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ILLENIUM’s fifth studio album, ILLENIUM, is just a little more than a month away now. As we approach the official release, he’s released the fifth single today, “With All My Heart” featuring JVKE. He also confirmed on Reddit that this is the final single before the album. Overall, the song is pretty simple and easily digestible, making it perfect to pitch to radio. “This song is pure ear candy to me,” ILLENIUM says of the track. “JVKE’s voice is incredibly powerful, the lyrics really hit, and the vocal chops make it epic and vibey. So stoked on how this record turned out.” JVKE also shared some thoughts on the collab, stating: “I’m a big illenium fan. When he reached out and asked to do a record together I couldn’t say no. Hoping the world likes it as much as I do.” “With All My Heart” arrives on the heels of ILLENIUM’s recent single “Insanity” feat. American Teeth. Prior to that, he reached #1 at US dance radio with the Teddy Swims-assisted “All That Really Matters” and rolled out “Luv Me A Little” featuring Nina Nesbitt and “From The Ashes” featuring Skylar Grey. The tracks will all feature on ILLENIUM’s forthcoming self-titled album, to be released April 28. Pre-save it HERE. This article was first published on Your EDM. Source: ILLENIUM releases latest album single with JVKE, “With All My Heart”

Last week, an interview with M83 by Consequence went semi-viral after he shared his thoughts on the EDM community and respective DJs who regularly play his 2011 hit “Midnight City” in their sets. To refresh your memory, he said, “For me, the struggle with being a successful artist with that album, Hurry Up, We’re Dreaming, and especially with that track, ‘Midnight City’, is that all of a sudden, I had this huge EDM following. EDM is probably one of the styles of music that I hate the most. All of a sudden, I have these bro EDM DJs playing my music, and I just can’t even care less. Sometimes I wish that I could erase that fan base but I don’t think it’s possible to do that.” Yesterday, he shared a follow up on Instagram stories addressing the interview and the backlash he’s been receiving for his words. “I do not hate the EDM community, no!” he says. “I’m forever grateful for the love and support. I’m French and my English sucks so sometimes the journalist has to figure it out… and it often comes up wrong. Apologies for that.” As part of the community, I appreciate the apology. However, the then doubles down on DJs, “What I do hate though is that community of DJs using my songs without any permission, waving their hands at the crowd and doing nothing but pressing a f****** button. This I truly find disrespectful and gross. […] When you use someone’s music maybe you can ask first, no?” Part of M83’s hate for DJs playing his music appears to be a gross misunderstanding of how rights management and royalties work. Festivals, venues, even small bars and restaurants pay license fees to organizations like BMI and ASCAP who handle, among other things, performance royalties for artists. By holding these licenses, the original artists get paid for their work. No DJ has to ask to play a song (in the vast majority of circumstances), especially in an establishment or setting that holds one of these licenses. “If I was a DJ playing in front of a huge audience I would like to ask before doing anything .. I would be too scared to offend artists,” he continues. “But maybe I live in a fantasy world … the story of my life.” From an outside perspective, it’s hard to believe he doesn’t understand when French DJs like David Guetta, Daft Punk, Madeon, DJ Snake, Kavinsky, even legends like Laurent Garnier, have surely been in his sphere of observation at some point. But we also just don’t know. Hopefully this experience will be an educational moment for him as he tours his new album. Photo by Rama via Wikimedia Commons This article was first published on Your EDM. Source: M83 doubles down after calling out EDM DJs for playing “Midnight City”

Chicago native Matt Sherman, aka Sherm, has created an impressive presence both in Chicago and beyond. He’s built one of the largest electronic music podcasts from the ground up – Sherm In The Booth – and his versatile talents both DJing and as an artist have earned him coveted slots at North Coast Music Festival, Lollapalooza afterparties, while also supporting superstar touring acts like Galantis, John Summit and Armin Van Buuren. Brazilian DJ/Producer Rafael Manga has garnered quite the buzz as well, landing releases on coveted labels such as Low Ceiling, Hood Politics, Loulou Records and even been supported by the likes of Joel Corry and Malaa. He has an innate ability to seamlessly blend house and tech house elements together in a way that leaves the listener spellbound and ready to dance at the same time. Now, Sherm and Rafael Manga have teamed up for a whopping two track EP via Hood Politics, ‘Can’t Stop’, just in time for the weekend. The title track is fused with different elements from both Rafael and Sherm’s signature style – that low end, bumping Brazilian bass combined with Sherm’s colorful techniques of call and response. Battle tested on dance floors and approved by professionals, it’s no secret that this track HITS! “The first time I heard Rafael Manga’s music was his edit for “Whoomp There It Is” and I immediately signed it to Hood Politics. I loved his style and knew that I wanted to collab with this talented Brazilian producer. He sent me “Can’t Stop” and something clicked – this was going to be our track. So happy with how it ended up and I’m stoked to finally release it with him on Hood Politics together!” – Sherm Rafael Manga also supplies the second track of the EP with a club banger titled “Ha-Tata” – there is no such thing as a B side on Hood Poli and this track proves that once again. “I reached out to Sherm via DM and sent Can’t Stop to him, but it was just a good backing track of instruments, but the music was missing something more important, something that would touch people’s souls, and then Sherm did magic with it, putting in what was most important, beautiful vocals and exceptional details to become a hit. Ha-tata is a song that defines my style a lot, because it has everything I like, like a solid low bass on the floor, rap vocals, and electrifying drops.” – Rafael Manga ‘Can’t Stop’ EP is the culmination of a string of remixes and edits that Sherm has released this week, including fresh flip with CHAN of Will Smith’s classic, “Miami”, a compelling remix with Spekter of Edward Maya and Vika Jigulina’s “Stereo Love”, and a collab with another burgeoning artist aboywithabag titled “Sexy Lady”. Listen below! This article was first published on Your EDM. Source: Sherm & Rafael Manga Team Up For Electrifying Tech House EP, ‘Can’t Stop’ via Hood Politics

Control Freak and Nvadrz came swinging with their long-awaited second collaboration “Self Righteous.” From the large anthemic horns to the destructive baselines, there’s no denying this attitude driven track is a call for utter obliteration. The record is an absolute banger of a song with a large anthemic buildup and glitchy and chaotic drop. As the record continues the emotion in the track is taken drastically in a new direction. Take a listen for yourself. See what Nvadrz and Control Freak had to say about their new single: “Self Righteous has been a staple track in all my sets for the past year and a half, it’s the track that always gets the loudest reaction. After being asked about it since, I am happy we can finally share it with everyone. Control Freak said I have been opening my sets with this record for the last year and a half and it gets a sick reaction almost every time. I always have a lot of fun writing tracks with NVADRZ because I feel our individual styles compliment each other so well! Aside from him being one of my close friends, he’s easily one of my favorite upcoming artists. So many people have been patiently waiting and asking for this track, and we are both so stoked to finally put this one out!” Listen to the new collaboration from Control Freak and NVADRZ below and be sure to follow them on social media as well for the latest updates from the two emerging acts. This article was first published on Your EDM. Source: Control Freak and Nvadrz’s “Self Righteous” is exactly what you needed to listen to today

Martron (real name Marlon Nigro) was born in New York and showed signs at a very young age that his love for music was boundless. Growing up a classically trained musician, it wasn’t until early in his senior year of high school that he discovered his fondness for electronic music. One listen to his music and you can hear an interesting yet balanced blend that combines his charming classical roots with his energetic electronic sound. Now, this talented rising artist is back with an addictive future bass single, “Sun Goes Down“, that impossible not to fall in love with. Featuring bubbly melodies along with a crisp vocal, he builds it flawlessly into a drop that embodies celestial progressions of chill future bass, and perfectly layered vocal cuts. “‘Sun Goes Down’ is about wanting to hold on to the things or people you cherish the most, while at the same time knowing you need to let go of some of those things or people to move forward. To take risks and enjoy life with the people you love while freeing yourself of what burdens you and holds you back. Having made some major changes in my life over the past few months, this is something I’ve had to learn and now embrace.” – Marton Listen below! This article was first published on Your EDM. Source: Martron Releases Addictive Future Bass Single, “Sun Goes Down”

It was only six weeks ago that the beloved house festival The BPM Festival made its way back to its home base in Costa Rica. Returning after a multi-year hiatus, the sacred grounds of Tamarindo were met with the rapturous applause of its guests that spanned across 40 nationalities. It was a beautiful scene to witness from some of the videos shared. Now,The BPM Festival has confirmed it will return to Tamarindo’s exquisite beaches for a surprise Easter Edition brimming with music, dance, and pure celebration. Taking place across the Easter holiday weekend, on April 6, 7, and 8, 2023, the Dreamcatcher stage within the jungle will transform into an intimate haven for music lovers. The lineup is spectacular, carefully curated to feature performances from Diplo, Jesse Calusso, Late Delivery, N.I.M, Rafa Barrios, Samu, Vanjee, Miguelle, and more. Fans can expect to be immersed in mesmerizing rhythms, locked into the beats of the world’s most aesthetic festival. If you’re looking to plan a spring getaway, look no further than BPM! Get tickets! This article was first published on Your EDM. Source: BPM Festival Announces 3 Day Easter Edition ft. Diplo, Rafa Barrios, Jesse Calosso + more

Hailing from the EDM and nightlife hotspot of New York City, Martial Simon is already heating up in 2023. This innovative producer and artist has more than 8 million collective streams, along with 20 million-plus TikTok views. His infectious releases have also been synced by the likes of MTV, Fox’s Good Day, and Bravo’s Summer House. Additionally, Martial is an expert spin-master, having earned residencies in Las Vegas, LA, Chicago, and more, while touring across the planet. Now, he has linked up with celebrated rapper Trindad Jame$ on their new energetic new single, “Go Bezerk.” Released on Martial’s imprint GET SET Records, this track is destined to be a dance floor banger, packed with tight knit percussion, swaying effects, and a thumping tech house groove. “’Go Bezerk’ is a Techy Bass House record in collaboration with rapper Trinidad Jame$. His catchy hook overlays a club track with massive buildups, a fat bass line and plucky synths. This record is for the clubs and a packed dance floor!” – Martial Simon Check it out below! This article was first published on Your EDM. Source: Martial Simon & Trinidad Jame$ Want You To “Go Bezerk” With New Single

Since pioneering the Motorsports Music Festival model ten years ago, GRIDLIFE Midwest Festival has annually welcomed thousands of adrenaline-seekers to Gingerman Raceway in South Haven, Michigan for the premier ‘Speed Meets Sound’ experience. They’ve hosted world-class musical talent such as Outkast rapper Big Boi, Grammy-nominated producer Kaskade, and superstar indie prankster Oliver Tree, to name a few. These genre-bending lineups have been curated alongside breathtaking drift competitions, races, and artist ridealongs – an electric combination that has made GRIDLIFE Midwest one of the world’s most singular events. To celebrate their 10th anniversary, they’ve announced a massive lineup, topped by Subtronics, Sullivan King, Wooli, and Boogie T. It only makes sense that these eclectic, high energy acts headline the festival, guaranteed to get your blood rushing as if you’re going 120mph around the track! This is a fest you don’t want to miss, grab tickets below! GET TICKETS HERE This article was first published on Your EDM. Source: GRIDLIFE Midwest Announces Headliners Subtronics, Sullivan King, Boogie T & Wooli For 10th anniversary

On this day last month, Daft Punk announced a 10th anniversary edition of their final studio album, Random Access Memories, with an additional 35 minutes of unreleased music. Today, the first track has been released — we hesitate to call it a “song,” as, more than new music, it features additional commentary from collaborator Todd Edwards during the creation of the track. Todd Edwards first worked with the band on “Face To Face” from their Discovery album in 2001. As they were working on “Fragments of Time” at the legendary Henson Recording Studios in Los Angeles on February 29, 2012, a tape ran for the full session, capturing the entire creative journey behind the making of the track and we hear some of these intimate moments of creation between Thomas Bangalter and Todd Edwards in the new track released today. Edited for this anniversary edition by Daft Punk sound engineer Florian Lagatta, “The Writing of Fragments of Time” is a documentary track that nods back to the RAM album track Giorgio by Moroder, in which the iconic Giorgio Moroder discusses his own creative process and come up. This newest behind the scenes track glimpses the actual humans at work with all their doubts, excitement and first draft imperfections. Random Access Memories 10th Anniversary Edition will be officially released May 12.  This article was first published on Your EDM. Source: Daft Punk release “The Writing of Fragments of Time” from ‘RAM’ 10th Anniversary album

Today, Jai Wolf marks a return with his first official single in three years, “Want It All” featuring rising pop sensation Evalyn. The song arrives as the first taste of Jai Wolf’s new installment of artistry, and the first single from his upcoming album. The captivating music video, directed by director Andrew Donoho (The Strokes, Joji, Janelle Monae), features an intricately choreographed dance performance. It was created with AI and ranges in visual aesthetics from oil paintings to futuristic art. “This era feels like a true rebirth by pushing my sound into new territories while still feeling grounded in my usual sonic palette,” says Jai Wolf. “While a lot of electronic music is defined by the production, I really wanted to focus on lyrics and songwriting for the new music. It’s been cathartic putting my feelings to paper and then extrapolating them even further through interpretative dance for the music video. I’m grateful for Evalyn, Andrew, Monica, Rishi and Manfred for being a part of this record and bringing the music video to life!” “Want It All” is rife with rich instrumentation, from crisp drums to warm brass notes and an underlying melody that feels like sitting next to a fire on a cold, lonely night. Watch the official music video below. Photo via Oswaldo Cepeda This article was first published on Your EDM. Source: Jai Wolf shares first new single in 3 years as he prepares for new album

Denver-based producer Manic Focus is an artist of many talents. As a magician, he uses sleight of hand to pull objects out of thin air. As an electronic artist, he executes similarly impossible sonic acts with his vibrant, genre-defying music. Manic Focus’ unique style – defined by a hybrid of electronic, funk, soul, and hip-hop – has helped the producer cultivate a fervent fanbase captivated by his immersive studio trickery and vibrant creative spirit – a combination that has led him to performances at festivals such as Lollapalooza, Bonnaroo, Hulaween, North Coast Music Festival, High Sierra Music Festival, Camp Bisco, Wakaan Festival, Summer Camp Music Festival, and multiple opening slots at Red Rocks in support of Zhu, Emancipator, Pretty Lights, and more. But his strengths lie not only in the musical and magical: what also makes Manic Focus stand apart is his mental triumphs. Diagnosed with Bipolar 1 in 2007, Manic Focus has experienced several manic and depressive episodes – experiences that directly inspired his artist name. Instead of preventing him from working, his Bipolar diagnosis became a driving factor in his creative processes, an obstacle he’s had to navigate towards a product of endless musical ingenuity. Never Not Blue takes the listener through the different emotional states of a manic episode where the interludes outline the stages of mania. It may be his best work yet, keeping your ears and mind engaged the whole way through with mesmerizing melodies, seamless vocal sampling, and drum grooves that seem to vibrate through your whole body. Despite all of his talent, it’s great to see artists willing to go the extra mile in being truly vulnerable through their craft and in doing so, it seemingly resonates even deeper to the listener. “This album is very special to me. It will take you on a journey through many of the emotions I experience in a manic episode – from the confidence, through the chaos, to the euphoric states, but ultimately ending on a positive note.” – Manic Focus Check it out below! This article was first published on Your EDM. Source: Manic Focus Delivers Emotional & Mesmerizing 7th LP, Never Not Blue

The Denver music scene is a tight-knit community, and the hotly-tipped trip-hop duo Since JulEYE reflect that camaraderie. Shattering genre confines with their uniquely-blended sonic stylings, Since JulEYE was born out of shared musical tastes and Denver’s warm, inclusive artistic identity. After initially starting as a solo project by DJ/producer Lev Averbakh, Since JulEYE recently added long-time collaborator and veteran keyboardist Todd Stoops (RAQ, Kung-Fu) as a permanent member. This new creative partnership has resulted in a vibrant mix of Averbakh’s bouncy hip-hop production with Stoops’ jam band sensibilities – a dynamic combination that has led to performances at Summer Camp Music Festival, Gem & Jam, Color Field, and Wavespell, where they’ve displayed their electric live sets. Now, Since JulEYE releases their debut album, The Dawn Of Since, a full-length project that showcases its artists’ singularly aligned musical intuition. It’s a genre-hopping masterpiece, featuring Eric “Benny” Bloom (Lettuce), Colby Buckler (Emancipator, Manic Focus), Michal Menert, ProbCause, and more. You can’t go wrong with any of the tracks, but our favorite is “Off White Flowers”, a lo-fi jam turned thrilling drum & bass ride that is absolutely unforgettable. “This album embodies our sonic evolution and we are extremely excited to share it.” – Lev Averbakh (of Since JulEYE) Check it out below! This article was first published on Your EDM. Source: Live-electronic trip-hop duo Since JulEYE Reveals debut LP ‘The Dawn of Since’

Whether or not you live in LA, you may have heard word of a burgeoning label and brand that goes by the name of Blind Tiger, notorious for serving LA with the finest taste of underground events paired with an unparalleled experience. Headed by the tech house dynamo BINGEWATCH, Blind Tiger has garnered a lot of attention around their exclusive events and secret afterparties, inviting the hottest up and coming acts paired with veterans in the scene. They may be considered a “smaller” imprint, but don’t let that fool you – they’ve sold a jaw dropping amount of tickets to various events at Sound and 1720 Warehouse alone. Previous guests that have crashed these Blind Tiger parties with surprise sets include Tchami, Solardo, and Sidepiece, to name a few. The word is spreading and so are these parties, now entering into Florida, Illinois, Arizona, New York and Mexico this year. With all of the excitement around Blind Tiger, it’s only fitting that they’re teaming up with none other than Insomniac for perhaps their biggest show of this year this Friday, March 24. Dubbed ‘Nightshift’, this event promises a strong list surprise guests from all over the country to take over the decks all night long. This is a can’t miss event and if you find yourself in LA this weekend, make sure to check out party! Entry is free with RSVP. RSVP for ‘Nightshift’ on March 24 This article was first published on Your EDM. Source: LA Underground Imprint Blind Tiger Announces ‘Nightshift’ Event With Insomniac ft. Loads of Surprise Guests 3/24

While Bellorum kicked off his music career back in 2016 with “Oxymore,” he has been DJing for more than a decade and has now positioned himself as one of the hottest names to watch within electronic dance music. His releases on labels such as Dancing Dead, Hybrid Trap, Welcome Records and Barong Family have amassed millions of collective streams, while he has received support from some of the scene’s biggest acts, among them DJ Snake, Tiësto, Dillon Francis, R3HAB, The Chainsmokers, SLANDER, Skrillex and many more. Marking his first single of the year, Bellorum has now returned with “VICE,” a playful and stunning display of his genre-bending production style. Filled with funky samples and off-kilter vocals, “VICE” quickly evolves from a break signature into an explosive color bass drop, as lightning-fast arpeggios and distorted sound design take over. It is a truly mesmerizing release from Bellorum, who certainly has a lot more heat up his sleeve for the rest of the year. This article was first published on Your EDM. Source: Bellorum Lands On Dancing Dead With Heavy-Hitting Color Bass Gem, “VICE”

Lollapalooza just revealed the lineup for its annual flagship event in Chicago this coming August, with a banner list of headliners that should have something for everyone. Kendrick Lamar, Billie Eilish, Red Hot Chili Peppers, ODESZA, Lana Del Rey, Karol G, The 1975, and TOMORROW X TOGETHER all hold the coveted headliner status at the festival, which goes August 3-6 at Grant Park. As usual, the undercard is nothing to sneeze at either. Among the various EDM acts, you can catch Fred again.., Diplo, Louis The Child, Subtronics, Alan Walker, SVDDEN DEATH, Dom Dolla, Meduza, Afrojack, Gorgon City, Nora En Pure, AC Slater, Diesel, Timmy Trumpet, Wax Motif, ACRAZE, ARMNHMR, Knock2, Solardo, J. Worra, Disco Lines, Bonnie x Clyde, Ray Volpe, Blanke, Hairitage, RemK, Ninajirachi, and more. There’s still even more to see with Maggie Rogers, Carly Rae Jepsen, Thirty Seconds To Mars, Pusha T, Rina Sawayama, Portugal. The Man, The Revivalists, Sabrina Carpeneter, Sylvan Esso, Knocked Loose, and more. Presale begins 3/23 at 10am CT. Sign up to gain access to 4-Day Tickets here. ⁣ Lolla 2023 ⁣ ⁣ ⁣ Presale begins 3/23 at 10am CT. Sign up to gain access to 4-Day Tickets at https://t.co/bmjLHHMQLs ⁣ ⁣ A public on-sale will follow for any remaining tickets. pic.twitter.com/4Y1M4vLLgB — Lollapalooza (@lollapalooza) March 21, 2023 This article was first published on Your EDM. Source: ODESZA, Kendrick Lamar, Billie Eilish, RHCP & more to headline Lollapalooza 2023

Say what you will about GORDO, pka Carnage, but his philanthropic ventures in Central America are well-documented. After previously opening his first learning centre in Guatemala, GORDO heads back to the country he grew up in as he partners up with Seeds of Learning for the second time to open Edificio Taraka in Nuevo Eden, Guatemala, making this the third learning center he’s funded in the region since the first opened in Nicaragua in 2014. Again working alongside established partner organization Seeds of Learning, a non-profit dedicated to improving prospects for young people living in rural areas of Central America, Edificio Taraka is the latest learning center GORDO has been involved in. Situated in Nuevo Eden, a locality in Guatemala’s San Marcos region, the facility’s impact on students will be profound once construction completes. “My childhood in Guatemala shaped who I am today and I am honored to give back to the generation of tomorrow in my home country,” says GORDO. “I dedicate this school to my aunt, my uncle and my late cousin Catherine who I grew up with in Guatemala.” This brand new learning center will support hundreds of adolescent kids in Guatemala looking to get on a better educational path providing them with all new books, maps, tables, chairs and more. Learn more about Seeds of Learning here. This article was first published on Your EDM. Source: GORDO opens third Central American Learning Center in Guatemala

So often we find our favorite new music from shows or events, through mixes and podcasts, radio play, etc. A lot of music, however, doesn’t so easily fit into those types of settings and are made to feel something… feel anything. Such is the case with the new single from SIPPY and Dani King, released last week on Alison Wonderland’s FMU Records, “Feel Anything.” If you had to put it in a box, you would probably call it dubstep — however, it’s not like the synth/bass-heavy, loud, screeching sounds that have been made popular the past couple years. The bass is deep and emotional, the production is minimal, and incredibly vocal-heavy. It’s the sort of dubstep that you won’t likely headbang to (I mean, you could try), but it still sends shivers down your spine. If anything, just listening to the drums, you might even call it trip hop, bearing some similarities to Massive Attack’s early work. On the production process and working with SIPPY, King says, “I wrote this topline around the prompt “I can’t feel anything” and I wanted to create a descriptive, almost visual experience with the lyrics. Sippy heard the topline and fell in love with it, so much so that we ended up using the demo vocals in the final track. It was a dream to collaborate with Sippy because she’s so talented, and I am grateful the opportunity came on such a unique vocal.” For the fourth release on the recently minted label, Alison said, “I’ve been a fan of fellow Australian artist Sippy for a while now, I got sent some demos from her and really liked this one with Dani King. Excited to get some other girls on the label too.” Listen below! This article was first published on Your EDM. Source: SIPPY & Dani King team up for minimal, dark, and melodic new collab, “Feel Anything”

It’s been an incredible year so far, with so many OG artists announcing and releasing new projects, as well as many of the artists we highlighted on our latest Artists To Watch list this past December throwing out some absolutely stellar new tracks. On that list was So Sus, who just released their first track of the year, a collaboration with Indian/New Zealand artist theajsound, “Reunion.” As So Sus themself is from Zimbabwe and now lives in Canada, this is truly a global release. According to the press release: “Reunion” is a song celebrating So Sus’ reunion with their partner. The first verse talks about the loss of the partner while the second celebrates their return. The drops are melodic and filled with emotion. With this track So Sus tapped New Zealand based singer theajsound to help provide vocals to fulfill their vision for the song. With this song being so personal to So Sus, they even made the artwork for the track which features them and their partner. Listen below! This article was first published on Your EDM. Source: So Sus & theajsound team up for melodic trap, “Reunion”

So often we find our favorite new music from shows or events, through mixes and podcasts, radio play, etc. A lot of music, however, doesn’t so easily fit into the live show model and is simply meant to make you feel something… feel anything. The new collaboration from SIPPY and Dani King is a breath of fresh air in the dubstep scene, with the minimal, dark production and King finally settling into her lower register to make this new single supremely haunting. King says, “I wrote this topline around the prompt “I can’t feel anything” and I wanted to create a descriptive, almost visual experience with the lyrics. Sippy heard the topline and fell in love with it, so much so that we ended up using the demo vocals in the final track. It was a dream to collaborate with Sippy because she’s so talented, and I am grateful the opportunity came on such a unique vocal.” Check it out below, out now via Alison Wonderland’s recently minted FMU Records. This article was first published on Your EDM. Source: SIPPY & Dani King team up for minimal, dark, and melodic new collab, “Feel Anything”

Tones is a rising star in the world of electronic dance music whose passion for music was ignited by his first experience as a festival-goer. Originally from Scottsdale, Arizona, Tones comes from an entrepreneurial background, leveraging his skills to launch a successful career in music. He has performed in renowned nightclubs across Las Vegas, Scottsdale, and Dubai, sharing the stage with heavyweights like GTA and Party Favor. Tones has garnered support from some of the biggest names in the entertainment industry, including Snoop Dogg, Randy Jackson, and Floyd Mayweather. Now, he’s back with a brand new single “Till The Break of Dawn” that’s guaranteed to light up the dance floor. Packed with sultry, tech house vibes, Tones provides crisp drum grooves and a soulful sample on top to elevate this track in a perfect way. This uplifting tune is bursting with summer-time energy and fun sultry lyricism that will make anyone get down and boogie the night away with that special someone. Listen below! This article was first published on Your EDM. Source: Tones Drops Infectious House Single “Till The Break Of Dawn”

There is little media coverage available on the Kiki Scene from a musical perspective, nearly nonexistent coverage from within the EDM community. Upon listening to the opening of “Walk Away”, (a Pop single turned Vogue Remix submitted to us last week) and reading what one rising local Pop artist has to say about the matter, it is quite the story. YourEDM has gotten the pleasure to view what could be New York City’s most fascinating underground subculture, through the lens of one of the most heartfelt submissions we’ve ever received. ChRZA, once a novice to Ball Culture just 5 years ago, has put on display how much the culture has influenced her personally, and the rest of the entertainment world. The answer? More than you know. Upon first listen, one would say the Ballroom remix for “Walk Away”, is intrinsically, House music. Technically, according to Google and a PBS news report, Ballroom tracks are more precisely considered to be “a blend of disco, funk, hip-hop, house, rhythm and blues, and electronic music.” Additionally, the dance form applied to the music is called “Voguing”. Voguing is a “creative, energetic dance that mimics the angular postures and stylized movements of fashion models on a catwalk.” After a deep dive into Ball Culture it’s clear to see the scene is incredibly competitive, highly visual and entertaining. It combines sport, pageantry and performative art all under one roof with beauty and class, despite many of its earliest and current underground functions having taken place in basements and small rental ballroom facilities. Everything about this New York City renaissance in music from its birth in the 70’s to its effects on Pop Culture now, is a phenomena and something worthy of going down in EDM history. Trouble with Representation and Appropriation Over the last few years, aspects of Ball Culture has made its way into Pop Culture from celebrity use of voguing choreography in music performances, public exposure to Ballroom/Drag terminology like “It’s giving”, “Tens”, “that’s a chop”, “Slay”, “Queen”, to the more direct appropriation of voguing by the adopting and renaming of techniques as with the “Helicopter Hands Tutorial trend” on Tiktok. Trends taking off are proof that the community within Ballroom is talented and highly valuable additions to social culture. The impact made by Ballroom performers, Drag Queens, and Queer icons within the space have leaked into the general population of Pop Culture for years yet, without the proper recognition of the history, audiences often never find out who the originators of these widely enjoyed expressions and cultural art are. In the process, creators in the Ballroom space receive no benefits to aid in their fight against marginalization and acceptance in the public or professional spaces of society we all operate in. “There is nothing more heartbreaking than to see the world adopt trends from your individual culture and yet, still treat you as an outsider who they have nothing in common with.” By not recognizing Ballroom’s rich history, or its past and current influences, we are all missing an opportunity to bridge different populations of society together in appreciation for each other. How can you appreciate a community for beginning a trend you don’t know they started? On a creative level, there is a professional problem with attribution and credit, leaving LGBTQ+ creatives just as isolated from job opportunities as they were during the previous era of Transphobia. History lessons aside, Ballroom is a force to be reckoned with globally and one that is still alive and kicking harder than ever before today. It’s divided into 2 main stages where a more mainstream “Ballroom” scene hosts large scale competitive events, attracting endless crowds of attendees and highly coveted performers from across the globe. Meanwhile, the “Kiki” scene is more locally driven for scouting the best talents within communities and socializing overall. Ultimately, whether attending any ball for competition or the enjoyment, what you end up getting here is such a unique elevation to the EDM experience that you just won’t find anywhere else. In an energetic love letter to her hometown housemates ChRZA made mention of many names who she claims are the Who’s Who Need-to-Know of the New York City Kiki Scene, all who’ve personally influenced her during her time competing in the scene. DJ Divoli S’Vere, Creator of “Walk Away” Remix -DJ Divoli S’Vere Responsible for Walk Away’s Remix, Divoli S’vere does not just top the list on Last.FM for “Ballroom Artists with Most listeners”, S’Vere is apparently ChRZA’s #1 choice in musical collaborators as well. The NY native has made head turning remixes out of literal seconds of internet snippets and the results of his flow is a globally viral hit nearly every single time. Other DJs mentioned are DJ Mike Q, DJ Byrell The Great and some special picks, well known among inner circles, from the depths of the Ballroom rumor mill: DJ Belindzz amd DJ Ignite. True “Under the Radar” talents featured in Walk Away Kamryn “Nunu Old Navy” (pictured left), ChRZA (center) and Grace Jones (Right) perform in studio for “Walk Away” Music Video -Grace Jones, House of Gabbana: @Jussgracejon You may recognize her from her controlled movements in ChRZA’s music video debut for “Walk Away”. Grace has been dancing for nearly 2 decades and is a veteran performer in the NYC Kiki Scene. Currently facing multiple injuries, she still overcomes and surpasses obstacles by willing herself through multiple competitions on the regular. Grace represents the silent majority of Ballroom performers who, without any official accolades, has a wealth of wisdom and years of know-how in the realm of everything Ballroom. -Kamryn “Nunu Old Navy”: @that_girrl_kayy A new addition to House of Old Navy’s NYC chapter, Kamryn “Nunu Old Navy” has been turning heads in battles and has held her own whether up against a legendary performer or not. NuNu’s moves can be seen in the opening dance scenes for “Walk Away”, her smooth and fluid movements compliment Grace and ChRZA while also attracting audience attention to a style that’s all her own. Nunu may be the name ringing bells on a whole ‘nother level come 2024. Watch out for her, and ask about her! In a letter full of stories and names too long to publish, it’s been a rewarding and educative experience to read in full. ChRZA has succeeded in winning over a writers’ room full of hearts, we expect this will not be the last we hear of her or write about Ballroom. We wish ChRZA all the luck on the mission to bring her House and her music to the top. Look out for @HouseofOldNavy on IG and updates on ChRZA’s next moves www.chrza.com This article was first published on Your EDM. Source: NYC Artist Goes VOGUE: An Intimate Look Behind ChRZA’s “Walk Away” Music Video and Her Experience Navigating the Underground Kiki Ballroom Scene

Both Crywolf and AWAY are incredible producers in their own right, each with a particularly unique vision of the music and art they create. Together, the possibilities are endless… so it’s no surprise that when the two of them decided to create a joint project called ANTAGONÏZER, Rezz answered the call and signed their first single to HypnoVizion. ANTAGONÏZER shared a preview of the single along with the news. It drops April 28 on HypnoVizion. Check out the teaser below! After a long incubation… we are excited to announce our collaborative project, ANTAGONÏZER [AWAY + Crywolf] The first single, STATIC, drops 4/28 on @HypnoVizion pre-save in bio pic.twitter.com/5PMLnHqCQY — ANTAGONÏZER (@obeyANTAGONIZER) March 16, 2023 This article was first published on Your EDM. Source: Crywolf & AWAY debut new project ANTAGONÏZER, first single out on Rezz’s HypnoVizion

When I first started really digging into dubstep around 2010, one of the first songs that I found was “Lines In Wax” by Flux Pavilion. Even before “I Can’t Stop” or his iconic “Gold Dust” remix with Doctor P, I fell in love with the flow from Foreign Beggars, the gritty synths and bass, all of it. Throughout the years, Flux has remained a pillar of the dubstep community, even as he transitioned into different material with his latest album, .wav. However, we already saw him returning to his Tesla-era sound with his previous single, last year’s “Technicolour Psychic Vision.” Now, we have further confirmation that Flux is definitely returning to dubstep, and it’s because the scene is so strong right now. “I think we’re entering into a new age of dubstep,” he said in a recent video. “There’s so much rad stuff that people are writing. I don’t think there’s a point in my career that I’ve been more excited about dubstep than I am now.” That’s huge praise from someone who was around when it was literally still forming. He continues, “Can’t stop thinking about it, it’s kind of all I want to do. Just to give you guys a heads up, that’s where I’m at. If you want to hear some Flux dubstep, that’s exactly what’s happening.” “Paradise,” his newest single, showcases a blend of Flux Pavilion’s signature sound with a unique mix of melodic bass and upbeat rhythms. The track progresses with a catchy euphoric vocal before switching into a weighty anthem. Fed by the force of letting yourself be present in the moment and to savor experiences, enjoying paradise means taking the time to appreciate the beauty around you and disconnect from the digital world. Put down your phone and take in the sights, sounds, and smells of a special place. Check it out below! Photo credit: Fiona Garden This article was first published on Your EDM. Source: Flux Pavilion joins a “new age of dubstep” and releases newest single, ‘Paradise’

Last year, Ray Volpe featured on Together, the most recent EP from MitiS released on Ophelia. Yesterday, he made his solo debut on the label with “Meant To Be Lonely” with Donna Tella. Ray Volpe’s track “Laserbeam” took the entire EDM scene by storm last year as the most-played track at EDC Vegas with support from Skrillex, Excision and more. The track is currently trending on TikTok with millions of views and over 17,000 videos. The dubstep act just finished his debut headline tour with multiple sell out dates. But life is all about growth and experimentation; for his solo debut on Ophelia, Ray turned the vibes up and the wobbles down for a happier single. Emotive piano chords and scene-stopping verses transition into spectrum filling saw leads and climactic drops in halftime and 4 on the floor rhythms. Listen below! Photo via @fknstrada This article was first published on Your EDM. Source: Ray Volpe makes his solo debut on Ophelia with “Meant To Be Lonely” ft Donna Tella

From irresistible trap bangers to an assortment of heavy dubstep and bass music tracks, Bassassin is carefully crafting an intricate discography that should be on everyone’s radar. Hailing from San Diego, he graduated from the Musicians Institute with a focus on Music Production and Music Business back in 2013, and has been tirelessly working towards crafting a unique sound and brand ever since. In an oversaturated market, Bassassin knows well that it takes a lot of work for an artist to stand out, and he’s up to the task. A versatile producer and DJ, Bassassin combines elements from hip-hop, dubstep, trap and rock to create his sounds, with his discography dating back to 2015, when he dropped his self-titled DJ Bassassin EP. He has released a large number of EPs and projects ever since, following up the monumental success of Bassassin EP with Bassassin’s Creed in 2018, In Yo Face in 2019, Coffee EDM in 2020 and Music Is War in 2021. His latest effort marked King of Thugstep, which introduced his new thugstep genre, a combination of hardcore rap and dubstep. Featuring collaborations with Wermzer, Gangsta Boo, Chrome Korleone and drill legend Wacka Flocka Flame, King of Thugstep was a massive moment for Bassassin, further cementing him as an artist to watch within the scene. Bassassin’s inspirations range from DJ Paul and Lex Luger, to DJ Mustard and Diplo, as he’s aiming to achieve a similar level of fame and acclaim. Channeling his passion into everything he does, while aiming to inspire the next wave of talents, he has been producing professionally for over eight years at this point and isn’t showing any signs of slowing down anytime soon. Bassassin’s brand new release, which is out now, is arguably one of his heaviest to date, and a stunning display of his production talents. Titled “Slayer,” it follows the heavy-hitting “Cancel Culture” alongside Yukmouth and Ise B, and combines metal with riddim for a mesmerizing result. A barrage of guitars and bass kicks off the tune, that were provided by Bassassin’s former guitar teacher and nicely introduce listeners to the haunting vibe of the track. Following a screamo vocal that catches listeners off-guard, a sinister riddim drop explodes, filled with forward-thinking sound design and hard-hitting drums. “Slayer” makes for yet another impressive tune for Bassassin, who is gearing up to drop a lot more music throughout 2023. Make sure to stay tuned with the talented producer, as he’s only rising from here. This article was first published on Your EDM. Source: Why Rising Talent Bassassin Is An Artist To Keep An Eye On