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Justice kicked off their 2025 North American tour with a date at the 10th anniversary of San Diego’s CRSSD Festival. They French-duo closed the Ocean View stage on Saturday, March 1 with a masterful set at Waterfront Park. Full set recap below. Featured image: Keiki-Lani Knudsen The post Justice kick off 2025 North American tour at CRSSD Festival [Set Recap] appeared first on Dancing Astronaut.

As Women's History Month unfolds, now is the perfect time to celebrate and reflect on the indelible contributions that women have made to the world of electronic dance music. While luminaries like Alison Wonderland and Peggy Gou continue to shape and influence the industry, there’s an ever-growing wave of emerging trailblazers shaking things up, carving out their own unique sound. These women not only break barriers, but also create new opportunities for others to follow in their footsteps. To honor their achievements, we're shining a spotlight on a group of promising women who are currently breaking out and influencing the next generation of EDM talent. From headlining major festivals to producing the tracks that soundtrack our best memories, read on to discover 25 female artists you need to know in 2025. ALLEYCVTJessica AudiffredLEVEL UPSara LandryZingaraPauline HerrMary DroppinzSHOSHA Hundred DrumsROSSYGhost in Real Life LinneyOppidanStellerCanablissWHIPPED CREAMBlossomOKAYVALKhivaMaddy O'NealNostalgix Jackie Hollander AzzeccaHVDESCANVAS

ULTRA Europe has just announced its highly anticipated Phase 1 lineup for the festival’s 11th edition, taking place Friday, July 11 – Sunday, July 13, 2025, at Park Mladeži in Split, Croatia. With over 150,000 attendees from more than 140 countries, ULTRA Europe continues to solidify its status as a global phenomenon, uniting music enthusiasts from around the world for an unforgettable celebration of electronic dance music. For its 2025 edition, ULTRA Europe’s Main Stage will feature the world’s most renowned electronic music stars, promising yet another spellbinding experience for the loyal Ultranauts. The festival will welcome back veteran artists such as DJ Mag’s 2024 #1 DJ Martin Garrix, international tastemaker Armin van Buuren, Dutch sensation Hardwell, and multi-platinum producer/DJ Alesso, all of whom have become a household name on the ULTRA Europe Main Stage throughout the festival’s 11-year history. Dance music luminary Tiësto will also return to ULTRA Europe for the first time since 2019 while Experts Only label boss John Summit will make his festival debut in Split to deliver one of his signature high-energy performances. ULTRA Worldwide’s house and techno brand RESISTANCE will host some of the finest underground acts from around the globe. For the first time ever, RESISTANCE Ibiza Season Resident Adam Beyer and Dutch house titan Mau P will join forces for a world-debut b2b set at ULTRA Europe. The iconic techno maestro and rising house music star will merge their distinct signature sounds, creating an unforgettable experience that speaks to ULTRA Worldwide’s reputation of curating rare, ‘you-had-to-be-there’ moments. Carl Cox, a true innovator of the international electronic music scene and techno culture, returns to ULTRA Europe with the legacy-defining energy that’s kept him at the top for decades. RESISTANCE will also welcome back renowned Diynamic-label boss Solomun for the first time since 2016, as well as feature the highly anticipated return of Belgian icon Amelie Lens and the Ukrainian melodic techno duo and RESISTANCE Ibiza season resident, ARTBAT. ULTRA Europe TIER 2 tickets are sold out and TIER 3 tickets can be purchased on the official website at the price of €199 for a three-day GA ticket. TIER 2 VIP tickets are almost sold out and can be secured for €379 for three-day entrance and a 1-day VIP ticket for €179. TIER 3 VIP tickets are coming soon! ULTRA Europe is also offering the ultimate 3-day VIP Premium ticket for €479 and a 1-day VIP Premium ticket for €249. Three-day Fan Pit tickets are on sale for €239! If you want to be part of the ULTRA Europe family, experience the unique Destination ULTRA Europe journey for a once-in-a-lifetime adventure! Destination Yacht Package is a very exclusive musical journey on the official ULTRA Europe yacht, which includes a seven-day cruise and island hop along the beautiful Adriatic Sea, stopping off at old towns, pristine beaches, and secluded swimming stops and VIP tickets for all ULTRA Europe and Destination ULTRA events. The cruise includes 7-day VIP Destination ULTRA accommodations and VIP access. More information can be found here. ULTRA Europe is part of the ULTRA Worldwide family, which continues to cement its status as the world’s most international music festival brand. Boasting active events on all six inhabited continents, including the flagship Ultra Music Festival in Miami, the global festival brand is heralded for delivering an unparalleled combination of top-tier electronic talent, cutting-edge technology, and large-scale productions. Stay connected with ULTRA Europe on the official website page, Facebook, Twitter, and Instagram pages for additional updates and phase 2 lineup announcement. The post ULTRA Europe reveals Phase 1 lineup for 2025 edition including Alesso, Amelie Lens, Armin van Buuren, Carl Cox, Martin Garrix, Solomun and Tiësto appeared first on Electric Mode.

Zeds Dead are bringing the bass to the iconic Katz’s Delicatessen, transforming the New York City landmark into an intimate, one-night only pop-up show on March 20th. Known for its towering pastrami sandwiches, Katz's, a staple in the city's food scene since 1888, will become an exclusive concert venue for a late-night set from the influential dubstep duo. The show comes just before their two-night run at Avant Gardner as part of their "Return to the Spectrum of Intergalactic Happiness" tour, supporting their new album of the same name, which drops on March 7th. As anticipation builds for the full-length album, their first since 2016’s Northern Lights, this show is a can't-miss opportunity to see Zeds Dead live in one of NYC’s most historic dining spots. It's been in continuous operation for over 137 years, making it one of the oldest delis in NYC. Doors open at 11pm and the show runs until 2am. Tickets have already sold out, but fans can still join the waitlist here. Follow Zeds Dead:X: x.com/zedsdead TikTok: tiktok.com/@zedsdead Instagram: instagram.com/zedsdead Facebook: facebook.com/zedsdead Spotify: tinyurl.com/4tjppc6p

The Canning Town-based after-hours bar has launched a new membership scheme alongside a series of extended events on Fridays and Saturdays Continue reading...

Tape B has announced a major milestone in his career: his debut headlining show at Colorado's iconic Red Rocks Amphitheatre. Known for blending vintage hip-hop with dubstep, the Turkish bass music breakout shared the news via Instagram, calling the performance on October 10th his "biggest show yet." News of the highly anticipated show arrives on the heels of Tape B's induction into the EDM.com Class of 2025, which recognizes artists with transformative contributions to the electronic music scene. With this milestone and the Red Rocks show on the horizon, Tape B’s star only continues to rise. Joining the DJ for his show this fall are powerhouse openers Cool Customer, MPH, STVSH, Know Good and Richard Finger, promising an unforgettable and high-energy night from start to finish. Tickets for the event will be available through a pre-sale on March 5th at 10am MT before general sales begin March 7th at the same time. You can signup for the pre-sale here and check out Tape B's announcement below. Follow Tape B:X: x.com/tapebbeats Instagram: instagram.com/tapebbeats TikTok: tiktok.com/@tapebbeats Facebook: facebook.com/tapebbeats Spotify: tinyurl.com/mwvmuh8v

The man behind the mau5head has always played by his own rules, building a diversified empire encompassing electronic music, gaming, and digital asset culture. The keys to those foundations are changing hands after deadmau5's storied catalog and that of his mau5trap label found new ownership, striking a deal with Create Music Group in excess of $55 million, according to a press release shared with EDM.com. Encompassing over 4,000 songs, many of which have defined electronic music's evolution over the past two decades, the sale represents one of the most significant catalog acquisitions in the genre's history. It effectively ensures that deadmau5's influential work will continue to thrive across digital platforms, licensing deals and future re-releases. "When deadmau5 put on that helmet, he didn’t just create a brand—he sparked a movement," said Jonathan Strauss, co-founder and CEO of Create Music Group. "Now, as the stewards of deadmau5 and mau5trap’s legendary catalog, we inherit a legacy that changed music forever." Founded back in 2007, mau5trap has long been revered as a tastemaker in electronic music, playing pivotal roles in launching the careers of Skrillex, REZZ and the late i_o, among many other influential artists. Chris Polk The story is bigger, however, than a pure catalog acquisition. The partnership includes a joint venture that yields the promise of new music, ushering in deadmau5’s next creative chapters—and those of mau5trap's broader roster—under the strategic guidance of CMG. The company has become a disruptive force in the music industry since its 2015 inception, leveraging data-driven strategies to help artists maximize their earnings across streaming, content monetization and brand partnerships. As part of the deal, CMG plans to remaster and re-release key tracks from the mau5trap archive, develop exclusive content and integrate the brand into digital spaces like VR and gaming. "I have worked closely with Jonathan, Alex and Create for nearly two decades now, building my own career as well as the artists on mau5trap," deadmau5 said. "We didn’t need to look far when we were considering a partner to help get it all to the next level." deadmau5 is the latest high-profile electronic artist to sell his music catalog, joining Calvin Harris and David Guetta, each of whom inked deals estimated at $100 million. The family of Avicii also reportedly fetched a nine-figure sum in 2022 after selling 75% of the late EDM icon's master recordings and publishing. Follow deadmau5:X: x.com/deadmau5 Instagram: instagram.com/deadmau5 TikTok: tiktok.com/@deadmau5 Facebook: facebook.com/deadmau5 Spotify: spoti.fi/3otTHVp

300 properties have already been de-listed from Airbnb due to violating regulations on the White Isle Continue reading...

The Filipino DJ and producer has been hospitalised for three weeks Continue reading...

In a sea of standard artist merchandise, Jauz has chosen to swim against the current with a functional festival innovation. The DJ and producer has partnered with premium festival gear brand RaveRunner to develop and drop an innovative anti-theft hydration pack, designed specifically for the high-energy environments of electronic dance music festivals. The limited-edition collaboration features a dual-chamber design built to withstand the rigors of rail-riding and mosh pit mayhem, environments where Jauz's fans frequently finds themselves. Most notably, the pack incorporates multiple anti-theft compartments, a direct response to the larceny epidemic that has plagued music festivals in recent years. c/o RaveRunner Theft at festivals has been a growing concern, particularly regarding the loss of personal items like smartphones. A survey published in 2022 by RaveRunner, which polled over 450 U.S. festival-goers aged 18 to 55, revealed that approximately 1 in every 32 attendees experienced phone theft or loss. In a nod to Jauz's shark-themed branding, the pack includes 3M reflective shark fins that illuminate under flash photography, ensuring style points aren't sacrificed for security. This attention to aesthetic detail demonstrates a savvy understanding of their target demographic, who value both functionality and Instagram-worthy festival accessories. The brand has confirmed the collaboration will be "extremely limited" with no plans for future production runs, creating an immediate collector's appeal among Jauz's dedicated fanbase. You can purchase the hydration pack here. Follow RaveRunner:Instagram: instagram.com/raverunner.co TikTok: tiktok.com/@raverunner.co YouTube: youtube.com/@raverunnerco Facebook: tinyurl.com/3x43398x

Every great album tells a story, and for DAKRED, that story is his own. The rising DJ and producer has released his self-titled debut album, a project he's calling his most personal work yet. Fusing melodic bass and dubstep, DAKRED serves as an intimate reflection on love, heartbreak and self-discovery, charting the emotional highs and lows of his 20s. "After years of evolving as an artist and a person, I realized that this album is my story, and it deserved to be self-titled," said Dakred. "It captures the chaos, the beauty, and the lessons learned along the way." Structured like a diary, the album takes us through the stages of a fractured relationship, exploring the turbulence of young adulthood and the resilience found in the aftermath. DAKRED says he was deeply inspired by Alfred Lord Tennyson's famous words, "It is generally considered better to have experienced love, even if it ends in loss, than to have never loved at all." An undeniable highlight comes with "Ready for Love," a track that marks a turning point in DAKRED's narrative. Here, he produces an aching future bass track that moonlights as a declaration of newfound strength. Another standout is "Never Going to Be the Same," which encapsulates the album's coming of age through soaring synths and heartfelt lyricism. Elsewhere in DAKRED, the album takes a menacing turn in "Illumination," where Jacob Lauing's existential vocals weave through growling dubstep drops. "Transformation" is another compelling pivot into darker territory, with screeching bass and lilting vocal chops. lighting the way. Listen to DAKRED below. Follow DAKRED:Instagram: instagram.com/dakred Facebook: facebook.com/dakredmusic Spotify: tinyurl.com/mr4658nr

Decentralized music platform Audius is deepening its commitment to community ownership with an ambitious rewards program to distribute approximately $3 million in crypto rewards to its users. The platform differentiates itself in the streaming landscape by allowing artists to set their own terms and control pricing, with fans able to support creators through direct payments. Audius has attracted Skrillex, deadmau5, Zedd, REZZ, Disclosure and many more influential electronic artists alongside partnerships with major performing rights organizations like ASCAP, BMI and SESAC. Now in its fourth week, Audius' program will ultimately dispense 30 million of its native token, $AUDIO, to its most engaged artists and fans over the coming months and years. "Audius is a music ecosystem that empowers and enfranchises its community to control its own destiny," said Audius co-founder and CEO Roneil Rumburg. "Because our members all share in ownership of the platform, they also all share in the success of the platform. The response from artists and fans to these rewards has been incredible so far and we are looking forward to rolling out even more ways for them to participate financially in the Audius ecosystem." Charlie Gross Audius launched the initiative last month by virtue of a 2-million $AUDIO airdrop directly to artists, celebrating surpassing 250 million total streams. However, the streaming service has structured its rewards program to benefit both creators and listeners, with different weeks focusing on artists, fans or both groups. This week, Audius significantly boosted incentives for its Weekly Trending Competition, increasing rewards by 10x. The top five Trending Tracks and top five Trending Underground Tracks will now each earn 1,000 $AUDIO tokens every Friday. c/o Audius The program has received positive feedback from independent stakeholders within the Audius ecosystem. Thorwald van den Akker, Co-founder of bitbird, praised Audius for "giving back to the community" and "building something directly for artists," while Josh Yamini of Good Society credited the platform with helping his independent label grow from its earliest days. "As someone who's been a part of the Audius community since $AUDIO launched - I'm really stoked about a more consistent way for artists (and fans) to earn tokens for putting their music onchain," added Coop Records founder Cooper Turley. Details on all of Audius' rewards can be found on the company's official blog. Follow Audius:X: x.com/audius Instagram: instagram.com/audius TikTok: tiktok.com/@audius Facebook: facebook.com/audiusproject

Over the past decade, the global party scene has undergone a significant transformation. Traditional nightlife—once the cornerstone of urban social life—is on the decline, as younger generations increasingly seek alternative ways to connect, unwind, and have fun. One of the biggest trends emerging from this shift is the rise of daytime coffee and brunch parties. From Toronto to Dubai, cities worldwide are seeing a surge in high-energy, alcohol-optional events that cater to a new kind of partygoer—one that values experience, wellness, and community over late-night excess. The Decline of Traditional NightlifeFor decades, club culture dominated social life, but in recent years, nightclubs have been closing at an alarming rate. In the UK alone, the number of nightclubs has plummeted from over 3,000 in the early 2000s to fewer than 800 today (The Guardian). The trend is global—South Korea, once known for its hard-drinking nightlife, is witnessing a similar decline as more people opt for wellness-focused activities (Reuters). Several factors are driving this decline: Lower alcohol consumption: Gen Z drinks 20% less than Millennials, with many actively avoiding alcohol (New York Post). Rising cost of living: High entry fees and expensive drinks make clubbing a luxury rather than a routine activity. Preference for meaningful experiences: Many people now prioritize personal development, wellness, and networking over late-night partying.Daytime Coffee & Brunch Parties: The New Social HubAs nightlife wanes, daytime events are rising to take their place. Brunch parties, coffee raves, and alcohol-free dance gatherings are redefining what it means to go out. Unlike traditional clubbing, these events focus on good food, craft coffee, and vibrant social energy without the hangover. They often feature live DJs, interactive elements, and curated themes that create immersive, shareable experiences. Spotlight: Coffee Party TorontoOne of the most exciting examples of this trend is The Coffee Party Toronto, a monthly event where coffee meets club culture in a unique daytime setting. Instead of overpriced cocktails and dark, crowded rooms, attendees enjoy specialty coffee, brunch bites, and high-energy DJ sets in a well-lit, stylish venue. Why It Works:Early start, early finish: People can party during the day and still be productive the next morning. Alcohol-optional environment: Attendees can choose between craft coffee, mocktails, or mimosas without pressure. Focus on community: Unlike clubbing, where interactions can be fleeting, brunch parties foster genuine connections.Live DJ Set Recordings & Digital ReachA major component of The Coffee Party Toronto’s success is the recording and sharing of DJ sets from their events. This allows attendees to relive the music while also extending the experience to a global audience. Instagram: @TheCoffeePartyTO YouTube: The Coffee Party Secret Parties Dubai: The Ultimate Brunch ExperienceWhile coffee parties are gaining traction in North America and Europe, Secret Parties Dubai has taken brunch to the next level. Every weekend, Secret Parties hosts massive themed brunches in Dubai’s most extravagant venues, featuring gourmet food, bottomless drinks, live entertainment, and DJs spinning all day long. Their themed events—ranging from Ibiza-style beach brunches to 1920s Gatsby parties—cater to both locals and tourists looking for a high-energy daytime social experience. Instagram: @SecretPartiesDXB YouTube: Secret Parties Daybreaker: The Pioneers of the MovementWhile brunch and coffee parties are experiencing a boom, Daybreaker was ahead of the curve, pioneering the sober morning rave movement back in 2013. Founded in New York City, Daybreaker started as an underground event that brought yoga, dance, and wellness together in the early morning hours. The idea? To start the day with a euphoric, alcohol-free dance party before heading to work. Since then, Daybreaker has expanded to over 28 cities worldwide, attracting a global community of wellness-minded individuals. Instagram: @Dybrkr YouTube: Daybreaker Croissound Montreal: Coffee, Pastries & MusicMontreal has also embraced the coffee party trend with Croissound, a daytime event blending the city’s rich café culture with live DJ performances and fresh pastries. Why Croissound Stands Out:Culinary & Musical Fusion: Guests indulge in freshly baked croissants and artisanal coffee while experiencing sets from local DJs. Community Focus: Croissound fosters connections among Montreal’s diverse communities, providing a platform for both emerging and established artists to showcase their talents. Daytime Appeal: Events run from 11 AM to 2 PM, aligning with health-conscious socializing trends.Instagram: @Croissound.MTL YouTube: Croissound Final Thoughts: The Future of SocializingThe rise of daytime coffee and brunch parties signals a cultural shift in how people connect and celebrate. As club culture declines, a new era of health-conscious, experience-driven events is taking over. Whether it’s coffee-fueled parties in Toronto, themed brunch extravaganzas in Dubai, Daybreaker’s sunrise raves, or Croissound’s pastry-fueled gatherings, the trend is clear—people still love to socialize, but they’re looking for better, healthier, and more sustainable ways to do it.With daytime events on the rise, the future of partying is looking brighter—literally.

The ghetto house pioneer “doesn't have much longer left”, his family said Continue reading...

The incident took place in front of Bromley Road club Silks last March Continue reading...

As Milan pulses with energy during Fashion Week, Amnesia Milano sets the tone for an electrifying month of music. March 2025 brings a lineup of world-class DJs, uniting cutting-edge soundscapes with Amnesia’s legendary atmosphere. From the hypnotic rhythms of Indira Paganotto to the stripped-back groove of Chris Stussy and the melodic mastery of Brina Knauss, this month’s events promise an unforgettable experience. The festivities begin on Saturday, March 1st, with an explosive night featuring Tini Gessler, White Off, and Jo. As the month unfolds, Amnesia Milano continues to deliver top-tier talent. On Saturday, March 8th, Spanish DJ and producer Indira Paganotto takes center stage alongside Richey V. Paganotto’s rise has been nothing short of meteoric, recently climbing 48 places in DJ Mag’s Top 100 DJs Poll from #97 to #49. Known for her powerful fusion of psy-techno and trance, her ARTCORE Records imprint has played a key role in defining her sound. Her sets are more than just performances—they are high-energy experiences, where she forges a deep connection with the crowd, often referring to her fans as her “warriors.” The following week, on Saturday, March 15th, Dutch DJ and producer Chris Stussy takes over the decks with Recap and Zoig. Stussy is an artist committed to stripping club culture back to its essence. His newly launched USS events focus purely on music, removing distractions and allowing the dancefloor to be fully immersed in sound. Recently, he reworked Moby’s classic track “Go,” originally intended as an exclusive remix for Boiler Room but later released due to overwhelming demand. His ability to blend deep, groove-driven minimal house with forward-thinking production has made him one of the most exciting names in underground dance music today. On Friday, March 21st, the action moves to Fabrique for a special event featuring Vision and Deborah De Luca before returning to Amnesia the following night. Saturday, March 22nd sees the return of Brina Knauss, performing alongside EarthLife and Valerie Fox. Originally from Slovenia, Knauss transitioned from singer to DJ after moving to Milan, quickly gaining recognition at events like elrow, Tomorrowland, Soundstorm, and Zamna. She has also collaborated with the Tomorrowland DJ & Producing Academy, offering an online course, Kickstart Your DJ Career, aimed at guiding aspiring DJs through the industry. With a month of expertly curated lineups blending techno, house, and progressive sounds, March 2025 at Amnesia Milano promises to be an essential chapter in the club’s history. From the raw energy of Paganotto’s psy-techno to the hypnotic grooves of Stussy and the ethereal melodies of Knauss, these nights will define the sound of the season. As the lights dim and the bass reverberates through the walls, one thing is certain—Amnesia Milano is ready to make history once again. The post Amnesia Milano Set To Bring Global Talent To The Dancefloor This March appeared first on Electric Mode.

Having dawned on a new age of jungle music, the disparity between a decade ago to how nourished the scene has become today is a testament to the hard work pioneers of the community have committed. In this instance, one Peter Buchanan, widely known as Pete Cannon in the world of jungle music, has forged a shining light in the very DNA of this ever-inspiring genre that has shown no signs of letting up. The Blackpool-born artist depicts a form of artistry that is unique within the electronic underground world. A high energy personality that radiates through every performance he delivers and production he creates. His iconic use of retro hardware, of which he possesses an abundance in his home studio, fascinates the curious and inquisitive electronic dance heads – both young and old. From the Amiga to the Akai s950, Pete boasts an impressive collection of nostalgic equipment that give his production a certain charm and aura around them. A rawness that resonates to every single raver in the dance, making him one of the most complete beatmakers in the land. Getting his big break as a hip-hop producer, making beats on Rizzle Kicks’ popular anthems as well as a range of TV and film adverts including the world-renowned iPhone X advert, Cannon was able to go full time on his music endeavours and finally return to his main love of jungle and hardcore. With a crucial role in the jungle scenes renaissance, when he decided to dust down his old Amiga in 2013 little did he know the impact the genre would have on British music culture over a decade later. Artists such as Nia Archives, Sherelle, Tim Reaper, Dwarde, Sully, and a whole host of household names have aided as a driving force in bringing jungle to the world in their own unique styles. His label N4 is arguably one of the most forward-thinking in the scene, initially releasing his own tracks during its infancy from 2019 then branching out post lockdown to have the likes of exciting up-and-comers like Cheetah, Janaway, and Stekker, on top of the ever reliable Swankout and T-Cuts, become a part of the label – showcasing a multi-dimensional depiction of this high tempo sound. Ofcourse, hardcore also plays a huge part in Pete Cannon’s soundboard and this feeds into a presence during the rave that teleports you back to the 90s, creating a feeling of euphoria in whatever he decides to execute. Fast-forwarding to the present day, Cannon’s unsurprisingly firing on all fronts. DJing at some of the most iconic events around, churning out dynamic releases consistently, and running a successful label that are refreshingly nurturing the authentic old school sound whilst also progressing the genre sonically. We were itching to catch up with this celebrated, maverick, musical figure from the north and find out more about his compelling journey and multifaceted career. What were your musical inspirations growing up? It’s an easy one really, my dad, he’s a musician who plays the guitar and sings. He was in a band called Carl Gibson And The Night Rider. He had a couple of records out back then. He still plays today, but he definitely passed the passion on to me. He got me into playing the piano when I was five. He had a little studio in the house which was the catalyst for me making noises. Watching him at work inspired me to give it a go and felt like a natural progression. Growing up in Blackpool there were loads of second hand shops where I was able to pick up a second hand Yamaha DX7 when I was 10 years old. Since that point, I basically robbed my dads studio and have not stopped since, whilst also stealing some of his records and listening to them. Would you be picking up records as you were growing up? Yeah, when I was three my dad gave me a record collection, his old bits. I used to play them on 78rpm, which played them really fast. There was something intrinsic in me to want to listen to everything in that way. I remember the first single I bought was ‘turtle power!’ by teenage mutant ninja turtles. I was always collecting records. I guess I picked that habit up off my dad. Trying to pick up a gem when I could. Finding the one independent record shop in Blackpool called Melody House that stocked stuff that your HMV’s didn’t was a real moment for me. Picking stuff up like ‘Dred Bass’ and ‘Ganjaman’ with the bit of pocket money I got – if I was lucky. I was able to start building my extensive collection at 11. I was listening to loads of jungle tapes, loads of jungle packs from all over. At what point did you realise you wanted to do this all the time? From playing the piano at 5 then getting the DX7 at ten. I then got an Amiga for christmas and managed to connect them all through MIDI, once I discovered that this was it for me. I was twelve when I started discovering all this. I managed to blag getting a drum machine, called a DR5, off my dad, and other bits from second hand shops. Just merging all this equipment together. I made an album when I was twelve, I’m sure I’ve still got it somewhere. 13 to 15 I was coming home from school every day and went straight into the little studio we had at home. I guess making music all the time growing up was a sign to me that I just wanted to do this forever. I was trying to emulate this jungle and hardcore sound that I was listening to as a kid. I was influenced by loads of breakbeats too. I got a sampler where I could mix a record in and sample it into the Amiga. It was wicked! That’s when I realised I’m doing this for life. When I was old enough to go out in Blackpool the jungle and hardcore I loved started to move on to tech-step and happy hardcore in 1997-98. The drum & bass became so heavy and the hardcore so cheesy – I decided to move to hip-hop production. Going into adult life, what were you doing musically? So I went to music college in Preston at 16, my dad was all for it. It was there I learned a more advanced understanding of creating and sequencing music. Moving from the Amiga to a mac and PC, this was the late 90s so we were using cubase and logic. Then I went to do music at university at Leeds College of Music, which had amazing facilities (shoutout Ben Burrows one of the lecturers who was wicked). Getting to learn how to use all the equipment properly was so valuable. Ofcourse, the nature of being a student meant I had to do odd jobs to get by. I was still building up my home equipment, buying the synthesisers etc. That must’ve been a real breakthrough for you! Yes it was. It was pop music, but it really transferred to a lot of the hip-hop I was making.The money I got from producing for Rizzle Kicks gave me the opportunity to take some time off to make a go of it. Making a tune for Apple’s Iphone X advert also financed me nicely allowing more time afterwards to concentrate on churning out more production and more importantly making music I wanted – in this case jungle. From there I was able to quit the day job and start making advert music which allowed me to work in music full-time coming up to around 15 years now. To this day I’m still doing advert and film production. I think you’ve always got to spin a lot of plates in this music industry. Being able to have my own DJ career and N4 record label, in the field I love, would not be possible without those other entities in my music career. I also started making videos that I would throw online which would break down the process of me making tracks on my set-up. Because it’s a more archaic type of operating system, a lot of people were interested. My studio setup is of course of a certain era, but it’s what gets me excited to make music. There’s no right or wrong way to produce. As a producer, getting excited to create is always going to get me in the right state of mind to make music. What was jungle looking like when you got back into producing the genre? When I got the Amiga back out in 2013, there was a tiny scene starting to emerge. Tim Reaper and Dwarde were around as was Kid lib and a few others. Of course the music had never gone away it just wasn’t as popular. Labels like Reinforced, Moving Shadow, Sub Base and Kniteforce are the founding staple and the heritage to the scene and of course there are a lot more labels and artists from the 90s. There were definitely more people interested in making that sound again during the 2010s and with many repress labels and legends coming back to make this sound the scene is banging at the moment. Looking at the scene today, it seems to be in a healthy place. Would you agree? For sure, looking at someone like Nia Archives who is the apex of how big it’s become. That’s great because so many people want to hear that sound and potentially recreate it. There is so much of it about. There’s such a diverse range of artists, sounds, and styles knocking about in the scene at the moment, it’s amazing to see. With my label N4 we’ve taken events to Amsterdam, Berlin, Japan, the U.S, and obviously all over the UK. This probably wouldn’t have been possible without these pioneer artists at the forefront pushing the sound further. It was mental being in the heart of New York playing to a young crowd who were going bonkers for jungle and hardcore. Regardless of what happens in the future and where it goes, the beauty is that this period of time will always be there. Jungle music will always be a significant part of our electronic dance history. Let’s talk about N4 Records and how that came about. I started it in 2019 on my actual birthday, just before the pandemic. Initially, Luna-C from Knightforce got in touch because he saw all the videos I was making online breaking down my production I was doing with my Amiga. I was one of the first people to do online breakdowns of production. He was wondering if I ever finished these tracks. He wanted me to release an EP with them which I did and we called it the N4 volume 1 EP as I’d just moved to the N4 area in London. But then I had all these other Amiga tracks that I was making that I wanted to keep for myself. Working in the music industry professionally has meant I’ve dealt with a lot of publishing deals and music business in general. I was pretty fed up with not being able to completely own my music. I guess I wanted something to call my own and ultimately be proud of. I felt old enough, confident enough and knowledgeable enough to start my own label. As I say, it was just before the pandemic so vinyl pressing time was pretty quick, obviously during lockdown that all changed, all the vinyl plants were backed up, and it’s only just started getting back to normality now. The first N4 record that came out, Aphex Twin played it in Mexico in front of 10,000 people which was an amazing start for the label – shout out to him! And fastforwarding to the last couple of years, what have the plans been for the label? In terms of the team, I’ve got Ivan Cargo who sorts out the events – so a big shout out to him. We wanted to start signing artists and their records to the label has pretty much been the focus. Because the scene was growing it was a no-brainer to try and get some of the names like Tim Reaper, Dwarde, Sully, Kid-Lib, T-Cuts, Swankout, Cheetah, Janaway, DJ Sofa, and so many more. First person I had on the label was Swankout, I’ve known him for ages and he was making some great stuff and we’ve not looked back since then with the likes of Samurai Breaks, Denham Audio, Fluid Haunts, and Stekker also contributing to the label. I feel we’ve already got a cross pollination of styles, giving an imprint of each side of the scene. N4 Records Youtube Channel Standout moments with N4? Having the Glastonbury takeover at the Blind Tiger stage was big for us. It felt like such a big moment, we’d come a long way. The Berlin and Amsterdam nights we’ve done have been very special. Bangface is another highlight. The first one I played was in 2022 and I’ve been back every year since. We got a N4 stage last year where we got 4am Kru, Denham Audio, Dwarde, and Mixtress on, a really cool curation. We’ve had Rinse’s Kool FM show that’s been wicked to be a part of. We’ve been lucky enough to tick off a lot of the legendary venues in London, including Electrowerkz, Phonox, and Electric Brixton. Doing an N4 night in Japan is also such a wicked concept to me, it’s unbelievable where we’ve been able to take this sound. I want to give a shout to Singularity who we’ve done a lot of these events with. I do love playing the little intimate ones as well like low profile studios which have a heritage in those bricks as there were parties going in there back in 1988. And some Pete Cannon highlights? I think personally, playing in Fabric’s main room will be a memory that stays with me forever. A good one actually is, where my university lecturer stumbled across my Sound On Sound video where I’d done a retro jungle production session. He messaged me saying well done, that was boss. Touring America last year playing jungle music and being able to take my dad with me was a really special moment for me. We got to hang out, he had his own rider and even mc’d a bit, what a guy You’ve got to talk to me about one of the songs of 2023 ‘Blinded By The Lights 23’ a remix you made with Mixtress. Making music is very personal and bringing someone into my space is an intimate thing. Mixtress is great, her energy is brilliant. We’d gossip in between making tunes. She had an idea to remix this The Streets and came to me to put it together. She was playing Boiler Room and we wrapped up a first version because she wanted to play it for that set. They used that clip as the main footage for that event and it went crazy online. Locked On saw that video and they came to us with a serious proposition to talk to Mike Skinner and turn it into an official remix. From there we got it signed to a major label and made an official music video. We did make a Flowdan remix of it, but it fell through unfortunately. It’s a great dub for my sets though Events-wise what have you got coming up? We’ve just sold out Electric Brixton which was a lot of fun. Then next we’ve got an event called ‘First Press’ at Oslo Hackney, giving DJs the opportunity to play stuff they don’t usually play – with a more extended set. A real chance to test new things, whilst also educating people on the history of the scene. And what about releases? Any upcoming bits on N4? We’ve got a really exciting one coming up next. A guy I’ve worked with before, Dirty Dike. He’s put together this 4-track EP that’ll be coming out on N4. It’s a full circle moment because he helped me with my hip-hop stuff back in the day. I’ve got another Amiga one coming and also an album I’m trying to put together. There’s a lot we’ve got to put out and there’s also a lot of talent we want to get on.

Famous When Dead Records returns with its highly anticipated second release, “Together” by Dutch DJ and producer Xamount. Building upon the success of their debut track, “Another One” by UK artist Syncia, Famous When Dead continues to cement itself as a vital force in the current electronic music scene with this single. “Together” creates a seamless blend between House and Garage embodying the bumpy groove of UKG from days gone by, driven with a solid 4X4 House drum pattern that amplifies the vibe. A searing feel-good melody runs throughout the song as it fluently weaves succinct vocal chops transitioning into breakdowns that continue to maintain the raw energy keeping dancefloor fuelled. Xamount is considered an exciting UK House & Garage DJ and producer hailing from Amsterdam. Being raised on the earlyJungle and Garage scene back in the ’90s. UK dance music runs through his veins, co-running the legendary That Garage Sound event in the Netherlands. Xamount’s talent appears on pivotal labels including Puresa, Reptile Mob, Amigo Dubs, and Pogo House, with the latest Famous When dead release adding to his growing discography. Starting his career at 17 as DJ Flanagan in the ’90s, Xamount discovered his unadulterated love for UK underground dance music, merged with Jungle and DnB often being at the core of his sets. Playing at clubs and festivals across the UK, Holland, and beyond to winning Best DJ at the Dutch Drum ‘n Bass Awards in 2002, his talent has continued to soar. After 20 years active in the scene, he rebranded as Xamount back in 2014, shifting to his presiding passion of UK Garage. Catching label boss CASH ONLY’s attention at a festival they featured together in Amsterdam 2024, lead to CASH ONLY taking a brisk walk to inspect the display on the CDJ revealing it was indeed a road test from Xamount himself. Needless to say, the track was promptly signed as one of Famous When Dead’s initial releases. With support from across the industry firing in, this track is proving to be a surefire winner for the breakthrough imprint. “Together” will be available on all major digital platforms, paving the way for a series of exciting releases across the year, marking 2025 as a solid year of continued success for Xamount and the FWD family. FOLLOW FOR MORE PRESAVE HERE XAMOUNT | INSTAGRAM FAMOUS WHEN DEAD | INSTAGRAM The post Famous When Dead Records Drops Second Release With Xamount’s UKG Track ‘Together’ appeared first on Electric Mode.

As the world moves from winter to spring, Swiss-South African singer-songwriter Nora En Pure releases a beautiful new song called “Tranquility,” which is now available on Enormous Tunes. This beautiful piano-driven track, which has her signature organic house elements, is full of renewal, warmth, and happiness, making it perfect for the changing seasons. Nora En Pure was excited to get back to work on her art after a six-week tour of North America and a break from the workshop. To find balance from the hectic life on the road, she put all of her energy into writing “Tranquility,” a happy and relaxing song meant to bring calm to a busy world. The track, which was just finished, is ready to make a name for itself on dance floors. Its upbeat energy, catchy tunes, and immersive atmosphere are already drawing people in. The track’s bright keys and shimmering synths dance easily over the deep, rolling basslines, taking listeners on a journey of sound that makes them feel completely at peace. As its name suggests, “Tranquility” makes people feel calm and happy, so it can be powerful in a club or when you want to take some time to think. Following the success of her previous song, “Protected,” Nora En Pure’s latest release makes her even more of a leader in the melodic and organic house scene. Her Purified brand continues to bring music fans from all over the world together, and she is still committed to making high-quality, emotionally charged music that connects people to nature and the world around them. The post Nora En Pure Unveils Latest Single ‘Tranquility’ appeared first on The Groove Cartel.

Get ready to groove! One World Radio, the official radio station of Tomorrowland, is joining the SiriusXM family, bringing the magic of the world-famous music festival to 33 million subscribers across North America. Starting on March 4, you can stream One World Radio on the SiriusXM app and enjoy the vibrant beats of Tomorrowland all year long. To emphasize the innovation behind One World Radio, it is curated by the amazing team behind Tomorrowland. Additionally, One World Radio contains a diverse array of exclusive mixes, unique tracks, and unforgettable live sets. Fans worldwide continue to treat themselves to the hottest sounds from international hosts, top guest artists, and all of Tomorrowland’s beloved family and friends. It’s the perfect spot for any electronic music lover. One World Radio of Tomorrowland, the newest member of the SiriusXM family Since its launch in 2019 to celebrate Tomorrowland’s 15th anniversary, One World Radio has taken the world by storm, reaching millions of listeners in over 130 countries. In fact, anyone can tune in 24/7 at the official website of Tomorrowland and on the Tomorrowland App (available on Apple and Google Play stores). Furthemore, as a result of the station now officially being a member of SiriusXM, fans can stream content on the official app of SiriusXM as well. Plus, fans can catch One World Radio on DAB+ in Belgium, the Netherlands, Switzerland, and Malta, or on FM in Romania. Last but not least, regardless of how one enjoys One World Radio, the wonderful vibes the station brings out will still allow the listeners to feel good, relaxed, and looking forward to the next amazing track. Geronimo, the Vice President of Music Programming of SiriusXM, shares joy over the station’s addition “One World Radio on SiriusXM has been in the works for quite some time and to have it join our dance channel lineup and sound so amazing right from the start is exciting and technologically innovative. I can’t wait to hear what they have planned for 2025 and beyond.” The station’s achievements, detailed in data More than 1.5 million monthly unique listeners from more than 130 countries. More than 750.000 monthly listeners on demand. ‘Where Are You Now’ by Lost Frequencies & Calum Scott is the most played record in the 6-year history of One World Radio. 5 daily hosts (Adam, Ben, Camille, Justin and Greg) and 3 weekly hosts (Andrea, Carly and MC Stretch). 14 DJ/artist residencies: Amber Broos, Alok, Armin van Buuren, Austin Kramer, Dino Lenny, DJs From Mars, Hardwell, Laidback Luke, MANDY, NERVO, Sunnery James & Ryan Marciano, Timmy Trumpet, Vintage Culture and Yotto. Over 200 Tomorrowland Friendship Mixes. DAB+: Belgium, the Netherlands, UK, Switzerland and Malta. FM: Romania. The post Tomorrowland One World Radio Officially Joins SiriusXM appeared first on EDMTunes.

What an unexpected drop from Electric Forest yesterday! Even Reddit users on r/Electric Forest were predicting that Phase 2 of the 2025 lineup would come around in about two weeks. But suddenly, people started noticing that EF Radio that the station was playing many tracks in a row from artists that didn’t coincide with Phase 1. And just like that, over 40 artists were added onto to the June 19th – 22nd event in Rothbury, Michigan. Let’s take a look: We start with heavy hitters Zeds Dead debuting their newest album, dubstep icon Tape B, future disco act Disco Dom (Dombresky), Detroit’s Mike Posner, Brazilian star Vintage Culture, and Caribou’s experimental alias DAPHNI. Also joining are The Knocks & Dragonette, plus solo sets from drum & bass giants Sub Focus, Dimension, Culture Shock, and 1991 along with their WORSHIP headliner tour. More highlights include bass favorites Ray Volpe and INFEKT, rising UK drum & bass acts Kanine and Sota, high-energy French DJ duo Jersey, viral house artist NOTION, and underground favorite Avalon Emerson. Live acts include a rare Tractorbeam set (The Disco Biscuits), singer-songwriter HAYLA, alt-pop duo Haute & Freddy, indie band The Strike, Japanese producer SHIMA, and sax-playing internet sensation Saxsquatch. Curated Stage Announcements BASSRUSH will showcase a variety of bass music subgenres, with performances from Tape B, Sub Focus, Dimension, Culture Shock, 1991’s WORSHIP, Ray Volpe, INFEKT, Wreckno, Taiki Nulight, Crankdat, and more. Additionally, Forest has unveiled its initial lineup of curated events, featuring collaborations with BASSRUSH, Disclosure Friends & Family, Deadbeats, and Dreamland’s Sunday Pride Takeover. Disclosure’s Friends & Family takeover will bring exclusive B2B sets, including Disclosure (DJ Set) B2B Daphni, Interplanetary Criminal B2B Main Phase, and several other dynamic pairings. For the first time, Dreamland’s Sunday Pride Takeover will celebrate inclusivity with performances by The Knocks x Dragonette, BAMBII, Confidence Man, and TAAHLIAH. Known for its high-energy events, Dreamland brings its signature vibrancy to Electric Forest, embracing individuality and community. Stay tuned for the Deadbeats Stage Takeover with more information to be announced soon. HAPPY FOREST! The post Electric Forest Reveals Phase 2 Artists for 2025 appeared first on EDMTunes.

Ibiza is one of those Spanish islands that you will constantly hear people raving about. And even though you will hear so many incredible things about traveling there, Ibiza is left with its own issues to deal with. As of February 20th, the island made a turning point agreement with Airbnb to eliminate all illegal short-term lettings. This decision was a result from an over tourism issue that pushed housing options to become more limited and inflating prices drastically, while locals are left to live in poor environments such as vehicles, tents, and boats. A long term solution needed to be made for this short-term problem and that’s what Consell d’Eivissa (Ibiza’s Island Council) did when they signed this “historic” agreement. Up to this point, Airbnb has already removed 200 illegal letting from their site, but Ibiza’s council leader, Vicent Marí, expects another 300 to be removed this month. Last year, alcohol laws were changed in many ways for Ibiza and surrounding islands. All these recent changes are an effort to improve the lives of the locals, improve the quality of tourists, protect from environmental damages, and fight against other social challenges. The president of Consell d’Eivissa, Vicent Marí, thanked Airbnb for its collaboration. The council views multi-family homes, rooms inside apartments, homes with multiple occupancy, camping outside of campsites, and any others not registered to be illegal lettings. Marí says this agreement is “a milestone in the roadmap that we set out more than five years ago to lead a relentless fight against the island’s unregulated [tourist accommodation] supply”. Joining in on this agreement are Ibiza Tourist Accommodation Association, the Ibiza and Formentera Hotel Business Federation and promotion company Fomento del Turismo. Hopefully this will be the stepping stone needed for Ibiza to be a sustainable destination for tourists that love to experience beautiful beaches, love for music, and an atmosphere that simply cannot be replicated. The post Ibiza & Airbnb Plan Crackdown on Illegal Tourist Rentals appeared first on EDMTunes.

After a year of silence, Blunts & Blondes, the dubstep artist known as Michael Guard, speaks about former sexual assault allegations. In a detailed Instagram statement, he reflects on the personal and industry fallout. He claims the accusations were proven false but deeply affected his career. His response comes as the EDM industry continues debating how to handle public allegations. https://www.instagram.com/p/DGLwXTcRDwg/?img_index=1 Blunts & Blondes Speaks Out The controversy began when Gabrielle Reinhardt accused Blunts & Blondes of sexual assault. This was shown a viral Twitter thread, claiming an incident occurred in July 2019. The allegations spread quickly, leading to a wave of backlash from fans and industry professionals. In his statement, Blunts & Blondes described the experience as “the hardest and most disheartening” of his life. He emphasizes that despite the allegations being dismissed, the damage to his reputation and career was irreversible. The EDM industry responded swiftly—Guard lost festival bookings, label support, and brand partnerships. This illustrates the immediate consequences artists face when such accusations surface. His statement also touched on mental health struggles, the impact of public perception, and the difficulty of rebuilding a music career after controversy. While Blunts & Blondes maintains his innocence, he acknowledged that the situation permanently altered his standing in the industry. How the EDM Industry Handles Allegations The case of Blunts & Blondes is one of several in which EDM artists have faced serious allegations leading to cancellations and industry bans. While some accusations have resulted in legal action, others have relied solely on social media discourse, raising questions about due process and industry accountability. Other artists, such as Bassnectar and Space Jesus, also faced public accusations that led to career downfalls. In 2020, multiple sexual misconduct claims led Bassnectar to step away from music, while festival organizers removed Space Jesus from lineups due to similar allegations. These cases show how quickly the EDM community reacts to accusations, often blacklisting artists. Bassnectar left the music scene in 2020 after facing multiple sexual misconduct claims, while Space Jesus lost his spot on festival lineups due to similar allegations. The response to Blunts & Blondes’ allegations follows a similar pattern and he faced widespread criticism online. His situation fuels the ongoing debate over how the electronic music industry should navigate allegations, reputation damage, and comeback attempts. Blunts & Blondes Announces New Label Despite the controversy, Blunts & Blondes is taking steps to move forward in his career. In addition to addressing the allegations and industry fallout, he announced the launch of his own record label, which will serve as a platform to uplift and support emerging EDM artists. Dubstep artist Blunts & Blondes, known as Michael Guard, has broken his silence after a year regarding serious sexual assault allegations. In the emotional Instagram statement, he reflects on the turmoil these accusations caused and shares his vision for the future. Music Comeback & Future Plans Rather than letting the controversy define him, Guard is shifting his focus toward rebuilding his career. He announced the launch of his new label, which aims to uplift and support emerging artists in the electronic music scene. Additionally, he is reconnecting with fans and using his platform to continue making music, reaffirming his passion for the industry. His statement signals a turning point—one that moves beyond the allegations and toward a fresh start in his career. What Comes Next? here As the music industry continues grappling with issues of accountability and fairness, Guard’s case reignites discussions on how to support survivors while ensuring due process for the accused. His latest statement ends on a note of resilience and redemption, raising the question: Is this the beginning of a new chapter for Blunts & Blondes, or will the controversy continue to follow him? For more updates on Blunts & Blondes music label and upcoming releases, check out his official website/socials The post The Comeback of Blunts & Blondes: Industry Fallout & New Label appeared first on EDMTunes.

HARD Summer’s 2025 lineup stays true to the festival’s signature blend of diverse sounds and styles. This year, taking place back at Hollywood Park, the event brings together leading names in electronic music, high-profile crossover acts in the Latin and Hip-Hop spaces, underground tastemakers, and the best of the next generation of emerging talent. Get ready for headliners including Dom Dolla, Feid, Gesaffelstein, Kaytranada, Sean Paul, Juvenile & The 400 Degreez Band, Four Tet, Floating Points live, Sara Landry, and Nico Moreno. Additional bookings include cutting-edge club-ready energy from Overmono (DJ Set), Joy Orbison, Marlon Hoffstadt, Malugi, Prospa, Narciss, and Funk Tribu. Next, house music lovers can reunite with Deorro, The Blessed Madonna, Gordo, James Hype, Loco Dice, Ben Sterling, Riordan, Blackchild, and SOSA. The lineup also features house-driven back-to-back sets from Walker & Royce B2B VNSSA, Adam Ten B2B Mita Gami, Torren Foot B2B Airwolf Paradise, and Kilimanjaro b2b Melé. Additionally, hard-hitting techno fans can enjoy 999999999, Alignment, I Hate Models, Deborah De Luca, and KI/KI. Heavier sounds include PEEKABOO, Tape B B2B Mersiv, Crankdat, Bou, and Hybrid Minds. HARD Summer shall once again promise all the heavy-hitting techno titans and hard-hitting sonic heads this weekend. Since its inaugural edition in 2008, HARD Summer has cemented its place as a cornerstone of Southern California’s festival scene. With its distinct multi-genre curational ethos and vibrant aesthetic, the event has grown steadily in prominence. Today, it stands as Los Angeles’ largest electronic music festival. Not to mention, a powerful celebration of the city’s rich tapestry of musical styles and cultural influences. Its move to Hollywood Park last year has enhanced the festival experience offering a larger and more immersive experience. With 300 acres, attendees can lavish in the interactive features and innovative activations. In 2023, HARD’s “Pre-Game” initiative partnered with 17 local businesses, showing a dedication to the local community. Two-day GA, GA+, and VIP festival passes go on sale March 7th. Sign up for early access and purchase tickets here. The post HARD Summer 2025 Announces Feid, Kaytranada, Dom Dolla, Gesaffelstein, Sean Paul, Four Tet & More appeared first on EDMTunes.

Insomniac Events has revealed the lineup for the 2025 HARD Summer festival in Los Angeles. Heading to SoCal for this year's event are Dom Dolla, Sara Landry, Gesaffelstein, Four Tet, Nico Moreno, Crankdat, Kaytranada, I Hate Models, James Hype, PEEKABOO, Sean Paul and many more. The fest also features a handful of compelling b2b sets, among them Tape B b2b Mersiv, Walker & Royce b2b VNSSA and Adam Ten b2b Mita Gami. Insomniac in 2023 moved HARD Summer to a combination of venues in downtown LA after it took place at San Bernardino's NOS Events Center for over a decade, leading to logistical headaches. They addressed those concerns last year by moving the festival to its new home in Inglewood's Hollywood Park, the expansive entertainment complex adjacent to SoFi Stadium and YouTube Theater. The 2025 edition of HARD Summer is scheduled for August 2-3. Two-day GA, GA+ and VIP festival passes will be available on Friday, March 7th at 10am PT. You can check out the full lineup below and purchase tickets here. The 2025 HARD Summer lineup features Gesaffelstein, Sara Landry, Dom Dolla, James Hype and many more. Insomniac Events Follow HARD Summer:X: x.com/hardfest TikTok: tiktok.com/@hardfest Instagram: instagram.com/hardfest Facebook: facebook.com/hardfest