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When you have a festival going for three straight weekends, like Tomorrowland just did, you’re bound to have some truly spectacular moments happen quite spontaneously. One such moment happened during 3 Are Legend (Dimitri Vegas, Like Mike, & Steve Aoki) on the main stage on Weekend 3 as the trio dropped “Mammoth,” one of DVLM’s biggest hits. In the video of their set, just uploaded on Monday, at 44:24, you can see what looks like every single firework being set off all at once in a remarkably explosive fashion. The rest of the video, you can see some fireworks continuing to go off but it seems like they’re from stages behind the main stage, and there aren’t any “finale” fireworks at the end of their set, as you might expect there to be. A post on Reddit claims it was done “accidentally” due to a pyro mistake, but we know how people like to spread rumors on Reddit. We reached out to team at Tomorrowland to ask exactly what happened but have not yet heard back at time of publication. Check out the video below! This article was first published on Your EDM. Source: Watch ALL The Fireworks Go Off At Once On Tomorrowland’s Main Stage [VIDEO]

MUST DIE! plays by his own rules and it’s a game every music lover should want to experience. While the artist first made a name for himself as a prominent player in the bass world, his music and range as a producer has morphed into something that falls well outside the bounds of any one genre. Take for example his live sets, many of the songs border on 160 BPM with a whole lot of techno and other strange and wonderful sounds invading the space. We saw this trend in MUST DIE’S recordings for some time now with his most recent album, CRISIS VISION, released last year, exploring the outer realms of the electronic music world. Coming off of two major collaborations with Eptic and Zomboy for their respective projects, the next stop in the MUST DIE! journey is his new single ‘GRAVEBLOOM.’ The track was inspired by the golden era of UK rave and classic artists such as The Prodigy, Atari Teenage Riot, and Squarepusher. It’s notable for combining an 80’s inspired synth line with crackling percussion and jagged breakbeats. “’GRAVEBLOOM’ is something I’ve always wanted to do, thematically. I love a lot of music that breaks formulas and surprises the listener without feeling like a novelty, or relying on the “gotcha” to sell itself. I really wanted the tension to build and release naturally, so I didn’t force it,” MUST DIE! says. Listen below! This article was first published on Your EDM. Source: MUST DIE! shares first single ‘GRAVEBLOOM’ from upcoming album

Fred Again.. made his most recent show one to remember—by making his Boiler Room debut. The famed U.K. producer, who is quickly becoming a superstar in the electronic dance music space, turned up the heat and worked up a sweat in an intimate warehouse venue for Boiler Room. The London based performance was chock full of feverish button-mashing and a ton unreleased IDs. The DJ set came at a pivotal time for Fred Again.., who is readying last-minute preparations for his forthcoming album Actual Life 3 which is expected to release in a matter of weeks. After opening up with an unreleased collaboration with Swedish House Mafia, it was “look out below” as Fred again.. blitzed through a medley of groove-inducing tunes with an eager audience fanning a full 360° around him. The close quarters even led to a brief interruption, but he handled the situation and bounced back like a seasoned pro. The perrformances saw many special moments including Fred debuting an unreleased Skrillex bass house track. This track has been teased by Fred before, but the reaction is on another level this time around. With the iconic “my name is is Skrillex” before the drop, this banger detonates into a mad bass house groove that has the crowd going nuts (soon after, Yellow Shirt Guy makes a big mistake). Watch the full performance now online below!

Everything is better with friends! Right? The Funk Hunters certainly seem to live by that adage with their newest album, Music w/ Friends, featuring collaborations on every track. And you can truly feel the fun oozing from every note. Big Gigantic, Dr. Fresch, Opiuo, Haywyre, Champagne Drip and more feature on remixes and originals throughout the album, plus an impressive cover of “Eleanor Rigby” to open the album up and set the tone. “We worked on this really special cover of The Beatles iconic “Eleanor Rigby” with Will during Covid and have been waiting for summer festivals to return so we could play it live for everyone. So it feels really fitting to finally debut it on our new album, Music w/ Friends. Looking over the album tracklist makes us realize how blessed we are to have such an incredible group of friends, collaborators, and colleagues across our scene. There’s really nothing more satisfying than making music with your friends!” The Funk Hunters have already completed the first half of their summer tour dates but there are still a few more where you can catch them. Listen to the album below and keep scrolling for remaining dates on tour! AUGUST 6 – BASSBOAT – LAKESIDE MT AUGUST 27 – ARC’TERYX ACADEMY – SQUAMISH BC SEPTEMBER 8 – AREA15 – LAS VEGAS NV SEPTEMBER 9 – WALTER STUDIOS – PHOENIX AZ SEPTEMBER 10 – SAME SAME BUT DIFFERENT FESTIVAL – LAKE PERRIS CA SEPTEMBER 17 – RIFFLANDIA FESTIVAL – VICTORIA BC This article was first published on Your EDM. Source: The Funk Hunters Unveil Collaborative Album “Music w/ Friends”

New design art haus, founded in Los Angeles, DETHAUS, made its international debut in the luxury fashion world this year. The three founders, Jared Poythress, Martin Flores, and Nick Dew, spent the past decade in the burgeoning underground of Los Angeles’ most coveted nightlife and social scene, on main stages playing at the world’s largest festivals, and designing custom made outfits tailored for celebrity clients. Blending together their expertise on style and intuitive fashion, DETHAUS came together to fulfill their own desire to express their synergistic vision to the world through their own brand. On the other side, their music is poignant and evocative, and they’ve just released their newest single, “A Paris Story.” Inspired by the haute fashion in one of the most creative cities in the world, the song blends minimal trap with almost chiptune-esque melodies for a wholly unique listening experience — much like their fashion. Listen below. This article was first published on Your EDM. Source: Dethaus Releases New Single, “A Paris Story”

This past weekend as HARD Summer was wrapping up its first three-day event, Tomorrowland was wrapping up its third weekend. The annual Belgian festival stunned crowds for a total of 9 days this summer, including performances from all of today’s top stars. Of course, Martin Garrix played a set and it’s now available on YouTube in full. Through his set, he dropped four new IDs, including two from Matisse & Sadko, one from Vluarr, and another ID – ID. Watch the full set below! This article was first published on Your EDM. Source: Martin Garrix Plays Out 4 New IDs From Tomorrowland [FULL SET]

Providing classic old-school grooves mixed with the earth-shaking thump of modern mastery, Obskür is known for releasing colossal tech-house tunes perfect for mid-party hype or festival antics. In addition to recently remixing Barbara Tucker’s “Beautiful People,” Obskür have performed massive live sets at infamous venues such as The Warehouse Project, Tokyo World, Detonate, UFO Belfast, and sold out shows at Monroes in Galway and Boxed Off. Looking towards their Ibiza debut at Amnesia alongside Danny Howard this summer in addition to performances at Creamfields and Reading & Leeds, Obskür aim to embellish their already monstrous success with certified festival hit “Twister.” The boys are yet again flawless with their production, seamlessly blending groovy tech house elements with marimba-esque leads, coming together into what is glistening summertime anthem. Whether you’re raving on the shores of Ibiza or listening in your cubicle, you can count on “Twister” delivering infectious energy that can’t help but make you want to move the whole way through. “We definitely had making a fun summer track in mind…something that would be a good listen on a day to day basis whilst also being a strong hitter in a packed out festival tent…This one is definitely made for the good weather, hence the name Twister.” – Obskür Listen below! This article was first published on Your EDM. Source: Obskür Drops Groovy New Single, “Twister”

This weekend at HARD Summer brought about its usual share of surprises and stellar performances with impressive bookings and pairings. In particular, if you happened to catch Deathpact’s set on Sunday night, and stayed until the end, you saw something really interesting: a second Deathpact. Deathpact first popped up on the radar in 2018 and they’ve been fueling rumors and questions ever since, wondering who’s under the mask. Hopping in during the midtempo craze that year, they quickly established a place for themselves along with other artists like 1788-L, Rezz, Kloud, Quackson, and more. Now, four years down the line, four EPs and more singles, and we seem to have the next evolution in the project — a duo. We reached out to management who only had a “no comment” on the matter, but it’s hard to think of what else a second Deathpact on stage could mean. Taking the context into account, there was no final song, either, when the double arrived, as if it was a special guest or collaboration in the works. It seemed very much like an introduction. Check out the video from Brownies & Lemonade below for a closer look at the live moment. when deathpact brings out a clone at hard summer?! @deathpact @hardfest pic.twitter.com/NcOBJTeEL5 — Brownies & Lemonade (@TeamBandL) August 1, 2022 Photo via Brandon Densley / @DNZ_MEDIA This article was first published on Your EDM. Source: Deathpact Brings Out A SECOND Deathpact To Close Out HARD Summer Performance

If you were at Lollapalooza or HARD Summer all weekend, now is the perfect time to catch up on the Fred again.. Boiler Room set which dropped on YouTube this past Friday. One of the most talked about artists this year, this set from Fred again.. has been long awaited and it’s now available for all time on Boiler Room’s YouTube page. You can check the full tracklist here, but we know what you want… the Skrillex and Four Tet collaboration is at 55:55. Though, according to 1001tracklists, there are two other ID collabs with Skrillex. Watch the full set below. This article was first published on Your EDM. Source: Fred again.. Boiler Room Set Comes To YouTube, Including Skrillex & Four Tet Collab

O Cinnedi is a force to be reckoned with when it comes to production. Starting at the age of 10 where she began her journey into music theory and classical clarinet and percussion playing where you can see elements of this throughout her music. Followed by at the tender age of 16, she was educated by some of the leading artists in the world where she worked under NDA projects for Grammy Award Winning artists and working also with Eurovision. Sharing the stage with the likes of Abelation, Stylust, Tynan, Jphelpz at renowned events such as Shambhala and Walt Disney Production her prowess has continued to grow. Mentored by legendary producer Archie Pena (Whitney Houston, Shakira and Michael Jackson) O Cinnedi has continued to grow and manifest amazing opportunities. Today, we have privilege to share the latest addition to her catalogue, ‘Gluttony’. A dark, mysterious and cinematic track in which you are propelled into a parallel universe with driving synths and impacting percussion. Enjoy below. This article was first published on Your EDM. Source: O Cinnedi Releases Next Extension In The Seven Deadly Sins Series ‘Gluttony’

Early riser alice.km is up everyday ready to create music everyday. Her latest EP Prisms defines a new start to her career as an artist and the host label, Lots of Practice starts a statement of a new beginning with the first melodic house and techno houses release. Prisms shares a inner glimpse into alice.km’s world painting scenery of cinematic landscapes and intricate electronic sound design. This five track EP starts with the soothing yet grooving Cazimi, with tight basslines and well crafted melodic harmonies. After this we have the lead single, ‘Crystaline’ which captures the essence of such an angular and geological structure through the implementation of electric guitar. I’m obsessed with the definitive groove and bassline of this track which powers its energy and gives all other elements driving energy and forever flowing magic. This EP is special is so many ways in its dedication and attention to detail from start to finish, I highly recommend alice.km’s EP Prisms for anyone taking a roadtrip or taking a moment to reflect as instantly you are taken on journey which only ventures within. This article was first published on Your EDM. Source: alice.km Takes Us to New Worlds and on a Transformational Journey on Latest EP, ‘Prisms’

Slushii continues his Summer weekly releases series “A Slushii Summer” with his latest collaboration with Nitro Fun and Bok Nero “Push It,” released on Dim Mak Records. Since the release of the first single “Forever With U” June 24, and announcing his 15 track album with a release date of September 23rd, Slushii has consistently been releasing one single after another ever Friday since. You can stream the first singles “Forever With U,” “Pick Yourself Up,” “Home 2 Me,” “Forgive Me,” and “Like I Used To,” a diverse array of melodies, and festival ready, knocking beats. The listening experience is introspective, and cathartic, Slushii is providing the soundtrack of the Summer, it’s one big road trip. We find this week’s release “Push It,” a festival ready, pulsating bass heavy, pitch down vocal, G Funk goes electro-house banger. Catch Slushii on tour in North America for an 11 date show, dates below. AUG 19 – Electric Playhouse – Albuquerque, NM AUG 20 – Enso – Vancouver, Canada AUG 27 – The Vanguard – Orlando, FL SEP 02 – Headliners – Neptune City, NJ SEP 09 – NOTO – Philadelphia SEP 10 – Soundcheck – Washington, DC SEP 17 – Exchange – Winnipeg, Canada SEP 23 – Royale – Boston, MA SEP 24 – The Ritz Ybor – Tampa, FL SEP 30 – The Concourse – Knoxville, TN OCT 14 – Elektricity – Pontiac, MI This article was first published on Your EDM. Source: Slushii teams with Nitro Fun and Bok Nero on ‘Push It’

It’s surprising that Brynilde is based in the US, given her artist name, which is a permutation of the Old Scandinavian “Brunhilda” as well as the timbre of her exquisite soprano, which is spot on for ancient Nordic folk songs, a’la YouTube star Jonna Jinton. Brynilde’s debut album, The Sound of the Winter Sun, which came out last month, also has track names like “Priestess or Shieldmaiden.” Actually a French expat, one might think that Brynilde is based in Sweden or Norway. It turns out she’s just a lover of all things ancient and has made it her mission on this album to fuse that soul and sentiment with the modern world. With a passion for the world of antiquity, Brynilde has studied the ancient cultures and traditions not only of the Nords but the Greeks, and Greek philosophy, Buddhism and French Renaissance philosophers like Descartes. All these messages sort of converge in the message of the album, which is about the contrast of life and finding beauty in that contrast. Brynilde sums it up best herself: Inspired by ancient symbols, folktales, and alchemic processes, melodies and lyrics started emerging from my psyche. My first album, the Sound of the Winter Sun, was born. The artistic expression has been a tool to heal and free myself, exorcise some emotions, and feed my soul. My songs explore different themes, such as identity, courage, authenticity, addiction, individuation, reality, and spirituality, with the same overarching goal of breaking free from the chains of perceptions and emotional triggers. It almost sounds like a bonus for Brynilde that the album came out of all this soul-searching, but that’s what makes it so authentic. Musically just as much of a mélange as the subjects and studies that created it, The Sound of the Winter Sun mixes ambient sound design and orchestral backing arrangements with Brynilde’s picth-perfect soprano and masterful piano playing to create just the windswept, sunny-day-in-winter feeling the album’s title conjures. The Sound of the Winter Sun gets its indie edge partially from the percussion, performed by Leo Margarit of Pain of Salvation fame, who also produced the album, which is syncopated, varied and goes through loads of tempo changes. In album opening track “The Descent,” an analog jazz snare hearalds so many tempo changes, in fact, that along with the composition it pushes the whole sound into a much more edgy territory, and Brynhilde’s vox from Sarah Brightman to Kate Bush. Similarly, the following track “Priestess or Shieldmaiden” has big, heavy and folksy-sounding drums which follow the somewhat unstructured verses of the vocals. Still heavily composed and cinematic, the primalness of the drums connects the ancient to the modern. In other tracks like “Ungracefulness,” guitars are what send the music in a more indie or rock direction; heavy, grungy and slightly goth with the orchestral arrangements, listeners should be able to catch a bit of Evanesence or even a bit of Brightman’s Phantom contained therein. Yet others are lighter and really leave Brynilde to her own devices with her piano, such as another song that references antiquity, “Hecate.” It’s honestly more than enough with Brynilde’s voice alone. It beggars belief that earlier in her career she felt she had vocal pitching problems. The track that best sums up Brynilde’s sound, message and purpose on The Sound of the Winter Sun is probably “Echos de Tonnerre” (fr. “echoes of thunder”). Singing in her native French, there’s even more depth and honesty here to Brynilde’s voice and even if the listener doesn’t understand the lyrics, the emotion there really calls back to her original purpose for making this album. Paired with closer “I See Beauty,” It’s clear that this album was a journey of emotions, struggles and contrasts, but at the end comes such a beautiful reward. With a style that’s already so developed, it still seems that after The Sound of the Winter Sun Brynilde can still go in any direction she wants. She could do a full-on EDM album and be absolutely lauded, or she could stay in her current niche of indie ambient. With talent and skill as well as a high-vibration message, the healing Brynhilde gives herself and the world through her music cannot be understated. The Sound of the Winter Sun is out now can can be streamed on Spotify. Check out Brynilde’s YouTube channel for more visualizers and lyric videos. This article was first published on Your EDM. Source: New Artist Spotlight: Brynilde Conjures Ancient Energy With her Debut Album ‘The Sound of the Winter Sun’

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In 2020, Over Easy made waves on the dance music scene with breakthrough singles, “Don’t Know You” and “Rosé” with Ashley Mehta, both released on London-based Adept Records. They also released a massive remix for Ekali and Kiiara’s “Back to You,” that charted on the Apple Music dance charts in over 80 countries and was featured on Apple Music’s biggest editorials in the genre, including New In Dance and Future Dance Hits. With over 30 million cumulative streams across platforms, their music has also been supported by playlists like Spotify’s Friday Cratediggers, Hot New Dance, Happy Beats, Apple Music’s Breaking Dance, Chill House, Relaxed / Remixed, and many more. They have also charted in 93 countries worldwide. Now, this immensely talented duo are making a roaring return to Laidback Luke’s Mixmash Records with their electrifying single, “CEO“. The vocals is impossible not to love, courtesy of Jaimes, paired with brilliant uplifting and emotive melodies that Over Easy build into a euphoric drop that deserves to be on the main stage. “This track actually began over a year ago in spring of 2021, at least the first demo of it. We ended up sending it to singer/songwriter Jaimes and he really liked what we sent. He ended up sending back the vocals you hear now that are insane. Eventually, we felt our production was a bit dated so we did a few different re-works, a ton of tweaks to the mix and master, and finally we presented everyone a track we are extremely happy with. We’ve been playing it live and the energy is crazy! This track is really special to us, some of our favorite show memories are playing this track. We first played it live at our first headline show in Chicago in 2021, and that was the moment I knew it was special. The crowd jumping and going crazy was special.” – Over Easy Listen below! This article was first published on Your EDM. Source: Over Easy Returns To Mixmash Records With Electrifying Single “CEO”

Austin blues rock band Name Sayers is one of those not-so-well-kept secrets that indie fans discover and fall in love with at the ancillary gigs around Austin City Limits or SXSW. As smoky and bluesy as a Lord Huron or a Hozier but with a decidedly grungy bent to keep them from being lumped in with the the sometimes-too-contrived indie folk genre, Name Sayers area local gem in a city full of local gems. That said, we here at EDM are willing to bet no one saw Name Sayer frontman Devin James Fry branching out into electronica as a solo act coming. Well here’s another shock, indie rock fans: he’s been doing it for nine years. Let’s qualify this a bit: Fry just started making his own beats in his most recent tracks, “Purple Glue” and “No Hope.” His first solo album Headwater Songs in 2013, in fact, was even more blues-and-folk-informed than his band. In fact, this album released before Name Sayers’ first EP Four Dreams. Radicans, Fry’s first digital-leaning solo album actually came out in 2020. A mix of acoustic, Gipsy Kings-style guitars, bluesy vox and drums and post-punk songwriting a’la Nick Cave, the only electronic production comes from simple ambient sound design but it’s nonetheless there. So all that said, “Purple Glue” and “No Hope” are a departure for Fry to say the least. Released as a duo, it seems with these two tracks Fry wanted to bring that post punk flavor from Radicans to his first actual electronic tracks. “Purple Glue” is decidedly the most post punk of the two, with Fry’s rich, bluesy Tom Waits-esque voice smoothing out the edges of the gravely trip hop beat and synths. There’s an industrial quality there was well, again from those raw synths and the echoey sound design as well as the sort of desolation in the vox and twisting of notes. It’s what one would think Ian Curtis might have done if he’d survived, had access to modern equipment and suddenly lost his tone deafness. Post punk becomes post rock becomes post…industrial? Interesting idea and it definitely makes “Purple Glue” a cutting edge track. “No Hope” featuring Otem Rellik and Nat Tate is even more integrative of post punk and industrial ambients with what’s essentially a trap beat. Fry and Tate’s looped vocal chorus grounds the track, or rather, swirls it into an inky sonic abyss. Rellik comes over the whole heavy Bauhaus-gone-digital mess with verse that’s part rap and part spoken word a’la John Cooper Clarke to really drive home the verbal point in no uncertain terms. The effect of this collaboration is almost a more bluesy, industrial and dystopian version of mid-era Gorillaz. Is this post punk hip hop? We certainly hope so. With “No Hope” and “Purple Glue,” Devin James Fry seems to not only be expanding into electronic and scratching some sort of digital itch that none of us knew was even there, but he might even be creating new genres along the way. This is why it’s important to always keep one’s eye on Austin if one wants to stay in the know with music. Even the artists like Fry and his Name Sayers who seem like they’re all vintage indie folk can suddenly come out with some crazy trap-laced hip hop. “Keep Austin weird,” indeed, and with his solo tracks looking just as popular on Spotify as the Name Sayers ones, we can likely expect even more post punk, indie pop, weird-ass electronica. “No Hope” and “Purple Glue” are out now and can be streamed on Spotify, purchased digitally on Bandcamp or on vinyl at Old Faithful Records. This article was first published on Your EDM. Source: New Artist Spotlight: Devin James Fry’s Foray Into Electronica is Producing Some Interesting Results With Recent Singles

We’re four singles in to Funk Wav Bounces Vol. 2 from Calvin Harris and the album officially drops next Friday. But we’re getting one last single from the 14-track project first, “New To You” with Normani, Tinashe, and Offset. For those keeping track, that brings the collaborators from just the first four singles to: Dua Lipa, Young Thug, 21 Savage, Justin Timberlake, Halsey, Pharrell, Normani, Tinashe, and Offset. “New To You” marks another reunion for Harris as he has previously collaborated with all three featured artists on various projects in the past. Offset appears on Funk Wav Bounces Vol. 2 this time as a solo artist, after he appeared on the global hit “Slide” from Vol. 1 with Frank Ocean and Migos. Tinashe was featured on Harris’ iconic album Motion in 2014, and he and Normani collaborated together on “Checklist” and “Slow Down” in 2018. Still to come on Vol 2 — Stefflon Don, Chlöe, Charlie Puth, Pusha T, Shenseea, Lil Durk, 6LACK, Coi Leray, Busta Rhymes, Donae’O, Latto, Swae Lee, Jorja Smith, and Snoop Dogg. Earlier this week, Harris revealed the full tracklist for Vol. 2 (see below). ‘Funk Wav Bounces Vol. 2’ Tracklisting: Intro New Money feat. 21 Savage Potion feat. Dua Lipa & Young Thug Woman Of The Year feat. Stefflon Don, Chlöe & Coi Leray Obsessed feat. Charlie Puth & Shenseea New To You feat. Normani, Tinashe, & Offset Ready Or Not feat. Busta Rhymes Stay With Me feat. Justin Timberlake, Halsey & Pharrell Stay With Me (Part 2) feat. Justin Timberlake, Halsey & Pharrell Somebody Else feat. Jorja Smith & Lil Durk Nothing More To Say feat. 6LACK & Donae’O Live My Best Life feat. Snoop Dogg & Latto Lean On Me feat. Swae Lee Day One feat. Pharrell & Pusha T Photo: Mike Davies This article was first published on Your EDM. Source: Calvin Harris Releases Next FWB2 Single, “New To You” Featuring Normani, Tinashe & Offset

After announcing his debut album earlier this week, Seven Lions returns today with the first single from the project. “Every Time” featuring So Below is out today on Ophelia Records. Kicking off instantly with his signature and revered bass sounds, “Every Time” is an innovative, genre pushing masterwork – So Below offers up her haunting vocals, which carry through the single’s evocative melody and cascading drops. Beyond The Veil is set for arrival on Seven Lions’ own Ophelia Records imprint on October 21. Listen to “Every Time” below! Photo via Ashley Von Helsing This article was first published on Your EDM. Source: Seven Lions Releases First Single From Upcoming Debut Album, ‘Beyond The Veil’

Last year, ZHU released his latest album, DREAMLAND, and followed it up with a deluxe version that included two brand new songs – “Coral.PINK (feat Trombone Shorty)” and “Mannequins & Egos” – plus five previously released tracks that were not included on the original album. Since then, he’s been touring and playing shows, holding off on releasing any new music. Until today. ZHU says, “When I was young, we would rip our favorite songs off the radio straight onto cassettes. I wanted to make something that reminded my fans of an era that was more physical.” Enter — Musical Chairs Mixtape. Musical Chairs Mixtape (Vol. 1) features seven brand-new tracks that offer up a kaleidoscopic range of moods, styles and tempos, all tied together by ZHU’s atmospheric production and distinctive vocals. He’s joined by Elderbrook on the buoyant “Unbothered,” while other collaborators include Mr. Carmack (“Wet”), Channel Tres, Kiko Franco, Boy Matthews, partywithray, Phil Scully, Bava, sillygirlcarmen, Rush Davis, JADED, Mitch Bell and Aaron Leibowitz. The mixtape also includes the poignant, cinematic “I Wonder,” which finds ZHU contemplating what became of someone from his past. The track has emerged as the most requested of all the new songs ZHU premiered during his EDC Las Vegas show in May. Check it all out below!  Photo via Joey Vitalari This article was first published on Your EDM. Source: ZHU Releases First Original Music Of 2022 with “Musical Chairs Mixtape Vol. 1”

Fred again.. is back with new single, “Turn On The Lights again..” (feat. Future) – a collaboration with dance music titans, Swedish House Mafia, and US rap kingpin, Future. Following hot on the heels of ‘Jungle’ – which also featured a crushing Rico Nasty remix – ‘Turn On The Lights again..’ was born out of an impromptu studio session in Sweden. After ripping a sample from a video clip of Future’s ‘Turn On The Lights’ online, he played a skeleton of the track to Swedish House Mafia, before going back-and-forth with the trio to land on the final mix. Teased by Fred on TikTok via a viral clip that’s already racked up over 3.7 million views, further creations on the platform have generated an additional 10 million views since. Consistent with many of Fred’s tracks, the track hits on multiple levels with a more club-friendly first half and transitioning into beautiful melodies in the latter. Looking ahead, Fred again.. is gearing up for a 16-date US headline tour throughout September and October, including a trio of virtually sold-out shows at both Hollywood Forever Cemetery in LA and Terminal 5 in NYC. For tickets and more information, please visit https://www.fredagain.com/tour/. Meanwhile, many Swedish House Mafia shows are actually being cancelled. Read more here. Photo via Theo Batterham This article was first published on Your EDM. Source: Fred Again.. & Swedish House Mafia Release Flip Of Future’s 2012 Hit “Turn On The Lights”

Ex Medias was originally founded to shine a light on underexposed artists and genres in the Chicago area. Since its inception, they have expanded into a nation-wide collective with the mission of nurturing the growth of their artists to their fullest potential. They not only foster their existing members, but grow the community by providing tools, opportunities and resources for other budding creatives. EX MEDIAS is bigger than any one individual – it is a community driven to succeed. Now, this collective for their genre-bending sophomore EP, ‘WE ARE EX MEDIAS VOL II’, that is yet again solid through and through. “Marilyn” kicks things off in electrifying, future bass fashion courtesy of Galena Crew and Finn, setting the tone for the jaw dropping level of songwriting and production to expect from the EP. Blank Ages follows with “Shanghai Dreams“, a beautiful ode to the city that builds into a epic, drum & bass tune that give the feeling as if you’re flying down the Shanghai highways, windows down, and this song blasting out. #BBC follows up with a heart melting, soul-stirring vibe for “So Long” that isn’t easily forgotten. AireLoosh offers a lo-fi/trap hybrid track, titled “Gaze“, that hooks you in with mesmerizing groove, building into a booming, bass centric drop. TURBO. caps off the EP guns blazing on “Breathing Danger“, delivering a speaker melting dubstep track that can’t help but make you want to head bang. All in all, Ex Medias struck gold with this sophomore compilation and we can’t wait to hear what’s next. Listen below! This article was first published on Your EDM. Source: Ex Medias Collective Returns For Genre Bending Sophomore Compilation, ‘WE ARE EX MEDIAS VOL II’

B Martin is an LA based Music Producer, Rapper and Singer who has a brand new Deep House banger named “Heart So Cold” – produced by Andrew Nagy and BassBears. This track caught our attention because it was at the top of New Music Daily, one of most prestigious Apple Editorial playlists. The track has a beautiful contrast that at first feels somber – and then in the drop makes you want to jump out of your seat and dance for hours. B’s melodic choices are truly next level. Not only did “Heart So Cold” hit 8 Different Countries “New Music Daily” playlists, this track was also chosen for 2 other Worldwide Apple Editorials: “New In Dance” as well as “Future Dance Hits”. In addition, it landed on one of YouTube‘s biggest official playlists: Vitamin (D)ance, and Spinnin’s “New Dance Music Friday”. It’s rare to see such high-level support for an independent artist, although it is worth noting that he had the help of the record label Youth Energy for the pitching process. This will no doubt B’s biggest song on Apple Music to date. Produced by Andrew Nagy and BassBears, together as artists they cumulatively have over 50 million streams on Spotify alone. B is in great company for this release, as these are artists have been on our radar for a while because their work is so dope. We like to see that B Martin is approaching the game in a different way from most artists, collaborating with Major DJ/Artists and Labels throughout the world. This method has allowed him to secure many major label deals, and start going viral on Spotify and Apple Music. Not to mention all of the fun he must be having – working with producers from all different cultures and countries. When we popped over to B‘s Instagram, we noticed he had co-written “I’ll Always Love You” by Kindred and Stryer which released on the same day. B worked on this with incredible songwriters Hannah Avison and Kindred, a team that was put together by top EDM Management company: Limelight Entertainment. We had to bring some attention towards this record not only because it’s a straight banger, but it features some of the most beautiful vocals we’ve ever heard. This is the first time B Martin has come on our radar, but as we dug deeper into his catalog, we can hear that we will be featuring him much more on YourEdm! Aside from EDM, B also raps, and has collaborated with the likes of Kendrick Lamar, Juicy J, T Pain and many other legends. Keep it hush – but we heard through the grapevine that he recently landed a song on a major label that is to drop next month. We will be waiting patiently on his next one. Give B Martin a follow on Instagram and Apple to see what the hype is about: Instagram | Apple | Spotify This article was first published on Your EDM. Source: B Martin hits 10 Apple Editorials with one Release

Starting out as a DJ over 2 decades ago, Tim Clark has always taken full advantage of his talents and capabilities. Sidetracked by the success of his business ventures (which grew to a value of a half-billion dollars), the time has come for Clark to put his all into the DJ and production side of his music career. Deeply passionate about the sounds of house and trance music, the solo talent is completely committed to his vision of what it means for these genres to be merged with his style. Today, Tim Clark has signed with the renowned Karma Studio for management and currently holds a residency at the world-famous Artisan Ultra Lounge located in Las Vegas. He performs at their famed Industry Night, setting the tone sonically as some of the biggest industry names rub shoulders. He’s shared the cover of Las Vegas magazine with none other than record-setting Katy Perry – Tim Clark making a splash via multiple channels in the original Sin City. Now, Tim is back with an electrifying future rave single, titled “Wake Up” that is bursting to the seems with high octane, fist pumping energy. Slick dark and mysterious electronic atmosphere lays the groundwork for the captivating vocal work that helplessly whisks you away into the song’s aura. It builds into a thundering drop that is sure to take the clubs and festivals by storm. We’re thrilled to premiere this one. Listen below! This article was first published on Your EDM. Source: PREMIERE: Tim Clark Delivers Electrifying Future Rave Single, “Wake Up” [Warner Music Group]

Last year, before Swedish House Mafia had released their album Paradise Again, they had already announced their first run of US shows since 2012. The album came out this past April, and it was good. The hype was there for a tour. But now shows are getting cancelled, in some cases, just weeks before the date. It’s no secret that the US is facing some hard economic times right now, and ticket sales are down across the map with fewer shows hitting sell out. Especially for festivals when travel is often involved, many promoters are struggling. It should be somewhat easier for local shows, especially with previously stadium-filling acts like Swedish House Mafia, but many shows are now being taken off the schedule. NME reports, “[…] the trio have announced the cancellation of shows at the Amway Center in Orlando on July 31, Madison Square Garden on August 2, TD Garden in Boston on August 9, Washington, D.C.’s Verizon Arena on August 11, and Little Caesars Arena in Detroit on August 17.” Since that article was published on Monday, MetLife in New Jersey, Xcel Energy Center in Saint Paul, and Footprint Center in Phoenix have also been cancelled. No mention of the cancellations has been made on the group’s social media, but there are plenty of fans on Twitter who have something to say about it. I love how Swedish House Mafia is posting photos of their stage setup, literally the same day they cancelled a bunch of dates because of “production issues” and “low ticket sales.” Clearly y’all haven’t learned anything, this is so tone deaf. https://t.co/QZmkhZH0xI — BitFox’s Day Off Megaplex (@BitFox13) July 23, 2022 @swedishousemfia canceling concerts and scared to buy tickets to a different city now that it’ll get cancelled too #orlando Been dying to see them since I got into the #edm just as they announced their break up and goodbye 2012 — C Bakes (@CBakes412) July 26, 2022 And some more conspiratorial guesses… I think Swedish House Mafia pulled a "The Producers" style caper with their reunion tour. They didn't WANT to tour, were contractually OBLIGATED to tour, so they made ticket prices so outrageous that nobody bought them and they cancelled the tour. Everybody wins. — Rocket Backhander (@RBackhander76) July 27, 2022 To buy a floor ticket for their Los Angeles Banc of California show, one of the bigger shows in the run, you would have to put down $170 — a price for a single artist show that not many EDM fans are used to or receptive to. Floor tickets for their new Madison Square Garden show, which is now the same date as the previous MetLife show, start at $340. It remains to be seen how many more dates end up cancelled before the tour’s conclusion. The tour begins tomorrow at FTX Arena in Miami, which still has plenty of seats available. via NME | Photo via Rukes.com This article was first published on Your EDM. Source: Swedish House Mafia Continue To Cancel More Shows on ‘Paradise Again’ Tour

When we advised that the world should keep an eye out for Biicla on our 2020 Artists to Watch list, no one could have predicted where his sound was going to take us. Since then, however, the producer and DJ has remained a steady name that draws attention with each new release. Whether it’s remixing guys like Louis the Child, What So Not and Whethan to appearing on labels like Deadbeats, Confession and bitbird, Biicla is a hot commodity. To cement this sentiment, he shared his latest album Yes Place last week. Yes Place follows-up Biicla’s debut album No Place. Even the album’s first track “Intro (Keeping It Easy)” samples the title track from album one. But where his debut record had more variety between songs, this sophomore LP has tracks that have honed his style of electronica. Case and point: “I’m Not”. The track opens with a gentle beat and this low-sounding, layered vocal provided by collaborator Rome In Silver. The lyrics hint at heartbreak and mental exhaustion while the instrumental carries on a moody, subtle bassline. The chorus’ simple coo and higher register make this an instant attention grabber. The album is a mix of deeper house cuts like “Cigarettes” and “Mini Skrt” and offbeat jams like “Let Yourself Go (VIP)” and “Never Be Mine”. Thematically, however, the album explores the trials and tribulations of love and lust even when certain songs are in utter emotional contrast to another. For example, “For You” featuring KROY has a romantic sentiment attached to it and an upbeat, bedroom pop vibe. Meanwhile, “Never Be Mine” laments over a relationship the singer is wishing for but is ultimately doomed. But the soundscape of melancholic synths and lo-fi high-hats bind Yes Place in harmony. Released by the label Good Luck Have Fun, Yes Place by Biicla is available now and definitely worth the listen. This article was first published on Your EDM. Source: Biicla Shares Sad Groovy Bops on Second Album ‘Yes Place’