multiple music spots, UNTOLD is ready to write history with its anniversary edition. It brings 250 local and international acts for over 400,000 fans on four days and nights of music and magic. Post Malone to Headline UNTOLD’s Main Stage Post Malone, one of the most influential artists in the global music industry, will take over the main stage of UNTOLD. Becky Hill, known for her versatility and success in electronic music, will also perform at UNTOLD’s anniversary edition. The British artist received multiple awards. She has had various successful collaborations, such as “Disconnect” with Chase & Status, “Gecko (Overdrive)” with Oliver Heldens, and “Crazy What Love Can Do” with David Guetta and Ella Henderson. The World’s Biggest DJs to Perform at UNTOLD 2025 One of the most anticipated names in electronic music, Anyma, is set to make his debut in Romania at UNTOLD Festival on August 10. The legends are also returning to the anniversary edition of UNTOLD with exclusive sets. These legends include Martin Garrix, Armin van Buuren, Alok, and Tiësto, celebrating a decade of unforgettable moments with the fans who made it all possible. FISHER, the Australian DJ and producer who has conquered the electronic music scene with his unique and fresh sound, will perform for the first time on the main stage. Steve Angello and Don Diablo will also celebrate UNTOLD X on the main stage. The Galaxy stage, UNTOLD’s house and techno house stage, will host titans like Black Coffee, Adriatique, Dom Dolla, Marco Carola. It will also feature local stars like the Romanian DJs and producers Cezar, Priku, Arapu, and Sit. Special Experiences & Ticket Info Over 50,000 tickets have already been sold for the anniversary edition of UNTOLD. Passes are available on untold.com, and for the first time, fans can buy backstage tours to visit the festival. For those who want to explore UNTOLD from a new perspective, there are two types of tours: Discovery Tour: A captivating 60-minute journey behind the scenes of the festival. Insider Tour: An extended 100-minute experience, offering fans the chance to discover special areas of the festival grounds. The post UNTOLD Festival Announces Lineup for 10th Anniversary Edition appeared first on EDMTunes.

In an exciting development for techno enthusiasts, Awakenings and Monegros Desert Festival have announced their continued partnership for 2025. Following a successful debut collaboration in 2024, the two iconic festivals are set to reunite in the Monegros desert on July 26, 2025, promising over 22 hours of uninterrupted techno music. The inaugural joint event in 2024 was a landmark occasion, marking Awakenings’ first venture into Spain. While the full lineup for the 2025 event is yet to be announced, attendees can anticipate a diverse array of top-tier techno artists, immersive stage designs, and the unparalleled energy that both Awakenings and Monegros are renowned for. The 2024 collaboration featured a stellar lineup, including artists like 999999999, Abstract Division, Adam Beyer, Adiel, Alignment, Anfisa Letyago, Cera Khin, Daria Kolosova, Joyhauser, and Patrick Mason. Building on the momentum from last year, the 2025 edition aims to push the boundaries of the electronic music scene even further. While the full lineup is yet to be announced, attendees can anticipate a diverse array of top-tier techno artists, immersive stage designs, and the unparalleled energy that both Awakenings and Monegros are renowned for. This collaboration not only strengthens the bond between two of the world’s most influential techno festivals but also offers fans a unique opportunity to experience the synergy of Dutch and Spanish electronic music cultures in a singular desert setting. The post Awakenings & Monegros Festival Reunite for 2025: Massive Techno Event Announced appeared first on EDMTunes.

Escapade Music Festival consistently delivers what many to consider to be one of the best lineups every year, and 2025 is proving to be no different. The festival celebrates its 15th anniversary this year with a lineup featuring headliners like The Chainsmokers, Chris Lake, Disclosure, Kaskade, Kygo, RL Grime, and more. Stage hosts include Subtronics’ Cyclops Recordings, with the label boss himself closing out the stage. Above & Beyond’s Anjunabeats celebrates 25 years of the label with a special Anjuna25 takeover featuring newly minted Dancing Astronaut Artist to Watch in 2024 Amy Wiles alongside other label favorites like Jason Ross, Oliver Smith, Mat Zo B2B Alpha 9 and of course Above & Beyond themselves. The festival returns to its home of Ottawa, Ontario, Canada from June 20 – 22, but heads to a new location in the RA Centre Grounds. Three-day general admission passes start at $240 and three-day VIP passes start at $333. Tickets are on sale now and can be purchased here. Featured image: Escapade Music Festival The post Escapade Music Festival delivers 15th anniversary lineup with Chris Lake, Disclosure, Kygo, and more appeared first on Dancing Astronaut.

Siren Bristol has announced another headline performance to close the weekend as two of the most legendary figures in electronic dance music, Sasha & Digweed, are set to take over the Bristol Amphitheatre on Sunday 27 July 2025. The duo will join the line-up of indie-electronic Bloc Party on Friday 25 July and Bristol’s most notorious and biggest all-day drum and bass event, RUN All Day, on Saturday 26 July. Renowned for their seamless back-to-back sets and unparalleled influence on UK club culture, Sasha & Digweed have been defining and re-defining the scene since the 1990s. The last time the iconic pair performed in Bristol, it sold out in 30 minutes and now they’re back for their biggest ever Bristol show. Sasha & Digweed will go toe-to-toe at the Amphitheatre for the climax of Siren’s summer event series and fans can expect an unforgettable headline performance as they’re taken on a euphoric journey through decades of pioneering dance music. Taking crowds back in time with their retro energy, this weekend at Siren is not one to be missed. Tom Hoyle, Co-Founder of Siren, said: “We can’t wait for everyone to be back at the Amphitheatre this summer for Siren! We’ve got an incredible line-up of shows. Sasha & Digweed have been at the forefront of dance music for decades and following their sellout in Bristol last year, Sunday night at the Harbourside is going to be legendary. If you’re looking for a proper alfresco dance party – you know where to get it, Bristol” Pre-sale tickets for Sasha & John Digweed will be available from Monday 10th February at 6PM, with sign-up now open here. General sale tickets go live on Tuesday 11th February via the Siren website. Tickets start at £30 with more names set to be revealed soon to complete this summer’s stellar lineup. A cornerstone of Bristol’s drum and bass culture, RUN All Day brings together some of the scene’s biggest names including Hedex & Mozey and will be a celebration of DNB in its purest form, right in the heart of the city. Pre-sale sign ups are live on the Siren website for anyone wanting to get tickets and be the first to know the full line-up information. Tickets for Bloc Party are on sale now with final tickets remaining here. To stay updated with all the latest announcements and line-up details, follow Siren Festival on Instagram. The post Sasha & Digweed join the line-up for Siren Bristol appeared first on Decoded Magazine.

Rising to be among the most famous and largest dance events worldwide, Rockstar Energy presents Creamfields has been leading the stage for almost thirty years in electronic music. Attracting 80,000 enthusiasts from all around the world, both artists and dance music lovers have made the annual pilgrimage to what has evolved as their Mecca. Cream HQ has recently unveiled ANYMA, a UK Exclusive headliner, among the most much-sought lineup announcements on the festival calendar. Unquestionably the most well-known name in electronic music nowadays, Anyma is Matteo Milleri’s innovative multimodal audiovisual project. Matteo, a founding member of Tale Of Us and Afterlife, brings his visionary alter ego to life by fusing DJing, futurism, and artistic direction to create a futuristic, immersive experience. His progressive attitude has changed the scene for electronic music in recent years and enthralls listeners worldwide. His innovative performances have predominated the internet, none more so than his most recent sold-out Las Vegas residency. He is the first electronic musician to headline the world’s most advanced immersive arena, Sphere, marking a historic event. With Anyma poised to round out the celebration in epic fashion on Sunday 24th August, Creamfields is once more defining what promises to be another remarkable year. Excitement is growing for the complete line-up announcement, due to drop at the end of February, and if this first headliner is any guide, festival attendees are in for something really unique. The post Anyma to play exclusively in UK at Creamfields 2025 appeared first on The Groove Cartel.

Burning Man, the week-long music and art festival held in the Nevada desert at the end of August, has opened its ticket registration. You have until 12pm Tuesday, February 11th to register for the first sale, which begins February 12th. However, the ticketing process has undergone significant changes this year. Historically, Burning Man tickets at lower price points were available during April and July sales, and even in August last year when the event didn’t sell out. This year’s process is a little different. Due to a $20 million budget shortfall from lower attendance last year, Burning Man Project is implementing a “pay-what-you-will” system. Tickets are offered at the following tiered prices: $550, $650, $750, $950, $1,500, and $3,000 (plus taxes and fees). Those who access the sale first will have the option of choosing any of these prices, but once the $550 and $650 tiers sell out, buyers will only have the option of choosing the more expensive tiers. The idea is that those who can afford it will pay more, subsidizing lower-priced tickets for others. “2025 tickets give participants options on how they wish to engage, making this year’s Black Rock City a communal experience that is more accessible to all who wish to participate. Those who choose to pay more ($950, $1,500, or $3,000) for a ticket are helping subsidize lower price tickets for other participants (through programs like the Ticket Aid Program), event operational costs, and art grants.” -Burning Man spokesman For those who can’t afford regular tickets, the Ticket Aid Program offers $225 tickets (plus taxes and fees) to a limited number of applicants, starting mid-February. Additional sales are planned for April, along with a final one on July 30th, but the available ticket prices and quantities for these sales are unknown. Burning Man Project has not disclosed how many tickets are available at each price point, unlike previous years. This new system has sparked controversy, with some supporting it and others criticizing the lack of transparency. Head on over to the Burning Man website here to register for tickets. and stay tuned for more details. The post Burning Man 2025 Shifting To A ‘Pay-What-You-Will’ Ticketing System appeared first on EDMTunes.

ZHU is stepping behind the camera with 24 Hours of Grace, a new documentary feature premiering at SXSW. The "Faded" hitmaker has always embraced the shadows, but in his first documentary, he's stepping into the light. No stranger to reinvention, ZHU serves as the film's director, producer and screenwriter, crafting an intimate portrait of an artist at a crossroads. 24 Hours of Grace follows ZHU as he returns to San Francisco to record GRACE, his fourth studio album, inside a gothic cathedral that doubles as both a sanctuary and a creative incubator. The documentary goes behind the scenes of the recording process, culminating in a high-stakes performance where the freshly minted tracks are debuted for an audience the same night. The "audiovisual journey" then expands beyond the studio walls, taking viewers inside ZHU's three sold-out performances at the Hollywood Palladium, where his signature fusion of shadowy aesthetics and haunting soundscapes came to life. Both a meditation on time and a visceral deep-dive into artistic reinvention, 24 Hours of Grace explores ZHU's evolution since releasing "Faded" over a decade ago, according to its synopsis. He's peeling back the layers of his enigmatic persona to offer an unfiltered look at the pressure of creation and its release through live performance. 24 Hours of Grace is scheduled to premiere at 11am on March 15th at Alamo Lamar 9. SXSW returns to Austin, Texas from March 7-15 and you can find the festival's full slate of programming here. Follow ZHU:X: x.com/zhumusic Instagram: instagram.com/zhu TikTok: tiktok.com/@zhu Facebook: facebook.com/zhu Spotify: spoti.fi/391vjDR

The Party’s Over. The club lights on. You heard about an afters. The sun’s just coming up and the light is a distraction. The main event is over, what next? Because you’re…NOT GOING HOME With a foreword by journalist Kate Spicer, the book documents the Summer of 1998 as photographer Mischa Haller travelled across the UK to chronicle clubbers and partygoers in the small hours of the morning. The idea was to show what it felt like to be young, up all night in that slightly woozy, surreal state. “I was interested in the time between the nightclub closing and people going home, those one or two hours when the rest of the world is asleep, but clubbers are carrying on. These moments hang in the memory – eating, smoking, chatting, making a fire on the beach or meeting someone new.” – Mischa Haller. Available here The post Book of the Month – Mischa Haller – Not Going Home (Photographs of Post Club Britain, 1998) appeared first on Decoded Magazine.