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Photo Credit: @eddysonline / TikTok Is Katy Perry’s career at a crossroads? Once considered pop royalty, the singer has faced a wave of public backlash that began long before her 11-minute space walk. The pop singer has responded to the internet’s backlash, calling herself a ‘human piñata’ in the process. Perry’s latest album 143 was intended to be a triumphant return for the pop singer, but instead it has widely been labeled a commercial disappointment. From lackluster chart performance to the tepid critical response—fans aren’t feeling it. That’s partially due to Perry’s decision to work with producer Dr. Luke, who has faced long-standing sexual abuse allegations from Kesha. While Dr. Luke has denied the allegations and there have been no criminal charges, fans were not so forgiving. None of the songs from 143 charted on the Billboard Hot 100—and the album itself fell off the Billboard 200 charts just two weeks after debut. Earlier this month, the pop singer joined an all-female Blue origin space tourism flight, which she called a groundbreaking flight for women in STEM. But the public reaction to the flight focusing on celebrities like Katy Perry and Gayle King’s experience instead of Aisha Bowe (former NASA rocket scientist) and Amanda Nguyen (bioastronautics research scientist) created a perfect storm of online backlash. Photos of Katy Perry kissing the ground went viral on social media, with Wendy’s tweeting “I kissed the ground and I liked it.” The first videos from her Lifetimes Tour in Mexico City went viral just this week after her first show on April 23. Clips of the choreography were shared millions of times, with viewers expressing shock and dismay at her awkward moves. Dubbed the Queen of Cringe, many viewers questioned why anyone would pay hundreds of dollars to see a show worse than what you can find at Disneyland on the average day. With the general public lambasting her choreography for her Lifetimes Tour, Perry took to social media to address how the negative attention has impacted her. “Please know I am okay, I have done a lot of work around knowing who I am, what is real and what is important to me,” the pop singer begins. “My therapist said something years ago that was a game-changer, ‘no one can make you believe something about yourself that you don’t already believe about yourself’ and if I ever do have any feelings about it then it’s an opportunity to investigate the feelings underneath it.” “When the ‘online’ world tries to make me a human piñata, I take it with grace and send them love, cause I know so many people are hurting in so many ways and the internet is very much so a dumping ground for unhinged and unhealed.” View the full article

After a 20-year hiatus from the decks, Max White is back with just as much passion and drive as ever. Once a staple in the underground DJ scene, he stepped away from the nightlife two decades ago to pursue a career in medicine. But last year, the beat called him back—and he answered with a monumental return. His explosive comeback to the music world has been nothing short of electric. Max’s latest track, ‘Need You’, dropped just in time for Ultra Music Festival and instantly caught people’s attention. A high-energy mainstage anthem, the track features soaring vocals from the talented Mary Lova, blending melodic emotion with festival energy. What followed was a meteoric rise from pursuing a career in medicine to having ‘Need You’ reach #1 on the Beatport Top 100 Mainstage Release Chart. It surpassed tracks from titans such as Armin Van Buuren which highlights just how powerful of a comeback this is. “I am humbled that I am up in these charts with the likes of Armin van Buuren, Steve Angello, R3HAB and many other of my musical heroes,” Max shared, reflecting on the unexpected but well-earned recognition. With several new tracks in the pipeline, collaborations lined up with rising and established names, and shows booked across the U.S. and Ibiza this summer, Max White is just getting started. Since his return he’s made it very clear that he’s still got the skills and that he’s back with a vengeance. To follow Max White on Instagram, click the button below: MAX WHITE INSTAGRAM

Outside Lands has announced the full roster of DJs set to perform on its SOMA stage for 2025. After shedding its roof in favor of a new open-air, 360-degree format last year, the San Francisco festival’s dedicated house and techno hotspot will be back under the sun and stars at Marx Meadow when the event returns to Golden Gate Park this August 8-10, boasting another eclectic lineup of legendary selectors and rising stars. Throughout the weekend, SOMA’s picturesque views and sprawling dancefloor will play host to Afro house titan Black Coffee, fan-favorite house groovers like Claptone, BLOND:ISH, Dombresky, and San Francisco-by-way-of-Detroit hero Claude VonStroke, and more Dirtybird alumni like Walker & Royce and Girl Math (VNSSA B2B Nala). Also on the bill are underground legends like Floating Points and DJ Koze, rising garage talent NOTION, leading Amapiano duo TxC, melodic house artist &friends, and a dash of hard techno from Nico Moreno, plus several of Cali’s finest in Baalti, Banksia, DJ Mandy, and Infinite Jess. Check out the roster below. In its social media lineup announcement, Outside Lands went on to confirm that SOMA will feature a new surround sound system, new lighting, and an even larger dance floor this year. Read EDM Maniac‘s feature on SOMA at Outside Lands 2024 here. Other acts performing elsewhere at Outside Lands include Tyler, The Creator, Hozier, Doja Cat, Anderson.Paak, Vampire Weekend, John Summit, Jamie xx, Sammy Virji, Levity, Bleachers, and many more. For more information or to purchase tickets, visit sfoutsidelands.com. Featured image courtesy: Outside Lands. Credit: Alive Coverage. The post Outside Lands Confirms Full SOMA Lineup For 2025 appeared first on EDM Maniac. View the full article

Outside Lands has announced the full roster of DJs set to perform on its SOMA stage for 2025. After shedding its roof in favor of a new open-air, 360-degree format last year, the San Francisco festival’s dedicated house and techno hotspot will be back under the sun and stars at Marx Meadow when the event returns to Golden Gate Park this August 8-10, boasting another eclectic lineup of legendary selectors and rising stars. Throughout the weekend, SOMA’s picturesque views and sprawling dancefloor will play host to Afro house titan Black Coffee, fan-favorite house groovers like Claptone, BLOND:ISH, Dombresky, and San Francisco-by-way-of-Detroit hero Claude VonStroke, and more Dirtybird alumni like Walker & Royce and Girl Math (VNSSA B2B Nala). Also on the bill are underground legends like Floating Points and DJ Koze, rising garage talent NOTION, leading Amapiano duo TxC, melodic house artist &friends, and a dash of hard techno from Nico Moreno, plus several of Cali’s finest in Baalti, Banksia, DJ Mandy, and Infinite Jess. Check out the roster below. In its social media lineup announcement, Outside Lands went on to confirm that SOMA will feature a new surround sound system, new lighting, and an even larger dance floor this year. Read EDM Maniac‘s feature on SOMA at Outside Lands 2024 here. Other acts performing elsewhere at Outside Lands include Tyler, The Creator, Hozier, Doja Cat, Anderson.Paak, Vampire Weekend, John Summit, Jamie xx, Sammy Virji, Levity, Bleachers, and many more. For more information or to purchase tickets, visit sfoutsidelands.com. Featured image courtesy: Outside Lands. Credit: Alive Coverage. The post Outside Lands Confirms Full SOMA Lineup For 2025 appeared first on EDM Maniac. View the full article

After hosting a noteworthy first season in 2024, Goldenvoice Surf Club returned to the desert for two standout weekends of fun under the sun. Located inside the Palm Springs Surf Club, the daytime pool party series acted as a perfect poolside retreat before attendees headed east to the company's main event, Coachella. Having once been the home of a sprawling water park, the venue included accommodations not found at your run-of-the-mill desert pool party. Water slides, a meandering lazy river, a swimming pool, and a massive surfing wave pool were all easily accessible to partygoers across both weekends. Ava Austin A spacious, grassy amphitheater acted as the main destination for dance music enthusiasts, where the music from the main stage echoed throughout the vast water complex. As for daily programming, the talent performing across both weekends included a who's who of stars from across the electronic music spectrum. Throughout both weekends, genres like techno, house, and progressive were all represented, bringing a wide array of dance music lovers together under the desert sun. Ava Austin Notable performances include Chris Lorenzo, Sammy Virji, Massano, EDM.com Class of 2025 inductee Max Styler and techno superstars Sara Landry and Eli Brown, among others. With a stacked lineup of global talent, Goldenvoice Surf Club has reformulated both of Coachella's already jam-packed weekends. The unique poolside atmosphere, combined with its many water activities, caters to guests ready to dance and those looking to recharge and unwind. FOLLOW GOLDENVOICE SURF CLUB:Website: gvsurfclub.com X: x.com/gvsurfclub Instagram: instagram.com/gvsurfclub FOLLOW COACHELLA:Website: coachella.com X: x.com/coachella Instagram: instagram.com/coachella YouTube: youtube.com/coachella Facebook: facebook.com/coachella

One year after the release of Breathe In, an album centered around Armin van Buuren’s journey of reconnecting with his fans and the music he loves, the world-renowned Dutch DJ and producer is announcing the forthcoming release of Breathe Out. This new release, out on June 27, completes the full body of work that is Armin van Buuren’s ninth studio album, Breathe. Breathe Out In both sound and meaning, Breathe Out is a natural follow-up to Breathe In. It sees a new, healthier, and reconnected Armin van Buuren deliver some of his best work yet. Inspired by a stronger sense of self, more creativity, and an even more dauntless approach to studio work, the album is chock-full of sound fusions and expert songwriting, showing that a balanced mind and lifestyle can lead to wonder. “Breathe Out really shows how far I’ve come, not just as an artist, but as a person,” … “This album is about creative freedom, living fully, and putting everything I’ve learned – especially through my journey with mental health and self-growth – into the music. In many ways, it feels like coming full circle.” Armin van Buuren The Breathe album features a total of 51 tracks, with Breathe In (Part 1) containing 12 tracks and Breathe Out (Part 2) adding 39 tracks. Combined, the two parts bring together a diverse collection of tracks, including chart-topping hits, surprising collaborations (e.g. Pendulum & Rob Swire, Sam Gray, Moby, Bon Jovi), and new releases like ‘Let It Be For Love’ (feat. Jai Ryu) and ‘Gimme The Love’ (with Seth Hills, feat. Alessia Labate). About Armin van Buuren Armin van Buuren has long been a global ambassador for electronic music. He currently has nine full-length artist albums to his name — Breathe In included — and continues to cultivate a massive worldwide following through his weekly A State of Trance radio show, event series, and album series, reaching 44 million listeners from more than 80 different countries on a weekly basis. Armin van Buuren headlines tens to hundreds of shows per year at leading festivals and venues around the world, including Electric Daisy Carnival (Las Vegas, New York), Ultra Music Festival (Miami), Lollapalooza (Chicago) and Tomorrowland (Belgium), plus residencies on Ibiza and in Las Vegas. Past summer alone, he reconnected with fans through over thirty shows, including the ‘Feel Again’ shows in the Ziggo Dome, Ultra Europe, Tomorrowland, Parookaville, Creamfields, Electric Zoo, and his summer residencies at Hï Ibiza and Ushuaïa. The post Armin van Buuren Announces New Colossal Album ‘Breathe Out’ Release Date appeared first on EDMTunes.

Chris Stussy is bringing his distinct brand of deep, groove-laden house music to the United States for a pair of summer concerts he's called the biggest headline shows of his career. Dubbed the "USA Weekender," the two-night affair kicks off July 18th in New York, where he will take over the cavernous Brooklyn Storehouse for a late-night set running from 10pm to 5am. He'll head across the country the following evening, traveling west to Los Angeles for an open-air show at at Exposition Park, set against the city’s golden-hour skyline from 5pm to midnight. The announcement follows Stussy’s return to Coachella in April and the successful debut of his "USS" event series at London’s Roundhouse earlier this year. With lineups carefully curated by the Dutch DJ himself, the weekender promises a "music-first" experience in both cities, showcasing a handpicked selection of special guests to complement his evolving style, according to a press release. Known for fusing classic house sensibilities with sleek, modern production, Stussy has emerged as one of the genre's most influential new figures. These U.S. shows signal a continued expansion of his global reach as well as a chance for American fans to catch the rising star in his element. Pre-sale tickets go live Thursday, May 1st, with Los Angeles access beginning at 10am PT and New York following at noon ET. General sales open later that day. Follow Chris Stussy:X: x.com/djchrisstussy Instagram: instagram.com/chrisstussydj TikTok: tiktok.com/@chrisstussydj Facebook: facebook.com/djchrisstussy Spotify: tinyurl.com/yysewt2z

Oren Aks, the former social media designer for Fyre Festival, recently spoke out about the role social media plays in elevating the profiles of individuals associated with criminal behavior. Speaking to Fox News Digital, Aks highlighted how social media has contributed to the glorification of figures like Fyre Festival creator Billy McFarland. Also, notorious scam artist Anna Delvey Sorokin, and UnitedHealthcare CEO murder suspect Luigi Mangione. The Role of Social Media in Idolizing Controversial Figures Aks pointed out that social media platforms have made it easier for people like McFarland, Sorokin, and Mangione to gain fame despite their criminal backgrounds. He noted that social media users tend to focus on the narrative surrounding these individuals, often elevating them to iconic status, regardless of their actions. “We look at them like they’re iconic, like, ‘Oh what’s she wearing to court?’ And … at a certain point, you’re just more obsessed with them as this narrative that you’ve built rather than who they actually are. … If you met Billy, you wouldn’t be impressed,” …… “It used to be … this inspirational route you would take in your career to kind of move up a ladder or earn a living and buy a house or something. Now, we vilify those people, and we glorify the bad, the scammy, the evil, and we look at those people as heroes,” Oren Aks Reflection on the Fyre Festival Experience Aks also reflected on his time working for the ill-fated Fyre Festival in 2017. He recalled the warning signs that the event was doomed from the start. He mentioned logistical issues and lack of preparation as red flags, which became evident when he arrived at the site and saw FEMA-style tents set up for the festival. Despite this, he believed the event would still go on smoothly until the reality set in. “When we arrived, the point where it really hit me was actually … going over this hill and kind of descending into the valley where the beach area, where the festival was taking place, and seeing the tents and the actual media center stage area and … nothing was there,”…. “In my brain, the logistics didn’t work out, but I just assumed that’s just not my territory. I’m the graphic designer. I’m sure they’ve got like an architect or … someone dealing with that. But then I saw the FEMA or the U.N.-style tents, and that was the moment it all hit.” – Oren Aks The Fall and Future of the Fyre Festival Brand After the failure of the original Fyre Festival, McFarland launched Fyre Festival 2, which was postponed weeks before its scheduled start in May 2025. McFarland has since announced plans to sell the Fyre Festival brand, including its trademarks, intellectual property, and digital assets. Listen to Oren Aks’s message here. The post Fyre Festival Designer Discusses Scammers on Social Media appeared first on EDMTunes.

Feed Me has a hunger that only a new tour could satisfy. The deeply influential British DJ and producer has announced a tour of the U.S. in May, when he'll feast on a number of major cities including Seattle, Denver and Chicago. The tour's artwork is styled like the 90s PlayStation game WipEout. It features plenty of clever, nerdy details, like the "PAL" branding, which is used to denote that the contents of the game are from Europe, like Feed Me. The virtuosic producer, whose real name is Jon Gooch, also revealed that he's working on a new album. He has not formally announced a title or release date for the record, which will be his first since 2019's self-titled Feed Me. "I am very much looking forward to heading back over to the USA for these shows coming up - I’ve been working on a new album, whole new set, new paintings as well as other project stuff," Gooch wrote on social media. "I’ve also been mostly offline while doing so…what started as a break from socials turned into a bit of a phobia about getting online again BUT here I am." Feed Me's upcoming run will kick off May 9th, 2025 at Seattle's Substation. You can purchase tickets to the tour here. View the original article to see embedded media. Follow Feed Me:X: x.com/feedme Instagram: instagram.com/feedme Facebook: facebook.com/youfeedme Spotify: spoti.fi/2Nbc2G0

The Brooklyn Mirage’s PR team is stepping it up this year. They took to social media to drop a funny and honest self-deprecating promo video for the new renovations. The Mirage has seen lots of criticism over the last few years for various reasons. One of the most popular is the overcrowding of shows. Rather than avoiding the topic, Avant Gardner went right into it. The video shows various attendees answering the famous question, “What Could The Brooklyn Mirage improve ahead of opening?” Every answer is spot on with what New York ravers are feeling. The first answer was about overcrowding, the second was about using wristbands to buy drinks, and the next was about dedicated Uber pickup/drop-off zones. Other criticisms included needing more bathrooms, table service where you couldn’t see the stage, and the sound CAN BE BETTER. The Mirage is looking to address all of these concerns this weekend, when the brand new Mirage opens. If it is anything like the renderings, it is going to be a very special place. Sara Landry will open Mirage 4.0 on May 1st and 2nd. CITYFOX Regenerate will follow her on May 3rd. The post Brookyn Mirage Drops Funny Self-Deprecating Video appeared first on EDMTunes.

Don Diablo kicks off a new era for his record label HEXAGON with the release of ‘Freek Like Me‘. This track marks the beginning of HEXAGON 2.0, a fresh chapter for the label as it celebrates its monumental 10-year anniversary. Popular for his futuristic blend of house, techno, and sound design, Don Diablo continues to innovate dance music with ‘Freek Like Me’. Song Breakdown: ‘Freek Like Me’ – A Perfect Fusion of Old-School and Futuristic Sounds ‘Freek Like Me’ kicks off with a male vocal chanting “Freek like me,” setting a late-night and all-or-nothing vibe. The lyrics describe how there’s no other freak like him, especially not at 3 am, adding another sense of nocturnal adventure. The energy of the track pays homage to old-school house music, while Don Diablo’s signature futuristic and rhythmic style shines through. The vocal is expertly chopped by Don Diablo himself, building up the anticipation before the first drop hits. This is where Don adds one of his signature synths. He creates that stutter-type feeling that makes everyone move on the dancefloor. The breakdown takes a different turn as a vocoder takes over the vocals. This adds padding to the track with a stylist pallet cleanser. The next buildup leads to a second drop where it hits hard with a super rhythmic chorus that keeps the energy high. Altogether, ‘Freek Like Me’ showcases the perfect blend of house nostalgia with a modern, energetic twist. Don Diablo and HEXAGON: Anti-algorithm and quality over quantity Don Diablo’s impact on the electronic music scene is undeniable. Popular for his chart-topping hits like ‘On My Mind’ and ‘Cutting Shapes,’ Don has been a key figure in the evolution of house and future house music. As the founder of HEXAGON, he has cultivated a label that has become a hub for fresh talent. Over the past decade, HEXAGON has not only released chart-topping hits but also evolved into a global movement. From collaborating with legends like Major Lazer, Robbie Williams, and Galantis to reaching over one billion streams with his music. Don Diablo has solidified his place at the top of the electronic music world. Now, The launch of HEXAGON 2.0 represents the next step in his journey, where he plans to keep a “quality over quantity” focus by having fewer releases with more impact. Also, at the same time ignoring the social algorithms that everyone raves about. Don Diablo’s Upcoming Shows and the Future of HEXAGON With ‘Freek Like Me’, Don Diablo will continue his reign as one of the most innovative figures in electronic music. Fans can look forward to more innovative tracks and experiences from Don. He will be roaming around different countries for most of 2025. Keep an eye out for his upcoming tour dates and live performances as he continues to redefine the boundaries of dance music. The post Don Diablo Releases ‘Freek Like Me’ appeared first on EDMTunes.

After more than two years of building anticipation, Armin van Buuren has finally answered the call of fans across the globe with the release of ‘Dream A Little Dream’, a soaring collaboration with multi-platinum singer-songwriter Sam Gray. First premiered during his Ultra Music Festival 2023 set, the track quickly became one of Armin’s most-requested IDs, flooding comment sections and fan pages with pleas for an official release. Now, that dream has come true—and it’s as powerful as expected. Blending Armin’s signature euphoric trance production with Gray’s emotive vocal performance, ‘Dream A Little Dream‘ is a heartfelt anthem that walks the line between festival-ready energy and late-night introspection. Lush synths, rolling drums, and a hopeful chord progression carry the track into a celestial drop, making it a perfect crossover for both mainstage moments and personal listening. Lyrically, the track is steeped in nostalgia and optimism. Gray’s lines—“When the stars don’t show / Don’t go off the edge / When your heart feels broke / Forgive and forget”—invite listeners to reflect, reset, and hold on to hope. The chorus, with its gentle refrain “Dream a little dream with me”, captures the emotional vulnerability that has come to define some of Armin’s most beloved vocal anthems. Musically, this track feels like a spiritual successor to van Buuren’s past vocal classics, yet updated with a modern pop-trance edge. It’s sentimental without being overly saccharine, cinematic without losing dancefloor drive. “This song has been part of my sets for a while, and I knew it deserved a proper release,” said Armin in a recent statement. “Working with Sam brought a new level of emotional depth to it, and I’m proud we can finally share it with the world.” With ‘Dream A Little Dream‘, Armin continues to showcase his ability to evolve while staying true to his roots. It’s a reminder that even in a constantly shifting musical landscape, dreams—and dreamers—still have a place on the dancefloor. Armin van Buuren & Sam Gray – ‘Dream A Little Dream’ Listen below: The post Armin van Buuren Finally Delivers the Long-Awaited ‘Dream A Little Dream’ appeared first on EDMTunes.

When Armin van Buuren inhaled creatively last year, few expected the exhale would produce a tsunami of 51 tracks. The iconic Dutch DJ and producer today revealed he's set to release the second half of his ninth studio album, Breathe Out. It serves as the companion to last year's Breathe In, delivering a comprehensive work that reflects van Buuren's renewed creative vision and improved mental health, according to a press release. Together, the two-pronged release forms his complete Breathe album, due out on June 27th. After decades at the forefront of electronic dance music, the project represents a creative renaissance for the influential "A State of Trance" DJ, who has been candid about seeking balance between his meteoric career and personal wellbeing. Finding balance wasn't easy for the trance icon, but the payoff is clear: a massive collection of over 50 songs that showcases a mind finally at peace with itself. "Breathe Out really shows how far I’ve come, not just as an artist, but as a person," van Buuren said in a statement. "This album is about creative freedom, living fully, and putting everything I’ve learned—especially through my journey with mental health and self-growth—into the music. In many ways, it feels like coming full circle." The full Breathe album will feature a slew of high-profile collaborations, including music with David Guetta, Pendulum, Hardwell, Moby and EDM.com Class of 2023 artist Indira Paganotto. The expansive tracklist also features the legendary Bon Jovi, with whom van Buuren released the rock-infused rave anthem "Keep The Faith" in February. Check out the full tracklist of Breathe below and listen to Breathe In, the first part of the upcoming album, here. Armin van Buuren - Breathe Out Album TracklistBreathe Out (Part 2) Armin van Buuren & Sam Gray - Dream A Little Dream Armin van Buuren feat. JAI RYU - Let It Be For Love Armin van Buuren feat. Louis III - Part Of Me Armin van Buuren & David Guetta feat. Aldae - In The Dark Rivo vs Armin van Buuren feat. Sharon Den Adel - In And Out Of Love Armin van Buuren & Norma Jean Martine & LAWRENT (with Alok) - Euphoria Armin van Buuren & Punctual feat. EVALINA - Angels Armin van Buuren & John Christian - All Night Armin van Buuren & Rob Swire - Sound of You Armin van Buuren - Es Vedrà Oliver Heldens & Armin van Buuren feat. Sam Harper - Freedom Armin van Buuren & Chef'Special - Larger Than Life Armin van Buuren & Bon Jovi - Keep The Faith Armin van Buuren & Ahmed Helmy - Racing Spirit Armin van Buuren & Gryffin - What Took You So Long Armin van Buuren - ALIVE ARTBAT & Armin van Buuren - Take Off Armin van Buuren & D.O.D feat. Laura Welsh - By Now Camisra & Armin van Buuren - Let Me Show You Armin van Buuren & Omnia - Love Armin van Buuren & Agents Of Time feat. ORKID - Love Is Eternity Armin van Buuren & Hardwell - Follow The Light Armin van Buuren & W&W - Late Checkout Armin van Buuren & Natalie Gioia - Viva l'Opera Armin van Buuren & Moby - Extreme Ways Armin van Buuren feat. Anne Gudrun - High On Love Armin van Buuren - Pulstar Armin van Buuren & Natalie Gioia - Freedom's Call Armin van Buuren feat. Sam Harper - Want Some More Armin van Buuren & VIZE & Leony - City Lights Armin van Buuren & Seth Hills feat. Alessia Labate - Gimme The Love Armin van Buuren & BLR - Bach To The Future Armin van Buuren feat. Lucky Lou - Sweet Escape Armin van Buuren & Ben Hemsley feat. Lucy Pullin - Is It Beautiful (A State of Trance 2025 TRANSFORMATION Anthem) Armin van Buuren & HI-LO - Now Love Will Begin Armin van Buuren & Vini Vici feat. Anna Timofei - Sarabande Indira Paganotto & Armin van Buuren - Dragon Dimitri Vegas & Like Mike, Armin van Buuren, Vini Vici, Push - Universal Nation Pendulum & Armin van Buuren & Rob Swire - Sound Of You Breathe In (Part 1) Armin van Buuren & Goodboys – Forever (Stay Like This) Armin van Buuren & Xoro feat. Yola Recoba – God Is In The Soundwaves Armin van Buuren feat. Anne Gudrun – Love Is A Drug Armin van Buuren – Lose This Feeling Armin van Buuren – Motive Armin van Buuren, Ferry Corsten, Rank 1 & Ruben de Ronde – Destination (A State of Trance 2024 Anthem) Armin van Buuren feat. GREYLEE – Inevitable Armin van Buuren & HRRTZ feat. Julia Church – Fire With Fire Armin van Buuren & Vini Vici feat. ALBA – When We Come Alive Armin van Buuren feat. Mila Josef – Bed Of Rain Armin van Buuren & Just_us – Make It Count Armin van Buuren – Space Case Follow Armin van Buuren:X: x.com/arminvanbuuren Instagram: instagram.com/arminvanbuuren TikTok: tiktok.com/@arminvanbuuren Facebook: facebook.com/arminvanbuuren Spotify: spoti.fi/2WHsl2t

The Beatport Awards were held on April 24 at Atzaró Agroturismo in Ibiza. The event recognized producers, labels, DJs, and festivals based on actual sales data, voting, and expert decisions. These aren’t just names with hype. These are the people behind the tracks that showed up in DJ sets, stayed on the charts, and got played all year. Best Selling Artist of the Year This award goes to the artist with the most total track sales across all genres on Beatport. It shows who had consistent demand throughout the year, not just one viral moment. It’s a measure of work rate, reach, and relevance. Winner: HUGEL HUGEL’s releases dominated several Beatport charts. His blend of Latin house, vocal-driven cuts, and edits made for dance floors kept his catalog in steady demand. DJs from Ibiza to Tulum played his tracks throughout the year. Songs like “Tamo Loco” and collaborations with BLOND:ISH and Nfasis became crowd favorites. This wasn’t a lucky streak. He stayed present every month. Best Selling Track of the Year This is for the one track that sold more than any other on Beatport in the last year. It shows which song stood out enough to be played by DJs across different scenes, whether peak-time or warmup. One track that kept getting picked. Winner: Adam Port and Stryv – Move (feat. Malachiii) Move balanced sharp production with a vocal that connected immediately. The drums stayed tight and the groove made it work in a lot of different set styles. It became one of those tracks that kept its spot long after the release buzz faded. DJs stuck with it, and the sales showed that. Best Selling Remix of the Year This award goes to the remix that had the most downloads on Beatport. It’s not about who made the original, but who reworked it into something DJs wanted to play. A remix that gave new life to a familiar track. Winner: FISHER – Jamming (FISHER Rework) FISHER’s take on Bob Marley and The Wailers’ Jamming brought a classic into club territory. He didn’t overdo it. The groove stayed light but strong, with just enough bounce to keep it moving. The result worked across festivals, clubs, and beach parties. It became one of the most played edits of the year. Producer of the Year This award recognizes a producer who consistently put out high-quality music that shaped the sound of the year. It’s not just about volume. It’s about originality, technical skill, and influence across the scene. Winner: PAWSA PAWSA kept his sound sharp and reliable. Known for tight, rolling tech-house with a stripped-back edge, he released tracks that worked in clubs without needing big drops or gimmicks. His records landed in the crates of a wide range of DJs, and his approach to production stayed focused on rhythm and function. It was less about flashy edits and more about steady control, which paid off across the year. Best Live Performer This award goes to the act whose live shows stood out. Not just for energy but for the way their performance connected with the crowd and built something beyond just playing tracks. It’s about presence, pacing, and how the music hits in real time. Winner: Chase & Status Chase & Status have been doing this for years, and in 2024 they returned with a show that reminded everyone why they’re still relevant. Their setup blended drum and bass, grime, and UK rave culture with tight visuals and live vocal features. It wasn’t just loud. It was sharp, deliberate, and designed to hold the crowd from start to finish. Every set felt like a headline moment, no matter where they played. Hype Label of the Year This award goes to the label that made the most noise in the scene over the past year. Not just with chart placements but with identity, consistency, and releases that people talked about and played. A label that stayed present without flooding the space. Winner: Mood Child Mood Child stood out by delivering tracks that felt intentional. The releases were spaced, not rushed. The label leaned into rich percussion, deep basslines, and an atmosphere that worked across genres. It became a steady name for selectors who wanted something bold but playable. People paid attention because the quality held up all year. One to Watch This category is about new energy. It highlights an artist who isn’t everywhere yet but is clearly building something. A sound, a reputation, a path that people in the scene are starting to notice. Winner: Rosey Gold Rosey Gold kept showing up in the right spaces. Her productions carried a mix of emotional depth and rhythmic structure, while her DJ sets showed a good ear for flow and tension. Nothing felt rushed or copy-pasted. She’s building her sound slowly and people are starting to follow along. Social Impact Award This award is for someone who used their presence in the scene to help others, push conversations forward, and create space where it didn’t exist before. It’s about contributions outside the charts. Winner: Bradley Zero Bradley Zero has been working for years to bring inclusivity and balance into dance music. Through his label, radio shows, and event programming, he continues to support new voices and create platforms for people who have been overlooked. His work doesn’t rely on trends. It stays consistent and rooted in the community. That’s the full breakdown from this year’s Beatport Awards. Every category was based on real plays, real purchases, and real support. Some of the winners have been steady names in the scene. Others are just starting to cut through. But none of them followed hype. They made music that stuck, that got played, and that mattered to people who actually listen. If you already know these names, this just confirms it. If not, now’s your chance to catch up.

For the grad with dreams of spinning at EDC—or at least the next house party—consider the AlphaTheta's DDJ-FLX2 DJ controller. In a world where TikTok DJs are multiplying like bunnies, the DDJ-FLX2 is a cultural fit, empowering entry-level DJs to craft sets or just vibe with friends. In our attention economy, the ability to captivate a room through musical curation is increasingly valuable currency. Today's bedroom DJ experimenting with the DDJ-FLX2 might be tomorrow's festival headliner. This compact, featherweight device blends beginner-friendly features with pro-grade tricks to offer the perfect send-off for an aspiring DJ. Priced for the post-grad budget, the DDJ-FLX2 pairs with free apps like Serato DJ Lite or Algoriddim’s djay, letting users dive into Apple Music's 100-million-track library without owning a single MP3. AlphaTheta Weighing less than a textbook, the unit connects via USB-C to a tablet or laptop. It also offers Bluetooth connectivity to your cellphone, allowing DJs to download the rekordbox app and link to various music libraries, including SoundCloud and Beatport. In terms of the tech specs, the Smart CFX and Smart Fader features deserve special mention. They essentially function as training wheels for the sonically adventurous, automating tempo transitions and multiple effects with a twist of a knob. Elsewhere, the Performance Pads let you trigger Hot Cues or Pad FX for button-mashing flair. And headphone cueing adds a pro touch, perfect for practicing without waking parents of grads who find themselves back at home. The AlphaTheta DDJ-FLX2 is available now for $179 USD.

Well well well, what another month it’s been for bass music. For a start, we launched our brand new event series, UKF Invites. And boy did it go off. Flava D was joined by Taiki Nulight and Casey Club for a night of dubstep deliciousness which culminated in a special half-hour b2b2b that had the whole room in a wobble-induced frenzy. You lot showed up early, stayed late, and brought the energy we love to see. Big up everyone who made it down! Meanwhile, over in the Balearics, the International Music Summit Ibiza spotlighted jungle and drum & bass for the very first time. Not one, not two, not even three, but four full panels were dedicated to our beloved genre. From its socio-political roots to its global takeover, the discussions were packed with insight, passion, and plenty of bassline appreciation. Jungle and D&B have officially been welcomed to the high tables- about time too. April also saw some absolutely huge show announcements. Wilkinson is levelling up with the announcement of his biggest-ever solo show at Alexandra Palace, massive scenes incoming. Chase & Status are turning up the heat at All Points East with their RTRN II DANCE takeover, and they’ve just dropped a seriously stacked second wave of artists. Alix Perez is also in full swing, bringing the 1985 Music showcase back to Camden’s legendary Roundhouse. Modern-day legend Nia Archives unveiled the first release on her new label Up Your Archives, and no surprise, it’s a smasher. Nia’s golden touch continues, and the new imprint promises to be a vital home for the next wave of jungle-rooted innovation. Elsewhere in the digital world, SoundCloud quietly rolled out a new look. Chances are you clocked it already- whether from the updated UI or the subtle panic when you couldn’t find your favourite bootleg. Still, fresh features, slicker navigation, and better tools for creators can only be a good thing. We’re betting that more than a few of your new favourite mixes will land there in the coming months. That’s your April in bass. We’ll see you next month, same time, same place. Don’t forget your earplugs! Mixes Bakey @ Kindred x Warehouse Project Records Ant Mullholland The ever-evolving Bakey greets us with an hour of 140 bpm goodness weaving through dubstep, grime, and bass. This young DJ and producer consistently has a refreshing take on underground styles and this set at Kindred in West London displays this yet again. This pop-up brought together a small group of his fans, celebrating his new track released earlier in the month on Warehouse Project Records ‘Backrooms’. Ivy Lab x Kasra Sagar Deshmukh For over two decades, Coachella has subtly woven drum & bass and jungle into its sonic tapestry, featuring acts in various capacities since the early 2000s. However, in recent years, the festival has significantly amplified its commitment to the genre, showcasing a surge in high-profile bass music artists. Coachella’s 2024 lineup solidifies this evolution, spotlighting two of the most forward-thinking forces in the bass music realm—Ivy Lab and Kasra—at the legendary Do LaB stage. Ivy Lab, renowned for their genre-defying, glitchy bass experiments, are set to deliver their signature twisted sonics, while Kasra, the driving force behind Critical Music, will channel the raw, underground spirit of drum & bass that he’s championed with unwavering dedication for decades. In anticipation of their Coachella takeover,, Ivy Lab and Kasra have teamed up to drop a blistering 39-minute mini-mix — a sonic snapshot of what fans can expect both at the festival and on the road. The mix showcases the full breadth of Kasra’s love for the deep, gritty, and underground, woven seamlessly with Ivy Lab’s flair for all things off-kilter and wonky in the realm of bass music. But this mix isn’t just a festival teaser—it’s also the official prelude to their upcoming USA tour, which includes stops in Washington DC, Miami, Portland, Seattle, San Francisco, and, of course, a highly anticipated set at Coachella. Tracks Nia Archives x Cheetah – ‘Get Loose’ released on Up Ya Archives Ant Mullholland This soca inspired jungle rhythm is due to be exactly what this summer needed. With the sunshine starting to make an appearance, we have an anthem here that’ll cause mayhem throughout festival season. It’s catchy lyricism from Nia along with Cheetah & Nia’s notable drum stamps, this first ever release on Up Ya Archives has all the ingredients to get you moving as we head towards another summer of jungle. Doechii – Nissan Altima (Taiki Nulight Edit) Amanda Ross The self-confessed cheeky bugger Taiki Nulight does not miss! He’s concocted a searing new 140 edit of Doechii’s fierce “Nissan Altima” and in fine form, this heavyweight edit is a real bassbin stressor. Known for dynamic production skills, Taiki has gone all in on the Tampa rapper’s vocals, showcasing Doechii’s sick flow paired with a funky bassline, making this one extremely addictive and danceable. Best part is, he’s letting this one go for free — get involved here. Royalston – Bridget Riley Sagar Deshmukh For someone who’s kept a relatively low profile in the wider drum & bass landscape, Royalston has quietly — yet confidently — carved out a space that champions quality, emotion, and razor-sharp precision. Hailing from Sydney, Royalston has spent over a decade dishing out his signature sound—a seamless fusion of razor-sharp drum & bass precision and the bold, experimental edge of his Australian heritage. The result? A body of work that stands as a masterclass in sound design and storytelling, with four studio albums under his belt, the latest of which dropped on his own imprint, Midnight Zone. This label has become something of a canvas for Royalston’s deeper, more personal expressions — and his recent release, ‘Bridget Riley,’ is a shining example of that. Named, perhaps metaphorically, after the British artist known for her optical illusions and shifting patterns, the tune feels like one of the most accomplished and emotionally rich pieces Royalston has ever released. Forget the technical aspects for a moment (though they’re undoubtedly there in full force); just listen – and through the 5 minutes and 25 seconds of its playtime, and you’ll be taken through what feels like three to four distinct emotional landscapes, all intricately woven together. What makes ‘Bridget Riley’ so remarkable is its ability to shift effortlessly between moods while maintaining a cohesive vision. It’s not just a dancefloor weapon—though it certainly can be—but a piece of music that demands immersion. Royalston doesn’t just make drum & bass; he crafts sonic experiences, and this track is proof of his artistry. What’s remarkable about ‘Bridget Riley’ is how fluidly Royalston weaves through these movements without ever losing cohesion. It’s cinematic yet intimate, technically meticulous yet emotionally raw. In doing so, Royalston reminds us why he continues to be one of the most compelling and revered names in drum & bass today. Albums DJ Hype Return of the Dubplate Killa Volume 1 Amanda Ross Now that the new era of Playaz Recordings has been established, it’s time to set everything aside and give the new EP a whirl. DJ Hype has reintroduced himself with “Return of the Dubplate Killa” in collaboration with Heist, with MC Daddy Earl providing nothing less than a timeless future classic. Capturing that pure Playaz magic, Return of the Dubplate Killa Volume 1 gives us a fresh new collection of tracks from legacy artists like Hazard, Tyke, and Crystal Clear. Enter DJ Hazard’s cinematic smasher “End Game”, capturing his trademark style and heaviness.Tyke and Prestige team up on “They’re Watching Us”, which swings out the gate with an ideal sound palette of bass, intricate drums and a jazzy character. Long-time label alum Crystal Clear rounds out the EP with a stunning VIP of his chart-topping “The Code”, injecting new flavours into an already solid roller. The comeback vibes are real over at Playaz HQ, with DJ Hype sharing with UKF, “Feels great to be producing and releasing music again”.

Armin van Buuren has officially confirmed the release of his new ninth studio album, Breathe Out, arriving on June 27, 2025, via Armada Music. This announcement completes the story that began with Breathe In, the introspective first half released in 2024. That project was focused on reconnection—with fans, with music, and with himself. Breathe Out now continues that journey outward, channeling creative freedom and growth into a massive 39-track release. The announcement follows the release of one of Armin’s most anticipated tracks, ‘Dream A Little Dream’ with Sam Gray, which finally dropped on April 25. Originally premiered at Ultra 2023, the track quickly caught fire across socials and became a staple in Armin’s live sets. Creativity Through Freedom More than just a musical sequel, Breathe Out shows Armin stepping into a phase of renewed energy and purpose. It’s a showcase of bold choices, refined songwriting, and sonic fusion across genres. “‘Breathe Out’ really shows how far I’ve come, not just as an artist, but as a person,” Armin shared. “This album is about creative freedom, living fully, and putting everything I’ve learned—especially through my journey with mental health and self-growth—into the music.” That growth is felt across the album, which presents a confident, expansive sound—without sacrificing the emotional depth that longtime fans appreciate. Armin van Buuren’s New Album Breathe Is A Massive Body of Work Together, Breathe In and Breathe Out make up a 51-track experience under the name Breathe. It’s a complete artistic expression built over two parts, each complementing the other. Breathe In delivered 12 tracks. Breathe Out delivers 39. This includes new songs like ‘Let It Be For Love’ featuring JAI RYU and ‘Gimme The Love’ with Seth Hills and Alessia Labate, alongside a powerhouse roster of collaborators. Artists like David Guetta, Bon Jovi, Moby, Pendulum, and Gryffin appear across the tracklist. Even longtime collaborators like W&W, Hardwell, and Vini Vici return to explore new sonic territory. Some pairings stand out instantly. Bon Jovi joins Armin for ‘Keep The Faith’, bridging classic rock and dance with unexpected chemistry. Pendulum and Rob Swire reunite for a crossover with Armin on ‘Sound of You’, merging drum and bass roots with trance euphoria. Festival-focused anthems like ‘Take Off’ with ARTBAT and ‘Late Checkout’ with W&W ensure the album carries Armin’s signature peak-time energy. But quieter moments also shine. Tracks like ‘Es Vedrà’ and ‘Alive’ explore atmospheric soundscapes and personal emotion. Coming Full Circle What began with the inward reflection of Breathe In now unfolds into the outward momentum of Breathe Out. Armin’s musical identity feels more cohesive than ever. This isn’t just a DJ compiling tracks—it’s an artist presenting a vision, shaped by experience and transformation. “In many ways, it feels like coming full circle,” Armin says. That statement frames the project perfectly. Breathe Out is the culmination of a process—not just of music-making, but of becoming. And with June 27 on the horizon, fans now wait to witness the closing chapter of Armin’s most personal album to date. Pre-save Armin van Buuren’s new album “Breathe Out” now. The post It’s Official: Armin van Buuren Will Release A New Album in June 2025 appeared first on EDMNOMAD. View the full article

Ron Morven’s latest release, ‘The Family Man’, is more than just a progressive house track, it’s an emotional journey. The song tells the story of a life transitioning from nights filled with freedom to a new existence centered around love, fatherhood, and quiet strength. With layered synths, acoustic nuances, and emotionally charged drops, the song explores new territory, speaking simultaneously to the body and the soul. Known for blending electronic music with deep storytelling, Ron Morven draws on his background as a writer and his experiences across the globe, from the U.S. to South Korea, to craft music that resonates beyond the dancefloor. His use of folktronica and EDM elements creates a unique voice in the genre, one that speaks to both the heart and the feet. ‘The Family Man’ is just the beginning of that. As part of a larger musical project distributed by THE GVLE World Records, Ron Morven promises more emotionally rich singles in the coming months. This release marks a new chapter in his artistic evolution—one where life’s quieter moments take center stage without losing their pulse.

After sharing the first of several collaborations from a new project last week, Flume and JPEGMAFIA have revealed the final details for their forthcoming EP, We Live In A Society. The influential Australian electronic music producer and experimental hip-hop star will release the EP May 2nd. Its first single, "Track 1," dropped Friday via an absurd animated video that highlights Flume and Peggy's contrarian approach. Combined with the fact that the EP shares a name with the Joker-inspired meme, we can safely assume the duo is prepared to launch self-aware chaos. We Live In A Society will feature four tracks, the second of which, "Is It Real," features Ravyn Lenae as its lone feature. Check out the tracklist below. Flume & JPEGMAFIA We Live In A Society May 2nd 1. Track 1 2. Is It Real feat @ravynlenae 3. AI Girlfriend 4. The Ocean Is Fake pic.twitter.com/eyZ7vqTL5l — Flume (@flumemusic) April 29, 2025 Flume and JPEGMAFIA have a storied history together despite making a name for themselves in different genres. In 2019, the former featured the latter on "How to Build a Relationship" from the Hi This Is Flume mixtape. Flume would return the favor last year with production credits on "New Black History" and "Cult Status" from JPEGMAFIA's album, I LAY DOWN MY LIFE FOR YOU and its Director's Cut edition. You can pre-save We Live In A Society here. Follow Flume:X: x.com/flumemusic Instagram: instagram.com/flumemusic TikTok: tiktok.com/@flume Facebook: facebook.com/flumemusic Spotify: spoti.fi/2VJhtRc Follow JPEGMAFIA:X: x.com/jpegmafia Instagram: instagram.com/jpegmafia Facebook: facebook.com/jpegmafia Spotify: spoti.fi/3XXXbBi

The first time Jessica Audiffred experienced a proper rave, she didn't know she was peering directly into her future. She only knew she'd never be the same again. The Mexico City-born DJ and producer today dropped her long-awaited debut album, RAVE NEW WORLD, which functions as a sonic autobiography tracing her evolution from wide-eyed raver to genre-defying artist. From an early age, the EDM.com Class of 2025 star says she immersed herself in rave culture alongside her brother, forming a deep, almost spiritual connection to the scene long before dreams of DJing ever surfaced. What began as a pure obsession with trance music evolved into a boundless love of other sub-genres like techno and dubstep, shaping the artist Audiffred would become. "My love for music grew so much that I wanted to be part of it, though it never crossed my mind that I could become a DJ and tour the world because of it," Audiffred recalls. "This album is an ode to those early rave experiences and everything good they’ve brought to my life. Raving is like a comfort zone for me, and I know it’s the same for many ravers around the world—a place to escape." RAVE NEW WORLD opens with "Keloke," a collaboration with fellow Mexican producer urboi. that immediately establishes Audiffred's cultural roots. The sound of Mexico City's underground bubbles up through the cracks of a filthy bass track as Spanish-language vocals weave through acid-tinged synths. "Rave On" emerges as one of the album's emotional highs, a euphoric freefall where chae's wistful lyrics ("My sweetest escape, take me back to the day when the journey began") shimmer under crystalline synthscapes before Audiffred detonates a thunderous dubstep drop. The track is nostalgia at full speed, conveying the spiritual experience of her formative rave days. What makes RAVE NEW WORLD particularly compelling is Audiffred's willingness to venture beyond her comfort zone. "Goes Like" and her collaboration with Nostalgix on "Afterparty" see her pivoting toward bass house and techno with remarkable dexterity. These aren't dilettantish experiments but confident expansions of her sonic palette, suggesting a producer more interested in artistic growth than entrenchment. The most revelatory moment comes with "I Wanna Be Free," a liquid drum & bass track where she trades brute force for raw vulnerability. Leah Culver's aching vocals capture the desperation of self-reclamation as Audiffred delivers the album's heaviest track, not by weight, but by heart. The rest of RAVE NEW WORLD is vintage Audiffred: unfiltered bangers that make you want to run through a wall, like "Unleashed" (with JEANIE and Dani King) and "Destiny" (with AlienPark). To that end, the album reminds us of the unifying power of a well-crafted drop and the enduring appeal of dance music that makes you feel something visceral. You can listen to the new album below and find it on streaming platforms here. Follow Jessica Audiffred:X: x.com/jessicaaudifred Instagram: instagram.com/jessica_audiffred TikTok: tiktok.com/@imjessicaaudiffred Facebook: facebook.com/jessicaaudiffred Spotify: spoti.fi/3FEpy0B

Gary Richards, the renowned promoter behind Electric Daisy Carnival (EDC) and HARD, is calling out Fyre Festival’s failure. Richards is offering 10 cabins on his FriendShip 2026 cruise to fans with the wildest Fyre Festival stories. This giveaway highlights Richards’ contrast in approach, having built a legacy of successful events while Fyre Festival failed spectacularly. Gary Richards’ Take on Fyre Festival’s Failures In an interview with TMZ, Richards expressed his frustration with the Fyre Festival saga, noting that as a festival producer, reputation and trust are paramount. “All your fans have is your word and your track record,” Richards said. He emphasized that seeing the chaos and harm caused to festival-goers by the mismanagement of Fyre Festival was unacceptable. Along with [PLEASE LINK OTHER ARTICLE WRITTEN TODAY TO THIS NAME PLEASE]Oren Aks, Richards also criticized the media’s fascination with such failures, especially when experienced promoters like himself have been organizing successful events for years. His message was clear: he wanted to show the world how a festival should truly be done. The FriendShip 2026 Giveaway In response to the Fyre Festival debacle, Richards is offering fans a chance to experience a well-organized event. Fans can submit their wildest Fyre Fest stories to [email protected] for a chance to win a spot on the FriendShip 2026 cruise. The winners will experience how Richards and his team execute a flawless event, providing a stark contrast to Fyre Festival. Conclusion: A Message from Richards Gary Richards’ offer is more than a giveaway; it carries professionalism in the festival world. By inviting burned Fyre Festival fans, Richards wants to show what a real, well-executed event looks like. The FriendShip 2026 cruise will offer a unique, well-curated experience, demonstrating the true meaning of quality and care in event production. The post Friendship’s Gary Richards Offers Free Cabins In Exchange for Fyre Fest Horror Stories appeared first on EDMTunes.

Bastl Instruments has launched a new “experimental”, patchable sample player, inspired by its popular Kastle Drum synth launched in 2020. The new Kastle 2 Wave Bard brings the Kastle range “to the next level”, according to the brand, with user-uploadable samples, stereo, effects, plus better sync and patch capabilities. It’s compact and runs on 3 AA batteries or USB-C, and it “loves to jam” with other portable gear thanks to sync in/out ports and an audio input. READ MORE: Splice’s final instalment of Oliver’s “Power Tools Decades” sample pack series is inspired by hit producers of the noughties The Wave Bard is described as a semi-autonomous companion that continually delivers its fresh ideas to its user. The launch marks the second firmware release for the Kastle 2 platform, which already hosts the FX Wizard effects processor, and is cross-compatible between both devices, meaning the Wave Bard can be loaded onto the FX Wizard, or the other way around. Samples are organised in banks, which can be selected and sequenced using knobs or CVs from a built-in pattern generator and LFO. You can also reverse your sounds with a ‘length’ knob and a unique reversing envelope, and in addition to your own samples, rhythms and scales can be loaded on to the Bard with the accompanying web-based app/editor. You can also play melodic samples in quantized scales, and experiment with a built-in filter, plus delay or chorus/flanger effects. Take a closer look below: The Kastle 2 Wave Bard is available now for €190. Both Kastle 2 instruments – the Wave Bard along the FX Wizard – will be presented at Superbooth 2025 at booth #0385. Find out more via Bastl Instruments. The post Bastl Instruments’ Kastle 2 Wave Bard is a “semi-autonomous” patchable sample player for discovering new rhythms and riffs appeared first on MusicTech. View the full article

Ten years after its original release, French composer and producer Superpoze celebrates the legacy of his breakthrough debut ‘Opening’ with a special anniversary reissue, available now on digital and limited-edition vinyl. He also announces a headline show at Paris’ Salle Pleyel, set for March 21, 2026. Originally released in 2015, ‘Opening’ marked a defining moment for Superpoze (Gabriel Legeleux), his first full-length statement and a turning point in his artistic journey. Rooted in minimalism and emotion, it introduced his signature blend of “chamber electronic music,” crafted with intention, patience, and raw sincerity. Now, a decade later, ‘Opening’ is being revisited in both physical and digital formats, featuring new material and rare archival tracks. The 10th Anniversary Reissue Includes: • Limited vinyl edition (300 copies only), featuring: • Dream Koala’s rework of ‘Opening’ (on vinyl for the first time) • An unreleased track from the original sessions: ‘Wait (2015 Archive)’ • Expanded digital version, including all of the above plus a brand-new remix of ‘Unlive’ by acclaimed UK producer Rival Consoles “This album changed everything for me,” says Superpoze. “It was the first time I slowed down, gave music the space it needed, and created something with deep intent. Even in its fragility, it’s the foundation of everything I’ve done since—albums, scores, collaborations. I’m reissuing it to honor that beginning and to thank it.” Since ‘Opening’, Superpoze has become one of France’s most visionary electronic artists. His follow-up albums (For We the Living, Nova Cardinale) earned praise from critics including Télérama, and he’s played sold-out shows across Europe and the U.S., including a standout performance at Paris’ Le Trianon. As a composer, his work spans film (Frères ennemis, A voix haute), theatre (Hunter, Théâtre National de Chaillot), and sound installations for major cultural institutions like the Grand Palais and Louvre. He has collaborated with artists across the spectrum—from Jacques, Stwo, and DJ Pone to French chart-toppers like Lomepal, Nekfeu, and Eddy de Pretto. In 2023, he joined the experimental collective Ensemble Solaris (with Canblaster, Yndi, and Variéras), performing improvised, site-specific pieces across Europe. With a new album set for fall 2025, this reissue is more than a celebration; it’s a bridge between past and future, offering a powerful reminder of how it all began. Stream / Download here Tickets for Salle Pleyel, 21st March 2026 – HERE. The post Superpoze celebrates 10 Years of Opening with special reissue & Rival Consoles remix appeared first on Decoded Magazine.

T78 has been tearing up the techno scene with a tirade of bangers that have earnt him millions of streams and a reputation as a powerful force in techno. Continuing this insane run of massive hits he’s dropped ‘Self Control’ on Filth On Acid which further cements his status as a titan of techno. ‘Self Control’ is a fantastic blend of techno with elements of trance and acid sprinkled in which all adds up to make an undeniable dancefloor demon. From start to finish the track is packed with energy from the array of well-crafted synths, heart thumping kick, and relentless rumbling bass. ‘Self Control’ is yet another example of T78’s hypnotic, entrancing rhythms and mastery of low-end power that rocks every venue he goes to. He’s already had great success on Reinier Zonneveld’s label Filth On Acid and this track is sure to add to that success. T78 otherwise known as Manuele Tessarollo is a regular on Beatport’s Techno Peak Time and Hard Techno Top 100 charts with his killer tracks. At the age of 12 he fell in love with techno as well as vinyl’s which he continues to collect and now has a collection of over 11,000 of them. He’s collaborated with some of the biggest names in the industry like Reinier Zonneveld, HI-LO and Space 92 as well as founding his own label Autektone Records. T78 is continuing to tour around the world bringing his techno marvels to the masses. ‘Self Control’ is a display of why he is so highly revered in the techno scene and is going to blow the roof off of anywhere it’s played. To follow T78 on Instagram click the button below: T78 INSTAGRAM

Internationally acclaimed DJ and House Music maestro Joe T Vannelli is set to release a stunning 2025 remix of Eartha Kitt’s iconic 1983 single, “Where Is My Man”, on April 25, 2025. A high-energy reimagining of a classic, the remix promises to ignite dance floors around the world while honoring the timeless glamour and theatricality of the original. Originally penned by Bruce Vilanch, Jacques Morali, and Fred Zarr, “Where Is My Man” marked Eartha Kitt’s triumphant return to the charts after a 14-year hiatus. With its bold lyrics, Euro-disco flair, and Kitt’s inimitable voice, the song reached No. 7 on the U.S. Billboard Dance Chart and became a cult favorite across international club scenes, particularly among LGBTQ+ audiences. Joe T Vannelli, one of the foremost figures in global House Music, brings his signature sound and masterful production to this fresh remix. With over twenty gold and platinum records to his name—including hits like “Children” by Robert Miles and “Groovejet” by Spiller—Vannelli’s remix delivers a pulsating, stylish tribute that bridges generations of club culture. Having headlined legendary venues such as Pacha and Amnesia in Ibiza, Cavo Paradiso in Mykonos, and Marquee in New York, Joe T Vannelli is no stranger to global audiences. His work has defined eras of dance music, and his creative vision continues through Supalova, the groundbreaking event brand he founded, and Sound Faktory, his artistic hub in Milan. The remix of “Where Is My Man” is more than just a nostalgic nod—it’s a celebration of bold individuality, timeless glamour, and the enduring connection between House Music and self-expression. The post JOE T VANNELLI makes waves with remix of Eartha Kitt’s “Where Is My Man” appeared first on Electric Mode.