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Frap Tools, a manufacturer of Eurorack modules and accessories alongside professional audio compressors in the 500-Series format, latest venture into the world of high-end keyboard synthesizers with its introduction of MAGNOLIA — announced as an 8-VOICE ANALOG THRU-ZERO FM SYNTHESIZER built to unlock every sound associated with ‘West Coast’ modular synthesis through a classic keyboard interface. As an 8-VOICE ANALOG THRU-ZERO FM SYNTHESIZER, MAGNOLIA unlocks every sound associated with the so-called ‘West Coast’ modular synthesis world with waveshapers, wavefolders, and, most importantly, analog linear TZFM(Through-Zero Frequency Modulation) Indeed, its intentions are made clear from the outset by the on point wording worked tastefully into its (initial) top panel design. No need to necessarily remain there, though, for fat resonant filters and powerful analogue oscillators also allow for more traditional subtractive synthesis sounds. And although a deep and flexible modulation section encourages complex patches with the push of a button and twist of a knob, switching modulations on and off with the TOGGLE function, it is always easy to keep track of what is going on thanks to the inclusion of LEDs (Light-Emitting Diodes) on every source and destination. Digging deeper, MAGNOLIA features eight analogue voices with two oscillators — carrier and modulator — and 24 dB/oct resonant HIGH-PASS and LOW-PASS filters; the carrier oscillator has a through-zero core for precise, sideband-rich analogue FM (Frequency Modulation) sounds, so crystal-like pads to growling basses are available to all with the greatest of ease, while FM can be applied to the filters. Furthermore, sculpting sounds that have not been heard before on analogue polysynths are now perfectly possible, thanks to MAGNOLIA’s unique signal flow — think continuously variable waveform shapes and a wavefolder circuit per voice! Those two oscillators are derived from Frap Tools’ BRENSO (https://frap.tools/products/brenso/), a Euroack module readily representing its creator’s primary analogue source of articulated waveforms whose degree of entanglement can be precisely set by the musician. MAGNOLIA’s Oscillator 1 is the ‘West Coast’ one with TZFM, wavefolder, and FLIP SYNC, while Oscillator 2 is the ‘East Coast’ one, with PWM (Pulse Width Modulation) and fine-tune. Whether wanting experimental FM sounds or punchy synth brass, they are always at anyone’s service. Speaking of Frap Tools’ unique modular soul, MAGNOLIA’s filter section is derived from CUNSA (https://frap.tools/products/cunsa/) — itself a quadruple analogue ping-able multimode resonant filter, saturator, mixer, and oscillator, no less! Musically, MAGNOLIA sports a keyboard from fellow Italians FATAR, with polyphonic aftertouch capabilities for enhanced expressiveness, while a per-part ARPEGGIATOR and per-part 16-step SEQ (sequencer) serve to creatively complement the synthesizer still further. Features briefly worth drawing attention to here by way of ending on some more high notes include MAGNOLIA’s bi-timbral programs (with SINGLE, MORPH, DUAL, and SPLIT MODES); all-analogue signal path; three loop-able DAHDSR (DELAY, ATTACK, HOLD, DECAY, SUSTAIN, and RELEASE) envelopes; three digital LFOs (Low Frequency Oscillators); and 512 preset memory slots. Anyone attending SUPERBOOTH25, May 8-10, FEZ-Berlin, Germany can get up close and personal with two MAGNOLIA pre-production units by swinging by Booth B049 there. Their creatorswill be showcasing them personally, eager to show the results of their hard work, while providing a passionate warm welcome. Frap Tools aim to release MAGNOLIA as a production product by the end of summer, albeit with some differences evident by then. The interface will likely be more refined, featuring digital effects, while some features currently under evaluation could conceivably be removed. While Frap Tools’ Eurorack modules and accessories, plus professional audio compressors in the 500-Series format, are available to purchase online directly from its website (https://frap.tools/), The post Frap Tools to take on high-end keyboard synthesizer market with ‘West Coast’ MAGNOLIA appeared first on Decoded Magazine.

As summer's final sunbeams stretch across the California coast, Kaskade is preparing to bottle them into one unforgettable day of music on the shoreline. He's announced the return of Sun Soaked, his open-air festival, which lands for the first time in seven years on September 6th, 2025. This new chapter for Sun Soaked marks its long-awaited return to Southern California, but in a brand new location, Huntington State Beach. After a seven-year pause, the festival is reemerging with fresh momentum and a lineup that's as golden as the sunset it will soundtrack. For fans, Sun Soaked has always been an invitation to step into Kaskade’s world, where music, community and the Pacific horizon converge. With the move to Orange County, the festival opens a new chapter of celebrating summer’s closing moments. "Sun Soaked is a shapeshifting project," Kaskade said in a press release. "The first year we put it together with grit, sand, music and a lot of tenacity. The second year, we went bigger—and it got better. Bringing it back to Southern California now after seven years is so exciting for me." "I’m a beach guy, I want my toes in the sand and the sun on my face while I do what I love—and I’m hoping there are some people who want to share that with me." Backed by Insomniac Events, the fest is bringing together a cross-section compelling electronic artists, from the masked mystique of Malaa to the melodic drive of MEDUZA. Fan-favorite duos SIDEPIECE and Walker & Royce will show off their signature approaches to house music while Anabel Englund’s hypnotic vocals bring a touch of dream-pop allure, and MPH and SKILAH round out the bill. A pre-sale for Sun Soaked will begin Thursday, May 8th at 10am PT before the general on-sale the next day at the same time. Sun Soaked Follow Kaskade:X: x.com/kaskade Instagram: instagram.com/kaskade TikTok: tiktok.com/@kaskade Facebook: facebook.com/kaskade Spotify: spoti.fi/3fHaUGk

A live performance from Beyonce, who’s updated a promo video to remove a depiction of the Sphere. Meanwhile, Beyhive superfans are swarming the Vegas venue’s social profiles. Photo Credit: Raph_PH One cease-and-desist letter later, Beyoncé has removed a depiction of the Sphere from a video released as part of her ongoing world tour. The clip’s retooled version debuted during a SoFi Stadium concert yesterday, according to Variety. And as we previously noted, it’s been just days since Sphere attorneys penned a firmly worded letter demanding that Beyoncé axe the venue reference. Still live on YouTube, the original video appears to show a colossus Beyoncé picking up and inspecting what looks to be the Sphere. Though seemingly inconsequential, the promo evidently proved a big deal for Sphere brass, and not in a positive sense. At least according to the mentioned attorneys, the video “resulted in significant speculation that Beyoncé will end her tour with a Sphere residency.” As things stand, the Parkwood Entertainment founder intends to wrap the tour in Vegas – albeit with a pair of performances at Allegiant Stadium. Now, with the cease-and-desist having given the Cowboy Carter act until today to nix the Sphere reference, Allegiant Stadium has been incorporated as the replacement. Besides the in-concert debut, the retooled video also made its way into an Instagram post from Parkwood. “What happens in Vegas starts with a BANG,” the appropriate caption reads. At the time of writing, the video had already racked up a healthy 75,000 or so likes on Instagram. In other words, the ostensibly unforeseen conflict is proving beneficial for Beyoncé, who has stops booked into late July. Of course, it’s unclear whether the media coverage will translate into heightened attendance. Many of the reactions here are coming from existing “Beyhive” superfans – see the multitude of bee emoji comments on the Sphere’s Instagram page for proof – who are presumably set to attend in any event. Nevertheless, the exposure won’t hurt; reports have pointed to thousands of available tickets for the SoFi series. More generally, the Cowboy Carter Tour revolves around repeat concerts at only a handful of stadiums. All told, the Houston-born singer is expected to deliver 32 performances at nine total venues. Back to the Sphere, which has teed up a Tomorrowland “multi-sensory adventure” for later in 2025, execs have scheduled their first-quarter earnings call for this coming Thursday, May 8th. View the full article

As summer festival season heats up, Accessible Festivals is again helping people with disabilities get to their favorite music festivals, for free. Applications are now open for the nonprofit’s seasonal Dan Grover Memorial Ticket Grant Program, which provides free access to entertainment outings, concerts, festivals, and conventions for individuals with disabilities and their loved ones. With each festival season, the organization, dedicated to improving accessibility in the live events industry, invites people with disabilities to apply for a pair of tickets to the festival of their choice from a selection of many of the country’s best music events. After grant recipients went to Ultra Miami, Coachella, Beyond Wonderland SoCal, and Dreamville Festival this spring, Accessible Festivals’ summer and fall ticket grants for 2025 include passes to plenty of iconic electronic weekenders, including Beyond Wonderland (Chicago and at the Gorge), Day Trip Festival, III Points, and EDC Orlando. Elsewhere on the list, legendary multi-genre festivals Lollapalooza and Austin City Limits offer bucket-list experiences, along with massive rock events like When We Were Young, Shaky Knees, Minnesota Yacht Club, and both the California and Florida legs of the recently revived Vans Warped Tour. Hopeful attendees can share their diagnosis, life story, and love for music in Accessible Festivals’ online grant application to be considered for the ticket grant. The organization aims to fulfill applications for “individuals that particularly need something to look forward to and lack the resources to purchase a ticket,” and as such, “preference is given to individuals that have recently been injured or diagnosed with a disease, ailment, or disorder that results in a disability,” according to the application. Launched in 2022, the ticket grant honors Dan Grover, who, undeterred by his diagnosis with Muscular Dystrophy at a young age, used his passion for music to become one of the first accessibility consultants in the live music industry, improving ADA operations at festivals like Electric Forest, Outside Lands, and more. Grover passed away in 2022. Since Accessible Festivals was founded in 2014, the organization has headed up a movement to destigmatize disability and create equitable spaces in live entertainment through ADA consulting and inclusion initiatives at events nationwide. Its founder, Austin Whitney, is an ADA compliance director for Coachella, Stagecoach, the PGA Tour, and more. Fans can apply for Accessible Festivals’ Dan Grover Memorial Ticket Grant Program here. For more information, visit accessiblefestivals.org. Featured image courtesy: Insomniac Events. The post Accessible Festivals Opens Summer Ticket Grant Program: Free Passes For People With Disabilities appeared first on EDM Maniac. View the full article

Photo Credit: OpenAI OpenAI announces its plan to remain under a non-profit structure, while continuing with plans to modify its for-profit arm to enable more capital-raising. OpenAI, the artificial intelligence company behind ChatGPT, said it would remain under the control of its nonprofit parent. The company also announced plans to push ahead with the restructure of its for-profit arm, allowing for more capital-raising to keep OpenAI competitive in the AI race. “We made the decision for the nonprofit to stay in control after hearing from civic leaders and having discussions with the offices of the Attorneys General of California and Delaware,” the company announced in a blog post, adding that it would work with significant backer Microsoft, as well as regulators and nonprofit commissioners to finalize its modified plan. The announcement follows an onslaught of criticism for its previous decision to become a for-profit company, in addition to some high-profile lawsuits. One, in particular, was filed by the company’s former co-founder and current rival, Elon Musk, who accuses OpenAI of abandoning its mission to develop artificial intelligence for the good of humanity. OpenAI first announced in December its plans to turn its for-profit arm into a public benefit corporation structured to balance shareholder returns with social goals. This differs from a non-profit, which is singularly focused on the public good. The plan was meant to help the company raise more capital while easing restrictions binding it as a nonprofit—but the ensuing outcry and controversy led the company to rethink things. The company said its non-profit parent will control the public benefit corporation and become a major shareholder. OpenAI board chairman Bret Taylor said the modified structure will operate “extremely close” to the current one. Company CEO Sam Altman called it a compromise to keep investors happy. “We believe this is well over the bar of what we need to be able to fund-raise,” said Altman during a briefing call. He noted there were no changes made to existing investor relationships. OpenAI announced in March it would raise around $40 billion in a new funding round led by SoftBank Group at a $300 billion valuation. This round, however, was contingent on the company transitioning to for-profit status by year’s end. Altman said the AI company would still be able to receive funding from the Japanese tech firm after the impending changes. View the full article

Photo Credit: Live Nation / Rimas Nation Bad Bunny announces an international stadium tour, kicking off in November after his 30-date Puerto Rico residency in September. On the heels of his 30-date residency in his native Puerto Rico on September 14, reggaeton superstar Bad Bunny hits the road for an international stadium tour that kicks off in November. Benito will visit the Dominican Republic, Costa Rica, Colombia, Mexico, Peru, Chile, Argentina, Brazil, Australia, Japan, Spain, Portugal, Germany, Netherlands, United Kingdom, France, Sweden, Poland, and Italy, before a finale in Belgium next summer. Presented by Live Nation and Rimas Nation, tickets for the shows go on sale this Friday, May 9. The tour supports Bad Bunny’s sixth album, Debí Tirar Más Fotos (I Should Have Taken More Photos), released on January 5. Fans suspected a world tour might be in the works, as he had noted his wishes to visit places he had not been previously, including Japan and Brazil. He also mentioned his desire to return to places he hadn’t been to in a long time, such as London, Italy, and Spain. The announcement comes as the star prepares a residency in Puerto Rico, “No Me Quiero Ir de Aqui,” at the Coliseo de Puerto Rico in San Juan beginning July 11. Uniquely, the first nine shows in the residency are exclusive to Puerto Rican residents, while the remaining shows will be open to the public. Bad Bunny is also slated as the musical guest on Saturday Night Live on May 17, with host Scarlett Johansson. The appearance will mark his third performing on the show. Bad Bunny DeBÍ TiRAR MáS FOToS World Tour Dates 2025 November 21 | Estadio Olimpico – Santo Domingo, Dominican Republic December 05 | Estadio Nacional – San Jose, Costa Rica 10 | Estadio GNP – Mexico City, Mexico 11 | Estadio GNP – Mexico City, Mexico Bad Bunny DeBÍ TiRAR MáS FOToS World Tour Dates 2026 January 23 | Estadio Atanasio Girardot – Medellin, Colombia 30 | Estadio Nacional – Lima, Peru February 05 | Estadio Nacional – Santiago, Chile 13 | Estadio River Plate – Buenos Aires, Argentina 20 | Allianz Parque – Sao Paulo, Brazil 28 | ENGIE Stadium – Sydney, Australia March [Date TBA] | [Venue TBA] – Tokyo, Japan May 22 | Estadi Olimpic – Barcelona, Spain 26 | Estadio Da Luz – Lisbon, Portugal 30 | Riyadh Air Metropolitano – Madrid, Spain 31 | Riyadh Air Metropolitano – Madrid, Spain June 20 | Merkur Spiel-Arena – Dusseldorf, Germany 23 | Gelredome – Arnhem, Netherlands 27 | Tottenham Hotspur Stadium – London, UK July 01 | Orange Velodrome – Marseille, France 04 | La Defense Arena – Paris, France 10 | Strawberry Arena – Stockholm, Sweden 14 | PGE Narodowy – Warsaw, Poland 17 | La Maura – Milan, Italy 22 | King Baudouin Stadium – Brussels, Belgium View the full article

Photo Credit: Laurenz Heymann Apple is facing renewed legal scrutiny after the law firm Hagens Berman filed a new class-action lawsuit over Apple’s violations of a federal injunction to reform the App Store. The new class action follows a recent ruling in which a judge found Apple in contempt of a 2021 anti-trust order that stems from the Epic Games case. The 2021 injunction mandated that Apple must allow app developers to direct users to external websites for in-app purchases and subscriptions. That would allow developers to bypass Apple’s typical 15-30% commission fee. The court found that Apple implemented a series of measures intended to circumvent the order—effectively blocking developers from accessing alternative payment methods. They also imposed a 27% fee on payments outside the App Store. “The court ultimately held that Apple willfully violated the injunction to protect its revenues, and then ‘reverse engineered’ justifications to proffer to the court, often with ‘lies on the witness stand,” the class action lawsuit reads. “The evidence showed that while one senior Apple executive ‘advocated that Apple comply with the injunction,’ Mr. Cook ignored this advice and allowed others in his finance team to convince him otherwise. Cook chose poorly,” the lawsuit continues. Hagens Berman alleges that Apple’s actions deprived developers of billions of potential revenue. The lawsuit claims Apple engaged in internal analyses to devise the best ways to sidestep the injunction. Only 34 out of 136,000 developers were able to implement third-party payment options—representing only 0.025% of eligible apps. That’s over the course of a 15-month injunction where app developers were supposed to be able to communicate with their user base about outside payments. “Apple’s lip service concealed its real intentions from the start: to use every trick in the book to subvert the court’s order, in flagrant violation of the law,” Berman said. “This was not a victimless crime.” The new class-action, led by Pure Sweat Basketball Inc. as the named plaintiff, seeks to recover lost revenues for potentially more than 100,00 developers who were forced to pay Apple commissions they should have been able to avoid. If successful, the lawsuit could result in substantial compensation for impacted developers. Hagens Berman previously obtained a $100 million settlement for iOS developers in a previous case concerning the App Store. View the full article

Photo Credit: David Marek / Amazon Music Amazon Music has announced pop-country singer Dasha as the latest Breakthrough Artist to receive support from the platform. She’ll receive bespoke video and audio content across the platform’s playlists and programming. Dasha recently released an Amazon Music Original cover of Gretchen Wilson’s “Here for the Party” in advance of her Mane Stage debut at Stagecoach. The track captures the bold, celebratory spirit of Wilson’s original version while adding her unique and playful flair. “We’ve long been fans of Dasha at Amazon Music. She’s a true presence in country, unafraid to be herself, ruffle some feathers, and make some of the most undeniable music at the intersection of pop and country in creative memory. We look forward to helping make her creative vision a reality. We’ll see you all in Dashville, USA,” adds Michelle Tigard Kammerer, Head of Country Music for Amazon Music. “I feel incredibly honored to be selected for Amazon Music’s Breakthrough program,” shares Dasha. “I’ve got big plans for my fans, and it’s great to have the team at Amazon Music helping to make those plans a reality. Amazon Music has really embraced me and my creativity and we’re working on putting together things I’ve been wanting to do since day one. Stay tuned.” Breakthrough is Amazon Music’s program to support emerging artists, aimed at amplifying the best new talent and championing them at the most crucial moment in their careers. The platform works with each Breakthrough artist and their teams to develop long-term, customized, global plans that are unique to each artist—with no two Breakthrough campaigns looking the same. Recent Amazon Music Breakthrough artists include Nate Smith, Bailey Zimmerman, and BRELAND. Breakthrough includes increased visibility across their stations and playlists including Amazon Country Music’s global playlist ‘Country Heat.’ It also includes increased visibility from livestream performances including festivals, bespoke marketing activations and events, social promotion, merch offerings, Amazon original songs, editorial content, and more. View the full article

Healthy King! It seems like benders aren’t the only thing keeping you hot and skinny in Miami! Superstar producer and DJ John Summit celebrated Miami Race Week early with a one-of-a-kind workout at the world-famous Club Space in Miami, Florida. The artist attended the high-intensity, interval training session alongside fans, days before he hopped on the decks for a signature marathon set, where he usually plays 8+ hours into the afternoon. “SUMMHIIT” The Experts Only label head is taking a different approach to health. He informed the public that he had completed his latest tour fully sober without alcohol this past March. Thus, Club Space is the perfect mixture of feral activities and balance. The venue, known for never-ending parties, also hosts “420” yoga on Saturday afternoons. The local instructor, Rick Chavez, delivered the high-intensity routine Thursday afternoon. Fans enjoyed a fun and hardcore workout alongside “Daddy Summit”, including participation from Dubstep DJ Sullivan King. Afterwards, Summit took over the Terrace Sunday morning for his signature marathon set, alongside Roddy Lima, Malone, Jason Rault, and resident DJ Monoky. Up Next Summit will continue into the summer with his Vegas residency for the Fontainebleu Hotel, with appearances at LIV Nightclub and LIV Beachclub. Moreover, the DJ returns to Movement Music Festival in Detroit and will have his debut at Lightning in a Bottle in Bakersfield. Later, he will perform at Bonnaroo and Arc Music Festival. In Canada, he is performing at Veld and IleSoniq. Furthermore, John Summit will head to Europe for performances in Czech Republic, Germany, France, Spain, England and Greece. The post John Summit Hosts Special Workout Session At Club Space appeared first on EDMTunes.

Marking his first EP release in two years, Slushii is back onto the scene with Operation: Overload, a commanding statement that showcases his musical evolution. Far from a simple rehash, this collection of tracks sees the multifaceted producer digging deep, delivering a project that oozes vulnerability and sonic creativity. For those who’ve followed his genre-bending journey, Operation: Overload is his declaration: Slushii is back, and he’s operating on a whole new level. The EP is kickstarted with new singles ‘It’s Not Over (Til It’s Over)‘ and the unexpected yet infectious collaboration ‘Wanna Be The One,’ which sees Slushii teaming up with the legendary DJ Whoo Kid and the smooth flow of Seddy Hendrinx, and these are just two out of the 8 tracks on the EP. From soaring synth melodies that evoke lush landscapes to bass drops that hit with visceral force, Slushii crafts an environment for listeners to truly lose themselves in. Tracks like the radiant ‘Even Without You‘ immediately establish a mood of uplifting euphoria, a hallmark of Slushii’s more melodic side. In stark contrast, ‘Psychosis,’ featuring the captivating vocals of Sofia, plunges into a darker, more intense realm, its hypnotic rhythm tailor-made for late-night dance floors. Even the emotionally charged ‘I Wish You The Best‘ finds its power in an energetic trance framework, elevated by ethereal textures. What stands out in Operation: Overload is Slushii’s bold genre-hopping, giving listeners a variety of tastes, truly “Overloading” the senses. He navigates the realms of dubstep, trap, house, lo-fi, and trance with a confident hand, showcasing not just versatility, but just how much of a veteran architect of sound he is. With more new music, creative projects, and major announcements slated for this summer, his latest EP is just the starting launchpad for what is to come. Follow Slushii on socials down below! ABOUT SLUSHII Slushii is a genre-defying DJ, producer, and multi-instrumentalist shaping the future of electronic music with his immersive soundscapes and high-energy performances. Boasting over 3 million monthly Spotify listeners, he has captivated global audiences with viral hits like “Luv U Need U” and “All I Need”, as well as collaborations with industry heavyweights Marshmello, Steve Aoki, Jauz, and Zedd. His ability to seamlessly fuse euphoric melodies with explosive drops has solidified his reputation as a festival mainstay, lighting up the stages of EDC Las Vegas, Ultra Music Festival, and HARD Summer. A true innovator, Slushii’s artistry extends beyond the mainstage. His ambient side project, Sapientdream, showcases his introspective sonic storytelling, culminating in the 2023 streaming phenomenon “Past Lives”, which has amassed over 168 million streams on Spotify. Kicking off 2025 with major momentum, Slushii joined forces with HYO (Girls’ Generation) for their electrifying Monstercat release, “Money”, setting the tone for what promises to be his biggest year yet. As both Slushii and Sapientdream, he released the viral track “Past Lives,” which later caught the attention of The Chainsmokers and received an official remix, bridging his introspective and mainstream appeal. Beyond music, Slushii’s creative universe spans anime, gaming, and digital art, reflected in his self-designed merch, original comics, and immersive live show concepts. Producing, mixing, and mastering his own work, he has built his career on independence and innovation, constantly pushing boundaries and redefining his sound. The post ‘Operation: Overload’: Slushii’s Genre-Bending EP is Here appeared first on EDMTunes.

Insomniac’s Basscon brand is back with the full lineup for Wasteland 2025. The fan-favorite SoCal hard dance event will bring top-notch selectors in hardstyle, rawstyle, hardcore, uptempo, and other high-octane subgenres to San Bernardino, California’s NOS Events Center for its 12th edition this August 29-30. Wasteland’s 2025 lineup features a host of hardstyle heavy-hitters and emerging names alike, including Brennan Heart, Coone, Lil Texas, Lady Faith, Casska, Clawz, D-Sturb, and Restricted, plus anticipated collaborative pairings like Audiofreq B2B Code Black and Devin Wild B2B Keltek. This year’s edition also sees Basscon continue to lean into the surging sounds of hard techno, with sets from Cera Khin, Don Woezik, DIØN, Oguz, and MANDY, while big room titan Timmy Trumpet is also sure to ramp up the BPMs in a rare hard dance festival appearance. Check out the full lineup below. Since 2013, Basscon has brought the hardest styles of dance music to an exceedingly passionate community of kick drum lovers in Southern California and beyond, from its flagship Wasteland festival and massive annual calendar of club shows, to satellite showcases at Insomniac festivals, and even its label arm, Basscon Records. Registration for first ticket access to Basscon presents Wasteland 2025 is now open here. Passes go on sale this Friday, May 9, at 12PM PT. For more information or to purchase tickets, visit wasteland.bassconmassive.com. Featured image courtesy: Insomniac Events. The post Insomniac’s Basscon Drops 2025 Lineup For Wasteland Hard Dance Massive appeared first on EDM Maniac. View the full article

Insomniac’s Basscon brand is back with the full lineup for Wasteland 2025. The fan-favorite SoCal hard dance event will bring top-notch selectors in hardstyle, rawstyle, hardcore, uptempo, and other high-octane subgenres to San Bernardino, California’s NOS Events Center for its 12th edition this August 29-30. Wasteland’s 2025 lineup features a host of hardstyle heavy-hitters and emerging names alike, including Brennan Heart, Coone, Lil Texas, Lady Faith, Casska, Clawz, D-Sturb, and Restricted, plus anticipated collaborative pairings like Audiofreq B2B Code Black and Devin Wild B2B Keltek. This year’s edition also sees Basscon continue to lean into the surging sounds of hard techno, with sets from Cera Khin, Don Woezik, DIØN, Oguz, and MANDY, while big room titan Timmy Trumpet is also sure to ramp up the BPMs in a rare hard dance festival appearance. Check out the full lineup below. Since 2013, Basscon has brought the hardest styles of dance music to an exceedingly passionate community of kick drum lovers in Southern California and beyond, from its flagship Wasteland festival and massive annual calendar of club shows, to satellite showcases at Insomniac festivals, and even its label arm, Basscon Records. Registration for first ticket access to Basscon presents Wasteland 2025 is now open here. Passes go on sale this Friday, May 9, at 12PM PT. For more information or to purchase tickets, visit wasteland.bassconmassive.com. Featured image courtesy: Insomniac Events. The post Insomniac’s Basscon Drops 2025 Lineup For Wasteland Hard Dance Massive appeared first on EDM Maniac. View the full article

Photo Credit: De’Andre Bush Trump announces a 100% tariff on movies produced outside the US, saying the American movie industry is ‘dying’ due to incentives in other countries. President Trump announced a 100% tariff on movies produced outside the US. He claims the American film industry is “dying” a “very fast death” due to incentives offered by other countries to entice filmmakers. “This is a concerted effort by other Nations and, therefore, a National Security threat. It is, in addition to everything else, messaging and propaganda,” Trump wrote on his Truth Social. “WE WANT MOVIES MADE IN AMERICA, AGAIN!” The president added that he was authorizing relevant government agencies like the Department of Commerce to impose a 100% tariff on all films produced outside the United States that are then imported. Commerce Secretary Howard Lutnick wrote on X/Twitter: “We’re on it.” It’s not yet known whether the tariffs would apply to films released on streaming services in addition to those shown in theaters. It’s also unclear whether tariffs would be calculated based on box office revenue or production costs. Notably, in January, Trump appointed Hollywood veterans Jon Voight, Sylvester Stallone, and Mel Gibson as “special ambassadors” to help restore Hollywood’s “Golden Age” of filmmaking. Both film and television production have been exiting Hollywood for years, preferring locations with tax incentives that make it cheaper to film there. Many popular filming locations worldwide have increased credits and cash rebates to attract production and earn a greater share of the $248 billion predicted to be spent globally this year to produce film and television. “These tariffs, coming after COVID and the recent slowdown, could deal a knock-out blow to an industry that is only just recovering,” said Philippa Childs, head of British media and entertainment union Bectu. According to Childs, the tariffs would also threaten tens of thousands of jobs of freelance filmmakers in the UK. Film and TV production in the UK was worth 5.6 billion GBP ($7.45 billion) in 2024—an increase of 31% over the year prior, according to the British Film Institute. “I think the most likely consequence is not that more productions will be done outside of America, or more productions would be done in America, but probably that just fewer productions will [be made],” said Scott Roxborough, Hollywood Reporter Europe Bureau Chief. Television and film production in Hollywood has fallen by nearly 40% over the last ten years. The wildfires in January only worsened concerns that producers may need to continue looking outside the Los Angeles area. Many industry workers, including camera operators, sound technicians, costume designers, and more, have considered moving out of town as opposed to trying to rebuild their neighborhoods and businesses in Los Angeles. View the full article

Myke Towers puts his racing skills to the test while attending a Formula 1 Miami Grand Prix activation in support of F1 The Album. Photo Credit: Warner Music Group The F1 marketing wheels – and the soundtrack-promotion wheels – are already in motion. Days removed from the F1 The Album lineup announcement, several of the involved artists attended the Miami Grand Prix over the weekend. Formula 1 emphasized as much on social media, and Warner Music Latina took the opportunity to put out a formal release about Myke Towers’ attendance. The Puerto Rican artist has recorded a new track, “Baja California,” for the Apple Studios-produced film, which stars Brad Pitt and is set to hit North American theaters on June 27th. Among different things, the Miami Grand Prix yesterday featured an “experiential activation” tied specifically to the F1 soundtrack. On cue, invited influencers took to social media to provide looks at the activation – including not just racing simulators, but an Apple Music-branded DJ booth focusing on F1 The Album. Debuting in tandem with the movie, said album will release on streaming, vinyl, CD, and cassette alike. On the streaming side, Apple Music is plugging the project with a pre-release page; Spotify has taken things a step further by adding a release countdown. When it comes to vinyl, the likes of Target and Amazon have teed up limited-edition products; Amazon settled on $27.98 a pop here, with a $14.98 price point for the cassette version. Meanwhile, the Miami Grand Prix also went ahead and (by Warner Music’s description) “replaced drivers’ names above the garages with those of the artists featured on the official soundtrack.” Additionally, Towers participated in a pre-race grid walk. In other words, the music and artists behind F1 are receiving quite a promotional push, and it’ll be interesting to see how much of a boost they ultimately enjoy from the movie. Keeping the focus on racing blockbusters, the Fast & Furious franchise has certainly helped propel tracks into the commercial stratosphere. And with a hefty 150-minute runtime, F1 definitely has room for songs, 17 of which are featured on the soundtrack album. That includes efforts from Atlantic acts Don Toliver, Ed Sheeran, Roddy Ricch, and Rosé – with Raye, Chris Stapleton, Doja Cat, Tate McRae, and more on board as well. Back to the Miami Grand Prix, Toliver, Ricch, and Rosé (besides fellow Blackpink member Lisa) were likewise in attendance. On the performance side – live music factored prominently into the event to boot – Hard Rock’s “trackside stage” welcomed Kygo, Cedric Gervais, Kaskade, Steve Aoki, Sofi Tukker, and Pitbull. View the full article

One of the Czech Republic’s most streamed artists, MIKOLAS, launches a brand-new musical era with the release of his single SAMBA, the first track from his highly anticipated second studio album, II. Alongside this release, MIKOLAS announced his return show in Lucerna Great Hall (2500 capacity) which sold out in little over 7 minutes. “I am both humbled and excited. Its a huge responsibility towards the fans and I know they are up for a great show. I cant wait.” Following the triple platinum success of his debut album ONE (source: IFPI, released March 22, 2024), which just recently surpassed 120 million Spotify streams, SAMBA offers fans a taste of what’s next: the darker, fiercer alter ego version of MIKOLAS. To celebrate, MIKOLAS hosted a grand VIP release party on April 24 in Prague – his first fan-centered live event in years. Fans were able to enter the event for free by signing up through his fan portal at www.mikolas.com. Announced just a week in advance, the night featured a live performance of MIKOLAS’s biggest hits, the live premiere of SAMBA, exclusive merchandise, welcome drinks for fans, and a personal meet & greet for the first 100 attendees. In another surprise move, MIKOLAS unveiled his very own magazine, EMPIRE, during release week. Written in a personal diary style, he invites his fans into the inner circle and opens up directly to them. “I wanted to create a one-of-a-kind, no-filter connection between me and the people who follow me on this crazy journey. And I love it.” He shares an in-depth personal journal of the making of the album and the single SAMBA. He also speaks candidly about the struggles on his journey back to Eurovision, revealing that both SAMBA and DELILAH were considered for a return to the Eurovision stage. He breaks down the meaning of SAMBA, answers fan Q&As with advice on confidence, creativity, and the realities of chasing your dream. He lovingly dedicates the first issue to Parketa, MIKOLAS’s late tour manager, and Anna Slováčková, a friend and fellow artist – both of whom passed away recently. The magazine invites readers into the mind of MIKOLAS, offering a rare and intimate perspective on his life and creative process. It is available through the fan portal on his website. The single also carries a social message, with MIKOLAS dedicating SAMBA to single parents. After sharing a personal story of single parenthood in his family through EMPIRE, he says: “It opened my eyes to just how real the struggle of single parents is. It’s not a side story—it’s everywhere. And it deserves attention.” To close out a week of surprises, MIKOLAS announced during the release party that he will hit the Majáles Rap Stage in Prague on April 26 (Biggest festival in the Czech Republic) for the first public performance of SAMBA, marking his return to Czech festival stages with a brand-new energy. His sophomore album II is expected to arrive later this year. MIKOLAS www.mikolas.com SPOTIFY INSTAGRAM TIK TOK YOUTUBE

Photo Credit: Johnathan Kemper President Trump has stated he will extend the TikTok sale deadline for a third time if a deal is not struck by the mid-June deadline. It’s unclear if any negotiations with ByteDance will be successful—especially since there’s seemingly no pressure to get a deal done by any deadline. The deadline for Chinese company ByteDance to divest from the platform is now June 19 after being extended twice. The ban was originally supposed to be effective January 19 after being signed into law by former President Biden. But the law also contains a provision that allows the deal to be extended if negotiations are being made in good faith. The first 75-day extension allowed the platform to continue to operate from January 19 to April 5. Throughout that three-month period, several Trump officials—including Vice President JD Vance—assured the public that a deal was being worked on behind the scenes. When the April 5 deadline approached, President Trump issued another 75-day extension from April 5 to June 19. Now Trump has signaled he’s willing to kick this can further down the road. In an interview with ‘Meet the Press with Kristen Welker,’ Trump admitted he has a sweet spot for the app after it was crucial in winning young voters to his side. “TikTok is very interesting, but it will be protected,” Trump told Welker during that interview. A deal was in the works to spin off TikTok’s U.S. operations into a new firm based in the United States and majority-owned by U.S. investors. However, China has indicated it would not approve any deal following Trump’s steep tariffs on Chinese goods. A source close to ByteDance’s U.S. investors said the prospective deal work continues behind the scenes, but that the tariff dispute between the U.S. and Beijing would need to be resolved first. View the full article

Cassian has released a new single, "SOS," marking his debut on John Summit's Experts Only label. It's the latest high-profile debut for the Aussie DJ and producer, who is currently gearing up for his first-ever performance on Tomorrowland's storied Mainstage this summer. Cassian, who was recently honored by EDM.com as one of 2024's top audio engineers, also performed at the record-breaking Las Vegas Sphere as part of Anyma's groundbreaking "End of Genesys" residency and served as its Music Director, "overseeing the entire audio experience," according to a press release. Perhaps best known for his cinematic flourishes in melodic house music, Cassian slinks into darker techno territory here, and the result is as polished as it is punishing. He produces a layered, driving bassline and laces the arrangement with operatic vocal hooks, giving it a dystopian edge. Playfully opening up about the track's origins, Cassian said someone told him he looked like the Easter Island statues, or moai, the massive stone figures carved by the Rapa Nui people to honor ancestors. "Someone told me I look like the Easter Island statues, so at the start of the year, I went on a trip to check them out in the flesh," he said. "When I arrived, they started singing this song to me. I quickly recorded it and then was immediately possessed by a spirit who sampled it and produced it into 'SOS' So I guess it was a spiritual ghost producer." You can listen to "SOS" below and find the new single on streaming platforms here. Follow Cassian:X: x.com/_cassian Instagram: instagram.com/cassian TikTok: tiktok.com/@cassian Facebook: facebook.com/cassian88 Spotify: http://bit.ly/3yJJ5c1

They say every penny counts, and a low-cost UK ticket levy has proven that is very much the case. The voluntary scheme was first introduced last year and asked artists to pay forward just £1 from every arena or stadium ticket sale – and it has already helped raise £500,000 for grassroots venues. According to a new statement from the LIVE Trust, the voluntary pledge of £1 per ticket has just amounted to half a million pounds. Plenty of artists have helped contribute towards the figure, with Enter Shikari being one of the first acts to push for the levy in 2023. Since its official introduction, a slew of artists have voluntarily supported the scheme, from Diana Ross to Pulp. READ MORE: Two dance venues open in East London in quick succession – is the UK’s nightlife scene looking up? The £1 pledge can be applied to any arena and stadium show with a capacity of over 5000, and the scheme has received mass support from artists and fans alike. Just last week, a survey conducted by Music Fans’ Voice found that, of the 8,000 music fans surveyed, 93% of respondents supported the levy. 99% of respondents also agreed that live music is an important part of UK culture, and 30% said they visit a grassroots venue monthly. Jon Collins, the CEO of the LIVE Trust, has praised the public’s support of the scheme. “This is a welcome milestone for the LIVE Trust and marks a very significant contribution to the grassroots live music sector,” he says. “What this demonstrates is that there is a real appetite from performers and their teams to support the wider live ecosystem and we applaud and thank those that have already taken this initiative,” he adds. “Whilst this is an excellent start there is still much work to do if we are to convince government that a voluntary rather than statutory levy is both workable and sustainable.” Alongside the levy, plenty of artists have been raising funds in support of grassroots venues. Singer Kate Nash has been particularly vocal as of late, speaking up about venue closures and the costs of being a touring musician. “We’re almost at collapse,” she told NME last year. “It can only go on to be something we all complain about behind the scenes for so long until you start to see it crumble.” “The reality is that touring is making losses, not profit. The grassroots is in absolute crisis. Venues are closing, festivals are being cancelled. People are thinking, ‘What’s the point in starting a band?’ and ‘How can I as an artist carry on?’” The post The £1 ticket levy scheme has already raised £500,000 for grassroots venues appeared first on MusicTech. View the full article

Vulnerability transforms into power in IMANU's new EP, Entangled, out now via Zeds Dead's Deadbeats. The EDM.com Class of 2023 artist once again delivers a masterclass in structural subversion, bending genres and tossing conventions into a shredder. But he maintains a melodic accessibility, mapping the neurochemistry of heartbreak across five tracks that refuse to let listeners maintain emotional distance. "Hush" is a surefire highlight, KROY's feathery vocals floating above a dark and dreamy trap beat that feels almost comforting until you realize the production is steadily devouring you. The effect mirrors the track's lyrical desperation, a love so consuming it borders on self-destruction: "Every bridge I ever crossed, it gives me power to / Hold on to you like it's the last thing I will ever do." Elsewhere, "All Too Late" showcases IMANU's technical virtuosity as jungle breaks splinter and reform with finesse. Rhode's revelation that "beneath the surface it's all decay" lands with particular potency, suggesting that the dazzling production complexity might simply be disguising our collective emotional erosion. He closes out Entangled alongside Flux Pavilion with "Kintsugi," a haunting track where the Japanese art of repairing broken pottery with gold serves as perfect metaphor for the EP. Tasha Baxter's lyrics declare her transformation through damage, a masterful closing statement that suggests destruction might be the most authentic form of creation: "This time the wall hit me back / Fine china breaks on impact / You don't know the new me / Being put together differently." You can listen to Entangled below and find the new EP on streaming platforms here. Follow IMANU:X: x.com/imanumusic Instagram: instagram.com/imanumusic TikTok: tiktok.com/@imanunami Facebook: facebook.com/imanumusic Spotify: spoti.fi/3ch9dPG

Pop superstar Beyoncé has reportedly received a legal warning from the head of the Las Vegas Sphere over a video shown during her new Cowboy Carter concert. James Dolan, who runs Madison Square Garden and the massive Sphere venue, isn’t happy about the clip. The video in question shows a giant animated version of Beyoncé walking through the Las Vegas skyline and then playfully picking up the Sphere. Lawyers for Dolan’s company, Sphere Entertainment Group (SEG), sent Beyoncé’s team a cease-and-desist letter, claiming the video infringes on their intellectual property rights. According to the letter, the depiction has led people to think Beyoncé might be planning a residency at the Sphere. The lawyers stated that SEG never gave permission for the Sphere to be shown and manipulated in the video. They’ve given Beyoncé a Monday deadline to stop using the imagery in her videos, merchandise, and promotional materials. It was previously reported that Beyoncé’s plans for a Sphere residency fell through last year. Apparently, the venue couldn’t accommodate her request for two weeks of rehearsal time, and there were also disagreements over the cost of a high-tech production. Now, she’s reportedly considering a deal with MGM, a rival of the Sphere. Beyoncé’s Cowboy Carter tour just kicked off in California and includes stops in major cities like Chicago, Houston, and London. The Sphere Entertainment Group warned that if Beyoncé doesn’t comply with their demands, they will take further legal action. [H/T] Digital Music News The post Beyoncé Faces Legal Cease-and-Desist For Las Vegas Sphere Video appeared first on EDMTunes.

This weekend, the Australian electronic music band, Rufus Du Sol, cemented their larger-than-life status with an Ultra-sized Miami homecoming show. Why is it a homecoming to Miami, you ask? Well, during a concert interlude, the band spoke on how they moved to Miami about 3 years ago, following many other electronic artists who have done the same. They mused on working in a studio producing music right across the street from Miami’s legendary Bayfront Park, home to Ultra Music Festival. Whereas the previous two Rufus Du Sol album tours in Miami were in the amphitheater, this show went much much bigger. In a show of just how dominant a musical and cultural force Rufus Du Sol has become, the band outgrew the typical Bayfront Park amphitheater setup. Instead, a huge mainstage was constructed on the very spot where Ultra’s mainstage sat just over a month ago. The crowd and the vibes had the magic of Ultra in the air. The band treated their new home to an emotional journey through their discography, punctuated with gorgeous production and a spellbound audience. As is frequently the case with Rufus Du Sol album shows, the concert heavily featured tracks from their Inhale/Exhale album along with a smattering of their biggest classics throughout the years. What’s always so striking about these concerts is just how deep the beloved discography is. When each track concludes and you think they’ve hit all of your favorites, they go right into another one. The energy throughout the show was relentless and the Bayfront Park grounds were filled to the brim with throngs of people hands up in the air waving and singing along with every lyric. As is tradition, the band closed out their homecoming weekend with a DJ set at Club Space bright and early at 8am on Monday morning, in another show of their versatility and talent. It’s a shame that we’ll have to wait another few years before we get another Rufus Du Sol album show in Miami, but we’re already eagerly awaiting the next opportunity to dance with them and thousands of our best friends again soon The post Rufus Du Sol’s Ultra-Sized Miami Homecoming appeared first on EDMTunes.

Showcation festival is bringing top dance talent and fun-filled amusements to its summer camp of dreams in Maryland this month. Helmed by Brooklyn-based party outfit Pretty Good Show, the three-day “summer camp for adults” is back for its second year at the quaint Camp Ramblewood in Darlington, situated about an hour’s drive Northeast from Baltimore, this May 16-18. Festival scene legends Feed Me and Justin Martin will bring their delightfully delirious beats to Showcation’s sophomore edition as phase two headliners for 2025, while the top-notch tunes continue with performances from funky house favorites The Sponges, the rising trap and dubstep talents of Nikita, The Wicked and Seth David, bass music beatboxer HerShe, and many more. DJ sets, however, are just the beginning. More than a music festival or a transformational retreat, Showcation preaches a fun-loving, “choose-your-own-adventure experience,” according to organizers, reimagining the carefree summer nights of childhood with a huge bill of activities—ranging from beloved camp pastimes like arts & crafts, canoeing and kickball, to unique experiences like a daily “Camp Olympics” competition, tomato food fight, beatbox battle, pool parties, and its very own “Project X”-inspired house party. Elsewhere, attendees can catch sets from hilarious comedians and troupes like Clown Cult, Sean Millea, Jive Joint, and more in Showcation’s Comedy Barn, or stop by “Gamblewood” for some no cash, no limits betting with festival staple Frick Frack Blackjack, among dozens more experiences. Check out Showcation’s full 2025 music and experience programming below. “Showcation was never just about the lineup. It’s about building a new type of multi-day weekend that actually makes it easy to meet people,” Showcation camp director James Corcoran said in a press release. “For phase two, we went all in on the heart of our event: the activities, the absurdity, the moments that catch you off guard in the best way.” Attendees who prefer a little comfort with their camping can also book on-site group cabins and all-you-can-eat meals, meaning no more granola bars for dinner. Better yet, free showers are available to all campers throughout the weekend. A limited supply of three-day general admission tickets to Showcation 2025 is available in its final tier at $249. For more information or to purchase tickets, visit showcation.live. Featured image courtesy: Pretty Good Show. Credit: Sayzar C. The post Showcation Festival Taps Top DJs & Endless Summer Camp Fun For 2025 appeared first on EDM Maniac. View the full article

Showcation festival is bringing top dance talent and fun-filled amusements to its summer camp of dreams in Maryland this month. Helmed by Brooklyn-based party outfit Pretty Good Show, the three-day “summer camp for adults” is back for its second year at the quaint Camp Ramblewood in Darlington, situated about an hour’s drive Northeast from Baltimore, this May 16-18. Festival scene legends Feed Me and Justin Martin will bring their delightfully delirious beats to Showcation’s sophomore edition as phase two headliners for 2025, while the top-notch tunes continue with performances from funky house favorites The Sponges, the rising trap and dubstep talents of Nikita, The Wicked and Seth David, bass music beatboxer HerShe, and many more. DJ sets, however, are just the beginning. More than a music festival or a transformational retreat, Showcation preaches a fun-loving, “choose-your-own-adventure experience,” according to organizers, reimagining the carefree summer nights of childhood with a huge bill of activities—ranging from beloved camp pastimes like arts & crafts, canoeing and kickball, to unique experiences like a daily “Camp Olympics” competition, tomato food fight, beatbox battle, pool parties, and its very own “Project X”-inspired house party. Elsewhere, attendees can catch sets from hilarious comedians and troupes like Clown Cult, Sean Millea, Jive Joint, and more in Showcation’s Comedy Barn, or stop by “Gamblewood” for some no cash, no limits betting with festival staple Frick Frack Blackjack, among dozens more experiences. Check out Showcation’s full 2025 music and experience programming below. “Showcation was never just about the lineup. It’s about building a new type of multi-day weekend that actually makes it easy to meet people,” Showcation camp director James Corcoran said in a press release. “For phase two, we went all in on the heart of our event: the activities, the absurdity, the moments that catch you off guard in the best way.” Attendees who prefer a little comfort with their camping can also book on-site group cabins and all-you-can-eat meals, meaning no more granola bars for dinner. Better yet, free showers are available to all campers throughout the weekend. A limited supply of three-day general admission tickets to Showcation 2025 is available in its final tier at $249. For more information or to purchase tickets, visit showcation.live. Featured image courtesy: Pretty Good Show. Credit: Sayzar C. The post Showcation Festival Taps Top DJs & Endless Summer Camp Fun For 2025 appeared first on EDM Maniac. View the full article

Once a cornerstone of Spain’s summer tourism economy, Ibiza is now grappling with a dramatic 56% drop in travel interest for the 2025 season. The decline is fueled by a growing backlash against overtourism, escalating local protests, and increasingly strict regulations aimed at reining in the island’s infamous party culture. From alcohol bans and restrictions on party boats to public demonstrations and strained infrastructure, the island’s carefree image is giving way to a more complex reality, prompting many travelers to look elsewhere and raising broader concerns for Spain’s tourism sector at large. From Quiet Island to Global Party Epicenter Before Ibiza became synonymous with nightlife and electronic music, it was a tranquil Mediterranean island sustained by farming, fishing, and artisan crafts. That changed in the 1960s, when an influx of sun-seeking travelers marked the beginning of its transformation into a tourism hub. The 1970s saw the rise of now-iconic clubs like Pacha, solidifying Ibiza’s status as a global party destination. For decades, its beaches, festivals, and open-air dance floors drew millions from around the world. Hï Ibiza and Ushuaïa and have established themselves as some of the best clubs in the world. 2025: A Marked Shift in Travel Behavior According to data from a luxury yacht charter firm, online searches for Ibiza holidays—including hotels and private rentals—have plummeted more than 50% compared to the previous year. This drop goes beyond fleeting curiosity; it signals a real contraction in demand just ahead of the high season. Multiple factors are converging to alter the island’s appeal and drive travelers toward alternative Mediterranean destinations. Local Pushback and the Rise of Anti-Tourism Sentiment At the heart of Ibiza’s tourism slump is growing unrest among residents. Years of unchecked visitor growth have strained public services, inflated housing costs, and eroded the island’s cultural identity. In protest, locals have staged demonstrations, spray-painted anti-tourism slogans, and blocked access to popular attractions. These acts, while aimed at preserving community integrity, have begun to influence how outsiders perceive the island—no longer as a haven of freedom, but as a destination fraught with tension. Infrastructure Under Pressure The summer surge in tourist numbers has overwhelmed Ibiza’s infrastructure. Congested roads, overcrowded beaches, and pressure on water and waste systems have become routine. Locals struggle to find affordable housing as short-term holiday rentals dominate the market. Environmental concerns are also rising, with illegal beach parties, habitat damage, and increased pollution feeding public discontent and further discouraging mindful travelers seeking more authentic and sustainable getaways. A Crackdown on Excess: New Laws Reshape the Experience To restore order and protect quality of life, authorities have rolled out tough new regulations. A strict alcohol sales ban between 9:30 p.m. and 8:00 a.m.—first introduced in 2020—was tightened in 2024, with steeper fines for violations. Public drinking is now punishable by penalties ranging from €500 to €1,500. Party boats, once central to Ibiza’s appeal, are now banned within one nautical mile of key towns. Operators can no longer pick up or drop off guests in restricted zones, and advertising such services is illegal. These measures, though welcomed by many locals, are diminishing Ibiza’s allure for its traditional party-going demographic. Impact on Group Travel and Event-Based Tourism Ibiza has long been a hotspot for group celebrations— bachelor’s and bachelorette parties, birthdays, and graduation trips. But as restrictions mount, many of these groups are pivoting to more permissive destinations. The island’s party economy, heavily reliant on such seasonal spikes, is already feeling the strain. Clubs, bars, and event planners face significant revenue risks as group bookings drop and party tourism loses momentum. A Regional Shift: Travelers Seek New Horizons Ibiza’s challenges are part of a broader Mediterranean trend. Venice, for example, has seen a 46% decline in search interest after enacting new taxes and visitor caps. Travelers are becoming more discerning, weighing destinations based on sustainability, crowd levels, local sentiment, and regulatory ease. This shift is benefiting emerging alternatives in Croatia, Portugal, and lesser-known parts of mainland Spain—destinations offering natural beauty without the crowds, tension, or restrictions. Economic Fallout for Spain’s Tourism Industry Tourism is a major pillar of the Spanish economy, and the Balearic Islands play an outsized role in that success. A sustained drop in Ibiza’s visitor numbers could have cascading effects, impacting jobs, hospitality revenue, and local businesses reliant on seasonal demand. Yacht rentals, nightlife venues, and excursions are already seeing booking slowdowns. Without a strategic pivot, Ibiza’s tourism-dependent economy could face a deeper contraction. Opportunity or Omen? The sharp downturn may represent more than a temporary setback. Ibiza is at a crossroads: it can either reposition itself toward sustainable, culture-focused tourism or risk long-term decline. With its rich history, natural beauty, and artistic heritage, the island has potential beyond nightlife. Wellness retreats, cultural tourism, eco-experiences, and digital nomad infrastructure could pave the way for a new kind of traveler—one aligned with the island’s evolving identity. But realizing this vision will require strategic investment, improved infrastructure, and innovative destination marketing. Ibiza as a Cautionary Tale and a Case Study Ibiza’s trajectory is a warning—and a lesson—for global tourism hubs facing similar pressures. Balancing economic gain with community well-being and environmental protection is a delicate challenge. If Ibiza succeeds in recalibrating its approach, it could emerge as a model for conscious tourism. But if current trends continue unaddressed, the island risks losing both its economic engine and its global brand. What Summer 2025 Will Reveal The upcoming season is a litmus test. Should arrivals, spending, and occupancy rates continue to fall, it will confirm that Ibiza is no longer immune to shifting traveler values. Spain, too, must take note. Rising costs, stricter laws, and anti-tourism sentiment are surfacing elsewhere, from Barcelona to the Canary Islands. Failing to adapt could lead to broader, long-term declines across the Mediterranean. The message is clear: the era of unchecked mass tourism is waning. What comes next will depend on how destinations like Ibiza choose to respond. The post Ibiza Sees Over 50% Decrease in Summer Travel Over New Rules and Protests appeared first on EDMTunes.

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene. You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here. EDM.com Fresh PicksFlume, JPEGMAFIA - The Ocean Is FakeMura Masa - Whenever I WantSlushii - It's Not Over (Till It's Over)All Saints, Tourist - Pure ShoresJaxon Wild - My MindEMWA feat. NÜ - BADKllo - Still HereRommii - all I ever wantedDiscrete, Rory Hope - Deeper Than The Waterjamesjamesjames, snctm. - homesoon.Vraell - watercolour blushNEZZY feat. Daemon - TRUST NOBODY