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Over the years MOGUAI, Dimitri Vegas, and Like Mike have created a huge catalogue of top tier EDM which has earned them their status of being titans of electronic music. Individually they have each made incredible music and when they came together in 2013 to make ‘Mammoth’ that they made their greatest creation of all. In a time where big room house was king, ‘Mammoth’ lived up to its name developing a mammoth reputation as being one of the best pieces of electronic music ever created. It would hit the charts in Belgium, Germany, France, and the Netherlands but surprisingly it was the less popular vocal version ‘Body Talk’ that would fly the highest. It managed to reach number 2 in Dimitri Vegas & Like Mike’s home country of Belgium despite it not catching on as well as its instrumental counterpart. ‘Mammoth’ has achieved some impressive numbers with it currently having 90 million streams on Spotify, reaching number 44 in Belgium, and being one of MOGUAI and Dimitri Vegas & Like Mike’s biggest songs. Its achievements go far beyond what those numbers say though as it has regularly been in the top 5 of Tomorrowland Radio’s Top 1000 Anthems reaching number 2 in 2024. Its chart success may have been minor, but its adoration from the electronic music community, admiration from fellow artists, and legacy it has created are truly mammoth.

Hot off the heels of Vintage Culture’s recent sold-out performance at RESISTANCE Miami, the esteemed underground series will continue its celebrated U.S. club residency during Miami Music Week, hosting five nights of house and techno programming from Wednesday, March 26 – Sunday, March 30 at M2 Miami. The third annual installment of RESISTANCE Miami Music Week will be a tour de force of house and techno, commencing on Wednesday, March 26 with French hard techno act I Hate Models, who will make his debut at RESISTANCE Miami alongside explosive sets from Berlin techno act Patrick Mason, French producer/DJ Shlømo, and rising hyper techno act Zorza. On Thursday, March 27, modern techno pioneer Charlotte de Witte will make her highly anticipated return to RESISTANCE Miami, following her sold-out show during Miami Music Week 2023. The evening will also feature veteran acts like dynamic Italian artist Enrico Sangiuliano and Australian techno queen Juliet Fox, with support from ANNICKA. The Miami Music Week party will continue on Friday, March 28 with another top tier roster of talent including minimal techno maestro Boris Brejcha, versatile Dutch artist Joris Voorn, German melodic techno act Moritz Hofbauer, all of whom have left an undeniable impression with their previous Ultra Miami performances. The Weekend On Saturday, March 29, RESISTANCE Miami will host RESISTANCE Ibiza Season Resident ARTBAT for another epic headlining performance. RESISTANCE fan-favorite Miss Monique will also return to M2 Miami following her indelible performance during Miami Music Week 2024. The evening will be rounded out with a captivating set Italian melodic techno act Olympe. The third annual RESISTANCE Miami Music Week will conclude on Sunday, March 30 with the Official MMW Closing Party headlined by ULTRA Worldwide mainstay Carl Cox. The legendary DJ/producer has become a staple in the RESISTANCE Miami history with standout performances during Miami Race Week and the Official MMW Closing Party in 2023. Techno legend Nicole Moudaber will also take the stage with a supporting set from Ibiza-based act Chelina Manuhutu. The RESISTANCE Miami Music Week Pass is now sold out but tickets are still available to purchase via the official website. Stay tuned for more news! The post RESISTANCE Miami Announces M2 Miami Music Week Lineup appeared first on EDMTunes.

Creamfields has officially announced its lineup for the 2025 edition, taking place from August 21st – 24th at Daresbury, Cheshire, UK. The festival will host over 300 artists across 30 stages, with performances from major acts including ANYMA, David Guetta, Martin Garrix, Hardwell, Amelie Lens, Ewan McVicar, and more – wow! This year, Creamfields will continue its reputation for attracting top-tier talent and offering a vast array of electronic music acts. The 2025 lineup Here are some of the top artists playing at Creamfields 2025 Anyma (UK Exclusive) David Guetta (UK Exclusive) Chase & Status Martin Garrix Hardwell Sonny Fodera (Northern Festival Exclusive) Amelie Lens Ewan McVicar Patrick Topping Jamie Jones Chris Stussy presents the Linger AV DJ Set CamelPhat Hannah Laing Eric Prydz Josh Baker As you can tell, this year will be unforgettable for a CF attendee. These 15 artists are only the tip of the iceberg. Over 300 artists are playing across 30 different unique stages. You can check out the published lineup below and the whole list on the Creamfields website here. What’s New at Creamfields 2025 The 2025 edition of CF introduces new features, including the HALO mega-stage presented by SHEIN and designed by Lucid Creates. The Forest Stage will provide a unique, immersive experience for attendees, contributing to the festival’s expanded production. Additionally, the festival will debut Downtown, a new entertainment village featuring activities like five-a-side football, basketball, DJ Academy, Rave Karaoke, and an onsite gym. These offerings aim to enhance the experience for festival-goers beyond the music. When, how, and Where to Attend Creamfields 2025 Creamfields 2025 will take place over the August Bank Holiday weekend in Daresbury, Cheshire, UK. Tickets for the event will be available starting Friday, February 28th at 9 am (GMT), so be sure to grab yours for a chance to attend one of the largest electronic music festivals in the world. Tickets can be purchased here! Key Takeaways: Event Dates: Thursday, August 21st to Sunday, August 24th, 2025 Location: Daresbury, Cheshire, UK Lineup: Featuring artists such as David Guetta, Martin Garrix, Amelie Lens, Ewan McVicar, and more New Features: HALO stage, Forest Stage, Downtown entertainment village Ticket Sales: The final remaining tickets are on sale NOW! The box office is offering fans a 10-part payment or to pay in full so everyone who wants to go can secure a ticket before sellouts. Be quick, the Dreamfields and Pre-Pitch accommodations are already sold out. Make sure to investigate your different ticket types as some are only for a day and have different attributes like camping and noncamping. Have so much fun! The post Creamfields 2025 Lineup and Features Revealed appeared first on EDMTunes.

For many, Angel City’s euphoric Dance anthems were a defining part of the early 2000s club scene. Tracks like ‘Love Me Right’ and ‘Do You Know’ dominated the UK and US Dance charts, earning singer-songwriter Lara McAllen widespread recognition as the voice behind the project. But after a whirlwind of success, she stepped away from the industry, taking time to focus on family and personal commitments. Now, after a decade-long break, Lara is reigniting Angel City with a refined sound that blends her signature melodic vocals with modern Trance and Melodic House influences. Collaborating with some of today’s most respected producers, including Ferry Corsten, Ruben de Ronde, and Amy Wiles, she’s entering a new creative chapter, one shaped by experience, resilience, and a deep love for music. We caught up with Lara to reflect on her journey, the evolution of Angel City, and what’s next for her in 2025 and beyond. Hi Lara how’s it going? I’m feeling very positive at the moment, I feel like I have come out the other side of a difficult year (I had orthopaedic surgery and the recovery took a lot out of me and slowed me down) but, I have felt so much better both physically and mentally over the last couple of months so I am in a really good place to be creative now. Productivity levels are back on track! Looking back at your early success with tracks like ‘Love Me Right’ and ‘Do You Know,’ what stands out most about that time in your career? The music industry was very different in the mid-2000’s. I remember working really hard to get Angel City out there, touring clubs for months on end with ‘Love Me Right’. It paid off because I was soon performing all over the world as Angel City, I was even doing shows in New York and LA as ‘Love Me Right’ really caught on in the US. I think the turning point was being picked up by Radio 1 as a record of the week. It was amazing as an EDM vocalist to have that kind of exposure and it led to some amazing TV opportunities. After taking a break from music, what inspired you to return and reignite Angel City? I started to feel some real regret about leaving music. During the pandemic when we had more time to stop and reflect on things, I knew that I needed to sing again and be doing the thing I am truly passionate about. I set up my studio at home. But timing wasn’t on my side and my grandmother got very poorly right in the middle of the pandemic. It was never in question that I would nurse her myself rather than let her go into care. But it would have been impossible to create musically at that time, because nursing someone as poorly as my grandmother, as well as having two young children, takes up every moment of the day. So, music waited until after she died in 2023 at which point it became an outlet for me as I adjusted to the big change in our lives when she was no longer with us. Although my grandmother was in her nineties and had lived a long life, there was that sense of, “wow, life is short so what are you going to do about the thing that’s been niggling you for so long?” How would you describe your signature sound now? I love to write over beautiful chords in Melodic and Progressive House. Of course, there are Trance and Pop elements, but the sound is more grown up now, the toplines are more personal and definitely more authentic. My voice has evolved too, the same tones are there but there’s more light and shade. There’s better depth to the sound. In what ways has collaboration influenced your creative process and approach to music? Collaboration is everything and it helps you to grow creatively and pushes you out of your comfort zone. It’s always nerve-wracking presenting ideas to another artist, but when they can hear something in your work and develop it to the next level it’s a really exciting process. Are there any specific themes or messages you hope to convey through your upcoming releases? The new single ‘STARS’ is about a journey of loss. It was written following the death of my grandmother, but it’s not dark – it’s reflective. The instrumental is emotive but in an uplifting way. I think pretty much all of my upcoming collaborations are about personal life experiences, mainly navigating through the highs and lows of significant relationships. I have a lot more to draw from now, I had zero life experience singing Angel City songs at 19 years old. I have two children now, I’ve dealt with divorce, lost close family members, had children. Had great times, not so great times… I am a totally different person approaching songwriting now. It’s also important to me to push the message that it’s never too late to make changes. Sometimes it seems like there is a mountain to climb to get to reach your goals but it’s the small steps, consistently and purposefully that add up. How do you approach balancing your signature sound with fresh, modern elements? Essentially there’s no getting away from the fact that the sound has changed. The vocal remains melodic but in terms of the overall sound, you can’t take a long break like I have, and not come back with a total overhaul. The great thing about returning after an extended break is that the nostalgia element is even more enhanced and everyone loves a bit of nostalgia! It’s about getting the right balance in terms of a nod to the 2000’s with bang up to date production. It’s been a journey over the last year developing my vocal, to make sure it can sit proudly back in 2025. It’s the small details in the vocal like the way you end your notes, the amount of inflection in your delivery, even these details change with time and trends… sounding familiar but sounding current has definitely been the focus. Even listening to the recording I did at the beginning of last year, I can hear how my voice has found where it wants to be, as working with current producers brings a fresh direction to the way I deliver my vocal. How do you see your music evolving as you move forward with this new chapter? I want to focus on being part of the production process from the ground up, as much as I can, work to receive instrumentals from DJs and Producers, I adore the process of starting with some bare chord progressions and developing something from nothing. So, I hope that will see me evolve in 2025. I think my music will remain somewhat eclectic but I’ll definitely be bringing in more ethereal harmonies wherever I can. How has the dance music industry changed since your early days, and where do you see it heading next? Coming back to the music industry has been a shock frankly, as everything is different, from the way labels consider music, the social media influence and of course, how saturated the market is. It’s been a steep learning curve. With new collaborations and releases on the horizon, what can we expect from Angel City next? I’ve just collaborated on a really cool House version of ‘Love Me Right’, a little faster than the original with a 2025 House vibe which I am really excited about, this will be out soon, and then some commercial Trance collaborations with the likes of York, Ruben de Ronde and Sonin. Talking of the nod to previous decades, I really hope that Amy Wiles and I will manage to get our Eurodance inspired track out to the world at long last. ‘Dream Away’ captures the nostalgia of the 90’s and noughties with a really fresh production and it’s had some great feedback on social media. That was actually the first track we wrote when I came back to music so it’s long overdue, but hopefully it will be out there ready for the summer sunshine! As Lara steps back into the world of Dance music, it’s clear that Angel City’s next chapter isn’t about recreating the past, it’s about building on it. With a new perspective, evolved sound, and a wave of exciting collaborations on the horizon, her return feels both timely and revitalised. From reimagining ‘Love Me Right’ with a fresh 2025 House twist to working on deeply personal, emotive releases, Angel City is embracing a sound that honours its roots while moving confidently into the future, with plenty for both longtime fans and new listeners to look forward to, and with more music set to drop throughout the year, Angel City’s journey is far from over, it’s just beginning again. Angel City Online    Spotify | Instagram The post The Next Chapter: Angel City’s Lara McAllen on Returning to Music, Evolving Her Sound, and the Road Ahead appeared first on EDMTunes.

Progressive House at its finest, coming from the industry’s finest too. Let’s start with what’s important. Cornucopia is back. Let’s continue with the second most important aspect of it all: my best friend and I had been talking about this TWO DAYS before the announcement. So you can be certain he and I were so looking forward to the first Cornucopia release in almost three years. Guy J is an absolute genius. And even though I’m just getting to know his discography now, I know it’s the right time to do so: it’s a bit of a more developed taste in music, kind of like an IPA beer versus a lager or a flavoured one. And I know I didn’t have the ears to enjoy his stuff years ago, but thanks to my mate (Rama, who I’ve talked about in other articles), Guy has truly grown on me. And his stuff is incredible. From him closing his iconic imprint Lost & Found to him founding a new label, Early Morning, he’s taken fans on a true rollercoaster these past months. And the level of music he’s been putting out since is elite. Well, back to Cornucopia. Cornucopia His alternative alias takes his engulfing, atmospheric side to a whole new level. His main stuff often comes out as somewhat dark these days, not always but there’s a tint of more upbeat, late-night packed nightclub vibe to it. Cornucopia is that, minus the darkness. Cornucopia is an artist who makes of each track a journey and a story. With impressive attention to detail, Guy’s Cornucopia records care about the little things, often spraying ear candy around, while evolving a simple and minimalistic idea over the course of an entire track. And I’m happy to drive this point home with a very recent piece of evidence: the ‘Remember Me / Early Morning‘ EP. ‘Remember Me / Early Morning‘ Out now via his newly founded Early Morning record label, just now did we find out it owes its name to the second track of this release. The EP finally brings out to the public two highly anticipated tracks, which we’d been hearing for years as IDs at Guy’s shows. Both tracks are a journey, so much so that my only complaint is that each should’ve lasted for twelve minutes, not 7.5. ‘Remember Me’ As a whole, the track has few elements. A rhythmic pattern, which is followed by many of the melodic signals, very warm plucks perhaps supported by a kind of background pad (or maybe just delay), modular gifts all over, frequency plays, and a haunting and inviting whole gets you hooked. That’s all it takes for this man to make an optimal record. Once you finally come down from the trip, the song is almost over. ‘Early Morning’ Good Lord, I gave this track a spin before writing this paragraph, it’s been three minutes and I was lost in the sound until I remembered I had played it to gather inspiration. Well, that sums it up I reckon: ‘Early Morning’ is a track that is cleverly produced over a warm bed of Guy J signature groove and machine-programmed percussion, and its melodic elements truly, truly resemble the sights of that hour where the Sun starts to rise above the horizon and light everything in its cold, yet inviting colours. Both tracks have that sense of warmth to them, like a sonic hug of some sort. I guess if I couldn’t find the words before, now I can: Cornucopia feels like a hug, a deep, rich, vulnerable conversation with the man behind the art. And me, being a fan of those tracks hiding something apart from just music and lasers and smoke, I could listen to this EP all day long. Listen to Cornucopia‘s return, the brand-new ‘Remember Me / Early Morning’ EP, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your Beatport. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Guy J Brings Back Cornucopia Alias With Two-Tracker ‘Remember Me / Early Morning’ appeared first on EDMTunes.

In an exciting Instagram post, Anyma and Rezz have teased their highly anticipated collaboration, ‘Entropy‘ during Anyma’s recent Sphere show. Anyma posted a video of his mesmerizing sphere visuals while playing their brand-new track. This debut moment has left fans buzzing and eager for more details about the track and the duo’s creative process. A New Era of Sound and Visuals The visuals used to showcase Rezz and Anyma’s ‘Entropy’ involve a cybernetic giant being launched through a dreamscape slowly finding his way into a darker realm. Then, as the giant enters the darker void, the track evolves and you can start to hear the sound of Rezz. A drop entangling both artists’ signature sounds continues to lead the giant through a tunnel until it disappears into thin air. Visuals like this one combined with big tracks like ‘Entropy’ have become more and more common. Artists like Eric Pyrdz, Anyma, Excision, Ray Volpe, and more have curated their whole set to sync with their visuals more than the average DJ set. Fans, especially at large festivals, will pick to go to a show only for the synchronization and hard work put into the visuals by the artist and their stage team. Eventually, as this pattern continues, having visuals that match the energy of the tracklist will be the norm. Looking Ahead: What’s Next for Anyma & Rezz While specifics about the release of ‘Entropy’ are still under wraps, this teaser sets high expectations for what’s to come. Fans will be anticipating more updates. Anyma and Rezz’s debut collaboration will create expectations for them to perform together. As both artists continue to push boundaries in the electronic music visual scene, the collaboration could become one of the most talked-about releases in the genre. As of now, Rezz already has multiple shows planned for 2025. You can check them out directly on the Rezz website. She is set to play at EDC in May but Anyma’s Sphere shows end tomorrow, March 2nd. After the Ultra Music Festival in Miami, FL, Anyma will return to Europe for the rest of his 2025 shows that are currently on the calendar. Maybe Rezz will make it to the last show at the Sphere or possibly join Anyma at his 2025 Ultra set. Stay tuned. The post Anyma Teases Rezz Collab, ‘Entropy’, At Sphere Show appeared first on EDMTunes.

Tech house titan, Mau P has just released his new track, ‘The Less I Know The Better,’ a groovy and bass-heavy rework of Tame Impala‘s original 2015 release. It features the famous vocals and rhythm and delivers a fresh twist by introducing Mau P’s signature style. Reworking a world-famous track with over 2 billion streams is no easy task. If anyone can do it, Mau P can. Rocking Out To Mau P And Tame Impala What’s groovier than listening to the funk and hypnotical voice of Tame Impala infused with Mau P’s powerful sound design and drum programming? not much. Let’s take a listen together. In the beginning, MP gives us the Tame Impala hook for a few seconds before turning it into a tech house drop of vocal chops, funky bass, and crispy drums. Drop after drop, I feel relaxed and ready to dance at the same time. Everything is groovy when ‘The Less I Know The Better’ is coming through the speakers. Mau P Coming from the Netherlands, Mau P has quickly grown to be one of the most exciting names in electronic music. Originally known as Maurice West, he made a name for himself in the dance music community with his debut single, ‘Drugs From Amsterdam‘. Which became a global hit, surpassing 200 million plays across streaming platforms. Since then, his career has skyrocketed, with follow-up singles like ‘Gimme That Bounce’ and collaborations with massive artists like Diplo, Calvin Harris, and Swedish House Mafia. In addition to his growing list of chart-topping tracks, Mau P has performed at major festivals worldwide, including Tomorrowland and EDC Las Vegas. Mau P’s ‘The Less I Know The Better,’ is yet another example of his ability to produce timeless tracks that keep listeners coming back for more. Coming up, Mau P is supposed to play at the famous Las Vegas 360 venue, The Sphere on March 1st, 2025. Also, he is set to play at Insomniac’s EDC and Ultra music festival in Miami. You can browse all his tour dates here. The post Mau P Drops New Tame Impala Rework ‘The Less I Know The Better’ appeared first on EDMTunes.

Finessed and finely tuned in production, yet rich in rhythm and soul, DJ and producer Cristoph ignites an exchange of house music sensibilities on the dancefloor on new single ‘String Thing’. A leading figure in melodic house, Cristoph drops his first release of 2025 on his Consequence of Society Recordings and alludes to a conceptual album project focused on the musical journey and experience of his open-to-close sets, due to follow later this year. Cruising in on a seductive groove, ‘String Thing’ is headed straight for the club room. Cristoph’s early infatuation with Chicago house plays a distinctive role through rhythmic beats, enlisting an impressionable vocal loop and vivacious, track-defining strings that speak direct to the mind and body. Alternating from Cristoph’s signature ethereal tones which have earned accolades such as Beatport’s Top Selling Progressive House Artist, ‘String Thing’ is a clear indication of the unbounded mindset the platinum-awarded producer is embracing as he ventures into this next chapter. Native to the North of England, Cristoph has masterfully built a career worthy of worldwide appeal. Cristoph’s desire to evoke emotion transcends onto the loyal crowds who come to him behind the decks of a dim-lit underground DJ booth, up to global gatherings of an elite scale such as Tomorrowland, Arc Festival and ULTRA Music Festival. In the studio, he awards his time to honing a meticulous production style, apparent on renowned catalogue releases ‘FEEL,’ EPOCH,’ and ‘Breathe,’ output of the last twelve months highlights of which include ‘Where’s The Music Gone’ with Pete Tong. Ever one to pilot his own narrative. Cristoph’s life-long ambition to launch his own imprint culminated in Consequence of Society Recordings which serves to do exactly that. Not only a blank canvas for Cristoph to explore his inner curiosities, resulting in diverse sonics like ‘String Thing’ and the looming album, but COS also serves as a meeting-point for wider talent fluent in the breadths of house and techno. The post Cristoph Releases Rhythmic House Number ‘String Thing’, Leading To New Album appeared first on EDMTunes.

“The People’s DJ“, Le Youth reimagines Lane 8‘s deep house phenomenon featuring Kasablanca, ‘You‘ with a beautiful and uplifting, youth-like energy. Just by reading the names, true house fans know just how good this gets. This remix, one of the first from Lane 8’s Childish album, brings the carefully crafted atmospheres of Lane 8, Kasa’s vocal style, and the breezy melodies of Le Youth together, perfectly. Let’s Listen To ‘You’ Remixed By Le Youth Opening up with a firefly-like melody, ‘You’ wanders into echoing vocals howling “I wanna wake up where you are“. Then, it dives into a vocal chop and an unforgettable groove. After reaching a state of bliss, Le Youth breaks down ‘You’ only to give us the vibes all over again. Different vocal melodies deliver us to the 2nd chorus drop made up of beautiful synths and groovy drums. Wrapping up, all the elements are broken down peacefully to leave the listener in awe. If this remix isn’t vibes, I don’t know what is. Le Youth And Lane 8’s Work Together Le Youth, also known as Wes, is an electronic music producer and DJ recognized for his upbeat and beautiful house music. His debut album Reminders, released back in 2022, has over 22 million streams. Following suit, his sophomore album ABOUT US continues his fame with millions of plays and features from EMME, Fractures, and more. Right before this treasure of a remix came out, Lane 8 and Le Youth collaborated on their first single together, ‘I Will Leave a Light On‘ feat. Jyll. Already having millions of plays, it showcases the outcome of two music leaders putting their heads together. Does all this interaction between these two mean we will get more? Hopefully. The space created in their collaborative tracks brings their fans like us together on the dance floor. You can catch a Childish tour date this year and maybe see Le Youth’s reimagined ‘You’. Here is a link for you to secure tickets. The post Le Youth Adds An Exciting Twist To Lane 8’s ‘You’ appeared first on EDMTunes.

Here’s an update to a classic that worked flawlessly. If you were around Dance music 20 years ago (unlike me, who was simply vibing to racing games soundtracks), chances are this song marked you. American duo Deep Dish reigned supreme in the late ’90s and early ’00s, with remixes for Madonna, Janet Jackson, Cher, and many more. While their remixes launched them to fame — as with many musical acts back then —, their ‘Flashdance‘ cover of the homonymously titled movie’s ‘He’s a Dream’ crept its way up the charts worldwide, and was subject to popular culture, receiving a Grammy-nominated remix by a young David Guetta, and being mashed with Dire Straits’ iconic ‘Money For Nothing’. Well, celebrating two decades of the track and kicking off a series of Deep Dish remixes to come out during the year, ‘Flashdance’ has received a very interesting groovy touch from one of the veterans of the industry: Shai T. ‘Flashdance (Shai T Remix)’ Imagine a hardcore clubbing track turned Organic House by one of the finest producers out there. Thankfully you don’t need to imagine, for it is here. Author of tracks such as ‘Where The Heart Is’, ‘The Last Dance’, and a killer remix of Sahar Z’s ‘Back In My Arms’, Shai T has been on top of the Organic scene for years on end, portraying a special sound ever since his first releases back in 2010. Injecting a plethora of tasty percussion and fast-paced arpeggios, Shai was able to turn ‘Flashdance’ into a much more soothing record, apt for the higher energy moments of dayparties under the sun — or the rain. You tell me on that last one: I had the chance to listen to this song from the hands of the man himself, dancing under the pouring tropical rain in my beloved Buenos Aires. And it’s one of the best memories I have of 2024. Now it’s your chance to make memories to this track, which I strongly recommend you do. Listen to Shai T‘s remix of Deep Dish‘s ‘Flashdance’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Shai T Delivers Masterful Rendition Of Deep Dish Classic, ‘Flashdance’ appeared first on EDMTunes.

During the end of last week, it was reported that the musician Marshmello‘s residence in Los Angeles was broken into by thieves. Law enforcement has confirmed that the incident occurred, and the property was found to be disturbed. Security personnel discovered the break-in upon their arrival at the residence on Thursday afternoon. A review of security camera recordings indicated that the burglary took place on Tuesday. The recordings showed that unauthorized individuals entered the property and searched the interior. The Los Angeles Police Department (LAPD) has confirmed that a safe was removed from the residence. A formal report has been filed, and an investigation is ongoing. Upon his return to Los Angeles, Marshmello is expected to provide a list of the safe’s contents, along with their estimated value, to aid the police in their investigation. Authorities have stated that, at this time, no arrests have been made concerning the burglary. The investigation is active, and law enforcement is pursuing all available information. Attempts to obtain a statement from Marshmello’s representatives have been made, but no response has been received. Marshmello, whose legal name is Christopher Comstock, is a well-known figure in electronic dance music (EDM). He is recognized for his musical style, which includes melodic future bass and trap elements, and his distinctive helmeted appearance. His rise to prominence began in the mid-2010s, with successful singles and collaborations with various artists. In addition to his musical career, Marshmello has a substantial online presence, communicating with a large audience through social media platforms. [H/T] TMZ The post Marshmello’s Los Angeles House Was Robbed, Safe Stolen appeared first on EDMTunes.

Anyma has announced his third studio album, The End Of Genesys, scheduled for release on May 23rd. The announcement came during the finale of the Italian superstar's historic residency at the Las Vegas Sphere, in which he became the record-breaking venue's first-ever electronic headliner. The forthcoming release will effectively complete a trilogy of albums that started with 2023's Genesys and its predecessor the following year, Genesys II. While details about the album's content remain scarce, the title suggests a conclusion to the narrative and conceptual framework of his immersive Vegas Sphere shows, which have effectively redefined live music in the entertainment capital of the world. The venue's record-breaking, 16K LED wraparound screen envelops the audience in Anyma's surreal, hyperrealistic visuals, like forests pulsating with bioluminescent veins and humanoid figures writhing in unison to the music. The production is centered on the DJ's android, Eva, who symbolizes the merging of humanity and technology. Its storyline follows her journey through creation and self-awareness, exploring themes of evolution, connection and the pursuit of higher consciousness. Representatives for Anyma have not yet released information about potential singles preceding the album or featured collaborators on the project. It's worth noting, however, that he's debuted unreleased collaborations with Empire of the Sun, REZZ, Yeat and more during his Sphere run. The album will also likely feature "Hypnotized," a single he released in January alongside Ellie Goulding. Follow Anyma:X: x.com/anyma_eva Instagram: instagram.com/anyma TikTok: tiktok.com/@anyma Facebook: facebook.com/anyma.ofc Spotify: tinyurl.com/2p976k79

The club celebrates its birthday with two parties this month Continue reading...

Anyma, the visionary artist behind the mesmerizing “Genesys” concept, has officially announced his highly anticipated album, The End of Genesys, set to release on May 23rd. This news comes hot on the heels of his captivating residency at the Las Vegas Sphere, where he unveiled a slew of new tracks that left audiences awestruck. Now, fans worldwide will have the chance to experience the full sonic journey. Known for his immersive visual experiences and emotionally charged melodic techno, Anyma has been pushing the boundaries of electronic music. “The End of Genesys” promises to be the culmination of his artistic evolution, diving deeper into the narrative established in his previous work. What’s truly exciting about this release is the strong connection to his recent Sphere shows. For those lucky enough to witness the groundbreaking visuals and soundscapes firsthand, the album will serve as a cherished memento. For those who missed out, it’s a chance to immerse themselves in the experience from the comfort of their own speakers. Sphere to Studio: Bringing the Live Magic Home Anyma’s Sphere residency was nothing short of a spectacle. The immersive visuals, coupled with his signature blend of melodic techno and cinematic sound design, created an unforgettable experience. It’s been widely speculated that many, if not most, of the tracks debuted during these shows will find their home on “The End of Genesys.” This means fans can expect: Powerful Melodies: Anyma’s ability to craft soaring, emotive melodies is a hallmark of his sound. Expect tracks that resonate deeply and leave a lasting impression. Intricate Sound Design: From driving basslines to ethereal synth textures, the album is poised to showcase Anyma’s mastery of sound design. Cinematic Atmospheres: Building on the immersive nature of his Sphere shows, the album will likely feature expansive soundscapes that transport listeners to another dimension. The Genesys Narrative Continued: Fans can expect the continuation of the “Genesys” storyline, weaving together music and visuals to create a cohesive and compelling narrative Anticipation Builds The announcement of “The End of Genesys” has sent ripples of excitement through the EDM community. Social media is buzzing with speculation about track titles and collaborations, and fans are eagerly counting down the days until May 23rd. Anyma has consistently delivered groundbreaking experiences, and “The End of Genesys” is shaping up to be his most ambitious project yet. With the promise of Sphere residency tracks and his signature blend of immersive visuals and powerful music, this album is sure to be a defining moment in his career. Mark your calendars for May 23rd! Get ready to experience “The End of Genesys.” Stay tuned to EDMTunes for further updates and exclusive content surrounding Anyma’s upcoming album. The post Anyma Closes Sphere Residency With Album Announcement appeared first on EDMTunes.

Matteo Milleri, better known as Anyma, is an electronic music pioneer who has officially announced the release date for his highly anticipated third record. Milleri announced that the record with the same name will be available for streaming on May 23rd during the last show of his groundbreaking “The End Of Genesys” residency at Sphere in Las Vegas. The news completes Anyma’s ambitious “Genesys” trilogy, which began with the successful records “Genesys” (2023) and “Genesys II.” The finale show turned into an unexpected record launch event when stunning visuals announced the date of the release, much to the delight of the thousands of fans who were there. Anyma has been strategically releasing unreleased music that will probably be on his upcoming record during his historic residency at Sphere. The track “Entropy,” which Anyma made with electronic music artist REZZ, is one of the most anticipated. It shows a darker, more intense side of Anyma’s melodic techno sound. Milleri also released the song “Work,” which features rapper Yeat. This was a surprising move between genres. By adding hip-hop elements to his signature immersive soundscapes, the partnership shows that Anyma is ready to go beyond the usual limits of electronic music. Fans also got to hear Anyma’s new take on Dom Dolla’s hit song “Dreaming.” The remix shows how good Milleri is at changing well-known songs and giving them the surreal feel that has become associated with the Anyma project. When “The End Of Genesys” Album Will Be Released? Anyma’s Third Album, “The End Of Genesys” Will Be Released On May the 23rd. It was announced at the same time that Milleri finished what has been called “one of the most ambitious electronic music residencies ever undertaken.” The Sphere shows, which combined cutting-edge visuals with Anyma’s melodic techno, changed the way people think about electronic music events. Over 130,000 tickets were sold for all eight shows. Milleri’s “The End Of Genesys” album is meant to be both the end of his present artistic journey and the start of new ones. In recent interviews, the artist has talked about his interest in quantum computing. This suggests that Anyma’s artistic journey is far from over, even though the Genesys series is coming to an end. Milleri started the label Afterlife in 2016 with help from Interscope Records. It will be supporting the May 23rd release. In the next few weeks, more details about pre-saves and additional tracks should be made public. The post Anyma Reveals Release Date for “The End Of Genesys” Album appeared first on The Groove Cartel.

Famous When Dead Records (FWDR), the fresh new label launched by CASH ONLY, has unveiled its debut single, “Another One” by UK chart-topping artist Syncia. This release sets the stage for a series of genre-blending tracks that embody CASH ONLY’s unique vision for the label and signature sound that navigates the House Music spectrum. FWDR’s mission is to deliver a wide array of electronic vibes, with an emphasis on House music. The label’s upcoming lineup includes CASH ONLY himself, Syncia, Reigns, Rahh, Maisie Mae, Patrick Meeks, Holly Ellison, and more soon to be revealed. Reflecting on the label’s creation, CASH ONLY shares “FWDR was born from a shared passion for both music and creative visual arts, and it’s an exciting collaboration between myself and Midland’s Abstract Street Artist, Andrew Turner, also known as Famous When Dead. Our goal wasn’t just to create another imprint to release music, but to build a vibrant community. We wanted to offer something beyond sound, a complete experience that could be seen as a film or moving artwork, worn as a creatively designed T-shirt, or enjoyed in an immersive club environment where visuals and sound come together in perfect harmony.” With an impressive track record that includes his tenure as Label Manager for Dvine Sounds, ownership of FWDR, a monthly show on Centreforce Radio, over 50K monthly Spotify listeners, 6 million TikTok and Instagram plays, and a string of top-charting tracks, this marks the next pivotal moment in CASH ONLY’s rapidly rising career. CASH ONLY adds“FWDR is both fun and satirical. We are serious about pushing our music, but want to have fun along that journey. Supporting emerging artists is important for us, but equally we want to create a platform where established artists can also explore themselves a little more creatively.” Already a globally recognised artist and DJ, 2025 is set to elevate his profile even further. With a packed schedule of worldwide dates and exciting partnerships with major brands in the works, He is gearing up for the launch of his own club night ‘FWDR’ at the iconic E1 venue. Additionally, a global radio show is in development and will showcase CASH ONLY and FWDR’s unique sound, regularly featuring its growing roster of artists. The debut single “Another One” is now live on all major platforms, and is already receiving widespread support from global tastemakers, whilst climbing the download charts. FWDR is positioned for an exciting year ahead, actively highlighting cutting-edge talent, breaking underground and crossover tracks, and rolling out their own branded events, making this a priority imprint to watch. Syncia ‘Another One’ Stream HERE Together ‘Xamount’ Presave HERE Find Out More & Follow Famous When Dead Records Instagram | Beatport | Traxsource CASH ONLY Website | Instagram | Soundcloud | Linktree The post CASH ONLY Launches Famous When Dead Records & Reveals Future Plans appeared first on Electric Mode.

“The world has lost a true musical legend,” Carl Cox said in tribute Continue reading...

A bold new player has entered the music publishing game after Purple Fly Records launched a new venture, aiming to leverage the independent label's expansive catalog to reshape opportunities for electronic music creators. The label's new publishing house, EDM Publishing, enters the market with an impressive catalog of thousands of tracks, spanning from commercial dance-pop to underground techno and trance. It already features an impressive lineup of established producers, including Klaas, Sickick, Chris Burke and Damon Sharpe as well as top singer-songwriters like Aloe Blacc, Sophie Simmons, Cammie Robinson and Christina Novelli. Collectively, the works represented by the company have generated over one billion streams. EDM Publishing aims to create expanded opportunities for electronic music artists through sync, licensing and strategic partnership initiatives. In a significant early win, the company's proprietors have secured a music licensing agreement with MTV, positioning it for rapid growth and increased visibility across major media channels. Purple Fly Records first gained attention in the EDM space for utilizing cryptocurrency and NFTs to support artists and releases, launching in 2021 with a blockchain-based approach that allowed musicians to monetize their work in innovative ways. The label has since released music by a slew of notable artists in the scene, like Laidback Luke, Gammer, DJ Diesel (Shaquille O'Neal) and the late Fatman Scoop. With the established infrastructure of Purple Fly behind it, EDM Publishing appears well-positioned to become a significant player in the electronic music publishing sector. According to a press release, the company is seeking out artists and brands in the electronic music community, signaling an aggressive growth strategy in the months ahead. You can find out more about EDM Publishing on its official website. Follow EDM Publishing:X: x.com/edm_publishing Instagram: instagram.com/edm_publishing Facebook: facebook.com/edmpublishing

If Doechii's "NISSAN ALTIMA" was built for smooth cruising, Whethan's new remix rips off the muffler and takes a detour straight into the underground. The remix opens with a deceptive simplicity before plunging us into a dubstep drop with thick, viscous bass you can almost feel sticking to your skin. The hip-hop swagger of the Grammy-winning rapper's delivery remains intact, but Whethan drags it into festival territory through his snarling sound design. What elevates the track, however, is Whethan's deft integration of four-on-the-floor house rhythms without losing an ounce of aggression. Keeping the arrangement unpredictable, these moments provide crucial breathing room, creating a rhythmic dialogue between dubstep's jagged edges and house music's steady pulse. In other Whethan remixing news, his breakthrough edit of Mssingno's "XE3" recently hit streaming platforms a decade after its release on SoundCloud, bringing one of the platform's early viral electronic hits to a new generation of listeners. The remix helped establish the producer as a rising force in dance music when he was just 15. You can listen to Whethan's remix of "NISSAN ALTIMA" below and download the track for free here. Follow Whethan:Instagram: instagram.com/whethan X: x.com/whethanmusic TikTok: tiktok.com/@whethan Facebook: facebook.com/whethanmusic Spotify: spoti.fi/3hiiFmK

Some songs are built for the dancefloor, others for the heart—LMNT 115's "Holding Onto Us" manages to do both. Inspired by anime and manga, the duo may be a mystery, but their music is anything but elusive. The enigmatic band consists of songwriter Z and producer Fab, who debuted back in November with their first release, "Close to You." With their new single, they deliver a sleek dance track that strikes a balance between deep, club-ready grooves and anthemic pop sensibilities. Featuring the unmistakable voice of Brando—whose breakout moment came with Loud Luxury's "Body"—the track taps into the ageless pull of human connection. "Holding Onto Us" leans into groove rather than bombast, making the track equally suited for late-night drives as it is for peak-time festival sets. It sticks with you, much like the kind of connection its title describes. From the opening moments, an airy piano riff guides us into LMNT 115's futuristic world, setting the stage for Brando's powerful topline. His evocative lyricism add layers of depth to the track’s theme of enduring love despite time and adversity. Beneath it, shimmering synth layers inject momentum, subtly evolving with each beat to keep the energy dynamic without overpowering the song's melodic core. The new single is out now via LMNT 155's own label, Quasar Music. You can listen to "Holding Onto Us" below and find it on streaming platforms here. Follow LMNT 115:Instagram: instagram.com/thelmnt115 Spotify: tinyurl.com/yvya5tvs Follow Brando:X: x.com/meubrando Instagram: instagram.com/meubrando Facebook: facebook.com/meubrando Spotify: spoti.fi/3usDd5Q

On February 22nd, a sold-out crowd at the Hollywood Palladium witnessed firsthand the biggest headline show of Ray Volpe's career. From the awe-inspiring audiovisual production to the emotional send-off that heralded a new era with the announcement of his debut album, the EDM.com Class of 2022 star delivered a night that took the bass music community by storm. EDM.com was onsite for Volpe's landmark performance in LA. Here are five things you missed that made the final show of his expansive "VOLPEVERSE" tour unforgettable. Openers and special guestBefore the Volpe took stage, an electrifying series of openers set the tone for an unforgettable night. The progression began with echod, followed by SENZA and then Control Freak, each of whom built upon the last to raise the intensity in the room. The apex of this opening segment was delivered by special guest Dion Timmer, whose set perfectly primed the crowd for the experience that was about to unfold. A story set in an alternate dimensionThe audiovisual show kicked off at an unexpected spot: a seat in front of a computer, complete with a homemade teleportation wristband. In that very moment, we were teleported directly into the vivid realm of the "VOLPEVERSE"—a launch that felt reminiscent of an introduction video at a Disneyland attraction. You woke up and were greeted by Holly, the charismatic Holotron who welcomes new "Trons" into this diverse universe. The narrative set up a futuristic quest: your teleportation wristband’s energy was depleted, and the only way to recharge it was to venture through different realms of the "VOLPEVERSE." After this captivating introduction, Volpe stepped out and the audience was instantly transported into a cascade of vibrant worlds—from a lollipop-candy dreamscape and a forest-inspired haven to classic Mario visuals—all brought to life with his signature Volpetron animations. The aforementioned energy meters monitored momentum throughout the night and during standout tracks to help us reach the ultimate goal of getting home. Jake West Eye-popping lasers and pyroAs expected, Volpe’s laser display was so integral to the spectacle that it merits a dedicated highlight in this article. His global dubstep hit "Laserbeam" launched the night’s laser extravaganza early on, setting the tone for his immersive, high-energy performance. As soon as those pulsating beams cut through the darkness, we knew we were in for an unparalleled audiovisual journey. The dazzling laser show was perfectly synchronized with Volpe’s Volpetron visuals while explosive bursts of pyrotechnics punctuated every beat. This dynamic duo of light and fire wasn’t just an opening act—it was the heartbeat of the show. View the original article to see embedded media. Setlist of fan-favorites and surprisesVolpe's setlist was a masterclass, seamlessly blending high-energy bangers with unexpected twists. Crowd-pleasers like "Song Request," "Laserbeam," "Happy Song" and "See You Drop" had the audience moving nonstop. But it was the clever interludes—unexpected snippets of pop culture—that kept the night unpredictable and fun. From K-pop anthems like LE SSERAFIM’s "Crazy" and New Jeans’ "ETA" to viral hits like Chappell Roan's "Good Luck, Babe!" and "APT" by ROSÉ and Bruno Mars, each surprise kept energy levels high. The set also paid homage to EDM classics like Benny Benassi's "Satisfaction" as well as dancefloor staples like "Push" by Hamdi, Skrillex and TAICHU. Even internet culture had its moment, with playful nods to viral memes like the "Brother Eww" audio, adding an extra layer of nostalgia. Adding to the thrill, Volpe’s unreleased IDs took the night to another level. Tracks like "Get Smacked" (with Vastive) and "Rewind" (with Sullivan King) ensured no moment felt predictable. WHAT IF I SAID THAT WE FINALLY FINISHED “GET SMACKED” @VASTIVEOFFICIAL 😳😰 pic.twitter.com/ayCD2rD4fj — ray volpe (@rayvolpe) February 26, 2025 A farewell and debut album announcementThe night’s emotional rollercoaster began when Volpe took a moment to speak directly to his fans. In a heartfelt closing speech coupled by credits for the tour, he expressed his gratitude for their unwavering support throughout and delivered the announcement of his debut album. "My brand-new album, FOREVER, VOLPETRON, is coming later this year," announced Volpe following the final visual showcase of the night. "15 years in the making, this album is a love letter to you—my fans, my family, my VOLPEVERSE. I love you all so much and I cannot wait for you to hear it." In a dramatic twist, Volpe then walked offstage as if the show had ended—only to return moments later and reignite the energy with more music, reinforcing his promise that the "VOLPEVERSE" is far from over. This final act encapsulated both the end of an era and the exciting promise of a new one on the way. Volpe’s Hollywood Palladium headline wasn’t merely the conclusion of a world tour, but also a showcase of the hard work and creativity that has defined his career. As the echoes of that night continue to resonate, one thing is clear: the "VOLPEVERSE" is only just beginning. View the original article to see embedded media. Follow Ray Volpe:X: x.com/rayvolpe TikTok: tiktok.com/@rayvolpe Facebook: facebook.com/rayvolpemusic Instagram: instagram.com/rayvolpe Spotify: spoti.fi/3dqG1WH

It seems like David Guetta has done it again. If there’s one thing the French DJ and producer knows how to do, it’s creating massive, era-defining dance anthems, and this time, he has hit another career milestone. “I’m Good (Blue),” his 2022 collaboration with Bebe Rexha, has officially surpassed 2 billion streams on Spotify, making it one of the most-streamed electronic tracks of all time. For Guetta, this isn’t just another hit. It is proof that his ability to tap into global dance culture and reshape nostalgia into something fresh is unmatched. From Club Icon to Streaming GiantGuetta has spent the last two decades shaping mainstream dance music, from his early 2000s house roots to his dominance in the 2010s, where he helped bridge the gap between electronic beats and pop superstars. From “Titanium” with Sia to “When Love Takes Over” with Kelly Rowland, his formula for making festival-ready anthems has not just worked. It has set the blueprint for an entire generation of producers. But in an industry where streaming numbers now define a track’s legacy, hitting 2 billion on Spotify is a rare feat, and “I’m Good (Blue)” now sits among the most-played songs on the platform. Why “I’m Good (Blue)” Took Over the WorldSo what made this track explode? Part of the magic is the perfect blend of nostalgia and modern production. The song revives Eiffel 65’s 1998 hit “Blue (Da Ba Dee),” flipping its iconic melody into a euphoric, festival-ready anthem. It thrives on feel-good energy, which is exactly what people needed in a post-pandemic world. But it wasn’t just nostalgia fueling the song’s rise. “I’m Good (Blue)” had TikTok in a chokehold before it even dropped, with snippets of the track circulating for years before its official release. When it finally hit streaming platforms in August 2022, the demand was already there. It immediately went number one in over 20 countries, topped the UK Singles Chart, and cracked the Top 10 of the Billboard Hot 100. It also earned David Guetta and Bebe Rexha a Grammy nomination for Best Dance/Electronic Recording. Guetta’s First 2-Billion-Stream Song, But Not His First Game-ChangerDespite a career packed with chart-topping singles, “I’m Good (Blue)” is the first track from Guetta and Rexha to cross the 2-billion mark on Spotify. That is saying something, considering his influence on dance music. Guetta has always had an instinct for crafting tracks that do not just perform well on the charts but become cultural moments. His shift toward the future rave sound alongside MORTEN has been influencing electronic music’s new wave, while his ability to reinvent old hits for new audiences has solidified his staying power. Even now in 2025, “I’m Good (Blue)” isn’t just a past hit. It is still a setlist favorite at festivals and clubs worldwide. As streaming continues to shape the music landscape, this milestone cements David Guetta’s status as not just a DJ but a legacy artist in dance music history. What’s Next for Guetta and Rexha?Guetta, as always, isn’t slowing down. He is constantly evolving, whether through his high-energy festival performances, his underground-influenced future rave sound, or his collaborations with global pop stars. As for Bebe Rexha, this track reinforced her place in the electronic space, and given her genre-hopping versatility, it would not be surprising to see another dance hit from her soon. For now, with 2 billion streams and counting, “I’m Good (Blue)” stands as one of the biggest dance records of the streaming era. It is proof that a good melody, the right timing, and a producer like David Guetta can still shake up the industry. It is official. Guetta still has it.

Rounding up festival news from across the dance and electronic world Continue reading...

RESISTANCE isn't backing down in 2025. It's doubling down. As Miami Music Week 2025 approaches, Ultra's underground electronic music brand is returning to M2 for a five-night residency, continuing to cement its place as a defining force in the city’s robust nightlife sector. Originally launched as a stage at Ultra Music Festival in 2015, RESISTANCE has since evolved into a global phenomenon on its own accord, hosting standalone events in over 35 cities as well as an acclaimed residency in Ibiza. Now, with its U.S. club residency firmly planted in Miami, the brand continues to push the production boundaries of techno and house music on the live circuit, bringing together the genres' most formidable talents. From March 26-30, RESISTANCE will once again take over M2 Miami, the sprawling, 35,000-square foot club in the heart of South Beach. The lineup reads like a who’s who of underground culture, featuring headliners I Hate Models, Charlotte de Witte, ARTBAT, Boris Brejcha, Joris Voorn and the legendary Carl Cox. Tickets for RESISTANCE's MMW 2025 programming are on sale now. View the original article to see embedded media. Follow RESISTANCE:Facebook: facebook.com/resistance X: x.com/resistance Instagram: instagram.com/resistance

Shambhala is bringing together major DJs from around the globe for another year of arguably Canada's most influential electronic dance music festival. Shambhala is revered for its eclectic lineups with immense depth, creative stage installations and an extremely passionate fanbase. Organizers on Friday unveiled the full lineup for the 26th annual festival after previously announcing acts REZZ and Levity. This year's lineup features ILLENIUM, Excision, Chris Lake, TroyBoi, SOFI TUKKER, Apashe, Flying Lotus, Malaa, SLANDER and EDM.com Class of 2025 inductee Tape B, among many others. Do not let the large font fool you—there is plenty to look forward to on Shambhala's undercard. ALLEYCVT, Ivy Lab, Destructo, Mersiv, Opiou, Odd Mob and The Funk Hunters, will also perform. Every year, Shambhala welcomes a notable hip-hop act to their stage. This year's honor goes to Joey Valence & Brae, whose critically acclaimed 2024 album No Hands includes a cover of Charli xcx's "365" on the deluxe edition. Shambhala returns to its lifelong home at Salmo Ranch River from July 25-28. Check out the full lineup below and find out more about the festival on its official website. Shambhala Music Festival Follow Shambhala Music Festival:X: x.com/shambhala_mf Instagram: instagram.com/shambhala_mf TikTok: tiktok.com/@shambhalamusicfestival Facebook: facebook.com/shambhalamusicfestival