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More music from international producer Rebūke’s upcoming The World Of Era album arrives today a double single ‘Forever / Chaos’ in collaboration with famed video game composer: P.T. Adamczyk — whose credits include notable video games Cyberpunk 2077 and The Witcher 4. P.T. Adamczyk had initially created a track called ‘Chaos.’ At the time he sent these chords, both Rebūke and P.T weren’t sure what to do with it. UK vocalist & songwriter Aya Anne created a beautiful topline inspiring them to further develop the production, resulting in two tracks ‘Forever,’ which features her engaging vocal–and instrumental ‘Chaos.’ Listen here. When asked about the inspiration behind the ‘Forever’visualiser, Rebūke explains “I was drawn to the idea of a robot programmed to care, but what happens if it learns to love? She gave it humanity but now it doesn’t want to let her go. In a future where machines outlive us, I wanted to ask the question.. who mourns us when we’re gone?” ‘Forever / Chaos,’ along with previous singles ‘Teardrops’ with Karin Park, ‘Aingeal,’ ‘Choose Life’ with Linska, ‘Endless’ with deadmau5 featuring Ed Graves and ‘Juno’ will appear on Rebūke’s (who is Ireland’s Reuben Keeney) debut artist album The World of Era due out July 11, 2025. Next look for Rebūke to join Anyma and MRAK as a featured artist at their Afterlife Festival Barcelona on June 13 with more live dates for 2025 to be announced soon. With the release of The World of Era, Rebūke is set to redefine the electronic music landscape, fusing storytelling with powerful production. Stay tuned for additional details. The post Rebūke Double Single: ‘Forever / Chaos’ appeared first on EDMTunes.

Released in October 2024, Inhale / Exhale marked a creative milestone for Grammy-winning live electronic trio, RÜFÜS DU SOL. The album expanded the trio’s signature sound with an expansive emotional palette and a renewed focus on rhythm and texture. It debuted on the Billboard 200 and earned their first #1 on U.S. dance radio with ‘Music is Better,’ leading to both critical acclaim and commercial momentum. Its success paved the way for their Inhale / Exhale World Tour, the best-selling solo electronic tour in history, which marks a landmark for both the band and the genre. Inhale / Exhale Remixed extends that vision, offering a fresh interpretation of the original through the hands of some of the scene’s most compelling artists. Today, the trio unveil their anticipated collection: Inhale / Exhale Remixed — a 15-track curation of global club reworks. Listen here. The full remix collection sees the band invite a handpicked global lineup of friends, peers, and underground titans to reimagine Inhale / Exhale through a late-night lens. The remix album’s contributors include Turkish-Italian underground favorite Carlita, Haitian house producer Francis Mercier, adventurous Peruvian selector Sofia Kourtesis, Swiss club mainstay Andrea Oliva, German deep house artist Emanuel Satie, melodic craftsman Enamour, Afro-tech innovator Nitefreak, Belgian groove specialist Maxi Meraki, worldwide dancefloor fixture Kaz James, rising German talent Fahlberg, genre-blurring producer Moeaike, Spanish dancefloor architect Arodes, Moroccan electronic explorer Rockin Moroccin, and Turkish-American sonic sculptor Samm, alongside Swiss duo Adriatique’s previously-released ‘In The Moment’ remix. The North American leg of the Inhale / Exhale World Tour kicked off last weekend with a trio of sold out shows in Texas. The tour will continue into the summer for a nearly sold out run with stops in Los Angeles, San Francisco, Miami, and Toronto, along with festival appearances at Lollapalooza and Up In The Sky.Grammy-winning live electronic trio RÜFÜS DU SOL unveil their anticipated Inhale / Exhale Remixed, a 15-track curation of global club reworks drawn from their latest studio album Inhale / Exhale. Out now via Rose Avenue/Reprise Records, the remix album celebrates the band’s deep connection to the dancefloor and their role as torchbearers within modern electronic music. The post RÜFÜS DU SOL: Inhale / Exhale Remix Album appeared first on EDMTunes.

The “all-in” ticket pricing model is progressing toward potential legal implementation in the United States, with the House of Representatives casting an overwhelmingly favorable vote on April 29. In a bipartisan effort, the House approved the Transparency in Charges for Key Events Ticketing (TICKET) Act with a vote of 409-15. This important legislation seeks to ensure ticket sellers disclose the final price of tickets, which will include all associated fees, excluding sales tax. Having navigated through Congress for several years, the bill has gained widespread support from consumer advocacy groups, stakeholders in the live music industry, and notably, Live Nation, the leading global concert promoter and owner of Ticketmaster, which has proactively adopted “all-in” ticket pricing in recent years. The TICKET Act summarized The TICKET Act also introduces provisions for full refunds on tickets for canceled events, addresses misleading claims by websites purporting to be “official” ticket resellers, and mandates that the Federal Trade Commission (FTC) strengthen the enforcement of the BOTS Act, a 2016 law aimed at curbing the use of automated systems for ticket purchases. Despite its good intentions, the BOTS Act has seen limited effectiveness in preventing mass ticket purchases by bots. Moreover, the TICKET Act aims to prohibit speculative pricing, where ticket resellers sell tickets to consumers prior to acquiring them. In its place, the proposed legislation would establish a legal framework for “ticket procurement services,” allowing these platforms to charge consumers in advance to acquire tickets on their behalf, provided that they make clear they do not currently possess the tickets. This particular provision has raised some concerns among advocates for ticketing reform, who believe it may inadvertently allow speculative ticketing practices to continue. Moving ahead after the passage Overall, the passage of this bill in the House has onlookers viewing this as a positive sign moving forward. The Senate counterpart is also showing promise, having advanced out of committee in February with considerable bipartisan support and is scheduled for discussion in the current legislative session. President Donald Trump has expressed openness to endorsing this type of legislation. Earlier in April, he signed an executive order intended to address ticket scalping and hidden fees in the live entertainment industry. This order directed Attorney General Pam Bondi and the FTC to enhance the enforcement of competition laws in this sector and instructed both Bondi and Treasury Secretary Scott Bessent to ensure IRS compliance among ticket resellers. John Breyault, Vice President of Public Policy, Telecommunications and Fraud at the National Consumers League, emphasizes the act’s efficiency “The House has once again made clear: consumers deserve transparency and fairness when buying event tickets. This legislation puts an end to hidden fees and deceptive resale practices that have cheated fans for too long. With the House having acted, the Senate must now move swiftly to pass the TICKET Act and send it to the President’s desk. With so many live events coming this summer, consumers can’t afford more delays”. The post House Passes TICKET Act Mandating All-In Pricing appeared first on EDMTunes.

Amid the bass-fueled chaos of Ultra Music Festival, we caught up with two legends who helped shape the sound of dubstep as we know it—Flux Pavilion and Doctor P. From early UK raves to global festival stages, these longtime collaborators have seen it all—and they’re still dropping heat. We sat down to talk legacy, evolution, and what keeps them inspired in 2025. So, how long have you two been friends?Doctor P: 22 years I think..? Maybe 23? Flux Pavilion: Yeah, I think 23 years. And how did you two meet?Doctor P: We went to the same school, we are from the same town. We kind of met by chance- and were really the only two people in our town that were making music. Flux Pavilion: We actually started our first band together when I was 13. Who were your biggest inspirations to make music when you two first started?Doctor P: I really liked Fatboy Slim. He was a big influence. Flux Pavilion: Same. We really grew up listening to the same music, so our taste has been very similar over the years. Let’s talk about Flux Pavilion and Doctor P as a DJ duo. Have you performed together before?Flux Pavilion: Yes, this is our third time performing B2B at Ultra actually. But- it is out first time performing as an official DJ pair. What is it like performing together? Do you plan to continue doing this beyond this tour?Doctor P: Yeah, that’s the plan. Doctor P and Flux Pavilion has kind of become a thing that we’re going to do. Flux Pavilion: For the foreseeable future anyway. We’re going to do this album, tour this album, and potentially even do a bigger version of the album.. maybe. And then after that, who knows? We really don’t know, so let’s just pretend this is never happening again. We may never get the opportunity to perform and tour together like this- so let’s act like this is the only time and have fun with it. That’s the mentality that has been fueling me through this. Have you two thought about coming up with a collaborative name for your duo- like ‘Doctor Flux’?Doctor P: Yeah, that actually occurred to me right at the very beginning when we first started talking about the album. And then we were like nah, let’s not do that. Flux Pavilion: I view it as, this isn’t a rebrand. We don’t need to create a new identity for the two of us. We want to continue using our names so the older ravers still recognize us, but the newer ravers continue to learn about us. I want them to know, this is why we’re popular. That’s how we want to be remembered. Let’s talk about music, what do fans have to look forward to?Flux Pavilion: We released a new album recently. It’s a 15-track album called ‘Doctor P & Flux Pavilion’, and we’re preparing to go on tour with it. What is your favorite track on that album?Doctor P: Definitely ‘Rubber Dub’ Flux Pavilion: Yeah, I agree, definitely ‘Rubber Dub’. I think objectively it’s the best one. I also really love ‘Hot Piss’. But ‘Rubber Dub’ I think is a great combination of our sound and our ideas and I’ve been most excited to play that one. If I were to hand each of you the aux right now.. what song would you put on?Doctor P: Lately, I’ve been listening to MP8 and Funkmaster. So I’d probably put one of them on. Flux Pavilion: There’s an album called ‘2020’ by Richard Dawson, who’s kind of like a singer, songwriter, folk artist from the UK. His songs just remind me of England- so I listen to them a lot when I’m not home. Catch up with Flux Pavilion & Doctor P Connect with Flux Pavilion Instagram Facebook SpotifyConnect with Doctor P Instagram Facebook Spotify

PLS&TY has unleashed his emotional new EP, Into The Light. Landing on Steve Aoki’s famous Dim Mak Records today, May 2, the new project sees the Florida-hailing producer and DJ—real name Tommy Leas—dive deep into “the duality of darkness and hope, and love and resilience,” according to a press release, across three tracks packed with his signature melodies. Tying together themes of vulnerability and strength on Into The Light is “Leave The Light On,” an anthemic groove about loving through hardship with poignant vocals from x.o.anne, “Constellations,” a dreamy, deep house ode to unconditional love with Richard Walters, and the title track, “Into The Light,” a euphoric breakbeat collaboration with Miggy De La Rosa, said to serve as “a guiding light for anyone navigating hard times.” “Into The Light is an emotional reflection of the human experience,” PLS&TY said in a press release. “Each song speaks to moments we all encounter, from heartbreak and uncertainty to the enduring power of love and connection.” After a bevy of nationwide club tours, festival performances at Bonnaroo, EDC Las Vegas, and Electric Forest, worldwide radio plays, and hundreds of millions of streams—including more than 60 million on his hit single “Your Love,” featuring Sofiya Nzau—Into The Light marks yet another watershed moment in PLS&TY’s career, as he embarks on his first multi-record deal with Aoki’s legendary independent. “The team truly understands the lifestyle, culture, and movement of dance music,” Aoki said of the new alliance in a press release. “I’ve always seen PLS&TY as more than just music—it’s art, visuals, aesthetic. With this partnership, I get to expand on that.” Listen to PLS&TY’s new EP, Into The Light, below. Featured image courtesy: PLS&TY. The post PLS&TY Drops Emotional Dim Mak Debut EP, ‘Into The Light’ appeared first on EDM Maniac. View the full article

Words by Alex Lambeau, Zach Salafia, and Ross Goldenberg. Cassian – SOS Cassian has been responsible one of the most sought-after IDs of the past month or so, with him now taking to John Summit’s Experts Only for his label debut, “SOS.” Despite an ambiguous vocal sample with some indiscernible lyrics, “SOS” is nothing short of Aahigh-octane club weapon that’s already become a centerpiece in Cassian’s latest sets. The release follows his unending hit streak over the past year alone that includes “Dun Dun” on Afterlife as well as “Where I’m From” with SCRIPT and Belladonna. And Cassian’s release goes hand in hand with his all-night long stop in Brooklyn on May 2 as part of his ongoing North American run. Jessica Audiffred – Rave New World Jessica Audiffred has risen the ranks to become one of the most sought-after names in bass music, and she has now continued that with the delivery of her debut album, Rave New World. Arriving just a month after her back-to-back set with one of Dancing Astronaut‘s Artists to Watch in 2025, ALLEYCVT, at Ultra’s Worldwide stage, the 12-track album from the Mexico-born talent features collaborations with the likes of Nostalgix, urboi., and more. Otherwish – Without You Otherwish has continually preserved his placement as one of the most refreshing names on This Never Happened’s lengthy label roster. And the Dancing Astronaut Artist to Watch alumni is further building that sentiment, returning with “Without You” as his third original of the calendar thus far. Those in attendance for his opening stints on Lane 8’s Childish tour over the past few months will likely recognize it on release day, with Otherwish turning what was originally a more toned-down demo into a ready-to-play live version that he knew deserved a proper release when the timing was right. HI-LO & Temper – Work That Body HI-LO has transformed Temper’s 2000s hit into a modern, energy-filled techno reimagining. “Work That Body” has finally hit the streaming platforms, with HI-LO infusing his signature driving basslines, razor-sharp percussion, and a bold vocal—which chants “ain’t nothin’ but tutti-frutti, get on the floor if you’ve got that booty”—that bridges raw underground energy with festival-scale impact. Sparked by a Boiler Room set from Malugi and inspired by the resurgence of high-energy genres like hard house and speed garage, “Work That Body” has been road-tested by the likes of Adam Beyer, Amelie Lens, and Joseph Capriati. The rework has already proven its power through its punchy groove and will continue to invigorate the crowds on the global circuit. Sultan + Shepard – Communicate To round out Sultan + Shepard‘s seven-track EP on This Never Happened, the duo have returned with its sixth and seventh additions, including the title track — which was first unveiled during their back-to-back set with Lane 8 at Proper NYE in San Diego — and “Sigh.” Listeners have come to expect nothing but class from the melodic house duo, and this EP is certainly no exception. Arriving just a year after Endless, Dawn and fresh off of their Circle In Time tour —as well as its bonus tracks release — few artists match Sultan + Shepard’s ability to consistently deliver such high-quality music. Flume & JPEGMAFIA – We Live In A Society Flume is back. After recently wiping his Instagram, Flume converted the suspense into a new four-track EP alongside JPEGMAFIA, marking his first original releases since 2023. We Live In A Society delivers everything we’ve come to know and love about the Aussie icon. And this isn’t the duo’s first collaboration — they previously teamed up on “How To Build A Relationship” from Flume’s 2019 Hi This Is Flume mixtape. Featured image: Elena Cassady The post Dancing Astronaut’s New Music Friday (May 2, 2025): Cassian, HI-LO, Flume, and more appeared first on Dancing Astronaut.

Earlier this year Jules Liesl burst onto the dance music scene with her insanely catchy single ‘CHERRY’ which has already racked up over 100,000 streams. The track has since received remixes from globally renowned producers like Mousse T, Mark Picchiotti, and Birdee with more on the way. Now putting their own spin on the track are James Hurr and Karsten Sollors who have taken the original and packed it with club energy. Between them they’ve worked with industry legends such as Tiësto and Armin Van Buuren as well as releasing music on renowned labels like Farris Wheel, Toolroom, and Nervous. Their take on ‘CHERRY’ with an afro house rhythm and thick low end is a stroke of genius that is an excellent addition to the series of remixes we’ve received so far. ‘CHERRY’ is a statement from Jules Liesl that she is a force to be reckoned with. She’s taken a lot of inspiration from early 2000s dance hits, mid 90s pop, and more specifically Lady Gaga’s blend of style and sonic force. She’s brought all of this together in some jaw dropping performances including the release event at West Hollywood’s iconic Abbey, and huge performances at Miami Pride and Winter Party. Backed by Grammy-winning vocal producers, celebrated choreographers, and top music executives, there’s no doubt that Jules Liesl is an artist on the rise. She oozes charisma which she has poured into ‘CHERRY’, and that’s just the start. You can follow Jules Liesl on her socials below:

RÜFÜS DU SOL have released Inhale / Exhale Remixed, a collection of reworks that feels like a curated expansion of the world the trio built in their stunning fifth album. The project brings together a wide-ranging group of producers from around the globe, including Adriatique, Carlita, Andrea Oliva, Francis Mercier, Enamour and EDM.com Class of 2024 star Nitefreak. From melodic house to Afro-tech, the remixes explore the interplay between tension and release, keeping the emotional core of the source material intact while transforming RÜFÜS DU SOL's aching songwriting. Mercier’s remix of "Levitating" channels his signature Afro-house style into something subtly anthemic. The groove rolls forward with ease, supported by earthy percussion and warm synth flourishes. Rather than overhauling the track, he finds room to emphasize its emotional lift, producing a textured version that feels expansive without being overstated. Carlita’s version of "Inhale" takes the original’s introspective tone and gives it an off-kilter elegance as lead singer Tyrone Lindqvist's vocals float through warped synths and glitched percussion. There's a dreamy unpredictability to the structure, as if the track is constantly shifting its footing without ever losing control. It's both delicate and disorienting, offering one of the album’s most artful reinterpretations. Those two remixes are microcosms of what makes the full album special. Each artist brings something distinct but no one is trying to reinvent the wheel. Instead, they carve new paths through a landscape that already had a strong emotional foundation thanks to RÜFÜS DU SOL, who have always excelled at blending rhythm with visceral lyricism. With Inhale / Exhale Remixed, they open the door for others to explore that balance on their own terms. You can listen to the full remix album below and find it on streaming platforms here. Follow RÜFÜS DU SOL:X: x.com/rufusdusol Instagram: instagram.com/rufusdusol TikTok: tiktok.com/@rufusdusol Facebook: facebook.com/rufusdusol Spotify: spoti.fi/35b5FL4

Bass house pioneer Jauz unleashes his latest high-energy track, ‘Detonator,’ just in time for summer. The explosive single lives up to its name with driving house rhythms and earth-shattering bass, accompanied by a captivating visualizer. This release reaffirms Jauz’s status as a leading force in dance music since his impactful debut over a decade ago. Make way for the Godfather of Bass House, as Apple Music aptly dubs him. ‘Detonator’ isn’t just energetic. It is raw and powerful like a burst of charisma. Just like its title, the track builds up and releases that sweet sonic force with intensity. A driving, forward-moving rhythmic foundation is the melody that propels listeners to move as they listen. A strong kick drum and well-defined groove leave no dance floor unscorched. This is signature Jauz, the song underscored by speaker-shaking bass. The deep resonating low-frequency hum is his bass house weapon. Heavy distortion or creatively designed basslines are the hallmark of Jauz’s style and genre. Lastly, the surreal visualizer adds another dimension to the release beyond its audio. This visual element adds an artistic, enigmatic audiovisual experience to accompany that high-energy sound. Sam Vogel has been a core staple in dance music over the years, since his debut 10 years ago. Long time fans know his renaissance at HARD SUMMERs since 2014. His meteoric rise earned him a staple reputation on major festival lineups worldwide. Now, he is taking some time to appreciate fatherhood. But he is back – catch him at Academy LA in May or S20 New York in July. His ability to blend driving energies of house music with impactful bass defined the very genre, bass house. ‘Detonator’ is sure to play beyond simply club dancefloors. Listen now on all streaming platforms. JAUZ – Detonator | Buy/Stream The post JAUZ – Detonator appeared first on EDMTunes.

Subtronics and Flowdan have reunited for a new single, "Hunter," marking the duo's first collaboration since 2022's fan-favorite "Gassed Up." Out today via Subtronics' Cyclops Recordings imprint, the track is built around his intricate sound design and powered by the unmistakable delivery of Flowdan, who in 2023 was named by EDM.com among the year's best electronic music artists. While many newer fans know him through tracks like "Baddadan" and "Rumble," he’s long been a defining voice in electronic music. Fans got an early taste of "Hunter" during Subtronics’ annual Miami Music Week takeover, the annual "Deadbeats vs. Cyclops" showcase. He then dropped the track at both sold-out nights of "Cyclops Rocks" at Colorado's Red Rocks Amphitheatre in April, when Flowdan appeared in-person to deliver his verses live. Instead of relying on dramatic builds, "Hunter" carves out its impact with minimalism and contrast. Subtronics produces filtered sweeps, granular distortion and heavy-hitting bass while allowing Flowdan’s voice to remain the central anchor. He adapts to the evolving beat with finesse, his cadence staying locked without ever overpowering it. The new single is separate from Subtronics’ latest project, Fibonacci Part 1: Oblivion, which arrived earlier this year as the first half of a two-part EP that will eventually form a full-length album. You can listen to "Hunter" below and find the new single on streaming platforms here. Follow Subtronics:X: x.com/subtronics Instagram: instagram.com/subtronics TikTok: tiktok.com/@subtronics Facebook: facebook.com/subtronicsofficial Spotify: tinyurl.com/yupr7jmk Follow Flowdan:X: x.com/bigflowdan TikTok: tiktok.com/@big_flowdan Instagram: instagram.com/big_flowdan Facebook: facebook.com/bigflowdan Spotify: spoti.fi/3X6kUOV

Pioneering electronic music trio Above & Beyond are set to embark on their most ambitious North American tour in nearly a decade, bringing their forthcoming album Bigger Than All Of Us to open-air amphitheaters across the continent. Beloved for their soaring, emotionally resonant trance and house music, the group is set to launch a 13-date tour on August 15th before wrapping October 4th. Hearing music from their long-awaited fifth album live will be a highlight, but Above & Beyond took their name literally when developing the tour's undeniable centerpiece: its stage design. c/o Press Featuring a DJ booth surrounded by a dynamic LED ring, the stunning setup creates what the band describes as a "fluid, circular environment" that interacts with surrounding visuals to mirror the organic qualities of their music. Recently debuted at Coachella, the ambitious production represents a conscious break from conventional stage design rigidity and is more of a portal to another dimension that demands to be experienced firsthand. The design brilliantly dissolves the traditional barrier between performer and audience, as projected visuals seem to flow organically from the central hub outward, enveloping everyone in a shared sensory cocoon. Lights and lasers cascade from this orbital command center, sometimes in gentle ripples and other times in synchronized bursts timed to climactic drops, to create moments of collective awe that cannot be captured on social media. "Our music has always been about togetherness, connection and the shared emotional experience," Above & Beyond said in a statement. "This tour—and this stage—is a celebration of that feeling, brought to life in a new way." In celebration of the summer amphitheater tour and upcoming release of Bigger Than All Of Us, due out July 18th, EDM.com has joined forces with Live Nation and Above & Beyond for a special "Ultimate VIP Experience" giveaway. Read on to discover the prizes and how to enter. 1st place: One pair of "Ultimate VIP Experience" passes to a show of your choiceOne (1) standing general admission ticket with access to the floor or one (1) premium reserved seat*Exclusive backstage tour prior to the show**Photo opportunity in front of the stage prior to the show (one photo per order)**Ultimate Above & Beyond autographed itemOne (1) rideshare voucher per order to use on the night of the showEarly access to the general admission floor before general doors (GA tickets only)*VIP-exclusive Above & Beyond gift itemCommemorative laminate and lanyardTour merchandise shopping before doorsDedicated VIP entrance and on-site VIP team*Location may vary by venue. See specific date for details. **Does not include artist participation. 2nd place: Ticket packageOne (1) pair of GA tickets or P1 seat of the show of your choiceFind out how to enter below. The contest is open to entrants over the age of 18 and ends on Monday, May 12th at 11:59pm ET. How to win the "Ultimate VIP Experience" for Above & Beyond's 2025 tour, Bigger Than All Of UsFollow @aboveandbeyond and @edm on Instagram.Like the Instagram post below and tag a friend you want to bring in the comment section.Share the post to your Instagram Story and tag @aboveandbeyond and @edm. View the original article to see embedded media.

Ibiza 2025 promises a dancefloor renaissance, with residency showstoppers that push boundaries, break genres, and define global club culture. As the sun sets over the Balearics, the island awakens—welcoming thousands of music lovers who come not just to party, but to belong. From hypnotic techno basements to euphoric open-air stages, every night in Ibiza tells a new story. The world’s most celebrated DJs and collectives will turn the White Isle into an electrified maze of beats, basslines, and unforgettable sunrise moments. Whether you’re chasing deep house on the dunes or hard techno under strobes, this is your definitive guide to the 2025 club season across expansive Ibiza headliners, residency, and most iconic dancefloors. Hï Ibiza The world’s No.1 club, Hï Ibiza is the modern benchmark for electronic music venues. Located in Playa d’en Bossa, it offers a dual-room setup with state-of-the-art production and immersive visuals. Its Theatre and Club Room host global icons, underground heroes, and genre-defining residencies. Since opening in 2017, Hï has consistently redefined Ibiza nightlife with unparalleled sound, design, and energy Monday June 16 – September 29, 2025 Mondays at Hï Ibiza welcome the return of OUR HOUSE, the collaborative residency from MEDUZA and James Hype. Graduating to the Theatre for a full-season takeover, the duo promises a high-energy house experience with cutting-edge production and surprise guests throughout the summer. Tuesday June 17 – September 30, 2025 The Martinez Brothers continue their acclaimed Tuesday night residency in the Theatre, delivering underground house selections and dynamic performances. Simultaneously, Paco Osuna brings his NOW HERE concept to the Club Room, offering a curated blend of house and techno, solidifying Tuesdays as a staple for electronic music enthusiasts. Wednesday June 4 – 25 & September 10 – 24, 2025 Wednesdays see the return of Blackworks, the Spanish techno collective known for its high-intensity performances. Expect industrial stage design, hypnotic visuals, and bone-rattling bass that transform the club into a brutalist arena of sound and movement. July 2 – September 3, 2025 Australian DJ Dom Dolla makes his 2025 Ibiza residency debut, bringing his signature blend of thumping basslines and infectious grooves to the Theatre. In the Club Room, Patrick Topping returns, offering his tech-house mastery for a midweek blend of high-voltage sets. Thursday June 26 – September 18, 2025 HUGEL introduces his Make The Girls Dance residency, a celebration of movement, rhythm, and timeless house music, featuring a handpicked lineup of Afro house, Latin house, and classic house talent. In the Club Room, Miss Monique curates a selection of deep house, tech house, and melodic techno, ensuring Thursdays are a celebration of music that moves bodies, hearts, and spirits. Friday May 2 – June 13, 2025 Spanish duo MËSTIZA debut their first-ever Ibiza residency, fusing flamenco spirit with techno power, championing Spanish culture and female empowerment. July 4 – October 3, 2025 Joseph Capriati presents METAMORFOSI, taking over all three rooms at Hï Ibiza every Friday. In the Club Room, Indira Paganotto offers her unique blend of psychedelic techno, contributing to a night of transformative musical experiences. Saturday May 17 – October 4, 2025 Black Coffee returns for his seventh consecutive residency, bringing Afro-house power and spiritual grooves to the Theatre. In the Club Room, Damian Lazarus complements the vibe with deeper sounds and tribal rhythms, creating a dual experience for Saturday-night ravers. Sunday May 4 – October 5, 2025 Glitterbox turns Sundays into a celebration of house, disco, and individuality. The 2025 lineup includes Armand Van Helden, Basement Jaxx, HoneyLuv, Kerri Chandler, and Louie Vega, among others, ensuring a feel-good, no-rules celebration of dance music’s funkiest side. [UNVRS] Ibiza UNVRS is the newest hyperclub shaking up Ibiza’s nightlife—and it’s doing it with scale, style, and a vision for the future. Created by Yann Pissenem, the mind behind Hï Ibiza and Ushuaïa, this venue merges arena-level production with the intimacy of a club night. Events here feel cinematic—transformative lighting, modular staging, and futuristic design make every show a bespoke journey. Built to connect people, sound, and architecture, [UNVRS] isn’t just another club—it’s the next era of dance floor storytelling. Monday June 2 – September 1, 2025 Eric Prydz unveils Holosphere 2.0, a 14-week residency showcasing his most technically advanced show ever. With 3D holographic effects and custom animations, Prydz delivers an immersive audiovisual experience that pushes the boundaries of live electronic music performances. Tuesday July 8 – August 26, 2025 Anyma brings his full-spectrum artistry to [UNVRS] with an 8-week residency. Known for blending emotive techno with immersive visuals, Anyma crafts each night as a journey through sound and light, featuring guests like Amelie Lens, Solomun, and Paul Kalkbrenner. Wednesday June 18 – October 1, 2025 Jamie Jones presents Paradise: Sands of Solaris, a 16-week interstellar journey every Wednesday. This residency combines deep house grooves with groundbreaking technology, creating a sensory spectacle that transports clubbers to new realms of sonic perfection. Thursday June 5 – September 25, 2025 FISHER takes over Thursdays with his high-energy performances, bringing a blend of mainstream and underground sounds. Known for his infectious tracks and charismatic stage presence, FISHER ensures each night is a party to remember. Friday May 30, 2025 The grand opening of [UNVRS], Ibiza’s revolutionary hyperclub, sets the stage for a season of unparalleled nightlife experiences. With cutting-edge technology and a lineup of world-renowned DJs, the venue promises to redefine clubbing on the island. June 13 – October 3, 2025 Fridays belong to David Guetta and his Galactic Circus, a residency that transforms [UNVRS] into a neon-drenched big top. Expect a blend of house anthems and futuristic production, making it one of Guetta’s most ambitious Ibiza residency to date. Saturday June 7 – October 4, 2025 elrow returns with its signature immersive themes and high-octane performances. Every Saturday, expect a riot of color, confetti, and top-tier techno and house music, making it a must-attend event for clubbers seeking an unforgettable experience. Sunday June 22 – September 21, 2025 Carl Cox reclaims his place in Ibiza with a Sunday night residency at [UNVRS]. Bringing his legendary house and techno sets, Cox sets a new benchmark for the island’s nightlife, offering a fresh approach to his much-loved DJ performances. June 15, 2025 ANOTR presents On A Trip, a one-night-only spectacle as part of their world tour. Known for their genre-defying sound and magnetic live energy, the Dutch duo delivers a boundary-pushing performance that fuses live instrumentation with cutting-edge club technology. Special Event September 29, 2025 Sara Landry brings her acclaimed ETERNALISM show to [UNVRS] for one night only. Dubbed the High Priestess of Hard Techno, Landry delivers an intense, gothic-style performance, offering a dark sermon to close out the 2025 season. Ushuaïa Ibiza Ushuaïa Ibiza is the island’s most iconic open-air venue, merging music, spectacle, and high-end experience. Situated just steps from the beach in Playa d’en Bossa, it is famous for its poolside stage, pyrotechnics, and stadium-level performances. The venue hosts weekly residencies from dance music’s biggest stars, turning day parties into global events. From sunrise to sunset, Ushuaïa delivers a once-in-a-lifetime experience under the Ibiza sky. Monday June 9 – October 6, 2025 David Guetta returns with his legendary F*** Me I’m Famous! residency every Monday. The residency brings high-octane energy, stunning visuals, and massive surprise guests to an iconic Ibiza dance floor. Guetta blends commercial anthems with classic house flavors, drawing huge crowds under the Balearic sky week after week. Tuesday July 1 – August 26, 2025 Calvin Harris holds down Tuesdays with part one of his groundbreaking double residency. His shows mix festival-scale production with unforgettable dance-pop hits and deep house surprises. It’s the most in-demand midweek party for big-room fans and pop lovers alike. June 10, 2025 Myke Towers delivers a one-night-only performance showcasing his genre-blending Latin sound. Expect rapid-fire delivery and reggaeton rhythms that ignite the open-air stage. June 24, 2025 Ozuna brings the tropical fire to Ushuaïa for another exclusive appearance. The Puerto Rican superstar lights up the crowd with reggaeton, trap, and urban fusion energy. Wednesday May 14 – September 24, 2025 Tomorrowland presents Dimitri Vegas & Like Mike returns every Wednesday with 18 immersive shows. Their Reflection of Love theme transforms the venue with cinematic visuals, pyrotechnics, and global guest talent. Expect a full-throttle blend of big-room EDM, festival energy, and euphoric crowd moments. Thursday June 19 – September 25, 2025 Martin Garrix celebrates ten years of shows at Ushuaïa with a brand-new anniversary residency concept: X. The world’s number one DJ performs every Thursday, blending melodic builds, thunderous drops, and a lineup of friends and collaborators. His summer shows mark a milestone moment in Ushuaïa’s history. Friday May 30 – September 12, 2025 Calvin Harris doubles up with Friday slots, making Ibiza residency history with two days at the same venue. Fridays offer a deeper, bass-driven setlist and more dancefloor-focused sound compared to his Tuesday shows. This rare booking confirms his place at the top of global nightlife. Saturday May 3 – October 4, 2025 ANTS METALWORKS takes over Saturdays with an industrial aesthetic, forward-thinking sound, and mind-bending visuals. Featuring artists like Andrea Oliva, Boris Brejcha, and John Summit, the residency blends house, techno, and rave culture. Expect high energy, all-day dancing, and an Ibiza residency enveloped in some of the most creative parties. Sunday June 8 – July 6 & September 7 – September 28, 2025 Armin van Buuren returns for a 9-date residency that spans the start and end of the season. His Sundays deliver trance euphoria with soaring vocals, big-room builds, and intimate emotion—perfect for fans of melodic power and stadium-sized sound. July 20 – August 31, 2025 Kygo brings his tropical house sound to the island with a summer residency that feels like sunshine in sonic form. From piano-led melodies to breezy anthems, his Sunday shows offer a relaxed but unforgettable end to the week. Pacha Ibiza A symbol of Ibiza’s dance music legacy, Pacha Ibiza has been defining the island’s sound and spirit since 1973. Known for its cherry logo and glamorous aesthetic, the club combines luxury with cutting-edge music programming. From house to techno, it hosts the world’s most respected artists in an intimate yet electric environment. Every night at Pacha is a celebration of creativity, freedom, and connection. Monday June 16 – October 6, 2025 Sonny Fodera launches his debut 17-week Ibiza residency every Monday, bringing his signature sound and infectious energy to the Pacha main floor. The BRIT-nominated, platinum-selling artist headlines alongside a sharp rotation of top-tier talent and rising names. Guests include Kerri Chandler, A-Trak, Elderbrook, D.O.D, Jayda G, Armand Van Helden, Jazzy, and MK. Danny Howard appears regularly to complete a three-act lineup rooted in feel-good house and club anthems. Tuesday May 20 – October 7, 2025 CamelPhat return to Ibiza for a third consecutive residency every Tuesday, inviting a rotating cast of deep, melodic, and emotionally-driven house selectors. This season features Âme, Adam Ten, Dennis Ferrer, Gordo, Hot Since 82, Innellea, Jan Blomqvist, Kölsch, Pete Tong, and Shimza. B2B moments come courtesy of pairings like Kölsch B2B Ida Engberg and Massano B2B Chris Avantgarde. From the emotive to the hypnotic, CamelPhat curate a sonic journey rooted in raw, club-tested creativity. The pair’s classics Cola and Panic Room return with fresh, reimagined twists. Wednesday May 21 – July 30, 2025 BLOND:ISH makes history at Pacha Ibiza as the one of the first female headliners holding a residency. She leads the Abracadabra series every Wednesday until July’s end. Her guest curation includes Marco Carola, Diplo, Vintage Culture, WhoMadeWho, Franky Rizardo, and SG Lewis B2B LP Giobbi. Each week blends BLOND:ISH’s mindful energy with bold underground programming. Appearances from Notre Dame B2B Apache, Ben Sterling, and Maz inject variety. Expect a psychedelic playground built on groove, intention, and freedom. August 6 – October 8, 2025 Mau P steps in with Baddest Behaviour for the second half of the season. The Amsterdam star who exploded with Drugs from Amsterdam delivers high-impact, club-focused sets each Wednesday. From edgy basslines to tech-house artillery, Mau P keeps the tempo high and the vibe dialed in. Each week celebrates his unmistakable energy and evolving dancefloor dominance. Thursday May 8 – October 2, 2025 Defected once again brings its powerhouse house music brand to Thursdays, championing legacy acts and the next wave of talent. Highlights include Gorgon City, Dennis Ferrer, DJ EZ, Solardo, Eats Everything, Low Steppa, Groove Armada, and The Blessed Madonna. Rising names like Cinthie, Monki, Arielle Free, and Rio Tashan round out an eclectic weekly billing. Defected’s dedication to classic grooves and label-family energy makes it a Thursday cornerstone for house lovers worldwide. Friday May 16 – October 10, 2025 Marco Carola returns with his Music On residency every Friday. A master of marathon sets and minimal-tech expression, Carola anchors each lineup with underground finesse. Weekly guests include Solomun, Black Coffee, Jamie Jones, Luciano, Loco Dice, The Martinez Brothers, and Dennis Cruz. Watch for explosive B2Bs with artists like Franky Rizardo, Cloonee, and Davide Squillace. Carola’s residency is defined by its extended journeys, gritty grooves, and in-the-know crowds chasing Ibiza’s deepest Friday night. Saturday May 10 – May 31 & September 6 – September 27, 2025 Robin Schulz headlines Pure Pacha Saturdays during the island’s shoulder months, bringing his radio-friendly house and uplifting energy to the floor. Supporting artists include Oliver Heldens, NERVO, Sunnery James & Ryan Marciano, Jodie Harsh, Topic, and Alec Monopoly. With VIP sparkle and energetic programming, these Saturdays deliver stylish escapism and big hooks with Balearic glamour. June 7 – August 30 & October 4, 2025 Flower Power returns with Bora Uzer at the helm, fusing retro spirit with next-gen soul. Each Saturday, the multi-instrumentalist performs live alongside disco and house heavyweights. Guests include Boy George, Roger Sanchez, Masters At Work, Purple Disco Machine, and Sophie Ellis-Bextor. Additional highlights feature Kings of House, Flight Facilities, and The Ritual (Louie Vega + Anané). Sam Oui and Fabrice open each night, building slow-burning magic before the stars take over. Sunday June 8 – October 5, 2025 Solomun returns with his famed Solomun +1 Sunday residency, inviting one guest each week for solo sets and epic B2Bs. This year’s lineup includes Four Tet, Peggy Gou, Jamie xx, Steve Angello, Marco Carola, Caribou, and Chloé Caillet. Expect special all-night sets and unmissable collaborative moments. Every Sunday channels timeless deep house, emotional resonance, and immersive sound journeys inside one of the most intimate rooms on the island. Angel Linde supports throughout the season, setting the mood each week. Amnesia Ibiza Amnesia Ibiza is one of the island’s most legendary clubs, celebrated for its heritage and multi-room layout. With the iconic Terrace and cavernous Main Room, it’s a home for both euphoric house and pounding techno. The venue hosts world-renowned brands like Pyramid and RESISTANCE, each delivering unforgettable nights. Amnesia is where dancefloor history is written, one sunrise at a time. Wednesday July 23 – September 17, 2025 RESISTANCE reignites Wednesdays at Amnesia with a 9-week season of global techno excellence and rare B2B moments. Adam Beyer and ARTBAT lead as season residents, joined by Hardwell, Maceo Plex, Vintage Culture, and Ilario Alicante. B2B spectacles include ARTBAT B2B Hardwell, Adam Beyer B2B Mau P, and ARTBAT B2B Gordo. Further sets from Nicole Moudaber, Massano, Korolova, Joris Voorn, and Kölsch push sonic boundaries. Each night is an audiovisual masterclass with elite production and unmatched energy. Saturday May 10, 2025 Amnesia Opening Party launches the summer with a colossal 14-hour marathon across the Terrace and Main Room. Adam Beyer, Marco Faraone, Patrick Mason, Alan Fitzpatrick, Reinier Zonneveld (live), and I Hate Models deliver high-voltage techno. House comes via Luciano B2B Dennis Cruz, Seth Troxler, Vintage Culture, Josh Baker, and Honeyluv B2B Mar-T. Expect immersive soundscapes, cutting-edge visuals, and the unmistakable energy of Ibiza’s most explosive opening night. Sunday June 8 – October 5, 2025 Pyramid takes over every Sunday, blending iconic names with future stars across 18 weeks of deep, genre-spanning programming. Lineups include Bicep, Amelie Lens, Nina Kraviz, Richie Hawtin, Cera Khin, and DJ Tennis. Rising talents like Ki/Ki, 999999999, Azyr, Clara Cuvé, and Josh Baker B2B Rossi. bring fire to the Terrace and Main Room. With moody lighting and immersive production, Pyramid promises Sunday raving at its purest form. May 18, 2025 Cocoon returns for a one-night-only celebration of the party’s legacy and its iconic role in Amnesia history. Expect classic techno with modern force led by key tastemakers. This revival night honors the past while embracing the sound of tomorrow. Don’t Miss Out Throughout the season, Do Not Sleep, Amnesia Presents, and Eastenderz will host select takeovers. These labels bring eclectic house, minimal, and techno into focused one-offs and curated showcases. Full lineups and dates will be revealed closer to summer, but expect club-focused programming that respects underground roots. Destino Five Ibiza Perched on the cliffs of Cap Martinet, Destino Five Ibiza blends a five-star resort with a stunning open-air music venue. Operated by The Pacha Group, it hosts exclusive events by day and into sunset, offering panoramic views over Ibiza Town. The venue has undergone a major transformation, with new sustainability standards and upgraded luxury. With its sleek redesign and powerful sound, Destino now sets the bar for upscale partying on the island. Thursday June 19 – September 4, 2025 Marco Carola takes residency on Thursdays at Destino Five Ibiza under the Pacha ICONS series. His Music On residency returns with ten high-energy open-air shows, beginning with the Grand Opening on June 19 alongside CamelPhat and Da Vid. From June 26 to September 4, Carola commands the stage solo each week, bringing his signature minimal and tech-house sound to the Cap Martinet cliffs. The residency continues to be one of the island’s most in-demand Thursday events, drawing fans of deep grooves and marathon sets in an intimate open-air setting. Cova Santa Ibiza Tucked into Ibiza’s hills near San José, Cova Santa Ibiza is a unique venue carved from a natural cave. It’s known for combining live performances, immersive art, and deep electronic sounds in an open-air amphitheatre. Home to residencies like WooMooN, Storytellers, and Namaste, it offers a mystical, earthy vibe unlike any other club on the island. At Cova Santa, every event is a spiritual experience woven into nature. May 2025 May 16 opens the WooMooN season with an eclectic mix featuring Satori, Notre Dame, Chambord, Meera, Bohem, and Tanika. On May 23, Bora Uzer leads the lineup alongside Valentin Huedo, Fiona Kraft, Omer Tayar, and Cris 44. Closing out the month on May 30, the stage welcomes Laolu, Parra for Cuva (Live), Nandu, Argia, Landikhan, and Bohem. June 2025 June 6 blends cinematic energy with sets from Viken Arman, Avangart Tabldot, Acid Trainer, Cris 44, and Medusa Odyssey. Then on June 13 set sights on Jan Blomqvist joined by Deer Jade, Mimi x Fy, Julia Sandstorm, and Izhy. On June 20, Rampue (Live) takes center stage with Fiona Kraft, Hardt Antoine, Sinego, Izhy, and Sylvia Operé. Wrapping up the month on June 27, Ry X (DJ Set) leads a dreamy lineup with Unders, Nandu (Live), Socko (Live), and Isadora Mulvey (Live). July 2025 The month begins on July 4 with Viken Arman, Antdot, Argia, Share, and Audera. On July 11, Oliver Koletzki headlines with support from Chris Schwarzwälder, Landikhan, Igor Marijuan b2b Cris 44, and Bohem. July 18 delivers another standout night with Rampue (Live), Chambord, Share, Words of Nio, and Bohem. The highlight of July 25 sees techno pioneer Sven Väth joined by Deer Jade, Valentin Huedo, and Maurizio Schmitz. August 2025 August 1 keeps the groove flowing with Viken Arman, Hardt Antoine, Meera, Yet More, and Audera. On August 8, WooMooN welcomes Parallellé, Nandu, Jenia Tarsol, and Sinego. August 15 features Alex Wann, Laolu, Share, Igor Marijuan b2b Cris 44, and Andrea Vandall. August 22 brings back Oliver Koletzki, joined by Nenahalena, Fiona Kraft, Aigua, and Sylvia Operé. On August 29, Henrik Schwarz (Live) headlines with support from Awen, Elisa Elisa, Valentin Huedo, Landikhan, and Omer Tayar. September 2025 The first Friday, September 5, features Bora Uzer, Christian Löffler (Live), Julia Sandstorm, Baron, Izhy, and Panyer. On September 12, Bora Uzer returns with Unders, JAMIIE, Animal Trainer, and Cris 44. September 19 offers deep grooves from Bora Uzer, Laolu, Samm, Mona Pirzad, and Bohem. September 26 features Bora Uzer, Super Flu, Sam Shure, Izhy, and Sylvia Operé. October 2025 The Closing Party on October 3 marks the grand finale of the WooMooN season. The night features a powerful lineup of Oliver Koletzki, Deer Jade, Parra for Cuva (Live), Unders, Frida Darko, Cris 44, and Aigua, delivering a fully immersive send-off to an Ibiza magical residency. The post This Is The Complete Residency Guide To Ibiza 2025 appeared first on EDMNOMAD. View the full article

Eelke Kleijn finally releases Connected the album and documentary. It’s a lived-in, emotionally deliberate, multimedia unfolding of a life in music. With his fifth studio album and a companion documentary of the same name, Eelke Kleijn has pulled back the curtain—not just on the music, but on the mindset. He’s chosen vulnerability over virality, evolution over spectacle, and most of all, he’s chosen connection. The documentary premiered April 24 via Armada Music’s YouTube, tracing Eelke’s journey from early underground grooves to international recognition. But even with the accolades, this wasn’t a legacy play. It was a grounding act. “The hardest part was deciding exactly what moments you want to mention,” Eelke told EDMNOMAD in an exclusive interview. “There’s so much to talk about and always too little time.” That balance—between reflection and restraint—is what gives Connected and Eelke Kleijn its gravity. Whether it’s hearing him speak about his Moonpark debut in Buenos Aires, or watching longtime collaborators like Jeroen Fontein and Armada’s Maykel Piron reflect on shared milestones, the documentary isn’t promotional. It’s personal. “Moonpark was really important,” Eelke said. “That show in 2008 kickstarted my career in Latin America. I’ve been visiting Argentina every year since.” And what moved him most about the film? “For me personally the best part is watching people like Jeroen and Maykel and their view on our shared history.” That’s not a technical reflection—it’s emotional. The emotion flowing through Eelke Kleijn powers Connected on every level. The story begins on screen, but it finishes in headphones. The Invisible Intermediary: Studio Isolation to Dance Floor Connection For Eelke Kleijn, Connected is more than a title, it’s a worldview. “It’s the link between the audience and myself,” he said plainly. “On the dance floor it’s a very obvious one. But in the studio, it’s trickier. You’re by yourself writing songs and there’s nobody else around to listen.” That gap—between inspiration and reception—is the “invisible intermediary” he builds his records around. And on Connected, that bridge is longer, deeper, and more nuanced than ever before. This isn’t music chasing algorithms or festival circuit fuel. It’s more internal, almost spiritual. Eelke admits the process takes time. “I’ve been listening to all the music on repeat for a year already,” he smiled. “Times like this, when you release an album to the world, are especially precious.” Eelke builds albums as you’d build a novel—with structure, tension, and memory; and that’s what gives Connected its depth. It isn’t just cohesive—it’s intimate. The title isn’t symbolic. It’s architectural. Every element builds toward a feeling of unity, not just between artist and fan, but between versions of the artist himself. That split identity—DJ versus composer, performer versus producer—has always defined Eelke’s duality. But this time, one clearly leads. “My production side always leads,” he admitted. “I like to create albums that are fun to listen to. I can let go of the dance floor for a bit and just think about writing the best possible song.” There’s a quiet confidence in that statement. He’s no longer trying to prove anything. He’s simply trying to speak. Eelke Kleijn Between Indie and Clubland: A Connected Sound Refusing to Choose One of the most remarkable things about Connected is that it doesn’t beg for classification. It moves with the patience of indie rock, but the heartbeat of house. “This album was influenced mostly by ‘non-dance’ music,” Eelke said. “Bands like Editors, Depeche Mode, older stuff like Fleetwood Mac.” That context reveals a lot. Where earlier records leaned on tight grooves and progressive arcs, Connected pulls from songwriting and soul. The songs don’t just rise—they evolve. They don’t crash into drops—they unfold like emotional reckonings. “I start out crafting a few ideas and over the course of a few years it flows into an album,” he explained. It’s a process built on discipline, not deadlines. And when we asked how he knows when a record is ready, he didn’t hesitate. “In the end I am my most critical fan,” he said. “I need to like it first. If everybody else likes it too, I’ve done something right.” He also admits the record’s evolving tone comes from outside the club. “Maybe that’s why it has a bit of an indie feel to it at times,” he reflected. That feeling is strongest in “The Way I Feel.” “It has a groove rooted in my progressive roots,” he noted. “But the vocals and songwriting give it more of an indie feel.” Another standout is “Lost In The Deep,” the album’s seventh single, released on April 4. Featuring Josha Daniel, who previously collaborated with Armin van Buuren, the track unpacks emotional drift—the slow unraveling between people who once shared everything. It doesn’t explode. It breathes. And it sets the emotional tone for the full record. This isn’t a record that rushes to the hook. It is the hook. Eelke Doesn’t Want Spectacle. He Wants Longevity. Connected hits differently because it refuses to chase intensity. It opts for detail instead. And in doing so, it creates space—the kind of space listeners need to reflect, not just react. While some artists bolt LED walls onto their albums, Eelke remains refreshingly minimalist. Don’t expect a live visual tour. “I don’t think I’ll ever do a live visual experience,” he said. “It distracts from the one thing that it’s all about. Music.” This conviction guides everything he does. He’s not afraid to be slow. He’s afraid to be empty. So he waits. Refines. Let time decide what deserves attention. And somehow, that restraint makes Connected feel urgent. Not loud. Not fast. But needed. It also speaks to where he is in his life. After nearly twenty years in the scene, he’s no longer operating on adrenaline. He’s operating on legacy. “It definitely gets harder to create something people haven’t heard,” he said. “But it’s all about challenging myself. In every track I try something I have not done before.” That pursuit of personal challenge comes at a cost. Fewer releases. Longer timelines. More self-doubt. But it also produces albums like Connected—records that grow with you, not just impress you. And now that fans have both the documentary and the album in hand, what does he hope they walk away with? “With all my albums I’m trying to create a sense of timelessness,” he said. “I’d like people to listen to it today, but also twenty years from now.” If there’s any justice, they will. Because Connected isn’t trying to win a news cycle. It’s trying to survive a lifetime. And based on the strength of its vision—it just might. Stream Connected, a journey crafted by Eelke Kleijn here. The post Exclusive: “I Don’t Release as Much Anymore”, Is Eelke Kleijn Slowing Down for Good After Connected? appeared first on EDMNOMAD. View the full article

Stirling, the impressive new talent from Canada makes a bold entrance onto the electronic music scene with his debut release ‘All That Really Matters.’ The rapidly rising Tech House DJ and producer is garnering a host of support from leading industry players and earmarked as an exciting name to watch this season. More than just a first outing, ‘All That Really Matters’ is a powerful statement of intent. Deep, rolling, and emotionally resonant, the track captures a raw club energy that highlights the Alleanza sound. With this release, Stirling joins Alleanza’s growing roster, embodying the label’s commitment to both seasoned artists and emerging talent. his debut sets a strong precedent and marks the start of an exciting journey ahead. Founded in 2011 by Jewel Kid, Allenza Recordings was relaunched last year. Universally known for its electronic-focused releases, primarily navigating from House through to Techno, the label has a substantial discography including a range of successful EPs and LP’s. Hosting a collection of artistic talent, from The Yellowheads to Enrico Sangiuliano, Loco & Jam, and Tom Hades, Allenza Recordings sets to welcome Stirling to their ever-growing family, further cementing their position as an imprint that nurtures the stars of tomorrow. Stirling is a London, Ontario-based artist and, through a sequence of recent events and signings that include Farris Wheel Recordings, he has become recognised for his high-energy sets and punctuated, powerful grooves that instantly ignite the dancefloor. Rooted in club culture from an early age, he translates his musical expression with raw emotion and electrifying rhythms built purposely to move the dancefloor. With a string of releases already lined up for 2025, he’s fast becoming a talent that is registering with international promoters and label heads alike. All That Really Matters is set to drop on all major streaming platforms on May 9th, solidifying Stirling’s and Allenza’s placement in the current electronic music scene. Stirling – All That Really Matters Released 09/05/25 Pre Save https://found.ee/ALN015 Find Out More & Follow Stirling Instagram | TikTok | Official Website ​​Alleanza Recordings Instagram | Beatport | Soundcloud The post Stirling Drops Debut Single ‘All That Really Matters’ On Alleanza appeared first on Electric Mode.

Déepalma Records is poised to make waves in the deep and organic house scene once again, this time with a dynamic collaboration between the legendary Sandy Rivera (Kings of Tomorrow), rising groove architects Aruhtra & Deeprule, and the deeply expressive vocal artistry of ANNABELLA. Their latest release, ‘My Rose’, lands on April 25, 2025, serving up two compelling versions, each offering its own unique sonic journey. The Original Mix leads the charge—a pulsating, tribal-infused production designed to move dancefloors deep into the night. Fueled by kinetic lead synths, atmospheric piano chord swells, and ANNABELLA’s captivating vocal work, this version delivers a driving, emotive energy that seamlessly bridges underground sophistication with main-stage appeal. For those craving a deeper groove, the Deep Mix steps in with a sultry, hypnotic approach. Rooted in a headier bassline and a steady cowbell groove, this mix takes a smoother route—its lush piano chords and ANNABELLA’s ethereal vocals wrapping around listeners like a warm embrace, making it an essential selection for intimate late-night sessions. With its spellbinding blend of deep organic elements, ‘My Rose’ stands as a testament to Déepalma’s continued curation of world-class electronic music. The anticipation begins early, with the radio version of the Original Mix dropping on April 18 across all streaming platforms—an early taste of what promises to be one of the essential releases of the season. Stay tuned. Let ‘My Rose’ bloom. Stream here: https://deepalma.com/2025/04/18/my-rose-feat-annabella/ The post Déepalma Records Unveils ‘My Rose’ by Sandy Rivera, Aruhtra, Deeprule & ANNABELLA – A Deep House Gem in Bloom appeared first on EDMNOMAD. View the full article

1. Hey MARQUS and SNAJDER! Glad to have you here to talk with you about your latest release ‘UNBREAKABLE’. SNAJDER: Super excited to be here! We’ve poured a lot of emotion and energy into this track, and it’s always meaningful to get to talk about that process. MARQUS: Thanks a lot for having us! It’s always a pleasure to talk about the music we care about — and UNBREAKABLE is definitely one of those tracks. 2. Can you please tell us more details about ‘UNBREAKABLE’? How did it come to life and how did you meet each other? SNAJDER: ‘UNBREAKABLE’ is a really personal track for me. It was born out of a tough period in my life — I was and still am battling cancer, and music became my therapy, my escape, and my strength. I wanted to create something that captured that fight, that resilience — not just for me, but for anyone going through something heavy. That’s where the core message of being unbreakable comes from. It’s about rising, even when everything is pushing you down. I met Marqus through the music scene — we connected instantly, both musically and personally. There was real chemistry in the studio from day one. MARQUS: We met online back in early 2024, I believe through mutual friends on Facebook. One of us added the other — I can’t quite remember who — but what I do remember is how quickly we clicked musically. We shared a very similar vibe when it comes to EDM, especially the melodic but high-energy sound. UNBREAKABLE is our latest Future Rave-inspired release, with an emotional vocal, uplifting energy, and a powerful drop. We wanted to make something that hits both the heart and the dancefloor. 3. What sets ‘UNBREAKABLE’ apart from your previous work, and why should listeners tune in? MARQUS: UNBREAKABLE captures something very honest and euphoric — it’s emotional and melodic, but still has that festival edge. For me, it represents everything I love about Future Rave: the tension, the atmosphere, the lift. It also shows how our collaboration has evolved — it sounds more mature, more focused, and more impactful. SNAJDER: What sets ‘UNBREAKABLE’ apart from my previous work is how raw and real it is. This isn’t just a track you vibe to. It’s more than just a dance track; it’s an anthem of survival, strength, and self-belief. Compared to my earlier releases, which leaned more into feel-good energy or club vibes, UNBREAKABLE has a deeper emotional layer. You’ll feel it in your chest — but there’s also this vulnerability that I haven’t explored this openly before. 4. How would you describe your sound? MARQUS: I’d say my sound is a blend of Future Rave, Progressive House, and melodic big room energy. It’s dark, emotional, and euphoric — I love creating tracks that build tension and then explode with feeling. SNAJDER: I’d describe our sound as emotional, energetic, and empowering — a blend of melodic electronic music with powerful drops and honest storytelling. It’s where vulnerability meets intensity. My influences come from both the underground and the mainstream, mixing deep feelings with festival-level energy. 5. Who is MARQUS and SNAJDER and why music? At what age did you each get into music and how? MARQUS: My journey started in 3rd grade singing in a choir, but I dropped that pretty quickly for skateboarding. When I was around 12, I discovered electronic music — my first CD was Trance Energy 2002, and I used to make mixtapes with a dual CD/tape deck. That passion grew fast. By 13, I was producing music in Reason 2.5 and later moved to Cubase, which I still use today. SNAJDER: I started messing around with DJ gear when I was about 12, but it wasn’t until my teenage years that I really dove in. It was never just about the beats; it was about expressing what I couldn’t say out loud. Production came later in life, and that’s when the mission changed — I wasn’t just making tracks, I was building anthems for people who feel everything deeply and fight silently. 6. Do you remember the name of the first song that made you love electronic music? SNAJDER: It was the album Daft Punk – Homework that got me inspired to electronic music. MARQUS: Absolutely — Warp Brothers – Blast The Speakers. That track was on Trance Energy 2002 and it completely changed the way I heard music. I was hooked instantly. 7. Who or what has been your biggest inspiration throughout your music journey? SNAJDER: When it comes to music production, my biggest inspiration has always been Swedish House Mafia. Their ability to make music that feels both intimate and made for huge crowds is something I’ve carried with me ever since. MARQUS: Artists like Swedish House Mafia, Avicii, Axwell, Angello, Ingrosso, Martin Garrix, and Deadmau5 have played a massive role in shaping my sound and vision. They showed me that electronic music can be both powerful and deeply emotional. 8. What’s the one activity you love doing in your free time when not making music? MARQUS: I really enjoy slowing down when I’m off the grid — spending time with my girlfriend, relaxing with our cats, going for walks in nature, and just letting my mind wander. SNAJDER: When I’m not making music, one of my favorite things is playing padel. I also love spending time with friends and family, and I’m a huge Formula 1 fan — the speed, the strategy, and the adrenaline really speak to me. 9. Can you tell us more about your dream and future collaboration and what do you hope to achieve in the next 5 years in your professional career? SNAJDER: One of my biggest dreams is to collaborate with artists who’ve shaped the sound and energy I’ve always looked up to. I want to play on major festival stages around the world, and launch more collaborations with both established and rising talent. MARQUS: I’d love to collaborate with someone like Axwell or Martin Garrix someday — people who really understand the melodic power of EDM. In five years, I hope MARQUS is on main stages at festivals like Ultra or Tomorrowland. 10. This is all for now. Thank you for your time answering our questions. Where can our community find out more about your music and your future releases? SNAJDER: You can find me on Instagram at @snajderofficial and all streaming platforms under SNAJDER. Thanks again for the opportunity and the great questions! MARQUS: Thank you so much for having us! You can find me on Instagram at @marqusofficial, and my music is out everywhere under MARQUS. We also have another collaboration coming this summer — so keep an eye out for that! Stream the song – https://open.spotify.com/track/3lhmrAVscjs6MqKFTZOISL?si=e522dc6fa2164f71 The post MARQUS and SNAJDER Share the Story of ‘UNBREAKABLE’ and More appeared first on EDMNOMAD. View the full article

After months of anticipation, BIIA finally unveils her long-awaited track Angelo, a seismic release that has been stirring dancefloors ever since its electrifying debut at her now-iconic Boiler Room set for Teletech Festival. Among the most requested IDs from her set, Angelo has already built a cult following—now, fans can finally immerse themselves in its full glory. A rising force in the electronic music scene, BIIA has quickly established herself as a trailblazer, blending raw energy with emotional depth. Known for her intense, high-octane performances and genre-defying productions, she has become a key figure in the new wave of hard techno. Her ability to merge hypnotic melodies with relentless percussion sets her apart, making her one of the most exciting artists to watch. A deeply personal statement, Angelo is more than just a track—it’s an odyssey into BIIA’s mind, her roots, and the fantasies that shape her artistic vision. Infusing hard-hitting big room energy with introspective lyricism, she crafts an experience that speaks directly to an entire generation. Ethereal yet relentless, the track’s soaring synths blend seamlessly with punishing schranz-inspired percussion, creating a euphoric yet high-impact anthem destined to ignite dancefloors worldwide. Marking a pivotal moment in her artistic journey, Angelo signals the beginning of a new era for BIIA. With a sound that bridges the past from the new, this release cements her as a defining force in the electronic music landscape. Spotify I Instagram I Soundcloud BUY / STREAM: BIIA – ‘ANGELO’ HERE The post BIIA Releases ‘Angelo,’ the Emotionally Charged Lead Single from Her Upcoming EP appeared first on Electric Mode.

Unstoppable powerhouse vocalist and producer Charlotte Plank is currently seeing her latest vision ClubLiminal come to life, infusing classic jungle, experimental indie pop and dance, carving out a sound that’s not only authentic but deeply relatable. From reworking her high energy tracks into lush stripped back acoustic gems to recording new mashups, Charlotte couldn’t be busier ahead of her country wide ClubLiminal tour. Perpetually on the brink of something big and new, we caught up with Ms Plank to chat about everything from her songwriting process to the evolution of her sound since those early collaborations with Rudimental and Notion, and what it’s like navigating what’s shaping up to be a truly unforgettable summer of 2025. What have you been getting up to today? I just got back from recording some stripped back versions of a few of the tracks from the EP— ‘chemical fashion’ and a few others. That’s exciting! We just heard your stripped back version of Notion on TikTok—it was stunning... Yeah, I just wanted to do a little mashup. I did one earlier this year, like a Kid LAROI/Everlong mashup—just combining songs you wouldn’t expect to go together. Obviously, that NOTION track is blowing up right now, and I’m a big fan of his. I work with him quite a lot, and he’s just a great guy. Clams Casino and Imogen Heap have been big influences, so I wanted to blend something classic with something new. I also recorded a stripped-back version of chemical fashion and a stripped-down version of Temporary Friends. That one was actually just a song I originally wrote to piano, and then he took it, chopped it up, and turned it into this bass-heavy track. I think it’ll be cool for people to hear the original version of that, along with Little Miss Sunshine, which is coming on the EP. I’m really excited for everyone to hear these! The chemical fashion stripped back version should be fun… I’m excited to have that out. That release, in general, has been a good step for the rest of the project. It’s got all my classic sounds, but with something new—some fresh bits in there as well, foreshadowing what’s coming next in the first year. Love that track. It makes you feel nostalgic, but for the present moment… Exactly, that’s really my sound. It’s nostalgic, which comes from my influences, but there’s also this feeling of nostalgia in the melodies and sounds I use. At the same time, it has a fresh, unique twist. Could you share more about the classic sample in “Nightshift”? It really captures that perfect jungle vibe. I’ve always been unsure about using samples, as I feel like it’s done so much in dance music and, in a way, that doesn’t always represent the original well. However, I think it’s important to pay homage to rave classics that inspired me and that I grew up listening to—and if done in a tasteful way, it’s great to serve a classic up to new generations who may have never heard the original! This tune has always been a favorite of mine growing up. It’s from the album Goodbye Country (Hello Nightclub), which basically sums up my teens. It’s such a sick, seamless blend of genres, mixing house with dancehall/reggae, dub, bassline… which Groove Armada do so well. Similarly to how I like to fuse contrasting genres in my own music. I’ve always wanted to sample the iconic bassline and really hone in on it, so doing a D&B flip on it only seemed to make sense. It was just for fun at first, but as soon as we started laying in my new verse, it felt special. We’d taken all the iconic elements of the original but served them up with all my Plankisms, while also leaning into some of MC M.A.D’s familiar melody. Having him redo his original rap on the tune and shout me out as well honestly sounded so surreal. No one else had done a D&B flip of the tune before, so we had to keep it tightly under wraps for months while I was dying to play it out in my sets. Very few artists get the approval of someone as big and iconic as Groove Armada, so I feel honored they trusted me to bring their classic back around in a new way for new generations! Classic jungle holds a special place for you—who are some of the key influences that shaped your sound in this genre? Classic jungle has heavily inspired my music from the start. I think initially because, when I was young, I sang a lot of soul, RnB, indie music—many different genres—and jungle has always sampled and lent itself so well to blending with other genres so seamlessly. I’ve been inspired by the likes of LTJ Bukem, especially the way he blends ambient jazz, strings, and breaks so beautifully. His Producer 01 album has heavily influenced tracks like stargirl and ellen. The likes of Goldie and Shy FX have also heavily influenced elements of my sound. Along with Calibre, who mixes ambient, jazz, soul, breaks, and dub so well, his work really influenced little miss sunshine. Can you walk us through your songwriting process? Do you usually start with the lyrics or the melodies? How does it typically go? It really varies. I’ve got this sort of Bible on my phone—it’s just my notes app, but you wouldn’t want to read it. It’s basically a stream of consciousness where I jot down random thoughts at any time of day—song inspirations, lyrics, or even just single words. There’s all sorts in there, from song titles to fragmented ideas. Usually, I either go in thinking, I need to talk about this, I need to write about this, or I’ll scroll through my little songwriting Bible for inspiration. But I’m generally more of a melody-first person as well. So either I’ll lay down a chord structure or record random melodies as voice notes. I use my voice notes kind of like my notes app—I’ll just record ideas whenever they come to me. It always seems to happen when I’m in the car, when I can’t actually use my phone, and I’m like, I’ve got this idea! I’ve got this idea! I try to capture it in the moment, but then later, I go back and think, Wait, what was that idea I was trying to find? I feel like most writers are the same—there’s no strict process. Usually, the most chaotic situations lead to the best stuff. I love that. So I’d say your lyrics definitely come from a personal place? Yeah, 100%. I love writing for others, and I really enjoy that process, but I find it hard to write about purely hypothetical situations. I feel like that happens a lot in dance music—like, imagine you’re going out and feeling this or that. Each to their own, but for me, it’s difficult to write about things that haven’t happened or aren’t happening around me. My lyrics usually come from personal stories, things my friends are going through, or just observations about the world around me. I was saying the other day that I like to imagine my music as a soundtrack to my life—almost like romanticizing everything, as if I’m in some kind of modern-day fairy tale. That’s how I try to shape my sound—something cinematic, coming-of-age. A lot of people can relate to it because it’s about growing up, finding yourself, and navigating the weird and wonderful parts of that journey. Yeah, it definitely comes across in both the music and the videos… Thank you! I’m excited to explore visuals even more and really dive into that world because it’s such a big part of my overall vision. For me, the music and visuals go hand in hand, and it’s a great way to showcase more of my personality. I think visuals add so much more character to a song. It’s easy to just drop a track and be like, Here it is, but being able to tell a story through the visuals as well makes it so much more impactful. “ellen” carries a lot of emotional depth—was it inspired by a particular person? The rolling breaks give it such an uplifting, hopeful energy. “‘ellen’ is written about a time in my life when I had lost faith in music (with it being such a heavenly but hellish place at times) and myself. I was working two jobs, trying to figure out a way to make music work while being on a bit of a path of self-destruction and feeling lost about who I was. ‘ellen’ is my middle name, signifying the girl in between—’she’s caught in the in-between of who she is and who she wants to be’ (lyrics). She’s the girl behind the Charlotte Plank that all my friends, family, and fans knew. I had so much bubbling under the surface and more to give than my jobs in customer service, but I was scared to try. I thought, at the age of 20 when I wrote this, if I could just hold on, battle the demons, and ‘make it’ by 27, like some of my idols—Amy Winehouse, Kurt Cobain—who sadly had their careers and lives cut short at that age, I’d be okay. Hence the lyrics, ‘ellen, if you can make it past 27, this moment won’t last forever.’ So everything I do and have done is for ellen, the girl in between who I was and who I want to be. Do you have any dream collaborations—whether with producers or vocalists—you’d love to work with? Ooh, yeah, so many! Obviously, the classics—Clams Casino, Frank Ocean, Aphex Twin—they’re my absolute favorites. I’d love to work with them in some capacity, even if it’s just adding a little harmony to something. Beyond that, I just love the whole process of collaborating. Working with other writers, experimenting with different electronic producers—I think that’s really exciting. I produce all my own stuff, but collaborating with others and bringing in new perspectives is always fun. What can we expect for the rest of the year? Yeah, so the next EP is dropping soon, which I’m super excited about! There’s more music on the way—this year is really all about getting more music out. Plus, more live shows and hopefully some touring. Just continuing to build and grow. I wanted to ask you, ClubLiminal is going to be a huge tour for you, but so far, what has been your most memorable performance? If you could pick just one… Just one? Oh, sorry. Well, the last tour was amazing. It was great to go from doing shows with my DJ, which I love, but I’ve always dreamed of performing with a band. The last show of my headline tour in London with the band was probably one of my favourites ever. It just brought all the songs to life in a way I’d imagined when I was younger. I’d seen bands like The Prodigy and Pendulum perform live, and seeing that kind of dance music played live with a band—it was just something I’d always been inspired by. I remember watching videos of Goldie performing live, jumping around the stage with two drummers, looking like he was having the best time. That show in London was definitely a highlight. Alongside that, playing Glastonbury this summer was also incredible. It felt like a full-circle moment for me—being able to go back there after attending as a kid and now performing on those stages. It was quite surreal. Yeah, I was dying. I’m sure you’re facing a lot of attention right now. I’d love to hear your thoughts on being Brit-nominated, the pressure that might come with that, and how you’re managing with all the spotlight? Yeah, again, that was a really surreal moment. I’ve only been doing music full-time for the last two years, so to be Brit-nominated that soon was like, wow. I remember watching the Brits during lockdown and telling myself, Okay, I’ll give myself five years. I’ll be there in five years. I’m going to make it happen. So to be nominated that quickly was a huge moment—very surreal. There is definitely pressure, like wanting to keep up the momentum and thinking, Okay, I want to come back next year as Best New Artist or have one of my solo songs nominated. But I think it’s healthy pressure. It pushes me to keep moving forward. I work best under pressure—if I don’t have a goal to work toward, I don’t function as well. It’s about having a deadline and a target to hit. I guess it’s just how I’ve always worked and how I got out of the supermarket and into music full-time. It’s important to set goals, and yeah, I’m hoping to come back next year and, who knows, win Best New Artist or have one of my own tracks nominated. I find it inspiring to see other females stepping up, like Charli XCX and Lola Young —big inspirations. It’s great to see all the amazing women in music this year. Speaking of things happening naturally, do you have any pre-show rituals? Anything you do to bring good vibes or positive energy before you go on stage? I might drink a glass of wine, though that can go one way or the other. Sometimes I feel like I need it—it puts me in a good space for the show and helps me enjoy it. Other times, it makes me even more nervous. White wine definitely makes me more anxious, and I tend to go over my setlist one last time. I always make last-minute changes, even though my boyfriend and my DJ always ask, Why are you changing it five minutes before the set? I don’t know, I just feel like I need to. Maybe it’s a mental thing, like I think the set won’t be better than the others unless I tweak it slightly, making it a bit different. I think it’s my way of convincing myself that this set will be different and better than any other, which makes it feel special. It’s a little subconscious thing, but I always do it. I don’t know if that counts as a ritual, but it’s definitely part of my pre-show process. I also end up mulling over the same three items of clothing, trying to decide what to wear! That’s good, though, to feel it out and make adjustments. I think you’re doing the right thing as an artist, following your intuition. Yeah, I think as artists, you don’t get bored, but you can get tired of doing the same songs. Your biggest fear is that the crowd might find it boring, even though they’ve never heard it before. You just want to make it extra special for everyone, or play new stuff that no one’s heard yet. I’m always bad at that. I’ll make something in the studio, and the next day I’m like, I want to play this! I need to get it out! My attention span is just crazy short. But I think it’s healthy because I love testing stuff out early and getting feedback on it. For example, with my song Rage, I hadn’t even shown my team yet, but I played it at a gig in Sheffield. It was a late slot, so I knew I had to go heavier than usual. I threw it in the set—it wasn’t even mixed yet—and it went off. People were recording videos, and my team messaged me like, What was that song? Why haven’t we heard it yet? And that ended up being my next release. So yeah, I guess that’s part of the process—making last-minute changes to the set. Where do you want to see it go from here? Yeah, I mean, to the public, it might look like I’m evolving, but to me, it just feels like a natural progression. I’ve always been open about drawing inspiration from so many different genres—dance, indie, alt-pop. Even with my first song, Hate Me, I think I described it as if Nirvana, Aphex Twin, and PinkPantheress had a baby. It was a whole mix of influences, and I think that’s just continued to grow and evolve as I’ve become a better writer and been exposed to even more inspiration. Right now, I feel like the music I’m making is the most exciting and the most true to me. It was really nice to hear the other day on the radio—when chemical fashion was played, one of the DJs said, It really feels like Charlotte has been on a journey over the past couple of years, experimenting with sounds, and this feels like the most ‘Charlotte Plank’ song we’ve had yet. That meant a lot because there’s so much more where that came from. I actually feel like I’m a year ahead of my own project. I’ve already written a lot of music for the next year, and I’m kind of already in that next headspace. As I said, I wouldn’t call it impatience, but my attention span is short—I’m always onto the next thing. But I think that’s a good thing, to always be ahead, evolving, and growing. I’d hate to be stuck in one place or pigeonholed. One thing about me is that I’ve always been experimental—I want to be a pioneer of something new. I don’t want my music to just sound like something else. I want people to say, That sounds like Charlotte Plank. That’s what excites me—working with producers and hearing them say, I’ve never made anything like this before. That’s exactly what I want. So I’m just really excited for the world to hear more and make their own minds up about it. I think it’s some of the most exciting stuff I’ve made yet. If I had to put it into words, I’d say it’s indie-tinged dance music—somewhere between intimacy and chaos. It’s relatable, raw, and forward storytelling over a mix of indie, atmospheric, and chaotic dance sounds. Over the next few months, I’ll be exploring different tempos and sonic worlds, and I’m excited for people to step into my melantronic world. Yeah, it’s so good to be acknowledged for your sound like that. I heard the radio clip too, and that was a really special moment. Yeah, it was just, I don’t know—it felt like I had been working toward something for so long, and to finally be recognized for it, to see that people are witnessing the journey and taking it in, was really special. It was like, oh, okay, they see it. I think everyone is on their own little solo mission. We share so much with the world these days, but sometimes it feels like you’re constantly putting things out without knowing if people truly understand it. So when you get that kind of recognition, it’s like, oh, you get it. People are starting to get it. Because, yeah, I don’t want to be pigeonholed into one box—I think I would implode. Well we don’t want that!! Follow Charlotte Plank; Instagram | TikTok | YouTube

AVAION: Breaking Boundaries with ‘Wacuka’ and the 360° Experience In the ever-evolving world of electronic music, few artists have managed to create such a distinctive fusion of sounds as AVAION. His track “Wacuka,” featuring Kenyan artist Sofiya Nzau, has become a global sensation, catching the attention of industry giants like Calvin Harris while bridging cultural influences with electronic beats. In this exclusive interview, AVAION takes us behind the scenes of his creative process, discussing how the collaboration with Sofiya Nzau came together almost effortlessly, resulting in a sound that defies traditional genre classifications. He also reveals details about his ambitious “You Are Seen” tour featuring an innovative 360-degree setup that promises to deliver a more intimate and energetic experience for fans. Your track “Wacuka” has become a massive success. What was the collaborative process like working with Sofiya Nzau and the Kenyan influence she brought to the track, and how did you maintain your signature sound while exploring these new rhythmic elements? It was actually really easy. I was already familiar with her vocals from a previous song of hers. She had released some vocal packs online that many producers were using, and I had used them before because I’m a big fan of her voice and the Kenyan African vibe. Her management reached out to us, saying she had some material available, and she sent me the vocal take of ‘Wacuka.’ It was perfectly recorded in one take, everything sounded good, and I immediately knew I could work with it. I think the song was finished after just two days—everything flowed naturally. It’s a nice combination of her vocals and the emotions she puts into them, paired with the drop I created and the synthesizers that establish the overall vibe. It’s somewhere between Afro house and deep house, but also neither of those genres—it’s many styles combined. I think that’s what makes it something new and refreshing that people can connect with. You can feel melancholic listening to it, but you can also dance to it. And I appreciate the meaningful message of female empowerment that Sofiya brings to the track.” Artists like Calvin Harris reaching out personally about “Wacuka” must have been validating. Who did you look to for inspiration when you were starting out, and how has their influence shaped your sound? When I started out around 2012, one of my biggest influences was Tchami—he was like the godfather of deep house. He had these different sounds, and everything he did was unique—I just completely fell in love with it. These days, I really love The Blaze, Ben Böhmer, and Elderbrook. They’re all amazing artists. I think connecting with many different people and taking small inspirations from here and there to create your own thing is the whole point of being an artist. Your upcoming “You Are Seen” tour features a 360-degree live setup. What inspired this concept? I wanted to take a step up from the last tour. We have bigger venues now and a different concept with me in the middle of the space. There’s a platform with lights underneath that can flash, creating more of a visual light show. In the previous tour, we only had the venue’s lighting, but this time we have a specific concept behind it. Having me in the middle with people around me makes it more intimate. It’s going to be insane—still a live show with live vocals and the same setup, but with more energy, more intimacy, and a bigger, better, sweatier experience. You have a new track that just came out on Sony Music, ‘I Can’t Find You’. Can you share with us and the listeners the story behind the track? It’s a collaboration with Oscar Matt, a Swedish producer. It started when he released a TikTok with a musical idea he created. People in the comments were tagging me, saying ‘AVAION could fit on this.’ After seeing my name tagged about ten times, I decided to check it out and thought, ‘That’s actually really good.’ So I messaged him to send me the stems so we could make it into a complete song. It’s really nice how it all came together—he was just a guy uploading stuff on TikTok, people thought I would be a good fit, and now we have a song coming out. To check out the full interview head on over to the 10 Days in Dance podcast:

What could possibly be more exciting than a brand new track from Alison Goldfrapp? Perhaps the thrilling announcement of her upcoming album! For those who might have missed it, Alison Goldfrapp has just unveiled her latest single “Find Xanadu” on BBC Radio 2, alongside the exciting news that her new album “Flux” is set to drop on August 15th. I was genuinely thrilled for this new era to unfold. I remember Alison sharing online about her studio time with Stefan Storm from The Sound of Arrows. Instantly, my imagination ignited, envisioning the soundscapes their collaboration could create. Now, with the release of “Find Xanadu,” those dreams have transformed into reality. The moment the cosmic, widescreen synth-pop enveloped me, paired with Alison’s ethereal vocals, I felt myself lifted into a state of pure bliss. To make this collaboration even more extraordinary, Richard X is also on board for production, adding that perfect finishing touch. Presumably “Find Xanadu” sets the scene for the album, and in this instance, dreamy euphoria fills the air. Further hinting at the album, Alison explains… “Flux” is about feeling and embracing change, celebrating the wild and euphoric. I’d say this time, both musically and lyrically, the songs are more personal than “The Love Invention” as you might expect from me by now, they revel in fantasy and the natural world too”. Get ready for an unforgettable night! Alison Goldfrapp will be the opening act for Scissor Sisters on their exciting 25th anniversary UK and Ireland arena tour next month. Don’t miss the chance to see them live at The O2 in London. Secure your remaining tickets now! “Flux” arrives on August 15 via Alison’s own recently launched indie label, A.G. Records. Pre-order/pre-save here. Connect with Alison Goldfrapp Facebook: https://www.facebook.com/AlisonGoldfrappOfficial/ X: https://x.com/alisongoldfrapp Instagram: https://www.instagram.com/alison_goldfrapp/ The post Listen to “Find Xanadu” by Alison Goldfrapp appeared first on EQ Music Blog. View the full article

Sophie Ellis-Bextor is on an unstoppable roll, and that’s a certainty! As she gears up for her biggest UK and Ireland headline tour yet, she has just unveiled “Vertigo.” This is an exciting new track that serves as a tantalizing preview of her upcoming album. After the dazzling release of “Freedom of the Night” in late 2024, she initially rolled into 2025 at a measured pace. However, she’s now igniting the excitement as she approaches her tour, delivering two stunning tracks in less than a month. In her captivating recent release “Relentless Love,” Sophie Ellis-Bextor explores an exhilarating rush of emotions. She draws a powerful parallel between the intoxicating experience of falling in love and the thrill of an exhilarating ride. She masterfully revisits this theme in her latest track “Vertigo,” where she vividly portrays the profound effects of love. Both songs encapsulate the irresistible thrill of romance, highlighting how love can elevate our spirits and sweep us away on wild adventures. “You take me spinning in the highs, think you better know you give me vertigo. There’s no stopping, looking in your eyes”. she sings. It’s clear from the fresh material that Sophie is making a dazzling comeback to her iconic disco sound. The vibrant styling and infectious energy are paving the way for a scorching summer and an exhilarating experience when the album launches. Sophie is inviting everyone to lace up their dancing shoes, so get ready to dance like never before. There’s even more exciting Sophie Ellis-Bextor news! Series 15 of her acclaimed podcast, Spinning Plates, has officially launched, and Episode 150 is a must-listen. This installment features an engaging conversation with Olympic athlete and TV commentator Paula Radcliffe. And is perfectly timed to capture the post-London Marathon excitement! Don’t miss it! as Paula’s insights could be incredibly beneficial for Sophie’s fans. Her audiences will undoubtedly be put through their paces on this tour, indeed their own dancing marathon, bopping along. Connect with Sophie Ellis-Bextor Facebook: https://www.facebook.com/SophieEllisBextor/ X: https://x.com/sophieeb Instagram: https://www.instagram.com/sophieellisbextor/ The post Listen to “Vertigo” by Sophie Ellis-Bextor appeared first on EQ Music Blog. View the full article

A captivating alt-pop duo has caught my attention this week: the LA-based Haute & Freddy. They’ve skillfully generated excitement on TikTok, leading to sold-out shows in NYC, showcasing their distinctive theatrical charm. Their 18th-century-inspired aesthetic sets them apart visually, while their music transports listeners into a synth-pop dreamscape filled with infectious beats, ethereal vocals, and intriguing, esoteric themes. It’s no surprise that Haute & Freddy have made such a strong impression on me. I must confess when I first encountered this dynamic duo, I approached them with a certain level of skepticism. I felt it was essential to find concrete evidence that their musical talent measured up to the vibrant and eye-catching imagery they projected. This scrutiny seemed justifiable to me, especially in an era where viral sensations easily arise on platforms like TikTok. While capturing the momentary attention of audiences through catchy trends is one thing, maintaining relevance and demonstrating lasting artistry is an entirely different challenge. Haute & Freddy, with their distinctive styling that blends modern aesthetics with a nostalgic 80s vibe, truly carve out a unique niche for themselves in the music landscape. Their ability to combine flair with substance not only captivates but also invites deeper appreciation for their artistry. When delivering the latest track “Shy Girl,” the duo echoes the past, present and future of pop in one fell swoop. They share… “‘Shy Girl’ is a coming-out anthem in every sense – coming out of your shell, breaking free from expectations, and owning every part of yourself without apology,” say Haute & Freddy. “It’s deeply personal but also for literally anyone who’s ever felt like they had to shrink themselves to fit in”. Absolutely, I can foresee this duo not just remaining relevant, but also evolving into a prominent and influential collective that attracts a dedicated following. Now, with the release of “Shy Girl,” Haute & Freddy’s momentum is picking up speed, promising more high drama, unique shows, and visual feasts to come. Connect with Haute & Freddy Instagram: https://www.instagram.com/hauteandfreddy/ The post EMERGING ARTISTS: Haute & Freddy appeared first on EQ Music Blog. View the full article

Fancy taking a dive into the underbelly of the Berlin rave scene? Techno drama Rave On is set to debut later this month at Cannes Film Market, and it promises to be a “rave odyssey” like no other. Written and directed by Nikias Chryssos and Viktor Jakovleski, the film will sink viewers into the vibrant world of Berlin’s nightlife. The film is a “singular cinematic experience that blends a fictional narrative with a guerrilla documentary approach and immersive cinematography,” Variety reports. READ MORE: Another new club is opening in London – despite predictions that 57% of clubs will be closed by 2030 Filmed across a series of iconic Berlin clubs during real-life techno nights, the film follows a chaotic evening of clubbing. Sales agency The Playmaker will be sharing the film, and head of sales Moritz Hemminger considers it “a love letter to techno music and Berlin’s nightlife”. While just one trailer for Rave On has been, it already showcases the film’s intensity. “Our international distributors are in for a wild ride!” he laughs. The film stars a number of German talents. Aaron Altaras, star of dark comedy TV series The Zweiflers, is at the forefront, while Clemens Schick, who appeared in 2023 action-thriller Dogman, also features. A slew of DJs are also involved, from Hieroglyphic Being to Lucia Lu. Musically, the film’s techno offerings will vary, spanning from club classics to new DJ mixes. Exclusive tracks have been provided by Ed Davenport and Berlin composer John Gürtler, who has also composed tracks for 2024 movie The Outrun and 2019’s System Crasher. “Techno music is one of the most important German cultural exports,” producer Andro Steinborn tells Variety. “Rave On is as raw and as real as the music itself. It is an authentic and rare cinematic rollercoaster, bringing that culture to the big screen.” Rave On will be screening at the Cannes Film Market on 15 May, and will hit German cinemas on 31 July. The post This upcoming film is dubbed a “love letter to techno music and Berlin nightlife” – watch the trailer now appeared first on MusicTech. View the full article

Acclaimed Indonesian DJ and producer Whisnu Santika returns with a musical heatwave, teaming up with rising producer Akeey and international lyricist Liquid Silva for ‘Are You Ready’, a high-impact electric release on Spinnin’ Records. Marking Whisnu’s debut on the iconic label, this milestone collaboration signals a major step forward in his global journey. Fueled by relentless drops and futuristic energy, ‘Are You Ready’ raps into the mindset of digital creatives designed to awaken and inspire the power within. Melodic trumpet lines and hypnotic vocal hooks set the tone for ‘Are You Ready’, guiding listeners through a vivid landscape, layering groove-laced drums, basslines that pulse with motion, and kinetic drops. The arrangement stays electric, with each section unlocking new momentum and pushing the rush even higher. A bold, adrenaline-charged anthem at its core, it fuses tech house textures, electro funk, and melody into a blend that refuses to stand still. It drives forward with the precision of a video game, pulling you into a high-speed world where every sound accelerates the experience, channeling the raw force of digital transformation. Capturing the heart of the anthem, Whisnu Santika says: “The energy you’re looking for isn’t out there, it’s already within you. ‘Are You Ready’ is your moment to rise.” With each collaborator bringing a distinct voice to the mix, the synergy is undeniable. Akeey’s polished production touch meets Whisnu’s signature rhythm-forward style, while Liquid Silva injects the song with lyrical fire, giving the tune its hypnotic vocal edge. Speaking about the spirit behind ‘Are You Ready’, Akeey shares, “Fuel your passions and own your creativity. Are you ready to make your mark?”. Reflecting on the energy, Liquid Silva adds, “You always have to be ready, ready to fight for your future and silence the doubts that stand in your way.” Together they transcend the club – turning it into a personal call to awaken, to move, and to own your power. Whisnu Santika continues to stand at the forefront of Southeast Asia’s electronic scene. Known for standout performances at global stages like Tomorrowland summer and chart-topping anthems like ‘Cartel’ and ‘Mi Casa’, his productions walk the line between innovation and impact. With ‘Are You Ready’, the Indonesian heavyweight redefines the dancefloor narrative once again, with a summer-ready, high-voltage anthem built on the theme of capturing the spirit of fearless love and limitless power. To celebrate the release of ‘Are You Ready’, Whisnu Santika launches his May Indonesia Tour under the banner of LOV3TOWN, with eight dates across the country. Centered around his latest single and supported by standout highlight like ‘JTown’ and ‘LOV3’, the tour brings Whisnu’s fast paced sounds to cities including Jakarta, Bali, and Bandung. Each show blends glitch-themed stage design, immersive visuals, and interactive short-form content, creating an experience that mirrors the emotional depth and personal empowerment at the heart of ‘Are You Ready’, ‘LOV3’, and ‘JTown’. ‘Are You Ready’ is out now on all streaming platforms via Spinnin’ Records. Listen HERE The post Whisnu Santika, Akeey & Liquid Silva Release Explosive New Track ‘Are You Ready’ appeared first on Electric Mode.

On May 2nd, two of Europe’s most dynamic techno forces—Nicolas Julian and AIROD— unleash their highly anticipated collaboration “Real Shit”, released via Nicolas Julian’s own imprint, Backlog. “Real Shit” is a high-octane techno weapon: hard-hitting, raw, and perfectly crafted for peak-time moments. Built on thunderous kick drums, distorted vocal snippets, and acid-soaked synth lines, the track captures the urgent spirit of underground rave culture while pushing the boundaries of modern hard techno. It’s a sonic rollercoaster that embodies both artists’ distinct strengths—Nicolas Julian’s trance-laced energy and AIROD’s industrial, emotional intensity. Nicolas Julian, the Hamburg-born, Berlin-based producer, has quickly made a name for himself with viral releases like his Techno cover of Future’s “Mask Off” and an official remix for industry legend Moby. With a growing global fanbase, millions of monthly streams, and a reputation for electrifying live sets, Julian is one of the brightest new stars in the techno universe. AIROD hails from Paris and is widely recognised as one of the most influential figures of the modern European techno scene. Founder of Elixyr Records, he’s known for his raw productions and commanding performances at iconic venues and festivals like Awakenings and Time Warp. “Real Shit” is available for pre-save now: BACKLOG.lnk.to/BL008_RealShit The release is accompanied by a bold, striking artwork that visually captures the intensity and grit of the track—setting the tone for what promises to be one of this year’s essential techno anthems. https://www.nicolasjulian.com/ https://www.airod.fr/ https://www.instagram.com/airod_music/?hl=en https://www.instagram.com/nicolas.julian/?hl=en The post Dynamic Techno forces Nicolas Julian and AIROD release new collaboration “Real Shit” appeared first on Electric Mode.