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Suray Sertin is an artist who is from Montreal and he has been gaining fans worldwide with his vibrant musical style. On Friday, April 5, Suray Sertin brought out that amazing style by releasing ‘Over The Moon’ featuring Sabrina Konstas. ‘Over The Moon’ brings out vast amounts of house, soulful electronica, techno, and pop into an outstanding blend of beautiful music. This track will surely motivates the listeners to not just enhance their great connections with the “special someone” in their lives, but also allows them to continue loving themselves as the amazing beings that they are. Click ‘Play’ on the Spotify link below to fall in love with ‘Over The Moon’ by Suray Sertin. ‘Over The Moon’ from Suray Sertin captivates emotions Listening to this track will ensure instant tranquility and exuberant energy to continue flowing nonstop. The vocals from the singer, Sabrina Konstas, bring out feelings that easily bridges distance between individuals in a powerful connection that is also genuine. The production talents of Suray Sertin in this this track also proves why this producer is a creative, one-of-a-kind person whose knack for creating multi-genre jams have provided him a lot of recognition. His past releases have also seen the likes of Nike, EA Sports, and even CBC Television featuring his music as well. Additionally, his music also featured on the Higher Ground and Foreign Family Collective playlists too. This artist from Montreal will surely become a household name in the electronic music industry if he continues to produce top-notch releases that this one that came out on April 5. The post Suray Sertin Provides Dreamy Sounds in ‘Over The Moon’ appeared first on EDMTunes.

Ahead of her hotly anticipated return to the iconic Coachella, techno superstar Charlotte de Witte has released a new single, "Roar." Just as a lion's roar can be heard for miles, the track is a uncompromising anthem that commands respect. Far from a timid meow, the track is a signature de Witte banger and an impressive display of her production prowess. Out now via her own KNTXT imprint, "Roar" is a primal scream for the dancefloor, a techno juggernaut that tramples any notion of subtlety. Driven by its souped-up vocal refrain and an unrelenting bassline, the track doubles as a cathartic battle cry for the techno faithful. "'Roar' stands for power, action, adrenaline and a sense of letting go," de Witte said in a press release. "There is a certain energy that is unleashed every time I play this track. 'Roar' quickly became one of the highlights of my sets, and I’m very excited to release it." Listen to "Roar" below and find the new track on streaming platforms here. Follow Charlotte de Witte:X: x.com/charlottedwitte Instagram: instagram.com/charlottedewittemusic Facebook: facebook.com/charlottedewittemusic Spotify: spoti.fi/2ZDewDm

Step into the world of luxury living at the iconic One Thousand Museum by Zaha Hadid condo tower in Miami, where successful entrepreneur David Grutman and his wife Isabela are offering their exquisite residence for sale. This 4,600-square-foot marvel, designed by the late starchitect Zaha Hadid, boasts four spacious suites, five bathrooms, and unparalleled views of Museum Park. As we delve into Grutman’s decision to list this stunning property, we also uncover the story of his rise to success in the hospitality industry, setting the stage for an inspiring journey of passion and entrepreneurship. David Grutman’s name is synonymous with some of Miami’s most popular hotspots, from the trendy Komodo and Casadonna to the upscale Papi Steak and the chic Gekko and Swan restaurants. His ventures have not only reshaped Miami’s culinary scene but have also expanded to the vibrant city of Las Vegas, where LIV, Komodo, and Papi Steak have found a new home. Grutman’s entrepreneurial spirit and keen eye for innovation have propelled him to the forefront of the hospitality industry, making him a beacon of success for aspiring entrepreneurs. With a keen appreciation for luxury and design, Grutman’s decision to list his One Thousand Museum condo is a testament to his discerning taste and entrepreneurial acumen. The exclusive helipad, unrivaled amenities, and breathtaking architecture of the tower set the stage for a lifestyle reserved for the elite. As we explore the details of this listing, we unravel the layers of Grutman’s success story, showcasing how passion and determination can pave the way for a thriving business empire. David Grutman: A Hospitality Mogul Photo by Miamidiario David Grutman’s journey to becoming a hospitality mogul is a testament to the power of passion and perseverance. From humble beginnings, Grutman’s love for nightlife and entertainment drove him to open his first nightclub, LIV, in Miami Beach. The success of LIV paved the way for a series of ventures that would redefine Miami’s hospitality landscape, including the renowned Komodo and the stylish Papi Steak. Grutman’s ability to create immersive experiences that combine food, music, and design has been the cornerstone of his success. Each of his establishments offers a unique ambiance and culinary experience, drawing in a diverse clientele seeking the ultimate in entertainment and dining. With a finger on the pulse of trends and an unwavering commitment to quality, Grutman has established himself as a trailblazer in the hospitality industry. As prospective buyers explore Grutman’s listing, they are not only presented with a rare opportunity to own a piece of architectural history but also a glimpse into the lifestyle of a successful entrepreneur. The One Thousand Museum condo embodies the epitome of luxury living, offering a sanctuary of style and sophistication in the heart of Miami’s vibrant cultural district. With Grutman’s impeccable taste and entrepreneurial spirit infused into every corner of the residence, this listing is more than just a property—it is a reflection of a life well-lived. The post Dave Grutman Lists His Zaha Hadid Condo In Miami appeared first on EDMTunes.

Two true titans of the global house music scene have joined forces on a huge new remix that is sure to set dancefloors ablaze. Australian duo Flight Facilities have tapped French DJ/producer Chloé Caillet to put her unique spin on their recent single “Trouble” featuring Owl Eyes, and the results are simply spectacular. Released today via the duo’s longtime home of Future Classic, Caillet’s official remix takes the original sun-drenched and nostalgic vibe of “Trouble” and injects it with a serious dose of high-octane rave energy. If the original version channeled the sunny, blissed-out spirit of the beaches in Ibiza where it was written last year, Caillet’s remix captures the unstoppable thrill of the island’s legendary club scene after hours. For Flight Facilities’ Hugo Gruzman and James Lyell, enlisting the in-demand Caillet for remix duties was a no-brainer. “We’re massive fans of Chloé’s production style and DJ sets, so having her put her spin on ‘Trouble’ was a dream,” they said. “Her remix absolutely smashes and we can’t wait to play it on the road.” In Caillet’s supremely talented hands, the dreamy vocals from Owl Eyes are chopped and spliced over pounding kick drums and hectic, rave-primed synth arpeggios that will have festival fields heaving in unison. It’s a masterclass in club-ready house music from one of the genre’s most vital new voices. Coming off the success of her official remix for pop superstar Dua Lipa’s “Dance The Night,” Caillet’s “Trouble” rework further cements her as one of the most thrilling artists in the house space right now. Her releases on esteemed labels like CircoLoco, Defected, and HE.SHE.THEY. have earned her widespread acclaim from iconic DJs like Pete Tong and more. With both Caillet and Flight Facilities boasting jam-packed international tour schedules that include major festival plays at Coachella, Primavera Sound, Awakenings, and more, their “Trouble” remix package is about to become this year’s most ubiquitous club anthem. Strap in and get ready to rave. The post Flight Facilities Enlist Chloé Caillet for Remix of “Trouble” appeared first on The Groove Cartel.

The radio will switch to web and app livestream with limited programming from May 1 Continue reading...

In a move that’s set to redefine the contours of dance music, Armada Music, the world’s leading independent dance music label, has announced the grand relaunch of New York City’s esteemed King Street Sounds. This seismic shift comes on the heels of the label’s acquisition by BEAT, the pioneering dance music investment fund under the Armada Music umbrella, in 2023. The relaunch is not just a nod to the past but a leap into the future, featuring a comprehensive visual rebrand, the debut of a remix series ‘King Street: Beat Match’, fresh frontline releases, and a unique content collaboration with Beatport to showcase the label’s storied history through the voices of both legacy and emerging artists. A Tribute to a Musical Legacy King Street Sounds holds a special place in the heart of the dance music world. Originating from the iconic Paradise Garage in New York City, the label has been a beacon of the soulful house music movement for over three decades. Armada Music and BEAT aim to honor this rich history by infusing new energy into the label. With the visionary Hisa Ishioka at the helm and backed by a team of Armada’s finest, the relaunch promises a revitalized connection with fans old and new. The ‘King Street: Beat Match’ remix series is a testament to this blend of heritage and innovation, featuring diverse reinterpretations by artists like Kasango, Demi Riquísimo, and Demuja of classics from Dennis Ferrer, Barbara Tucker, and Mood II Swing. Set to drop on April 12, 2024, these remixes span genres from Afro house to garage, symbolizing the label’s dynamic evolution. “Relaunching King Street Sounds signifies a big step for Armada Music and BEAT as we strive to bolster and honor dance music’s existing footprint,” “We are incredibly excited to continue to work alongside Hisa to preserve the legacy King Street Sounds holds in dance music while working toward new opportunities as the label evolves.” – Maykel Piron, CEO of Armada Music and BEAT Music Fund. A Visual Renaissance The relaunch also unveils a striking visual transformation, rooted in the vibrant street culture of 1990s New York. The redesigned logo, adopting a minimalist and timeless aesthetic with a nod to the iconic crown, together with new motion assets and artwork, pays homage to the label’s legacy while looking firmly ahead. This rebrand extends to the label’s extensive catalog, with tracks receiving updated digital artwork that blends the new branding with a nostalgic CD motif, a reminder of the era when music was a tangible experience. The integration of iconic New York typography, inspired by the city’s subway system, reinforces King Street Sounds’ deep connection to its urban origins. “For decades, King Street Sounds has been dedicated to bringing people together with the best of house music,” “Collaborating with Armada Music to tell the story of King Street in exciting ways that celebrate this journey has been rewarding. We’re looking forward to highlighting how the label has paved a path for underrepresented artists – and made incredible music along the way.” – Ed Hill, SVP, The Beatport Group. Fostering Future Talents In addition to celebrating its illustrious past, King Street Sounds, backed by the combined forces of BEAT and Armada Music, is setting the stage for the future of dance music. The announcement of dedicated writing camps, the first of which will take place this month, underlines a commitment to nurturing and promoting contemporary talent. These initiatives are designed to ensure that King Street Sounds remains at the forefront of the music industry, continuing to shape the global dance music landscape. “We are thrilled to celebrate the rich history of King Street Sounds and breathe new life into the extraordinary music that started it all,” “We couldn’t ask for better partners than Armada Music and Beatport to help us usher in this new era, and we can’t wait to see how this collaboration further empowers the label, our creators, and the dance music genre in today’s landscape.” — Hisa Ishioka, label founder of King Street Sounds. The relaunch of King Street Sounds under the guidance of Armada Music and BEAT heralds a new chapter in the annals of dance music history. With a legacy of over thirty years, this revitalization promises to usher in an era of renewed creativity and innovation, bridging the gap between the rich heritage of house music and the endless possibilities of the future. In conclusion, for more information on all things King Street Sounds, be sure to check out their official website, here. The post Armada Music Breathes New Life into the Legendary King Street Sounds appeared first on EDMTunes.

Finally, long-time Drumcode contributor and Tronic boss Christian Smith debuts on Truesoul with a terrific pair of cuts, the ‘Here to Stay’ EP. The long time Techno boss has propelled his label to its upcoming 500th release. Moreover, he has guided multiple top Beatport artists through the years, including ANNA, Paco Osuna, Enrico Sangiuliano and Wehbba. Now, the Swedish DJ joins Adam Beyer‘s independent label TrueSoul for the first time, to showcase his ability to reinvent within his own longevity in the scene. A splash of melodies and technology, let’s dip our feet in ‘Here to Stay’ EP. ‘Here to Stay’ The Techno stalwart shows us the groovier and more melodic side of his music personality. ‘Here To Stay’ is a slick slice of robot fun, underlined by an elegant melodic underbelly, rugged electro riffs and an intergalactic vocal. The groove embellishes the track by adding some light-heartedness to the dark tones you can point within the track. Furthermore, you will find yourself gathering your inner worries and launching them into space as your feet stomp to the beat. Its accompaniment ‘Our Destiny’, is a searing chord-led production ideal for warm-ups or silky morning sets. As much as it can be a chiller vibe than its counterpart, ‘Our Destiny’ carries as much power. You will notice both tracks utilize the vocals as a conduit for inspiring emotions and mantras. I recommend to place your intentions as you listen to these wonderful tracks. This will gather energy and manifest your goals for the rest of the year. You will thank us later. “I’ve always enjoyed making melodic house as well as techno! I spent a lot of time on these two tracks, refined them, played them out, and got great reactions on the floors. Excited that they are out now on Truesoul for all of you to enjoy them!” – Christian Smith Christian Smith continues to evoke powerful emotions on each of his tracks. ‘Here to Stay’ is an example of what true mastery of the craft sounds like. Speaking of which, are you… here to stay? https://open.spotify.com/album/2BbAJvTupZwjL5wOER4jGP?si=iYaS3v2FQG6rnLgdIaCBVA The post Christian Smith Evokes Powerful Emotions With New ‘Here to Stay’ EP appeared first on EDMTunes.

We are all feeling a bit need for speedy right now. Belgian Techno Mogul Charlotte de Witte just released her forthcoming single ‘Roar‘. After a fantastic 2023, the DJ brings out this massive track that feels like the mutation of ‘Doppler’, ‘Rave on Time‘, ‘Overdrive‘, and ‘High Street’ all together. Long-story short, it’s a fun and massive genre-bending track that makes you feel like you’re at the Formula 1 Grand Prix. Pretty Loud ‘Roar’ ‘ROAR’ is a sonic revolution – a turbo-charged anthem that showcases de Witte’s genius in crafting productions that pulse with a raw, unrelenting energy. Her ability to intertwine diverse musical landscapes into a compelling narrative has cemented her status as a global phenomenon and reshaped the contours of electronic music. The track leads with a filthy acid kick that opens the soundspace for a sick rap that flows throughout the entire song. You will feel light on your feet as you stomp through the dancefloor with the perfect pacing to dance all night. The track is the masterstroke that builds upon the roaring success of her 2023 Overdrive Campaign and tour. ‘ROAR’ emerges as a symphonic testament. It translates Charlotte’s unparalleled prowess and an audacious journey ahead. In effect, setting the pace for Charlotte’s imminent Coachella performances on April 13th and April 20th. The track encapsulates a high-velocity odyssey, marrying breakneck rhythms with a heart-thumping melody that promises to elevate the senses. Charlotte’s trajectory from Belgium’s underground scene to standing as an icon of the techno realm is nothing short of spectacular. Charlotte’s visionary approach as the founder of KNTXT underscores her multifaceted influence across the music industry. ABOUT CHARLOTTE DE WITTE Charlotte de Witte is a techno force of nature. With a distinct sound full of palpable energy, she is at the frontline of the ever-growing global electronic music scene. Her trademark includes a haunting style of “dark and stripped-back” techno . It is combined with other electronic music styles for a distinct, multi-talented point of view. She has helped bring what for years has been an underground genre into the mainstream. Moreover, she connects with audiences through her meticulously crafted productions and DJ sets. The result is her position as one of the most listened artists in electronic music today. In addition to her craft, she is the founder of KNTXT, a multi-hyphenate, boutique experiential platform for techno. KNTXT includes a record label, live event arm, concept shop and more. Now if you’re willing to excuse me, let me hop on this wild ride that is ‘Roar’ The post Charlotte de Witte Unveils Adrenaline-Fueled Single ‘Roar’ appeared first on EDMTunes.

Artists streaming on the platform must now share their revenues with record labels Continue reading...

April is a huge anniversary month for the iconic Brazilian club and label D-EDGE as it celebrates 24 years of history. The São Paulo club and its new sister venue in Rio have lined up a series of special events to mark the occasion. The British icon Pete Tong, Running Back boss Gerd Janson, drum & bass maestro DJ Marky, the Italian techno titan Marco Faraone, and the German tastemaker Stella Bossi, disco crew Horse Meat Disco will all play amongst many more. The iconic D-EDGE is recognized worldwide for its innovative concept and forward-thinking musical and visual experience. Its award-winning and sophisticated design has achieved a perfect balance between sound, light, and ambience – every detail is carefully considered to enhance the sensory experience of the audience and it was, for example, the world’s first club to use LED, tubo led, and light lines, while it also hosts world-class DJs each and every week, all under the stewardship if revered DJ, producer and founder Renato Ratier. D-EDGE was born in the city of Campo Grande and later moved to São Paulo on April 22, 2003, in the industrial region of Barra Funda. Over the years it has played a key role in transforming the area into a hub of important clubs in the city and has very much helped develop the local and national underground music scene through its events and record label. At the end of 2023, a sister club arrived in Rio de Janeiro in the D-EDGE Cultural Center, a true cultural complex occupying an old building with five floors: three of them dedicated to the club (two dance floors and a terrace), along with an art gallery, a restaurant, and a café, which also features a Ratier brand store. Amongst the highlights in São Paulo are Freak Chic Fridays with the Italian techno titan Marco Faraone and the German tastemaker Stella Bossi playing alongside Brazilians such as Ratier, FractaLL x Rocksted, Lu.cian x DJ Murphy, Aninha, Marina Diniz, Stanccione, and Kaká Franco. The energy always rises with Nave’s Saturdays, which in April feature stars like Pete Tong, Biesmans (Live), Gerd Janson, Monkey Safari, and Visages, alongside Brazilian talents like DJ Marky, Drunky Daniels, Andre Salata, Diogo Accioly, and Marian Flow. The Saturday fun seamlessly transitions into Sunday’s afterparty but it’s not just any afterparty, it’s Superafter, featuring artists like Anderson Noise, Rafael Paste, Dee Bufato, and Lettizia in the mornings at Pista 2 and Lounge. Just like in São Paulo, D-EDGE Rio comes on strong with plenty of superb parties. Highlights include the legendary BBC Radio 1 DJ Pete Tong, captain of the celebrated Essential Mix, who plays for Dog_ma, which takes over D-EDGE Rio on the 12th April. The night after is EPIC with DJ Meme, the godfather of house music in Brazil. Debuting his own party at D-EDGE Rio, he promises an experience beyond the usual, guiding everyone through a singular night of eclectic sound. Another night that promises to be historic at CCD is on April 19th, a Friday that will be marked by the presence of Danish-Filipino DJ and producer Manda Moor, French artist Sirus Hood, rising Brazilian talent GIU, and of course, to close with flourish, boss Ratier completes this lineup. On Friday 26th, Gerd Janson is in town. Responsible for the excellent curation of the Running Back label, he is a renowned party starter and is joined by the colourful Horse Meat Disco crew which began its disco mischief on New Year’s Eve 2004 at The Eagle in London. Alongside its famous neon logo of a horse hanging (“our Eiffel Tower”), its trademark of irreverent joy has become a form of futurism in itself. The post Brazilian brand D-EDGE announces month of 24th birthday celebrations across both iconic clubs appeared first on Decoded Magazine.

In a move that resounds with both curiosity and controversy, the Russian Republic of Chechnya has implemented a novel regulation on its musical landscape. The authorities have declared a ban on music considered outside the tempo range of 80 to 116 beats per minute (BPM), as announced by the Minister of Culture, Musa Dadayev. This directive, firmly endorsed by Chechen leader Ramzan Akhmatovich Kadyrov, is shaping the auditory experience in Chechnya, aligning it closely with what is deemed appropriate to the “Chechen mentality and musical rhythm.” A Harmonious Mandate At a glance, the decision to regulate music based on tempo might seem unusual. However, this mandate is rooted in a desire to preserve the cultural heritage of the Chechen people, as articulated by Dadayev. The designated BPM range is believed to align with traditional Chechen music and dance forms, thus ensuring that the region’s artistic expressions maintain a connection to their historical and cultural origins. This move, however, places restrictions on global music genres such as pop and techno, which often explore tempos outside the approved range, effectively silencing them from the Chechen musical scene. Beyond Beats: A Cultural Tapestry Chechnya, nestled in the North Caucasus region between the Caspian and the Black Seas, is a predominantly Muslim republic with a rich yet tumultuous history. Under Kadyrov’s leadership since 2007, Chechnya has witnessed significant efforts to quell dissent and maintain strict social norms, with the music ban being the latest in a series of policies aimed at preserving cultural values. Yet, this approach has not been without its controversies, especially regarding human rights issues and the suppression of minority groups, illustrating the complex interplay between cultural preservation and individual freedoms in the republic. A Note on Cultural Preservation The BPM regulation in Chechnya is more than a mere musical mandate; it symbolizes a broader attempt at cultural preservation in the face of globalization and modern influences. While the intention to maintain a tangible link to Chechen heritage is commendable, the impact of such restrictions on artistic expression and the global perception of Chechnya’s cultural policies remains to be fully understood. As Chechnya continues to navigate its unique path, the world watches, intrigued by how these rhythms of regulation will play out in the broader melody of cultural identity and human rights. The imposition of a BPM range for musical expression in Chechnya is a fascinating intersection of culture, governance, and identity. It raises critical questions about the balance between preserving traditional values and embracing the diverse tapestry of global music. As Chechnya moves forward, it remains to be seen how this unique approach to cultural regulation will resonate both within its borders and beyond. [H/T] – CNN The post Chechnya Bans All Music Outside of 80-116 BPM Range appeared first on EDMTunes.

Creative Australia yesterday released a research report entitled Soundcheck: Insights into Australia’s music festival sector. The first of its kind, the report provides a broad overview of Australia’s music festival industry. Showing that almost one in four music festivals in Australia are electronic (23% of the festivals in this report) this research is timely for the electronic music community considering the current turbulence we find the industry in. With the Australian sector currently experiencing one of its worst years on record (excluding Covid) it makes for some interesting reading. You can view the report here. The post Insight into Australia’s Music Festival Industry Report. appeared first on Decoded Magazine.

In a surprising move, Chechnya, a Russian republic, has reportedly issued a decree restricting the tempo of music played within its borders. According to the Moscow Times, the Chechen culture ministry announced earlier this week that all music must conform to a tempo range of 80 to 116 beats per minute (BPM). This regulation effectively bans a vast array of Western music genres, particularly EDM, rave and techno music. The new standard, imposing relatively slow tempos, starkly contrasts with the upbeat tempo of much modern-day pop music. This rule seems aimed at preserving the conservative Islamic society’s cultural integrity in Chechnya. Ramzan Kadyrov, the republic’s leader, has directed culture minister Musa Dadayev to ensure Chechen music aligns with the “Chechen mentality,” as reported by the Moscow Times. Dadayev has been quoted as saying, “Borrowing musical culture from other peoples is inadmissible,” signaling a move towards cultural autarky. This announcement reportedly came after a meeting between the republic’s ministry and local and regional artists. In an interesting twist, artists have been given a grace period until June 1 to rewrite any music that does not meet the new criteria. Failure to do so would result in a ban from performing the non-compliant music in public. Consequently, popular Western rave and techno tracks, known for their high BPM, would not be allowed under this new rule. In the broader context, Chechnya has been a vocal supporter of Russia’s controversial invasion of Ukraine. Additionally, the republic has faced international scrutiny and condemnation over a series of anti-LGBTQ+ incidents, including alleged anti-gay purges. The United Nations has described these as “acts of persecution and violence on an unprecedented scale.” This new music regulation is yet another instance showcasing Chechnya‘s commitment to enforcing its cultural and moral values, often at odds with Western norms and artistic freedoms. The impact of this decree on the local music industry, artists, and the general public remains to be seen, as it ushers in a new era of cultural policy in Chechnya.

The Vinyl Factory at 180 Studios presents REVERB, a major multimedia exhibition exploring the intersection of art and sound, opening on 23 May 2024. In the largest show of its kind, REVERB will bring together over 100 artists and musicians working across mediums including visual arts, music, film and live performance. REVERB will feature new site-specific audio-visual installations and sonic experiences, commissioned by The Vinyl Factory, from artists including Theaster Gates, Es Devlin, Julianknxx and Caterina Barbieri with UK premieres of artworks by Kahlil Joseph, Stan Douglas, Virgil Abloh and Cecilia Bengolea, and installations by Jeremy Deller, William Kentridge, Jenn Nkiru, Hito Steyerl, Carsten Nicolai and Gabriel Moses. Hi-Fi Listening Room Dream No.1, created by and programmed with New York artist Devon Turnbull, will create a meditative space within the exhibition to listen to vinyl with an evolving programme of unheard music, including exclusive test pressings and studio outtakes. A wide-ranging programme of live performances and talks will also sit alongside the exhibition. A new work by Theaster Gates, Amplified, will exist as a sonic installation during the day and transform into a space that hosts live performances by night, with shows by established and emerging musicians recorded and pressed direct-to-disc on The Vinyl Factory Lathe. Kaleidoscope Manifesto | Lafayette Anticipations 100 vinyl records created by artists and released by The Vinyl Factory will also be on display in a new space designed by Ben Kelly. These include releases by Nan Goldin, Arthur Jafa, Pipilotti Rist, William Kentridge, Mica Levi, Marina Abramovic, Grace Jones, Yussef Dayes, Es Devlin, Fred Again, Thom Yorke, Ragnar Kjartansson, Massive Attack, Pet Shop Boys, Maurizio Cattelan, Daft Punk, The xx, Rachel Rose, Kojey Radical, Taryn Simon and many more. For the past 20 years, The Vinyl Factory has been at the forefront of fostering pioneering collaborations between artists and musicians, embracing new ideas and exploring new ways of merging art and sound. REVERB is curated and presented by The Vinyl Factory. A public program of live musical performances will take place during the show with the recordings pressed as limited-edition vinyl records by The Vinyl Factory. Listings Information REVERB 180 Studios 180 The Strand, London, WC2R 1EA 23 May – 28 September 2024 10am – 7pm, Wednesday- Sunday (closed Monday and Tuesday) – More information via https://thevinylfactory.com/ The post The Vinyl Factory presents an immersive experience within art and sound appeared first on Decoded Magazine.

The dubstep legend said his team had worked “tirelessly”, but ultimately faced visa issues Continue reading...

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Mau P has been on a tear the last year. This September, the global trailblazer returns to New York City at Under The K Bridge for another all-night-long show under his Baddest Behaviour party concept. After his NY debut at Knockdown Center in February, Baddest Behaviour quickly garnered a reputation and a huge following in the Big Apple. The new event will take place on September 13th and will see Mau P perform an open-to-close set at the one-of-a-kind venue in Brooklyn. Under the K Bridge is a new location found under the Kosciuszko Bridge in NYC. It’s an outdoor spot that is certain to complement Mau P’s selections and deliver an unforgettable experience to attendees. Mau P will once again be taking charge for the whole night, delivering his own brand of diverse sounds at the Brooklyn, NY spot. Mau P recently took over Miami Music Week, hosting two events and performing at several others. His Baddest Behaviour show at Floyd sold out well in advance, as well as his Mau P’s BACKYARD event at The Surfcomber. Topping a monstrous week off, Mau P was on closing duties at Elrow’s iconic show at Factory Town. Mau P was confirmed for a headlining back-to-back slot with Diplo at Coachella’s new Quasar stage and a slot at EDC Las Vegas’ esteemed mainstage. Baddest Behaviour is Mau’s very own event series, rooted in his desire to cultivate his own unique sound and a connected community. The events are already proving to be a huge hit with fans, with sell-out parties at the 3000-capacity Knockdown Center in New York and a successful show during Miami Music Week at Floyd, Space Miami’s sister venue. Final Tickets can be found here! The post Mau P Announces Landmark Under the K Bridge Show in New York City appeared first on EDMTunes.

Indie R&B singer Aryeè The Gem had an unconventional path in the music industry. Raised primarily by her cousin due to her parents’ inability to care for her, she turned this adversity into an opportunity to nurture her passion for music. “What sets me apart is my dedication and commitment to my craft,” she explains. “I’m always learning, so you’ll see constant growth and evolution in my journey.” Growing up without her siblings, dropping out of college, facing creative setbacks, and battling depression while struggling financially and emotionally provided Aryeè The Gem with clarity about her life’s direction. These experiences reinforced her alignment with her passions and the need to stay focused on her desired path. Recent years have brought Aryeè The Gem considerable success. Signing with Saint & Citizen in 2023, she graced the pink carpet at the VMAs, attended the Grammy Awards, and opened for Leela James in March 2024. Collaborations on her forthcoming album promise to reshape perceptions of her in the industry and introduce her music to new audiences. “My goal is to share lessons about taking control of your destiny through patience, self-awareness, and mindset shifts,” she states. “I want people to understand the benefits of commitment, self-belief, and cultivating positive relationships.” Aryeè The Gem’s magnetic energy shines through her music videos, notably in her song “To It,” where her sultry vocals glide over production reminiscent of SZA and other R&B artists. With nearly two million views on “To It” and 16,000 subscribers on YouTube, her passion and dedication to her craft are evident. Looking ahead, Aryeè The Gem envisions making an impact through music, fashion, and film on an international scale. She aims to defy conventions, empower others through mentorship and speaking engagements, and align herself with companies that share her values. Awards, acting roles, event hosting, and educational initiatives are all part of her aspirations to inspire and empower future generations through creative expression. The post Aryeè The Gem aims for stardom in music and beyond appeared first on Dancing Astronaut.

If the Coachella 2024 couldn’t get any better, Goldenvoice has certainly outdone themselves once again. After a historic amount of electronic bookings were announced in 2023, Coachella has decided to bring six more coveted electronic performances to a new stage. Taking over the grounds of the old Sahara tent, the Quasar Stage will include two gigantic LED walls, making for ideal production for electronic dance music sets. With all headlining sets guaranteed for three hours or more, attendees are in for a treat with specially curated sets that previously could only be experienced at a club. Weekend 1 starts off strong on Friday with Honey Dijon and Green Velvet, two of house music’s most established artists. Michael Bibi makes his triumphant return to the United States after winning an incredible battle against CNS Lymphoma. Finishing off the weekend is the experimental trio of Jamie XX, Floating Points, and Daphni. The following weekend includes unique DJ sets from RÜFÜS DU SOL and Eric Prydz back-to-back Anyma. Closing out the weekend is long time Coachella veteran Diplo playing with one of the hottest DJs in house music, Mau P. Hear more from Goldenvoice talent buyer, Jenn Yacoubian, below. Coachella’s new Quasar stage — where Prydz x Anyma, Michael Bibi, RÜFÜS DU SOL + more are playing — already looks wild It’ll be in the old Sahara Tent spot and will have two monolithic LED walls (: @coachella) pic.twitter.com/r67aYFOy18 — Dancing Astronaut (@dancingastro) March 19, 2024 Featured image: Coachella/Instagram The post Coachella adds brand new Quasar Stage to the 2024 lineup appeared first on Dancing Astronaut.

Taking multitasking to a whole new level, a New Jersey man is attempting to set a new world record by completing the London Marathon while DJing. Imagine running 26.2 miles with a 17-pound mini-stage strapped on your shoulders—that's the challenge for Gus Fraser. The New Jersey native, 45, says he'll attempt to run the grueling marathon in under five hours while mixing live on a Numark DJ controller to break the Guinness World Record for "Fastest Marathon whilst DJing (male)." This year's London Marathon will reportedly feature a staggering 79 Guinness World Record attempts, most of which are goofy, like "Fastest marathon in a full-body inflatable costume." But unlike most of those, Fraser's effort isn't fueled by hubris, but by altruism. Inspired by the loss of his father to pancreatic cancer, he's running with the goal of raising £100,000 for the nonprofit Cancer Research UK, who claims to be the world's largest independent cancer research organization. "This run is more than just a record attempt; it’s a personal crusade against cancer, a disease that affects one in two people today," Fraser wrote on his fundraising campaign. He's not the only one running the London Marathon for a good cause. Louise Butcher, a 50-year-old woman from Devon, is racing topless to raise awareness of breast cancer after her mastectomy and aesthetic flat closure surgery, according to Daily Star. The London Marathon is scheduled for April 21st. Fraser will be livestreaming his world record attempt on his YouTube channel.

Inspired by the timeless production of Gesaffelstein, Fred again.. has joined forces with the French electronic music icon for a new single, "BerwynGesaffNeighbours." Released in collaboration with Gesaffelstein and BERWYN, the song appears on Fred's compilation album, USB. The track is a rework of "Destinations," a haunting single from Gesaffelstein's influential debut album Aleph. Taking to social media, Fred said he'd been "obsessed" with the song and worked on a myriad of different bootlegs with different vocals over the years. He ultimately sought the help of London-based singer-songwriter BERWYN, a frequent collaborator with whom he released "Berwyn (all that i got is you)" from his Grammy-winning Actual Life 3 album. The release of "BerwynGesaffNeighbours" is accompanied by another new track, "ItsNotREEAALLLLLLLL," which features Duoteque and Orion Sun. You can listen to both below. Fred also launched a limited run of USB vinyl, which fans can access here by using the password "usb001." Follow Fred again..:Facebook: facebook.com/fredagainagain Instagram: instagram.com/fredagainagainagainagainagain X: x.com/fredagainagain1 Spotify: spoti.fi/3w2WKZD Follow Gesaffelstein:Facebook: facebook.com/gesaffelsteinmusic Instagram: instagram.com/gesaffelstein Spotify: spoti.fi/3cKr0Nv Follow BERWYN:Facebook: facebook.com/berwynberwynberwyn X: x.com/berwynberwyn_ Instagram: instagram.com/berwynberwynberwyn Spotify: tinyurl.com/bdhe9ytj

W&W are back with "Jump Jump Jump," teaming up with ItaloBrothers and Captain Curtis to drop a peaktime festival bomb. At a blistering BPM of 152, it's a vocal-driven four-on-the-floor anthem that ushers in festival season with a euphoric banger for the mainstage. The track's undeniable highlight, however, is its quaking drop, where hyperactive synths and a pumping bassline collide and soar through its uplifting arrangement. Here, the trio of W&W, ItaloBrothers and Captain Curtis manage to seamlessly blend jumpstyle, trance and progressive house into a sound all their own. A raver's anthem through and through, "Jump Jump Jump" and its no-holds-barred production are bound to be a staple in the DJ sets of all three acts this summer. "Jump Jump Jump" is out now on W&W's venerable Rave Culture imprint. You can listen to the new collab below. Follow W&W:Facebook: facebook.com/wandwofficial X: x.com/WandWmusic Instagram: instagram.com/wandwmusic Spotify: spoti.fi/3RML4DI Follow ItaloBrothers:Facebook: facebook.com/ItaloBrothers Instagram: instagram.com/italobrothersofficial Spotify: tinyurl.com/3hcszchs Follow Captain Curtis:Facebook: facebook.com/captaincurtis Instagram: instagram.com/captaincurtisdj Spotify: tinyurl.com/mu26rehy

If you have been on TikTok in the last week you probably have heard Above & Beyond’s ‘Blue Monday.’ Thanks to a clever trend, the 4-year-old song has ignited the app. The viral TikTok dancing trend that uses the track has led to a whopping 5.5 billion views and over 750,000 creations using the track. The rework became the current #1 viral song on TikTok in the UK, Germany, Belgium, Switzerland, Austria, Ireland, Greece, and Spain, while hitting #3 in the USA. To date, the song has reached #1 in 32 countries. The Indie-Electronic spirit of New Order’s iconic 1983 single ‘Blue Monday’ has had a profound influence on the trio’s career. So much so that a cover of the song became a staple of Above & Beyond’s sets, debuting as a closely guarded white label at the band’s 2013 sold-out show at London’s Alexandra Palace in 2013. The full-throttle remake recreates the classic riff and drums on modern hardware and raised dance floors from New York’s Madison Square Garden to Glastonbury Festival before seeing a much anticipated official release on Anjunabeats January 20, 2020 — that year’s Blue Monday, of course. The trend has also crossed over to Instagram Reels, where it’s #1 trending in the UK, and YouTube shorts, where it received 229M streams on 3rd Party YouTube Uploads. The success has also translated into substantially increasing overall DSP streams and engagement. The song has also been used by notable celebrities & influencers, including Ant & Dec, Mr Beast, and New Order themselves! Stream Above & Beyond’s cover of ‘Blue Monday’ on all platforms HERE. The post Above & Beyond’s ‘Blue Monday’ Becomes Viral Sensation On TikTok appeared first on EDMTunes.

EDMTunes has got some exciting news to share with you! Today, on April 8, 2024, John Summit, the amazing multi-genre artist and global Dance sensation, released his latest single called ‘EAT THE BASS‘ via Darkroom/Experts Only. And, guess what? His new release has come just in time for his two highly anticipated performances at this year’s Coachella Music Festival. You can listen to the fantastic new track by clicking HERE! If you’re a fan of Tech House, then you’re going to love ‘EAT THE BASS’. It’s a timeless track, perfect for both nightclub basements and desert raves. The beat drop is absolutely exhilarating, and the sultry, Electro-infused vocals are just what you need to get lost in the moment and the dance floor. John Summit is all set to perform ‘EAT THE BASS’ live and take the stage at Coachella for two electrifying sets. On Friday night, he will be playing with Dom Dolla as Everything Always on the Outdoor Stage. And, on Sunday night, he will be closing out the Sahara Tent as one of the headlining acts. He’s also scheduled to perform at the highly-exclusive Desert Nights by TAO Group Hospitality and Framework in the Desert. John Summit has been on a roll lately, collaborating with the talented UK artist/singer & songwriter Hayla to produce ‘Shiver’. He has also announced a headlining performance at the Formula 1 Miami Grand Prix, along with a global run of shows with stops in Las Vegas, Paris, London, Ibiza, and more. His rise in the Dance music scene has been nothing short of meteoric. Being the only DJ named in Forbes’ 30 under 30 list, he has received a significant callout in Rolling Stone’s Future 25, which recognized him as the next “Dance music sensation“. John Summit sold out his first stadium headline show (22,000 tickets) at Los Angeles’ BMO Stadium last December, and also announced the sellout of his July Madison Square Garden headline less than two hours after tickets went on sale. The post John Summit Releases Tasty Single, ‘EAT THE BASS’ appeared first on EDMTunes.