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Steve Angello and Modern Tales have joined forces for a new single, "Darkness In Me," just in time for Valentine's Day. No stranger to high-profile collaborations with stars like Pharrell, The Weeknd and Alicia Keys, the Swedish House Mafia member instead showcased a rising act from his home country, Modern Tales, a duo comprising Jonas Rathsman and Francis Novotny. The result is "Darkness In Me," a bouncy track filled with themes of temptation. An angelic introduction gives way to a steady beat rich with minimal, arpeggiated synths. The track's sharp cuts, lyrical delivery and razor-edged production give it a nostalgic house feel, and the final result is a surefire dancefloor anthem. "Darkness In Me" is the first solo release of the year from Angello and its release follows last October's festival anthem "Hooligans." A month after that, he revealed that Swedish House Mafia had scrapped an entire album's worth of music which was planned as a follow-up to 2022's long-awaited debut album, Paradise Again. "Darkness In Me" is out now via Astralwerks. You can watch the official video below and stream the new single here. Follow Steve Angello:X: x.com/steveangello Instagram: instagram.com/steveangello TikTok: tiktok.com/@steveangello Facebook: facebook.com/steveangello Spotify: tinyurl.com/4nfc2ucf Follow Modern Tales:Instagram: instagram.com/moderntalesmusic Spotify: tinyurl.com/yeyrpdzc

Last month, millions of TikTok account users in the United States had one of their most memorable (and for some, forgettable) experiences when their beloved app shut down for several hours. The app shutdown, which occured on the night of January 18th, lasted for about half a day before users could finally log onto it again. However, for many TikTok users who already deleted their app (and not offloaded the app data instead so that they can still easily log back in), they could not reinstall the app due to it not being available on the Apple App and Google Play stores. Fast forward to the present day, TikTok has finally makes its anticipated return to those app stores. The return of Tiktok to the Apple App and Google Play stores sent shockwaves According to an article from Bloomberg about the breaking news, U.S. Attorney General Pam Bondi assured Apple in a letter that the company would not face fines under the current administration, following a TikTok ban that threatened significant penalties for app downloads after January 19. As a result, that is why both Apple and Google removed TikTok from their respective app stores. However, ByteDance managed to offer a sideloadable version of the app for iPhone and Android users. The return of TikTok to Apple’s App Store raises questions about the viability of the ban, especially since iOS is the most popular mobile platform in the U.S. currently. According to data from the app analytics firm Sensor Tower, approximately 52% of TikTok downloads last year originated from the Apple App Store, while Google Play accounted for the remaining 48%. This indicates that the platform is has a strong balance of representation among both iOS and Android users. The search for a potential U.S. buyer is still ongoing President Trump has suggested the possibility of extending the 75-day deadline for finding a U.S. buyer for TikTok but sees no immediate need to do so. He has assigned Vice President J.D. Vance and National Security Adviser Michael Waltz to oversee the sale process, with a growing list of potential buyers expressing interest. President Trump also indicated that TikTok could play a role in creating a U.S. sovereign wealth fund. With TikTok available for download again, the urgency surrounding its status seems to have diminished significantly. The post TikTok Finally Returns to Apple App and Google Play Stores appeared first on EDMTunes.

The organizers of Breakaway Festival are meeting the moment of their 2025 homecoming in Columbus by revealing a massive lineup. "Columbus has been home to Breakaway for over 12 years, and it remains a core part of our identity," said Co-Founder Zach Ruben. The nation's fastest-growing traveling festival will return home for the 12th edition of Breakaway Ohio from May 30-31 at the Historic Crew Stadium Festival Grounds. And they brought the heat with this year's headliners: Dom Dolla, Marshmello, ISOxo, Afrojack and Sofi Tukker. Joining arguably Breakaway's biggest headlining slate yet is slew of red-hot DJs and producers, among them Juelz, Deorro, J. Worra, Matroda, MORTEN, Nitepunk and EDM.com Class of 2024 stars Levity, among others. Tickets are on sale now, including two-day GA, VIP, Ultra VIP and Space Deck passes as well as Space Deck tables. Breakaway Festival "This city has a long-standing connection to dance music, with a history that runs deep," Ruben added. "We're not just hosting a festival here—we’re continuing that tradition, bringing fans together to celebrate electronic music in a way that’s uniquely Columbus. The energy here is unmatched, and that passion is what makes holding Breakaway here something very special." True to form, Breakaway will elevate the festival experience with The Launch Pad presented by White Claw Surge and a Silent Disco featuring local artists and onsite experiences. Sponsors for Breakaway Ohio include CELSIUS, White Claw, Jimmy John’s, Señorita THC Margarita, Jose Cuervo: Devil’s Reserve, BeatBox, MCoBeauty, Loose Lucy's and Resistol Hats. You can find out more via Breakaway's official website. Follow Breakaway Festival:X: x.com/breakawayfest Instagram: instagram.com/breakaway TikTok: tiktok.com/@breakawayfest Facebook: facebook.com/breakawayfestival

An Italian coastal airport is betting big that the future of electronic music festivals lies in the distant past. Electronic music festivals keep pushing for more ambitious venues, but Italy's newest entry might take the crown: a functioning airport once home to an ancient Roman temple. The brand-new Adriatic Sound Festival is debuting in June 2025 at Fano Airport, formerly known as Fanum Fortunae. The two-day festival is being "conceived as a temporary city," according to a press release shared with EDM.com. Its organizers plan to merge Roman history with cutting-edge stage design from the renowned architecture firm STUFISH. In the past year alone, the company has designed groundbreaking productions for the Rolling Stones' "Hackney Diamonds" tour, Adele's acclaimed residencies in Las Vegas and Munich, and Sabrina Carpenter’s "Short & Sweet" tour. Their latest triumph is Adriatic Sound, where they're debuting an innovative stage. The Temple Stage concept features a rotating 360° central platform where DJs perform inside a massive drum structure, surrounded by four grandstands arranged in a coliseum-style layout. A luminous halo structure above will react with the music to create a multi-sensory experience. STUFISH Entertainment Architects Elsewhere at the festival will be the Infinity Stage, which takes cues from Fano's 2,000-year-old Arch of Augustus, a historic gateway built around 27 BC. The stage, STUFISH says, draws inspiration "from fundamental architectural forms, reinterpreted through a bold, futuristic lens." The inaugural Adriatic Sound lineup includes pioneering producers Sven Väth and Armand Van Helden, with more to be announced in the weeks ahead. Adriatic Sound Festival is scheduled for June 13-14, 2025. You can find out more information here.

Dance music titan GRYFFIN is set to close out a groundbreaking chapter in his career with the announcement of the PULSE Phase 2 Tour, featuring THE FINALE in New York. Following the massive success of his PULSE album and tour in 2024, this second leg promises fans one final chance to experience the electrifying PULSE live show before he transitions into a new artistic era. A Farewell to the PULSE Era After a year of monumental performances at Forest Hills Stadium, Red Rocks Amphitheatre, and WAMU Theater, GRYFFIN is bringing PULSE to select cities for its final run. The tour kicks off on April 12 at Austin’s Moody Amphitheater before heading to Boston, Atlanta, and Nashville, culminating in a grand finale at the iconic Brooklyn Mirage in June. The PULSE Phase 2 Tour will also feature support from a stellar lineup of artists, including Dutch producer Lavern, Thai DJ Sabai, and San Diego’s Cheyenne Giles, ensuring each show is a full-throttle sonic experience. An Immersive Live Experience Much like the PULSE album, this tour is set to showcase GRYFFIN’s ability to seamlessly blend progressive house, melodic bass, and live instrumentation. Known for his hybrid performances featuring live guitar, keys, and jaw-dropping visuals, fans can expect a mesmerizing mix of colorful lasers, pyrotechnics, and surprise special guests along the way. In addition to the PULSE Phase 2 Tour, GRYFFIN will continue to make waves on the festival circuit with scheduled appearances at EDC Mexico, Ultra Miami, and Breakaway Dallas and Phoenix, as well as his Wynn Las Vegas residency. Get Your Tickets Tickets for GRYFFIN’s PULSE Phase 2 Tour go on sale February 19 at 10 AM local time, with an Artist Pre-Sale launching on February 18 at 10 AM. Fans can sign up for pre-sale access here. GRYFFIN PULSE Phase 2 Tour Dates: April 12 – Moody Amphitheater – Austin, TX April 25 – Roadrunner – Boston, MA April 26 – Coca-Cola Roxy – Atlanta, GA May 10 – The Pinnacle – Nashville, TN June 26 – The Brooklyn Mirage – Brooklyn, NY (THE FINALE) For the full tour schedule, festival appearances, and more, visit GRYFFIN’s official website. About GRYFFIN Japanese-American producer, DJ, and multi-instrumentalist Dan Griffith, better known as GRYFFIN, has built an illustrious career blending melodic dance, pop, and live instrumentation. With platinum and gold-certified hits, collaborations with artists like OneRepublic, Tinashe, and Kygo, and a reputation for immersive live performances, GRYFFIN continues to push the boundaries of electronic music. Be sure to catch PULSE Phase 2 before this chapter comes to an end! The post GRYFFIN Announces End of An Era With PULSE Phase 2 Tour appeared first on EDMTunes.

After a cold weekend, we have finally warmed up enough to circle back and honor a true showcase. Excision’s Thunderdome returned to the Tacoma Dome in Seattle for a joyous and feisty weekend. Three nights of pure Bass music gave us enough to release our rage onto the dancefloor. Let’s relive the best moments of the weekend. Thunderdome’s Production Lasers after lasers, our eyes are still recovering from such a spectacle. Excision does it again with an incredible set design and production team. With flawless and new visuals, each night felt like a different show. Not only did he deliver three different sets each night, but each DJ delivered incredible visuals on top of all the filthy drops. Security and the Tacoma crew worked harmoniously to keep attendees safe and protected. Security was streamlined and simple. Moreover, there is a very interesting approach to alcohol consumption at the dome. There were two bars located in the back of the dancefloor, where you were only allowed to purchase two drinks per person per night. Furthermore, you must drink them in the designated area, and can’t bring any alcohol onto the dancefloor. This might sound overbearing, but logistically, it ran smoothly, and it helped having less trash around. Lineup Highlights How do you compliment an absolutely amazing production? Naturally, with a lineup that is just as filthy. This year we had many first timers to the Thunderdome, including Alleycvt, Levity, and Hedex. We saw incredible sets by Space Laces, Drinkurwater b2b Benda, Emorfik, and Bass Legend Flux Pavillion. Top sets include Peekaboo, Levity, Alleycvt, and of course the ringleader Excision. The surprise b2b started with fan favorite Wooli, involving fun and dynamic visuals. The mammoth, which represents Wooli, and a big struggle for power against the dinosaur, Excision. But wait, there was more to it. Halfway through their performance, a new challenger rose from the ashes. Illenium completed the b3b, including visuals with his legendary symbol, the phoenix. Did you guess the surprise guests this time around? Conclusion After three nights of top-notch entertainment, with one of the best productions of the year, we can truly attest to Excision’s power to entertain his audience for three days and provide fresh and clear ideas. We can’t wait to return to the Thunderdome soon. This is just the beginning. Excision will host Bass Canyon and Lost Lands once more. In addition, he announced a residency at the XS Nightclub in Las Vegas this summer. Until then, headbang away! The post [Event Review] Thunderdome 2025 Brought Out Dubstep’s Best Artists appeared first on EDMTunes.

After the huge success of our Art Basel party at Toe Jam, Experts Only by John Summit has decided to run it back at Miami Music Week this year on Wednesday, March 26th with a stacked lineup of experts featuring some of your favorites and the return of a surprise guest. The anticipation is building as fans eagerly await the chance to experience another unforgettable night of music, art, and creativity. As the buzz around Experts Only continues to grow, fans are already making plans to secure their tickets and ensure they don’t miss out on what promises to be one of the hottest events of Miami Music Week. With the combination of top-tier talent, a vibrant atmosphere, and a passionate crowd of music lovers, Experts Only is poised to once again set the standard for unforgettable nightlife experiences. Lineup Announcement The lineup for Experts Only at Miami Music Week 2023 is a carefully curated selection of some of the most exciting and talented artists in the industry. From the pulsating techno beats of Layton Giordani B2B Max Styler to the infectious house grooves of Westend, each artist brings their own unique flavor to the table, ensuring a night of non-stop dancing and good vibes. Ayybo, Cole Knight, and Roddy Lima round out the lineup, adding their own individual styles and sounds to the mix. With a diverse range of genres and influences represented, attendees can expect a dynamic and engaging musical journey that will keep them on their feet from start to finish. Whether you’re a fan of deep house, techno, or anything in between, Experts Only has you covered. The return of a surprise guest has sent shockwaves through the music community, with speculation running rampant about who it could be. With the promise of a special performance that will leave fans in awe, the excitement surrounding this mystery artist is at an all-time high. As the countdown to Miami Music Week continues, all eyes are on Experts Only as they prepare to deliver another unforgettable night of music and celebration. Don’t miss your chance to be a part of this incredible event. Secure your tickets now and prepare to dance the night away with some of the best in the business. Experts Only by John Summit is back and ready to take Miami Music Week by storm – are you ready to join the party? The post John Summit’s Experts Only Returns To Miami Music Week appeared first on EDMTunes.

Are you ready to embark on a one-of-a-kind journey from Orlando to Miami with the ultimate party experience? Look no further than the NEXT STOP: ULTRA train, a collaboration between Brightline and Red Bull that promises to take your festival experience to the next level. In 2025, this unique train service returns with even more offerings, including a special full train featuring live DJ sets onboard, curated food and beverage options included with ticket prices, and surprise experiences throughout the cars. Get ready to immerse yourself in the world of ULTRA like never before! But that’s not all – new for 2025, a dedicated chill car will be available for those seeking a more laid-back experience before their arrival at ULTRA. With lounge mixes playing and plenty of the new Red Bull Spring Edition to go around, this train ride is sure to set the tone for an unforgettable weekend. Stay tuned for more details on the DJs and additional surprises that await you on board. So, are you ready to join the ride? Tickets for the NEXT STOP: ULTRA train are now available for purchase. The one-time, one-direction only train departs Orlando on Friday, March 28 at 12:50pm and arrives in Miami just before the doors of the festival open at 4. Don’t miss out on this epic journey to the ultimate music festival experience! The Ultimate Party Train Experience Picture this: you board the sleek and stylish Brightline train in Orlando, filled with anticipation for the adventure that awaits you. As the train pulls out of the station, the excitement builds as you realize that you’re not just on any train – you’re on your way to ULTRA, the biggest music festival in Miami. The atmosphere onboard is electric, with live DJ sets pumping through the speakers and fellow passengers buzzing with excitement. But it’s not just the music that sets this train ride apart – it’s the curated food and beverage offerings that are included with your ticket. From gourmet snacks to refreshing drinks, you’ll be able to fuel up and party on as you make your way to Miami. And with surprise experiences scattered throughout the cars, you never know what’s waiting for you around the corner. As the train makes its way towards Miami, the anticipation continues to build. The dedicated chill car provides a moment of relaxation before the festival madness begins, allowing you to unwind and prepare for the epic weekend ahead. With lounge mixes setting the mood and plenty of Red Bull Spring Edition to keep you energized, you’ll arrive in Miami ready to dance the night away at ULTRA. Get Your Ticket to Ride Don’t miss out on this unforgettable journey to ULTRA – secure your ticket for the NEXT STOP: ULTRA train today. Tickets start at just $183 for a SMART one-way trip from Orlando to Miami, and remember, There are a limited number of departures from South Florida stations. Just a heads-up: NEXT STOP: ULTRA doesn’t include a festival ticket, but don’t worry! Crewfare also offers some great discounted hotel options, all in one convenient spot at www.crewfare.com/events/ultra-2025. So, what are you waiting for? Gather your crew, pack your festival essentials, and hop on board the Brightline x Red Bull train for a ride you’ll never forget. The countdown to ULTRA 2025 starts now – are you ready to join the party train? The post Next Stop: ULTRA – Brightline And Red Bull Offer Train Party appeared first on EDMTunes.

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Have some tissues nearby, this song is just that pretty. Beautiful things happened this week regarding the corner of Dance music I’m all for: songs with a soul, with a purpose, with a meaning that lies beyond the melodies. And in that same line we’re happy to share yet another nugget of bliss that saw the light recently: ‘Believe In Me‘, a collaboration between the wise BiXX and the unmistakable Susana. Alabama-bound BiXX (Robert Bickert) is a rising star in the Uplifting Trance scene. We spoke with this DJ, producer, mentor, and entrepreneur last year, and we’re happy to have his sound back again on EDMTunes. And Susana, well, Susana… you absolutely know who she is. Armin van Buuren’s ‘Shivers‘? She voiced that classic. RAM’s ‘RAMelia‘? It was her who made you cry to that tribute. She really needs no introduction, for she is one of the most iconic voices of Trance. ‘Believe In Me’ Two masters of the art of music join forces for ‘Believe In Me’, a track out via Black Hole. A heartfelt tribute to the transformative power of belief, support, and self-confidence, it serves as a lead single and offers a glimpse into BiXX’s upcoming album, The Voice of Reason, blending emotive storytelling with uplifting melodies. The collaboration between both is rooted deeply within their personal spaces and experiences. For BiXX, the song began as an introspective journey following his father’s passing in 2023. “My father believed in me before I ever believed in myself“, he says. “That confidence he gave me allowed me to push further and achieve more than I could have imagined“. He then connected with Susana, whose emotional delivery he admired, particularly due to the way ‘Shivers’ marked him. Susana also found a personal connection to the project: “The lyrics came from a conversation BiXX and I had about the importance of people who believe in you. I could immediately relate, thinking about my own parents and how their constant support has shaped my confidence and career“. On a personal note, I want to invite you to listen to this track and think if there’s anyone in your life who you can thank for believing in you. If it’s still possible, connect today and tell them how much their encouragement means to you and who you are today. I know who to thank in my case: my mum. And I will do so today. Listen to BiXX and Susana‘s beautiful ‘Believe In Me’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post BiXX And Susana Team Up For Moving New Release ‘Believe In Me’ appeared first on EDMTunes.

Feels illegal to have such a nostalgia trip of a release out in this day and age. Maybe the return of Trance (proper Trance, mind you) has gone slightly unnoticed here and there. Yes, Calvin Harris released ‘Miracle’ some time ago, and yes, Peggy Gou’s stellar hit was a clever nod to ATB’s all-time classic, but not much else, maybe? Well, I’m here to say I’ve been noticing this rise, and it seems like 2025 will be its year. High-calibre artists all over are doing wonders for the genre which once ruled the world. And today is one of those cases. When you see Ben Gold as the first artist in a song, you know it’s going to have superior quality, that’s undeniable. Now, pair that with the fact that for today’s release, ‘The Whip‘, you can also see five-man supergroup SUPERSTRINGS credited as artists. Now you know you’re in for some serious walk down Memory Lane. ‘The Whip’ Some may be fans of SUPERSTRINGS’ from-the-past sound, with multiple winks to the golden era of Trance, while others may have been at Ben Gold’s ASOT ADE set at the HQ club and fell in love with the journey he played. Whatever motorway took you to this track, you’re most likely going to be delighted at the warm sound it carries. Yesteryear plucks play alongside forward-moving robotic arpeggios, engulfing pads, and that vocal chop lead that always takes you back to Binary Finary. On the percussion roster, we have orchestral hits, standard 909 elements (like the hats), powerful heavy-headed kicks, and a jumpy offbeat bass, which all give the sensation that either we’re not living in the current year, or that 2025 is going to be a beautiful time, where songs with a soul will be back, at long last. Listen to Ben Gold and SUPERSTRINGS‘ brand-new-yet-so-comfortably-old ‘The Whip’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Ben Gold And SUPERSTRINGS Release Classic Trance Belter ‘The Whip’ appeared first on EDMTunes.

Jedi and Sith alike are invited to feel the force together on the dancefloor at a new series of Star Wars-themed raves. The organizers of "STAR RAVE," I3C Event Concepts and DEF ALIEN RECORDINGS, promise live electronic music alongside "movie-quality costumed characters, light saber glow sticks, massive LED screens featuring remixed edits from the Star Wars extended cinematic universe." In addition to the costumed actors, there will be a costume contest to encourage concertgoers to break out their best cosplay. The raves will be powered by DICE, with whom organizers partnered to handle ticketing operations. "We are ecstatic to partner with DICE, a brand synonymous with innovation and excellence in live entertainment," ROS, Founding Partner of I3C and DEF ALIEN I/O, tells EDM.com. "This collaboration marks a new era for this show, amplifying its reach and enriching the fan experience. Attendees all express the joy of stepping into a curated, sci-fi world filled with amazing music and well-thought-out visuals." The debut entry in the series was hosted in Atlanta, Georgia late last year. A YouTube video they shared shows plenty of cosplayers getting down to electronic remixes of Star Wars music, flanked by decorations inspired by the most iconic sci-fi franchise on this planet. At the time of this writing, STAR RAVE is slated to conquer a number of cities across the galaxy, including Atlanta, Brooklyn, Jacksonville and Houston. While fans shouldn't expect festival circuit headliners, organizers have promised their DJs will play everything from tech house to riddim. STAR RAVE will return on February 22nd, 2025 at the appropriately-named Emperor's Warehouse in Tampa. You can learn more about the series and purchase tickets here.

Words by Alex Lambeau and Zach Salafia Henri Bergmann, Monophase & Be No Rain – Cheating Heart Henri Bergmann and Monophase unveil “Cheating Heart” – a hauntingly beautiful love song – just in time for Valentine’s Day. Featuring powerful vocals from Be No Rain, this progressive anthem has been over a year in the making and now finds its home on Joris Voorn’s Spectrum label. With its uplifting synth melodies and an unforgettable vocal performance, the track delivers a perfect balance of emotional depth and dancefloor energy. Layla Benitez – Broken Love (feat. Frýnn) A Dancing Astronaut Artist To Watch for 2024, Layla Benitez is back with her first single of 2025. Released on Zamna Records, she enlists the captivating vocals of singer-songwriter Frýnn for a euphoric yet evocative track. A love song arriving on Valentine’s Day, “Broken Love” blends sorrow and hope for the future, with an emotive melody and uplifting instrumental hinting at brighter days ahead. Anyma, Argy & Son of Son – Voices In My Head Easily one of the most-anticipated IDs in melodic techno, Anyma joins forces with Argy and Son of Son for the hypnotic and vocal driven “Voices In My Head”. Coming on the heels of Anyma’s debut shows at The Sphere in Las Vegas, the tantalizing vocals and pulsating bassline of “Voices In My Head” proved to be one of the highlights of Anyma’s audiovisual performances. ZLATA & Sam Shi – Red Hot Sweat After electrifying crowds at Ultra, Elements, Sound, and Exchange, ZLATA and Sam Shi’s Red Hot Sweat makes its official debut on ZLATA’s femme-focused imprint, Debosh Records. A peak-time powerhouse, the track channels the raw intensity of sweat-drenched warehouse nights. Already featured in a YSL video campaign, this underground anthem is making waves on both massive stages and in pop culture. If this debut release is any indication, ZLATA is an artist to watch going forward. Chris Lake & Abel Balder – Ease My Mind Chris Lake delivers his first original release of the year in the form of “Ease My Mind” with Abel Balder. The record effortlessly blends smooth production and a laid-back yet infectious beat alongside Balder’s soulful vocals. new music this week TH;EN Riordan Trivecta Hardwell Massane Massano Sammy Virji SCRIPT x JV Rafael Cerato Jackie Hollander STARSIGNS x RUNN Layla Benitez x Frynn Interplanetary Criminal Avicii x Sandro Cavazza Chris Lake x Abel Balder 8181 Enzo x Michael Ekow Anyma x Argy x Son… — Dancing Astronaut (@dancingastro) February 14, 2025 Featured image: @hugolopezsoy & @el_ruizmartinez The post Dancing Astronaut’s New Music Friday: February 14, 2025 appeared first on Dancing Astronaut.

With a remarkable 30-year career, Ray Keith is rightly celebrated as the godfather of jungle and drum & bass, earning legendary status within the scene. Known for an extensive list of pseudonyms, including Dark Soldier, Renegade, and London’s Most Wanted, he is the mastermind behind Dread Recordings and has played a vital role in shaping the genre during its transition from the acid house and hardcore explosion of the late ’80s and early ’90s. Starting out as a rare groove, soul, and funk DJ in the mid-’80s, Ray Keith has become a staple name in the jungle and drum and bass scene, honouring the roots of Black British music. After remixing Orbital’s “Chime” in 1990, he produced the rave anthem “Terrorist,” released under his pseudonym Renegade on the iconic Moving Shadow label in 1994. This track has since become one of the most recognisable and influential jungle tunes of all time. To celebrate 30 years of pioneering jungle and drum and bass, Ray Keith is hosting a Ray Keith Live show at Jazz Cafe in LDN on May 24. Fans can look forward to timeless tracks from his catalogue—both past and present—infused with influences from rare groove, acid house, reggae, and soul. This event is not just a tribute to his remarkable legacy, but a once-in-a-lifetime experience to witness these iconic tunes through a live musical performance—a night that can’t be missed! Tickets Here We are joined by Ray Keith to share exclusive insights into The Renegade Live as he reflects on his decades-long career, delving into his musical upbringing and the evolution of his sound. Together, we’ll explore the significance of authenticity and integrity in an ever-changing music industry as he continues to rebel against its exploitation and commercialism. Let’s start by saying that you’ve had an incredible 30-year career as a pioneer of the jungle scene. How do you feel that the scene has evolved since you first started? I’m humbled to have such a loyal fan base and hope my tunes will still be playing in 30 years. However, having grown up surrounded by music, I now feel much of it is throwaway or expendable—what I call “karaoke jungle.” I worry about the future of the music. There’s a side to it that I don’t really like—the loss of soul, which I see as the destruction of the art form. Sometimes, it feels like just noise, and it pains me to witness the art of DJing diminishing. It’s heartbreaking, especially as someone who has helped shape this sound over the decades. It shouldn’t matter your colour, gender, or race; being a great DJ is about skill and passion. Our scene is different from the commercial scene, we’ve dedicated our lives to this, often overcoming addiction and challenging backgrounds, and they need us because we bring the heritage. I’m a purist and firmly underground—I’m no sellout. When you come to my live shows, that’s what you’ll experience. What about your musical upbringing? Any producer will tell you that your heritage shapes your sound—Motown, The Jacksons, Diana Ross, and The Sensations are foundational influences of mine. I was a soul, rare groove, and jazz DJ, and I delved into hip-hop and house long before jungle came along. DJing has always been a huge part of my life; I’ve been on the decks since I was 12 and became a professional DJ at 18. It’s been an incredible journey, and I’ve dedicated my whole life to black music. The other night in Manchester, I played a mashup of Bee Gee’s “Stayin’ Alive” because that’s what I was brought up on—those are the tunes we grew up with. At the end of the day, we’re DJs, and we aim to transfer our skills across different genres, whether it’s hip-hop or jazz; it’s all deeply rooted in us, like there are different ingredients that contribute to our sound. Speaking of that, jungle and sound system culture is deeply intertwined with UK multiculturalism and the legacy of the Windrush generation. How do you see this culture evolving today, and how can we preserve its roots and history? Every DJ has a responsibility to honour the roots of the music they play. I pay homage to the original hip-hop and house scenes, as well as artists like Bobby Byrd, Lyn Collins, Luther Vandross, and Dexter Wansel. It’s crucial to understand where the music comes from; you can’t move forward without knowing your history. If you’re diving into genres like jungle or drum & bass, dig deep into the records and appreciate their true spirit. It’s disheartening to see a lot of what’s played today not reflecting the original sounds. Radio One, in particular, should represent the true diversity of these genres instead of whitewashing them for commercial gain. I understand there’s a commercial aspect to music, but if something is labelled as jungle or drum & bass, it should truly reflect those genres and stay true to their roots. I’m grateful to perform for audiences who appreciate the integrity of the sound and the culture. While maintaining that integrity might not always pay the bills, it’s what keeps the music alive. It’s about bringing people together—old and new, multicultural—and creating positive energy. You’ve used several aliases throughout your career—London’s Most Wanted, Renegade, Terrorist, and Dark Soldier. What is the story behind adopting these different names, do they reflect different aspects of your musical journey? Absolutely, they do. Growing up, I was definitely a bit of a rebel. I’ve always resisted conformity and dislike being told what to do, especially coming from a background of oppression. That’s shaped my journey, allowing me to carve out a life on my own terms. It can be tough, and yes, it might seem a bit selfish to want to make a living from it, but it’s not easy. I wanted to explore different sounds without too many tracks coming out under the name Ray Keith. Putting music out under London’s Most Wanted or Dark Soldier felt like a natural progression and opened up more opportunities for me. At my core, I’m a soul man through and through. If you listen to “Rare Groove” by Ray Keith, you might not expect it to sound like me, but personally, I consider it one of my best tracks because it’s infused with so much soul. It combines influences from George Benson, soul, rare groove, and jazz while still maintaining that energetic kick. There’s always this balance of light and dark in my music. I’ve managed to reflect both sides in a meaningful way because that’s what black music represents—life-changing experiences that resonate with so many people. Could you take us back to the early days with Dread Recordings, City Sounds, and Blackmarket Records? How significant were record shops in pushing the jungle scene forward? Record shops were our lifeline—they were our MySpace, our Facebook, but in a physical space. I worked at City Sounds for five years before moving to Blackmarket Records in 1990. We were all in it together, cutting plates and sharing music. We grew up as young men and women in our twenties, and let’s be real: what the fuck do you know in your 20s. But we had each other’s backs; we loved and looked after one another. We travelled the world together and we broke records together. Fabio and Grooverider started Rage on Thursdays, and that was a space where we could express ourselves and our music. DJs like Randall and Bay B Kane were part of that scene. It was never about colour or gender; we were all pals—girls and boys together. DJ Rap, Dazee, Kemistry (RIP), Storm and many other amazing DJs that we would share dubplates with, drawing tunes or recording tracks together. What about the raves back in the day? When jungle first started, people were driving all over the country, playing to empty venues, but it was slowly building into a culture, a movement. Growing up in the 90s, it was a working-class scene, and girls weren’t getting hassled in the dances; it was all about love, raving, and looking out for each other. But then the drugs began to creep into the culture. Just look at drum & bass today with the rise of ketamine—it’s become awful. We need a cultural change and some form of support. Awareness is crucial because these drugs are harmful. We must raise these issues: What will happen to the kids using these substances in the next 20 years? Many are already dying from overdoses, especially with fentanyl being mixed in. These conversations are vital. I can’t save the world, but if I can help open up the discussion and use my platform to highlight these concerns, I feel it’s my responsibility to bring this to light. It’s really important. We need soul. So when we perform, I encourage people to put their phones down and really enjoy the moment. Experiencing music live is irreplaceable, and it’s vital to pass this message on to the younger generation. I hear it. Let’s talk about Renegade Live. What inspired your decision to incorporate live instruments into your performances, especially considering that the music originated from electronic production? It’s about capturing the energy of the records. I want the audience to feel that same feeling on stage. With a drummer and a bass player, we blend analog and digital elements, creating a sound that drives the crowd wild. I also want to give a shoutout to my band: Donny on drums, Ben on bass, Mike on keys as our conductor, and Miss Clar, our resident singer. As a producer, I see myself as a conductor, translating my studio skills into a live performance while also playing the keytar to bring that 80s sound into the mix. We created a lot of records back in the day, and those tracks have solidified our legacy. Labels like Metalheadz, V Recordings, and the early days of Hospital Records, along with producers like DJ SS and Bizzy B, shaped our sound. Each of us had a unique style, and we owe so much to legends like Fabio & Grooverider and LTJ Bukem. We’ve lost some incredible artists, including MC Conrad and Fats, and I feel blessed to have been part of that era. This is truly an ode to celebrating their legacy. You have long-standing collaborations with legends like the Ragga Twins and MC Juiceman. Why is it important for you to preserve these connections? We’re always open to welcoming new people to join us, but the crowd goes crazy for them. Juiceman is our guiding force who helps navigate the musical story. The Ragga Twins bring that special energy, and we have some exciting guests lined up that you won’t want to miss. It feels like mini concerts, almost like the Luther Vandross of jungle and drum & bass. We’ve had a lot of successful years, and our music holds a lot of people’s memories. It hits me hard sometimes because we’ve lost so many along the way. I get emotional when I play, remembering all those we’ve lost. Every day we wake up grateful for a breath, for seeing our children, and for the people we love. I stay away from negativity; I’m spiritual and do yoga. For me, music is about trying to be a better version of myself. These are testimonial years, but also a celebration of what we’ve accomplished musically. Playing live with my band, we sold out the Jazz Cafe and performed at Lost Horizon and Boomtown last year—it was fantastic, and the journey continues. I’m also excited to share that I’ve mastered the CD, which will be available soon. Renegade Live at Jazz Café will be available for purchase at our pop-ups, record stores, and on our website as a limited edition. It’s all about celebrating the incredible legends in our scene and creating a vibrant atmosphere every time we perform. After three decades in the scene, what would you say is your proudest achievement in music? I’m incredibly grateful for the last 30 years. Music has kept me out of jail; without it, I would have just rebelled against the system. I can’t stand to see people suffer from discrimination or prejudice. Embracing love and creativity through true abundance is what it’s all about. Every piece of my music carries a part of me, and while I sometimes struggle with the reactions, I’m just a normal guy who loves art and culture. I’ll go to any lengths to perform that art to the best of my ability. We give thanks and love, and we’re forever grateful to be surrounded by all the kings and queens of music. As long as we’re here—shout it from on hilltops and mountains—this music is global now, and we need to take care of it. With all your experience, what’s the biggest piece of advice you’d give to upcoming DJs and producers? Be yourself and live your dreams—don’t let anyone piss on your fire. Create music out of love, not ego, and always stay humble. Appreciate that one person in the audience; I’ve played for just three people before, but I still poured my heart into the performance. When you have a full room, give it your all. Practice, listen, go out, learn, and dedicate your life to it—not just with one toe in. Make sure you’re doing mixes, getting on the radio, securing residencies, and throwing parties. Put in the work. Sustain your passion while taking care of yourself; you don’t have to be broke to be a producer. I work day and night, eat, repeat, sleep, and go again. It’s about balance. Avoid hanging out with enablers, keep your eyes on the prize and stay focused. Also, if you want to DJ, you need to earn your stripes and learn from the original OGs. DJing isn’t just an act; it’s a journey with a beginning, middle, and end. I feel there is too much pressure on the younger generation. With fame comes challenges like money, alcohol, and drugs—these topics need to be addressed. I’m clean and focused, training five days a week, doing yoga, and maintaining my well-being in this challenging industry. Cultivating love is essential, and you must learn to navigate it with honesty, integrity, and your music. I believe I’ve done that for over 30 years. I’m proud of what we’ve achieved and the amazing parties we’ve hosted this year.

He was found guilty on federal racketeering and sex trafficking charges in 2021 Continue reading...

Grabbitz and Rezz are no strangers to alchemy, but "Love You Til' I'm Dead" may be their most haunting concoction yet. Aptly released on Valentine's Day via Blue Butterfly Records, the lead single from Grabbitz's forthcoming album BIG EPIC NOTHING takes a daring step away from the duo's usual bass-heavy formula, trading dark, hypnotic drops for raw emotional weight. Grabbitz’s signature, soul-stirring vocals guide the track with an aching intensity while Rezz—typically known for her eerie, bass-laden productions—weaves a brooding atmosphere of tension rather than unleashing full-throttle drops. The result is a track that resonates far beyond the dancefloor, carrying an emotional pull that will hit just as hard for those hopelessly in love as it will for those nursing fresh wounds. "Love You Til' I'm Dead" marks the pair's third collaboration following 2020's "Someone Else" and 2023’s "Signal," but it carves out a space entirely its own. Grabbitz characterized the new single as a "huge creative leap" for the duo. "Having Rezz step in and produce on my album is an honor, and getting more familiar with her taste as a producer has been inspiring," he said in a press release. "Having her wrap her arms around my project has given me confidence that there doesn’t always need to be a 'drop,' good music is good music." Listen to "Love You Til' I'm Dead" below and find the new single on streaming platforms here. Follow Grabbitz:X: x.com/grabbitz TikTok: tiktok.com/@grabbitzofficial Facebook: facebook.com/grabbitzmusic Instagram: instagram.com/grabbitz Spotify: spoti.fi/2YoLQh0 Follow Rezz:X: x.com/officialrezz TikTok: tiktok.com/@officialrezz Instagram: instagram.com/officialrezz Facebook: facebook.com/officialrezz Spotify: spoti.fi/32DV4IY

Sampling his own wedding vows, deep house producer Spherical has released a deeply personal new track, "Ride Slow." Out now to celebrate Valentine's Day, the track opens and closes with intimate snippets from the producer's vows, adding an emotive touch. The samples form the emotional core of the song, complementing Spherical's melodic house elements. "This song is very dear to me—it’s a reminder to breathe, trust, and simply ride slow through life together," Spherical said. Musically, "Ride Slow" weaves deep house and organic house textures in a hypnotic beat. The lyrics explore the idea of taking life one step at a time and embracing the journey with love as a guiding force: "Loosen up my love, we’ve got a halo... Waves crash, gonna be alright if we just ride slow." Spherical has crafted a track that speaks to the soul and brings listeners into his inner world. For him, the release marks another artistic chapter following his previous work as the driving force behind the bass music act Govinda. You can listen to "Ride Slow" below. Follow Spherical: Instagram: instagram.com/sphericaladventures TikTok: tiktok.com/@sphericalmusic Facebook: facebook.com/Sphericalm

Italian DJ and producer duo Agents Of Time have unleashed an electrifying remix of Zerb, Ty Dolla $ign, and Wiz Khalifa’s global hit, ‘Location.’ Infusing the track with their signature melodic techno sound, Agents Of Time transform the original into a high-energy, club-ready masterpiece. Their rework injects a powerful, iconic twist, blending pulsating rhythms with deep, emotive melodies that push the boundaries of electronic music. Known for crafting forward-thinking soundscapes, this remix is poised to ignite dance floors and festival stages worldwide. The timing couldn’t be better, as the release coincides with Agents Of Time’s highly anticipated closing performance at the legendary CORE stage in Medellín, Colombia, on February 14th. ‘Location’ follows Agents Of Time’s last single, ‘Collide,’ released last Fall through Tomorrowland Music. ‘Collide’ saw the duo join forces with rising Brazilian star Bigfett and talented German singer-songwriter Lucy Dye to create an irresistible melodic techno masterpiece. Now, with the new ‘Location’ remix, the duo has further proved their ability to create mesmerizing club-ready tracks. About Agents Of Time Agents Of Time is the project of Andrea Di Ceglie and Luigi Tutolo, two renowned Italian DJs and studio masters. Combining their talents and shared influences, they have become a globally coveted dance act, releasing music on several leading labels. Over the years, the duo has captivated massive audiences worldwide, gracing iconic venues from the Parisian Rex Club and Brooklyn Mirage to Tomorrowland Belgium’s Mainstage. Their dynamic performances and innovative productions solidify their position as leaders in the electronic music scene. The post Agents Of Time Remix ‘Location’ By Zerb, Ty Dolla $ign, & Wiz Khalifa appeared first on EDMTunes.

On August 28th, 2016, Avicii took the stage for the last time. The performance at Ushuaïa Ibiza is the subject of a Netflix mini-documentary, Avicii - My Last Show, which released alongside the feature-length documentary, I'm Tim. During the show, fans were treated to plenty of Avicii's originals, which have since become some of the most influential tracks in EDM history. Alongside classics like "Levels" and "Wake Me Up," he performed a then-unreleased track called "Forever Yours." Now, it has received a posthumous release nearly nine years later. "Forever Yours (Tim’s 2016 Ibiza Version)" is not to be confused with 2020's "Forever Yours (Tribute)," which saw Kygo and Sandro Cavazza complete the demo in honor of the dance music icon. The "Ibiza Version" out today, produced by Avicii alongside Marcus Thunberg Wessel, is the release of the original collaboration with Cavazza's vocals as seen in the performance footage. This new song follows last month's release of an unearthed recording of Avicii in the studio, sharing some insight into his creative process. Not long before that, fans helped five of his tracks reach the top 10 on Billboard's Dance Digital Song Sales chart following the release of the Netflix documentaries. Avicii's estate also released rare footage of the artist and friends listening to the demo version of the track. You can watch that video below and find the song on streaming platforms here.

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Pretty Pink teams up with ODYSSAY for an unforgettable return to Interstellar Recordings ahead of her performance at EDC Mexico. A truly multifaceted artist, Pretty Pink has graced the stages of legendary events like Airbeat One, New Horizon, and World Club Dome. Known for her euphoric sound and chart-topping releases with countless esteemed labels, including her own Deep Woods imprint, she continues to push boundaries within the melodic house and techno space. Balance is the sort of perfectly intergalactic track to transport dancers to celestial heights. Its sleek synths fizz with future energy, the vocals come down like angelic apparitions, and the melodies are all bright and full of shimmering energy. This electrifying collaboration between Pretty Pink and ODYSSAY is a must-listen for any progressive house fan. Listen HERE The post Pretty Pink drops ‘Balance’ on Insomniac sub label Interstellar appeared first on Electric Mode.

Label: 22WEST MUSIC Release Date: 24/01/2025 Buy Link Pre-save Artist Socials FLOYD WEST22 is starting 2025 with a bang! “Dance All Night” is a masterful fusion of tech house and melodic techno, blending pulsating basslines, driving rhythms, and hypnotic melodies into a captivating sonic journey. This track encapsulates the essence of forward-thinking electronic music, seamlessly weaving together a gritty energy emotive atmospheres and intricate melodies typical of melodic techno. The deep, groove-laden bassline forms the backbone of the track, guiding listeners through a rhythmic landscape where subtle synths and lush pads provide an ethereal contrast. An infectious vocal loop adds a touch of mystery, while atmospheric builds and drops keep the energy dynamic and unpredictable. Each element is crafted to evoke a sense of space and time, drawing the listener into a world where sound itself seems to stretch into the future. Hailing from the vibrant shores of Long Beach, California, FLOYD WEST22 is a rising star you must watch. He is known for his eclectic sets that blend house, techno, melodic house, disco, and bass-driven grooves. Floyd can’t be contained to one genre; he has produced tracks in dierent genres from tech house to melodic techno to happy hardcore. He is known for delivering unforgettable performances whether if in an intimate club or L.A.’s vibrant underground scene. In just a few three years his tracks have earned support from established and esteemed DJs such as Swanky Tunes, Dark Heart, Bexxie, Freshcobar, Pretty Pink, Rubén Núñez, Robyn Lee, Ben Phillips, Ruben Mandolini, Marco Carola, Paul Manners and more, Keep an ear out for FLOYD WEST22’s latest releases on Beatport, where he continues to push the boundaries of electronic music. From the artist My musical taste is very obscure and schizophrenic I’ll be listening to 145 BPM techno like AIRROD, a minute later to The Doors, and then in half hour to Atarashii Gakko! (a J-Pop group you can’t sleep on, I’m just saying). I’m the same with my auditory taste in dance music ( I hate the term EDM, so I won’t use it). I got introduced to dance music at EDC 2009 when it was still in Los Angeles, and it changed my life. I was a rock and roll and hip-hop head, was into groups like The Clash, Atmosphere, Pink Floyd, Tupac, Black Flag, etc. . I won’t go on and on about my history with dance music because this article would be a few pages long. But over the 15 years of being in love with dance music I listened to everything and every genre from happy hardcore to witch house. But here are a few cli notes: Ferry Corsten was my rst favorite DJ and Boys Noize at Coachella 2012 changed my life and made fall in love with techno when I was just into big room and trance, I been to international festivals like Tomorrowland Belgium and Brazil , Ultra in Miami, Japan and Croatia. I saw every DJ at least 10 times at this point. I been to hundreds of underground events, raves, concerts and clubs events in Southern California at this point. I’m obsessed with dance music, I’m always on Beatport trying to nd hidden gems in all genres. Right now, I bet you are thinking what this has to do with my new track ‘Dance All Night’? Well,Dance All Night is a track inspired by the dierent dance music genres that I love, in his case melodic techno and tech house. I started with a power bassline and percussion typically in rolling tech house because I wanted the people to dance as soon as people heard it. I was inspired by the basslines from DJ’s like Meduza and Max Styler. The underling melody is the perfect combo of trance and big room. For the drop I wanted it to be unique, so I made a drop inspired by Malaa, one of my all-time favorite producers. Dance All Night is a mix of all the genres I love and play in my DJ sets. The post FLOYD WEST22 : Dance All Night appeared first on Electric Mode.

Alesso sparked news last week by announcing tinnitus was the reason for his recent show cancellations. In an emotional video, Alesso was saddened by the health issue but said they were getting better. Now, Martin Garrix has also come out in a recent interview saying he too has tinnitus. Both artists were quick to tell us all to “wear earplugs”. Martin says he has a “nonstop beep” and prefers always to have “music on in the background.” He compared it to having “10 mosquitos” around your ear. Which we all can agree is super annoying. He also stated that many of his fellow DJ peers are experiencing the same issues. Martin cited the problems stemmed from his early days not wearing earplugs when DJing and his long studio sessions. Now he has a DB meter that flashes lights at him when the volume is too loud. The best thing you can do for your ears long term is to wear earplugs at every show you go to. Eargasm is my favorite to wear. You can have your moments when you take them out and enjoy the music in full, but overall its best to keep them plugged! The post Martin Garrix Also Suffers From Tinnitus appeared first on EDMTunes.

Love has always found its rhythm on the dancefloor, but the electronic dance music scene has taken matters of the heart to euphoric new heights. From sun-soaked festival moments to intimate late-night club encounters, these tracks have become more than just songs – they’re the soundtrack to countless love stories unfolding beneath the strobing lights. Whether it’s the ethereal vocals of Sam Smith in Disclosure’s “Latch” or the timeless groove of Modjo’s “Lady (Hear Me Tonight),” these anthems have mastered the delicate art of making hearts soar while keeping feet firmly on the dancefloor. What makes these particular tracks stand out in the vast ocean of electronic music isn’t just their infectious beats or chart-topping success – it’s their ability to capture that indescribable feeling when love and music intertwine. From Kygo’s sultry reinvention of Marvin Gaye’s “Sexual Healing” to the pure emotional release of Zedd’s “Clarity,” each song on this list represents a different shade of romance. Some, like Calvin Harris and Rihanna’s “We Found Love,” have become modern-day love hymns, while others, such as Deadmau5 and Kaskade’s “I Remember,” tap into those deeper, more introspective moments of connection that only seem to happen when the right song plays at exactly the right time. Here are the top most romantic dance music anthems to get your spicy Valentine’s Day started! Marvin Gaye – Sexual Healing (Kygo Remix) Disclosure ft. Sam Smith – Latch Avicii – Waiting For Love John Summit & Hayla – Where You Are Rihanna ft. Calvin Harris – We Found Love Armin van Buuren ft. Sharon den Adel – In And Out Of Love Zedd ft. Foxes – Clarity Modjo – Lady (Hear Me Tonight) Deadmau5 & Kaskade – I Remember Steve Angello & Laidback Luke ft. Robin S. – Show Me Love OneRepublic vs. Alesso – If I Lose Myself Kaskade ft. Mindy Gledhill – Eyes David Guetta ft. Kelly Rowland – When Love Takes Over Stardust – Music Sounds Better With You Axwell & Ingrosso – More Than You Know Avicii – Fade Into Darkness Calvin Harris ft. Ellie Goulding – I Need Your Love Benny Benassi ft. Gary Go – Cinema Daft Punk – Digital Love The Chainsmokers – I Love U

Love has always found its rhythm on the dancefloor, but the electronic dance music scene has taken matters of the heart to euphoric new heights. From sun-soaked festival moments to intimate late-night club encounters, these tracks have become more than just songs – they’re the soundtrack to countless love stories unfolding beneath the strobing lights. Whether it’s the ethereal vocals of Sam Smith in Disclosure’s “Latch” or the timeless groove of Modjo’s “Lady (Hear Me Tonight),” these anthems have mastered the delicate art of making hearts soar while keeping feet firmly on the dancefloor. What makes these particular tracks stand out in the vast ocean of electronic music isn’t just their infectious beats or chart-topping success – it’s their ability to capture that indescribable feeling when love and music intertwine. From Kygo’s sultry reinvention of Marvin Gaye’s “Sexual Healing” to the pure emotional release of Zedd’s “Clarity,” each song on this list represents a different shade of romance. Some, like Calvin Harris and Rihanna’s “We Found Love,” have become modern-day love hymns, while others, such as Deadmau5 and Kaskade’s “I Remember,” tap into those deeper, more introspective moments of connection that only seem to happen when the right song plays at exactly the right time. Here are the top most romantic dance music anthems to get your spicy Valentine’s Day started! Marvin Gaye – Sexual Healing (Kygo Remix) Disclosure ft. Sam Smith – Latch Avicii – Waiting For Love John Summit & Hayla – Where You Are Rihanna ft. Calvin Harris – We Found Love Armin van Buuren ft. Sharon den Adel – In And Out Of Love Zedd ft. Foxes – Clarity Modjo – Lady (Hear Me Tonight) Deadmau5 & Kaskade – I Remember Steve Angello & Laidback Luke ft. Robin S. – Show Me Love OneRepublic vs. Alesso – If I Lose Myself Kaskade ft. Mindy Gledhill – Eyes David Guetta ft. Kelly Rowland – When Love Takes Over Stardust – Music Sounds Better With You Axwell & Ingrosso – More Than You Know Avicii – Fade Into Darkness Calvin Harris ft. Ellie Goulding – I Need Your Love Benny Benassi ft. Gary Go – Cinema Daft Punk – Digital Love The Chainsmokers – I Love U