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Acclaimed UK duo CamelPhat return with another stunning remix, this time reworking Aaron Hibell and Alex Wann’s ‘Set Me Free’. Known for their signature blend of deep house and melodic techno, CamelPhat transform the original’s emotive energy into a hypnotic, club-ready masterpiece. Their remix introduces brooding basslines, layered synths, and a pulsing rhythm, adding new depth to the track’s already captivating soundscape. Aaron Hibell, an emerging force in progressive and melodic house, has built a reputation for his cinematic and emotionally charged productions. Meanwhile, Alex Wann is making waves with his unique ability to craft immersive and atmospheric electronic music. The original ‘Set Me Free’ fuses these elements, offering an evocative listening experience. The remix is released under Sony Music Entertainment, a label known for backing top-tier electronic acts. With CamelPhat’s unmistakable production prowess, this rendition elevates ‘Set Me Free’ into a darker, more euphoric space, perfect for late-night club sets and festival stages. Prepare to get lost in the sound—listen to CamelPhat’s remix of ‘Set Me Free’ below: Aaron Hibell · set me free (CamelPhat Remix) The post CamelPhat Breathe New Life Into Aaron Hibell & Alex Wann’s ‘Set Me Free’ With Stunning Remix appeared first on EDMTunes.

Renowned producer Adam Beyer continues to leave an strong impression on the techno genre with his latest two-track EP, Do It For The Bass, released on his well-respected Drumcode record label. This EP reflects his ongoing sonic evolution and masterful blend of electronic body music (EBM) elements. Listeners can eagerly anticipate an invigorating addition to their playlists when they start playing the Do It For The Bass EP from Adam Beyer, bridging the gap between Beyer’s remix of Romina Dez and Muter’s massive 2022 hit, ‘Fascination’, and his upcoming 2025 performances at events such as Drumcode London at Drumsheds on March 22nd, Time Warp, Kappa FuturFestival, and more. Adam Beyer increases innovative music production style in the Do It For The Bass EP The title track of the EP ignites passion with its powerful techno beat, featuring a solid kick drum and crisp hi-hats in the background. A two-note riff (which sounds noticeable like a police siren), gradually evolves with increased fuzz and reverb, while a layered, robotic female vocal launches into a rhythmic chant that resonates deeply. The track is hypnotic, compulsive, and very catchy. ‘Circus Freaks’ brings in the emotions from the outset with its profound bass and an unsettling, pulsating riff that mimics processed radio voices as synth notes. Unique vocal elements intertwine with the drum sounds, leading to a thrilling drop characterized by spacey reverb complemented by a soaring melody. As note patterns and snippets of melodies emerge and fade, the overall effect is darkly captivating and vividly inspiring. Click ‘Play’ on the Spotify link to stream the Do It For The Bass EP by Adam Beyer, an EP that just illuminate techno as a genre that one can feel a lot of relaxation when dancing to it. . The post Adam Beyer Enhances Techno Style With ‘Do It For The Bass’ EP appeared first on EDMTunes.

Miami Beach is again implementing stringent safety measures for Spring Break 2025 to deter disorderly behavior and ensure public safety. The entire month of March has been designated as a high-impact period, with the most significant measures planned for the weekends of March 13-16 and March 20-23. This year it seems that Miami Music Week falls outside of the hot seat — taking place the weekend after the biggest waves of restrictions. More about the restrictions: Parking Restrictions: Closure of parking garages and surface lots south of 23rd Street, including prominent garages at 7th, 12th, 13th, 16th, 17th, 18th, and 23rd Streets. A $100 flat parking fee will be enforced for visitors at the Sunset Harbour Garage and the 42nd Street Garage. These restrictions do not apply to Miami Beach residents, access card holders, permit holders, or employees, provided they show valid proof upon entry. Traffic Control: Implementation of License Plate Reader (LPR) details on the eastbound lanes of the MacArthur and Julia Tuttle Causeways during peak weekends, starting in the evenings. Motorists should anticipate significant traffic delays due to reduced travel lanes. DUI Checkpoints: Establishment of sobriety checkpoints along the 400 block of 5th Street during the evenings of March 14-15 and March 21-22. Packaged liquor stores in the Entertainment District will strictly adhere to the 8 p.m. regular closing time. Vehicle Rental Suspensions: Suspension of rentals for golf carts, low-speed vehicles, autocycles, motorized scooters, mopeds, small-engine motorcycles, and motorized bicycles on March 13-16 and March 20-23. Ocean Drive Access: Limited vehicle access to Ocean Drive, with entry only from the northernmost available street and exit solely at 5th Street on specified weekends. Barricades will be placed to separate pedestrians from vehicular traffic. Towing Fees: Nonresident towing rates in South Beach will be doubled to $516 during this period. Beach Access Control: Beach entrances on Ocean Drive will be limited to 5th, 10th, and 12th Streets, equipped with security checkpoints to prevent prohibited items. These entrances will close at 6 p.m., and items such as coolers, inflatable devices, tents, and tables are prohibited These measures will be in place during Music Week A flat rate parking fee of $30 for city parking garages and surface lots, with entry to garages closing at 6 p.m. to all visitors. Non-resident towing rate at $516. Beach entrances on Ocean Drive limited to 5, 10 and 12 streets with security checkpoints to ensure prohibited items are not brought to the beach. Liquor stores in the entertainment district to adhere to the 8 p.m. closing time. Miami Beach residents, access card holders, permit holders and employees will be exempted from parking garage and surface lot closures, as well as flat-fee parking rates. For regular rates, proof of Miami Beach residency or employment (such as a pay stub, letter or ID card) will be required upon entry. The post Miami Music Week Mostly Avoids Harsh Spring Break Measures in 2025 appeared first on EDMTunes.

LA-based producer TOBEHONEST has long outgrown his humble beginnings as a university DJ. He has cemented himself as a worldwide sensation known for fusing Latin and European influences into his club-ready house music. He’s returning to Insomniac Records to offer up his first standalone single on the label. “Hey Ya” is vibrant tech house primed for golden hour and late-night dance sessions. It revolves around a warm, infectious vocal delivery about getting lost on the dancefloor amid low-slung basslines, snappy bongo fills, swirling staccato melodies, and a sauntering Latin-tinged lead. “In the past I’ve never written melodic music,” TOBEHONEST says. “But with this record, I tried something new and I believe it has it all – a catchy vocal, a vibrant lead, and a pumping baseline. It shows my versatility as an artist by taking melodic elements and combining them with my TOBEHONEST drum driven production. The team and I worked really hard to get everything together for this record. We all believe this song is a summer hit. After you hear it, I think you’ll know why.” Championed by superstars including HUGEL, Gordo, Kyle Watson, Cloonee, Joshwa, John Summit, and Chris Lake, TOBEHONEST previously graced the labels with his “Horny” collab alongside San Pacho and his “I Am The One” track with Biscits, amassing 1.2M and 2.4M streams, respectively. TOBEHONEST has headlined performances at CHVRCH of John (Edmonton), Sub Rosa (Calgary), Sound Nightclub LA, Superior Ingredients (NYC), Smoke & Mirrors (Chicago), as well as a festival performance at Countdown NYE and a mini tour in Brazil as support for Victor Lou. TOBEHONEST ‘Hey Ya’’ is available now! The post TOBEHONEST – Hey Ya appeared first on EDMTunes.

Fisher, the three-time IDM Awards winner and world-famous dance/electronic music icon, is going to headline a magnificient Block Party on March 29 in San Jose, CA. In fact, this Block Party will take place outside of the San Jose City Hall and it expects to be the largest block party in the city’s history. The joint promoters of this highly-anticipated Block Party outside of San Jose City Hall are Insomniac, DJ Dials and 15Utah (a couple of San Francisco’s famous EDM event promoters), and local San Jose event promoters and beloved social media influencers, San Jose Foos. Fisher performing at the Block Party will enter the history books of San Jose Last July, San Jose Foos co-hosted an out-of-this-world pop-up rave inside a local San Jose panaderia (bakery) called “Mexico Bakery” alongside Bad Apple Records. In the prior month, it also hosted a fantastic Latin house music festival called “Taraka”, which had Gordo himself as the main headliner and it attracted more than 5,000 attendees to the Discovery Meadow Park near downtown San Jose. Click ‘Play’ on the YouTube video below posted by NBC Bay Area to see how the Taraka festival brought out all the superb, awesome vibes for the fans there. There is no doubt that when Fisher comes on stage for this Block Party outside of the San Jose City Hall, thousands of fans will pack the streets of downtown San Jose and ensure that the city will include the event as one of the city’s most memorable events in the history books. How to get tickets As of now, tickets for the Block Party have sold out. However, click on this link here to be on the ticket waitlist, posted via Laylo. Additionally, fans can also enter the Eventbrite waitlist for the event as well so that they will not miss out when more tickets become available to get. The post Fisher Set to Play San Jose City Hall Block Party appeared first on EDMTunes.

Tickets for this year's event will range from $550 to $3000, with the first in line being given the opportunity to snap up cheaper passes Continue reading...

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A man has accused Diddy of drugging and raping him in a New York nightclub in 2012, when he was aged 17 Continue reading...

Far up north, in the heart of the heaving broody Mancunian metropolis, grows a gleaming talent from the northern bass bedrock. Manchester-based, Hong Kong-rooted, YAN, has risen steadily through the ranks in recent years. From her early bloc2bloc days to joining the esteemed rosters of Soul In Motion and Makino Agency respectively, the young tech selecta has proven herself a commanding presence in the northern bass sphere. If it isn’t her clear-cut, sophisticated tech and jungle selections that win you over, then her unruffled and purist approach will do the trick. With sets at Warehouse Project, Shogun Audio and Hit & Run to name a few, YAN possesses lineups at home and far far away, with tasteful tech rollers and deep meditative 174 that pours buckets of emotion and dance motivation on crowds whilst spinning an enticing sonic story. For her, it’s a journey into the heart. Bringing together the UK sonics of London, Bristol and Manc with the budding bass communities of Seoul and Hong Kong, she continues to support the international scenes – championing the deep, the dark and the techy, whilst remaining true to her heart, digging deep for the guiding authentic voice of her inner self, throughout all her music efforts. One inky ice-cold January night, we finally caught up on her steady rise to power through the local and motherland scenes, the emotions and mates behind the mixing, as well as all things Asian drum and bass. How’s your day been? Really good thanks! Coming to you live and direct from my car. Great acoustics. And Happy Lunar New Year! Tell us, what’s your zodiac animal? I’m the year of the horse, strong and I think that means I’ve got a lot of energy. Intelligent, high-spirited and quick learners are horse characteristics. Next year will be my year. Seems like this year is yours already! Let’s go back to the start, how did your drum and bass story begin? I was around 15 years old, I started attending free parties and just became fully immersed. I’d try and find a free party going on every week and go as much as I can. All I knew was that I loved the music and I was new to this world of raving. The artistry started naturally, I’ve always known that I wanted to do something related to music. So as I started going to more types of events and seeing all these talented female DJs kill it, was what inspired me mainly. I wanted to create that same feeling and same experience for people too. And you’re killing it! Thank you. The first ladies that I really looked up to were, of course, the bloc2Bloc crew of the day; Kaz, Indika, Salo and Jazzy Lioness. Around that time in Manchester you had a lot of female talent coming through in drum and bass, which pushed me to get started along with my girls, Jade Louise and Yazmin C. Around here, everyone supports each other- we work together. We love to see talent supporting each other. What defines the Manchester scene? Every city has their own vibe, in the Manchester scene we’re all family. We all support each other and everyone is genuinely so passionate about the music, whether you’re an artist or a raver, the love is all the same with everyone. I’m really lucky to be surrounded by such talented people, they inspire me to keep pushing every single day, through their support but also just through. But London also brings the energy. Every time I’ve played in London I’ve noticed, people dance so freely. When I played Shogun Sessions at Corsica Studios, my first 360 set, people were dancing wild! Both cities do have that passion but I feel in London, the moves are bigger, crazier. People let themselves loose in the dance, there’s a lot more freedom of expression. In Manchester, people are still moving but it’s a bit more of a community vibe, a family vibe together. Who do you want to shout out from Manchester? Shoutout to the late, great and talented Noxxic. He lived and breathed drum and bass. He was a talented producer and DJ but also just the most wonderful and supportive person in the Manchester scene. You can ask anyone, he’d be at every single party every weekend, even if there were multiple events on that same night, he’d try and attend them all. He always showed up without fail and gave his whole heart to this community, that legacy of his will live on forever. That’s a beautiful tribute. He’ll always be imprinted on the scene in that way. Gone but never forgotten. Rest in power, Noxxic. Let’s talk about UKF15, how did it feel to be on that Bristol lineup and to play out? I was just… truly honoured to be a part of that lineup. I have no words for it. I remember discovering bass music and Knife Party was actually one of the first artists I’d ever listened to. So it was full circle. The energy of the crowd was incredible. You had the OG fans there who were giving it everything on the dancefloor, there were young fans, old fans and everyone in between. Honestly, those OG fans were showing the new generation how to really move! Any dance moves we should know about? This one guy started doing the worm in front of everyone and everyone just started surrounding him and cheering him on. It was a vibe! That’s what I’m talking about, showing the younger fans how to have some fun in the rave. Bring back the worm! You’ve got some big sets under your belt – which has been your favourite so far? Last year, my favourite of all time will probably be opening Worried About Henry at The Depot, WHP. It’s always been my dream to play there, being from Manchester, it’s an honour to play on that stage that’s such a staple for the Manchester scene. As a venue it’s so imposing, this big massive imposing complex that feels otherworldly. I’ve basically grown up in those halls, I could never have even imagined that I would one day play on that stage. When I got up there, I had to just stay focused otherwise I would’ve lost my cool. I thought, I’m going to have to kill this set, I can’t bring anything less. Surreal. I’ll never forget that night, that was a real moment of evolution. I planned a special set for that event too, a mix that I would’ve wanted to hear when I first started raving. What kind of mix? What made it a jewel? Total euphoria. Feeling the music in your heart, your soul, your body. Proper getting totally lost in it. Is that how you would describe your signature sound? I play deep, dark, tech drum and bass with hints of soul and jungle. When I play out, I really want the crowd to feel it deeply and become lost in the music. That’s the kind of music that resonates with me. You take people on a journey… I always start off with a bit of a chill vibe, some soulful liquid with a bit of grit to get everyone in the mood to dance, and welcome them to the dancefloor. Then I’ll slowly build them up, getting darker and darker. But it also depends on who’s playing next after me. I want to make it a smooth overall experience, a smooth transition if that makes sense. I do always say that with every set I like to tell a story. If they listen deep enough, maybe they’ll hear the story I’m weaving through the drums and dance with me through it. How would you describe your artistry in one word? Heartfelt. I always want to play with my heart and I vent through my sets. If I’m feeling a type of way or anything like that, I’ll just try and channel those emotions into this set and use it as my creative output. You have a truly authentic approach. What do you think makes a tech track stand out? Deep sub, as standard. You know a tech tune is great, when you hear it and you automatically start moving naturally. But for me, it also includes deep subs, fast drums and most importantly, elements of finesse. The track almost sounds cheeky in a way, and has a lil flex that you just can’t get with another subgenre. A tech roller, you sort of feel it in your soul, but a tech track, it makes you want to move and you can’t stop it. Who are the tech titans? There’s so many amazing and talented artists killing the scene right now, but the dons for me right now have to be Koherent, QZB, YAANO and Kyrist. They can never make a bad tune. Every single release is on point. They school us. Let’s talk about your Asian drum and bass family. What’s the community like out there? In Hong Kong the scene is rapidly growing. The crews there haven’t been around for long, but what they’ve achieved in such a short amount of time is amazing to see. Feed The Dragon, based there, are growing so fast and always host the sickest parties. I went to an event of theirs and for a split second forgot I was in Hong Kong. All their DJs are so passionate about UK bass music, UK underground music, so much so that you wouldn’t even think that some of them have never even been to the UK. Drum and bass is truly international! What’s it like in the Seoul bass scene? It’s much smaller, but all the South Korean artists are also so talented and incredibly dedicated. There’s a radio station called Visla FM that brings the community together, they host underground DJs there all the time. And everyone’s so stylish as well, the creativity is literally coming out the walls. Everyone has their own sense of style too, South Koreans know how to dress! Grunge streetwear inspiration for the underground. I always feel creatively recharged in these spaces out there. How are you connected to that part of the world? My family are from Hong Kong and I had a friend from there involved with Feed The Dragon reach out to me about playing at an event, which turned out to be the Outlook promo party. Killa P was headlining and at this night, I tell you, the way this audience was fully sending it, giving it everything they had, it made me appreciate the music all that much more. I felt that maybe we take drum and bass for granted in the UK. All the Hong Kongers at this night were so passionate, so full of joy, that it had a massive effect on me. I realised how much of an impact that this sort of music has on people around the world. Apart from it of course being my homeland, that was very inspiring to see. It’s definitely growing too. More and more artists are going to Singapore, Malaysia, Thailand and taking the music with them. I can’t wait to see how these pockets of drum and bass develop. Are there any other Asian collectives you want to shout about? Dark Metaz in Hong Kong. They showcase a lot of different sounds from bass music, but also their concept is on point – they do some insane production on their shows. There’s also Jungle Jam in Bangkok, MO7 Recordings in Changsa, China, they’re hosting Koherent on their Asia tour – all of these guys are really pushing the sound out in Asia! Unchained Recordings, the number one bass label in China, are a whole community, creating a space for the sound and for fans to come together in China as well as top tier releases. Every single person involved is so dedicated and the music taste across the board is really tasteful. The ravers and crews also all dance like no one else is watching. I feel like you have to go and see it and experience the pure passion I’m describing. Of course, I want to connect with more projects going on around Asia. I think it’s very important. We all support each other. We gotta represent! How do you want to make your mark? Well, I’ve been producing for a while now so hopefully I’ll be able to share that soon. I want to spend my time creating music that I love, sharing it to people and just continue fostering that spirit of community and togetherness. My music is always informed by my feelings and really that first experience I had of being introduced to the deeper and darker side of drum and bass. Every time I DJ or create music, I’m trying to chase that feeling of euphoria again and pay that forward. That’s what the underground is all about! Finally, where should we look for you in 2025? You can find me next in Manchester playing Overview Music’s event next month, which is really exciting because it’s one of my favourite labels. Later on in the year, my European debut is soon to be announced, so keep an eye out for that! I’ve also just released a mix for SUNANDBASS, which you can find on their SoundCloud. I’m so proud of this mix and again I’m honoured to have been invited to record this for a brand I’ve looked up to for a long time. It’s a busy year ahead but I’m ready to go!

The music and arts space now also features an in-house kitchen Continue reading...

Afro tech sounds, merging Parisian creativity and Düsseldorf’s signature grooves gave birth to a hypnotic journey through music The collaboration between Paris-based Hanna Haïs and Düsseldorf producers Dante T. and Mario Da Ragnio has resulted in “Wekena,” a dark yet hypnotic Afro tech track set to release on 7 February 2025 via Donkela Records. The track is available for DJs on Beaport. This marks a significant step in Afro tech exploration, blending diverse influences and production expertise. “Wekena” stands out with its intricate basslines, rich percussion, and atmospheric vocal snippets. The track opens with a familiar Afro tech rhythm, gradually morphing into a layered soundscape that feels fresh yet nostalgic. Inspired by the hypnotic tones of The Cure’s “A Forest,” the track balances dark undertones with dancefloor energy, perfect for late-night sets. The creation of “Wekena” stemmed from serendipitous connections. Dante T.’s spin of Hanna’s track “Space Fair” at Blue Marlin Ibiza laid the groundwork for this collaboration. The trio met at Amsterdam Dance Event (ADE) 2024, sparking an exchange of ideas that led to the track’s development. After an initial draft from Hanna in Paris, Dante and Mario added their signature styles before Hanna finalized the project. The track reflects this collaborative synergy, weaving together elements from each artist’s background. Listen here: Hanna Haïs, a standout name in the Afro house scene, continues to mesmerize global audiences with her signature sound. Fresh off performances in Dubai and known for tracks like Carthago and Sitting Bull, she seamlessly fuses hypnotic rhythms with rich melodies, constantly redefining Afro tech. Dante T., the visionary behind Düsseldorf’s renowned Afro house event Alfazar, brings deep expertise and a unique artistic perspective to the genre. Teaming up with Mario Da Ragnio, whose mastery of sound design and melodic composition adds another dimension, the trio delivers an electrifying collaboration. Their synergy is unmistakable in Wekena, a testament to the power of cross-border creativity. More than just a song, Wekena represents the ever-evolving Afro tech movement. Mark your calendars for its release on 7 February 2025 via Donkela Records, and immerse yourself in its hypnotic energy on Spotify. Stay connected with the artists on social media for their latest updates. Hanna Haïs’s discography is available for DJs on Beaport and ready to listen anywhere on Spotify. More information about Hanna Haïs and Donkela can be found on social media @hannahaisparis @donkelamusic The post Hanna Haïs, Dante T., and Mario Da Ragnio Present “Wekena” on Donkela appeared first on Electric Mode.

DJ and producer BLOND:ISH becomes Pacha Ibiza’s first female headline resident The residency is an expansion of BLOND:ISH’s Global Abracadabra movement, an event where everyone is special Instagram | Website | TikTok World renowned DJ and producer BLOND:ISH will headline her first ever Ibiza residency, as she brings ‘Abracadabra’ to Pacha Ibiza for 11 weeks, every Wednesday from 21 May to 30 July 2025. BLOND:ISH becomes Pacha Ibiza’s first ever female resident. She is known for taking her fans on a journey to “Happy Happy World” through her unmatched energy and music. 2025 will be another big year for BLOND:ISH, because as well as this much anticipated Pacha Ibiza residency, she releases her new album ‘Never Walk Alone’, on February 14 2025 via Insomniac Records. Music with intention as she describes it. This residency is an expansion of Abracadabra, a grassroots movement, community and foundation with a sustainable ethos. It is a party that has popped up at key cities all over the world, constantly selling out 4000+ capacity venues and known for their attention to detail. Their dedicated close-knit following of passionate music lovers don’t miss a beat or event. Says BLOND:ISH on the residency, “I’ve been going to Ibiza since I was 17 – so you can imagine that I’ve been dreaming about a residency, and what I can bring to the island that’s unique. Energy is everything, and you can be sure that we will bring fresh energy to the island. It’s something you need to experience in person on Wednesdays at Pacha Ibiza with Abracadabra.” The post BLOND:ISH Announced As First Ever Female Resident At Pacha Ibiza appeared first on Electric Mode.

RESISTANCE unites Miami and the Mediterranean with a revolutionary, year-round club program: featuring RESISTANCE Miami’s M2 residency from October through May, and the 2025 Ibiza season at Amnesia from July through September. €50 All Night Entry Early Bird Tickets On Sale. ULTRA Worldwide’s renowned underground series RESISTANCE is known as the most international house and techno festival brand. It is at the forefront of innovation in the global underground music scene, bringing its visionary programming to more than 35 cities on all six inhabited continents through stadium stages, international tours, and award-winning residencies. Now, RESISTANCE is proud to announce its triumphant return to the White Isle this summer for RESISTANCE Ibiza 2025. The group will reclaim its place as a defining force in Ibiza nightlife with a nine-week residency at the famous Amnesia Ibiza, which remains a haven for people who want to experience real clubbing. RESISTANCE, every Wednesday at Amnesia RESISTANCE Ibiza 2025 will take place every Wednesday from July 23 to September 17, 2025. It will be hosted by Season Residents Adam Beyer and ARTBAT, who will play the main sets every week, switching between Amnesia’s immersive Main Room and iconic sky-roof Terrace to make sure that every night is a unique sound journey. Adam Beyer and ARTBAT are both regulars on RESISTANCE’s international stages. They’ve headlined events in faraway places like Seoul, Split, Tokyo, and Santiago, and they’ve been in charge of the iconic RESISTANCE MegaStructure at Ultra Music Festival and sold-out shows at RESISTANCE Miami’s M2 residency. RESISTANCE Ibiza 2025 will have its usual mix of cutting-edge programming, cutting-edge production, and intense audiovisual experiences. These are the same things that won the residency DJ Awards’ prestigious “Best Ibiza Night” award in 2018. As of 2017, RESISTANCE had its first club contract at Privilege Ibiza (now [UNVRS]), which is the biggest nightclub in the world. It quickly became a mainstay of the island’s nightlife. RESISTANCE Ibiza put together three amazing seasons of “you had to be there” moments in the history of house and techno that had never been seen before. Carl Cox and Maceo Plex‘s world debut B2B set and Nicole Moudaber, Dubfire, and Paco Osuna‘s first-ever B3B performance were two of the highlights. Their marathon set at the 2017 Season Closing Party became an instant classic in RESISTANCE history. RESISTANCE Ibiza also says that the famous duo of Sasha and John Digweed will be back together for an exclusive residency during the 2017 season. This partnership was their first time playing together in Ibiza since 2009 and their first club residency in more than 15 years. It was a huge return to form that hadn’t been seen since the end of their legendary run at Twilo New York in 2001. The RESISTANCE U.S. club residency at M2 ULTRA Worldwide’s first U.S. club residency, RESISTANCE Miami, opened at M2 Miami in 2023 in Miami Beach, home of the event. It brought RESISTANCE’s signature immersive clubbing experience from Ibiza to America for the first time. The six-month residency at RESISTANCE Miami on Saturday nights has become an important part of the city’s house and techno scene, with more than 30 sold-out shows and headlining sets by underground stars such as Boris Brejcha, Carl Cox, Eric Prydz, Charlotte de Witte, CamelPhat, Joris Voorn, Mind Against, and Amelie Lens. 20 years of planning In 2025, RESISTANCE will make its debut at Amnesia, the same place that held ULTRA Worldwide’s first Ibiza event in 2007. This will bring the story full circle. RESISTANCE Ibiza 2025 is a big reunion that has been planned for almost 20 years. It will turn Amnesia’s sacred buildings into multisensory spectacles all season long, showing off the huge productions, top-notch visual design, and transcendent soundscapes that have become synonymous with the RESISTANCE brand around the world. Today’s news of RESISTANCE Ibiza 2025 also marks the start of RESISTANCE’s groundbreaking, yearly global club residency program. This will create a circuit of clubbing experiences from Miami to the Mediterranean that has never been seen before. This is the first model of its kind to connect RESISTANCE’s well-known U.S. club presence in Ultra’s hometown of Miami Beach with its award-winning Ibiza residency. It brings together two of the most famous places in dance music into a single, transcontinental movement. Few brands, if any, have been able to build such a strong, consistent club presence across multiple countries, which makes RESISTANCE a leader in its own right. RESISTANCE changes the way basement clubbing is done by combining two of the world’s most famous nightlife spots under one innovative brand. Join the RESISTANCE now Be a part of this important and groundbreaking time in music history. You can buy €50 early bird tickets for all nights at resistanceibiza.com, and stay tuned for more news about the programming. The post Techno lands in Ibiza with RESISTANCE residency at Amnesia appeared first on The Groove Cartel.

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Hannes Bieger‘s new record, Galaxies, was made during a time of change. The skilled producer has used his experience to create a wonderful collection of music. In this new album, Hannes takes the listener on a journey through space with nine powerful beats. Galaxies captures the wonder and mystery of the space beyond our small world. In addition to his amazing solo work, Hannes also collaborates with two vocalists, FEY and Walead, on the record. Black Hole Based on Hannes’ experience as a live performer, engineer, and producer, Galaxies has been arranged thoughtfully, starting with slower, rhythmic tracks and gradually moving to more intense songs at the end. It also includes his popular song ‘Black Hole‘, which is important to his career because it inspired his label Elektrons, where Galaxies is being released. The record was created a few years after Hannes started using a new studio. After struggling with a lack of creativity and not knowing how to approach his music, he wrote most of the record at the start of 2023. By then, he had adjusted to his new environment and felt confident enough to express himself freely. He is making music without any specific goals, free from the pressure of choosing a genre, in a place that feels like the best workspace he has ever had. The right elements for imagination to thrive and for new ideas to develop. During this time, ‘Black Hole‘ became an important moment for Hannes. The track received a great reaction every time he played it and gained a lot of attention on his social media. This led to the start of his own label, Elektrons, and helped define Hannes’ style, which combines melodic sounds with stronger rhythms. ‘Black Hole’ is joined by eight other productions on Galaxies, each one symbolic of the album’s theme. What connects everything in the universe? Like many people, Hannes is curious about our existence and the world beyond Earth. Galaxies relate to important questions in science, especially the question, “What connects everything in the universe?” For Hannes, it’s not about matter or antimatter; it’s the human experience and, ultimately, love that connects us all. This is especially important for the main song, ‘Hawa.’ The title means “Love,” and Walead’s moving words celebrate the strong influence of love. In this strong song, Hannes mixes energetic drum beats with an exciting tune. Moroccan singer Walead’s voice adds a lot of feeling to this song. His Sufi background and distinct style are important parts of this well-made electronic music piece. The rest of the record also shows this theme and Hannes’ skill in mixing the lively sounds of techno with the emotional beats of melody. The first track, ‘Apollo,’ gives us a calming journey through the stars and beyond. “Meteor” uses captivating synth sounds that make you feel like you’re traveling through space. Calm but powerful, it perfectly captures the feeling of a space journey. “Stardust” lives up to its name, with FEY’s singing adding strong feelings to the lively music, creating a happy vibe. The Icelandic singer has a gentle, beautiful voice that gives the song a magical feel. The final song, “Voyager,” creates a thoughtful mood with its serious tone. Where are we headed? What happens next? Questions to think about as Hannes’s beautiful music plays steadily and thoughtfully. Hannes creates music that is always easy to dance to and full of feeling. His carefully made tracks take us to an exciting world full of mysteries and the unknown. The post Hannes Bieger’s new album ‘Galaxies’ Is An Evolution in Sound appeared first on The Groove Cartel.

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Insomniac’s IN / ROTATION label is starting 2025 with a new release in their popular ‘Rotate‘ album series. Volume 14 features new music from Matt Faulk, Dances, REBRN, Gissa, RELOVA, Naz, Dan be, Ben Arsenal, Katerina Sky, Danielinha, FENIK, B/AN/K, and ALAY. Matt Faulk, who lives in Las Vegas, is becoming well-known in the dance world for mixing elements of both underground and mainstream dance styles. The popular Los Angeles singer and musician Dances has teamed up to create the catchy club song “WHOA!” The bold title captures the lively feel of the song, which blends strong bass from house music with the fun rhythm of tech house. This powerful house track is perfect for a fun night out. Dances’ gritty and bold lyrics add a strong vibe, combined with unique synth sounds, deep bass, swirling tones, and sharp beats. “WHOA!” is a catchy and exciting club song that is sure to be a big hit this year. Matt Faulk explains that “‘WHOA!‘ captures the excitement of a wild night out in a song: Working with Dances was amazing—his singing added just the right mix of confidence and sound to make this song really stand out. We wanted to make something that focuses not only on the catchy rhythm but also on those memorable high points. Veteran producer REBRN brings us an upbeat track called “Faith.” Built upon a beguiling charm, the track is a hypnotic heater. Lowered voice tones create a dreamy atmosphere and lead listeners through an enchanting experience. The track features ’80s-style synthesizers that create a nostalgic feel, supported by a modern sound. The strong bass beats combine with sharp claps and heavy kicks, creating a rhythm that makes you want to nod your head. “Faith” expertly builds and releases stress, making it an exciting tech house track. REBRN shares that “‘Faith’ is a great song to play on the dancefloor to energize the crowd.” Dutch producer Gissa releases his first track on his label called “Keep It Real,” which is powered by funk. The music is powered by organic basslines, while soulful sounds give it a unique touch and a fun, classic vibe. The voices glide over the smooth beats, giving the classic synths the spotlight. Smooth movement, well-placed sounds, and a classic style come together to create the track. RELOVA is a DJ and producer team from Dortmund, Germany, making a name for themselves in Europe and beyond. They invite fans to dance with their catchy song, “All Night Long.” Soft voices blend in with smooth rhythms that keep the mood steady right from the start. The catchy lyrics stick in your mind right away. The warm sounds of horns create a rich atmosphere, while soft guitar melodies bring a feeling of summer. The smooth bass and changing rhythms create a fun atmosphere with a tech house style that makes the music even more exciting. RELOVA sets the scene for the record: ‘All Night Long’ has catchy, repeated singing and a trumpet tune that you can’t forget.” Complemented by the light running percussive house beat, the record stands out as the perfect song for the night. “Face Off” by Australian producer Naz has a darker vibe. This upbeat song fits well in a warehouse party or while speeding through a quiet, empty city. Atmospheric pads provide a movie-like background, which is layered with strong basslines, amazing synth sounds, and fast-paced drum beats. “Face Off” is an exciting movie that keeps you on the edge of your seat. Naz explains that for “Face Off,” he wanted to create a track with more energy and intensity than his normal style. He aimed for a song that would be great for dancing, with a strong beat and a powerful drop. ù2I want something I can listen to in the car that makes me feel like I’m on a mission in ‘GTA.’ And finally, something my dog would like and be happy about.” Dan Be‘s “EfEm” is a versatile piece of music that changes its style and feel. The song starts with fun beats that encourage listeners to relax and enjoy as beautiful melodies flow smoothly. Just when it looks like we can guess what will happen next, Dan surprises us with a robotic, synth-like sound that gives a surprising texture to the music. “EfEm” shifts between beautiful moments and rough club beats, creating a constantly changing mix that keeps the rhythm going. Ben Arsenal, Katerina Sky, and Danielinha‘s song “JOIA” connect feelings and strong emotions. The Portuguese singing adds a special charm that is made even better by the intense style and soft tones. Progressive house music combines catchy melodies with strong bass and diverse drums, creating a unique sound. The beautiful guitar melodies and soothing sounds make listeners feel good, taking them to a joyful place. Ben Arsenal reveals that “‘JOIA‘ is a catchy progressive house song with beautiful vocals by D Medes, sung completely in Portuguese. The song has warm and passionate words that are meant for her beloved. Its special sound combines gentle tunes with strong beats, creating a mix of softness and energy. The track has global rhythms that create an energetic feel, while rich synth sounds create a captivating melody. “JOIA” is great for both romantic times and lively dance parties. It is a musical journey about love and connection that everyone can feel, no matter what language they speak. Fenik offers listeners their new “Obsession” via his mesmerizing floor-filler. The drums create a tense beat, layered over haunting sounds and captivating voice chants. Pounding fourth-on-the-floor kicks drive the drops alongside vast low-end and relentless hi-hats—the namesake voices cut through the mix and echo throughout, creating a maddening yet addictive edge. The midway break provides a short pause that gets more intense before leading into the exciting end of the dancefloor. Fenik explains that the song is designed to create a cool atmosphere for dancing and to help you discover something new to love while out at night. B/AN/K dives into a strong vibe with “Frequency,” perfect for late-night listening. The track features a catchy acid sound that drives it forward with a fun, exciting rhythm. The basic “Frequency” voices repeat, fitting perfectly into the rhythm. Powerful drums, strong bass, and exciting synth rhythms come together to create a lively rhythm. Breaking down the motivation behind the release, B/AN/K states: ‘Frequency’ is all about energy and connection. The acid lead energizes the track, catching the intense vibe of the dancefloor. This is for those who love to party at night, where the goal is to get lost in the music and let the beats move you. Swiss artist and DJ ALAY wraps up the effort with the uplifting song “Take Me.” The track creates a fun experience that brings people into a world of happiness. The singing is relaxing and peaceful, creating a meditative mood that feels special. The moving sounds work well with the beats and bass, creating a mix that feels both exciting and relaxing. “Take Me” combines a happy vibe with a laid-back feel. It’s a song about enjoying the moment and letting music help you relax and be present. ALAY highlights the significance of the song, stating, “This song comes from a personal desire to focus on a more positive outlook.” “Take Me” is about moving on from the past, not worrying too much about the future, and focusing on the present. The upbeat music and cheerful tunes are designed to make people want to dance, smile, and enjoy themselves. ‘Rotate Volume 14‘ is a collection of 10 tracks featuring great house and techno music, showcasing the unique styles of talented artists in the industry. The post IN / ROTATION releases Rotate Volume 14 Compilation appeared first on The Groove Cartel.

The evolution of electronic dance music is one of the most dynamic and vibrant stories in the festival scene today. From its grassroots origins to its mainstream prominence, we’ve watched as trends have taken on new forms and reshaped the festival landscape. As we look ahead to the 2025 festival season, we see these trends continuing to evolve in exciting ways. In this editorial, we will explore the emerging and recurring movements within the EDM community that are setting the tone for the future. 1. Culture & Fashion: The Rise of Unique Rave Attire Over the last few years, the EDM fashion scene has blossomed, with self-made brands gaining recognition for creating specialized clothing designed just for raves and festivals. These fashion-forward pieces are not just about style, but function—often featuring materials that are both comfortable and expressive of the community’s ethos. In addition to custom-designed rave gear, we’re seeing accessories like pashminas and head scarves becoming staple items at events. These pieces are not only fashionable but also serve as a personal touch for festival-goers. Beyond clothing, the values of EDM culture—Peace, Love, Unity, and Respect (PLUR)—are being embraced more avidly than ever. At many festivals, fans exchange bracelets or “kandi,” a tradition that fosters connection between the community. Additionally, gifting items like squish toys, “sprouts,” or even water at festivals has become a symbol of community care. These small gestures reflect the ongoing commitment to peace and unity within the EDM world, especially as the culture grows in size and influence. 2. 360° Experiences and Immersive Stages One of the most exciting advancements in festival production is the emergence of 360° stages, which create an immersive experience where the crowd surrounds the DJ. This trend was initially popularized by Boiler Room events, where the DJ was placed at the center of the crowd, making the performance feel more interactive. Since then, more festivals have adopted this concept. A prime example is Lost Lands’ ‘Crater’ stage, which debuted in 2024 to critical acclaim from both artists and attendees. Looking ahead, Bonnaroo is set to launch its ‘Infinity’ stage in 2025 with a massive 360° experience that will feature cutting-edge surround sound systems. As the largest tent at the festival, this stage will offer fans a completely enveloping show. The continued popularity of these immersive stage designs shows how much the crowd craves a more personal, inclusive experience where the DJ and fans share the same space. Expect this trend to flourish across other major festivals as attendees increasingly seek out shows that put them at the heart of the action. 3. Audio/Visual Experiences: The Power of Synchronization In 2025, the line between music and visual art is likely to blur even further, as more artists create immersive sets that integrate state-of-the-art visuals with their music. This trend started with pioneering artists like Eric Prydz, whose HOLO experience combined holographic 3D imaging with his performances, delivering an unforgettable visual spectacle. Following Prydz’s success, events like Afterlife have raised the bar with visuals that perfectly sync with the music, creating a truly immersive environment. Artists such as Black Tiger Sex Machine with PORTALS, Mathame’s A/V show, and Gareth Emery’s LSR // CITY have taken this concept even further. Their performances offer a powerful combination of breathtaking visuals and mind-bending audio, establishing a new standard for what fans expect from live performances. As technology continues to evolve, we can expect even more artists to embrace this trend, making it a dominant feature of the EDM festival scene in 2025. 4. Artist-Produced Festivals: A New Era of Curated Experiences It’s no longer just about performing at established festivals; more and more artists are taking matters into their own hands by curating their own events. This trend has been growing steadily, with artists like Excision founding Lost Lands, one of the most beloved festivals in the EDM community. The festival is renowned for its attention to detail and its fan-first approach, making it a standout in the festival world. Other artists have followed suit, with Subtronics creating Cyclops Cove and Cyclops Dome—unique events designed to cater to his fans’ interests. Illenium has also tapped into this trend with Ember Shores, his annual festival held in Cancun, Mexico, where fans can experience an intimate festival in a beautiful beach setting. These artist-produced festivals offer a new, personal connection between performers and attendees, allowing for more curated experiences and deeper fan engagement. As 2025 approaches, expect more artists to take the plunge into creating their own branded events. 5. Pop-Up Shows: Intimate and Unforgettable Moments Pop-up shows are a growing trend that allows artists to connect with their most dedicated fans in an intimate setting, often without the need for elaborate stage production. These spontaneous events are held in unexpected locations, from a bus in New York to underground venues in Amsterdam and Colorado. Artists like Charlotte De Witte, Chase & Status, and Skrillex have embraced this concept, creating an atmosphere that feels more personal and exclusive. For many fans, pop-up shows are an opportunity to see their favorite artists up close, without the overwhelming crowds of larger festivals. These events also foster a sense of community and excitement, as fans know they’re part of something special and fleeting. As we move into 2025, pop-up shows are likely to become even more prevalent, offering a refreshing contrast to the high-production festivals that have become the norm. A New Chapter for EDM As we look toward the future of EDM culture, 2025 is shaping up to be a year of innovation, intimacy, and inclusivity. From fashion to immersive experiences, the trends we’ve discussed are just the beginning of what’s to come. With artists continuing to push boundaries and festival-goers increasingly seeking personalized experiences, EDM culture will continue to evolve in exciting and unpredictable ways. The next chapter is bound to be unforgettable.

Lonely Computer, the electronic project of Matt Connelly, collaborates with Montgomery on his latest single, ‘Blindfold’, out this week via Seeking Blue Records. The track marks a shift in pace for the artist, embracing a more traditional songwriting approach that highlights emotional depth and self-reflection. The track began as a collaboration between Connelly and his longtime friend Matt Phillips, before bringing in Montgomery, an artist Connelly had admired for years. Her connection to the song was instant, and within a day, the collaboration took shape into something truly special. The release follows Lonely Computer’s recent guest mix on SiriusXM’s Electronic Chill and features on Triple J, further cementing his presence in the electronic scene. With more singles, an EP, and live shows on the way, Lonely Computer continues to be an artist to keep your eyes on. The post Lonely Computer Removes the ‘Blindfold’ with New Single appeared first on EDMTunes.

Tom Enzy continues his collaborative streak with his next release alongside HUGEL and Juany Bravo, bringing an official remix of David Guetta, Jaden Bojsen and Sami Brielle’s viral track ‘Let’s Go’ via Spinnin’ Records. The Producer and DJ continues on his upward rise, marking yet another exciting highlight in his journey as he steps out with this brand-new rework, teaming up with some of Electronic Music’s most renowned talents. With experience, talent, and creativity on his side, Tom Enzy has been making his mark on the Electronic Music scene: achieving multi-platinum status as a DJ and Producer, his collaborations, high-energy performances, and original studio work continue to capture attention, earning him recognition as a highly regarded talent within the genre. From collaborating with industry icons like HUGEL, Alok, Rick Ross, Bob Sinclar, and Flo Rida to releasing music on labels such as Sony, Warner, and Universal, his distinctive fusion of Tribal House, Afro, Latin House and Brazilian Funk influences continues to resonate with global audiences. With performances on major stages like Tomorrowland and Ultra Music Festival, among many others, he has proven himself as a noteworthy force and now, with this latest release, positions himself, once again, as a defining talent, continuing to push boundaries with his unmistakable sound. Displaying rich textures of infectious rhythms and bold details, this new rework of ‘Let’s Go’ builds on the dancefloor-ready energy of the original; sustaining the catchy melodic motifs and familiar vocal layers, the intricate percussion work establishes the tight groove of the track, elevating the overall sound to offer listeners an energising musical experience. With its driving beat, dynamic hook lines, elevating risers and compelling rhythmic foundation, the arrangement keeps a fluid momentum, maintaining its flow throughout as it balances tense moments with groovy transitions. A production that brings together the signature styles of all collaborators, incorporating tribal, Latin-inspired flavour through the track’s distinct rhythmic layers, this latest reinterpretation of ‘Let’s Go’ makes for a refreshing listen, primed to energise genre lovers and encourage excitement across the global Electronic Music stage.  Sure to team up with yet more powerhouse talents within Electronic Music, Tom Enzy remains an undoubted force to be reckoned with, so be sure to keep him on your radar by following his journey across social media. ‘Let’s Go (ft. Tom Enzy, Juany Bravo & Sami Brielle) [HUGEL Remix]’ is out now via Spinnin’ Records and available to stream and download across platforms. Listen and Buy ‘Let’s Go (ft. Tom Enzy, Juany Bravo & Sami Brielle) [HUGEL Remix]’ Now: https://www.beatport.com/release/lets-go-feat-tom-enzy-juany-bravo-sami-brielle-hugel-remix-extended-mix/4927239   Tom Enzy Online      Instagram  | Spotify  | Beatport  HUGEL Online      Instagram  | Spotify  | Beatport  Juany Bravo Online      Instagram  | Spotify  | Beatport  Sami Brielle Online      Instagram  | Spotify   Spinnin’ Records Online      Website  | Beatport   The post Tom Enzy Teams Up with HUGEL & Juany Bravo for Official Remix of David Guetta & Jaden ’Bojsen’s Viral Hit ‘Let’s Go’ appeared first on EDMTunes.

Rising solo artist, TONG released a brand new single titled ‘Is It Real’, a track feels right at home on the dance floor. Drawing inspiration from 90s Hip-Hop, the vocals bring a playful bounce, perfectly complementing the tech house drum kit and rhythmic bass line. The song layers in funky, upbeat elements that keep the energy alive from start to finish. Be sure to check out ‘Is It Real’ for yourself, out everywhere now! TONG, based in Los Angeles and originally from China, is an up-and-coming DJ and producer known for her unique fusion of house and dance music. With a bold approach to sound, she experiments with a wide range of genres to carve out her distinct style. In 2022, TONG won the EDC Orlando Discovery Project with her remix of Matroda’s ‘Gimme Some Keys’, released on Insomniac Records. Since then, she has worked with prominent labels like Insomniac, Hexagon, and Toolroom, releasing tracks that showcase her evolving sound. In 2024, TONG won the Toolroom Remix competition, and released the official remix for Essel. As she continues to explore new musical directions, TONG’s passion for innovation and her dedication to her craft keep her on an exciting path in the world of electronic music. The post TONG – ‘Is It Real’ appeared first on EDMTunes.

Hannah Wants has returned to Defected Records with "Hold Me," a deeply personal house track featuring British singer-songwriter ARA. This song explores heartbreak and healing through hypnotic Afro-house grooves and velvety piano chords and an emotive vocal performance from ARA. The arrangement is warm and visceral yet irresistibly danceable, striking the perfect balance between feeling and rhythm. Wants described "Hold Me" as her most significant release to date, a cathartic expression of resilience and healing. Written in December 2023, the song took on profound meaning after she experienced both a breakup and cancer diagnosis. "I was unaware that this very song would become my own truth," she said, "and a part of my own storyline." "Heavy adversities don’t come to punish us," Wants added. "They come to teach us. It’s all about mindset. Open your eyes, heart and mind, listen to your intuition… it’s an opportunity to elevate." A special acoustic version of "Hold Me" will follow later in the month of February. In the meantime, listen below and find the new single on streaming platforms here. Follow Hannah Wants:X: x.com/hannah_wants Instagram: instagram.com/hannah_wants TikTok: tiktok.com/@hannahwantsdj Facebook: facebook.com/hannahwantsdj Spotify: spoti.fi/3zG5Ewr Follow ARA:X: x.com/okayimara Instagram: instagram.com/okayimara Spotify: tinyurl.com/fjjjb2mr

Just ahead of Valentine’s Day, melodic bass fans are in for a treat. SABAI, Somna, and RUNN have joined forces to deliver ‘I Miss You,’ a powerful and emotive track that perfectly captures the essence of longing and love. Released on SABAI’s own IKIGAI Music imprint, the track will be tugging at your heartstrings with its breathtaking vocals and gentle production. ‘I Miss You’ wastes no time in grabbing the listener’s attention. RUNN’s ethereal vocals gently introduce the track, building anticipation for the soaring melodic bass drop that follows. The energy intensifies as the song progresses, culminating in a high-energy second drop. SABAI, a rising star in the melodic bass scene, has been making waves with his unique sound, captivating stage presence, and strong community. Fresh off a sold-out headline show, IKIGAI, at the Hollywood Palladium, where he debuted a full live band experience alongside stunning visuals and unique production, Sabai premiered ‘I Miss You,’ instantly captivating fans. This release marks a significant milestone for Somna, a veteran of the electronic music scene. Known for his 15+ years in the trance world and as the owner of the prolific AVA Recordings label, Somna steps into the melodic bass realm for the first time. His exploration of the genre began during the pandemic through his Twitch streams, evolving from a simple appreciation to a dedicated pursuit, resulting with this powerful collaboration with SABAI and RUNN. The post SABAI, Somna, and RUNN Team Up for Emotional Melodic Bass Anthem ‘I Miss You’ appeared first on EDMTunes.