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The inbox of Skrillex fans lit up with an unexpected surprise moments ago: a personal email from the electronic music icon himself containing a snippet of new music. Skrillex today reached out to fans via email, sharing audio of an unreleased song titled "Bibi's Tower." The track's title has sparked speculation within Skrillex's fan community about a potential collaboration with singer-songwriter Bibi Bourelly, with whom he collaborated to release 2023's "Don't Get Too Close" and "Still Here." Whether or not he just soft-launched a new album, however, remains to be seen. Skrillex currently has at least two rumored albums in the works, which had been expected to release back in 2023. The correspondence marks a shift in the artist's digital communication strategy, with Skrillex asserting direct control over his email marketing for the first time in years. While details about "Bibi's Tower" remain scarce, this surprise drop seems to signal a new era of spontaneous releases and direct fan engagement from the legendary DJ and producer. The move aligns with a growing trend of artists bypassing traditional promotional channels in favor of more personal, direct communication with their fans. "I've got control of my website/email address now, so I can start sending stuff any time I want!" he wrote in a post on X, suggesting that fan communications were previously handled by his team rather than himself. You can listen to the "Bibi's Tower" audio here. Follow Skrillex:X: x.com/skrillex Instagram: instagram.com/skrillex TikTok: tiktok.com/@skrillex Facebook: facebook.com/skrillex Spotify: tinyurl.com/naka2dyv

Brooklyn Mirage is both a paradise and a paradox. Unparalleled programming and production intertwined with some serious pitfalls have created a perception of the storied EDM venue that seesaws between excellence and dysfunction. But with new leadership at the helm, 2025 could be a turning point. First, the good. There’s no denying that the New York venue’s curation is top-notch. Dance music’s biggest artists—like Carl Cox, John Summit, Keinemusik, Black Coffee and Swedish House Mafia—often take the stage at Brooklyn Mirage. Record labels and brands with thriving communities—like Anjunadeep, Boiler Room, Mayan Warrior and All Day I Dream—curate shows there too. And rewarding the truest of revelers, dusk-to-dawn shows are hosted regularly, spurring sunrise sets in a sprawling setting that few stateside venues can pull off. Plus, the venue’s production rivals festival stages. The sound system is stellar and Brooklyn Mirage’s gargantuan, 300-foot, 14K LED video wall is a spectacle. But it’s not all sunshine and rainbows. Reports in recent years of operational mismanagement and safety concerns have soured the venue’s relationship with longstanding patrons. Social media is rampant with accounts of aggressive security, oversold shows and confiscation of Narcan, a life-saving medication that’s widely considered a critical harm reduction tool in the dance music community. A pair of mysterious deaths near Brooklyn Mirage in 2023 also cast a long shadow over the venue’s reputation, fueling calls for greater accountability and improved safety measures. Josh Wyatt, the new CEO of Avant Gardner—the multi-venue complex that houses Brooklyn Mirage—is determined to tackle the venue’s most pressing concerns with meaningful change. "Trust, transparency and accountability are the three key words in my moral compass," Wyatt tells EDM.com in a sweeping interview. "I have pushed those three words down into the fiber of the company to ensure that employees understand that these are key expectations I have as CEO." It’s natural to be skeptical about lofty statements. "So what does this all mean in practice?" Wyatt himself segues, expanding on several concrete ways to rebuild trust with patrons who may have had negative experiences at Brooklyn Mirage in the past. “We’ve heard feedback that the way security interacts with fans is too draconian,” he says. “I think that comes down to training and a commitment to change the company culture.” To address this feedback, Wyatt plans to expand Brooklyn Mirage’s guest ambassador program and have all staff undergo hospitality training. This community-based approach to guest relations should translate to more pleasant experiences with staff once Brooklyn Mirage reopens later this year, he says. "It's one thing to understand the technical details of the venue, but it's another thing to actually be trained with a culture of hospitality: welcoming people, really wanting to make sure that guests feel safe, feel heard and are given the opportunity to have a great time." Avant Gardner and Brooklyn Mirage CEO Josh Wyatt.Muccitas Apart from hospitality training, Wyatt mentions that all staff has already undergone training on harm reduction, overdose prevention, anti-harassment, sexual violence prevention, CPR/AED, bystander intervention and Narcan administration. Regarding past reports of staff confiscating Narcan, he affirms that the medicine is permitted into the venue and that all staff has been made aware of the policy. However, Wyatt stresses that patrons in need of help should seek out trained medical professionals who will be onsite at every show. But it’s not just the way in which staff members interact with fans that has proven to be an albatross for Brooklyn Mirage—it’s also the way they present themselves. "When someone comes in and sees security in quasi-military gear, it certainly sends a message, and that message is definitely not one of openness and positivity,” Wyatt admits. "Our goal would be similar to the U.S. Secret Service or Federal Air Marshals. There's a lot of stuff that happens behind the scenes that you never see, yet it’s safe for politicians to give a speech, and it’s also safe for us to fly." Wyatt emphasizes there’s nuance in prioritizing security while maintaining a welcoming atmosphere. “It’s almost like being a swan. We’re paddling furiously underneath, but all you should see is a hospitality-forward company.” When it comes to safety outside the venue’s walls, Brooklyn Mirage is investing in improvements, Wyatt says, to “lighting, fencing, perimeter sight lines, way-finding, signage to subways and rideshare, and cell phone service—through finally getting the right permits and licenses to install more cell phone towers.” These changes should make a big difference since the streets surrounding Brooklyn Mirage are relatively quiet with limited residential presence. The immediate vicinity comprises several blocks of warehouses, factories and commercial buildings with sparse street lighting and low pedestrian traffic. The venue will also continue working with both NYPD and private security to patrol the surrounding neighborhood after shows end, policing unlicensed drivers from picking up inebriated patrons. Though Wyatt states that there are legal and technical limits to what they can do once someone exits the venue. “It’s more of a neighborhood or community problem,” he adds. “I would challenge everyone around us as neighbors to work together collectively—whether it's other nightlife operators in the area, property owners or politicians—we need to work together to make the neighborhood a more welcoming place." Apart from hospitality and safety, capacity is one of the biggest criticisms of Brooklyn Mirage. Patrons often report that shows feel overcrowded and oversold, sometimes raising concerns about potential fire hazards. Wyatt views capacity across two axes: technical (the layout of the dancefloor) and functional (the number of people on the dancefloor). On the technical front, “there will be no barriers, columns or production tents on the dancefloor,” Wyatt says. “That's a very simple but profound fix that we think will improve crowd flow.” If you’ve been to Brooklyn Mirage, you’ve probably experienced bottlenecks around the steel boundaries of the large production tent at the back of the dancefloor or around the towering, obstructive columns spread across the dancefloor. Eliminating these structures will open up significantly more space for dancing. Wyatt also promises new spaces with direct sight lines to the stage. Bryan Kwon In fact, holding true to its name, Brooklyn Mirage as we know it is going to disappear. The space is being rebuilt from the ground up, and the rebuild will result in a larger dancefloor and dynamic production design. “We can't fully disclose what we're doing, but I can tell you that when you walk into Brooklyn Mirage for the first time, you're going to see a set design that will blow you away,” Wyatt emphasizes. “Then when you come back two weeks or two months later, it's going to look totally different. The type of technology that we're designing to be able to allow us to do that is bespoke and has never been done before—I think it’s pretty mind-blowing.” Love it or hate it, Brooklyn Mirage will sunset its signature video wall. Wyatt favors flexibility in stage design and thinks the video wall creates a fixed point of view that restricts optionality. “We’ve been flirting with new production elements ahead of the 2025 Mirage season,” he says. “One of our first tests was this sort of 360° pulsating visual rig that we put up for Rampa at the Great Hall in December.” "The second area of technical flow is how people get in and out of the venue and how people get between the different sections within the venue,” Wyatt continues. “With the new venue design, we've addressed all pressure points to make the guest experience a lot easier and more intuitive in terms of flowing through the venue. Because it's not just about dancing, it's also about the ability to get to the exits, bars and bathrooms quickly." Aside from streamlined flow, Wyatt says the revamped Brooklyn Mirage will also have “new areas where people can peel out of the main dancefloor, hang out and have much better experiences and side quests around the entire campus.” If you’ve ever been to the venue and found yourself stumped by an aggressive security guard telling you that the elevated floors are closed off, Wyatt wants to fix that. He acknowledges that area restrictions were not always clearly communicated by staff in the past, but enhanced signage and hospitality training will change that. Alive Coverage When it comes to the burning question of whether Brooklyn Mirage oversells shows, Wyatt says he wants to be both “transparent and a little combative” in his response. “I've seen the numbers. In the past for 2023 and before, I think there was overselling,” he reveals. “In 2024, there was a cap on the number of tickets that were sold. I have all the data and other than maybe one or two shows, there was never overselling of tickets. So I acknowledge that customer feedback that it's been overcrowded, but since I came on board, I said whatever the venue capacity is, you cannot sell one ticket beyond that.” “Perception is everything,” he adds. “We have to communicate effectively with all the constituents that touch the company—vendors, employees, neighbors, politicians and of course fans. We’ve been putting out communications in writing, on social media, and in person to tell people what we are going to do, show people that we've listened to their feedback and to provide a solution to any type of challenge that people have faced.” If you scroll through Brooklyn Mirage’s Instagram page, you’ll notice a drastic difference in how they are engaging with fans. Any criticism is met with openness and positivity. Before Wyatt joined the company, responses to comments on social media were non-existent. “We need to have an active dialogue where you recognize a customer has had either a positive experience or a negative experience, and comment on that to either give reinforcement to the positive moment or a service path to recovering from a negative moment,” Wyatt explains. “The team has been incentivized to be very engaged on social media.” Alongside Net Promoter Score, a standardized methodology for benchmarking and capturing feedback in the hospitality and nightlife industry, Brooklyn Mirage will collate customer sentiment on social media to measure the success of its new policies on improving the guest experience. Wyatt’s focus on guest satisfaction stems from over two decades of experience in the hospitality industry. “I've always been deeply motivated and inspired by creative companies that have a meaningful community,” he says. “Brands that can define, support and grow a community are brands that typically stand the test of time. They may go through ups and downs, but the ones I think that survive and eventually thrive over years and more importantly decades are ones that understand their community and know how to foster a long-term view of that community. I've always aligned myself to companies that follow that mantra.” Wyatt’s most recent tenure as CEO of social club NeueHouse and its sister company, the photography museum Fotografiska, was rooted in community-building. NeuHouse’s cultural programming (artist talks, film screenings, creator dinners), interior design (communal workspaces and lounges) and membership were designed to foster a vibrant community of creators, inventors and thought leaders. His past experiences as president of Equinox Hotels and co-founder of Generator Hostels share similar community underpinnings. “When I started Generator—back when the word Millennial was the equivalent of what Gen Z is today—no one understood the concept of bringing together high-level interior design, cultural curation and music into the budget travel industry,” he says. “We did that with Generator.” Part of Wyatt’s efforts with Generator also included an early discovery of now-global music broadcasting platform Boiler Room. “We were the first to ever bring Boiler Room on the road,” he recalls. “We found them in a garage in Shoreditch back in 2008 and thought that they were incredible and that they should travel. So we were the first ones to ever actually stream a touring Boiler Room. It happened in Berlin, back in 2010, and was the first touch point I had seeing the power of electronic music with a communal, tribal vibe—people coming together to experience a profound sense of joy and emotion.” To this day, Wyatt still champions rising talent, pointing to Keinemusik supporting Desiree and Black Coffee working with Shimza as great examples. In turn, he aims to use Brooklyn Mirage as a lever where established acts can amplify emerging talents, an opportunity he called "one of the best parts about this job." “One of the things that I'm intrigued by is this concept of established artists or platforms that are also really, really good at developing talent underneath them and elevating that talent, whether it's directly on a label or just as friends.” Brooklyn Mirage kicks off its 2025 season on May 1st. You can find out more via the venue's website.

It’s Ultra Tuesday and this was a big one. Ultra Music Festival dropped its Phase 3 lineup, completing the roster for the festival’s 25th Anniversary edition. Phase 3 is usually a housekeeping affair, but this time there were a few notable additions. The headliners list now officially includes Skrillex (who was previously announced) along with Oliver Heldens. The support section now has added LTJ Bukem, Mar-T, Marco Faraone, Joel Corry, Ruben de Ronde, and Sonny Fodera. Finally, the local support acts were included on the final slide, including our very own Lemony Snicketts! One surprising new addition is Amnesia Ibiza as a stage host. You’ll recall that Resistance recently announced its 2025 return to Ibiza would be hosted at Amnesia, so the reciprocity makes sense here. We can only assume Amnesia will be taking over one of the Resistance stages along with Carl Cox Invites, and Diynamic View this post on Instagram A post shared by Ultra Music Festival (@ultra) The post Ultra Music Festival Completes Lineup for 25th Anniversary appeared first on EDMTunes.

A surprise performance by electronic music superstars John Summit and Dom Dolla on New Orleans' iconic Bourbon Street came to an abrupt end on Saturday when local police intervened due to security concerns. The impromptu concert, sponsored by Don Julio Tequila, drew an unexpectedly large crowd just one day before the Philadelphia Eagles' blowout victory over the Kansas City Chiefs in Super Bowl LIX. The event had quickly spread through word of mouth and social media, transforming the already-bustling French Quarter into a daytime rave. At one point, Apple CEO Tim Cook appeared alongside Summit and Dolla, who often DJ together under their collaborative alias Everything Always. View the original article to see embedded media. Despite Don Julio Tequila having necessary permits and safety measures in place, according to Dolla, the sheer volume of attendees ultimately forced authorities to end the pop-up DJ set early. He then shared a video in which a police officer told the pair to "shut it down." "For anybody concerned: Don Julio had approval from the city, safety and security measures were in place," Dolla stated on social media. "The issue was the party got too big and we had to end it early." View the original article to see embedded media. The incident serves a stark reminder of how quickly viral moments can overwhelm city infrastructure. Neither the New Orleans Police Department nor Don Julio have issued official statements about the performance at the time of reporting, though the latter said in an Instagram post that it "shut down" Bourbon Street. Cathy Lanier, the NFL's Chief Security Officer, said prior to Super Bowl LIX that "thousands" of police officers were being deployed in New Orleans to keep the city safe. Louisiana Governor Jeff Landry also reportedly issued an emergency order to create a security zone around Bourbon Street, directing officers to search purses or bags at various checkpoints. View the original article to see embedded media.

Premier club, Hï Ibiza, has announced a brand-new residency for 2025. Renowned for his electrifying house music and peak-time performances, Dom Dolla has experienced a rapid ascent in the industry. His success includes global chart-topping hits, headlining major festivals and arenas, collaborating with top-tier artists, and earning a Grammy nomination. From July 2nd to September 3rd, Dom Dolla will bring his signature sound to the Hï Ibiza Theatre, marking a thrilling new chapter in his career. Reflecting on this milestone, he shared his excitement: “Over the past few summers performing across Ibiza, I kept returning to Hï Ibiza. It’s an incredible honor to host my own residency at such an iconic venue—I can’t wait to call it home. See you on Wednesday!” Dom Dolla has swiftly risen to prominence in the electronic music scene, gaining global recognition for his immersive show production and high-energy performances. Having played at major festivals and iconic venues like Madison Square Garden, he is now one of the most in-demand artists in dance music. Acknowledged by Rolling Stone as ‘Best New Artist,’ Billboard Dance as ‘One to Watch,’ and GQ as ‘Solo Artist of the Year,’ his career continues to soar. Securing a headline residency at the world’s leading nightclub is a significant achievement, solidifying his status at the top of his game. His residency at Hï Ibiza will be a platform to showcase his artistry and engage with an international audience. With Hï Ibiza’s cutting-edge production and reputation for hosting legendary residencies, Dom Dolla’s weekly performances are sure to be a highlight of the 2025 Ibiza season. Tickets are on sale now via hiibiza.com. The post Hï Ibiza Announces Dom Dolla Residency For 2025 appeared first on EDMTunes.

The vibrant streets of Downtown Los Angeles will once again reverberate with the sounds of house and techno as Skyline Festival returnd this weekend for its fourth iteration. Organized by Insomniac Events, the two-day event will once again return to Grand Park for a multi-block takeover stretching from the music center to city hall. Within those boundaries, attendees can expect to find three distinct stages showcasing an array of international talent within the house and techno genres. Cloonee, Green Velvet, Nico Moreno, The Martinez Brothers, Marco Carola, Matroda, and Gordo are all scheduled to perform at the Factory 93-branded event. However, there will be one area within the festival championing the sounds that make LA's dance scene stand out from other cities. Skyline's Arts District stage will feature local underground DJs showcasing the diverse sounds coming out of the City of Angels. The area will allow the scene’s leading names to perform alongside industry titans, all while shining a light on LA's underground dance community. EDM.com caught up with three rising acts set to perform at Skyline to hear unique perspectives on LA's dance music scene. OJ c/o Press “LA is the city where I first discovered electronic music and raving. Years of going to underground parties motivated me to pursue the craft myself, and the people I’ve met along the way—fellow DJs, artists, promoters, dancefloor friends—have given me the confidence to keep going. To be a part of the Arts District lineup celebrating this community feels like a very full-circle moment! Whenever I meet artists or ravers from other cities, I feel proud to tell them about the LA scene - how there are dozens of parties happening on any given night, each curating its own flavor of vibe and genre. This creates an environment where artists can experiment and not feel limited. You can see that diversity in the Arts District lineup, and it’s influenced me as a multi-genre DJ and producer.” Trussie c/o Press “I feel honored to represent LA's underground bass music scene. In a city with many more platforms for house and techno, my friends and I are fighting to create new spaces for bassier, left-field, and global dance genres. I think it's not a coincidence that the people pushing this needle forward in LA—Introspekt, Carre and Bianca Oblivion—are all women.” Soul Purpose c/o Press "I was born and raised in LA, and my identity—both musically and personally—was shaped by the city’s dance music scene and its queer underground. Playing the Arts District stage for me is about honoring the spaces and people who built this culture before me, the ones who fiercely and courageously carved out spaces for my self-expression, resistance, and joy. I’m absolutely gagged by the artists I’ll be sharing this stage with and will be out in the crowd supporting them; that’s one of my favorite things about the underground—we are there for each other. The Arts District continues to reflect that and the raw, unapologetic diversity of LA nightlife—the creators, the builders, the disruptors. And right now, with so much at stake for queer and marginalized communities, we need to hold on to that spirit of creating, building, and disrupting through community and music more than ever." FOLLOW SKYLINE FESTIVAL:Website: skylinefest.com Facebook: facebook.com/Skyline-Music-Festival Instagram: instagram.com/skyline.festival X: x.com/Skyline__Fest

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene. You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here. EDM.com Fresh Picksbarking continues - herzLonely Computer, Montgomery - BlindfoldArt School Girlfriend - Is It Light Where You AreMont Duamel - King Without a CrownGilligan Moss - Mystic Pebble (Mood Talk Remix)Glass Animals - Show Pony (Parra For Cuva Remix)Rachika Nayar - The Trembling of GlassTeebs, Thomas Stankiewicz - Atom SongBronze Sun - IllusionzLit Wilson - Switching Lanes

After six years of silence, Winter Music Conference is finding new rhythm once more. With just six weeks until its long-awaited return, organizers have revealed the first wave of programming for its milestone 35th anniversary, promising a lineup packed with dance music’s most influential artists and industry power players. Taking place from March 26-28 at the historic Eden Roc Miami Beach Resort, WMC 2025 promises three days of insightful panels, educational workshops and networking events designed to fuel the next chapter of electronic music's creation. LP Giobbi, Shimza, HAYLA and Aluna are some of the notable artists slated to appear, joining a roster of executives and thought leaders from Ultra Records, SoundCloud, Defected Records, Kompass Music Group and Wasserman, among many others. For a conference that once set the blueprint for Miami Music Week, this year's edition marks a significant return to form after a six-year absence. WMC's return to Miami feels like a homecoming for an industry that has transformed dramatically in its absence. WMC last took place in 2019, with plans for a 2020 revival derailed by the pandemic. A virtual edition followed, but the physical event has remained dormant until now. As dance music continues to thrive in new markets, digital spaces and crossover genres, this year’s edition offers a rare chance for both veterans and newcomers to once more shape its future together, in person. Panels and discussions will explore the evolution of music distribution, artist branding in the streaming age and the impact of emerging technologies on the creative process. Over 60 industry leaders are scheduled to participate with moderators from Billboard, SPIN, EDM.com and DJ Mag guiding the conversations. Beyond the conference halls, attendees can expect signature WMC events, including the Official WMC Pool Party, a Kickoff Networking Mixer and a new awards ceremony merging the Electronic Dance Music Awards (EDMAs) and the International Dance Music Awards (IDMAs). The latter promises a star-studded closing event, celebrating fan-favorite artists. WMC 2025 tickets are on sale now at on the conference's official website. View the original article to see embedded media.

Confusion hit the ODESZA fanbase after an AI-generated album surfaced on streaming platforms, masquerading as the duo's original work. The fake release, which was fraudulently linked to ODESZA's official unique identifier for artists on streaming services, was initially available on SoundCloud, Amazon Music and YouTube. ODESZA's team has since removed the music, but the incident serves as a wake-up call that without stronger protections in place, AI-generated fraud will continue to create problems for artists and fans alike. It has reignited concerns over the ease with which fake music can infiltrate major platforms. The fact that the release was able to go live on streaming platforms without immediate detection could fuel growing frustrations surrounding AI-powered music production and distribution platforms, which have increasingly been used to create counterfeit music that steals streams, misleads fans and damages the credibility of real artists. ODESZA have not yet publicly commented on the situation at the time of this writing. Follow ODESZA:X: x.com/odesza Instagram: instagram.com/odesza TikTok: tiktok.com/@odesza Facebook: facebook.com/odesza Spotify: tinyurl.com/jmn8cyre

Pacha Ibiza has been the crown jewel of the island’s nightlife for over 50 years, but until now, no female DJ has ever been tapped to headline as a resident artist. That changes this summer when BLOND:ISH becomes the first female to lead a season-long residency at the iconic club, according to Billboard. The Canadian DJ, producer and sustainability advocate, who has long championed the intersection of music and environmental responsibility, will take over Pacha Ibiza every Wednesday from May 21st through July 30th with her "Abracadabra" party series. The opportunity is a natural fit for BLOND:ISH, whose career has been defined by breaking both musical and cultural boundaries. BLOND:ISH’s appointment as Pacha’s first female resident signals a shift in Ibiza’s nightlife landscape, reflecting a broader push for inclusivity in an industry historically dominated by male artists. While her residency is a personal milestone, it’s also a step toward reshaping the status quo in club culture. “I've been going to Ibiza since I was 17, so you can imagine that I’ve been dreaming about a residency, and what I can bring to the island that’s unique,” she shared. Since opening its doors in 1973, Pacha Ibiza has been a global institution that has helped shape the very fabric of electronic music culture. Over the decades, it has hosted industry titans from Solomun to Swedish House Mafia, cultivating a legacy that few venues can rival. Tickets for BLOND:ISH’s "Abracadabra" residency at Pacha Ibiza are available now. View the original article to see embedded media. Follow BLOND:ISH:Instagram: instagram.com/blondish X: x.com/blond_ish TikTok: tiktok.com/@blondish Facebook: facebook.com/blondish Spotify: tinyurl.com/3ubp7xjz

Loco Dice and Carl Cox have never been strangers to seismic moments on the dancefloor. Yet their new single, “Road Runner,” feels like a singular feat as the two titans of techno bring decades of global club mastery into focus. Dexterous breakbeat drums scuttle across the track, which features a high-energy bassline that rattles ribcages and pulses with a radiant insistence. Meanwhile, revving risers surge upward, hinting at the sublime tension only these two producers could conjure. Dice has been candid about his longtime admiration for Cox. "I was always Carl’s biggest fan... it was a blessing when he spotted me at my first gig at Circoloco in 2002," he shared in a clip on social media, recalling the start of their storied friendship. From that fateful set in Ibiza to the pounding synergy of "Road Runner," their creative bond has flourished across tours, remixes and many memorable b2b sets. As the new single storms onto sound systems and stages alike, it simultaneously offers a tantalizing glimpse of what’s coming. Slated for release on May 23rd, Loco Dice’s forthcoming album, Purple Jam, will feature “Road Runner” alongside its first single, "Heavy Heart," Dice’s raw collaboration with Skrillex and Fireboy DML. You can find "Road Runner" on streaming services here. Follow Carl Cox:X: x.com/carl_cox Instagram: instagram.com/carlcoxofficial TikTok: tiktok.com/@carlcox Facebook: facebook.com/carlcox247 Spotify: spoti.fi/3oJKvw8 Follow Loco Dice:X: x.com/locodiceofc Instagram: instagram.com/locodice TikTok: tiktok.com/@locodiceofc Facebook: facebook.com/locodiceofc Spotify: bit.ly/4g4fPA7

Swedish House Mafia and The Weeknd have reunited for "Closing Night," a new track steeped in the seductive melancholy that has defined their collaborations thus far. Available exclusively on the "Pharrell Williams" edition of Hurry Up Tomorrow, the song marks another chapter in a partnership that has blurred the lines between electronic music and pop grandeur. For Swedish House Mafia, the track reinforces their unique ability to meld their stadium-filling, euphoric sound with something more intimate, an ability that has kept them at the forefront of electronic music for over a decade. The trio stuns with sweeping synths, aching chord progressions and an undercurrent of tension that builds like a slow-burning fire beneath The Weeknd's vocals. The collaboration is another addition to a saga that began in 2021 with "Moth to a Flame," their hypnotic anthem that became a billion-stream behemoth. They followed it up in 2022 by co-producing "Sacrifice" and "How Do I Make You Love Me?" on Dawn FM, projects that further wove The Weeknd into the fabric of the electronic dance music world. Fans eager to experience "Closing Night" will need to seek out the limited Pharrell Williams edition of Hurry Up Tomorrow, available through a dedicated portal on The Weeknd's website. View the original article to see embedded media. Follow Swedish House Mafia:Instagram: instagram.com/swedishhousemafia X: x.com/swedishousemafia TikTok: tiktok.com/@swedishhousemafia Facebook: facebook.com/swedishhousemafia Spotify: spoti.fi/36uoBWe

Chicago-based Producer and DJ Avi Sic returns to Generation Hex with her latest release, ‘Work It’, teaming up with Canadian duo FOOTWURK for a high-energy Bass House banger. Continuing to cement her position in the Electronic Music scene, Avi Sic once again showcases her dynamic artistry and collaborative mindset, pushing boundaries with a track designed to energise dancefloors worldwide. Having built an impressive catalogue of music, with releases spanning labels like Revealed, Spinnin’ Records, Mentalo Music, and DND RECS, Avi Sic has been continually gaining momentum throughout her creative journey, garnering industry support from heavyweights such as Nicky Romero and Benny Benassi. As she works to raise the bar with each new release, Avi Sic keeps stepping out with forward-thinking music, this time offering a track whose heavy-hitting energy has already caught the attention of some of the biggest names in the industry, including Martin Garrix, Showtek, and Don Diablo. FOOTWURK themselves bring experience and skill to this collaboration; having made waves with releases on labels such as STEREOHYPE, Bite This!, and Low Ceiling, the duo match Avi Sic’s own rising potential within Electronic Music and now come together to offer this brand-new production to listeners. ‘Work It’ wastes no time delivering pulsating energy, layering driving basslines, acid-tinged synths, and shuffled percussion to create a rhythmically tight, club-ready sound. As the track builds with rising tension, intertwining hypnotic vocals and sharp drum work, listeners are taken on a compelling journey, moving through tense breakdowns and high-impact drops. With its rave-inspired energy evolving through the electrifying leads, grinding beats, and commanding melodic lines, ‘Work It’ gives way to a punchy sound, intense in energy and immersive in the musical experience it delivers. Now available via Generation Hex, ‘Work It’ is primed for peak-time moments, so dive and discover the soundscape for yourself, making sure to keep up with Avi Sic and FOOTWURK by following each of them across social media. Listen and buy ‘Work It’ here: Avi Sic Online Spotify | Instagram | Website         FOOTWURK Online Spotify | Instagram | Soundcloud         Generation Hex Online  Website | Instagram

For rising Polish producer GØDMAX, boundaries simply don’t exist. Since the release of ‘Don’t Leave Me’ in 2022, he has explored an impressive range of styles, drifting between deep house, future house, electro, funk, big room, and techno. Now, as he opens 2025, he continues to venture into the atmospheric depths of melodic techno with his latest release, ‘Catching Feelings’. A track that immediately grabs your attention, ‘Catching Feelings’ blends soaring stab leads, hypnotic grooves, and emotionally charged vocals, creating an experience that resonates both on and off the dancefloor. Whether setting the mood for an unforgettable night out or providing the perfect soundscape for an introspective late-night drive, the track’s rich textures and seamless progression make it an essential addition to any electronic playlist. This single not only highlights GØDMAX’s evolving production prowess but also solidifies his status as an artist unafraid to experiment and redefine his sound with each release. With his ability to seamlessly move between genres while maintaining a signature polish and energy, it’s no wonder his name is gaining momentum in the EDM scene. With ‘Catching Feelings’, GØDMAX proves that his journey into melodic techno is just beginning. And if this release is any indication of what’s to come, fans should buckle up—because 2025 is shaping up to be an electrifying year for the genre-defying producer. Stream this single below and on all other platforms here.

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Celebrating a decade of electrifying music and immersive water experiences, S2O Festival Thailand returns from April 12-14, 2025, at the iconic Rajamangala National Stadium in Bangkok. Taking place during Songkran, Thailand’s world-famous New Year celebration, this event promises a one-of-a-kind fusion of top-tier EDM lineup, spectacular stage production, and 360-degree water technology – all set against the vibrant energy of Bangkok. Now, S2O has revealed its highly anticipated day-by-day lineup, featuring an all-star roster of international dance music powerhouses, including Marshmello, Alan Walker, DJ Snake, Diplo, Major Lazer Soundsystem, Timmy Trumpet, and more. The regional lineup will be revealed in the coming weeks. Kicking off the 10th-anniversary edition on Saturday, April 12, S2O welcomes Marshmello, the masked EDM icon known for chart-topping hits like Happier and Alone. He is joined by Timmy Trumpet, a master showman blending electronic beats with live trumpet performances. Adding to the energy, B Jones, a Tomorrowland regular and one of Spain’s top electronic exports, takes the stage alongside Retrovision, the rising bass house sensation, and China’s internationally recognized DJ Sally. Day two, Sunday, April 13, features a star-studded lineup led by Alan Walker, whose signature melodic sound has captivated millions worldwide with tracks like Faded. The stage will also welcome Major Lazer Soundsystem, the globally renowned trio behind dancehall-infused anthems such as Lean On. Adding a diverse edge to the night, Danny Avila, a pioneer of mainstage techno, will bring his high-energy performance. Joining them are Pauline Herr, an innovative singer-songwriter and producer, and Prophecy, an electrifying duo known for their dynamic sets. Closing out the festival on Monday, April 14, DJ Snake – the mastermind behind multi-platinum hits like Taki Taki and Let Me Love You – takes center stage. Also gracing the decks is the legendary Diplo, a key force in electronic and pop music with an ever-evolving sound. Fans can also look forward to an exclusive B2B2B performance featuring Brooks, Mesto, and Justin Mylo, delivering a fresh wave of future house energy. Rounding out the night are drum and bass icon Culture Shock and China’s rising bass music star Wukong. Songkran, Thailand’s traditional New Year festival (April 13-15), turns the country into a lively celebration filled with water-splashing festivities, drawing thousands of tourists who come to experience this joyful and refreshing tradition. From the historic streets of the Old Town to Bangkok’s bustling nightlife, visitors can explore golden temples, floating markets, and world-class street food before diving into the S2O Festival’s high-energy, water-soaked spectacle. Officially supported by the Tourism Authority of Thailand, this event is a must-attend for music lovers and adventure seekers alike. Regular tickets for Day 1 and Day 2 are still available, while Day 3 tickets, VIP tickets and ticket bundles are sold out. So secure your spot now at the official S2O Festival website: www.s2ofestival.com.

The new song by Ky William and ANATTA, “Mania,” with haunting vocals by Sophie Engerman, is a cultural artifact. The song was released on Factory93 Records, a label known for both cutting-edge and roots-conscious electronic music. It walks a fine line between remembering the house’s rich history and bringing it into the present. But what does it mean to talk about an “old-school” house in the year 2025? This brings us to the question of how artists like Ky William make something that is both respectful and new. “Mania” is a great example of how to keep things simple. Tight, swinging drums and a bassline that coils like smoke bring to mind the sweaty, raw energy of the early house scenes in Chicago and New York. Think of Larry Heard’s soulful depths or Frankie Knuckles’ cathedral-sized grooves. It’s not a retro copy, though. Sophie Engerman sings the track’s hypnotic vocal loops with sultry precision, which makes you feel a kind of digital-age restlessness. Engerman’s voice doesn’t just float on top of the mix; it changes it, becoming another percussion sound that puts the listener in a trance. Here, the past and the present meet: the warm imperfections of analog production meet the surgical accuracy of modern production. This duality brings up bigger questions about how house music has changed over time. Pioneers of the genre often made magical experiences with only drum machines, samplers, and a “do it yourself” mentality. Artists today have access to a huge amount of digital tools. But “Mania” cuts back on purpose, following the idea that “less is more.” Is this a rejection of the extremes of EDM or a deeper nod to the roots of house music? The track’s stripped-down arrangement makes me think of both. Its subtle use of modern flourishes—sub-bass shudders and crisply layered hi-hats—doesn’t distract, but instead strengthens the groove, showing that new ideas don’t need to be overly complicated. Ky William and the New Guard of the Underground To understand what “Mania” means, you have to look at Ky William’s life. From humble beginnings, he has become a key figure in the underground’s revivalist wave. His work with Noizu’s Techne imprint and previous records on Nervous Records—a label that connects the past and present of house music—shows that he is familiar with house music’s language but eager to change its syntax. Ky William started Andhera Records, which is one of a number of artist-led labels that put sound quality over market appeal. Examples include Mall Grab’s Steel City Dance Discs and Chaos in the CBD’s In Dust We Trust. But his work with ANATTA and Factory93 feels especially important. Factory93, Insomniac’s event-driven label, has become a hub for underground acts looking for mainstream-like venues without giving up their integrity. “Mania” isn’t just a song in this situation; it’s a message. It shows that a rough, unfinished house can do well in a business that is usually all about drops that are ready for festivals. Ky William’s rise is part of a larger trend: people are tired of algorithm-driven blandness and are rediscovering the closeness of groove-focused, DJ-friendly tools. The post Ky William and ANATTA teams up for ‘Mania’ appeared first on The Groove Cartel.

For several years, Florida-based producer Chris Valencia has been delivering high-energy house anthems, and his momentum shows no signs of slowing down. His latest releases, ‘Get Low’ on Juicy Music and ‘Sweet Escape’ on dFunk Records (alongside Lahox), reaffirmed his signature style and dancefloor appeal. Now, as he kicks off 2025, Chris Valencia makes a major career milestone, his debut on the prestigious Toolroom Trax, the legendary house music imprint founded by Mark Knight. Titled ‘What You Waiting For’, this electrifying new single sees Chris Valencia continue his upward trajectory, delivering the kind of infectious house energy that has earned him support from heavyweights like Kryder, Robbie Rivera, Thomas Gold, CID, and Firebeatz. Packed with his unmistakable sonic signature, ‘What You Waiting For’ boasts thumping kick drums, a driving bassline, and an irresistible vocal hook that locks you into the groove. With its perfect balance of power and catchiness, this track is tailor-made for peak-time sets, cementing Chris Valencia’s reputation as a force in the house music scene.

Super Bowl Sunday has come and gone, with a variety of commercials graded from A to F including a T-Mobile Starlink advertisement. Yes, the one-minute ad showcased a rotating Earth and video moments along with a satellite hovering over the atmosphere. It all returns to the ground with a message to try the free Beta now through July. T-Mobile is taking wireless to the next level with Starlink. What this entails is satellite-to-mobile technology where you can turn your mobile device into a satellite phone, staying connected like never before. We all know T-Mobile’s reputation for quality of phone service, but they’re certainly trying to gain more recognition now. They’re boasting cellular service from rugged mountain peaks to remote lakes, pushing the boundaries of connectivity. You can register for the beta today right here. What To Know About the Beta T-Mobile Starlink is the first major low-earth orbit constellation in the world paired with terrestrial cellular spectrum, making the phone in your pocket work in areas of the U.S. that have never, and probably never will, have ground based coverage. It’s a truly groundbreaking engineering breakthrough and means that we are one step closer to helping T-Mobile customers have confidence that, no matter where they are, if they can see the sky, they will be covered by T-Mobile.” – Mike Katz, President of Marketing, Strategy and Products, T-Mobile The beta testing is free to iOS and Android users until July and uses a network of low-Earth orbit satellites to grant people high-speed internet access in dead zones. That national park you couldn’t post your Instagram stories at? Full send now. Spotty service on a summit from coast to coast to reach grandma? Gone. Starlink currently has 300 direct-to-cell satellites that provide coverage for the 500,000 square miles of US land not covered by cell towers. There is a catch, however. Only these select models of phones can access it. Apple iPhone 14 and later (including Plus, Pro, and Pro Max) Google Pixel 9 (including Pro, Pro Fold, and Pro XL) Motorola 2024 and later (including Razr, Razr+, Edge, and G series) Samsung Galaxy A14, A15, A16, A35, A53, and A54 Samsung Galaxy S21 and later (including Plus, Ultra, and Fan Edition) Samsung Galaxy XCover 6 Pro Samsung Galaxy Z Flip 3 and later Samsung Galaxy Z Fold 3 and later REVVL 7 (including Pro) Yes, unfortunately you can only take advantage of the service with a phone from the last four years. And the beta only allows plain text messaging. Voice calls, video/photo sharing, and mobile data will come later. You will also need to update your device to the latest iOS. Lastly, after the beta testing period, you can then decide if you want to continue the service. For T-Mobile customers, rates vary based on your current plan but can cost $15/month; if you sign up for the beta testing before the end of February, you can receive the Early Adopter discount at $10/month. For AT&T and Verizon users, it will cost $20/month. Worth it? Find out how this can help you on T-Mobile’s website here. The post T-Mobile Opens Up Beta Testing for Starlink Access appeared first on EDMTunes.

Splash House makes its annual return to the desert oasis of Palm Springs this August 8-10 and August 15-17. The dual weekender festival takes the Renaissance, Saguaro, and Riviera Hotels with a plethora of epic programming for your summer. Pre-sale passes and hotel packages go on sale Tuesday, February 18th at 12pm PST. Register here. 2025 is the season for SH, a vibrant festival for a vibrant city. The event will transform three of the city’s most iconic resorts into a sun-soaked playground. Travel between the three hotels on foot, by shuttle, or by ride share. World-class electronic music and pool parties await you. Take in the sites, sounds, and community spirit of Splash House. The boutique festival is nestled in Palm Spring’s modern cultural landscape. Now, stay tuned for the lineup to be announced. Last year’s festivities boasted the likes of John Summit, Body Hi by Alesso, Duke Dumont, Fly With Us, The Blessed Madonna, Patrick Topping, SG Lewis, Gorgon City, Green Velvet, AC Slater, Chris Lorenzo, TSHA, and many more. Photo Courtesy of Splash House Photo Courtesy of Splash House // Credit: Julian Bajsel Additionally, separate tickets for an after hours event at the Palm Springs Air Museum will also be available. Just be sure to check Splash House’s website for details. Oh, the many wonderful summertime things you can do during this event. Attendees are invited to indulge in a vibrant selection of off-site experiences. Those include drag brunches, artisan markets, cocktail tastings, and exclusive pop-ups. Not to mention, the hotel room parties for those lucky enough to snag a spot overlooking the poolsides of each resort. Deck your balconies out for the contest and immerse yourself in the legendary programming of the weekend and After Hours. Ready, Set Go! Lastly, GA Passes start at $210 all-in. Hotel Packages start at $350 per person including passes and a three-night stay. Find off-site accommodations at L3 Oasis Hotel, Hilton Palm Springs, Infusion Beach Hotel, Hyatt Palm Springs, Hotel Zoso, and Courtyard Palm Springs. These provide alternative options for those looking to curate their perfect desert retreat. Each package includes a three-night stay, festival passes, and shuttle transportation, ensuring effortless access to the music, poolside parties, and city-wide activities that make Splash House a one-of-a-kind summer escape. Photo Courtesy of Splash House Remember to set your calendars and clocks for Tuesday, February 18 at 12PM PT. The post Splash House Returns This August To Takeover Palm Springs appeared first on EDMTunes.

The long-awaited reopening of the Miami Marine Stadium is on the horizon. Miami is finally taking real steps to restore its iconic Marine Stadium after years of delays. The city has issued a request for proposals to find a private operator to manage the historic venue on Virginia Key, aiming to reopen it as a world-class concert and performance space. The operator would help plan renovations, book events, and sustain the stadium financially. The city will handle the costly restoration, but funding details remain uncertain, with previous bond approvals falling through. We can already begin to imagine all the big names that would rock the stadium on the water. The stadium would especially thrive during Miami Music Week and Ultra. Officials hope that a finalized renovation plan will solidify funding sources, potentially through new bonds, preservation tax credits, and local taxes. With a fast-tracked timeline, bidders will tour the site this month, proposals are due in April, and a winner could be chosen by May. If voters approve the selected operator in November, the stadium’s revival will move forward, positioning it as a premier entertainment venue similar to Denver’s Red Rocks Amphitheater. The post Miami Moves Closer To Renovating Miami Marine Stadium appeared first on EDMTunes.

Miami's beloved boutique festival We Belong Here is raising the stakes for VIP festival experiences, inking a strategic partnership with E11EVEN to introduce an all-new table service concept. The illustrious E11EVEN, which is consistently ranked among the nation's top nightclubs by Nightclub & Bar Magazine, is bringing its next-level hospitality concepts to the festival's 360° main stage. With this move, the two Miami entertainment powerhouses are bridging the gap between the city's dance music culture and high-end nightlife. "We're excited to bring E11EVEN's world-class hospitality to We Belong Here," said Gino LoPinto, Operating Partner at E11EVEN Miami. "This partnership allows us to offer festival-goers an unparalleled table service experience and aligns two brands that share a core value of innovating from the status quo.” Fans of the illustrious E11EVEN can now purchase this rare collaborative festival experience ahead of We Belong Here, which returns to Historic Virginia Key Beach Park from March 1-2. The festival recently unveiled its full 2025 lineup, featuring headlining sets by Eric Prydz, Kaskade, Lane 8, Louid The Child and Swedish House Mafia's Steve Angello. The undercard is equally impressive, with performances from Sultan + Shepard, Yotto, LP Giobbi, Cristoph and Massane, among others. Meanwhile, an ancillary partnership with Smorgasburg is curating a stacked lineup of local food vendors, proving that great music deserves great eats. 2025 We Belong Here Miami’s most intimate dance music festival is growing—but not at the cost of its identity. We Belong Here co-founder Charles Hochfelder said this year's event is "shaping up to be our biggest festival yet." This year's marks the fourth edition of We Belong Here, and its expansion is clear. The festival’s signature 360° main stage experience is leveling up alongside the Beach and Lost Village stages, both of which annually highlight local and emerging talent. "Our focus on local and emerging artists is a core part of our festival's identity," added Justin Dauman, co-founder of We Belong Here. "These stages not only provide a unique beachfront atmosphere but also serve as a launching pad for the next generation of dance music stars. We're proud to contribute to Miami's vibrant music scene by giving these talented artists the exposure they deserve." Follow E11EVEN Miami:X: x.com/11miam Instagram: instagram.com/11miami TikTok: tiktok.com/@11miami Facebook: facebook.com/11miami Follow We Belong Here:X: x.com/web3longh Instagram: instagram.com/webelonghere.world TikTok: tiktok.com/@webelonghere.world Facebook: bit.ly/3ZZRunZ

One of the premier NYC nightlife organizers, Ignite Group is bringing some huge names to Brooklyn to celebrate Lunar New Year for this year’s edition of Lunar Eclipse. Last year, they brought on Zedd, Tiesto, and Alesso just to name a few, and this year they’re back at it again with some serious heat. Over two different weekends, fans of Like Mike, KSHMR, and W&W will be treated to first class audio and visual production at the iconic Brooklyn Hangar on February 14, February 15, and February 22 respectively. Weekend 1 conveniently takes place on Valentines day weekend making it the perfect date night plan. Like Mike Starting off on February 14th, one half of the Kings of Tomorrowland, Like Mike will be joining IEG for a night filled of huge tracks. He has become a driving force in shaping modern dance music, consistently delivering chart-topping hits and captivating audiences worldwide. His brother, Dimitri Vegas joined IEG during Halloween weekend last year to headline their Twilight Harbor Festival. The duo of Dimitri Vegas & Like Mike have been captaining the crowd at Tomorrowland over the past decade so there is no doubt that they are experts in controlling a room of any size. Their popularity is undeniable as they have ranked in the top five of the renowned DJ Mag Top 100 List for the past decade, with a recent placing of 3rd in 2024. Their shows are packed full of their loyal fanbase and continue to expand their popularity with their ability to evolve their sound while still tapping into their big room roots. Their classic hits like ‘Mammoth’, ‘Tremor’, and ‘The Hum’ were staples in in the international festival circuit when they were first released in 2013, 2014, and 2015 respectively. Last year, they collaborated with superstar DJ Tiesto on ‘Mockingbird’ and ‘Thank You’ and have become dancefloor anthems, rocking the biggest stages all across the world. Grab tickets for the show here. KSHMR On February 15, KSHMR otherwise known as Niles Hollowell-Dhar will be taking center stage. KSHMR is a globally acclaimed artist who originally began in hip-hop and moved into pop music with the 2010 global smash “Like A G6.” From there, he transitioned into dance music, producing tracks like the 2013 hit “Tsunami.” Next, he launched his own artist project, KSHMR, and took the scene by storm with 10 Beatport #1, such as ‘Wildcard‘ and KSHMR’s most streamed hit to date – ‘Secrets” with Tiësto. After releasing his debut album “Harmonica Andromeda,” he firmly cemented his reputation as one of the most dynamic and diverse acts in global electronic music, gaining DJ Mag’s prestigious “Best Live Act” award. As a pioneer and music enthusiast who values creative freedom, he created his Dharma Worldwide label in 2017 and, subsequently, Dharma Studio in 2020, where producers can find his tutorials and sound packs.. In 2023 we saw KSHMR release his eagerly anticipated collaboration with MC Stan ‘Haath Varthi,’ taken from his album KARAM, which dropped in November 2023 and featured the biggest artists in Indian hip-hop. In 2024, KSHMR ranked #14 on the prestigious DJ Mag Top 100 List. His live performances are spectacle to enjoy, as he curates his set with cinematic storytelling and visuals that enhances his electrifying sound. Grab tickets here. W&W On February 22, Dutch Duo W&W will be bringing their big room sound to Brooklyn Hangar. Their duo formed in 2007, and have become global dance floor and festival mainstays. Known for their high-energy festival anthems, they’ve consistently ranked in DJ Mag’s Top 20 for over a decade. Their signature sound blends uplifting trance melodies with the intensity of techno and elements of harder styles, creating a unique stadium-filling experience. With over 8 million monthly Spotify listeners, their productions are celebrated by fans and fellow artists for their scale, diversity, and broad appeal. Headlining the world’s biggest festivals and boasting over 12 million social media followers, W&W are undeniable pioneers of main stage electronic dance music. Through their Rave Culture label and the impactful NWYR trance alias, they continue to push boundaries and leave a lasting mark on the scene. Grab tickets here. For attendees looking to enhance their night, IEG offers a limited number of tables for reservation. Please email [email protected] for more information. The Brooklyn Hangar (2 52nd St, Brooklyn, NY 11232) is NYC’s newest party spot and nightlife venue in Sunset Park, Brooklyn. The converted airplane hangar boasts 15,000+ square feet of space on each of two floors, an incredible sound system, and a picturesque waterfront view of over 3,000 revelers nightly.’ About IEG Ignite Entertainment Group is dedicated to providing exceptional, tailored experiences for customers and establishing a new standard in modern hospitality worldwide. Their goal is to generate customer demand rather than solely meeting it, and they strive to deeply understand their guests’ wants, needs, dreams, and desires by empathizing with them. Their purpose centers around empathy, and their focus is on their clients- the foundation of their business. As the word Ignite suggests, they like to set things ablaze, be different, challenge the industry. They do not wish to be limited or contained. Follow IEG on their socials down below to keep up to date with all their exciting shows: The post Ignite Group Celebrates Lunar New Year with NYC Lunar Eclipse Festival Featuring Like Mike, KSHMR, and W&W appeared first on EDMTunes.

Dutch producer Colyn and German artist Innellea have teamed up to deliver ‘Set Me Free’, a mesmerizing melodic techno track that showcases their combined talents. Released on February 6, 2025, under Tiësto’s Musical Freedom label, this collaboration is a testament to their innovative approach to electronic music. ‘Set Me Free’ begins with a haunting melody that gradually builds, introducing layered synths and a driving bassline. The track’s progression is both hypnotic and dynamic, reflecting Colyn’s knack for crafting immersive soundscapes and Innellea’s talent for intricate rhythms. The fusion of their styles results in a journey that is both introspective and exhilarating, making it a standout addition to any melodic techno set. Colyn has been making waves in the electronic music scene with releases on labels like Afterlife and Rose Avenue, gaining recognition for his emotive melodies and atmospheric productions. Innellea, equally acclaimed, has built a reputation for his unique blend of driving beats and melodic elements, with releases on labels such as Innervisions and Afterlife. Their collaboration on ‘Set Me Free’ not only highlights their individual strengths but also pushes the boundaries of melodic techno, offering listeners a profound auditory experience. In summary, ‘Set Me Free’ is a masterful blend of Colyn and Innellea’s artistic visions, delivering a track that is both deep and uplifting. It’s a must-listen for fans of melodic techno and a testament to the innovative spirit of the Musical Freedom label. Listen to ‘Set Me Free’ below: The post Colyn and Innellea Release Melodic Techno Track ‘Set Me Free’ appeared first on EDMTunes.