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Iconic nightclub fabric London has unveiled the long-anticipated update to its Room 1 Bodykinetic dancefloor, marking the final stage of its Room 1 sound system renovation project. Completing a renovation that began in 2024 as part of the club’s extensive ‘fabric25’ celebrations, the all-new Bodykinetic dancefloor – the first upgrade to the floor since fabric opened in 1999 – features 36 units of Powersoft’s mould-breaking moving-magnet transducer, Mover, reimagining how audiences connect with sound and vibration. “The original sound design for Room 1 featured a groundbreaking and advanced dance floor, incorporating Bodysonic transducers. These transducers resonated the floor with silent subharmonics that travelled through the body,” recalls Matt Smith, technical manager for fabric London. “Combined with a quadraphonic speaker set-up and impeccable audio processing from the DJ booth, the system was ahead of its time. Keith Reilly and Dave Parry established themselves with the forward-thinking club design they introduced 25 years ago. Staying true to our heritage, we chose to retrofit and refine the original system rather than replace it entirely. “We knew the newly refurbished Room 1 sound system wouldn’t be complete without upgrading the floor as well. We’ve been working tirelessly to make this happen. Installation began immediately after the New Year’s Day show, with the full technical team involved and years of planning and design behind it.” Compared to the previous system, which utilised 450 tactile transducers, the next-generation Bodykinetic dancefloor requires only 36 units of Mover, helping fabric to drastically reduce its energy consumption. Unlike traditional moving-coil transducers, where a copper coil moves within a magnetic field, Mover reverses this process, with the magnet moving within the coils. This design offers several key benefits: greater power and reliability, reduced reliance on fragile copper coils, and enhanced haptic feedback through the inertial-drive configuration. Because of these characteristics, Mover benefits from inherent high efficiency, requiring less power than traditional transducers and further compounding the energy-saving benefits for fabric. Compared to a traditional subwoofer installation, Mover also delivers a 50% reduction in acoustic pollution. The new fabric system delivers a much more powerful and immersive tactile experience, with enhanced haptic feedback that makes the sensation of sound more pronounced and engaging. The Movers provide more reliable performance, ensuring the dancefloor feels consistently responsive and smooth, while the cleaner, clearer sound and feel allows dancers to connect with the music on a deeper, more visceral level. Another important advantage of the new floor is its ability to enhance accessibility for individuals with hearing impairments. By transforming sound into vibrations that can be felt through the body, the new Bodysonic floor ensures a more inclusive experience, empowering everyone to engage with the music on a deeply physical level. Fabric is working with Deaf Rave to fine-tune the Powersoft floor for an optimal experience for members of the deaf community. “By adopting Powersoft’s Mover technology, fabric London has made a significant step towards a more energy-efficient future without compromising on the immersive and inclusive experience the club has long been known for,” says Cristiano Traferri, Powersoft house account professional leader. “The drastically reduced power consumption of the new system aligns perfectly with the club’s forward-thinking ethos, proving that sustainability and high performance can go hand in hand.” The new Mover-equipped Bodykinetic dancefloor officially opened to the public on Saturday 18th January and is now fully functioning in Room 1. A partnership between fabric London and Mastery Quantum Sound, an event concept that plays with the boundaries of sound as meditation and live electronic music, sees Quantum becoming the club’s official sound meditation partner from 25th February, with a number of free tickets reserved for deaf people. The Mastery Quantum Sound residency runs at fabric London until June 2025. The post fabric London upgrades its iconic Bodykinetic dancefloor appeared first on Decoded Magazine.

OMEARA called off the controversial event, organised as an "unofficial afterparty" for the Alliance For Responsible Citizenship (ARC) Continue reading...

New York-based DJ, producer, and artist P La Cangri is making waves globally once again with her latest Afro House single, Atrevete (Afro House Boss of the Block Mix). Her fresh and unique sound is captivating DJs and clubbers around the world, solidifying her place as one of the most in-demand artists in the scene today. Even before its official release on February 7th, 2025, Atrevete has already charted impressively, landing at #19 and #17 on the Afrobeat Top 100 Congolese Charts. The track’s early success highlights not only its global appeal but also the infectious energy P La Cangri injects into every performance and production. Her success doesn’t stop there. With radio features fueling its worldwide momentum, Atrevete stands as a testament to her raw, authentic energy—an energy that has consistently driven her to the top of global dancefloors. P La Cangri’s impressive track record includes multiple mixes charting in the Top 10 on Mixcloud, and her Amapiano remix of Ey! reaching #1 in Congo, #4 on iTunes, and #11 on EJazz Radio. These accomplishments further cement her reputation as an artist whose influence spans continents and genres. Known for her high-energy sets that captivate audiences, P La Cangri continues to dominate the Afro House and Amapiano scenes with relentless creativity. As the release of Atrevete nears, the anticipation for what comes next in her ever-evolving career only grows. Stay tuned, as P La Cangri is proving time and time again that she’s not just a name on the charts—she’s the sound that defines dancefloors worldwide. Listen HERE Follow P La Cangri HERE The post P La Cangri’s New Hit: “Atrevete (Afro House Boss of the Block Mix)” Takes The Global Stage appeared first on Electric Mode.

Solomun+1 is back to take up the most iconic slot in the weekly party calendar when he returns to Pacha Ibiza every Sunday from 8 June to 5 October 2025. Once again this will be one of the most desirable tickets on the island as the Croatian house king is joined by a carefully curated selection of guests from across the house and techno music spectrum. Solomun’s renowned +1 concept has made him the ‘King of Sundays’ in Ibiza. It has a cult-like following and a signature sound that unites dancers from all over the world under the famous Pacha cherries. Each week, the Dynamic label head plays a solo set and also goes back-to-back with his guests, and that is when the unpredictable magic happens and the ever-lasting memories are made. Since its inception in 2013, Solomun+1 has become an iconic Ibiza institution that captivates audiences with its unique musical energy and unparalleled atmosphere. As has become tradition, there will also be some special All Night Long sets that see Solomun dig even deeper to serve up a unique soundtrack that explores the diversity of his sound. Sundays are when the unmistakable sound of Solomun rules over the island and now the official countdown can begin to what will be another season of musical magic. Get your tickets HERE The post Solomun + 1 Returns to his iconic residency at Pacha Ibiza appeared first on Electric Mode.

In a captivating fusion of music and film, Yellow Claw’s explosive 2024 hit “CRUSH” with Natte Visstick and RHYME, originally released in March 2024, ignites Nicole Kidman’s unforgettable rave scene in Halina Reijn’s new film “Babygirl” (2024), starring Nicole Kidman, Harris Dickinson, Antonio Banderas. The Dutch-directed movie throws Kidman into the heart of a pulsating underground party, where “CRUSH” sets the sonic stage for one of the film’s standout moments. The track’s chorus “I got a crush, can’t get enough, you told me hush, oh what a rush” aligns seamlessly with the matter at hand. The “Babygirl” effect is indeed in full effect, with the song now making over 1 million streams per week. The collaboration came together naturally when Jim Taihuttu personally introduced the track to Reijn during filming. The crew was instantly drawn to the aggressive techno song, which made it the perfect fit for the film’s iconic rave sequence. With a history of placements in projects like “22 Jump Street,” “Good Boys,” “Madden NFL,” and “Just Dance,” Yellow Claw has established themselves as a powerhouse in the entertainment industry. “Babygirl” is yet another testament to their ability to create music that elevates cinematic storytelling. As one-half of Yellow Claw, Jim Taihuttu is no stranger to the film world himself. His directorial work includes “Hardcore Never Dies,” “The East,” “Wolf,” and “Rabat,” all of which hold strong IMDb ratings ranging from 6.8 to 7.8. This dual expertise in music and film further strengthens the duo’s artistic influence. Dutch electronic icons Yellow Claw have been fueling dance floors worldwide for nearly a decade. To date, they have accumulated over 1 billion streams, headlined the biggest festivals and nightclubs, and collaborated with industry heavyweights like DJ Snake, Steve Aoki, Gucci Mane, Tinashe, Tiësto, A$AP Ferg, and Juicy J. Their global hits – including “DJ Turn It Up,” “Do You Like Bass,” and “Till It Hurts” – remain club anthems to this day. Since 2010, Yellow Claw has steadily risen toward electronic dance music supremacy. Their 2015 debut album, “Blood For Mercy,” debuted at #1 on Billboard’s Heatseekers Chart and Top Dance/Electronic Albums Chart, earning them an Edison Award – the Dutch equivalent of the GRAMMY Award. The album featured the smash hit “In My Room” feat. Ty Dolla $ign, Tyga, & DJ Mustard, which amassed over 160 million Spotify streams. Beyond their music, Yellow Claw has built a distinct brand identity, known for their sophisticated stage outfits and powerful live performances. As they continue to push boundaries in both music and film, their influence remains undeniable, proving that their heavy beats and cinematic vision are a perfect match for the entertainment world. The post Yellow Claw’s “CRUSH” Sets the Beat for Nicole Kidman’s Electrifying Nightclub Scene in “Babygirl” appeared first on Electric Mode.

Famous When Dead Records, the newly formed label by CASH ONLY is set to release its first single “Another One”, a driving Tech House cut from UK DJ/Producer Syncia. Following his recent run of Top Ten hits on Beatport, Traxsource and ARIA Charts, the track is primed to dominate clubland this Summer. With a defined House and Techno edge, Syncia is already igniting the global scene with his fluid genre crossing releases. His trademark sound has already leveraged support on BBC Radio 1 and has received plays from a host of top names that include Laurent Garnier, Maceo Plex, Jamie Jones, Peggy Gou and Sam Divine. “Another One” delivers a raw, synth-driven, bass-heavy roller that instantly captivates clubbers deep in the underground of electronic music. Syncia weaves an amplified energy across the track, adding succinct stutters, echoes, and delays throughout. Syncia has already remixed the likes of INXS, Inner City, Kink, and Soul Central. Syncia kicks off the Famous When Dead Records catalogue and delivers an instant underground hit for the up and coming label. Building on his success in 2024 with 8 Top Ten positions and hitting Number 1 on both Beatport and Traxsource Charts, “Another One” is set to instantly tear up clubland this summer. With huge things ahead, including his debut at Camp Bestival and his return to his ongoing “Back To Mine” residency at Pikes Ibiza. Founded by UK artist CASH ONLY, Famous When Dead Recordings is poised to showcase a diverse range of sound-shaping artists across the electronic music spectrum. Focused on House and its sub-genres, FWDR is set to make a lasting impact throughout the year. With a lineup of stellar releases from both established and emerging talent, branded partnerships, and exclusive events, this new label builds on Cash’s previous work as Label Manager for Dvine Sounds and is set to create a powerful force in the scene, driving an enduring movement Famous When Dead Records is dropping Syncia “Another One” on all major digital platforms, with support firing in from global tastemakers it’s poised to ignite this season. Official Release: 21/02/2025 Pre Order: https://snd.click/AnotherOneSyncia Find Out More & Follow Syncia: Instagram | Spotify | Tiktok | Facebook | SoundCloud Famous When Dead Records: Instagram The post CASH ONLY Launches Famous When Dead Imprint With “Another One” By Chart-Topping Artist Syncia appeared first on Electric Mode.

Your Paradise, the idyllic destination music festival in Fiji, is officially returning following a year off. From October 23-28, 2025, attendees will dance their nights away at the festival's breathtaking new home of Mana Island. "After a short break, Your Paradise is making its awaited return and we couldn’t be more excited to welcome you back to the ultimate island music experience," organizers said in an Instagram post. "This is your chance to secure your spot for a once-in-a-lifetime celebration set against the breathtaking backdrop of Fiji." View the original article to see embedded media. According to Your Paradise, one of the world's leading destination festivals, their new resort partner at Mana Island Resort & Spa are "experts in hosting events and charter groups." Additionally, the Fijian sanctuary in the heart of the country's Mamanuca chain of islands has been recently acquired and is now undergoing upgrades. The resort currently offers a selection of five restaurants, four bars, two swimming pools and a tennis club, among other amenities. Accommodations include traditionally styled Island Bures to Oceanfront Suites to Premium Beach Bures with plunge pools. Spots are "extremely limited," according to Your Paradise, so anyone interested in attending is encouraged to register for the festival's pre-sale. Those who register have first access to the packages offered before they go public, as well as savings of up to $500 AUD (roughly $300 USD) per person. Follow Your Paradise:X: xcom/yourparadiseexp Instagram: instagram.com/yourparadise TikTok: tiktok.com/@yourparadisefiji Facebook: facebook.com/YourParadiseFiji

Orbit DJ Retreats is set to return in 2025 with two major events in Ibiza and Australia. The Ibiza retreat will take place from September 28th to October 3rd, while the retreat's first-ever Australian edition will be held in Byron Bay from August 24th to August 29th. Both promise hands-on learning experiences with a number of renowned DJs and electronic music producers The Ibiza lineup will feature workshops and one-on-one mentoring with Hot Chip, Orbital and BBC Radio 1's Sarah Story, among others. Participants will receive personalized guidance in DJing and music production as well as insights into marketing, branding and fan engagement. The retreat will also offer wellness experiences, with yoga, meditation and breathwork sessions. The Byron Bay retreat brings its own impressive lineup, including Soul Clap, Yolanda Be Cool, and Doorly along with a surprise guest. Like the Ibiza retreat in September, attendees will learn technical training in Ableton, Logic Pro and Pioneer DJ equipment, plus business strategies for growth in the music industry. c/o Orbit DJ Retreats In addition to the workshops, students at the Ibiza retreat will have the opportunity to perform at two major venues. Meanwhile, graduates of the Byron Bay retreat will showcase their talents at The Beach Hotel, with select students earning slots at Elsewhere Gold Coast. Orbit DJ Retreats have a strong track record of helping emerging artists advance their careers. Alumni have signed to top labels such as Gorgon City’s REALM, Yousef’s Circus Recordings and Damian Lazarus’ Rebellion. Past graduates of the retreat have also landed dream gigs at major festivals and venues, like Hideout Croatia, Friendship Miami, Your Paradise Fiji and more. Spots are expected to fill quickly and October’s 2025 retreat in Ibiza is 50% sold out at the time of this writing. You can apply and find more information here.

Frank Butselaar, a former tax lawyer representing superstar DJs Tiësto and Afrojack, among other high-profile clients, has pleaded guilty to fraud. According to the U.S. Attorney’s Office for the Southern District of New York, Butselaar, 66, advised multiple "celebrity clients," including international fashion models, on setting up offshore infrastructures to conceal income from United States tax authorities. He allegedly filed false tax returns while operating as a shareholder at the Amsterdam office of a major U.S.-based international law firm, collaborating with a separate stateside management firm. Prosecutors say the scheme involved placing nominee owners on offshore accounts to make it appear as though the earnings belonged to someone else, usually a family member not residing in the United States. Despite these ownership changes on paper, The DOJ says Butselaar "lied and concealed information" from his clients, who continued to access their offshore income, which remained undeclared to the IRS. Prosecutors presented evidence that Butselaar was repeatedly warned by at least six different CPAs and tax attorneys that the offshore income was reportable. Despite the warnings, he and his co-conspirators allegedly omitted more than $70 million in taxable U.S. income for Tiësto and Afrojack between 2012 and 2017. Butselaar faces a maximum sentence of three years in prison and is scheduled for sentencing on February 13th, 2025.

Insomniac, the leading creator of live music experiences, and Vibee, a company specializing in music-focused destination experiences, have revealed the lineup for Hotel EDC 2025. Scheduled for May 15-18, the event will transform Virgin Hotels Las Vegas into a lively hub of music and excitement as the official hotel partner of Electric Daisy Carnival (EDC), the world’s largest dance music festival. For the first time ever, the resort’s stunning pool will host four days of themed pool parties, each featuring a unique lineup. Daytrip, Insomniac Presents, Tchami x Malaa’s Confession, and Lost In Dreams will each bring their distinctive sounds to the heart of the Hotel EDC experience. Attendees will enjoy sets from a stellar lineup of global DJs, including Adam Ten, Adventure Club, Audien, Azzecca, Baby Savage, Biscits, Carrie Keller, Chyl, Danny Avila, Deerock, Elephante, Gorgon City, Jackie Hollander, Luci, Malaa, Mitis, Morten, Nostalgix, Riordan, Tchami, TelyKast, Walker & Royce, and Yellow Claw Presents Euro Trash. Marking its third year as the official gathering spot for EDC headliners, Hotel EDC will feature exclusive parties, DJ performances, and immersive art installations. Virgin Hotels Las Vegas will be transformed into a vibrant space for community, creativity, and positivity. Guests with Hotel EDC packages will have access to Insomniac-hosted pool parties, Vibee Wellness sessions, a beauty bar, exclusive merchandise, Hotel EDC gift bags, and a $30 daily food and beverage credit. Premium add-ons, such as premier shuttle services and private car options, are also available. Additionally, Hotel EDC is just five minutes away from Maverick Helicopters, offering a thrilling aerial ride to the festival grounds. Hotel EDC packages, which include three-night, four-day stays for groups of up to four per room, are now available for purchase with flexible payment options. At least one guest aged 21 or older is required per room to meet hotel check-in policies, and the minimum age for attending EDC Las Vegas is 18. For more details on packages and pricing, visit HotelEDC.com. The post Insomniac Announces Hotel EDC 2025 Pool Party Roster appeared first on EDMTunes.

Following Alesso’s recent revelation about his battles with tinnitus, Martin Garrix has opened up about his own experience with the condition, shedding light on how it has affected his day-to-day life in a new interview. Garrix recently appeared on Raj Shamani's Figuring Out podcast, in which he opened up about how his tinnitus has impacted his work and personal life. He detailed how he hears a "nonstop beep" in his ear and copes with the condition by playing background music at all times to mask the sound. The 28 year-old EDM superstar behind hits like "Animals" and "Scared to Be Lonely" emphasized that many DJs in the industry suffer from tinnitus due to exposure to loud music without ear protection. Garrix developed the condition, he said, earlier in his career by not wearing earplugs and spending long days in the studio listening to loud music. To mitigate it, he uses a decibel meter in his studio that flashes red when sound levels exceed safe limits. Tinnitus is a common issue among DJs and producers, but it’s not limited to musicians. Festivalgoers and ravers are also at risk, and Garrix's transparency serves as a reminder to wear earplugs to avoid long-term hearing damage when exposed to loud sounds. You can watch the clip below and check out the full interview here. Follow Martin Garrix:X: x.com/martingarrix Instagram: instagram.com/martingarrix TikTok: tiktok.com/@martingarrix Facebook: facebook.com/martin.garrix Spotify: spoti.fi/2YszVxQ

Ushuaïa Ibiza is gearing up for one of its biggest summers yet in 2025 and with the return of Tomorrowland x Dimitri Vegas & Like Mike and Martin Garrix, it promises to be yet another unforgettable summer of world-class parties. Tomorrowland x Dimitri Vegas & Like Mike: The Reflection of LoveKicking off on May 14th and running all the way until September 24th, Tomorrowland and Dimitri Vegas & Like Mike bring their signature energy and spectacular visuals with ‘The Reflection of Love’, an immersive experience set to captivate fans with stunning stage designs and euphoric sounds. Martin Garrix Presents ‘X’Marking a decade of parties on the island, Martin Garrix unveils ‘X’, a refreshed residency running every Thursday from June 19th to September 25th. Fans can expect high-energy performances, surprise guest appearances, and state-of-the-art production that push the limits of live shows. Ushuaïa Ibiza: The Ultimate Party DestinationRenowned for hosting the biggest names in dance music, Ushuaïa Ibiza continues to be the ultimate summer destination. With Tomorrowland x Dimitri Vegas & Like Mike and Martin Garrix’s ‘X’, the 2025 season is set to be legendary.

Coachella‘s 2025 lineup has been unveiled—a bit earlier than normal—and Goldenvoice has once again delivered an impressive array of electronic acts that promise to electrify the Empire Polo Club in Indio, California. Scheduled over two weekends, April 11 – 13 and April 18 – 20, Coachella continues its tradition of blending iconic acts with artists ready to catch their big break in the electronic music scene. In 2024, Coachella introduced a brand new Quasar stage, which featured extended sets from some of dance music’s most sought after artists. While the names for this unique stage have yet to be unveiled, the full list of electronic acts and DJs are more than enough of a reason to already secure a ticket. Leading the electronic roster in terms of billing include a trio of pioneers across the electronic scene. First up is the UK band, The Prodigy, known for their hits across the breakbeat and hardcore genres. German group Kraftwerk come in all the way from the 1970s and their performance will certainly pay homage to the roots of electronic music. And finally, Above & Beyond will make their triumphant return to the dessert after last playing in 2008. Known for their euphoric productions, Above & Beyond have been some of the most influential artists in trance music, and have subsequently created one of the most successful dance labels in Anjuna. Arguably the best part of Coachella lies within its only fully indoor stage—the Yuma Tent. Hosted by Framework, the Yuma consistently curates a world-class lineup of house and techno heavyweights. This year, Italian duo Mind Against and Simulate Recordings boss Massano will set the tone with their deep, melodic soundscapes. Chris Stussy will bring his signature blend of deep and minimal house, Dancing Astronaut Artist to Watch in 2025 Beltran’s heavy drums and Brazilian flair promise to energize the crowd, and Amelie Lens‘ relentless energy will deliver a hard techno masterclass. With a stacked lineup of top-tier DJs, the Yuma Tent is the ultimate destination for dance music fans all weekend long. Tickets for both weekends are available now on Coachella’s website. Featured image: Jake Mulka The post Coachella secures Above & Beyond, Kraftwerk, The Prodigy, and more for 2025 edition appeared first on Dancing Astronaut.

Afterlife, the electronic music powerhouse founded by Tale Of Us, has announced its expansion into the festival market with two major events planned for 2025. The inaugural Afterlife Festivals will take place May 9-10 at Mexico City's Hipódromo de las Américas and June 13-14 at Barcelona’s Circuit de Barcelona-Catalunya. The expansion represents what Afterlife calls "a new chapter" for the brand, which has grown to become one of electronic music's most recognizable names since its 2016 inception. Each two-day festival will feature dual stages and will be split into distinct curator roles, with one day helmed by Anyma and the other by MRAK, the two artistic personas of Tale Of Us members Matteo Milleri and Carmine Conte respectively. According to a press release, the festivals will feature "state-of-the-art production in synergy with music, lights and visuals," staying true to the immersive aesthetic that has become Afterlife's hallmark across its event series and label operations. A pre-sale for each Afterlife Festival will begin on February 26th before the general sale a day later. You can find more information here. Follow Afterlife:Instagram: instagram.com/afterlife_ofc TikTok: tiktok.com/@afterlife_ofc X: x.com/afterlife_ofc Facebook: facebook.com/afterlifeofc Follow Tale Of Us:Instagram: instagram.com/taleofus TikTok: tiktok.com/@taleofus_ofc X: x.com/taleofus Facebook: facebook.com/TaleOfUs Spotify: spoti.fi/3OYehf7

Ravers will be sad to hear that Creamfields Hong Kong has been suddenly canceled. The event organizers posted on their official Instagram account on February 17, announcing via Stories that the festival will no longer be taking place. All attendees will be fully refunded without needing to apply for compensation. No official reason has been cited for the cancellation but of course, rumors have begun to swirl. Though not evident in the English Instagram Story, Creamfields’ Story in Chinese included the phrase ‘due to factors that cannot be resisted’. This year’s lineup did include Zedd as the headliner who apparently was banned from China. He ‘got permanently banned from China’ for liking a South Park tweet. The offending tweet in question was related to the animated show’s 300th episode, which famously features the character Randy Marsh meeting Disney’s Pooh and Piglet when they’re all thrown into prison in China after Chinese president Xi Jinping was compared to Pooh in online memes. The episode triggered Chinese authorities, and South Park has since been removed from Chinese sites and social media platforms. Let’s hope in 2026 Creamfields can return to Hong Kong again! Creamfields UK announced last year they will introduce a 360° Mega Stage. The post Creamfields Hong Kong 2025 Suddenly Cancelled appeared first on EDMTunes.

California-based DJ and producer SCRIPT has teamed up with South African artist JV to deliver their much-anticipated single, ‘Flex My Ice’, released on February 14, 2025, via Experts Only, the label founded by renowned DJ John Summit. ‘Flex My Ice’ has already garnered significant attention, earning support from industry heavyweights such as Tiësto, Korolova, and Mathame. Notably, John Summit featured the track during his Proper NYE set at San Diego’s Petco Park, amplifying its momentum ahead of the official release. The track showcases a compelling fusion of melodic techno elements, characterized by pulsating rhythms and atmospheric synths. SCRIPT and JV’s collaboration results in a dynamic soundscape that reflects their innovative approach to music production. Experts Only, established by John Summit, has quickly become a prominent label in the electronic music scene, known for supporting emerging talents and releasing cutting-edge tracks that resonate with audiences worldwide. Listen to ‘Flex My Ice’ below: ‘Flex My Ice’ is now available on all major streaming platforms. Listeners can experience the track’s energy and depth firsthand. The post SCRIPT & JV Release Anticipated Track ‘Flex My Ice’ on Experts Only appeared first on EDMTunes.

*Featured Cover Photo Credit: Basile Caperan / Armada Music Electronic music pioneer Jan Blomqvist has released his third studio album, MUTE, a captivating concept album that blends reflective lyricism with infectious dancefloor energy. Available via his own label, Disconnected, in partnership with the world-famous dance/electronic music powerhouse label, Armada Music, the album coincides with his ongoing live tour. Crafted during his tours and completed in Berlin, MUTE invites listeners to embrace moments of quiet in our chaotic world. Unlike his previous album, Disconnected, which critiqued hyperconnectivity, MUTE offers a hopeful journey from sadness and fear to happiness and self-discovery. Jan Blomqvist elevates vibrant sounds and emotions in MUTE Featuring notable tracks like ‘Underwater’ and ‘Muted Mind’, the album proudly brings out collaborative tracks with artists such as Rodriguez Jr., Beobȇ, Natasha Polke, and Bondi. Maybemahri returns as a lyric collaborator, adding depth to the introspective themes. Jan Blomqvist also produced electrifying performances at festivals like Burning Man, where he recently made his sixth appearance. Those performances also show that MUTE will play a very spectacular role in many people’s playlists. His unique live show experience is already on tour, with tour dates already happening in Europe. He will soon then head to North America through March, and the producer will promise a spectacular fusion of music and visuals, featuring a dynamic setup with long-time collaborator Christian Dammann. Click ‘Play’ on the Spotify link below to stream MUTE from Jan Blomqvist, an album that greatly supports one to feel good with themselves and also take them to a world of magnificient sonic imagery. The post Jan Blomqvist Inspires Emotional Self-Reflection in ‘MUTE’ appeared first on EDMTunes.

New York City is one of dance music’s global capitals. It is a city that always has a special relationship with Anjunabeats. A relationship that witnessed across Above & Beyond’s iconic ABGT100 show at Madison Square Garden. The label had also overseen their acoustic performance at Radio City Music Hall to open-air label takeovers throughout the city. An incredible 25-year relationship with the city that never sleeps! A Spectacle Awaits A celebration of the past, present, and future of the Anjuna family of labels awaits. Anjuna will present its one and only North American “Anjuna25” show at The Brooklyn Mirage on May 17. While the venue has routinely hosted legendary Anjuna events, nothing will prepare NYC revelers for what’s in store here. Anjuna25 New York City will see a full venue takeover of Brooklyn Mirage. It will range across artists from Anjunabeats and Anjunadeep performing on four stages : The Brooklyn Mirage, The Great Hall, The Kings Hall and The Village More information and artist lineup will be revealed in the coming weeks. Pre-sale opens Monday, February 24th at 11 am EST. Sign up here. ABOUT THE ANJUNA FAMILY OF LABELS Anjunabeats was founded in 2000 by Above & Beyond. It has steadily grown into one of the most recognizable and pioneering independent dance music labels ever. Joined by deeper secondary label Anjunadeep in 2005, it is a multi-GRAMMY nominated label family. A family that has become known and respected for its A&R commitment to artist development. Anjunabeats has released LPs from talents such as Ben Böhmer, Lane 8, Tinlicker, Eli & Fur, Mat Zo, Yotto, Gabriel & Dresden, Qrion & many more. It has also received a US Gold Record for Above & Beyond’s ‘Flow State’ LP, a pioneering ambient and chill album predating Anjunachill. It boasts of a global community and a worldwide events circuit. These include Above & Beyond’s Group Therapy Weekenders and Albania’s Anjunadeep Explorations festivals. The Anjuna labels are followed by the most committed and passionate fan community in electronic music – often referred to as the ‘Anjunafamily.’ The post Anjunabeats to Celebrate its 25th Anniversary at New York’s Brooklyn Mirage appeared first on EDMTunes.

So, maybe it’s not the end of Afterlife after all? The label/event brand announced it will be throwing the first editions of a new series of festivals during the early half of the year. Deemed “a new dimension for its dedicated community” this will undoubtedly bring a smile to the faces of many Afterlife fans around the globe, even if it’s still a big change. The Afterlife festivals will take place in Mexico City and Barcelona on May 9-10 and June 13-14, respectively. At this time, there are no plans for other locations. Afterlife Festival will be held in two separate locations, and each of them will host an exclusive edition. Both festivals will have two stages and each day of the festival will be curated by either Anyma or Mrak. Reading between the lines, this means there will not be a Tale of Us set to close out any of the nights. Rather than a formal split, what we’re getting is something like a separation that allows the Afterlife brand and community to continue. The events will feature a diverse yet cohesive musical journey with state-of-the-art production and out-of-this-world visuals that we’ve come to expect. Fans can also expect a lineup that will most likely be made up of artists who’ve become label heavyweights and a decent portion of some of the industry’s top talent thanks to both Anyma’s and Mrak’s position and relevance inside the scene. Afterlife: A New Chapter As Afterlife continues to evolve, these festivals mark the beginning of a new chapter, one that honors its origins while expanding and growing alongside those that have continued to support the label and event series from the beginning. Whether the project that brought it to life is to stay together or disband, we do not know. However, one thing appears to be clear: There’s still enough room for the two label heads to come together (albeit separately) and give life to something that will most certainly grab the industry’s undivided attention. This moment is dedicated to giving back to the Afterlife community and thank them for their continued support over the years. Pre-sale for the Afterlife festivals will happen on February 26. The general sale will go live the day after. If you’re a fan of melodic techno, wait no more. This will most definitely be one of the most memorable events of the year for the melodic scene. A very special first edition that’s set to showcase the industry giant Afterlife has become. You can sign up for the Pre-sale here The post Afterlife Announces Festival Without Tale of Us appeared first on EDMTunes.

2025 has been a tumultuous year so far for Tale Of Us with many rumours swirling around of them breaking up. Despite this it looks like they will be continuing to work together with the announcement of two Afterlife Festivals coming later this year. Each festival will take place over two days with the first coming May 9th and 10th in Mexico City at the Hipódromo de las Américas followed by one June 13th and 14th in Barcelona at the Circuit de Barcelona-Catalunya. Lineups are yet to be unveiled, however it has been stated that for both festivals one days lineup will be curated by Anyma while the other day will be put together by MRAK offering a unique flavour to each day. The festivals promise to deliver a display of Afterlife’s array of great music to treat their community to something special and show the incredible talent of their artists. The future of Tale Of Us is uncertain as even though both Anyma and MRAK part of this project, it appears they will be working separately and have remained silent on their social medias. In the advertising for the festival it mentions that the events will be “a balance between the past and future of the brand” which could be a hint to Tale Of Us being the past and the artists selected for the lineup being the future of the Afterlife brand. One way or another the announcement of the Afterlife Festivals is an exciting one and should offer an excellent showcase of the talent within Afterlife. For tickets pre-sale starts February 26th, and general sale begins February 27th.

Becky Hill There are few voices in EDM that have been heard across as wide of a range of absolute classics as Becky Hill’s. Collaborating with the likes of Oliver Heldens, David Guetta, and Chase & Status, she has lent her voice to some of electronic music’s biggest hits such as the UK Number 1 smash hit ‘Gecko (Overdrive)’ with Oliver Heldens, Wilkinsons’ unforgettable ‘Afterglow’, MEDUZA’s ever amazing ‘Lose Control’, and countless more. Her incredible voice has transcended genres and has helped break EDM into the mainstream across the years. John Martin John Martin has been a powerhouse in electronic music with his vocals for over 10 years and is still delivering some of the most impactful lyrics in the greatest tracks to this day. Most notably he provided vocals for Swedish House Mafia’s iconic ‘Don’t You Worry Child’, but he has also put his stamp on many other huge songs including Sebastian Ingrosso’s legendary ‘Reload’ and several collaborations with Martin Garrix. John Martin’s vocals can be found across an array of genres within electronic music from the future rave of MORTEN’s ‘Impossible’, to the epic EDM, rap crossover ‘Children of the Sun’ with Tinie Tempah. Bebe Rexha With her vocals being on Martin Garrix’s most streamed song of all time, ‘In the Name of Love’, along with her vocals being on David Guetta’s most streamed song of all time, ‘I’m Good (Blue)’, Bebe Rexha is one of the biggest vocalists in electronic music. Over the years she has been a regular contributor to some of David Guetta’s biggest hits with songs like ‘Say My Name’, ‘One in a Million’, and the 2014 chart dominator ‘Hey Mama.’ She has also worked with other huge names like Alok, Jax Jones and of course gave an incredible performance on Cash Cash’s ‘Take Me Home.’ Sandro Cavazza Being a regular collaborator with Avicii and Kygo, Sandro Cavazza has provided vocals for many brilliant tracks including ‘Without You’ which is undoubtably one of Avicii’s best songs helped in large part by Cavazza’s astonishing voice. He can be found featured on a number of very emotional electronic songs with his gentle yet powerful voice helping to deliver Avicii’s ‘Forever Yours’, ‘Gonna Love Ya’, Kygo’s ‘Happy Now’, ‘Hold On Me’, and many more. Having worked with names like Don Diablo, Felix Jaehn, Kygo, and Avicii it’s fair to say that Sandro Cavazza has etched his name as a legendary vocalist in electronic music. Bonn As a regular collaborator with Martin Garrix, Bonn has built an impressive catalogue of EDM tracks that he has been part of including one of Garrix’s biggest songs ‘High On Life.’ He has helped bring to life some of Garrix’s best tracks with his stunning voice such as ‘No Sleep’, ‘Hurricane’ and ‘Home.’ He can also be found making an appearance in Avicii’s posthumous album ‘Tim’ on the song ‘Freak’ where he delivers an emotional performance that honoured Avicii’s vision for the song immaculately. Most recently he has added his flare to MORTEN and ARTBAT’s ‘Hollow.’

Tale Of Us’s visionary label, Afterlife, is expanding beyond its famous party series to launch two groundbreaking festival experiences. The Hipódromo de las Américas in Mexico City and the famous Circuit de Barcelona-Catalunya in Barcelona will be the settings for these events, which promise to start a new era in electronic music culture. The event, which will take place in two cities, Mexico City and Barcelona, from May 9th to 10th and 13th to 14th, is more than just another electronic music festival. Afterlife’s artistic vision has changed in a big way, and their groundbreaking relationship with Interscope Records has made it even bigger. This growth comes at a crucial time, as Tale Of Us members Carmine Conte (MRAK) and Matteo Milleri (Anyma) embark on their own artistic paths while still working together as a creative force. Afterlife Festival will be held in two locations across North America and Europe, with each territory hosting its own exclusive edition. Each event will be a 2-day-festival, presenting a meticulously assembled line up over 2 stages. One day will be uniquely curated by Anyma and the other by MRAK, ensuring a diverse yet cohesive musical journey. Longtime fans can expect state of the art production in synergy with music, lights, and visuals. Afterlife will continue to empower all the artists and supporters of the label through cutting edge production and stage design with an unwavering commitment to the standards of which it’s known. Each day of the event has been carefully planned to reflect the unique sound signatures of MRAK and Anyma, promising a journey into their respective artistic depths that has never been done before. This way of choosing artists makes sure that festival-goers don’t just enjoy a show, but also a carefully planned trip through the past, present, and future of Afterlife’s music. The festival will immerse attendees in the music and offer fans an ever-deepening connection to the artists and collaborators involved in creating the Afterlife experience. As Afterlife continues to evolve, these festivals mark the beginning of a new chapter, one that honors its origins while expanding and growing alongside those that have continued to support the label and event series from the beginning. These festivals are happening right after Afterlife’s historic partnership with Interscope Records, which gives the label the chance to reach global crowds it has never had before. This moment is dedicated to giving back to the Afterlife community and thank them for their continued support over the years. Fans will be able to be a part of this important moment in the history of electronic music for the first time during the pre-sale starting on February 26, 2025, and the general sale on February 27, 2025. Where? Mexico City, Hipódromo de las Américas and Barcelona, Circuit de Barcelona-Catalunya When? May 9th to 10th and 13th to 14th The post Afterlife announces first ever 2-day Festival experience with Anyma and MRAK appeared first on The Groove Cartel.

Back-to-back sets have always been part of electronic music, but 2025 is seeing more of them than ever. Festivals are booking them across all genres, artists are embracing the challenge of collaboration, and fans are responding with excitement. These performances bring an unpredictable energy that solo sets often do not, making them some of the most talked-about moments at major events. Back-to-back sets have always been part of electronic music, but 2025 is seeing more of them than ever. Festivals are booking them across all genres, artists are embracing the challenge of collaboration, and fans are responding with excitement. These performances bring an unpredictable energy that solo sets often do not, making them some of the most talked-about moments at major events. Ultra Miami, Tomorrowland, and Thailand’s biggest festivals are all showcasing these pairings in a way that suggests they are becoming more than just a festival extra. Whether it is established artists who have shared the stage before or completely new combinations, this year is proving that back-to-back sets are shaping the direction of live EDM. Ultra Miami 2025: A Festival with High-Profile B2BsUltra Miami has always been a festival that sets the pace for the year, and its 2025 lineup reflects the growing presence of back-to-back performances. While the festival remains stacked with solo headliners, a few standout collaborations have added another layer to the experience. Anyma B2B Solomun brings together two artists who have each made a major impact on modern melodic and deep sounds. Anyma’s approach to Afterlife-style productions combined with Solomun’s reputation for shaping extended sets makes this one of the most anticipated collaborations of the weekend.Deadmau5 B2B Pendulum is a fusion of two distinct styles. Deadmau5 has spent years refining his layered, progressive sound, while Pendulum’s roots in drum and bass bring a completely different approach. Seeing how they navigate each other’s strengths in a festival setting will be something fans will be paying close attention to. Dom Dolla B2B John Summit as Everything Always is another highlight. As two of the most in-demand house artists, they have already built strong chemistry behind the decks. This performance will likely be a continuation of the energy they have brought to previous festivals under their joint project. Thailand’s Festivals Are Embracing B2BsThailand’s festival scene has been growing rapidly, and 2025 marks the first time major events in the country are putting back-to-back performances at the forefront. Siam Songkran and S2O are featuring some of their biggest lineups yet, with collaborations that have never been seen in Thailand before. Yellow Claw B2B Flosstradamus is a long-awaited moment for fans of trap and bass music. Both acts have defined the genre in different ways, and this performance will be the first time they share the stage in Thailand at Siam Songkran. Dimitri Vegas B2B Steve Aoki is another first. Both artists have played in Thailand before, but this will be their debut back-to-back performance in the country at Siam Songkran. Given their shared history of festival anthems and crowd-driven energy, this will be one of the most energetic sets of the weekend. Brooks B2B Mesto B2B Justin Mylo at S2O Festival is one of the rare triple collaborations happening this year. These three have helped shape the future house and big room sound, and putting them together in a B3B format is something that fans have been eager to see. Tomorrowland 2025’s Exclusive B2BsTomorrowland has always been known for giving artists the space to create exclusive festival moments, and its 2025 edition is filled with rare back-to-back sets. HI-LO B2B Eli Brown brings together two artists who thrive in the darker, bass-driven side of club music. Third Party B2B Matisse & Sadko is a dream set for progressive house fans, combining the strengths of two acts that have created some of the biggest festival anthems. Dimitri Vegas B2B Fantasm and DubVision B2B Third Party add to a lineup that is filled with pairings that have not been seen before on the festival’s stages.A Recent Example of Where This Is HeadingTechno has also been embracing back-to-back performances. A recent standout was Amelie Lens and Charlotte de Witte, two of the most prominent names in the genre. Their set combined the high-energy approach that both are known for with moments that felt entirely new, showing how these collaborations allow artists to experiment beyond their usual solo performances. Why is 2025 Seeing More B2Bs and B3Bs?Several factors have contributed to the rise of these performances. Fans are looking for something that feels different. Festival lineups can start to feel repetitive when the same artists return each year, but a fresh pairing makes a performance feel unique. A solo set from a well-known DJ is always a major draw, but seeing two artists work together in real time creates an experience that cannot be replicated. Artists are more open to stepping outside their usual formats. While some of these collaborations have been planned far in advance, others have come together naturally as artists push themselves into new creative spaces. Whether it is playing with someone from a different genre or testing a different kind of set structure, DJs are increasingly embracing these challenges. Social media and festival live streams have also played a role. Unique back-to-back performances tend to generate viral moments that travel far beyond the festival grounds. When a set like Amelie Lens and Charlotte de Witte’s has been quite the talk of the scene especially with countless videos being shared online. Such a set reinforces how much fans are looking for something new and unfamiliar. Is This a Trend or the Future of Live EDM?It is difficult to say whether back-to-back performances will continue to grow after 2025, but the fact that so many festivals are focusing on them suggests that they are not just a passing phase. Some collaborations might turn into long-term projects, while others might remain one-time experiences that are never repeated. Either way, they are giving fans something fresh and making festival lineups feel more dynamic. What is clear is that electronic music is always evolving. Right now, back-to-back sets are shaping how live performances are structured, offering artists and audiences something that goes beyond a traditional DJ set. Whether this is just a moment in time or the beginning of a shift in how festivals are booked, one thing is certain. This year, more than ever, some of the biggest moments in EDM will come from two or even three DJs stepping up together and delivering something that will never be played the same way again.Miami, Tomorrowland, and Thailand’s biggest festivals are all showcasing these pairings in a way that suggests they are becoming more than just a festival extra. Whether it is established artists who have shared the stage before or completely new combinations, this year is proving that back-to-back sets are shaping the direction of live EDM. Ultra Miami 2025: A Festival with High-Profile B2BsUltra Miami has always been a festival that sets the pace for the year, and its 2025 lineup reflects the growing presence of back-to-back performances. While the festival remains stacked with solo headliners, a few standout collaborations have added another layer to the experience. Anyma B2B Solomun brings together two artists who have each made a major impact on modern melodic and deep sounds. Anyma’s approach to Afterlife-style productions combined with Solomun’s reputation for shaping extended sets makes this one of the most anticipated collaborations of the weekend.Deadmau5 B2B Pendulum is a fusion of two distinct styles. Deadmau5 has spent years refining his layered, progressive sound, while Pendulum’s roots in drum and bass bring a completely different approach. Seeing how they navigate each other’s strengths in a festival setting will be something fans will be paying close attention to. Dom Dolla B2B John Summit as Everything Always is another highlight. As two of the most in-demand house artists, they have already built strong chemistry behind the decks. This performance will likely be a continuation of the energy they have brought to previous festivals under their joint project. Thailand’s Festivals Are Embracing B2BsThailand’s festival scene has been growing rapidly, and 2025 marks the first time major events in the country are putting back-to-back performances at the forefront. Siam Songkran and S2O are featuring some of their biggest lineups yet, with collaborations that have never been seen in Thailand before. Yellow Claw B2B Flosstradamus is a long-awaited moment for fans of trap and bass music. Both acts have defined the genre in different ways, and this performance will be the first time they share the stage in Thailand at Siam Songkran. Dimitri Vegas B2B Steve Aoki is another first. Both artists have played in Thailand before, but this will be their debut back-to-back performance in the country at Siam Songkran. Given their shared history of festival anthems and crowd-driven energy, this will be one of the most energetic sets of the weekend. Brooks B2B Mesto B2B Justin Mylo at S2O Festival is one of the rare triple collaborations happening this year. These three have helped shape the future house and big room sound, and putting them together in a B3B format is something that fans have been eager to see. Tomorrowland 2025’s Exclusive B2BsTomorrowland has always been known for giving artists the space to create exclusive festival moments, and its 2025 edition is filled with rare back-to-back sets. HI-LO B2B Eli Brown brings together two artists who thrive in the darker, bass-driven side of club music. Third Party B2B Matisse & Sadko is a dream set for progressive house fans, combining the strengths of two acts that have created some of the biggest festival anthems. Dimitri Vegas B2B Fantasm and DubVision B2B Third Party add to a lineup that is filled with pairings that have not been seen before on the festival’s stages.A Recent Example of Where This Is HeadingTechno has also been embracing back-to-back performances. A recent standout was Amelie Lens and Charlotte de Witte, two of the most prominent names in the genre. Their set combined the high-energy approach that both are known for with moments that felt entirely new, showing how these collaborations allow artists to experiment beyond their usual solo performances. Why is 2025 Seeing More B2Bs and B3Bs?Several factors have contributed to the rise of these performances. Fans are looking for something that feels different. Festival lineups can start to feel repetitive when the same artists return each year, but a fresh pairing makes a performance feel unique. A solo set from a well-known DJ is always a major draw, but seeing two artists work together in real time creates an experience that cannot be replicated. Artists are more open to stepping outside their usual formats. While some of these collaborations have been planned far in advance, others have come together naturally as artists push themselves into new creative spaces. Whether it is playing with someone from a different genre or testing a different kind of set structure, DJs are increasingly embracing these challenges. Social media and festival live streams have also played a role. Unique back-to-back performances tend to generate viral moments that travel far beyond the festival grounds. When a set like Amelie Lens and Charlotte de Witte’s has been quite the talk of the scene especially with countless videos being shared online. Such a set reinforces how much fans are looking for something new and unfamiliar. Is This a Trend or the Future of Live EDM?It is difficult to say whether back-to-back performances will continue to grow after 2025, but the fact that so many festivals are focusing on them suggests that they are not just a passing phase. Some collaborations might turn into long-term projects, while others might remain one-time experiences that are never repeated. Either way, they are giving fans something fresh and making festival lineups feel more dynamic. What is clear is that electronic music is always evolving. Right now, back-to-back sets are shaping how live performances are structured, offering artists and audiences something that goes beyond a traditional DJ set. Whether this is just a moment in time or the beginning of a shift in how festivals are booked, one thing is certain. This year, more than ever, some of the biggest moments in EDM will come from two or even three DJs stepping up together and delivering something that will never be played the same way again.

Here we sit down with Lorenzo aka Lehar, the founder of the innovative electronic label, Multinotes, to explore his journey, the ethos of the label, and his upcoming creative endeavours. From the magic of performing in unique locations like Tulum to his plans for 2025, Lehar shares his thoughts on curating unforgettable experiences, signing authentic artists, and what it takes to push boundaries in both music production and live performances. We also dive into the thriving underground scene in Venice and glimpse the exciting future of Multinotes. Hi Lorenzo! How are you? Pleasure to speak with you! Hi guys, thanks for having me! I’m doing great, just coming off an intense but fulfilling start to the year, and I’m really excited about what’s coming next. Let’s jump straight in. How was the Multinotes showcase in Tulum and what made it so special? The Multinotes showcase in Tulum was incredible, as always. There’s something unique about playing in such a stunning natural environment, surrounded by people who are completely immersed in the music. What ingredients do you believe make a stand-out label showcase? A successful label showcase needs more than just a great lineup; it’s about curating an experience. For me, the key ingredients are musical coherence, a venue that enhances the atmosphere, and a crowd that’s open to discovery. It’s not just about booking big names but creating a journey that reflects the essence of the label. The energy between the artists and the audience is also crucial—when that connection happens, the showcase becomes unforgettable. With Multinotes, what ethos or vibe are you trying to convey, and how would you describe the Multinotes sound? Multinotes was born with the idea of being a creative space for artists who aren’t afraid to experiment. We don’t follow trends; we focus on music that has a timeless quality and tells a story. The sound of the label is diverse, but there’s always a strong emotional depth, whether it’s melodic, deep, or driving. It’s about bringing together different influences and perspectives while maintaining a strong artistic identity. What do you look for in an artist when signing them to the label? What makes the cut? I look for artists who have something authentic to say with their music—people who take risks and aren’t just replicating what’s already out there. It’s not about a specific genre or sound, but rather about a unique perspective and a sense of identity in their productions. When I listen to demos, I want to feel something: an emotion, a narrative, a signature sound. That’s what makes the difference. Tell us about the scene in Venice. Has it changed much in the past years, and if so, for better or worse and why? Venice has always had a very particular relationship with music and art. It’s a city of deep cultural heritage, but it has also faced challenges when it comes to nightlife and club culture. In recent years, there’s been a growing underground movement, with more people interested in quality electronic music. However, there are still limitations due to local regulations, which can make it difficult for the scene to fully thrive. That said, those who are passionate about music in Venice are truly dedicated, and that’s something very special. What are you looking to achieve this year? This year, my goal is to push my creative boundaries even further. I have several new productions lined up, including more releases on Multinotes and collaborations with labels that I deeply respect. I also want to continue refining my sound and experimenting in the studio. On the performance side, I’m focusing on playing in unique settings that allow me to connect with the audience on a deeper level. Any shows coming up you are particularly excited about? If you can share them. Yes! This year, I’m really excited to return to Brazil, a country I absolutely love and where I’ve always felt a deep connection with the crowd. The energy there is incredible, and every show feels like a special experience. Another big highlight for me is my first-ever Australian tour in May, where we’ll be bringing the Multinotes Showcase to Melbourne, Sydney, and Brisbane. It’s a milestone for me, and I can’t wait to share this journey with the Australian audience! Any exciting label guests lined up this year that we should be excited for too? As always, I’m confident we won’t disappoint—stay tuned! Working with established artists is always an honor, but I have to say that discovering and nurturing new talent is something I find incredibly rewarding. I love coming across artists who bring fresh perspectives and innovative ideas to the table. It’s not just about releasing great music, but also about creating opportunities for emerging talents to shine. The industry thrives on constant evolution, and having a solid platform that can support and elevate these new creative artists is something I take great pride in. What record would you say was the catalyst for your electronic musical journey? That’s a tough one! There have been so many records that shaped my path. Rather than a single track, it was a series of moments—certain melodies, rhythms, and atmospheres—that made me fall in love with electronic music. Lehar’s “Fusion State” Ep is out now on Eelke Kleijn’s label DAYS like NIGHTS Grab it here – https://www.beatport.com/release/fusion-state/4898156 https://www.instagram.com/leharmusic/?hl=en https://www.facebook.com/Leharmusic The post EDMTunes Chats with Lehar appeared first on EDMTunes.

And now, time for some old Tiësto! The Dutch EDM legend is back full throttle with an incredible gift for his fans. Tiësto just uploaded his full 4-hour set at Club Space Miami. January 24th of this year, the DJ took listeners on a beautiful journey through a sunrise at the terrace in Miami, Florida. Similar to recent sets, he has tapped into more Progressive and Melodic sounds, similar to his sounds from the earlier 2000s. 4-Hour Club Space Tracklist DJs work hard, but ravers work harder. Just as the set was released, people flooded the comment section, in which we were able to scout the Tracklist for this wonderful morning set. He definitely focused on many popular Melodic Techno artists such as ANNA, Massano, and Argy, including plenty of IDs and his very own unreleased remixes. Moreover, he played popular underground artists such as Max Styler, Odd Mob, Mochakk, Beltran, Adam Sellouk, and more. The set also includes plenty of Trance classic remixes, such as ‘Delirium’, ‘Rapture’, ‘Children’, and ‘Universal Nation‘. The set seems to be an extention of his set at the Sphere in Las Vegas at the beginning of January, where he was praised for his return to his sonic roots. This is definitely the start of an amazing year for Tiësto. Yes, he may be extremely popular and mainstream at the moment. However, making time to provide an outstanding experience while revisiting styles that made him famous is how he can captivate mass audiences over and over again. Next The artist ended January with his newest release Prismatic EP Pack One, and he announced two separate Vegas residencies for the summer. Tiësto is gracing us this summer at Omnia Nightclub, Tao Beach and LIV Nightclub. Moreover, he has a couple appeareances at Kygo’s newest dayclub Palm Beach Tree Club, opening this summer at the MGM Grand. Don’t miss out on the ‘Adagio for Strings’ producer, as he will be playing at EDC Mexico this wekeend, and Ultra Music Festival in Miami next month. The post [WATCH] Tiësto Uploads Full 4-Hour Club Space Set appeared first on EDMTunes.