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(l to r) Craig May (artist and fan development) and Sean Hallarman (product) are now CD Baby SVPs. Photo Credit: Downtown Music Here’s a recap of recent music industry hires and in-house promotions as of May 2nd, 2025. If you have a job shuffle to share, we’re all ears. Send us a note to [email protected]. If you’d like to post a job on our Job Board, just send us a request to [email protected]. And, keep track of all the latest music industry hires here. Warner Music Nordics Over six-year Sony Music Finland exec Henri Lanz has come aboard Warner Music Nordics as senior international A&R and creative advisor. CD Baby Downtown’s CD Baby has brought on Sonos content director Sean Hallarman as SVP of product and named Craig May (who joins from an executive role at FUGA, also a Downtown subsidiary) SVP of artist and fan development. Meanwhile, marketing SVP Jean Mischler’s role has expanded to include revenue, and finance VP Whitney Thomas will also oversee business operations moving forward. Payday Music Publishing Payday Publishing has hired Score a Score vet Jamey Sussman as creative sync director for trailers and ads. Additionally, the company has welcomed former MNRK higher-up Desiree Autobee in the same role but with a focus on film and TV. Event Safety Alliance Rob Bergeron, previously an executive director with ODTUG, has signed on with the Event Safety Alliance in the same capacity. Apple Music Apple Music has confirmed as co-presidents ex-TikToker Ole Obermann and 16-year Apple vet Rachel Newman. Kobalt Former 138 Strategic managing partner Jason Feinberg has joined Kobalt as SVP and head of its Kosign admin platform. SXSW A far-reaching shake-up at South by Southwest has brought the exit of longtime president and chief programming officer Hugh Forrest, music festival VP James Minor, and close to four-decade comms VP Lillian Park. Now, Penske EVP of product and technology Jenny Connelly (who’s been on the SXSW board for four years) is SXSW’s director in charge. Plus, SXSW EDU co-founder Greg Rosenbaum is succeeding Forrest as programming head, and 13-year SXSW music team member Brian Hobbs is replacing Minor as VP. Avex Music Group Justin Hunter, an over three-year exec at S10 Entertainment, is officially VP at Avex Music. Russells London law firm Russells has two new music partners: Liv Lyons (who joins from Lee & Thompson) and Mark Walker (who’s been with the firm for about a decade). North American Concert Promoters Association (NACPA) AEG Presents exec Brent Fedrizzi has been re-elected president of NACPA’s board. ASCAP ASCAP has upped Nicole George-Middleton, who’s been with the PRO since 2008, to EVP and head of creative membership. Virgin Virgin Music Group has formally boosted three-year team member Hannah Thompson-Waitt to SVP of U.S. commercial strategy. View the full article

Adrenaline is rushing as the official Formula 1 Movie premieres worldwide this summer. And better yet, the movie directed by Joseph Kosinski (Top Gun: Maverick) will have its album soundtrack. From Doja Cat, to Madison Beer, Roddy Ricch, to Don Toliver, there are a total of 19 world-class acts featured on the “F1 The Movie” Soundtrack album. EDM Fans will surely enjoy this release, as many of our top EDM producers also take part in the soundtrack. EDM Acts on “F1 The Movie” Soundtrack The International EDM artists featured on the album are adding their legacy to film, sprinkling depth and intrigue to the movie starring Brad Pitt. The first name on the poster is none other than the Aussie Tech-House extraordinaire Dom Dolla. This is the artist’s first soundtrack feature, which includes vocals from singer Nathan Nicholson. We have heard Nicholson’s enchanting vocals in songs by Sultan + Shepard, VisionV, Anyma, and more. Our next artist is the British Solid Grooves co-founder PAWSA. The ‘Money Talks’ producer will surely provide us with a sultry and sexy track that will have those cars racing fast. In addition, EDM legend Tiësto brings his signature sound to the soundtrack as well. The Dutch progressive producer adds Formula 1 to his list of movie soundtracks. He provided tracks for movies like “Hotel Transylvania 3” and another car racing movie, “Grand Turismo”. Fun fact about his track is that it will be a collaboration with rapper Sexy Redd. Our final electronic artist that will grace the soundtrack album is non other than Korean House goddess Peggy Gou. The Gudu Records lead is known for her richly melodic, timeless club anthems. You can pre-add the album to your device while we await the release on June 27. The post “F1 The Movie” Soundtrack Will Feature Plenty Of EDM Artists appeared first on EDMTunes.

A crowd member of the recent Elrow Town event in Madrid rushed the stage during Paul Kalkbrenner's performance, appearing to attack the renowned DJ and electronic music producer, per footage shared by attendees on X. The German techno artist on May 1st was in the midst of his DJ set when the incident occurred. Videos from the ordeal show an unidentified man climbing onto the DJ platform from the crowd and lunging at Kalkbrenner before putting him in a headlock as security personnel intervened. Security managed to quickly remove the individual from the stage. Kalkbrenner, 47, was not injured in the attack, according to Ibiza 1 Radio 94.1 FM. He then continued his performance. Neither Kalkbrenner nor his management team had issued a public statement about the incident as of press time. Esto ocurrió en la tarde de ayer en @elrowofficial. Plena sesión de Paul Kalkbrenner y un espontáneo salgo a la cabina del MainStage y fue directamente a agredir al Dj y productor alemán. 📹: @lucahwtpic.twitter.com/C8kKJ4ZPyg — All Music Spain (@AllMusicSpain) May 2, 2025 Shocking scene last night at Elrow Town Festival in Madrid: while Paul Kalkbrenner was headlining, a festival-goer stormed the stage and violently attacked the German artist during his set. Fortunately, Paul Kalkbrenner was not injured. 🙏 pic.twitter.com/nNJSF9BKH5 — Ibiza 1 Radio 94.1 FM (@Ibiza1radio) May 2, 2025 Follow Paul Kalkbrenner:X: x.com/paulkalkbrenner Instagram: instagram.com/iampaulkalkbrenner TikTok: tiktok.com/@paulkalkbrennerofficial Facebook: facebook.com/paulkalkbrenner Spotify: spoti.fi/3DSd3hG

Warner Music Group is suing DSW for alleged copyright infringement on social media. Photo Credit: Anthony92931 Another day, another social-focused copyright lawsuit – this time from Warner Music, which is suing Designer Shoe Warehouse (DSW) and others for allegedly infringing on protected works in hundreds of promo videos. Warner Music Group (WMG) submitted the straightforward action to an Ohio federal court, naming as defendants the mentioned DSW, Topo Athletic, and their Columbus-headquartered owner, Designer Brands (NYSE: DBI). By now, many are aware of the mountain of infringement actions targeting music featured in companies’ social videos. In short, social platforms’ song libraries are pre-cleared only for personal use, with standalone licenses required for commercial usages in most instances. (On the “most instances” front: Warner Music licensed some of its catalog for TikTok’s “Commercial Music Library,” which, as its name suggests, includes works cleared for brands.) And paid influencer campaigns don’t constitute personal use, multiple companies have found out the hard way in separate litigation. Per today’s suit: “DSW’s social media advertising” – even featuring an appearance from the spouse of a Warner Music exec – “is similar to that of” Bang Energy. Bang “was found liable for copyright infringement in two different lawsuits due to the same type of copyright infringement,” WMG’s DSW suit reads in part. Running with the point, then, Warner Music says the defendants have “extensive experience with music licensing” but failed to seek or receive usage permission for its own social videos and for its influencer campaigns. (WMG also took the opportunity to call out the defendants’ alleged approach to compensating influencers.“[C]ontrary to Federal Trade Commission guidelines, the social media influencers often do not disclose that they receive compensation in any form,” the complaint maintains.) As for the extent of the alleged infringement, the filing parties’ “initial investigation has revealed that DSW misappropriated over two hundred” compositions and recordings in which Warner Music has stakes, per the text. Incorporated into videos on Instagram and TikTok alike, the allegedly infringed works include tracks recorded by Usher, The Weeknd, Linkin Park, Ed Sheeran, and many others, the suit shows. All told, Warner Music has levied three copyright claims against DSW and the other defendants, including for vicarious and contributory infringement. Regarding the aforementioned mountain of social-infringement actions, various music companies have opted to litigate against NBA teams, AHL teams, Chili’s parent Brinker International, the University of Southern California, and Crumbl Cookies, to name some. View the full article

As hopeful as one can be, reality checked us Friday afternoon as The Brooklyn Mirage announced that the opening weekend for the 2025 season will be delayed to another weekend. As we know already, Hard Techno maven and producer Sara Landry would’ve played the first two sold-out nights of the weekend with Cityfox planning to close out the first weekend on Sunday. Yesterday, the Brooklyn Mirage was forced to cancel the Thursday night show. Making Up For It With tons of social media feedback and awareness, Sara Landry’s team did the impossible and booked the Knockdown Event Center for Thursday night. Although it had limited capacity, the artist offered a free RSVP for anybody quick enough to snag the link. It was not limited to ticket holders from the first show. Knockdown is known for its top-notch lineups, including its signature event, Wire Festival. Moreover, the artist also booked an afternoon appearance today at the Brooklyn Storehouse from 5-10pm. With tonight’s show also cancelled, we would not be surprised to see a longer/later show at Brooklyn Storehouse tonight. We have not yet heard from Cityfox about alternative plans. Opening Weekend Delay Hours before the doors opened yesterday, the Brooklyn Mirage had to cancel its opening show. It was unable to pass construction inspections necessary to obtain permits so that attendees can occupy the new structure. With high hopes, attendees have waited patiently for updates on the rest of the shows this weekend. Late in the afternoon, the venue posted the sad update that the entire weekend would have to be called off, for now. Early Friday morning, the Brooklyn Paper was reporting that the entire weekend would be cancelled, citing a city building official. Reportedly, there were three construction permits on hold and no definitive timeline was given. Prioritizing transparency and safety for ticket holders, the venue cancelled the remaining shows, including Cityfox, and Black Coffee. However, the venue will refund all the tickets for the weekend. Moreover, they will keep updating the general public. The venue is working closely with city officials to ensure get the permits cleared so that it can open the amazing new Brooklyn Mirage 4.0. We’re standing by for the green light and will keep you posted. The post Brooklyn Mirage Forced To Cancel All Opening Weekend Shows appeared first on EDMTunes.

Déepalma Records is poised to make waves in the deep and organic house scene once again, this time with a dynamic collaboration between the legendary Sandy Rivera (Kings of Tomorrow), rising groove architects Aruhtra & Deeprule, and the deeply expressive vocal artistry of ANNABELLA. Their latest release, ‘My Rose’, landed on April 25, 2025, serving up two compelling versions, each offering its own unique sonic journey. The Original Mix leads the charge—a pulsating, tribal-infused production designed to move dancefloors deep into the night. Fueled by kinetic lead synths, atmospheric piano chord swells, and ANNABELLA’s captivating vocal work, this version delivers a driving, emotive energy that seamlessly bridges underground sophistication with main-stage appeal. For those craving a deeper groove, the Deep Mix steps in with a sultry, hypnotic approach. Rooted in a headier bassline and a steady cowbell groove, this mix takes a smoother route—its lush piano chords and ANNABELLA’s ethereal vocals wrapping around listeners like a warm embrace, making it an essential selection for intimate late-night sessions. With its spellbinding blend of deep organic elements, ‘My Rose’ stands as a testament to Déepalma’s continued curation of world-class electronic music. The anticipation began early, with the radio version of the Original Mix dropping on April 18 across all streaming platforms—an early taste of what promises to be one of the essential releases of the season. Let ‘My Rose’ bloom.

A timeless anthem gets a bold new life as producers Michael Roman and Klaas join forces to release a powerful, techno-driven reimagining of “Tainted Love”, the iconic hit made famous by Soft Cell. Infusing the track with modern production, pulsating energy, and an emotional edge, this rework blends the nostalgic pull of the original with a cutting-edge sound designed for today’s dance floors and playlists. With electrifying synths, a driving beat, and a respectful nod to the past, Michael Roman & Klaas offer a version that is both familiar and thrillingly fresh. “This single isn’t our first collaboration,” shares Michael Roman. “We’ve known Klaas for a long time and have worked together before. I’ve always been drawn to the modern trend of reviving classic hits from the ’70s, ’80s, and ’90s. Klaas shares that same passion, and when the opportunity came up, we knew we wanted to create something big.” After considering a shortlist of nearly a dozen classics, the duo agreed on “Tainted Love” — a track that remains as emotionally potent today as it was decades ago. “There’s something timeless about the emotion in this song,” says Klaas. “We wanted to honor that while bringing in a whole new wave of energy and sound.” Stream Link – https://open.spotify.com/track/14ZpHvSYc2sLItTVg8vfkO?si=d52adb1837b041bb The post Michael Roman & Klaas Reignite a Classic with High-Energy Rework of ‘Tainted Love’ appeared first on EDMNOMAD. View the full article

Photo Credit: Wesley Tingey Sean “Diddy” Combs has rejected the government’s offer to plead guilty to reduce his potential prison sentence as his sex trafficking trial kicks off. Combs appeared in court on Thursday, formally rejecting the US government’s plea offer that would reduce his potential prison sentence if he would plead guilty. When asked by Judge Arun Subramanian if he rejected the prosecution’s plea deal, Combs answered, “Yes, I do, your honor. Thank you.” As the disgraced musician’s federal sex trafficking trial gets underway, at least four witnesses who have already filed civil suits against Combs are expected to testify against him. While the witness list has not been made public, three individuals familiar with the matter told CNN anonymously about those likely to testify. Unsurprisingly, the central witness is Cassandra “Cassie” Ventura, the singer and ex-girlfriend of Combs, who will testify under her real name. The judge has permitted the other three witnesses and alleged victims to testify under pseudonyms to aid in protecting their identities. In court documents, they are referred to as “Victim-2,” “Victim-3,” and “Victim-4.” Meanwhile, a number of supporting witnesses will also testify as government witnesses to corroborate the key witnesses’ accounts or to provide other relevant information. Among those expected to testify is a male sex worker seen in explicit videos of Combs’ “Freak Offs”—sexual encounters he allegedly coerced women into with sex workers, in which one or both parties were drugged and forced to engage in sex acts. Combs is facing over 60 civil lawsuits, which are notably separate from his criminal trial. But many of those lawsuits served as a “roadmap” for prosecutors, according to sources close to the matter. He has pleaded not guilty to charges of racketeering conspiracy, transportation to engage in prostitution, and sex trafficking. Combs continues to vehemently deny all civil allegations against him. View the full article

The much-anticipated reopening of the Brooklyn Mirage was abruptly canceled on Thursday evening after the venue reportedly failed to secure necessary safety approvals from city authorities, halting a sold-out performance by Sara Landry just hours before showtime. In a statement posted to Instagram, the Mirage said the venue had been built to "exacting safety, structural, mechanical and technical specifications" but that it had not met the final inspection deadline. "Abiding by all appropriate city, local and building authorities is paramount to our core value,” the statement added. The venue pledged full refunds for ticket-holders. City officials confirmed that the venue does not currently meet the standards for either a temporary or permanent certificate of occupancy. "We cannot endanger New Yorkers by allowing them to enter a venue without a permit," a City Hall spokesperson said, per Brooklyn Paper. The infamous Brooklyn Mirage, a cornerstone of New York's electronic music scene, had closed for renovations months ago and planned to reopen with an ambitious dancefloor and "groundbreaking" LED technology. But in the days leading up to the reopening, social media posts showed construction equipment still inside the venue, raising doubts about its readiness. Avant Gardner CEO Josh Wyatt pledged to be "100 percent" ready to open May 1st, he told BKMAG this week. But construction records show that three permits tied to the site were placed "on hold" earlier in the week week, pending administrative review. Despite public reassurances from management, including a TikTok posted Thursday morning by Wyatt, the concert with EDM.com Class of 2024 star Landry was called off just before doors opened. In a follow-up statement, the Mirage said it accepted "full responsibility" for the disruption. View the original article to see embedded media.

Stirling, the impressive new talent from Canada makes a bold entrance onto the electronic music scene with his debut release ‘All That Really Matters.’ The rapidly rising Tech House DJ and producer is garnering a host of support from leading industry players and earmarked as an exciting name to watch this season. More than just a first outing, ‘All That Really Matters’ is a powerful statement of intent. Deep, rolling, and emotionally resonant, the track captures a raw club energy that highlights the Alleanza sound. With this release, Stirling joins Alleanza’s growing roster, embodying the label’s commitment to both seasoned artists and emerging talent. his debut sets a strong precedent and marks the start of an exciting journey ahead. Founded in 2011 by Jewel Kid, Allenza Recordings was relaunched last year. Universally known for its electronic-focused releases, primarily navigating from House through to Techno, the label has a substantial discography including a range of successful EPs and LP’s. Hosting a collection of artistic talent, from The Yellowheads to Enrico Sangiuliano, Loco & Jam, and Tom Hades, Allenza Recordings sets to welcome Stirling to their ever-growing family, further cementing their position as an imprint that nurtures the stars of tomorrow. Stirling is a London, Ontario-based artist and, through a sequence of recent events and signings that include Farris Wheel Recordings, he has become recognised for his high-energy sets and punctuated, powerful grooves that instantly ignite the dancefloor. Rooted in club culture from an early age, he translates his musical expression with raw emotion and electrifying rhythms built purposely to move the dancefloor. With a string of releases already lined up for 2025, he’s fast becoming a talent that is registering with international promoters and label heads alike. All That Really Matters is set to drop on all major streaming platforms on May 9th, solidifying Stirling’s and Allenza’s placement in the current electronic music scene. Pre Save: https://found.ee/ALN015

Photo Credit: Jill Sobule for Uncensored Interview / CC by 2.0 Jill Sobule, whose 1995 song “I Kissed a Girl” is widely known as the first openly gay track to hit the Billboard Top 20, has died in a house fire. She was 66. Singer-songwriter and activist Jill Sobule was best known for her 1995 track “I Kissed a Girl,” widely considered the first openly gay-themed song to hit the Billboard Top 20. The 66-year-old Sobule died in a Minneapolis house fire on Thursday morning. Sobule was scheduled to perform in her hometown of Denver tonight at Swallow Hill Music’s Tuft Theatre. Instead, there will be an informal gathering hosted by her friend Ron Bostwick from 105.5 FM. A formal memorial celebrating her life will take place this summer, according to her rep. Her diverse career featured songs like “I Kissed a Girl” and “Supermodel,” which featured on the soundtrack to the film Clueless, and the Drama Desk-nominated autobiographical musical, “Fuck 7th Grade.” That show has enjoyed four theatrical runs in three years, with the original cast recording set to be released on June 6. Born in 1959 in Denver, Sobule released her debut album, Things Here Are Different, produced by Todd Rundgren, in 1990. She recorded a second album with British singer Joe Jackson, but it was not released. In 1995, she signed with Atlantic, but in the years that followed, she has released music on independent labels while working on television and theatrical projects. “Jill Sobule was a force of nature and human rights advocate whose music is woven into our culture,” said her manager, John Porter. “I was having so much fun working with her. I lost a client and a friend today and hope her music, memory, and legacy continue to live on and inspired others.” “Jill wasn’t just a client. She was family to us,” added her longtime attorney, Ken Hertz. “[Jill] showed up for every birth, every birthday, and every holiday. She performed at our daughter’s wedding, and I was her ‘tech’ when she performed by Zoom from our living room (while living with us) during the pandemic.” In 2008, Sobule became a pioneer of releasing albums via crowdfunding. In less than two months, she reached her $75,000 goal with over 500 donations, releasing the album California Years in 2009. Ten years later, she utilized crowdfunding to release her Nostalgia Kills album. View the full article

Out today is Adam Beyer’s latest track, ‘The Distance Between Us‘ ahead of his upcoming album, Explorer Vol. 1, on Drumcode. Having already closed out huge sets at festivals like Ultra and Drumsheds with the new single, ‘The Distance Between Us’ is probably the most unexpected track on the upcoming new album, laser-kissed with new wave synth lines which deftly contrasts last week’s ‘Hypnotic‘s future-facing ethos. “The Distance Between Us is my take on indie-electronic. Arpeggiators, synths, 80s melodies, big hooks. Still not sure where it came from creatively, but I love it.” -Adam Beyer on ‘The Distance Between Us’ The excitement surrounding Beyer’s first album in over 20 years is palpable. Following the LP’s eponymous first single, ‘Explorer‘ which dropped last month, highlights have included the 12,000-person Drumcode party at Drumsheds, a wild Drumcode Pop-up event at an off license in London, while Beyer featured on two billboards in Leicester Square and Stratford to celebrate the album announcement. Now comes two new tracks. Last week saw the release of ‘Hypnotic,’ a collaboration with Toronto producer HNTR, responsible for the viral techno hit ‘Yes B!itch’ with Danny Avila, and his remix of Cloonee’s ‘Stephanie,’ which both became Beatport no.1 records. ‘Hypnotic’ delivers in spades, a massive vibe-bringer that rolls with crunchy percussion and seductive vocal lines. “Originally a tech house idea, but I sent it to HNTR, one of the new talents in the Drumcode family, and he turned it into something bigger and bolder. Classic meets future. He’s someone to watch, and it was great to collaborate with him” -Adam Beyer on ‘Hypnotic’ Adam’s new album, Explorer Vol.1, is out June 13th via Drumcode, pre-save here. About Adam Beyer Adam Beyer is a highly influential Swedish techno DJ and producer, widely regarded as one of the leading figures in the global techno scene. Emerging from Stockholm’s underground in the mid-1990s, Beyer quickly gained recognition for his powerful, driving, and meticulously crafted techno sound. He is the founder of the highly successful Drumcode Records label, established in 1996, which has become a powerhouse in the genre, releasing music from many prominent artists and hosting its own acclaimed events and radio show. Throughout his long and consistent career, Beyer has maintained his status as a top-tier DJ, headlining major festivals and clubs worldwide, celebrated for his technical skill and ability to command dancefloors with his distinct brand of functional, impactful techno. The post Adam Beyer Releases ‘The Distance Between Us’ Ahead Of New Album appeared first on EDMTunes.

Photo Credit: Ethan Wilkinson The Metropolitan Police’s counter-terrorism unit is now actively investigating Irish rap group Kneecap’s online videos. The investigation comes after videos surfaced of the group saying “kill Tory MPs.” The group also expressed support for Hamas and Hezbollah, which are proscribed terrorist organizations in the United Kingdom. The investigation was triggered by two videos, one from a 2023 performance with the statement “up Hamas, up Hezbollah.” Another video from a 2024 concert in London shows a member of the trio appearing to say on stage “The only good Tory is a dead Tory. Kill your local MP.” London’s Metropolitan Police confirmed they were looking into the videos as there are “grounds for further investigation into potential offenses.” “The investigation is now being carried out by officers from the Met’s Counter Terrorism Command and inquiries remain ongoing at this time,” the Met Police spokesperson said in a statement. No charges or arrests have been made at this time. Several Kneecap concerts have been canceled in the UK and Europe following the controversy. After their statements on stage at Coachella, the group lost their US work visa after their sponsor, booking agency Independent Artist Group (IAG), dropped them as clients. Once IAG ended its relationship, the sponsorship was revoked and their visas became invalid. Kneecap has denied supporting Hamas or Hezbollah and claims their comments have been misrepresented. They have also issued statements expressing regret to the families of murdered MPs Jo Cox and David Amess, stating that they do not endorse violence. The controversy around the group has sparked calls from politicians in the UK for Kneecap to be removed from festival lineups including Glastonbury. Meanwhile, many artists and musicians have signed open letters supporting the group’s right to free speech. View the full article

Photo Credit: PBS & NPR President Donald Trump has signed a late-night executive order that will cut federal subsidies for PBS and NPR. The move escalates a long-running political battle over funding for public broadcasters. The executive order directs the Corporation for Public Broadcasting (CPB) and other federal agencies to “cease federal funding for NPR and PBS” as well as root out indirect sources of public financing. The White House says the move is due to “biased and partisan news coverage.” The move marks yet another significant escalation in efforts to reshape the media landscape in the US. Both the NPR and PBS receive roughly $500M in public money annually through the CPB. These cuts threaten to disrupt a wide range of programming including arts, culture, and music coverage that many Americans rely on. The executive order urges CPB to “terminate existing direct funding to the fullest extend permissible by law and refrain from providing future funding.” CPB funding is appropriated by Congress and is not solely at the discretion of the executive branch—so the executive order could run aground of legal challenges. Both PBS and NPR have responded to the EO, calling it an “affront to the First Amendment.” “The President’s overtly illegal executive order, issued in the early hours, jeopardizes our capability to provide educational content to the American public, a service we have maintained for over five decades,” says Paula Kerger, PBS President & CEO. “We are currently evaluating all avenues to ensure PBS can continue supporting our member stations and all citizens.” “We will staunchly defend our right to deliver crucial news, information, and live-saving services to the American populace,” Katherine Maher, NPR President & CEO says about the order. “We will contest this executive order through all available means.” “This matter transcends merely balancing the federal budget. The funding for public broadcasting, which includes NPR and PBS, constitutes less than 0.0001% of the federal budget. The President’s order is an affront to the First Amendment rights of NPR and locally owned and operated stations throughout America to produce and air programming that meets the needs of their communities.” View the full article

When Hurricane Helene ravaged Western North Carolina in September, the storm left much more than physical wreckage in its wake. It destroyed lives. One of the region's most critical lifelines was MANNA FoodBank, whose warehouse in Swannanoa was gutted by the hurricane's catastrophic floodwaters. But even in crisis, the nonprofit didn’t stop. With their infrastructure decimated and supplies ruined, MANNA continued its mission to distribute food to those in desperate need. Asheville-based musician and producer Guy Smith witnessed that resilience firsthand. "The devastation was biblical," he tells EDM.com. "A gut-wrenching catastrophe that slammed us all, and slammed MANNA FoodBank." MANNA FoodBank From that heartbreak rose The Flood: Music for MANNA, a powerful new compilation album. Out now, the 14-track project is a sweeping representation of Asheville's weird and wonderfully eclectic music scene, often dubbed "the Austin of the East." With folk, gospel, blues, rock, experimental music and more, it's a microcosm of the soul of a local music community that refuses to be washed away. "There were so many hero stories," Smith adds. "MANNA stood out because they didn’t miss a beat. Their whole warehouse was trashed, but they were still giving out food within days. That kind of spirit needed to be honored and helped." Every artist on The Flood donated some or all of their publishing royalties to support MANNA's ongoing recovery, and all proceeds from sales of the album will support the organization's efforts. It’s a tapestry of lived experience, conjuring haunting imagery of muddy boots, rising rivers and prayer groups woven with raw vocals and soul-stirring melodies that won’t let the story fade. The songwriting is aching, capturing both the literal and emotional aftershocks of the flood. "I held a man who shook as he cried on my shoulder," Hayley Everett recalls in her devastating lyrics. "I watched a child play in the mud that took his home." "And there were lines, lines for everything," croons Steve Silver. "Water, propane, gasoline, groceries. Ice and cash was king." "Cut off from society, really tested my sobriety," sings Lisa "Sas" Sasdelli. "I’ve never seen this town come more alive." MANNA FoodBank Each song is a window into personal and collective grief, but also into resilience. They chronicle not only what was lost, but what was found in the aftermath: neighbors becoming family, strangers lending hands and a community refusing to break. Seven months later, the small mountain communities of Western North Carolina are still picking up the pieces. To further support the cause, a live benefit concert has been planned for Sunday, May 4th at White Horse Black Mountain, just minutes from Swannanoa, one of the most devastated communities in the region. All 14 songwriters will perform, according to Smith. "This may be one of the most moving shows we’ve ever produced," he says of the donation-based event. "We’re bringing the healing music back to where the destruction was deepest." Stream The Flood: Music For MANNA below. You can donate and learn more here. View the original article to see embedded media. Follow MANNA FoodBank:Instagram: instagram.com/manna_foodbank Facebook: facebook.com/MANNAFoodBank Spotify: spoti.fi/2WHsl2t

HI-LO has delivered a high-impact, peak-time weapon for the summer rave season. Putting his signature driving groove and crisp, punchy percussion to work, HI-LO reshapes Temper’s Intrigue Hard Club Mix into a powerhouse anthem. ‘Work That Body’ will have your body shaking and your feet moving. With a rolling low-end groove, crisp percussion, and commanding vocal hooks chanting the infectious line, “Ain’t nothin’ but tutti-frutti, get on the floor if you’ve got that booty,” HI-LO strikes the perfect balance between big-room power and underground attitude. A staple in recent live sets from techno heavyweights such as Adam Beyer and Joseph Capriati, ‘Work That Body’ is already making a significant impact across the global circuit. Oliver had this to say: “I’ve been loving the resurgence of high-energy Trance, Hard House, Hard Groove, and Speed Garage in the last couple of years, which has been noticeable in my DJ sets and some of my releases as well. When I heard Malugi, one of my favorite DJs who’s part of that resurgence, play the original Hard Club Mix of Temper’s ‘Work That Body’ from 2001 in his Boiler Room debut, I just could not resist updating and reworking that track into a modern peak time Reese bass monster.“ This new version of ‘Work That Body’ maintains the raw, high-energy spirit of the original while infusing it with HI-LO’s signature sharp-edged techno flair, positioning the track perfectly for both massive festivals and gritty warehouse raves. Make sure to check out ‘Work That Body’ below! The post HI-LO & TEMPER ‘Work That Body’ With New Track appeared first on EDMTunes.

Daft Punk have a new wind beneath their wings after a musician released a cheek-clenching masterpiece: a note-for-note "fart cover" of the duo's iconic track "Around the World." The flatulent rendition comes from Bohemian Fart Orchestra, whose slogan promises to "make the world a better place one fart at a time." The anonymous producer has meticulously replaced every chord and synthesizer tone with precisely pitched farts, recreating the melody of Daft Punk's classic in a rework the legendary robots might find both horrifying and hilarious. And somehow, it works. Like an unfortunate case of pinkeye, the cover is surprisingly infectious and recognizable, maintaining the rhythmic quality of the original while adding layers of absurdist humor. Bohemian Fart Orchestra even went as far as creating an animated video featuring a cheeky protagonist, an anthropomorphized butt with cartoonishly large cheeks who travels to various countries around the world. The globetrotting rump visits recognizable cityscapes and cultural landmarks from Berlin to Bangkok and even the North Pole. Whether you find the cover brilliant or juvenile, there's no denying it's a fresh take on an electronic classic. You can watch the video below.

Subtronics and Flowdan return with new single ‘Hunter.’ This is the first time the two have released a track since their first collab ‘Gassed Up,’ in 2022. Subtronics’ cutting-edge sound design, paired with the signature vocals of the famed UK rapper Flowdan, known for the hits ‘Baddadan’ and ‘Rumble’ means this is a guaranteed banger. The track already made its live debut at Subtronics’ sold-out annual Miami Music Week ‘Deadbeats vs Cyclops’ event in March, and again at two sold-out Cyclops Rocks at Red Rocks in April, where Flowdan came out to perform. ‘Hunter’ is primed for a May release on Subtronics’ Cyclops Recordings label. Listen to ‘Hunter’ here. ‘Hunter’ releases separately from Subtronics’ powerful EP Fibonacci Part 1: Oblivion (Cyclops Recordings), which will unfold as two parts and converge into an album, when the second part is released (release date TBD). The eight tracks on Fibonacci Part 1: Oblivion are geared to connect with fans in live sets, while Part 2 will be an entirely different listening journey. Following his fifth annual Cyclops Rocks at the legendary Red Rocks Amphitheatre, next up catch Subtronics at his Las Vegas residency with Wynn Nightlife. Through 2025, he will continue headlining major festivals across the globe. Look for Subtronics in Asia, UK/EU, Australia, and beyond. Listen to Fibonacci Part 1: Oblivion here. The post Subtronics & Flowdan Unveil ‘Hunter’ appeared first on EDMTunes.

With Memorial Day Weekend approaching and festival season picking up momentum, EDMTunes will make its way to Bakersfield, California. It will celebrate another edition of The DoLab’s Lightning in a Bottle (LIB). The Multi-genre, 5-day camping festival is as much of a music festival as it is an arts and culture experience. The festival offers an array of activities, including workshops, yoga, and discussions from May 21-25. From intracultural spiritual experiences to cooking classes, Lightning in a Bottle offers opportunities to deeply engage with the self. This elevates your consciousness into the higher version of yourself. Of course, we can’t forget the main acts, including household names such as John Summit, Four Tet, Subtronics, Troyboi, Sammy Virji, and Monolink. Nevertheless, let’s dive into the hidden gems of the ethereal escapade that is LIB. Here are the top 5 very special, must-see sets to watch: Top 5 Special Sets To Watch Across multiple stages, artists from all over the world will gather by Lake Buena Vista near Bakersfield. They will challenge your senses and provide a one-of-a-kind sonic journey. From experimental R&B, to Lounge, and takeover from fabulous production teams, this Memorial Day Weekend will surely be one to remember. Tinzi & Jojo Tinzo & Jojo are coming from Brooklyn to bring their Book Club Radio to the Crossroads. That’s right, the bosses from the popular NY production are taking over Lightning in a Bottle on the last day. They aim to inspire sick dance moves with multi-genre ecstasy. Their brand is known for keeping the focus away from the DJs, and letting the attendees enjoy the music. It allows attendees to connect with others. Parris Goebel Kiwi Dance and choreography industry leader Parris Goebel will set fire to the decks with a very special set, under the A Club called Rhonda takeover. The artist and creative director has choreographed music videos and live performances for Lady Gaga, Beyonce, Rihanna, Chris Brown, and more. On the EDM side, she has worked closely with Diplo and Troyboi. Goebel will offer her beats for the Rhonda takeover. This is a pansexual, queer-centered dance party that is a staple of the Los Angeles underground scene. Sama’ Abdulhadi Palestinian DJ and producer Sama’ Abdulhadi returns to LIB with a vengeance. She returns after canceling her 2024 appearance due to a knee injury. The Techno DJ showcases her prowess on the decks each time. She blesses international clubs and stages across the world. Highlights include Tomorrowland, Exit, Movement, Amnesia, and Brunch Electronik. Kiasmos Faroese-Icelanic duo Kiasmos will land in Bakersfield for a melody-rich set. Their minimal and ambient-like textures send you on a spiritual journey. Furthermore, they have multiple labels supporting them, such as Erased Tapes Records and Cercle Records. Mary Droppinz Lastly, the multidimensional, multigenre DJ Mary Droppinz returns to Lightning in a Bottle for a set that will drop your jaw to the floor instantly. Her playfulness and mixing have taken her to places such as Red Rocks, Coachella, LIB, Amnesia Ibiza, and more. Whether it is House, Techno, Riddim, Jungle, Deep Wubs, or Detroit Electro, Droppinz commands the dancefloor each time. Tickets are close to sold out, purchase them here! The post Lightning In A Bottle: 5 Very Special Sets To Watch appeared first on EDMTunes.

Kygo’s newest track, ‘Can’t Get Enough‘ featuring Victoria Nadine on vocals, was released yesterday to huge anticipation! Victoria Nadine is a Norwegian pop star who recently teamed up with global superstar Kygo. They wrote a handful of songs together with the help of Jesper Borgen. After quite a bit of work, adjustments, and a full 180 turn on how they initially started developing the track, ‘Can’t Get Enough‘ was born with a focus on the beautiful melodies that complement the tropical house rhythm. When they began writing the lyrics, the song’s title was It Can Never Be Us. But that quickly changed to the complete opposite, as they believed it made more sense for them. Nadine commented, “The first version was the complete opposite of what it is now. The lyrics were not the only thing different, this sound was originally an afrobeats track. So, it’s been a journey, but it ended up being something we’re both really proud of!” Honestly, the song is perfect. The sound is transcending, piano keys shimmer, and the bass sucks you in. The energy practically overflows as the track builds to its climax, only to cut out to a synth as the hook takes hold, “I just can’t get enough, I’m craving your love.” The post Kygo & Victoria Nadine – Can’t Get Enough appeared first on EDMTunes.

As we approach the scorching summer months, multi-platnium trio Cheat Codes have a new smash on their hands. ‘More Than Anybody,’ a collaboration with GRAMMY-nominated vocalist Izzy Bizu and legendary saxophonist Kenny G, is pure dance-pop bliss. Featuring a playful beat from Cheat Codes that highlights their hitmaking ouvere, soulful vocals and upbeat saxophone top off the cathartic new single as every artist brings their absolute best to the track. It perfectly synthesizes evey reason as to why Cheat Codes have dominated the dance and pop space since their inception. Cheat Codes are also excited to announce their 10th anniversary album, Future Renaissance, out this July. More details on the thrilling new project coming soon. The Cheat Codes Momentum Cheat Codes have been on a hotstreak in 2025, with recent performances at Miami Music Week, the EDMA Awards, Academy LA, Echostage DC and more. Forthcoming highlights include a June 28th stop at the Brooklyn Mirage. It comes alongside an EU summer tour featuring a performance at Ushuaia Ibiza. It also oversees a fall tour through Australia and Asia. With over 6 billion streams across platforms, the trio has regularly flown up the ranks of dance and pop radio. They are also renowned for collaborations with the likes of Demi Lovato, Little Mix, Dolly Parton, Lady A, Travis Barker, Icona Pop, Blackbear, and more legendary artists across a massive swathe of genres. They have been acclaimed by Rolling Stone, Paper, Time, Billboard and more. The musicians have shut down The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel LIVE! and Good Morning America. These were done with stunning and show-stopping performances to boot. Over the past four years, the trio has released a series of conceptual projects dedicated to dance, pop, alternative, and country. Consequently, their forthcoming record is sure to be a thrilling selection of their best. The Collaborators Since being named BBC’s Introducing Artist of The Year and also being shortlisted for the Brit’s Critic’s Choice Award in 2016, Izzu Bizu’s career has skyrocketed. Her hit “White Tiger” has become a sensation. It also earned her a new legion of fans on Instagram in 2023 when the sound went viral. The song has gained over 110 million streams on Spotify alone. It became one of the most successful tracks of her career. Her recent collaborations with Odesza, Robin Schulz, KSHMR, Jonas Blue, and Vintage Culture have only added to her impressive musical repertoire. They also helped establish her as a highly sought-after collaborator. As for Kenny G, the sound of his saxophone is as iconic as his curly coif, both are instantly recognizable. Kenny G’s latest release, New Standards is the title of his 19th studio album. It is his first since 2015’s Brazilian Nights and could well be used to describe his four-decade body of work. It encompasses a vision of jazz that helped launch both a musical genre. With the release of ‘More Than Anybody’ and the announcement of their album, Future Renaissance, out this July– Cheat Codes is returning to its roots. They also bring their iconic dance-pop sound back to their discography. Fans can also catch the multi-Platinum trio live in cities across the globe this summer to experience their 10th anniversary magic in-person. Stream ‘More Than Anybody’ here. The post Cheat Codes Prepare New Single & Forthcoming Album Announcement appeared first on EDMTunes.

MxNxSTxR, the side project of Ty Dolla $ign, and trailblazing producer/DJ and electronic music tastemaker Destructo have teamed up for a powerhouse collaboration, ‘What You Need’ feat. Thundercat & Channel Tres. The new track is out across all platforms via Empire. About ‘What You Need’ ‘What You Need’ delivers the long-awaited follow-up to MxNxSTxR and Destructo’s 2022 ‘All Of Me.’ The R&B-infused disco-funk jam is a co-production between DESTRUCTO and MxNxSTxR, creating a fresh set of intoxicating melodies and basslines for the place where the two artists share their passion: the dancefloor. Anyone familiar with ‘Oh Sheit, It’s X’ knows Thundercat thrives on a dance track. Here, Thunder delivers falsetto and thick slabs of bass to a rush of French touch, perfect for under a disco ball or under the sun. Offsetting the heat of the dancefloor or summer sun like a cool breeze comes Channel Tres, his effortlessness and poise made evident with a smooth verse. It all comes together so seamlessly, because everyone here is an expert at what they do. An Intertwined History All four artists share overlapping histories with each other across the 2020s, and ‘What You Need’ is years in the making. The idea was born at a writing session in MxNxSTxR’s studio during the Pandemic lockdowns in LA 2020, followed by 2022’s ‘All of Me,’ the first taste of their project for fans, which amassed over 555,000 plays worldwide. Ty Dolla $ign has appeared on Destructo’s iconic HARD music festivals and Friendship cruises over the years, with MxNxSTxR making his seafaring debut earlier this year. Among the four LA artists are various collabs over the years. Thundercat tapped Ty Dolla for the track ‘Fair Chance‘ from his GRAMMY-winning album, It Is What It Is, and more recently collaborated with Channel Tres on the track ‘Candy Paint‘ from his debut album Head Rush (2024). That same year, Ty and Channel also teamed up for ‘Holy Moly.’ Destructo and Ty’s collaborative efforts stretch back to 2016 with ‘4 Real,‘ a standout track also featuring ILOVEMAKONNEN from Destructo’s Renegade EP. The post MxNxSTxR, Destructo, Thundercat & Channel Tres Team Up For Powerhouse Collaboration, ‘What You Need’ appeared first on EDMTunes.

Cassian, the Grammy Award-winning DJ and producer popular in melodic house and techno, has released his newest track, ‘SOS.’ Building on his extensive career that spans over 160 million streams and over 1.5 million monthly listeners, ‘SOS’ introduces listeners to a dynamic blend of hypnotic rhythms and chants. The track seamlessly combines Cassian’s signature sound with a powerful, infectious house groove that is sure to resonate with our dance community. ‘SOS’ – Cassian ‘SOS’ opens with a vocal chant that quickly builds tension, setting the stage for the driving energy that follows. The rhythm quickly identifies itself as a classic house groove. A short and Cassian build leads to the first drop, where a sticky house kick anchors the track while the vocal chant continues to energize the flow. As the chant fades, a synth melody and male vocals enter, deepening the atmospheric vibe. Just before the track reaches its peak, the vocal chant returns in the breakdown, leading to another build and an even more powerful drop that elevates the energy. Cassian uses this perfect blend of hypnotic vocals and upbeat rhythms to close out ‘SOS’ with an incredible finish that encapsulates the energy of a whole festival moving as one. Cassian’s Journey & Career Cassian’s journey into music began early, with his background in piano and guitar influencing his production style. Initially participating in bands during high school, Cassian found his true calling in Sydney’s electronic music scene. Drawing inspiration from acts like Cut Copy, Tame Impala, and Bag Raiders, he began releasing music in 2009, gaining recognition both online and in live performances. His career reached new heights when he worked with RÜFÜS DU SOL, mixing their albums ‘Bloom‘ and ‘Solace,’ which earned him both ARIA awards and a Grammy nomination. Collaborations and Projects Over the years, Cassian has continued to collaborate with renowned artists across various genres, including Hayden James, What So Not, and Crooked Colours. As the first artist on RÜFÜS DU SOL’s Rose Avenue Records label, Cassian’s versatility as a producer and DJ has become a driving force in the house and techno scene. His collaborations, including the track ‘Magical‘ with Zolly (Phil Slabber of Crooked Colours), showcase his ability to blend electronic music with emotive and experimental touches. Cassian – Upcoming Shows and Tour In 2025, Cassian will continue to captivate global audiences with his new releases ‘Where I’m From‘ and ‘SOS’. His music and performances are popular for their intricate mixes and ability to engage listeners. These traits alone make him a fixture at major festivals and renowned venues. With these new releases marking a new milestone in his career, fans can expect more exciting releases from Cassian in 2025. Cassian tour dates The post Cassian Drops New Track ‘SOS’ appeared first on EDMTunes.

Apple has approved a Spotify iOS update in the U.S. following a ‘landmark’ Epic Games ruling. Photo Credit: James Yarema On the heels of a major ruling in the marathon Apple v. Epic Games legal battle, Spotify has received approval for an updated version of its iOS app in the U.S. The vocal App Store critic Spotify revealed as much in a “Time to Play Fair” blog post. Originally published yesterday (following the April 30th ruling), that post reiterated the streaming service’s long-sought changes on iOS. As many know, those changes include but aren’t limited to enhanced pricing-display details and bolstered payment options for Spotify, which has a decidedly smoother professional relationship with the Play Store operator Google. In the same document, the AI-minded Spotify went ahead and disclosed that it’d already submitted the appropriate update to Apple. Now, the iPhone developer has signed off on the changes. “After nearly a decade,” Spotify added to the original blog post today, “this will finally allow us to freely show clear pricing information and links to purchase, fostering transparency and choice for U.S. consumers. We can now give consumers lower prices, more control, and easier access to the Spotify experience. “There is more work to do, but today represents a significant milestone for developers and entrepreneurs everywhere who want to build and compete on a more level playing field. It’s the opening act of a new era, and we could not be more ready for the show,” the company concluded. Unsurprisingly, given Spotify’s years-running Apple showdown, the victory lap didn’t stop there. The New York Post today put out a friendly interview with CEO Daniel Ek, who took the opportunity to take a parting shot at Apple’s “pretty draconian rules” for app developers. But as Spotify itself acknowledged, “more work” remains in its App Store dispute. First, the streaming service is still entangled in a regulatory confrontation with Apple in the EU, where appeals and fresh fines are in motion. Stateside, Apple CEO Tim Cook yesterday doubled down on plans to appeal the Epic case’s ruling, and it’ll certainly be worth monitoring that process moving forward. Cook’s comments arrived as part of Apple’s earnings call (the Q&A portion of which focused chiefly on tariffs) for 2025’s initial three months. In the corresponding report, the Apple Music operator pointed to $26.65 billion in services revenue for the quarter, up almost 12% year over year. All told, Apple says it has “well over” one billion subscriptions across its suite of services. View the full article

International house music sensation and multi-platinum DJ and producer HUGEL unites with Grammy Award-winning artist David Guetta, multi-platinum songstress Kehlani, and vocalist Daecolm to unveil what will be the anthem of the summer, ‘Think Of Me’. From the very first note, “Think Of Me” wraps listeners in a dreamy, groove-filled sound, capturing the magic of sun-soaked days that meld into endless nights. HUGEL’s signature Latin and Afro-infused beats perfectly complement the lush vocals of Kehlani and Daecolm, while Guetta’s euphoric drops and bright synths infuse the track with bursts of energy. This song brings summer to life, shining on an invigorating beat and uplifting spirit. This powerful collaboration serves as a beautiful sequel of HUGEL’s 2024 global hit, ‘I Adore You’, enhancing his sonic genius and empowering energy. Featuring today’s most influential music tastemakers, “Think Of Me” delivers an infectious and anthemic sound that is both nostalgic and fresh, set to ignite dance floors across the globe. Click ‘Play’ on the Spotify link below to stream ‘Think Of Me’ by HUGEL, David Guetta, Kehlani, and Daecolm, a track that allows everyone to immerse themselves in amazing rhythm under bright, sunny days and illuminating starry nights, especially as summer quickly approaches. The post HUGEL, David Guetta, Kehlani, and Daecolm Present ‘Think Of Me’ appeared first on EDMTunes.