Ravebot

2025 is shaping up to be a massive year for T & Sugah. With their latest release ‘Louder’ kicking things off this year, they are now working towards the first indoor edition of their very own High Tea Festival. What started in 2011 as a musical collaboration between the two, grew to become the High Tea Music label in 2016, with the first Festival in 2022. With years of experience as producers and numerous sold-out events under their belt, they know the scene inside and out. “Go hard and be home,” that’s High Tea’s motto. At the end of March, they will be taking over the entire Melkweg. This is a venue in Amsterdam with three concert venues, a movie theatre, an exhibition hall, and more. It promises to be a festival celebrating all aspects of the rave experience, ranging from showings of drum & bass documentaries and board games, to the biggest dancefloor drum & bass (live) acts of the moment and a silent disco. We had a chat with Philippe from T & Sugah, who has just returned from a US tour, to talk more about their plans for the Festival, their busy tour and release schedule, and everything else they’ve planned for us. Starting the year with a US tour, cool! How was it? I’ve had other artists tell me to not expect too much, so I went with that mindset, but I was positively surprised. The first show was already packed with fans. Many ravers wanted to take pictures, and there even were people with T & Sugah shirts at every show. Unbelievable! There was a lot more hype, and we had a lot more fans than I expected. It was especially crazy because while I was in America, Robin was in New Zealand, headlining a festival with Alcemist and playing a run of club shows. So clearly 2025 started out amazingly for us. While touring the world, you’re also preparing for your biggest High Tea Festival so far, on the 28th of March. Six different areas, that sounds quite impressive. Are you looking forward to this? After 3 months of solo shows, the first time we (T & Sugah) will finally play together again, will be at High Tea in Amsterdam. The fact that we are playing together for the first time at our own event, I think that’s an amazing sign. I am especially looking forward to that event, as we will be creating a new drum & bass experience in the heart of Amsterdam. Showing more than “just” the music, by for instance including a cinema where we will show drum & bass documentaries, a silent disco, and live acts. We’re even taking things a step further by adding an exhibition space filled with art exploring the intimate and complex relationship between identity, desire, and self-expression from a female perspective. While also adding a complete bar area with board games to just sit back and hang out with your friends. In our cinema, I’m especially looking forward to the premiere we’re hosting of “Resonance Beyond Borders: The Sounds of Ukraine”. This documentary takes you on a journey following several Ukrainian drum & bass DJs as they reflect on all that has happened (and is happening) during the ongoing war. It includes very emotional footage, up to the point of seeing the insides of a bomb shelter. One of the artists involved in the documentary, Thelena, will be playing that night. A must-see! Why do you think it’s important to show these documentaries at your festival? Music connects, and we live in a time with incredible gaps between people, between left and right, rich and poor. It’s only about ourselves, about “us and them”. Music has always been a connecting factor between all people. Every day people don’t desire war; they simply want to live their lives and enjoy the beauty of music. Through the Sounds of Ukraine’s documentary, I hope we can illuminate the different sides of the Ukraine-Russia conflict. Despite our differences, the love for music, in this case D&B, is a bond we all share. This cinema is only one of the six rooms that you will take over during the festival. How did you come up with the idea of using all six halls of the venue? We’ve been organising parties and have been in the scene for quite a while now. At some point, you know the drill and you crave for a new experience. You want to create something new for your audience. And given that Melkweg had a cinema, we thought, why not show drum & bass documentaries? Then, when you want to chill, instead of going into a smoking area, you walk straight into an actual cinema! And then we started thinking, what else can we do? We wanted a bar area, with board games. And expositions, because when I first started raving (I went to places like OT301 and Ruigoord, for those who know), I always enjoyed walking around the venues and exploring all the (street) art surrounding you. Nothing more fun to me than discovering new corners, new vibes, and new areas. People are definitely more open to having some down time at a rave nowadays. It doesn’t all have to be loud music and flashing lights. Absolutely. Well, you can always go outside if you want to get away for a second, but it’s cold, there’s no music, less vibes… You want places where you can relax and have less stimuli, before going out to the music again. What else do you have planned for the Festival? We’re also going to do a 360-stage in one of the halls. People love it. Another thing I can already tell you is that we’re going back to back with Vibe Chemistry as the closing set of the festival! We’ve known him for years, and fun fact, he’s known for rocking the original “High T-Shirt” during his shows, so we thought this would close off the night in a strong way. We’re bringing Metrik, Mozey and Turno to Amsterdam as well. I’ve been a fan of Metrik for years, and I’ve gotten to know him pretty well over the years. It’s always nice to have him back at our parties. We have a few artists from the label coming. Natty Lou, for example, who has released a lot of music on High Tea. We’ve got Feed the Fire and Comet, two of our fast-rising artists. Who released a lot with us and are also signed at our agency. We also wanted to include more live elements, because at a festival, you want to have a little more of that live feeling. That’s why we chose to invite Keeno and Ruth Royall. We also invited Hato, who is known to play more of a multigenre set. We really want to create a different experience, and because we have multiple halls, we can do it. So all three of the DJ halls have their own theme? I would say that the main hall is going to have more of a dancefloor/jump-up D&B style. The second hall will have more diverse DJs on the line-up earlier in the evening, with some live stuff, more multigenre… Room 3 will showcase the High Tea artists, and this room will also have a silent disco! All the way upstairs at Melkweg, in a small room. Really cosy. You’ve been organising parties with High Tea for nine years now. Have you noticed a change in the scene? The scene is always changing. When we started High Tea, we were putting a lot of dubstep on the line-up, but we don’t do that anymore. Deep and liquid used to be a lot bigger as well, but now jump-up is all the hype. Things are always changing, you never know what’s coming next. Every five years you have a whole new generation of ravers who want different things. Right now, everything has to be harder, everything has to be faster. But the next generation might be the opposite because the next generation of ravers will look at the previous one as “old people”. It’s the same with grandparents, parents, and children, really. You never like what your parents like. Ravers will also not like what the older ravers like, but that’s the interesting thing about the genre. New generations bring in new ideas, and new thoughts about the world, new philosophies and that is reflected in the music being released. The current “new” generation lives life at a faster pace than previous generations. Therefore you see the music becoming more intense as well. The older generation wasn’t really into swiping on TikTok, but the new generation was born with it. I’m very curious what the next generation will be like. God knows. Everything is possible, and that’s the beauty of it. There always have to be new ideas, otherwise the genre comes to a standstill, and that’s the worst that could happen. Some heads say, “It always has to be deep music” and “This is real drum & bass,” but if everyone did the same thing, it would be so boring. It has to change. There have to be new ideas. And you’re going to hate some of the new ideas. But that’s okay. And how do you adapt to those changes? I think you unconsciously always adapt because you’re being influenced by your surroundings. Every time I listen to new drum & bass and new subgenres, I always find something in there that interests me. The moment that happens, when there’s that spark, I feel inspired and I go with it. “When you do what you did, you will get what you got,” I think that’s a nice saying. You have to do other things, otherwise you get the same old end product. That’s a good way of looking at it! Where else do you find inspiration? New people come with new sounds and new ideas, and sometimes, I find inspiration in my own music. I get inspired by the people I’m booking, by the sound I’m hearing at High Tea events, by the sound of our releases at the label. There are a lot of other artists who inspire me, and sometimes I find inspiration outside of the drum & bass genre, in a hip-hop song for example. Other times I find inspiration in a mistake which suddenly starts sounding cool. Musical inspiration can be found in everything. Absolutely! Your new single ‘Louder’ came out recently. Can you tell me more about this track, and about what other releases you have planned? Yes! ‘Louder’ is what we call in the industry a “self-release”, meaning we released it on our own record label without the support of other labels. Interestingly while doing that, the track has still been supported by some of the biggest release bass playlists, such as Liquicity and UKF. We also had some really big influencers on board like Majed and Hato, BBC Radio 1 was supporting as well as 3FM in the Netherlands. Looking back at it now we’ve actually reached all of the goals we wanted to reach with this release, which is quite bizarre. All of the playlists on our wishlist, all the radio plays we wanted, all the influencers. And best of all: we got to work on this release with our own team, our own label manager, our own marketers (who once started as our interns). It’s a great feeling to work in a team with the people you love. And then for the rest of 2025, every month we’re planning to do something big! We’re releasing a Liquicity single next month, the month after that we’re probably going to put out a collab with Don Diablo. A month after that we have S.P.Y., who has done a remix for us coming out on UKF. The month after that we might do our biggest DnB Allstars single so far. And then in between all of this there’s a remix for Friction that’s coming out and we also got asked for a remix of Rudimental and Hybrid Minds, while we’re working on a collabs with LUUDE and ROVA… It’s absolutely crazy! I love seeing how with ‘Lose Control’ and ‘Lo Lo’ and ‘Danger’, a true new era for T & Sugah has begun. A lot happening! What’s the next milestone you want to reach? That’s one of the questions keeping me awake at night. The problem with goals is, when you achieve your goal, what’s next? I’ll give you an example. Our original goal was to play in the Storing, a bar that is now closed in our hometown Haarlem. There are maybe 100 people that fit in there. Our ultimate goal was to play there, so then when you do that you find yourself thinking: now what? Then you want to play in the Melkweg. Afterwards, you think, what now? “I want to play on Rampage,” but then you get to tick that off. Your goal is always moving up. Until recently, the goal was a world tour. But then I started thinking, we played Canada, the US, New Zealand, and Europe, all of them in 2024. That’s starting to look like a world tour, right? I would like to do more of a connected tour, though, because now the ‘ world tour’ consists of separate mini-tours, so to speak. But there will be a time when we have achieved that too. And then what will you do? Do it a second time? Or are we going to Mars? At some point you’re on a level where you can only repeat the process, so another single or another headline show, but go bigger and better each time. You’ve been making music with T & Sugah for around 10 years now. Did you think you would reach your goals this fast? On the one hand, you can’t imagine ever reaching your goals when you set them, but on the other hand, you want it to happen now. And when it happens, you expect it to be this big moment, and you can lean back and say, “Look at what we just reached.” But in reality, you already have some new goals set for yourself. Therefore I have to tell myself, “Enjoy that journey!” The planning and seeing everything unfold, noticing the pieces fall into place… That is the best thing about it all. So I force myself once in a while to enjoy all of the goals that we reach, small and big. Like our US tour, for example. What I often do when on tour is open Google Maps, look at my location, zoom out, and then let that sink in. That’s where you are now. That’s how you force that feeling of, “Dude, I did this.” In the madness of travelling around, jetlagging, socializing, etc, it can be hard to find a moment to really cherish it all. Sometimes you just have to take that moment, and that can be a really nice feeling. What’s next for you? I’m just accelerating. There are a lot of shows coming in. Our calendar is twice as full, our release schedule packed to the max, and this summer we’re going to play at a ton of drum & bass festivals. Rampage, Liquicity, Let It Roll, D&B Allstars, Hospitality on the Beach, Tomorrowland, etc… If you had told me a few years ago, I would not have believed you. So to say I’m really excited about everything is an understatement!

When Hilda Jackson was born, the idea of a "rave" would have been about as foreign a concept as TikTok dances and Boiler Room. Fast-forward 105 years, and the English woman is about to prove that basslines and glowsticks are just as much for centenarians as they are for kids exploring their first music festival. Set to celebrate her 105th birthday on February 25th, Jackson, according to BBC News, has one request: a full-fledged rave at her Derbyshire care home, complete with a live DJ, ultraviolet paint and all the neon accessories required for a proper night out—albeit one that presumably wraps up before sunrise. Staff at Holbrook Hall, where Jackson now resides, are reportedly making sure she gets exactly that, honoring a woman they say has always been one to live life to the fullest. "She’s constantly on the go, very determined, and very aware of what she wants," said care home manager Rebecca Wass. "She’s always been a big fan of dancing and partying." BBC News The residential care home's upcoming party will feature classic dance anthems spanning the decades, and guests—fellow residents included—will have the chance to request their own tracks. A known tennis enthusiast, Jackson spent her younger years traveling, working in a fabrics factory and even producing munitions during World War II. Now, in her 11th decade, she’s proving that the only thing better than a lifetime of lived experience is extending that streak well past 100. To mark the milestone, staff have also put out a request for birthday cards, hoping to flood Jackson with messages from around the world. "We want to show just how loved Hilda is," Wass added.

Gesaffelstein's dystopian world is once again expanding beyond the confines of the studio after the iconic French producer announced a new leg of his ongoing "Enter The Gamma" tour. A string of high-profile festival dates will showcase the dark, commanding energy of 2024's stunning GAMMA album, Gesaffelstein's first full-length project in five years. Last year, the shadowy producer made his highly anticipated live return with a series of large-scale shows and select festival appearances, including a buzzworthy performance at Coachella. Building on that momentum, he's bringing his cinematic, industrial sound to a fresh wave of audiences in 2025. The latest additions to Gesaffelstein's schedule include performances at Miami's Ultra Music Festival as well as EDC Las Vegas, two of the nation's largest and most renowned electronic music festivals. Overseas, Gesaffelstein is set to make a pair of stops in Mexico and head to France, Sweden and Poland, respectively. Tickets to the 2025 dates of Gesaffelstein's "Enter The Gamma" tour are on sale now. Gesaffelstein/Facebook Follow Gesaffelstein:Facebook: facebook.com/gesaffelsteinmusic Spotify: spoti.fi/3cKr0Nv

In the wildest crossover since Chardee MacDennis met beer pong, electronic music fans across the country are preparing to dance their nights away at "SUNNY RAVE," a tour inspired by It's Always Sunny in Philadelphia. Organized by Austin-based electronic artist dj pressed, the tour is taking the absurd and chaotic energy of "The Gang" to new levels. "My personality is pretty much a string of Always Sunny references, loud electronic noises and desperate cries for attention, so the 'SUNNY RAVE Tour' has been a great outlet for me," pressed tells EDM.com. "It’s also the best way I can pay homage to what I think is the greatest comedy series of all-time." Attendees have showed up in everything from Green Man suits to pigeon costumes, transforming dancefloors into living tributes to Philly's most dysfunctional bar crew. The events feature countless creative interpretations of the show's most memorable moments, like remixes of Charlie Kelly's "Nightman" song and Dennis Reynolds' "I haven't even begun to peak" monologue. View the original article to see embedded media. "I think some DJs take themselves far, far too seriously, so I enjoy putting an incredibly serious amount of effort into incredibly unserious things," pressed added. "I would much rather get weird to giant Danny DeVito visuals while dressed as a bird-person than fight for shoulder space amongst lifestyle influencers in the hopes of filming a kick drum." Visuals of DeVito's Frank Reynolds—the deranged, morally bankrupt father figure of It's Always Sunny—only scratch the surface of the tour's dedication to the sitcom. Even its notices are branded—in a callback to Charlie's hilarious insistence that birds have certain legal rights, one reads: "This event is fan-made and is NOT affiliated with FXX or the show; this is legally compliant under section 3.5.1 of Bird Law." It's worth noting, however, that the official "SUNNY RAVE" disclaimer says the tour seeks to comply with all intellectual property laws under the terms of fair use. The "SUNNY RAVE" tour has already hit Seattle, Austin and other major cities. It's now primed to take over Denver, Las Vegas and Cleveland in March. You can purchase tickets to the "SUNNY RAVE" tour here.

One week after sending out ‘Bibis Tower’ to all fans who subscribed to his mail list, Skrillex sent out another surprise track today. Titled ‘Scut,’ the song is one of the artist’s most anticipated IDs, having been played for the first time at Lost Lands 2023 by Infekt. Featuring a riddim sound, ‘Scut’ focuses on taking fans through an instrumental journey, rather than a lyrical experience. After reinventing his style and releasing various genres of music since his comeback, Skrillex‘s new song has a feeling of nostalgia and can remind listeners of the classics that raised him to fame. The free release of ‘Scut’ can also be considered a gift to his supporters as Skrillex‘s second studio album, ‘Quest For Fire’ turned two years old today. Teasing all this new music in people’s inboxes through a post on social media four weeks ago, Skrillex fans are now wondering if this could be a sign of a new album coming soon. The American DJ is set to be performing at Ultra Music Festival in March, making his return after ten years. His set is one of the most awaited, and it could be a great opportunity for Sonny to drop some fresh music on one of the world’s biggest stage. Besides this, in November 2024, Skrillex announced on X that his partnership with Atlantic Records will come to an end with his next official project, becoming an independent artists from that moment onwards. The DJ and producer expressed his excitement about this new ‘independent’ beginning through a post on social media platform X: “Now I’m able to rethink / relook at how structures are designed. I want to find ways to simplify decimating music and art.” Finally, the artist also spoke about how strange the term “independent” is in the music industry and how he will still depend on his team to put together what he does. Only time will tell what’s to come next for Skrillex, but it seems like things are moving in the right direction for him and new exciting stuff is on the way from the EDM legend.

The email arrived quietly, with a subject line so nondescript it could have easily been mistaken for a routine work message: "Mix test." No announcement, no cryptic social media tease, just an unassuming note from Skrillex himself. "Good Monday from my mixing room in Los Angeles," the body of today's email reads. "Hope you are keeping well." Fans who opened the attachment expecting further pleasantries were instead met with something far more explosive: a preview of his unreleased track, "Scut." A primal, unfiltered slab of vintage Skrillex dubstep, the track is a reminder of the sound that made him the face of a movement. The track is a hyper-mechanical behemoth where guttural dubstep growls, barking vocals and bullet shell casing samples battle for dominance, amplifying its unhinged ethos. This is Skrillex tapping into his roots, evoking the reckless energy of his early 2010s era—but with a decade’s worth of sharpened instincts behind it. Skrillex has not confirmed an official release at the time of this writing. There's also no streaming link—just an artist, his music and a direct line to his fans. "I’ve got control of my website/email address now, so I can start sending stuff any time I want," he recently wrote on X. What comes next remains a mystery, but if this moment serves as any guide, it’s that Skrillex is moving on his own terms. You can listen to the unreleased audio of "Scut" in the clip below. View the original article to see embedded media. Follow Skrillex:X: x.com/skrillex Instagram: instagram.com/skrillex TikTok: tiktok.com/@skrillex Facebook: facebook.com/skrillex Spotify: tinyurl.com/naka2dyv

The email arrived quietly, with a subject line so nondescript it could have easily been mistaken for a routine work message: "Mix test." No announcement, no cryptic social media tease, just an unassuming note from Skrillex himself. "Good Monday from my mixing room in Los Angeles," the body of today's email reads. "Hope you are keeping well." Fans who opened the attachment expecting further pleasantries were instead met with something far more explosive: a preview of his unreleased track, "Scut." A primal, unfiltered slab of vintage Skrillex dubstep, the track is a reminder of the sound that made him the face of a movement. From the outset, the air thickens with tension as warped synths gnash their teeth and basslines contort. The track is a hyper-mechanical behemoth where guttural dubstep growls, barking vocals and bullet shell casing samples battle for dominance, amplifying its unhinged ethos. This is Skrillex tapping into his roots, evoking the reckless energy of his early 2010s era—but with a decade’s worth of sharpened instincts behind it. Skrillex has not confirmed an official release at the time of this writing. There's also no streaming link—just an artist, his music and a direct line to his fans. "I’ve got control of my website/email address now, so I can start sending stuff any time I want," he recently wrote on X. What comes next remains a mystery, but if this moment serves as any guide, it’s that Skrillex is moving on his own terms. You can listen to the unreleased audio of "Scut" here. Follow Skrillex:X: x.com/skrillex Instagram: instagram.com/skrillex TikTok: tiktok.com/@skrillex Facebook: facebook.com/skrillex Spotify: tinyurl.com/naka2dyv

There's a certain irony in the fact that one of electronic music's most compelling new voices built his career around the challenge of using his actual voice. In his new documentary, The World Pushed Against You, Shrimpnose reveals how electronic music became his truest form of expression in a world that all too often demands verbal fluency. The DJ and producer, whose whose real name is Riley Smithson, has navigated a stutter since the age of five. About 1% of the world's adults live with a stutter, the cause of which remains unknown—and it's a vicious plight. Bullying, depression and self-esteem issues are nearly universal in young stutterers, who worry each time they open their mouths to speak and hinge on every syllable. The documentary, which takes its name from his latest studio album, weaves together performance footage—including a breakthrough set at Shambhala Music Festival—with intimate glimpses into his creative sanctuary. "Music for me has always been the thing that makes me feel most connected to the world," Smithson says. "I think part of it is that music has always felt like the easiest language that I can express myself in... I have a pretty bad stutter that comes out sometimes." "Verbally expressing myself has always kind of been an obstacle. I found that music was a way I could communicate without any blocks. I was just completely fluent." c/o Nettwerk Music Group The paradox at the heart of Smithson's new documentary isn't lost on anyone: a musician whose stutter led him to create fluid, eloquent electronic music. His atmospheric productions, characterized by textured ambient beats and hypnotic vocal elements, take on deeper meaning when viewed through the lens of his personal journey. The documentary's title, The World Pushed Against You, perfectly encapsulates the tension between personal struggle and artistic redemption. But rather than dwelling in difficulty, Shrimpnose's story celebrates the discovery of one's authentic voice, even when it manifests in unexpected forms. His journey from a child grappling with verbal expression to an artist commanding festival stages demonstrates how limitations can become catalysts for unique creative perspectives. In both his music and this documentary, Smithson reminds us that fluency comes in many forms, and sometimes our greatest obstacles lead us to our most powerful means of connection. You can watch The World Pushed Against You on YouTube below. Follow Shrimpnose:Instagram: instagram.com/shrimpnose TikTok: tiktok.com/@shrimpnose X: x.com/shrimpnosebeats Facebook: facebook.com/johnshrimpnose Spotify: tinyurl.com/5xjmu9tp

Martin Garrix, the best DJ in the world, will return to Ushuaïa Ibiza for his 10th residency this summer. This will be a historic event that solidifies his position as one of the most important people in electronic music. In honor of this important anniversary, the Dutch superstar will launch “X,” a unique residency idea that honors ten years of groundbreaking performances, cutting-edge sound, and career-defining moments at the island’s best outdoor club. It will be open every Thursday from June 19th to September 25th. Garrix made his start at Ushuaïa Ibiza when he was only 18. Since then, he has become a worldwide star, working with famous musicians like Dua Lipa, Bono & The Edge (U2), and Khalid to change the sound of modern dance music. Many people from all over the world come to see him perform at Ushuaïa Ibiza, which has been a big part of both his work and the island’s nightlife. His high-energy sets and cutting-edge stage production push the limits of live electronic music. The first time I came to the island was back in 2012 and it’s felt like home ever since. This summer will mark 10 years of my residency at Ushuaïa Ibiza… going back, all the way to 2015. A full decade and I couldn’t be more grateful for it!! Counting down the days now for the season to start, and I’ll bring some fun surprises:) X Martin – Martin Garrix. Now, after ten years of being the best summer DJ at Ushuaïa Ibiza, Garrix is taking his residency to new heights. He is enjoying ten years of shows that can’t be beat at Ushuaïa Ibiza. Martin has been a driving force at Ushuaïa Ibiza for a decade, and we are honoured to celebrate this milestone with him. His journey to becoming the world’s #1 DJ five times has been truly remarkable – an achievement that makes us incredibly proud to have him as part of the family. We eagerly look forward to the magic of ‘X’ this summer. – Yann Pissenem, Owner, Founder & CEO of The Night League and Ushuaïa Entertainment. Martin Garrix and Ushuaïa Ibiza have been shaping the sound of summer for ten years, making Thursdays an essential show of music, energy, and new ideas. Now, as we enjoy ten years of performances that changed the game, “X” takes things even further. It’s an electrifying continuation of Garrix’s legacy at the world’s most famous outdoor venue. From June 19th to September 25th, next-level production, new music, and the recognizable rush of a Martin Garrix set in the Balearic sky are what you can expect. Ten years of hits, happy times on the dance floor, and events that made Ibiza’s nightlife famous. The next part of the story is about to start. Do more than just listen. Live it. Get your ticket now to see the magic of “X” at Ushuaïa Ibiza. The post Martin Garrix to celebrates 10 years at Ushuaïa Ibiza this summer appeared first on The Groove Cartel.

Frank Butselaar, a prominent tax attorney known for representing world-famous DJs Tiësto and Afrojack, has been sentenced to 30 months in prison for tax fraud in New York. A serious blow to Butselaar, a 65-year-old consultant dubbed the “taxman to the stars” by the Dutch press. Tax Fraud This outcome of the fraud could provide advantageous for Butselaar’s clients Afrojack and Tiësto. The court has ordered Butselaar to pay an astonishing $19.25 million in restitution. This is the amount that federal prosecutors allege he helped the two DJs save from 2012 to 2018. Done through a complex web of offshore tax shelters in Cypress and Guernsey. Butselaar would file tax paperwork indicating that his clients’ friends and family members were the beneficiaries of those shell corporations and trusts. In a significant twist, the authorities are demanding that Butselaar, bear the financial responsibility to the IRS. Both Tiësto and Afrojack, also Dutch citizens, have not faced any charges related to this tax shelter scheme. Prosecutors have emphasized that the DJs were unaware of Butselaar’s fraudulent tactics. During this period, both Tiësto and Afrojack were classified as U.S. tax residents due to their temporary stay in the country. Legally required to pay taxes on their worldwide income at the time. In 2017 Forbes estimated Tiesto earned $39 million in the last fule year that prosecutors say Butselaar ran his scheme. According to Butselaar’s lawyer, they have settled with the IRS for a small portion of the owed taxes. Butselaar, a former partner at Greenberg Traurig’s Amsterdam office, has pleaded guilty to one count of aiding in the filing of a false tax return, despite initially challenging the charges. He is left about six months of his sentence after spending 21 months in detention. Butselaar’s attorney strongly argues requiring him to pay the $19million sum is unjust, as he was not the taxpayer involved in the case. As of now, representatives of Afrojack and Tiësto have not responded to requests for comments regarding the situation. Stay tuned to EDMTunes for the latest news in the electronic music world. The post Tiësto and Afrojack’s Ex-Attorney Sentenced To Tax Fraud appeared first on EDMTunes.

Sandro Cavazza, one-half of the hit record ‘Forever Yours‘ alongside Avicii, recently opened up on socials clarifying he’s against releasing the Demo version now out to the public. The artist, who allegedly has more unreleased material with Tim, made a statement on his social media mentioning he didn’t approve of the release of the track as a standalone single. “Just so you all know“, the statement starts, “I have not agreed on released this as a single. I have only agreed on releasing Tim’s demo version of Forever Yours as a part of a full live album release from Tim’s last show, but since that album wasn’t released today and this is now being portrayed as a single, featuring me, I feel like I need to speak up“. In his message he comments Tim’s family has insisted on him releasing the projects he had with the music star which never came to fruition, and that he’s constantly turned those requests down, saying “I don’t want to release any of those songs Without Tim being here. He is the only one who knew when his songs were finished and I do and will continue to respect that“. You can read the full statement down below: The post Sandro Cavazza Says He Didn’t Approve Release Of Avicii ‘Forever Yours’ Demo appeared first on EDMTunes.

Hangar Belgium makes big news about its triumphant return to one of the city’s most famous landmarks, as ANYMA gets ready to take over the Atomium for a long DJ set. This amazing event is a big deal because it’s been four years since Hangar’s last show at this architectural wonder. The news adds to Hangar’s already impressive 2025 schedule, making them even more of a leader in putting together electronic music events in Brussels. The highly anticipated Hangar Festival at the Port of Brussels (April 19–20), Adriatique‘s show at the beautiful Cinquantenaire Arches (June 7), and Solomun‘s summer show (August 15), ANYMA’s show looks like it will be another one of Hangar’s many amazing events. Anyma’s open-air show at the Brussels’ Atomium will take place on May 17th for Hangar. ANYMA is known for pushing the limits of electronic music through new audiovisual experiences. His show at the Atomium is a one-of-a-kind chance to see how cutting-edge electronic music can work with one of Europe’s most recognizable buildings. The 102-meter-tall Atomium, which is made up of nine interconnected spheres, will make an otherworldly background for what promises to be an unforgettable night of electronic music. If you want to make sure you can attend this important event, tickets will go on sale Monday, February 24th at 18:00 CET. Hangar has a history of selling out their big events, and ANYMA is becoming more popular around the world, so buying tickets early is highly suggested. This event shows that Hangar is still dedicated to putting on amazing big shows and gatherings across the country and around the world. Hangar keeps up its image as the best place to experience electronic music in the middle of Europe by bringing world-class artists to some of Brussels’ most famous venues. Don’t miss this one-of-a-kind chance to hear ANYMA’s unique sound in one of Brussels’ most unique settings. Save the date for when the tickets go on sale, and be a part of this important return to the Atomium. The post Anyma to Return to Brussels’ Atomium for an Epic Solo Show appeared first on The Groove Cartel.

Sammy Virji is kicking off 2025 with a bang by dropping a stunning new single, "Guess We’re Not the Same," via Astralwerks. Out now via Astralwerks, the track arrives amid the meteoric success of Virji's 2024 hit "Damager," which was named by EDM.com as one of the year's best songs. The UK Garage sensation first teased it during his Boiler Room performance in Denver before receiving support by Four Tet, who rinsed it in his recent set for The Lot Radio NYC. "Guess We’re Not the Same" opens with lush, hypnotic vocals that draw you in before building into an electrifying garage groove. Filled to the brim with punchy drums and euphoric energy, the track is classic Virji, a kinetic dance anthem designed for dancefloor hedonism. Listen to "Guess We’re Not the Same" below and find the new single on streaming platforms here. Follow Sammy Virji:Instagram: instagram.com/sammyvirji X: x.com/sammy_virji TikTok: tiktok.com/@sammyvirji Facebook: facebook.com/sammyvirjiuk Spotify: bit.ly/42W7b3d

Chris Lake is no stranger to creating a spark on the dancefloor, but with his latest track, he's melting hearts instead. Released on Valentine's Day, "Ease My Mind" is a subtle stylistic shift for the house music powerhouse, an intimate offering that trades his high-energy club artillery for something more delicate and soul-soothing. Teaming up with Amsterdam-based vocalist Abel Balder, Lake crafts a track that feels like a warm embrace in every respect. Balder, whose signature vocals have already graced chart-topping tracks like ANOTR’s "Relax My Eyes," delivers a performance both soothing and evocative. His voice sways effortlessly, carrying the song’s themes of clarity and emotional surrender. Lake, meanwhile, constructs a foundation of polished drum grooves and silky textures, once again reinforcing his ability to create a house records that transcend the club floor. He leans into the softer side of house music, sculpting an arrangement that feels less like a DJ weapon and more like a late-night reverie. The track unfolds in effortless waves, with twangy pluck bass pulsing and floating weightlessly beneath Balder’s vocals. The cadence is patient, and the song’s message of seeking comfort in someone else’s presence comes into focus as its atmospheric synths stretch across the mix. Listen to below and find the new single on streaming platforms here. Follow Chris Lake:X: x.com/chrislake Instagram: instagram.com/chrislake TikTok: tiktok.com/@chrislake Facebook: facebook.com/chrislake Spotify: spoti.fi/3auKRRk

When Martin Garrix first took control of Ushuaïa's stage's in 2015, Facebook was still cool and TikTok didn't exist. Ten summers ago, Garrix debuted at the iconic Ibiza club as a starry-eyed, 18-year-old DJ. He's now returning for his 10th straight year and celebrating by virtue of an ambitious new residency, "X," according to a press release shared with EDM.com. It's a full-circle moment for the Dutch superstar. Running every Thursday from June 19th to September 25th, the "distinct residency concept" is said to pay tribute to Garrix's many "career-defining moments" at Ushuaïa over the decade. "The first time I came to the island was back in 2012 and it's felt like home ever since," Garrix said in a press release shared with EDM.com. "This summer will mark 10 years of my residency at Ushuaïa Ibiza... going back, all the way to 2015. A full decade and I couldn't be more grateful for it! Counting down the days now for the season to start, and I'll bring some fun surprises." The announcement comes as the legendary Spanish party island continues to reconcile the balance between its underground roots and commercial appeal. But Garrix's enduring presence at Ushuaïa—spanning nearly half his life—speaks to his ability to draw crowds to the White Isle despite its mercurial musical landscape. You can purchase tickets to Garrix's "X" residency here. Follow Martin Garrix:X: x.com/martingarrix Instagram: instagram.com/martingarrix TikTok: tiktok.com/@martingarrix Facebook: facebook.com/martin.garrix Spotify: spoti.fi/2YszVxQ

Representatives from the distinguished imprint confirmed Weidenmüller passed away following "a serious illness" last week Continue reading...

The internationally famous electronic duo Adriatique will make history at London’s famous Royal Albert Hall on Thursday, April 17, 2025, when they play from opening night until the venue closes. They will be the first DJs to play there from start to finish. Adriatique will bring their classic hits to life by having guest singers join them on stage. This will be a one-night-only show that London will remember for a long time. Performing at the Royal Albert Hall is a dream come true. This venue holds a special place in music history, and we’re honoured to bring electronic music to its storied stage. We have something truly special planned for this night. – Adriatique Pre-sale tickets for Adriatique at the Royal Albert Hall go on sale Friday 21st February at 10 am GMT. Adrian Shala and Adrian Schweizer will bring their dynamic sound to one of the world’s most prestigious venues, combining cutting-edge artistry with historical grandeur. The event is a big deal for Adriatique and the genre as a whole. The Royal Albert Hall, which is famous for its long past and great sound, will be turned into an immersive electronic music experience that fans will never forget. Adriatique: 15 years of electronic music Adriatique’s rise from the underground scene in Zurich to the world stage has been nothing short of amazing. They’ve been making electronic music for almost 15 years and have become a major force in the field, praised for their innovative soundscapes and lively shows. Adriatique make a lasting impression with their record label Siamese and their cutting edge events platform X. They are known for working with big names in the industry like Afterlife, Circoloco, and Diynamic. Adriatique has been to many big festivals and concerts around the world and remixed hit songs by acts like Rufus DU SOL, Swedish House Mafia, and The Weeknd, so they are used to breaking rules. The sound at this future show at the Royal Albert Hall is sure to be a work of art. Any open tickets that are still available will be given out on February 24 at noon. The post Adriatique To Play All Night Long at London’s Royal Albert Hall appeared first on The Groove Cartel.

The Neighbors and Simone Vitullo have teamed up to release a powerful reimagining of ‘Back to Black’, featuring the exceptional vocals of Chloe Florence. Released on Go Deeva, this modern adaptation of the iconic Amy Winehouse track has resonated with audiences worldwide, achieving remarkable milestones across streaming platforms and charts. A PROJECT INSPIRED BY LEGENDARY MUSICThe idea for this project originated in the summer of 2022, when the announcement of the Back to Black biopic reignited a deep appreciation for Amy Winehouse’s legacy. Moved by her story and the raw emotion behind the original song, The Neighbors envisioned a contemporary interpretation that could thrive both in club environments and personal listening experiences. Initially conceived as an unofficial club edit incorporating Winehouse’s original vocals, the project took a transformative turn upon meeting Chloe Florence, a gifted singer-songwriter. Enthusiastic about the concept, Florence brought a fresh yet deeply emotive perspective to the track. The creative process involved extensive studio sessions, where multiple versions were explored to find the perfect balance between authenticity and innovation. The defining moment came when Florence moved beyond emulation and fully embraced her own vocal identity, allowing the cover to take on a unique and personal dimension. THE FINAL TOUCH: SIMONE VITULLO & GO DEEVAWhile the track had undeniable energy as a club anthem, the team sought to refine it for a broader audience. Enter Simone Vitullo, a renowned producer and head of Go Deeva Records, who was immediately captivated by the project. With his expertise, the track underwent a final evolution—elevating the synth work, restructuring key elements, and fine-tuning the overall production to ensure both club and radio appeal. The result is a compelling tribute to one of the most iconic songs of the 21st century, seamlessly blending electronic elements with soulful vocals while honoring the emotional depth of the original. OUT NOW ON GO DEEVAThe Neighbors, Simone Vitullo, and Chloe Florence’s rendition of Back to Black is now available on all major streaming platforms via Go Deeva Records. With its strong chart performance and continued audience engagement, this release stands as a testament to the lasting influence of Amy Winehouse’s artistry. Since its release, Back to Black has climbed to the Top 5 of Beatport’s Afro House Top 100 and continues to hold a strong position in the Top 50 months later. The track has been Shazamed over 10,000 times and has amassed more than 150,000 streams on Spotify, a testament to its widespread appeal and impact. Instagram The Neighbors Simone Vitullo Chloe Florence Spotify The Neighbors Simone Vitullo Chloe Florence

Cyazon releases his next Melodic Dubstep single, presenting ‘Home’ featuring the vocals of Singer-Songwriter Natalie Shay. With his 2025 off to a powerful start already, having released his single ‘My Way Out’ alongside Gracie Van Brunt just last month as part of Bassrush Records’ compilation, ‘The Prophecy 11,’ Cyazon has set his bar high, remaining creatively ambitious as he brings more music to listeners. Within his latest production, Cyazon builds on the uplifting sound that has become his signature, putting forward a bold arrangement of impactful details and layered elements. Having been developing a discography that appears diverse in sonic exploration, navigating through Electronic Music substyles like Drum & Bass and Cyberpunk, Cyazon again situates himself within the realm of Melodic Dubstep with this newest single, showcasing the evolution of his sound and developing artistic direction. With rich textures of intricate synths, expressive vocals and elevating beats, the track offers an engaging listen, building into a unique journey that cultivates inspiring vibes and immersive energy. Having taken a considered approach in its design and structure, Cyazon ensures that ‘Home’ maintains its flow, drawing listeners further into its driving soundscape at each refreshing turn. Soft arpeggiators, a pulsing bassline, and atmospheric details kick start the track, as Natalie Shay’s vocals layer in, adding an emotive and resonant quality to the arrangement. Then, with the beats entering the mix, the track takes on a heavier-hitting energy, intensifying in sound as gritty, punchy leads weave amongst the vocal hook, and the soaring melodic line blends seamlessly into the soundscape. As it continues to push on, the production moves into an atmospheric breakdown, where rich pads, dynamic motifs and dissonant risers converge, leading the track back into its full body of sound. A production that reflects his ability to craft distinct yet captivating music, ‘Home’ delivers a compelling blend of emotion and sound design, highlighting Cyazon’s growth as a Producer and continued aim to connect with listeners worldwide. So, experience the journey by listening to Cyazon’s newest single today: out now and available to stream and download across platforms. As he remains consistent in his offering of unique, fresh-sounding productions, make sure to keep up with Cyazon and his journey by following him across social media today. Listen and Buy ‘Home ft. Natalie Shay’ here: Cyazon Online    Instagram | Beatport | Spotify    Natalie Shay Online    Instagram | Spotify   | Website

Jody Vukas keeps his momentum high as he unveils another track via Distant Drum Recordings; a Melodic House & Techno production, his ‘Never Doubt’ offers listeners an opportunity to discover his signature hard-hitting sound, inviting them to immerse themselves in a soundscape where pounding beats and intricate melodies converge. During 2025 so far, Jody Vukas has already released a series of original tracks and remixes, building his production catalogue to ensure he continues to take steps towards growing his reputation and establishing his presence in the global Electronic Music community. As genre fans take notice of his unique style, drawn to his creativity in the Progressive, Melodic and Tech House space, Jody Vukas’ musical output shows no signs of slowing down, with this new single coming as the latest display of his evolving artistry and dedication to crafting impactful soundscapes. Unfolding into a driving arrangement of crisp details and dynamic synth work, ‘Never Doubt’ emerges as a considered soundscape, showcasing the skilled production precision that continually anchors Jody Vukas’ approach. With the journey unravelling, the track brings in layers of impactful sonic details, maintaining its engaging flow as the underlying bassline, pulsating leads, and shuffled beats form the foundation of the mix. Then, as the interplay between the melodic motifs, rhythmic elements, and atmospheric textures finds its balance, a catchy female vocal line joins, adding to the energy whilst pushing the track forward to draw the listener deeper into its tapestry of hypnotising details. As he puts forward yet more music for his fans, Jody Vukas, once again, delivers a distinct showcase of his developing artistry, solidifying his reputation as a Producer who can craft emotive yet energising sonic journeys. With his catalogue expanding at an impressive rate, Jody Vukas has cemented himself as a talent to watch within Electronic Music, seeking to make an impact as he carves his path, finds his niche, and establishes his signature sound. ‘Never Doubt’ is out now via Distant Drum Recordings and available to stream and download across platforms. Listen and buy ‘Never Doubt’ here: Jody Vukas Online  Website | Instagram | Spotify Distant Drum Recordings Online  Beatport | Instagram

Producer and DJ Alphones unleashes his latest Tech House single, ‘Hard Melody,’ via Ray Collect Records, inviting listeners to dive deeper into his sonic world as he returns with more music that highlights his style, approach, and diverse tapestry of influences. Since becoming an active participant in the Electronic Music community in 2015, immersing himself in the House and Techno scenes, Alphones has been working to carve out a path for himself within the genre, with this new release coming as his latest effort. As he leans on his DJing experience, establishing versatility and fluidity as his trademark approach, Alphones remains dedicated to bringing listeners music they can connect with. With this latest offering, he once again showcases his technical expertise and skill, designing another impactful sonic journey for listeners to embark on. Through the track, Alphones constructs a dynamic arrangement of crisp beats, uplifting vocal lines and compelling synth work, crafting a tight groove that cements ‘Hard Melody’ as a single primed for dancefloors. Building in momentum as it journeys on, the track weaves together fresh-sounding details, continuing to evolve as intricate rhythms, synth hits, chordal piano motifs, and melodic basslines coverage, together with the processed vocal textures. As ‘Hard Melody’ balances precise layers with seamless transitions, the track maintains an engaging flow, captivating listeners to ensure they remain immersed in its sonic progression and dynamic energy. As he continues to build on his creative journey, sustaining his motivation and enthusiasm for his artistry and its development, Alphones appears well on his way to climbing the list of talents to be watching closely within Electronic Music, on a trajectory to expand his reach and share his sound with new listeners around the globe. Listen now to discover the vibrant colour of sound that Alphones’ ‘Hard Melody’ delivers and make sure to keep up with his news, releases and performances by following him via social media. Out now via Ray Collect Records, ‘Hard Melody’ is available to stream and download across platforms. Listen and buy ‘Hard Melody’ here: Alphones Online    Beatport | Instagram | Spotify | Soundcloud   Ray Collect Records Online    Beatport | Instagram | Website

The fund will provide “comprehensive” mental health resources for music industry professionals Continue reading...

Producer and DJ Tom Enzy joins forces with HUGEL and Juany Bravo to deliver an official remix of David Guetta, Jaden Bojsen and Sami Brielle’s viral anthem, ‘Let’s Go.’ Out now via Spinnin’ Records, this brand-new rework offers high energy through its fresh sounds and infectious beats, giving way to an irresistible sonic journey that is sure to captivate dancefloors and playlists alike. Having already cemented his reputation as a multi-platinum artist and a dynamic force within Electronic Music, Tom Enzy is no stranger to chart-topping hits and trailblazing collaborations. Known for blending Tribal House, Afro, Latin House, and Brazilian Funk influences, his signature style has drawn global attention through releases on major labels like Sony, Warner, and Universal. Whether performing on renowned stages such as Tomorrowland and Ultra Music Festival or collaborating with icons like HUGEL, Alok, Rick Ross, and Bob Sinclar, Tom Enzy consistently demonstrates his ability to innovate and energize within the genre. This new take on ‘Let’s Go’ amplifies the original’s dancefloor energy; as the distinct styles of the collaborative team weave together, the remix captures a masterful fusion of technical skill and creative innovation, crafting a journey led by lively beats and melodic twists. From its intricate percussion and bold rhythmic layers to its vibrant synth hooks, the track balances catchy vocal elements with a propulsive groove, delivering an immersive listening experience for all to enjoy. The seamless transitions and dynamic build-ups reflect the production mastery of Tom Enzy, HUGEL, and Juany Bravo, breathing new life into a track already beloved by fans worldwide. A standout example of collaborative creativity, this latest remix highlights the seamless synergy of its creators, resulting in a track where Latin and Tribal House undertones merge, and listeners can discover a reimagined soundscape that is as energising as it is distinct. Out now via Spinnin’ Records and available to stream and download across platforms, dive into ‘Let’s Go (ft. Tom Enzy, Juany Bravo & Sami Brielle) [HUGEL Remix],’ and be sure to keep an eye on Tom Enzy as he continues paving his way within Electronic Music today, standing out with high-profile collaborations and must-listen music. Listen below and download ‘Let’s Go (ft. Tom Enzy, Juany Bravo & Sami Brielle) [HUGEL Remix]’ here: Tom Enzy Online     Instagram  | Spotify  | Beatport  HUGEL Online     Instagram  | Spotify  | Beatport  Juany Bravo Online     Instagram  | Spotify  | Beatport  Sami Brielle Online     Instagram  | Spotify   Spinnin’ Records Online     Website  | Beatport  

MITCH DB releases ‘Weight of Your Love,’ a fresh and dynamic release alongside Level 8 and James Jay, featuring Vocalist Jay Mason. Out now via Soave Records, this track showcases MITCH DB’s ability to craft high-energy productions that seamlessly blend emotional depth with dancefloor-ready intensity. A departure from his recent Hypertechno-driven covers, ‘Weight of Your Love’ sees MITCH DB add his talents to an original production, offering a compelling mix of driving beats and powerful vocals. Coming together with Producer Level 8, known for having samples supported by industry titans like Martin Garrix, David Guetta, and Skrillex, among others, and rising talent, James Jay, MITCH DB once again channels his expertise into a track that embodies his signature sound and reinforces his creative vision within Electronic Music. With a sound that resonates across borders, his music has earned him a growing global fanbase. Surpassing 1 million monthly listeners on Spotify while taking to stages worldwide, including across Europe and Southeast Asia, his journey continues to gain momentum, solidifying his reputation as a powerful force on the scene today. Now, following a successful run of projects, including ‘Rockstar’ with Aurelios and Mingue, and ‘Summer’ with Felixx and ZIGGY, MITCH DB raises the bar once more, aiming high as he invites listeners into an electrifying sonic experience, blending his signature energy with fresh creative elements to deliver yet another standout release. Built on a foundation of expressive vocals and heavy-hitting sonic layers, ‘Weight of Your Love’ effortlessly blends powerful rhythms with rich musicality, evolving as driving synth textures and crisp beats join in. As the track progresses, uplifting chordal progressions and deep, grooving basslines maintain the flow, balancing intricate instrumental arrangements with impactful vocal textures to create an infectiously vibrant soundscape. With tension and release expertly controlled, the fusion of high-energy details and sharp vocals creates a dynamic interplay, ensuring the track resonates with both dancefloor crowds and streaming audiences alike, inviting listeners to experience its immersive sound. A release poised to make an impact, ‘Weight of Your Love’ not only showcases MITCH DB’s ever-evolving artistry but also highlights the seamless synergy between him, Level 8, and James Jay. With its powerful energy and precise production, this latest track is set to excite global Electronic Music fans, further reaffirming MITCH DB’s expanding reach across the community and setting the stage for yet more exciting releases to come. Out now via Soave Records, dive into ‘Weight of Your Love,’ and follow MITCH DB, Level 8, and James Jay across their social platforms to stay updated on their latest projects and performances. Listen and Buy ‘Weight of Your Love’ Here:    https://www.beatport.com/release/weight-of-your-love/4925399 MITCH DB Online    Spotify | Instagram | Website   Level 8 Online    Spotify | Instagram | Beatport   James Jay Online    Instagram Jay Mason Online    Instagram | Spotify Soave Records Online    Website | Instagram The post MITCH DB, Level 8 & James Jay Unveil ‘Weight of Your Love’ appeared first on EDMTunes.

Cyazon releases his next Melodic Dubstep single, presenting ‘Home’ featuring the vocals of Singer-Songwriter Natalie Shay. With his 2025 off to a powerful start already, having released his single ‘My Way Out’ alongside Gracie Van Brunt just last month as part of Bassrush Records’ compilation, ‘The Prophecy 11,’ Cyazon has set his bar high, remaining creatively ambitious as he brings more music to listeners. Within his latest production, Cyazon builds on the uplifting sound that has become his signature, putting forward a bold arrangement of impactful details and layered elements. Having been developing a discography that appears diverse in sonic exploration, navigating through Electronic Music substyles like Drum & Bass and Cyberpunk, Cyazon again situates himself within the realm of Melodic Dubstep with this newest single, showcasing the evolution of his sound and developing artistic direction. With rich textures of intricate synths, expressive vocals and elevating beats, the track offers an engaging listen, building into a unique journey that cultivates inspiring vibes and immersive energy. Having taken a considered approach in its design and structure, Cyazon ensures that ‘Home’ maintains its flow, drawing listeners further into its driving soundscape at each refreshing turn. Soft arpeggiators, a pulsing bassline, and atmospheric details kick start the track, as Natalie Shay’s vocals layer in, adding an emotive and resonant quality to the arrangement. Then, with the beats entering the mix, the track takes on a heavier-hitting energy, intensifying in sound as gritty, punchy leads weave amongst the vocal hook, and the soaring melodic line blends seamlessly into the soundscape. As it continues to push on, the production moves into an atmospheric breakdown, where rich pads, dynamic motifs and dissonant risers converge, leading the track back into its full body of sound. A production that reflects his ability to craft distinct yet captivating music, ‘Home’ delivers a compelling blend of emotion and sound design, highlighting Cyazon’s growth as a Producer and continued aim to connect with listeners worldwide. So, experience the journey by listening to Cyazon’s newest single today: out now and available to stream and download across platforms. As he remains consistent in his offering of unique, fresh-sounding productions, make sure to keep up with Cyazon and his journey by following him across social media today. Listen and Buy ‘Home Featuring Natalie Shay’ Now: https://ffm.to/cyazonhome Cyazon Online     Instagram | Beatport | Spotify     Natalie Shay Online     Instagram | Spotify   | Website The post Cyazon Drops Uplifting Melodic Dubstep Anthem ‘Home’ with Natalie Shay appeared first on EDMTunes.