Ravebot

Get ready to experience the ultimate union of techno and trance, where love and music intertwine to create pure sonic ecstasy! Premiered on “A State of Trance” and a standout track included in Armin van Buuren and HI-LO’s much-talked-about B2B set at A State of Trance Rotterdam, ’Now Love Will Begin’ is a groundbreaking fusion of techno’s pulsating rhythms and trance’s euphoric melodies. The song takes listeners on an exhilarating journey through the realms of both genres, igniting dance floors and hearts alike. Listen here. “HI-LO (Oliver Heldens) and I just click so well. It was apparent during our back-to-back live set at A State of Trance in Rotterdam, and many others were able to see it as well when we connected on stage again in Miami during the Ultra Music Festival. I’m so happy that this natural flow between us extends to our studio work as well. We’re both so passionate about dance music, and I’m having such a great time being producer-nerdy in the studio with him. ‘Now Love Will Begin’ is what came out of it, and I’m so excited for the world to hear what we cooked up together!,” Van Buuren says. “In the last half a year, it’s been awesome working with Armin on several collabs and preparing for our b2b sets. Probably the highlight so far was when all of that came together during our b2b at A State of Trance Rotterdam, and even though the b2b set at A State of Trance Miami didn’t happen in the end due to severe weather conditions, we still had a lot of fun preparing for that set, and in general, it’s been lovely to connect on a deeper level. Our first collab, ‘Now Love Will Begin,’ definitely captures that spirit; I think it’s a meaningful banger of a tune that crosses boundaries, uniting the worlds of techno, uplifting trance, and psy-trance. Enjoy! :),” HI-LO adds. The post Armin Van Buuren & HI-LO Join Forces For ‘Now Love Will Begin’ appeared first on EDMTunes.

Barkin continues his awesome 2024 with his 2nd release of the year. Teaming up with Honey-B-Sweet, ‘Come With Me’ continues Barkin’s Techno-focused sound. The New York artist dropped it on Liftoff Records. Honey-B-Sweet’s sultry vocals take center stage in the beginning before tension begins to rise. Before we know it, we are engulfed in a groovy bass-infused drop. Clever and gritty ear candy gives us all we need to keep dancing. Aggressive synths and sounds are expertly mixed into the record providing us with hints of Barkin’s original Bass House sound. A deep-moving break switches things up before the pace begins to speed up again. An even bigger second build introduces a fake-out drop. A melody of breath vocals takes us into the second drop. It feels just as good but with more percs and grooves throughout. Barkin kicked off 2024 with a similar track in ‘Touch Me.’ Make sure to check out ‘Come With Me’ below! The post Barkin Drops 2nd Track of The Year ‘Come With Me’ appeared first on EDMTunes.

With more than 45 million streams last year, it’s time for Andromedik’s long-awaited project. Andromedik strikes again… After a stellar year, the 25-year-old Belgian drum ‘n’ bass DJ & producer phenomenon has solidified his growth into the brand-new EP ‘Rise’. The 6-track EP is an incredible body of work that summarizes Andromedik’s rise as an artist and one of the most up-and-coming producers in the electronic music scene. It features six straight heaters that each have each done incredibly well across dancefloors worldwide, from Australia and New Zealand to Brazil and Belgium and back. The center track ‘Stay’ is a fresh fusion of electronic pop and drum ‘n’ bass – highly infectious and perfect for any mood – and reflects Andromedik’s modern sound, all whilst staying super energetic. Listen here: To celebrate the release of ‘Rise’, Andromedik will be hosting two sold-out ‘Andromedik Invites’ shows in his hometown of Antwerp on April 12 and 13, featuring a brand-new AV production. As a cherry on top, Andromedik, will also be hosting his very own ‘Andromedik Invites’ stage at Tomorrowland Belgium in July, while playing top-tier festival gigs across Europe all summer long. His new EP ‘Rise’ marks the pinnacle of Andromedik’s success so far, showcasing his evolution as an artist and his drive to push The post Andromedik Releases Rise EP appeared first on EDMTunes.

Dom Dolla will play his biggest headline European show of the year at Ushuaïa Ibiza on Sunday 14th July. The influential Australian producer and DJ has had a meteoric rise, finding a huge global audience for his unique brand of electronic music. https://electric-mode.co.uk/wp-content/uploads/2024/04/240714_DD_Ibiza_Ushuaia_ANNOUNCE_4x5_WorkIt_FINAL_V2.mp4 Dom Dolla’s 2024 is off to a spectacular start with the electronic music innovator picking up a Grammy Award nomination for his remix of Gorillaz – “New Gold”, featuring Tame Impala and Bootie Brown. That followed another major hit, “Eat Your Man” featuring Nelly Furtado, and “Rhyme Dust”, a huge collaboration with legendary house producer MK and one of the most celebrated tracks of 2023. These join his already impressive back catalogue of multiple Platinum and Gold certified records. This summer, for one night only, the prolific producer, songwriter and DJ will command Ushuaïa Ibiza’s iconic poolside stage. Dom Dolla brings his headline show to Ushuaïa Ibiza, complete with trailblazing production and an unrivalled festival atmosphere. With awe-inspiring production and exceptional performances from superstar DJs, Ushuaïa Ibiza is a musical wonderland without limits. This year, the world-leading open-air entertainment experience welcomes the biggest artists and club brands on the planet. The opening party takes place on Saturday 27th April. Get your ticket now before they sell out at theushuaiaexperience.com. Follow Ushuaïa Ibiza | Website | Instagram | TikTok | YouTube | Facebook | X Follow Dom Dolla The post Grammy Nominated Dom Dolla To Play Exclusive One-off Show At Ushuaïa Ibiza appeared first on Electic Mode.

Its my favourite day of the week, new music Friday! Today on EDMTunes we share something very exciting. The fan girl in me can’t tame my excitement. If you were at Kasablanca’s Ultra Miami Set a few weeks ago you’d have heard this track with a heartfelt message from Shaun. Or if you have been following Lane 8, you’d have heard it at Igloofest in Montreal or his recent mixtape! Out today finally on Anjunabeats is ‘Remission’ along with an extended version. The track doubles as the lead single from Kasablanca’s upcoming debut album Higher Resolution. Kasablanca x Lane 8 Prepare yourself for an exceptional musical collaboration that is sure to leave you mesmerized. The Kasablanca boys have teamed up with Lane 8, the maestro of the This Never Happened label, to create something truly special. Their previous collaboration, ‘Run’, was released four years ago and was a huge success. Now, they’re back with a brand new emotional track titled ‘Remission’. This song is more than just a musical masterpiece – it’s a tribute to Shaun’s bravery and perseverance during his battle with cancer. Despite facing immense challenges, Shaun persevered through remainder of their headline tour before undergoing surgery and chemotherapy. This song is a testament to his strength and success in the face of adversity. Few weeks ago they unveiled ‘Remission’ at Ultra Music Week with an emotional performance as they await Shaun’s full remission results. Drop everything if you haven’t watched it yet. “If you want me, come and get it, yeah. If you want me, you know I’m ready, yeah.” The haunting vocals truly come from the heart. The synths are so significant of the Kasablanca sound, and the build-up, along with hints of Lane 8’s sound, make for a perfect collaboration. This will be the anthem for the year, so get ready to feel goosebumps when you hear it live! The first song release for Mr. Goldstein of the year and we can’t wait to see what else he has in store for his fans as we gear up for the Summer Gatherings next month in San Diego. Kasablanca is set to drop their first studio album later this year, come along as we follow along their journey! All our love to Micky from the EDMTunes family! The boys are going strong and if you want to see them live check out their tour dates here. Enjoy this track and tell us what you think! Stay tuned to EDMTunes as we share all the latest updates in the electronic music world! The post Kasablanca & Lane 8 Release Highly Anticipated Track ‘Remission’ appeared first on EDMTunes.

elrow returns to the most famous open air club in the world for three epic Wednesdays of sensational party magic on 24 July, 14 August, and 4 September Following another incredible summer season in 2023, elrow is poised to once again electrify audiences at the iconic Ushuaïa Ibiza. This year’s lineup promises an unparalleled fusion of multicolored extravagance, pulsating beats, and surreal party celebrations. Prepare to be transported into a realm of pure imagination and creativity, as elrow and Ushuaïa Ibiza unite to deliver an immersive party series unlike any other. Renowned for their unparalleled attention to detail and commitment to pushing the boundaries of entertainment, these two titans of club culture are set to raise the bar once again. Along with a compelling soundtrack, each event will boast its own distinctive theme, which this year includes Delusionville by Ron English, the fairground magic and flamenco dancing of elrowcio, and Dance with the Serpent by Nychos. Wednesday 24 July – Delusionville by Ron English: Embark on a journey into the whimsical world of Delusionville, inspired by the renowned POPaganda art movement of Ron English. Prepare to be dazzled by an eclectic mix of art, music, and mayhem, as elrow brings English’s surreal vision to life in spectacular fashion. Wednesday 14 August – Elrowcio: Experience the vibrant spirit of Spain come alive at elrowcio, where flamenco, fiesta, and fun collide in an explosion of color and energy. Alongside elrow’s signature electronic beats, this extravaganza promises live flamenco performances, folkloric music, “sevillanas,” and “rumba” resonating from every corner of the venue. Wednesday 4 September – Dance with the Serpent by Nychos: Journey into the mesmerizing world of Dance with the Serpent, a captivating exploration of snakes and symbolism by artist Nychos. Lose yourself in a trance-inducing fusion of art and music, as elrow invites you to shed old skins and embrace transformation on the dance floor. There is no party like an elrow party, especially when the party is thrown at Ushuaïa Ibiza. Two of clubland’s most influential brands, elrow and Ushuaïa Ibiza are known around the world for the unrivalled levels of imagination and creativity that they pour into their productions. This summer will be no different, as each event will be a fully immersive experience that places guests deep into escapist new worlds with extravagant designs, cutting-edge production, state-of-the-art sound, and hypnotising performers. USHUAÏA IBIZA 2024 – KEY DATES & RESIDENCIES Saturday 27 April: Ushuaïa Ibiza Opening Party Monday 3 Jun – 7 Oct: F*** Me I’m Famous! By David Guetta Tuesday 7 May – 1 Oct: Defected Wednesday 15 May – 2 Oct (excl. 24/7, 14/8, 4/9): Tomorrowland Presents Dimitri Vegas & Like Mike Wednesday 24 Jul, 14 Aug, 4 Sep: elrow Thursday 20 Jun – 26 Sep: Martin Garrix Friday 31 May – 13 Sep (excl. 7/6) and Sunday 9 Jun: Calvin Harris Saturday 4 May – 5 Oct: Ants Sunday 14 Jul: Dom Dolla Sunday 21 July – 25 August: Swedish House Mafia Sunday 1 Sep – 29 Sep: Armin Van Buuren Book your place for this spectacular trilogy of events at theushuaiaexperience.com. Follow Ushuaïa Ibiza | Website | Instagram | TikTok | YouTube | Facebook | X The post elrow Brings A Trio Of Unforgettable Events To Ushuaïa Ibiza This Summer appeared first on Electic Mode.

Atlanta-based House/Techno music producer and DJ Rafasan presents his brand new single Water on House You Nite With its rip-roaring intro, hammering kick drums and sleazy bass line adding depths of low-end grit as unique sound design elements and FX wizardry elevate the production beyond typical peak-time fare, Water has all the impact of a seasoned DJ weapon while nodding to tech house’s future boundless possibilities. An essential pick-up. Water Is Out Now On House You Nite Follow Rafasan The post Rafasan Unleashes A Torrent Of Visceral Tech House Energy With His Latest Single “Water.” appeared first on Electic Mode.

The duo have cancelled all forthcoming shows and postponed the release of their next record Continue reading...

The drums are rolling and the basslines are dropping as Andromedik, Belgium’s bright young drum & bass phenomenon, unleashes his explosive new ‘Rise‘ EP upon the world today. At just 25 years old, the Antwerp native has skyrocketed from local talent to international force, bringing his meticulously crafted yet raucously energetic sound to dancefloors from Australia to Brazil. With ‘Rise,’ Andromedik firms his ascent, delivering a 6-track barrage of anthemic, genre-pushing works that epitomize his distinct fusion of electronically charged pop and the purest of drum & bass fury. From the throbbing grooves of the titular “Rise” to the jagged synths and rapid-fire breaks on “Black Code,” each track radiates the fresh, boundary-defying ethos that’s made Andromedik one of the scene’s most thrilling new voices. The EP’s radiant centerpiece, however, is the inescapably infectious “Stay.” An earworm of the highest order, the track blends Andromedik’s trademark, quad-thumping basslines with uplifting pop refrains and ethereal vocal samples, perfectly encapsulating his uncanny ability to merge raw dancefloor power with melodic, anthemic brilliance. While the six tracks comprising ‘Rise‘ provide a blistering artistic statement, they merely hint at the sheer force Andromedik has become in the live arena. On the heels of last year’s landmark main stage performance at the legendary Tomorrowland festival, the producer kicks off an ambitious run with two sold-out “Andromedik Invites” shows in his Antwerp hometown tonight and tomorrow, featuring a fully re-envisioned audiovisual experience. From there, the whirlwind continues as Andromedik will helm his very own stage at Tomorrowland 2024 before crisscrossing the continent this summer for a relentless run of premier festival appearances everywhere from Poland’s Audioriver to Hungary’s Bass Paradise. At each stop, he’ll undoubtedly convert new legions of believers with the mind-bending mixtures of subwoofer-shredding grit and majestic splendor that make up ‘Rise.’ The post Andromedik presents brand-new EP ‘Rise’ on Tomorrowland appeared first on The Groove Cartel.

A new study explores why daytime partying is piquing interests in the UK Continue reading...

Breakaway Music Festival is making its highly anticipated debut in Tampa, Florida, and its organizers are bringing the heat with a big lineup of artists descending on Raymond James Stadium Festival Grounds. Scheduled for April 26-27 in partnership with Celsius Energy, Breakaway Tampa will see the nation’s leading touring music festival present two nights of non-stop dance music by virtue of performances by some of the genre's most celebrated artists. Headlining the inaugural Breakaway Tampa are powerhouses like ILLENIUM, Kaskade, Zedd, and SOFI TUKKER. Joining them on the massive lineup are ACRAZE, Crankdat, Moore Kismet, Matroda, Rossy, Said The Sky, TroyBoi and many more. The bill also includes a rare B2B set between Dion Timmer and Calcium as well as three local acts, MYR, Pushman and Taylorlace, underscoring Breakaway's dedication to fostering community and celebrating homegrown talent. Take a look a the full lineup below. View the original article to see embedded media. EDM.com has joined forces with Breakaway for a special giveaway of two VIP Weekend Passes to their Tampa debut, as well as a merch bundle. VIP tickets include preferred mainstage viewing, express entry lane access, private bar and restrooms, VIP lounge and a commemorative VIP laminate. Find out how to enter the giveaway below. EDM.com & Breakaway Music Festival Tampa 2024 Giveaway2x VIP Weekend PassesBreakaway merch bundle To enter the giveaway, follow @breakaway, @breakawaytampa and @edm on Instagram, and tag at least three friends in separate comments on the post below (1 entry per comment, unlimited entries allowed)⁠. Share the post in an Instagram Story and tag @edm for a bonus entry. The contest ends on Wednesday, April 17th.⁠ The winner will be announced in a comment and alerted via our Instagram the next day. Tickets for Breakaway Music Festival Tampa 2024 are available for purchase here. FOLLOW BREAKAWAY FESTIVAL:Facebook: facebook.com/breakawayfestival X: x.com/breakawayfest Instagram: instagram.com/breakaway Website: breakawayfestival.com

During a live presentation at their Toolroom Academy Live event in London.“From Mix to Mainstage – The Blueprint for Emerging Electronic Artists”, has today released the full findings of their newly commissioned report Toolroom Records, the education platform of leading electronic label Toolroom Academy The report is produced for Toolroom Academy by Rufy Ghazi and David Boyle – head of Audience Strategies – who has previously built global analytics and data insight capabilities for major companies including The BBC and EMI Music, and has used data to help elect a prime minister and a president. “We have sensed a frustration among our student community that despite doing the hard yards of production and contributing great music to the scene, this effort was not mirrored with opportunity in return. Our feeling was that the gap between our student’s ambitions, and the opportunities to build sustainable careers in electronic music, seemed far too wide.” – Miles Shackleton Working closely with hundreds of students who have graduated through the various courses and mentorship schemes offered by their Academy, Toolroom has a unique insight into the perspective of talented artists struggling to carve a sustainable career for themselves in what is a multi-billion-dollar industry. The report is a direct response to this, providing a deeper comprehension of the industry dynamics, identifying barriers that emerging artists face, as well as offering valuable insights, directions, and a targeted approach to strategy development for emerging artists. “The report is an important step towards fixing a key problem we have identified at Toolroom Academy. New artists who contribute the music – the lifeblood of the scene – face considerable challenges when attempting to turn their passion into sustainable careers. The report outlines a number of strategies for success, and suggests what role the wider industry should play in supporting emerging talent.” – Miles Shackleton Based on data collected from over 250 new artists, alongside 1:1 interviews with a variety of established artists, educators, and industry professionals, the report provides a clear understanding of the challenges, experiences, and strategies used by electronic music artists. Whilst the responses largely paint a picture of resilience, versatility, and the blending of passion with pragmatism, strikingly, the report found that 76% of new artists feel that their career is not financially sustainable, whilst 62% say they struggle to grow an online audience. With 88% of the artists surveyed expressing difficulty in understanding algorithms and developing promotional strategies, the barriers emerging artists face are much broader than the ability to produce great music. Issues faced range from practical concerns around networking, collaborations and marketing/promotion, to the emotional and physical effects of burnout and the impact of rejection on mental health. The findings are presented alongside direct strategies for growth and a call for solutions that can be adopted across areas of the industry responsible for education, mentorship, and networking. From demystifying entry points and industry roles to providing targeted educational initiatives that bridge the gap between academic knowledge and real-world experience, the report offers a clear pathway towards real, meaningful change that can be implemented across the music industry. “Our future objective at the Toolroom Academy is to truly understand and support new electronic music artists. We aim to evolve and adapt in order to meet our student’s needs in an ever-changing industry. The report concludes with strategies to shape music education for the future; focusing on networking, brand-building, industry acumen and resilience, alongside providing hands-on experiences and industry-relevant content. This report will provide the intellectual basis for our evolution as an educational business over the coming years.” – Miles Shackleton The report was launched at Toolroom Academy Live – an event aimed at supporting emerging talent featuring a full day of talks, workshops and panels from guests including Danny Howard, Defected’s Wez Saunders, and Mark Knight. “From Mix to Mainstage – The Blueprint for Emerging Electronic Artists” is availabl HERE. The post “From Mix to Mainstage – The Blueprint for Emerging Electronic Artists” – A new report by Toolroom Academy in partnership with Audience Strategies appeared first on Decoded Magazine.

Hailed as a cornerstone of London’s nightlife, the iconic London music venue fabric collaborates with Disco’s most sought-after imprint, La Discothèque, for a humongous daytime disco. La Discothèque takes over all 3 rooms of fabric on Saturday 20th April for a decadent day-time-disco from 14:00-22:00, with a beautiful lineup including HEIDI, Maurice Fulton, Seamus Haji, Bestley, Ron Basjam and many more! Inspired by the electricity of Paradise Garage and Studio 54’s penchant for glitter and glam, La Discothèque revives the energy and ecstasy of NYC’s disco heyday for the 21st-century dancefloor. Founded in 2016, this flamingo-fuelled production has since expanded to become one of the UK’s most beloved disco parties, hosting discotheques in countless venues across the globe. This special daytime event promises to be a blend of the signature La Discothèque atmosphere with the unparalleled ambience of fabric, creating an unforgettable fusion of music and community. Expect to see their full tribe of flamingo dancers in attendance too! Full Line Up: ROOM 1 (a-z) HEIDI MARLEY SEAMUS HAJI SHARPLES b2b JOE ROCHE SIGGY ROOM 2 (a-z) BESTLEY MAURICE FULTON RON BASEJAM SAM REDMORE b2b JOE MOTION TIGERBALM ROOM 3 (a-z) Hosted by Flash feat. GINA BREEZE GUY WILLIAMS SOPHIE JOY For tickets and more information, visit here. The post La Discothèque is coming to fabric appeared first on Decoded Magazine.

David Guetta & Hypaton – Feeling Good After proving to be a dream team with the release of ‘Be My Lover’ last year, David Guetta and Hypaton link up once again as they put out ‘Feeling Good’. Premiered together on the mainstage of Ultra Music Festival, this single sees the duo turn the Michael Bublé single into a future rave anthem for the ages. Don Omar & Lucenzo – Danza Kuduro (Tiësto Remix) When it comes to remixes, very few artists can come close to Tiësto. A legend in his own right, the Dutchman is showing no signs of slowing down as he unleashes yet another mainstage flip, this time putting his attention to the summer anthem ‘Danza Kuduro’ by Don Omar and Lucenzo. Armin van Buuren & HI-LO – Now Love Will Begin Premiered on A State of Trance and a standout track included in Armin van Buuren and HI-LO’s much-talked-about B2B set at A State of Trance Rotterdam, ’Now Love Will Begin’ is a groundbreaking fusion of techno’s pulsating rhythms and trance’s euphoric melodies. The song takes listeners on an exhilarating journey through the realms of both genres, igniting dance floors and hearts alike. DJ Snake x Crankdat – Big Bang DJ Snake links with Crankdat for the pulsating new track ‘Big Bang’. Boasting colossal builds, whiplash-inducing synths and dramatic drops, ‘Big Bang’ kicks off with a slow build composed of percussion, organ, and throwback loops. Soon, the slick electronic production reaches the first drop, treating fans to a dubstep breakdown peppered with dissonant, shrieking synths. Today’s record, and more new music on the way soon, is just another example of DJ Snake‘s ability to seamlessly blend genres and sounds across his increasingly impressive discography. John Summit – EAT THE BASS An artist at the peak of his powers, whenever John Summit appears on our new music feeds we know we are in for a treat. Following on from his release ‘Shiver’, John Summit brings us ‘EAT THE BASS’ an infectious and dirty tech house single that is sure to have dancefloors moving all across the world. Honorable mentions: Brennan Heart – Never Go To Sleep Charlotte de Witte – Roar deadmau5 – Not Exactly (Rebūke Remix) FOVOS – The Less I Know The Better Julian Jordan ft. Mingue – Bon Voyage Kryder & Gianluca Vacchi – Tromba Like Mike x WUULA x Novak – What Is Reality Maddix & Ceres – Adrenalina (Minha Gasolina) Matisse & Sadko ft. Blythe – Shadows MEDUZA – Friends (ARTBAT Remix) Mesto – Breathe NGHTMRE & Liquid Stranger ft. Mougleta – Restless Rave Republic – The Mountain King Showtek – Real One Trivecta & Kill The Noise – Feel The Vibe Tujamo x WakuWaku – I Wanna Rave Stream all these tracks and more in our New EDM Friday playlist – follow here.

French DJ and multi-platinum producer DJ Snake has linked up with bass music maverick Crankdat for the pulsating new single “Big Bang.” The track is a prime example of Snake’s ability to seamlessly blend genres, boasting colossal builds, whiplash-inducing synths, and dramatic drops. “Big Bang” kicks off with a slow build composed of percussion, organ stabs, and throwback loops before reaching the first drop, treating fans to a dubstep breakdown peppered with dissonant, shrieking synths. It’s a grinding, sonic call-to-arms that is sure to be a standout in Snake’s hotly anticipated sets at Coachella this weekend. The new single arrives via Interscope Records and is the first new music from the Parisian hitmaker since last summer’s joyous thumper “West Side Story.” It follows a string of diverse releases like the world music-inspired “Guddi Riddim” with the Nooran Sisters, the sensual “Nightbird,” the heavy-hitting “Deep” with Malaa and Yung Felix, and “Power (Remember Who You Are)” with Spinall, Summer Walker, and Äyanna. No other artist embodies the concept of global dance music quite like DJ Snake. The multi-platinum star made his full-length debut in 2016 with Encore, a groundbreaking album that hit #1 on the Billboard Dance/Electronic chart. His 2019 LP Carte Blanche continued his global takeover with hits like “Loco Contigo” with J. Balvin and Tyga, and the Selena Gomez/Ozuna/Cardi B smash “Taki Taki.” Along with turning out era-defining tracks like “Turn Down for What” with Lil Jon and the 4x platinum “Let Me Love You” with Justin Bieber, Snake has shattered industry records with over 80 diamond single certifications worldwide and amassed over 40 billion global streams across his genre-blurring discography. The post DJ Snake Unleashes “Big Bang” with Crankdat appeared first on The Groove Cartel.

With its heart-on-sleeve songwriting, Andromedik's new EP, Rise, proves that drum & bass can be both a party-starter and a canvas for complex emotions. The project arrives in the midst of a meteoric rise the likes of which most DJs can only dream. Last summer, the Belgian producer became the first drum & bass artist in five years to perform on Tomorrowland's fabled Mainstage, following in the footsteps of Netsky. Now he's set to host his very own Tomorrowland stage takeover, "Andromedik Invites," to celebrate the iconic festival brand's 20th anniversary. Andromedik performing at the iconic Tomorrowland festival in Belgium.Tomorrowland Out now via Liquicity Records, Rise is a shapeshifting showcase of Andromedik's versatility. One moment you're hurtling down the rails of a teeth-rattling festival anthem, the next you're floating weightless through an emotive, melodic reverie. He kicks off the EP with its titular track, which detonates with concussive bass and breakneck drums. But he quickly shifts gears on the contemplative "Stay," where aching vocals from Idle Days quiver through blissed-out synths to create a surreal moment of detachment, like sinking into a warm bath after a long night. Andromedik finds a thrilling middle ground in "Comedown," joining forces with pioneering drum & bass producer Grafix to balance the genre's raw physicality with glistening pop hooks that burrow deep into your subconscious. The same goes for the EP's cathartic closer, "Paradise," where Luka's ethereal vocals soar above a rumbling bassline like a lone voice at the peak of a rollercoaster. You can listen to Andromedik's full Rise EP below. Follow Andromedik:Instagram: instagram.com/andromedik.official X: x.com/AndromedikMusic Facebook: facebook.com/AndromedikMusic Spotify: spoti.fi/3T4zaJo

Channeling the unbridled energy of '90s club culture, Jake Shore and Henry Fong have joined forces for a new collaboration, "Take Control." Landing on Tchami's Confession imprint, the track samples C+C Music Factory's 1990 hip-house classic "Gonna Make You Sweat (Everybody Dance Now)." And in many ways, it's the modern-day equivalent of that timeless party anthem. Just ask FISHER, who has been rinsing the song in his DJ sets for weeks and sending crowds into full-blown hysteria. View the original article to see embedded media. However, the track has now been supercharged, its vintage sugar rush transforming into something much more potent. But Shore and Fong don't just raid the candy drawer of the past—they've ingeniously interpolated it into a visceral sound all their own. With its manic saxophone loop, "Take Control" hits like a surge protector plugged straight into the MTV generation. It's impossible not to move to that unmistakable C+C synth sample, but instead of parachute pants, it's wrapped in a quaking tech house beat that taps into our most primal dancefloor instincts. Take a listen below. The new song especially hits home for Shore, a longtime fan of both Fong and Confession, with whom he said releasing music "has been an absolute dream." Tech house bangers with a nostalgic twist have become the secret sauce of his bulletproof formula as he furiously rises through dance music's ranks. "Personally this record is a reflection of where I'm at in my career and what I've devoted the past five years of my life to… letting the music take control," Shore tells EDM.com. "The energy and culture of the '90s is in my blood, it's my childhood, it's how I was raised. I just feel like myself whenever I take inspiration from this era of dance music and it's so much fun for me to bring it back to life. My hope is that when someone hears this record they let everything in the world go for a little while and just let the music simply take control." The same goes for Fong, who says he grew up listening to "Gonna Make You Sweat (Everybody Dance Now)" on repeat. "I was born in the '80s so I was old enough to remember everything going on in the '90s and it was the most fun," Fong recalls. "My mom always put on the Jock Jams CD to work out to I remember growing up, so 'Everybody Dance Now' was always blaring through my house. That whole CD feels like my childhood." You can find "Take Control" on streaming platforms here. Follow Jake Shore:X: x.com/itsJakeShore Instagram: instagram.com/itsjakeshore Facebook: facebook.com/jake.shoredrive Spotify: tinyurl.com/92w4ykz6 Follow Henry Fong:X: x.com/henryfong Instagram: instagram.com/djhenryfong Facebook: facebook.com/djhenryfong Spotify: tinyurl.com/mpmvpp7h Follow Confession:X: x.com/confessionlabel Instagram: instagram.com/confessionlabel Facebook: facebook.com/Confession

Typically known for his prowess in trap and bass music, TroyBoi is venturing into uncharted territory with his new single, "Dhunga." Featuring vocals from Toxic Rob, the track not only serves as the lead off TroyBoi's upcoming 4 ON DA FLOOR EP, but also as a bold statement of his ceaseless evolution as a producer. The house track is a potent blend of groove-induced rhythms and slick, hip-hop-inspired vocals. TroyBoi's journey through the realms of bass, trap and now house reinforces his status as a creative chameleon in the electronic music scene. With each production, he invites us to explore new dimensions of his sound, challenging our perceptions and expectations. With its infectious production, "Dhunga" is a testament to that boundary-pushing ethos. "This is the first single from my upcoming project 4 ON DA FLOOR which explores my admiration for house music, but with my twist," TroyBoi said in a press release. "Toxic Rob’s cheeky charismatic vocals on 'Dhunga' really complement the percussion driven production. It’s a fun record intended to make people get down on the dancefloor, especially when that dirty bass hits." In true TroyBoi fashion, the song's foundation is built upon a low end-heavy foundation, punctuated by spitfire vocals that add a layer of dynamic energy. Toxic Rob's smooth delivery perfectly complements the robust percussion arrangement, creating a synergy that's impossible to ignore. Check out the new single below and find it on streaming platforms here. Follow TroyBoi:X: x.com/TroyBoiMusic Instagram: instagram.com/troyboi Facebook: facebook.com/troyboimusic Spotify: spoti.fi/3n0XzNf

This April, fans of electronic music are in for an unparalleled treat as deadmau5 marks two decades of sonic pioneering. He will do so with his “retro5pective: 20 years of deadmau5” tour. The journey kicks off with an iconic show at the legendary Hollywood Bowl on April 27. This performance not only sets the stage for a year of celebration but also marks deadmau5’s first-ever appearance at this famed venue. This is a night that promises a night of musical mastery and memorable moments. Mau5 Goes Hollywood The Hollywood Bowl, known for its scenic beauty and acoustic excellence, will witness deadmau5’s evolution over the past 20 years through an extraordinary auditory and visual experience. Fans can anticipate a blend of classic tracks like ‘Ghost N Stuff,’ ‘Strobe,’ and ‘I Remember,’ alongside fresh material that has never before graced the stage. This mix of old and new is set to captivate attendees, enhanced by an impressive array of visuals tailored to reflect the unique atmosphere of the Bowl. Support from MEUTE and More Adding to the spectacle, the German techno marching band MEUTE will take the stage to provide a stirring live performance that complements deadmau5’s electronic beats. Their presence will undoubtedly add a dynamic layer to the evening’s entertainment, mixing classical brass with modern electronic rhythms. Additionally, a lineup of special guests is expected to enrich the night further, elevating this to more than just a concert — it’s a celebration of deadmau5’s monumental impact on the music world. Tickets & More Firstly, for those looking to be part of this milestone event in the illustrious career of one of electronic music’s most influential figures, mark your calendars. The “retro5pective: 20 years of deadmau5” at the Hollywood Bowl isn’t just a concert; it’s a testament to the enduring legacy of an artist who has consistently pushed the boundaries of what electronic music can be. Secondly, join deadmau5 as he revisits two decades of musical innovation in a venue as iconic as his career. Get ready to experience the magic of music under the stars at the Hollywood Bowl this April. Lastly, the remaining shows can be found below, see you there! In conclusion get your tickets here. deadmau5 photographed by Timothy White retrospective: 20 years of deadmau5 Tour April 27 The Hollywood Bowl Los Angeles, CA May 2 The Brooklyn Mirage New York, NY May 3 The Brooklyn Mirage New York, NY November 1 Red Rocks Amphitheatre Morrison, CO November 2 Red Rocks Amphitheatre Morrison, CO The post deadmau5 Brings Special ‘retro5pective’ Show to the Hollywood Bowl appeared first on EDMTunes.

Two of the best in Chill House have teamed up. Le Youth and Forester created a beautiful downtempo track in ‘Stay Still. Lyrah’s blissful vocals are coupled perfectly with Le Youth and Forester’s instrumental. The trendy stutter house vocals keep all the vibes going throughout the drops. Lyrah sings about a love story and staying in the moment with those you love. I love the first drop. It only hints at the stuttering vocals while the second drop goes full in. I imagine playing this with the windows down and the summer air gliding through. Or maybe right as the sun sets before the stars take the sky. This marks the first track between Le Youth & Forester. We really hope they get together again! Le Youth is having a great 2024. He dropped his first track ‘Paradise’ with vocals by Oaks. Forester has already dropped an album this year with the fantastic Moonrise. The 13-track album is a must listen. Make sure to check out ‘Stay Still’ below. The post Le Youth & Forester Team Up For Beautiful Track ‘Stay Still’ appeared first on EDMTunes.

Just off the heels of the official announcement on the return of Tomorrowland Brazil, organizers announce they will stay at their South America home with a 10-year commitment. They plan to add some much needed improvements to their grounds, with changes expected to take place during the 2024 edition. According to a recent press conference in São Paulo, Tomorrowland Brazil, Secretaries of Culture, Economy and Creative Industries, Environment, Infrastructure and Logistics, DC Set and We Are One World, will work together to come up with a new logistics strategy to deliver a successful festival while, hopefully, preventing some past issues from reoccuring for it’s future editions. After taking a hiatus from hosting it’s Brazil edition, Tomorrowland made it’s official return last year, but it certainly didn’t go on without a hitch. In 2023, attendees saw massive downpour during Day 1 of the festival, leading the grounds to get soaked and mud to take over. Organizers were led to cancel Day 2 of the event give enough time for their team to handle the mud and prepare for a successful Day 3. With this in mind, organizers shared the challenges and difficulties they faced hosting last year’s event, leading them to create a map to invest in some improvements. During the press conference, it was shared that an agreement was made with the city hall of Itu and DER, providing them 22 million to improve Parque Madea, known to be the festival’s Brazilian home. Construction will take about 12 months, with plans to start gravel work in 2024 to “water-proof’ the venue. Tomorrowland Brazil fans can feel at ease with this recent news. Not only is the festival confirming an annual return for the next 10 years, but they are also preparing to deliver a much drier, less muddy experience moving forward. Tomorrowland recently announced that Tomorrowland Brazil will make its return to Itu, São Paulo at Parque Madea on October 11th – 13th, 2024. This year’s theme will revolve around ‘Adscendo’, bringing the captivating stage back to life in Tomorrowland’s second home. This magical stage was first unveiled at Tomorrowland Belgium in 2023. Pre-registration for Tomorrowland Brazil 2024 is open. To register, click here. The Worldwide Ticket Sale starts on May 2nd at 15:00 CEST | 10:00 BRT. Make sure to be ready to secure you spot, as tickets are sure to sell out fast! You can get more information on tickets here. The post Tomorrowland Commits 10 Years in Brazil with Improvements appeared first on EDMTunes.

DJ Snake, one of the world’s most-popular dance/electronic music superstars, has returned to team up alongside bass music maestro Crankdat to unleash ‘Big Bang’. ‘Big Bang’ is a fiery release with tons of bass to enhance the eardrums of anyone who listens this fantastic track. In particular, fans who may attend a live event such as the French EDM icon‘s upcoming final show at Stade de France, in his home city of Paris next year (which has already sold out in minutes). With this powerful and awesome mix of electro house, glitch, and dubstep that DJ Snake and Crankdat put in for ‘Big Bang’, the track will surely be land in the top 20 in the charts or even top 10 as well. Click ‘Play’ on the Spotify link below to stream ‘Big Bang’, a track that brings in vast servings of bass and synths that will enlighten the minds, bodies, and souls. DJ Snake and Crankdat’s ‘Big Bang’ perfectly balances intense synths with exhilarating bass Synths and basslines are the main factors that make ‘Big Bang’ a track that one can jam out to with great passion. This track, which contains police sirens and a maniacal-like laughter, also provides vocals that later lead to a gnarly breakout of fiery beats that will resonate throughout any environment. ‘Big Bang’ from DJ Snake and Crankdat also merges futuristic techno sounds with today’s hard dubstep rhythms that shows why both artists have risen to the top of the electronic music world. Finally, check out the aftermovie of DJ Snake’s last event in Paris where he sold out Paris Saint Germain’s world-famous Parc des Princes in 2022 below this paragraph. For sure, when the fans arrive at DJ Snake’s final event next year at Stade de France, ‘Big Bang’ will definitely bring an explosion of wonderful sounds that will reverberate the Parisian night sky. The post DJ Snake Returns With Crankdat to Unleash ‘Big Bang’ appeared first on EDMTunes.

Deerock and Sammy Adams have joined forces for a new single, "Used To," an ode to lost youth. With lyrics and production that echo a longing for simpler times, "Used To" is a faded Polaroid unearthed from a dusty attic. It's a sonic snapshot of the human experience, a wistful yet cathartic exploration of the bittersweet moments that shape us. Adams' melancholic vocals drape over the track like a favorite sweater—warm and familiar, but a poignant reminder of past connections. His lovesick lyricism yearns to resurrect the lost embraces and drunken escapades of a once-vibrant bond, painting a picture of a couple seeking to recapture the irreplaceable intimacy they "used to" share. Meanwhile, Deerock's melodic house production evokes the nostalgic haze of those cherished memories. His uplifting, textured chords are the track's bedrock, laying down a rhythmic pulse that feels like the comforting click of a vintage clock. Take a listen to the new collaboration, out now via Big Night Records, below. Deerock's kinetic and breezy approach to dance music production is leading to a furious rise through the genre's ranks. With an energetic sound that doubles as a starting pistol for pool parties, he's also recently collaborated with ESPN, Barstool Sports and Old Row. The release of "Used To" is a big moment for the ascendent producer, who says the music of Adams, a champion of the twenty-tens hip-hop blog era, helped soundtrack his formative years as a DJ in high school and college. "About a year ago I was ready to do something new, and I wanted to work with a vocalist who understood my vision of the 2010s party scene," Deerock tells EDM.com. "I managed to get in contact with Sammy and it just clicked, instantly. After a few rewrites I could feel the same goosebumps as I did when I first heard 'All Night Longer,' and that’s when I knew we had something special." "Rarely do collaborations come to life that you’re BOTH 100% in love with," Adams added. "This one took some time, different takes, ideas, production, and tweaks…. But it was well worth it." The two are now playing a show together on June 8th at NYC's Summer Club atop the roof of the Ravel Hotel. Deerock says anyone reading this article can DM him for a ticket to the pool party. Follow Deerock:X: x.com/deerockmusicc Instagram: instagram.com/deerockmusic TikTok: tiktok.com/@deerockmusic Facebook: facebook.com/DeerockMusicc Spotify: spoti.fi/3kCrZZY Follow Sammy Adams:X: x.com/sammyadams Instagram: instagram.com/sammyadams Facebook: facebook.com/samadamslive Spotify: tinyurl.com/5n8kw2cp

Oh Yes Oh Yes Oh Yes! While we didn’t catch Carl Cox during Miami Music Week last month, we are eagerly awaiting his return to Miami for Formula 1 Weekend in May, where he will be performing at M2 for Resistance. Grab your tickets here! We caught up with Carl over the phone while he was in Australia and chatted on a whole range of topics. Read on for the full interview. EDMTunes: I’m Scott from EDMTunes and it’s great to be here with Carl Cox who I understand is up in the morning, in Australia at…is it 10 30 a.m. there right now? Carl Cox: Yeah. So actually we’re racing towards lunchtime. EDMTunes: We got 9 30 p.m. over here in Miami and that brings me to my first question. As you can imagine, being from Miami, there was a lot of talk all year about Ultra and the fact that you weren’t there this year. First off, how does it feel taking a year off from Miami Music Week for the first time in a long time? Carl Cox: Yeah, to be honest it’s been my staple diet for so many years and to actually say no to it once was a revelation. No, I’m not doing Miami [Music Week] this year. I have to basically just take a year off and step back and just see what happens and that’s exactly what I did, and it kind of spun a lot of people out. I thought to myself – how, and why is this possible? I’ve been doing it for nearly 20 years, every year I’ve been into going to Miami, you know, at least eight years before that 28 years straight maybe 30 years. Then there comes a time where I had to just stop for one moment, you know, did a “mary-go-round” on everything just so you know where everything is at. But also I actually got to spend some quality time with my partner with my friends with my family at that particular time. The ones that were going to see me for the first time, and can you imagine that almost after nearly 30 years I’ve been knocked down during the pandemic, I’m gonna go and see him and oh, he’s not playing this time. You know me, okay? I want to come back next year. I’m going to do a full live show and also don’t be so disappointed because I’m going to be playing in Miami. I’m gonna be playing at M2 next month. Lotta new music to play, blah, blah blah. It’s not like I’ve abandoned anyone or abandoned what I decided to do. I needed to pull back for one year. See where everything is. See if anyone missed me because I mean, uh, yes, of course they did – and you know, the feeling was absolutely mutual. But I felt kind of a revelation. It felt good to say no, you know, sometimes it’s no problem saying that right? EDMTunes: As a fellow creature of habit, I know how hard it is to break out of a habit. At first, it’s kind of scary, but then a change every so often isn’t the worst thing in the world. I can imagine that you that same experience trying out, maybe some new festivals this year? Carl Cox: 100% and that’s exactly what I did. I wouldn’t have been able to do other events if I was playing Ultra again. They respected my decision and they supported it, so that’s fantastic. At the end of the day less is more. The fact that I wasn’t there holding down the fort for the Megastructure, but looking to come back next year just makes it stronger. The drive for people to come to see me and my music. I’ve already got a plan of what I would like to do for next year, which is probably the biggest and boldest plan that I will ever have. EDMTunes: That was going to be my next question because next year is the big 25th anniversary. And yeah, I totally agree that taking the year off, it may have disappointed some people but it also builds the anticipation for the huge return and Ultra is known for expecting the unexpected. Is there anything you can tell us? Carl Cox: Yes and no. It’s gonna be great, that’s all I’m saying. EDMTunes: Fair enough, fair enough. You also mentioned that your connections with Ultra are as strong as ever and you’ll be here with Resistance in Miami for M2 during Formula One week, right? Carl Cox: Yeah. I love cars. And I love bringing those two things together. It’s just great. I’m really looking forward to that and it’ll be my first time being involved with Formula One Racing in Miami. I’m really looking forward to coming back and throwing down at M2. I remember the first time I was there, there were a few issues with the sound and the lighting, and it wasn’t quite right. So the redemption is quite high. I’ll be coming back and doing it properly this time around. EDMTunes: Absolutely, they’ve definitely done some new improvements even since last year. Going back to Formula One; Are you planning on going to some of the races? Carl Cox: I’m looking to be there for qualifying, I’m lucky to be there for a great day on Sunday. Look out for me on the grid because I’m going to be on there. EDMTunes: That’s awesome! Are you going as a spectator or are you doing anything in conjunction with Formula One? Carl Cox: Yeah, I’m I’m too big to jump in any of those cars. *synchronized laughter* EDMTunes: Speaking of which, so your true passion besides music is drag racing. For people that follow cars, Formula One is more of the highfalutin fancy type of racing. Drag racing is a bit different. How do you think of Formula One versus the drag racing that you’re involved with? Carl Cox: Yeah, I mean the thing about drag race is nobody drinks champagne and gin and tonics. It’s all beer. Drag racing is the complete opposite to all of that [Formula 1] and I love it. I love Grassroots. I come from Grassroots. It’s the reason why I support sidecar racing, support various other races I actually do apart from me being a drag racer. I actually do hill climb racing as well and historic, muscle car of racing events as well. Also some Classic events here in New Zealand and in Australia. And I’ll do quite a lot of track days as well with supercars. I’m kind of the person that I would take you to a drag race and show you why I love it and you can walk into the pits talk to the drivers, even turn a spanner. It’s really exciting stuff, where in Formula One you just get to look. You can hardly take a picture sometimes because they don’t want you to you know about what the car looks like. Aerodynamically they change the tires because that’s four different color tires and they move you along, right? Antron Brown, one of our drag racers, Top Shield drag racers. He loves showing people and getting them to even touch the car, all this sort of stuff is so beautiful to see and the kids really love it because they feel like getting involved in what you see. In Formula One you’re so far removed from all of that. It can become very boring at times as well so it’s not my favorite sport, for sure. But I do like all aspects about motorsports. I’m extremely involved. My attention goes to electric cars around in certain parts of the world. These cars were absolutely amazing to see what what they go through. Eventually we’ll be going into Extreme H which is basically hydrogen… EDMTunes: Yes, I was going to ask you about that. Carl Cox: Yeah, so Extreme H, there’s people developing hydrogen engines for these cars and that’s the goal. Everything that they actually make is all about sustainable energy looking after the planet, this kind of thing. And obviously hydrogen does all of that, but the engine is combustible, right? EDMTunes: Right. Carl Cox: People miss the sound of a combustion engine that, you know, when you rev it up, they miss that. With electric cars go all you hear are the servos right? And the wind going weeeuuuu and that’s it. People miss the sound, but apart from the sound you’re not burning any emissions. It won’t go into domestic cars at the moment because they’re still trying to find a way to make it even more sustainable. Affordable is another story… EDMTunes: Have you driven a prototype of one of the hydrogen vehicles? Carl Cox: Not at the moment, but looking into that. In November, they’ll be rolling out the hydrogen cars called Odyssey 21s in Phoenix, Arizona. I’m looking to be there as an ambassador for Extreme H. EDMTunes: We’d love to hear your review on how it feels driving hydrogen vs electric vs gas. So, that’s that’s really cool. Carl Cox: Electric cars are like a light switch, right? When you’re building power, especially from a turbine point of view, you feel the boost come in when you’ve got a naturally aspirated engine. You feel everything that you’re doing on the throttle panel. So it’s all about you and how you control that. Hydrogen will be more like that, and the drivers can’t wait for it to happen because that’s what they miss. Basically the controlability of power. EDMTunes: On that note, have you ever taken your love for racing or the feeling, or the emotion for racing and brought that into your music with a track that’s inspired by racing? I think of Charlotte De Witte doing a lot of that recently. Has that crossed your mind or have you done something like that? Carl Cox: Well, everyone has asked me to do it. I see it as a bit cheesy in some ways. You could do it, but it’s hard to get it where it doesn’t sound like an engine. It shouldn’t sound like anything. It should sound like a sound, right? But there’s a beauty in hearing a Formula One car, like a V-10 going down straight away at 200 miles an hour. Ooooormmm…. there’s something about that 21,000 revolutions a minute sound but it’s so quick. To have that in a track. You probably wouldn’t recognize it. So, the only people that I feel that have done that sound any justice is a band called Yello. They got a track called ‘The Race’. In the track, they basically panned a race car from one side of the speaker to the other and and basically the chorus goes and is the race… And you hear this car going almost through the speakers. So you’ve got like a quadraphonic set. You would get left to right and right to left and it would like like it’s going around the room. EDMTunes: Wow! Carl Cox: When you heard that in the club it was incredible. So if you want to download that track and hear what my experience was… it’s a little bit hard to do. When I was in a studio with Boris Blanc, and Dieter Meier I asked them about how they did that surround sound. And the boys said: “Oh Carl, you see the button on the panel? you slide it left to right weeeeiiiiiiiuuuuu…” I thought it was something fancy they created, but he just went left to right. So I’ll never forget that as long as I live, but what came out of it was incredible. Now, I think it was Honda that was using Funktion One to make this elaborate sound development as they were building the car, which is pretty crazy. I would like to do something like that in a track if I could. It would make a difference because just having that sound in a track is easy to do. But it probably wouldn’t come across in the way that original sound was developed. EDMTunes: So switching gears, I understand that you’re going to be doing some Playground fundraisers for Burning Man. I know that’s another one of your pastimes. You enjoy going to Burning Man each year. So tell us a little bit about that. Carl Cox: Yes, it is something a lot of people don’t know really, which is my involvement of what I’ve created over the years. It has been a lot and I’ve spent a lot of money. You need money to do all of this stuff and no one man is an island and I just can’t carry the whole device by myself . So I do need help, and if people are going to Burning Man and they really experience what we create and really enjoy it at the cost of nothing when they get there. It’s been nice to see how people support what we do before they know the value to it. It’s entertainment after all. And what we bring to the table, it’s been amazing, over the years. So, when I first went to Burning Man, which is 2008 for the first five years, I didn’t do much. I was just creating music while I was staying in my RV. And at a particular time people would come to the RV and enjoy, what I was doing, um, but I was there for Syd Gris, who founded the Opulent Temple. He absolutely loved it. That was my way of giving back to the people. I would pay an arm and a leg to be there. And then I’ll get my ticket and I would go there and I would give, my sets and my music to the people and people just love the fact that I was doing that giving back. That’s what I’ve always done every single year, even now into 2024 when we have our own non-profit camp, which is called Playground. Now it’s become a staple diet of us being there every year at Burning Man, at 2D, which was our address for where we set up. I also do quite a few sets there, but one of the sets that people really love on the whole playa is my funky Disco sets. Each record that I play is the original track. So it’s not a mashup or a rework. I lay down the music the way it was played. I put it into a place so people can still groove. I don’t even mix them. I’ll just make a drop right on the beat and then play the next record. For me it’s hard to do that but I do it. People just love it and walk away from Burning Man and they’ll say: “have you been to Carl Cox’s purple disco party?” and some people go: “Well, I was too trashed to make it” or “that’s the only thing came for”. It’s amazing to be able to turn that on The Playa and I feel like that’s my way of giving back to people who make the Exodus to be there. People walk away going I really enjoyed that. That’s why I do it. And um and so we’ve decided that we wanted to also people couldn’t get to the playa. Then these Playground fundraisers are one way of experiencing it without getting dirty. The playa is a very special place. I have to say there’s nothing else on planet Earth like it so I just keep going back. I just, you know I you know we finished being there from last year and we’re already making plans on what we’re going to do next year. Even though the last year was the wettest we’ve ever seen it in the history of Burning man, it’s still fantastic. I absolutely loved it. There were certain DJs that were there and decided that their white shoes were going to get dirty and they left really quickly, but it wasn’t me, right? I stayed there all the way through until the end that’s the reason why I was there. It wasn’t just me, there’s thousands of people also staying and they respect the fact that, you know, things happen but it just to knuckle down and get on with it. So you know, it sorts out the weak from the chaff at the end of the day. So, of course, we’re going back this year and we love the support we get from the fans over the years. EDMTunes: I’m sure you heard that we had our own little version of that at Ultra this year and I can tell you the same type of thing happened. After everybody’s shoes got soaked and muddy everybody let go of their inhibitions which sounds a lot like that Burning Man experience in a way. Carl Cox: Yeah, people do not understand the setup of a lot of these events. I mean if you go to Coachella, it’s dry nice palm trees, palm trees, nice food, vendors and all sorts of it’s nice, right? When we were doing raves back in the UK, 99 and a half percent of the time, it was raining. You just got on on with it. Glastonbury, 80% of the time, raining, wet muddy. But people have such a great time with it because you just have to let go. You’re gonna get muddy, you’re gonna get wet, you’ll probably end up with influenza, but you’ve had a great time. It’s all about how you live your life. If you live your life going “I’m not going anymore because it’s raining”- you’re going to miss out on a great experience. All of the people that went are going to be talking about, you know, how did you get through it and what did you do to get through whatever you were thinking? And Burning Man it was like I’ve never seen it, it rained so hard like it for so long, and then, and then outside of it, it was Armageddon. OMG. It’s like, what do we do here? In our RVsn and I’m sure people were having a harder time than we were, but we couldn’t go the bathroom because the toilet was full and it wasn’t getting service, so we had to go in a bucket. EDMTunes: my God Carl Cox: Then walk that bucket in the mud to a toilet to empty it out because it got too full. So that’s one thing. It’s not the nicest story, but this is what it takes to get to that nic bit in the end. Now we’re going back again, they say, how?! I’m like, “Why wouldn’t you go back? You didn’t have a good time because your shoes got wet?” Seriously?! EDMTunes: So looking ahead to the rest of 2024. What else can we expect from you over the rest of the year? Carl Cox: Well, I’m really focusing more now than before on my hybrid/live spare sets. Most of my bookings are probably 80% hybrid /live and 20% DJ sets. it’s great because I’m also being challenged by it like the way I used to get challenged by what I do, playing free turntables etc. But it’s great with the visual and lighting package that we roll out. So it’s so it’s like a curated show in some ways. Anything I do with the mixer, sends a media signal to the lighting guys, and also my visual guys. Which is unbelievable. If we don’t play anything, It’s a blackout. Nothing. When we play something, then something happens and it’s great. The Hybrid Live shows are never the same. That’s the creative nature of what I try to roll out. I try to stay away from the confetti cannons. I try to stay away from all of the the CO2 and the fireworks. I try and get people to be immersed in the idea of what you’re surrounded by and the music. Let’s get that across so that’s my mission this year. EDMTunes: Excellent. That coincidentally brings me to my last question. You’ve probably had to tell this story before and I’ve had it asked to me before, but I figured best coming from you. The train horn in your sets that’s become a bit of a staple. Can you tell us a little bit about how that came about? Carl Cox: The mad thing about the train horn is that they had one in DC10 Ibiza, you know, 25 years ago. It’s just one of those things, where it had nothing to do with anything or anybody. It’s just a train horn, right? So you had all this music and the atmosphere and people screaming, “Oh my God. Yeah!” And then all of a sudden GONG and people go “what the fuck did that come from?!” And the train horn in DC-10 was about when the next DJ was coming on – to get everybody’s attention. So, Russell from Ultra decided that he would like that atmosphere to be created at the Megastructure, but the only person that’s going to be using it is me. If there’s no Carl Cox there’s no train horn. They found the loudest train horn you could possibly find on top of everything else. So I use it as a drop. There’s two things that I do that, no one else can do. They can do it but it won’t be the same. So what are they? “Oh yes, Oh yes”, and so the last “Yes” is where I make the drop. So if there’s something in the record that’s coming and then on that last moment I go “Oh yes oh yes” and drop it. Sometimes on the last Oh Yes, I drop the track and the train horn at the same time. Oh yes oh [train horn sound] people lose their marbles when they hear that. I don’t use it all the time but on certain tracks where I know it’s gonna really blow up and you walk away going “Jesus. What was that?” You really feel like the train is coming at you. And this really is something special. I used to have a massive bell in club called Zouk in Singapore. The owner would ring this bell whenever the track was really slamming it. In fact, Danny Tanaglia used a cowbell in a lot of his music. That was his sound, so when you had the bell you were really in it. But yes, that’s where the train sound came from. EDMTunes: I don’t know if you’ve heard this but there’s an urban legend that the train horn had to do with back in your youth. When you were first starting out, that there was a train that would run by your studio or something. Have you ever heard that? Carl Cox: No, no. That I haven’t had that [laughter]. Although I haven’t tried going past my studio or any studio I’ve been at. So it’s an urban myth. EDMTunes: Thank you so much Carl! We will see you at Formula One Week at M2 in Miami! Carl Cox: Thank you so much, I’m glad we were able to have this conversation. See you soon! The post EDMTunes Talks Ultra, M2, Muddy Festivals & More with Carl Cox appeared first on EDMTunes.

The time has come; Joshwa has officially launched his very own record label, No Bad Fridays. Concurrently, the UK beatsmith inducts two new house cuts, “Get Stupid” and “Lluvia,” into the imprint’s inaugural repertoire. Packaged as a dual-track EP, Get Stupid triumphantly sets the tone for the tech-house hitmaker’s promising new label, affirming the excitable notion: “No bad feelings on a Friday.” A champion of the UK underground, Joshwa has expeditiously risen the ranks in dance music thanks to his globally resonanant Lee Foss-assisted 2021 smash, “My Humps.” Three years later, the world-renowned DJ reasserts himself with a brand new record label tied to his first musical output in 2024. Get a taste of what No Bad Fridays has to offer by streaming Get Stupid below. New label, new music @nobadfridays pic.twitter.com/YXJw67l2p0 — JOSHWA (@joshwa_uk) April 5, 2024 The post Joshwa launches No Bad Fridays record label with ‘Get Stupid’ twofer appeared first on Dancing Astronaut.