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SNAILS, Code: Pandorum, and Qoiet unite on ‘Paint It Red‘ forging a sonic weapon that blends vomitstep, deathstep, and raw, unbridled aggression into a singular, explosive experience. The track is out now via Crowsnest Audio. In ‘Paint It Red’ SNAILS, the visionary behind vomitstep, brings his signature warped and distorted soundscapes. Code: Pandorum, the architect of cinematic deathstep, injects his relentless, horror-infused intensity. And Qoiet, the genre-bending producer and vocalist, adds a layer of unearthly, metal-tinged vocals into the track. ‘Paint It Red’ is an audio assault, a relentless barrage of sonic power designed to dominate dancefloors. The track’s dark, brooding energy is further amplified by its unique, mostly hand-painted artwork, crafted by the Crowsnest label manager – a visual representation of the track’s raw, unfiltered intensity. A key innovator in bass music, SNAILS pioneered vomitstep, blending twisted sound design with heavy trap influences. With 130M+ streams and performances at Coachella, EDC, and Tomorrowland, he continues raising the bar. Following his 2022 album HELIX, SNAILS is set for a major 2024 with multiple collaborations and festival appearances. A leader in the “deathstep” movement, Code: Pandorum (Sven Selka) is known for cinematic horror- inspired bass music. His 2024 album La Fin Absolue Du Monde marked his return, selling out its physical edition and hitting 500K+ streams in three months. This year, his heavy-hitting sound is set to dominate festival stages worldwide. Producer, vocalist, and songwriter Qoiet blends bass, metal, and rap into a unique high-energy experience. Known for releases on Deadbeats, Disciple, and Monstercat, his tracks have been played at major festivals like Rampage Open Air and EDC. His raw, high-impact sound continues to carve a niche in the electronic music world. The post Code: Pandorum, SNAILS & Qoiet Release Explosive Banger ‘Paint It Red’ appeared first on EDMTunes.

Lilly Palmer is back with an electrifying start to 2025, dropping her latest techno powerhouse ‘Party Don’t Stop’, featuring the high-energy bars of UK rapper Ad-Apt. Known for her driving basslines and relentless beats, Palmer takes her signature sound to the next level, seamlessly blending techno and rap into a club-primed anthem. The track wastes no time, launching into a pulsating groove that builds with intensity. Ad-Apt’s razor-sharp verses add an urban edge, amplifying the raw energy of Palmer’s industrial synths and pounding drums. As the tension rises, the track explodes into a high-voltage drop—guaranteed to send festival crowds into a frenzy. With its non-stop momentum, ‘Party Don’t Stop’ is tailor-made for peak-hour DJ sets, underground warehouse raves, and main stage madness. Following her 2024 hit ‘Dooms Night’ with Timo Maas and Azzido Da Bass, Lilly Palmer proves once again why she’s a dominant force in techno. Her ability to push boundaries while staying true to the underground spirit makes Party Don’t Stop an essential listen for fans of high-energy, cutting-edge dance music. https://open.spotify.com/track/0wHvrVW47PQORaLEwjsGup?si=3b7f1a7c62764825 Expect this track to dominate playlists and festival stages all year long. Party Don’t Stop is out now on all major streaming platforms. The post Lilly Palmer & Ad-Apt Unleash High-Energy Techno Anthem ‘Party Don’t Stop’ appeared first on EDMTunes.

Renowned DJ and producer HUGEL is back with another electrifying track, this time teaming up with Venezuelan artists Alleh & Yorkhaki for the highly anticipated release of ‘Una Noche Con Hugel’. Set to drop on March 14th via Make The Girl Dance Records, this track is poised to ignite dancefloors worldwide with its infectious blend of Afro House and Latin rhythms. A Global Dancefloor Dominator HUGEL has been a defining force in the Afro House scene, pioneering the AfroLatin House movement through his label, Make The Girl Dance. With over 4 billion streams, multiple platinum certifications, and a track record of #1 hits on Beatport, he continues to shape the future of electronic music. His unique sound fuses elements of Latin, oriental, and tribal beats, drawing inspiration from his Marseille roots and musical influences like Carl Cox, Laurent Garnier, Daft Punk, and David Guetta. ‘Una Noche Con Hugel’ – A Fresh Latin Collaboration For this latest release, HUGEL collaborates with Alleh & Yorkhaki, a dynamic duo hailing from Venezuela. Composed of producer Yorkhaki Yacoun and singer Alleh Mezher, the pair bring their signature Latin-infused sound to the track, complementing HUGEL’s rhythmic, groove-heavy production. From sold-out shows at Space Terrace and Brooklyn Mirage to massive festival performances at Burning Man, Electric Forest, Tomorrowland, EDC Vegas, and Lollapalooza, HUGEL continues to be a global sensation. ‘Una Noche Con Hugel’ promises to carry that same energy, captivating audiences worldwide with its rhythmic intensity and Latin flair. Listen to ‘Una Noche Con Hugel’ Below The post HUGEL Releases New Banger ‘Una Noche Con Hugel’ With Alleh & Yorkhaki appeared first on EDMTunes.

Max Styler has made new strides in his decade-long career, honing his craft of melding techno and house music elements into a catalog of cohesive club cuts. He returns to Insomniac Records with his new single, ‘I Know You Want To‘. ‘I Know You Want To‘ takes its position as another certified crowd-pleaser, built around enticing vocal loops and maddening expletive echoes that feed into the deep, pulsating basslines and dark, galvanizing groove. This release follows his recent “See You Sweat” alongside GENESI, which has surpassed 2.5M streams and received critical acclaim worldwide. His music is a favorite of many tastemakers, including Pete Tong, Adriatique, Peggy Gou, Hidden Empire and Rafael Cerato. He was named #16 on 1001TrackLists‘ Top 101 Producers’ list in 2024, with 6 #1 Beatport chart-topping singles, and was appointed by Pete Tong for the Hot Mix for BBC Radio 1 in December 2024. Upcoming tour dates include AME Laroc Festival, 1015 Folsom, The Ave, Showcase, Knockdown Center, Bonnaroo and more. Max Styler ‘I Know You Want To’ out today on Insomniac Records. You can get your copy here. The post Max Styler Releases ‘I Know You Want To’ On Insomniac Records appeared first on EDMTunes.

Rising artist Ghost In Real Life (GIRL) is shattering genre boundaries with her electrifying single ‘My Anthem’, released on March 7th through Insomniac‘s Emo Nite imprint, Graveboy Records. This track masterfully combines drum & bass energy with a fierce pop-punk attitude, showcasing GIRL’s undeniable prowess as both a producer and vocalist. Definitely click ‘Play’ on the Spotify link below to stream ‘My Anthem’ from Ghost In Real Life (GIRL), a track that will get one off the ground and rock out while getting their groove on. ‘My Anthem’, the track from GIRL that will get the bass flowing at a super, vibrant pace “‘My Anthem’ fuses drum & bass with neurobass, creating an atmospheric journey driven by upbeat vocals“, declares Ghost In Real Life. She then added, “The track combines wonky bass textures with uplifting motifs, delivering a feel-good progression that bridges generations of electronic music into one cohesive vision“. GIRL’s dynamic sound is a force to be reckoned with, captivating audiences across the nation with her electrifying performances at major events like Countdown NYE, Zeds Dead Deadbeats Jamboree, and Excision’s Lost Lands. Furthermore, with the support of industry heavyweights like REAPER, Subtronics, Zeds Dead, and Riot Ten, she is establishing herself as a leading voice in the drum and bass scene. GIRL describes how ‘My Anthem’ inspires everyone to be themselves unapologetically “’My Anthem’ is about pledging to yourself, staying true to yourself and letting go, and not caring what anyone thinks. I love opening my sets with this song and having everyone join in for a “pledge of allegiance to rave.” When the guitar comes in, everyone breaks loose in unison! I think that’s what shows are truly about – letting go of your struggles and just having fun with your friends”. More about the one-of-a-kind artist who wonderfully blends the best of EDM with pop-punk Based in Los Angeles, Ghost In Real Life (GIRL) is dominating the EDM landscape with her anthemic pop-punk/drum and bass production, striking lyrics, and compelling vocals. Influenced by icons such as Avril Lavigne, All Time Low, and Blink-182, her love for drum and bass has propelled her to pioneer the pop-punk DnB movement with her groundbreaking release ‘Youth’, a collaboration with Slippy on NIGHTMODE, further advancing DnB in the U.S. Additionally, she has solidified her status as a powerhouse with impactful releases on Bassrush, Deadbeats, and Cyclops Records. Having supported Riot Ten on his Hype or Die! tour and shared the stage with Chase & Status in New York, GIRL consistently draws in and mesmerizes global audiences. Her dynamic performances are unforgettable, highlighted by appearances at prestigious venues like Academy, Exchange LA, and Hollywood Palladium, along with her debut performance with Brownies & Lemonade at DNBNL at Dave & Busters and her participation in Excision’s epic festivals Lost Lands and Bass Canyon. GIRL is not just pushing the boundaries of drum and bass music; she is unapologetically challenging the status quo and defying societal norms. Don’t miss out on her extraordinary musical journey. About Graveboy Records, the Emo Nite imprint that is changing the innovative landscape of music Introducing Graveboy Records: Born from the iconic Emo Nite parties, Graveboy Records is a bold testament to the ever-evolving landscape of music. This label celebrates its emo and pop-punk roots while remaining unbound by genre, fueled by trailblazing artists. Launching with an eclectic roster that includes We The Kings, Say Anything, and exciting newcomers like Noelle Sucks, Graveboy is resolute in its commitment to championing single releases and fostering lasting artist careers. Operating under the vast network of Insomniac Music Group and synergized with Emo Nite’s global events, especially the gnarly “emo-EDM” event series, Grave Rave, every Graveboy release promises a distinctive blend of nostalgia, innovation, and community-driven passion. Graveboy Records is not just a label; it is the powerful next chapter of a musical movement. The post GIRL Diverges Out of Genre Boundaries in ‘My Anthem’ appeared first on EDMTunes.

Jauz is once again breaking boundaries with his latest single ‘Feel It’. Through the relaunch of his label Bite This!, Jauz has been releasing fresh tracks including ‘In The Wind‘ and ‘Nirvana‘. However, this new single features his signature bass-house sound, catchy vocals, and powerful kicks giving us an exquisite DnB tune. Fans are excited about this new release. Prepare To ‘Feel It’ The track starts with sweet-sounding vocals and a sonic-like build up. The fast drums take us through an exciting journey along with the melody until we meet the striking drop. This vibrant track is balanced and perfect for fans of both old and new school DnB sounds, making it a highly anticipated track among the community. This release not only adds to Jauz’s growing repertoire of genre-defying music but also reinforces his commitment to innovation within electronic music. Whether it’s bass house, dubstep, or DnB, Jauz continues to evolve. Additionally, ‘Feel It’ is just another example of his ability to keep fans on their toes. Jauz’s Continued Evolution in Electronic Music The Bay Area native and genre-defying producer continues to push his production limits with this new single. Jauz himself has expressed his deep appreciation for drum and bass, mentioning how proud he is of his DNB new release. I’ve been so inspired by the DNB scene that’s taken over the US in recent years. I was a heavy champion of the genre in my early days, so it’s awesome to see it getting its flowers. I made ‘Feel It’ as an homage to that past self while putting the Jauz fingerprints on a track in the genre, and I hope the fans love it as much as I loved making it. – Jauz What’s Next for Jauz? Beyond his own music, Jauz continues to uplift emerging artists through Bite This!, which he recently relaunched in collaboration with ONErpm. Following ‘Feel It’, Bite This! is set to take over Mana Wynwood 320 during Miami Music Week. This event marks another milestone in Jauz’s career. With more singles, collaborations, and shows lined up, 2025 is shaping up to be a massive year for Jauz and his Bite This! crew. His upcoming tour stops include: 3/20 – The Church Denver – Denver, CO 3/22 – 45 East – Portland, OR 3/29 – Mana Wynwood 320 – Miami, FL The post Jauz Breaks Boundaries Again With ‘Feel It’ appeared first on EDMTunes.

Less than three weeks to go until AVA London returns for 2025, the full three-day and night programme and day splits have landed. Keynote lectures, masterclasses, raves, cutting-edge live shows, and industry connections make up the three days, with leading artists, creators, innovators and industry at the forefront of contemporary culture, arts and music events. Individual day tickets are available for Thursday and Friday of the conference for those wanting to experience one day. AVA’s Day & Night—Access Everything passes also offer an extended and explorative networking experience for professionals and curious minds involved with the industry. The Access Everything ticket will also provide access to a dynamic range of networking events, mixers, and club shows featuring exclusive live performances, debuts, and AV shows. Final additions to the programme include xxxx – bringing together pioneering voices from across music, culture, art, film and creative industries. From game-changing artists and industry leaders to in-depth discussions on sustainability, health, and global expansion, this year’s lineup is set to inspire, innovate and discuss culture beyond boundaries. THURSDAY CONFERENCE To kick off the proceedings on Thursday with an opening keynote in the British Library’s Pigott Theatre, UK rave tastemakers Underworld set the tone for knowledge, reflection and inspiration – Karl Hyde and Rick Smith have defined the sound and spirit of dance music in the UK. In discussion with Séamas O’Reilly, they will cover “legacy”, their creative process, and the continued inspiration offered by their anthem, Born Slippy, celebrating 30 years this year. As well as this interview, later in the day in the Bronte Room, Underworld’s classic track ‘Two Months Off’ will be deconstructed by Ski Oakenfull. Head of Education and Curriculum at Point Blank Music School. Following on from the opening keynote Annie Mac and international DJ Jayda G will be in conversation discussing their journeys to date in music as well as the landscape for women in the industry. Activist and model Munroe Bergdorf will join the proceedings, hosting a popular session returning for this year’s program titled ‘Requeering Dancefloors’ centred around nightlife and queer culture. Bergdorf is an activist and global voice for under-represented communities, fighting for trans rights, safer spaces, equality and justice. Joining her we have Jaguar, I. JORDAN, pop operatic singer and songwriter Tom Rasmussen Head of Music & Entertainment at Satellite 414, Tom Mehrtens. The individuals will dissect the current state of queer clubbing in the UK afar and the impact it has had in recent years on popular culture. Munroe Bergdorf will also feature with Tom Schroeder, Maria May and Mark Gordon discussing pioneers and Game Changers in the arts, music and culture scene. A stone’s throw away from the library, London staple station Rinse FM will be broadcasting live from The Standard. Key contributors to this year’s programme, Rinse founder Geeneus will be heading a talk on sustainable culture outlining the future of clubbing and music. Another special segment for day one: Pulp frontman Jarvis Cocker will take to the stage to deliver a climate-themed lecture titled “Biophobia” in association with EarthPercent. To round off day one of the conference, MUBI will be hosting a panel at The British Library featuring a lineup of experts touching on film, sound and production. Hosted by Tarsza, they are joined by the likes of the award-winning composer of ‘The Substance’ Raffertie and ‘Aftersun’ music supervisor Lucy Bright. The talk will be followed by a screening of ‘In Camera’ directed by Naqqash Khalid who will also be a part of the panel. FRIDAY CONFERENCE Keeping the momentum for Day 2 on Friday, amidst the global sensation of her Eusexua album campaign, FKA twigs will open the conference for a special live edition of the Resident Advisor Exchange podcast in the Pigott Theatre hosted by Nadine Noor (Pxssy Palace) to discuss her career, creative process, and inspirations, offering a perspective from one of the most compelling artists of our time. Also waving the flag for the queer community horsegiirL reflects on her journey from being “just a foal from the farm” to making waves as one of the most in-demand names in electronic music. Joined and hosted by Megan Wallace from Gay Times for an intimate keynote + Q&A as she shares the story behind her sound, creative process, and what it means to have the “relentless support” of her community. TikTok’s Toyin Mustapha will present a keynote conversation with Major League DJz, experience ticketing platform Easol, who will present an industry-focussed keynote panel titled: “How to Design World Class Experiences” – Amid a challenging climate for Experience Creators everywhere, this panel asks how we can create a more positive future. What does the perfect festival look like? Where does it happen? Who is the audience – how do we attract them? Who’s playing? Key figures from the industry, including Festival Creators and Artists lay out where we should go and how to get there. In another session for budding artists and artist managers, Ned Beckett, founder of LittleBig Agency, shares his expertise on successful Talent Discovery and Artist Development with Georgia Taglietti (IGNAC / AFEM / Laurent Garnier). Representing groundbreaking acts such as Aphex Twin, Ryoji Ikeda, Holly Herndon & Lorenzo Senni, – Beckett has built careers that shape electronic music. Ned will discuss discovering talent, taking artists to the next level, and sustaining long-term success in an evolving industry. Building on the programme further, heavyweight electronic musician Paul Woolford AKA Special Request features as the guest speaker on ‘No Tags podcast. Chal Ravens & Tom Lea, the mastermind journalists behind ‘No Tags’ podcast, will sit down with Woolford for an unfiltered conversation on underground music and pop culture. This session at AVA London is not to be missed. Italian producer Lorenzo Senni will join the programme to present a new version of his production and process-focused masterclass, “The Architecture of Intensity”. The Warp Records-affiliated artist is well-known for deconstructing the epic build-ups and ecstatic synthesiser arpeggios of ’90s trance and hard techno along with the Hardcore Punk influences that often feature in his work Lorenzo uses repetition and isolation as key tactics in his production. Contributing to the club and conference programme, techno pioneer Marcel Dettmann sits down with emerging DJ and pannelist Vanessa Maria for a keynote interview around his new live project “My Own Shadow”. Dan Lambert, manager to the Belfast trio Kneecap & Rich Peppiatt director of the film Kneecap will sit down with Eric Davidson from The Tenth Man uncut discussion on ‘Managing Mayhem & Breaking the Fourth Wall’ as well as how these fundamentals have cemented the iconic group’s mercurial career across music, film & pop-culture. Concluding the final day of the conference, AVA producers themselves UP PRODUCTIONS! Founded by Sarah McBriar will host a talk into the power of collaboration with Yinka Illori and Mazdak Sanii. Brainstorming the power of collaboration where art goes above and beyond boundaries relating back to their own experiences in the industry. NIGHT TIME PROGRAMME AVA London will feature a solid night programme, with a focus on live acts, DJs and AV explorations, these events will show why AVA is a leading tastemaker in the electronic music world. Thursday 20.03- Erika de Casier, Kojaque, Mechatok Live – Earth Hackney Thursday kicks off in Hackney at Earth with quality live acts and DJs – including Danish singer and producer Erika de Casier. Known for her delicate vocals and charming productions, De Casier’s performances are intimate yet powerful. London-based Irish rapper Kojaque will also join the bill for a typically theatrical and charismatic show; Mechatok will also perform a new live. Friday 21.03 – Ryoji Ikeda Live, Marcel Dettmann Live, EMA – Outernet / HERE AVA’s second night heads to Outernet will be a night of experimental soundscapes and techno power. Ryoji Ikeda, a master of minimalist sound design, will explore the boundaries of sound and perception. Marcel Dettmann, one of techno’s most influential figures, will bring his signature dark and intense beats to the floor. He will make the UK debut of his new My Own Shadow Live; Dettmann is undoubtedly the don when it comes to techno. The night will also feature talent on the rise – EMA. Saturday 22.03 – X CLUB., LSDXOXO, Juicy Romance + Marion Hawkes – The Cause For the final night, The Cause hosts another night of boundary-defying electronic music. AVA is excited to host LSDXOXO brings hyper-pop, club, and experimental electronics, while London-based Australian duo X CLUB. present their blend of 90s techno influences with forward-facing contemporary club sounds, with support from the powerhouse Juicy Romance, and Northern Irish act Marion Hawkes also joins the bill. AVA aims to inspire, educate, and shape the future of culture – in the biggest city in the world for creativity. DAY TIME PROGRAMME FKA twigs – RA Exchange Live – Keynote Interview with Nadine Noor Underworld – Keynote Interview with Séamas O’Reilly Jarvis Cocker – Presents ‘Biophobia’ in association with EarthPercent Annie Mac & Jayda G – In Conversation Music’s Leading Role in Film with Raffertie (composer, The Substance), Lucy Bright (music supervisor, Aftersun) and Naqqash Khalid (director, In Camera) hosted by Tarsza – MUBI Presents (talk + screening) Marcell Dettmann – “My Own Shadow” Interview + Q&A with Vanessa Maria “How to Design World Class Experiences” – Easol Presents horsegiirL – Interview + Q&A hosted by Megan Wallace – Gay Times Nonotak Visual Arts Masterclass No Tags podcast Live with Paul Woolford Lorenzo Senni – ‘The Architecture of Intensity’ Masterclass Tom Elmhirst – Mixing Masterclass Demystifying Music Publishing Music Presents The Game Changers: Munroe Bergdorf, Tom Schroder (Team Wass) & more TBA Art Beyond Boundaries: the Power of Collaboration’ hosted by Sarah McBriar (AVA Festival) Curating Contemporary Culture: Bengi Unsal (ICA London), Eva Jáger (Serpentine), Luke Kemp (Barbican) Trippin Presents Re-queering Dancefloors: Munroe Bergdorf, Jaguar, I.JORDAN, Tom Rasmussen, Tom Mehrtens Talent Discovery & Artist Development with Ned Beckett (LittleBig) & Georgia Taglietti The Kneecap Story: Managing Mayhem & Breaking the Fourth Wall with Dan Lambert Beating Burnout: Health & Resilience in Electronic Music – AFEM Presents Going Global – How to take your music brand international – AFEM Presents “From The First Beat To The Big Hit” – Presented by b:electronic Presents Sustaining Culture: The Future of Music & Clubbing – Rinse FM Presents Spitfire Audio Workshop The Art Of Brand Partnerships The post AVA London: Beyond Boundaries: Three Days & Nights of Music, Culture & Visual Art appeared first on Electric Mode.

Goldenvoice, the powerhouse behind iconic festivals like Coachella and Stagecoach has officially announced the return of Goldenvoice Surf Club, set to take place over two weekends in April 2025 at the stunning Palm Springs Surf Club. Known for its unique fusion of top-tier electronic music and resort-style leisure, this event promises an immersive experience where festival-goers can bask in the sun, enjoy the thrill of a wave pool, and dance to world-class performances. A Premier Festival Weekend Experience Following a highly successful debut in 2024, Goldenvoice Surf Club is back with a carefully curated lineup that spans multiple genres, offering a mix of house, techno, hip-hop, and electronic beats. The event will be held on April 12-13 and April 19-20, transforming the Palm Springs Surf Club into a musical oasis. Weekend One kicks off on Saturday, April 12, with UK garage sensation Sammy Virji, house music heavyweight Chris Lorenzo, NYC’s genre-blending duo Fcukers (DJ Set), and underground favorite ATRIP. On Sunday, April 13, the energy shifts toward hip-hop and R&B-infused sounds with Mustard, the Grammy-winning producer known for his infectious West Coast anthems, alongside the fierce and dynamic Rico Nasty and DJ-producer Kitty Ca$h, who brings a multidimensional mix of R&B, hip-hop, and electronic elements. Weekend Two leans into a more eclectic and atmospheric soundscape. Saturday, April 19, features an impressive mix of melodic and deep electronic acts, including Polo & Pan (DJ Set), Ben Böhmer, Maribou State (DJ Set), and Josh Conway from indie-dream pop band The Marías, stepping in for a solo DJ performance. Closing out the final day on Sunday, April 20, the stage will be graced by Eli Brown, Max Styler, and Massano, promising a night of pulsating beats and euphoric drops. A Unique Venue with Resort-Style Thrills Beyond the music, Goldenvoice Surf Club is designed to be an experience like no other. The Palm Springs Surf Club is a state-of-the-art destination that boasts a vast grass amphitheater seamlessly connected to a high-tech wave pool, allowing attendees to float on the lazy river, plunge down waterslides, or relax in private cabanas—all while enjoying panoramic views of the San Jacinto Mountains. Adding to the event’s immersive offerings, festival-goers will have access to diverse food and beverage options, curated wellness experiences, and the sustainable water brand Drip as the official hydration partner. Whether you’re in the mood for a high-energy dance party or a rejuvenating retreat, this event caters to all festival preferences. Tickets & Event Details Goldenvoice Surf Club is a 21+ event, and tickets are set to go on sale Friday, March 14, at 12 PM PST. Pricing details are as follows: Single-Day GA Tickets: Starting at $49 Two-Day Weekend Passes: Starting at $85 Water Slide Access: Available as an add-on pass VIP & Cabana Packages: Available for a premium experience Tickets and additional event information can be found on the official website. The post Goldenvoice Surf Club Unveils Star-Studded Lineup for 2025 Edition appeared first on EDMTunes.

Brooklyn’s enigmatic electronic duo Dancing In Tongues have come together with QRTR for a hypnotic remix of ‘Pieces Click’. This remix is a transformative rework of their hypnotic original, reconstructed with an underground house vibe. Fusing their irresistible avant-pop sensibilities with basement rave vibes, this remix injects new energy into their evolving sonic landscape. With musical touchstones spanning FKA Twigs, Charli XCX, Bjork, Sofi Tukker, Snakehips and Caroline Polachek, Dancing In Tongues explore electronic experimentation and raw emotion with an ineffable Brooklyn cool. Their music thrives on contradiction—crystalline vocals fracturing over shape-shifting rhythms, delicate yet bold, ethereal yet deeply visceral. Enter QRTR—the Brooklyn-raised, Philadelphia-based producer and DJ known for her art house basement rave aesthetic. With a résumé that boasts performances at Coachella, Electric Forest, HARD Summer, and Electric Zoo, QRTR’s remix of ‘Pieces Click’ reimagines the track through her signature fusion of cinematic synths, pulsating house rhythms, and immersive textures. QRTR takes Dancing In Tongues’ evocative original and twists it into an entrancing late-night anthem. She melds raw emotion with kinetic movement, identity with abstraction, and connection with transformation in the digital age. This is dance music for those who seek something deeper—something alive in the circuitry. The post Dancing In Tongues Team Up With QRTR For Hypnotic Remix of ‘Pieces Click’ appeared first on EDMTunes.

March has arrived, and that can only mean one thing—the most electrifying week in the dance music world is just around the corner! Miami Music Week 2025 is fast approaching, with top-tier lineups nearly locked in. Now is the perfect time to map out your ultimate party itinerary. With an overwhelming number of events to choose from, navigating the chaos can be daunting—but don’t worry, we’ve done the heavy lifting for you. EDMTunes has your back, ensuring you won’t miss a beat during this unforgettable week of music, energy, and non-stop vibes. Need guidance or personalized recommendations? Slide into our DMs on Facebook or Instagram, and we’ll hook you up with the best MMW experiences! With that said, here are the top events we recommend that you check out Saturday March 29. Other Guides: Tuesday, Wednesday, Thursday, Friday, Sunday Drumcode Miami Where: Factory Town Warehouse Stage When: 7PM-7AM Lineup: Adam Beyer, Adam Beyer b2b Layton Giordani, Chris Avantgarde, Layton Giordani, Marco Faraone, Max Styler B2B Oscal L, Nicole Callamini, Tini Gessler Tickets: here Jauz Presents: Bite This! Where: MANA 320 When: 10PM Lineup: Jauz + more TBA Tickets: here Made In Miami Pool Party Where: Nautilus Sonesta Pool When: 2PM – 10PM Lineup: Oscar G, Amal Nemer, Chus, David Tort, Lazaro Casanova, Loofy, Markem, Nicole Fiallo Tickets: here Resistance Miami – Artbat Where: M2 When: 10PM-5AM Lineup: Artbat, Miss Monique, Olympe Tickets: here Black Book Records @ Toe Jam Backlot Where: Toe Jam Back Lot When: 8PM ET Lineup: Chris Lake, Riordan, Andre Zimmer, Chloe Robinson, AHADADREAM, Surprise Guest Tickets: here Anjunadeep Open Air Miami Where: Wynwood Marketplace When: 4PM ET Lineup: Eli & Fur, HANA, Jody Wisternorff, Joseph Ray, Marsh, Qrion, Rezident, Sasha, SOHMI Tickets: here LALALAND Takeover Where: National Hotel Pool When: 1PM ET Lineup: Green Velvet, Layton Giordani, Justin Martin, Ayybo, Victor Calderone, Shimza, Raecola, Cajmere, Monoky Tickets: here Link Miami Rebels Presents @ Space Where: Club Space Miami When: 11PM ET Lineup: Henri Bergmann B2B Layla Benitez, Innellea, ANYMA, Camelphat, Kevin de Vries, Differ Tickets: here ARTCORE Where: Factory Town Warehouse Stage When: 7PM-7AM Lineup: Dax J, Giorgia Angiuli, Hector Oaks, Ida Engberg, Lara Klart, Marcel Dettman, Natalia Roth, ONYVAA, VTSS Tickets: here MEDUZA & Friends at Hyde Where: Hyde & SLS South Beach When: 12PM Lineup: MEDUZA, Support TBA Tickets: here SHAQ’S BASS ALLSTARS: MIAMI Where: Mana Wynwood When: 9PM ET Lineup: DJ Diesel, Two Friends, GorillaT, Jon Casey, Celo, Sloth, Special Guest Tickets: here DJ Mag Pool Party Where: Sagamore Hotel Pool When: 1PM – 11PM ET Lineup: Danny Tenaglia, Nicole Moudaber, Jonathan Cowan Tickets: here Miami Music Week @ Coyo Taco Where: Coyo Taco Wynwood When: 7PM-5AM Lineup: Gene Farris, DJ Holographic, Junior Sanchez, Kyle Kinch b2b Devon James, Sir Luke Abbott Mir, Curtis Roland, Spicy Nick, James Ellington b2b Gerad with a G Tickets Markus Schulz at MAD Club Live Where: MAD Club Live When: 11PM – 5AM ET Lineup: Markus Schulz open to close Tickets: here DEF: Miami Where: MAD Live When: 10PM ET Lineup: Apashe, Borne, Bria Comina, CLUBFACTION, Gentlemens Club, SAKA Tickets: here Hot Since 82 @ Jolene Where: Jolene Sound Room When: 10PM-4AM Lineup: Hot Since 82, Mai lachetti Tickets The post EDMTunes Miami Music Week 2025 Events Guide: Saturday appeared first on EDMTunes.

It’s rare to find anyone more fluent in jungle and drum & bass than Michael Bailey. He’s the ultimate veteran – a dual force of innovation for both radio and electronic music since the late-80s. Vinyl-obsessed and living in South London, Bailey got his start mixing hip-hop and house on various pirate stations before joining Energy FM, broadcasting impossibly futuristic sounds across Greater London. Operating from a cramped broom cupboard – sometimes not in the greatest condition, as he recalled on the 0860 Podcast with Fracture (2024) – he was never in it for the glamour. He was a true music junkie, driven by an insatiable need to absorb everything and share it with the world. Noticing his dedication, Kemistry & Storm invited Bailey to play at Metalheadz – a pivotal moment that led to a residency, European tours, and recognition as one of the UK’s top emerging talents. His momentum continued in radio, where his passion earned him a place on 1Xtra’s original roster – helming an underground drum & bass show that pushed the genre forward with deep selections and astute nuggets of information. Bailey has also remained a constant presence at SUNANDBASS, the only artist in its 20-year history to perform at every festival. Now, for their milestone 20th label release, it feels only fitting that he makes his debut EP for SUNANDBASS Recordings. ‘Echoes From The Midwest’ circles back to his roots, echoing the house and techno that got him into the electronic music scene. It’s a tribute to the electronic sounds of Detroit and Chicago – which laid the blueprint for drum & bass in the UK. Crafted with analogue gear and a deep-digging approach to samples and synths, the EP delivers four rolling tracks laced with acid stabs, nostalgic strings, and deep basslines. Bailey envisions it as a reply message from Detroit itself – an imagined response to how the UK reshaped its sound. Now with a show on Kool FM, and his first full EP release on the way (it’s only been singles until now), it felt like the right time to check in with one of drum & bass’ biggest historians and contributors… I first discovered you on the radio, and you’ve been on it for decades – so let’s start there. How did you get into radio? I was buying a lot of records and hanging out with a guy called Garfied, who was a go-to DJ in Croydon. On Thursday nights, we’d go down to his residency – he was supposed to play just soul and funk, but house music was creeping into the UK, so he played a bit of that too. I was into hip-hop at the time, but through him, I discovered house and everything around it. This was around ’88. We became close friends, and later, when he set up his pirate radio station, Energy 87.9FM, he asked me to do a show. That’s where it all started. What happened after Energy FM? You worked your way up the ranks. Garfied had a crew of friends who were pivotal to me. One of them was Darrin, who was part of Garfied’s raving crew. His partner at the time, Jane Morris, was working on a new project – a sister station to Radio 1. Back then, it was called ‘Network X’ before it became 1Xtra. Darrin knew I was DJing with Garfied and on pirate radio, plus I didn’t have an MC on my show – I was presenting myself. So he suggested me for a drum & bass show. Jane set it up, and suddenly, I was in the Radio 1 studios, in the basement, doing pilot shows. They’d just put a tape in and say, “Alright, do an hour.” I didn’t really know what was happening until two or three months later when they told me they had a show for me. That was around 2002. A lot of it came from Garfied and his connections recommending me. The same thing happened with MC Flux – he introduced me to the Intanatty crew, who introduced me to Grooverider. You became quite involved with Metalheadz – how did that come about? Was this before 1Xtra? Yeah, that was around 1996. MC Flux introduced me to Kemistry & Storm, who were playing at Voodoo Magic at Equinox in Leicester Square – which was Moving Shadow’s party. Later, Storm called me up and asked if I’d like to play at this club. I had no idea what it would become since they’d only just started, but I said yes. I ended up becoming a resident at Metalheadz, playing almost every week. I remember listening to you on 1Xtra, right after Fabio & Grooverider on Radio 1. Drum & bass, especially back then, was never fully understood by the mainstream. But 1Xtra and Radio 1 were acknowledging it – Fabio & Grooverider had been on Radio 1 for years. Even so, we always felt drum & bass didn’t get the same recognition as other genres. It felt like we were in it together, like a team effort – we were the drum & bass contingent. Imagine the 1Xtra Christmas party: me, Fabio & Grooverider, Crissy Criss, L Double, Flight, Sappo, Friction – what a team! We covered all kinds of styles, and it really felt like we were representing drum & bass. There was a strong sense of unity. We’d do show crossovers, and I’d even sit in for Fabio & Grooverider on their Radio 1 shows sometimes. Did you feel quite a strong responsibility then? Yes. I felt a responsibility to tell the story of drum & bass. I had a responsibility to expose different and new sounds. I like variety, and I want to hear it from all sides. I always felt my duty was to educate, reeducate, and go deep on things that people might not know. Me being the geeky DJ, I know who sampled what, and I want to showcase those things on my show, just to show how big this thing is. How has radio changed compared to back then? Well, the younger generation is growing up on Spotify playlists now. That’s all well and good for listening to tunes, but what’s missing is the storytelling. There’s a lot not being said – things that could paint a fuller picture of the genres they’re into and help them dig deeper. Back in the day, before hip-hop had a presence on radio, we were buying records and really embracing the physical forms music. Then we’d realize producers were sampling older records, so we’d go searching for the originals – that’s partly how the rare groove movement came about. I think radio still has an important role in adding personality to the music and telling those deeper stories, rather than just following whatever’s hot on the dancefloor. It’s also an age thing – when you’re younger, you might just follow your friends to certain clubs based on hype, without thinking too much about the tunes. But as you get older, you start specialising, and that’s where radio comes in. It can say, “Did you know this?” or “Have you heard this?” It definitely still has its place. Do you think the pendulum might be swinging back? Are people craving that guidance again? Yeah, I think so. At the end of the day, it’s a DJ’s job to dig deep, discover new sounds, and bring them to the people. You follow DJs whose taste you trust, whereas Spotify just leaves you to wander and discover things on your own. DJs do the work for you – they find the gems and say, “This one. This is a sick tune. You need to know about this artist.” I’ve always been passionate about exposing new artists, and I think this shift has been happening for a while – maybe over the last four or five years. Suddenly, I see more people getting radio shows, people who were just DJing before. They’ve realized the importance of having that kind of platform. Yeah, there’s a lot of interest in radio right now. Plenty of stations seem to be growing – Rinse, NTS, The Lot, Subtle… Yeah, I was on Subtle for a little while. I did a few shows, but it was just a brief stint. I’ve been on a few different stations over the years, but now I’m on Kool, which has been great. Honestly, I don’t think there’s another station on the planet with a roster like this – everyone’s on there. And now you’re about to have this release on SUNANDBASS. What’s your relationship with them? I’ve been going to SUNANDBASS since the very first one – I’m the only DJ who’s been to all 20 of them. It’s literally just me and the promoters who’ve made it to every single one. I’ve just kept going since the first year when DJ SS took me out with Formation Records. That year, it was me, Influx Datum, Shy FX, Twisted Individual, Skibadee, and of course, DJ SS. Since then, I’ve built a strong relationship with the promoters, and they’ve kept inviting me back. I think the reason it works so well is their attitude. They’re some of the nicest promoters I’ve worked with, and that energy radiates through the whole festival. They weren’t even setting out to be promoters – they were just a couple in a position to make something happen. They gave it a go, and now it’s grown into this huge thing. One of the organisers, Stefano, asked me to do a release for the label a long time ago. The thing is, I take forever to finish tunes. I’ve got loads of ideas, but unless something emotionally moves me, like with the song ‘For The Love’ because of Fats, it’s tough for me to complete them. But now, with more experience and having tested a lot of things, the timing feels right. What inspired this one then? I realised there’s a sound I really want to do, that isn’t being done that much. It’s a similar thought process to how I do my radio shows – like when I play classic jungle tracks alongside their original reggae samples, for example. No one’s really doing that. There have been producers like Marcus Intalex who brought techno influences into drum & bass, but with this EP, I’m going straight to the roots – directly referencing Detroit and Chicago, but from back in the day. That’s where it all started for me, back when Garfied first introduced me to that sound. I can definitely hear that Detroit and Chicago influence… Yeah, definitely. If you listen to ‘Trax 312’, the bassline is influenced by Mr. Fingers’ ‘Can You Feel It’. I was curious about how he made that sound, so I did some research – found out what keyboard he used, what the exact settings were. I eventually tracked it down as a piece of software, dialed in the same settings, and decided to use that stab and bassline as the foundation for a track. And because ‘Can You Feel It’ was released on Trax Records in Chicago, I named the track ‘Trax 312’ – Trax for the label, and 312 because that’s the area code for Chicago. That’s sick. I love hearing the stories behind tracks. Are there any others on the EP with a special meaning? Yeah, the lead track is called ‘Letter From Detroit’. The way I imagined it, jungle and drum & bass were partially built from those early Detroit and Chicago influences, right? So ‘Letter From Detroit’ is me picturing that Detroit has heard what we’ve done with their influence, acknowledged it, and sent a track back to us – like, “yeah, we hear you. Here’s our take on it”. It’s a tip of the hat from Detroit to us. And this is your first-ever EP, right? Yeah, I’ve done singles before, but never a full EP. As my confidence has grown, I’ve been able to finish more tracks, so now something like this can finally happen. And I’m really glad it’s with SUNANDBASS – they’ve looked after me for so long. Do you have a lot cooking right now? I’ve got plans. I’ve got plans. Actually, I just did a remix for a rapper called Koj – that one should be out now. I’ve been in the lab more and more, getting things done quicker. Basically, all this time, I’ve had to learn my own thought process and workflow, and now it’s finally coming together. During lockdown, I realized I wasn’t happy with a lot of the drum & bass being released at the time. It felt quite generic – too much piano, too predictable. And the thing about me is, if I’m not happy with something, I’m not going to just sit there and moan about it. I’ll do something about it. So I started making tunes – stuff I felt was missing from my sets. I didn’t care if anyone else liked them. I ended up making about 25 to 30 tracks: mashups, bootlegs, remixes, originals. Then I sent them out to friends – DJs I knew were into that soulful vibe, like Jumping Jack Frost, Fabio, Grooverider, Bukem. Even Dillinja. And they were all saying, “You should do more of this stuff!”. That whole process taught me a big lesson: when I stop worrying about fitting into the scene and just focus on telling my own story, the music has a better vibe. Sounds like you’re loaded with dubs! So my plan is to release some of these bootlegs by summer – ones that have had great reactions. Actually, one of them, Shy FX wanted to release, but we couldn’t clear the sample. But yeah, these tracks have been getting play across different spaces – 1Xtra, Radio 1, and beyond – so I want to get the most popular ones out first, then follow up with something else. That’s all I’ll say for now. I don’t want to jinx it. But yeah, definitely, the bootlegs and remixes are coming. And then… something more. Let’s just leave it at that for now. It sounds like we’ll be seeing your name pop up more. Any more bits with SUNANDBASS? I’m glad you asked. There’s going to be a launch for the single from the EP in Berlin on March 7th at the Void Hall. While I’m in Berlin, I’m going to hang around for a few days because Stefano has some friends over there with all the original drum machines and acid machines from the early days of Detroit techno and Chicago house. I’m going to meet up with them and see what happens. Originally, we thought we’d replicate some tracks from my EP and film it, but it could also turn into a new collaboration. Either way, we’re definitely going to get in the studio and see what comes of it. I’m excited to see what happens, especially with the analog gear involved. Sounds like you love a bit of analog when you’re producing. Yeah, totally. It’s what I understand best. I’ve made a decision not to try to fit in with others or to replicate what they’re doing. I want to stick with what I know and what I’ve lived. Analog gear, original drum machines – those are the tools I know inside and out. I’ve got a friend named Epic, who lived up the road, and he’s got the Roland MC-101, an acid machine, and a TR-606. We used to go to his place, mess around with those, and record hip hop stuff back in the day before house music even hit. I still have the tapes we made together. So yeah, working with analog gear just feels right to me. Nice, yeah, makes more sense something Yeah, you stick with what you know. That’s what works for me. I know you’re a historian of drum & bass – so to finish up, tell me some of your favourite moments in the past three decades? One of my standout moments was touring New Zealand and Australia – I’d do a week in each country every year. When I played at the Ministry in Christchurch, oh my god, that was unforgettable. The crowd there had such a hunger for new tunes. I’d bring a big box of dubplates and they wouldn’t let me off the decks until I’d played every single one. I’d be playing for four hours straight, and the love for the music was just immense. It was a real vibe, something that happened consistently in that part of the world. Another highlight is definitely SUNANDBASS. You won’t truly get it until you experience it in person. You hear all the hype about it, but it only makes sense once you’re there and feel the energy from the people. There’s no superstar nonsense – no exclusive backstage areas or popping champagne. The music is the real champion, and everyone is in that zone. That vibe runs through the whole event, and I’ve been lucky enough to be there every year. It’s always the same incredible energy. I always warn people about going, though, because it’s so hard not to return. Once you’re in, you’re in. It’s the strangest thing I’ve ever seen – there are grown men who get upset and start crying when it’s time to leave. They’re just like, “Shit, will I ever feel this good again?”.

In an industry where late nights and alcohol often go hand in hand with performance, Zedd has shared a refreshingly honest perspective on his journey to sobriety behind the decks. Appearing on Lewis Howes' School of Greatness podcast, the electronic music superstar, whose real name is Anton Zaslavski, revealed that alcohol was his pre-show ritual to combat performance anxiety for over a decade. "My default used to be to drink onstage for over 10 years, every single show, because I still get nervous," Zaslavski said. "And for the longest time, I thought I wouldn't be able to play shows sober. But that's a really, really dangerous thing to say when you play a lot of shows." Julian Bajsel What makes his revelation particularly significant is the realization that followed his first sober performance in Las Vegas. "And my first sober Vegas show, I remember I had this moment where I realized, 'Wait, I'm sober.' I felt exactly the same as I felt drunk," Zaslavski continued. "And that made me realize that what I thought the alcohol was giving me, it wasn't the alcohol ever. It was the adrenaline. It was the excitement. It was the connection to the people." Zedd's candid admission comes not only amid a rise in alcohol-free electronic music events, but also a time when the industry is increasingly acknowledging the toll that touring can take on artists' mental and physical wellbeing. For many DJs who perform hundreds of shows annually, the pressure to maintain energy levels and audience connection can lead to potentially harmful coping mechanisms. His experience highlights an important shift in perspective that could influence younger artists navigating the demanding world of electronic music. By challenging the long-held belief that substances are necessary for peak performance, he joins a growing movement of artists prioritizing sobriety in their careers, like Dillon Francis and Virtual Riot. You can watch the clip from Zedd's interview below and the full podcast episode here. View the original article to see embedded media. Follw Zedd:Instagram: instagram.com/zedd TikTok: tiktok.com/@zedd X: x.com/zedd Facebook: facebook.com/zedd Spotify: spoti.fi/2CoYpk2

Tomorrowland has launched an architectural design studio to expand its influence beyond its Belgian festival grounds and into everyday spaces. Known for his "couture architecture," renowned architect Dieter Vander Velpen has teamed up with Tomorrowland to launch Great Library Design Studio. Inspired by the festival's immersive "Great Library of Tomorrow" exhibition, the firm's goal is to translate the Tomorrowland universe into real-world luxury environments. Tomorrowland is revered for its grand stage designs and intricate storylines, which lean heavily into fantasy. This vision is now being reimagined into spaces ranging from high-end hotels to exclusive entertainment venues. Vander Velpen describes the project as an effort to merge Tomorrowland’s identity with an architectural language inspired by Art Nouveau and the natural world. "Finding inspiration in nature, in plants, in trees, in certain details of animals or living creatures," the architect said. "It's a subtle reference. And that's the beauty, I think, when it all comes together in a subtle, understated, but very visually beautiful way." View the original article to see embedded media. Great Library Design Studio marks a significant evolution for Tomorrowland, reinforcing its influence not just in music and entertainment, but also in interior design and architecture. By transforming its ephemeral festival magic into lasting, tangible spaces, the brand continues to expand its global impact and reputation for developing immersive environments that embody the same sense of wonder and escapism that has defined the festival for years. "We're excited to show what we've been working on for the past few years with a really dedicated team," Vander Velpen added. With the help of specialized craftsmen, factories and workshops, these initiatives bring the festival’s visual storytelling into everyday spaces. One of the studio's first major projects is Morpho, which wil; introduce a nature-inspired collection of furniture, lighting and decorative elements that embody the studio's unique design philosophy. Morpho is expected to launch in April 2025, according to Great Library Design Studio. Follow Tomorrowland:X: x.com/tomorrowland TikTok: tiktok.com/@tomorrowland Instagram: instagram.com/tomorrowland Facebook: facebook.com/tomorrowland

There's a fine line between honoring the past and redefining it, and Taiki Nulight NERO walk it masterfully in their 2025 rework of "Innocence," out now. The original track, the lead single from NERO's seminal debut album Welcome Reality, was already a defining moment in the band's career. But in the hands of Taiki Nulight, its cinematic sound mutates into something even darker and more formidable. Few producers could take on a track as iconic as "Innocence" and emerge victorious, but Nulight isn't just anyone. He's long been considered one of the world's most prolific producers of UK Garage music, but his recent foray into dubstep could reach even greater heights. For longtime fans, "Innocence 2025" respects the original's soul while transforming it into a 140 dubstep anthem for today's dancefloors. The haunting vocals of NERO frontwoman Alana Watson remain the song's emotional anchor. There's a careful balance between atmosphere and impact as her hypnotic vocals contort through distorted synth growls and bass you can feel in your bones. Listen to "Innocence 2025" below and find the new single on streaming platforms here. Follow Taiki Nulight:X: x.com/taiki_nulight Instagram: instagram.com/taikinulightuk TikTok: tiktok.com/@taikinulightuk Spotify: bit.ly/3Endkvf Follow NERO:X: x.com/nerouk Instagram: instagram.com/nero TikTok: tiktok.com/@nero Facebook: facebook.com/nero Spotify: spoti.fi/3rd8N27

The EP holds a lot of personal meaning, so it’s double the special. Out on ADID, triple the special. At long last! Feels like an eternity, but we finally have a Khen-only EP out on the Organic House leading imprint, All Day I Dream. Today March 14th — also Pi Day if you’re a math freak like me — marks the date one of the finest producers out there unveils the My Pure Soul EP, a three-track combo full of sentiment and emotion. And groove, if you ever doubted Khen. Khen’s career gained international recognition in 2016 with the release of his debut album, One Day of Independence, on Guy J’s iconic Lost & Found label. Subsequently, he has collaborated with Guy Mantzur on John Digweed’s Bedrock, released EPs and a remix for Durante on Anjunadeep, and worked with Roy Rosenfeld on Sébastien Léger’s Lost Miracle. Yup, he’s that good. My Pure Soul EP The EP blends organic percussion with rich synth textures, crafting an emotive soundscape. As emotive as the complete EP is on its own, of course, for Khen dedicated these tracks to the memory of his father. He himself build upon this idea by saying: This past year has been challenging for me. I usually don’t share much about my personal life, I just express it through my music. This tune I wrote to my father, Yosef, My Pure Soul. You were always turning the party on, and will always be with me in every moment. I miss you, Aba. -Khen ‘My Pure Soul’ I’d been listening to this at gigs, and DJ sets for a while, but I didn’t know how much meaning it held underneath. I just thought it was beautiful and enjoyed every listen. It all makes sense now that I know how much love was poured into it, and the strong message it carries. We’re dancing to you and your lovely son, dear Aba. ‘Lyup’ Pure Khen goodness. There’s no other way to describe this track, as it’s in the proper lane he usually does: A style of minimalistic that is so complete you just lose yourself in the music and suddenly eight minutes have passed. It’s that kind of organic-ey, progressive groove that doesn’t let you go. ‘Uchi Mata’ Same here. The melody, the warm plucks, the unusual scale, the fading pads, the infectious percussion, it all points straight to Khen’s unmistakable sonic techniques. Best served at a nightclub or an open-air gig, but honestly take it however you want and it will always slap. It’s his empirically proven formula for success. Final Words Listen to Khen‘s brand-new My Pur Soul EP by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Khen Debuts On All Day I Dream With Three Tracker, My Pure Soul EP appeared first on EDMTunes.

The Parliament-Funkadelic singer claims that his ex-business partner “fraudulently” acquired 90% of his work Continue reading...

The track includes a powerful Uplifting Trance remix by Artena. New. Music. Friday. A nod to an old series of ours but also a truth. I’ve got no numbers here to back me up, but I just know Fridays are days packed with new stuff. This time, we want to highlight a new EP by our friends from Amon Vision: Michael Alan just unveiled a new record, ‘Made In The Sky‘. He who released his debut single back in August of last year, and who received two banging remixes for ‘Dark Matter’ not long ago, is now back with another original. Alan is a DJ, Vocalist and Producer from Perth, with a rather strong bond with Electronic music. Made famous for his endless sets on his YouTube channel, he’s now added two new tunes to his own catalogue. ‘Made In The Sky’ The EP contains two unique versions — the original Michael Alan creation, and an Uplifting-belonging retouch by producer Artena. Original Mix It’s a simple yet catchy formula: the track carves a path into your ears with the help of intense jumpy basslines, reminiscent of the Anjunabeats Progressive Trance kind of style, think A&B, Oliver Smith, that sort of style. Gated pads, trancy plucks, and ascending atmospheres will take you all the way there. A standout track for me. Artena Remix This is pure, raw Uplifting Trance. It’s got it all: from the powerful beats to the moving melodic elements, pointy saw leads, warm plucks, and an overall tone of yesteryear, most notably during the break, where it first shows you all the harmonic and beautiful elements this track’s got to showcase, to then go into a frenzy of a broken beat break, to then go back to the pure Uplifting experience. Beautiful. Listen to Michael Alan‘s ‘Made In The Sky‘ and subsequent Artena remix by hitting the ‘Play‘ button on the Spotify player below — we recommend the extended versions. Also, click here (Original | Remix) to support the release on your platform of choice. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Michael Alan Releases Latest Progressive Trance Belter, ‘Made In The Sky’ appeared first on EDMTunes.

It features Honey Dijon B2b Derrick Carter, Boys Noize B2B VTSS, Jamie xx, and more Continue reading...

Get ready to dance! Miami Music Week 2025 is coming in hot, and the party only gets bigger each year. We’ve handpicked Friday’s most electrifying events so you can kick off the weekend in style—think pulsating beats, legendary DJs, and unforgettable vibes. Plus, we’ve gone the extra mile and compiled every show, lineup, location, and ticketing detail you could possibly need. Read on for the Friday highlights, and don’t miss the complete guide at the end—it’s your one-stop shop for taking Miami by storm! Tuesday Guide Wednesday Guide Thursday Guide Saturday Guide Sunday Guide LMR Presents: Mathame, Camelphat, Meduza & more Who: Max Stern, Layla Benitz, Max Styler, Mathame, Camelphat, Meduza When: 7PM-7AM Where: Factory Town, 4800 NW 37th Ave, Miami, FL 33142, USA Tickets: $50+ MK presents Area10 Pool Party Who: MK, Draxx, Linska, LF System b2b Eats Everything, Martin Ikin, Olive F, SIDEPIECE (NITTI & Party Favor), TSHA, Benjamin Lloyd, Sam Raíz When: Fri, Mar 28 at 12:00 PM EDT Where: Surfcomber Hotel, 1717 Collins Ave, Miami Beach, FL 33139 Tickets: $50+ Armada Invites Pool Party Who: ARTY, Arodes b2b Special Guest, AVIRA b2b Special Guest, Chelina Manuhutu, Dmtri, Rodriguez Jr., Markus Schulz b2b Special Guest, Marsh, Sistek When: Mar 28, 2025 12:00 PM EDT Where: Nautilus Sonesta Miami Beach, 1825 Collins Ave. , Miami, FL 33139, US Tickets: $35+ RESISTANCE MMW – Boris Brejcha Who: Boris Brejcha, Joris Voorn, Moritz Hofbauer When: Mar 28, 2025 07:00 PM EDT Where: M2 Miami, 1235 Washington Ave, Miami Beach, Florida 33139, United States Tickets: $99+ Francis Mercier presents DEEP ROOT TRIBE Who: Francis Mercier, Mahmut Orhan, Sparrow & Barbossa, Major LEague DJz, Mestiza, Samson b2b Tommy Kimpton, Thunderpony When: 7PM-7AM Where: Factory Town, 4800 NW 37th Ave, Miami, FL 33142, USA Tickets: $43+ Aly & Fila + Ferry Corsten + Gabriel & Dresden Where: La Otra Wynwood When: 11pm-5AM Lineup: Aly & Fila, Ferry Corsten, Gabriel & Dresden, Luccio Tickets BLNK CNVS Presents D.O.D. Where: MAD Club Wynwood When: 10PM-5AM Lineup: D.O.D, Gudfella Tickets Brownies & Lemonade Miami 2025 Where: MANA Wynwood When: 9PM-5AM Lineup: 4B, Flosstradamus, NGHTMRE, Nutepunk, Peekaboo, SLANDER, SYZY, Viperactive Tickets Klangkuenstler presents LINEAR Where: Factory Town When: 7PM-7AM Lineup: Dara Del Castillo, Hiroko Yamamura, Klangkuenstler, Kobosil, Natalia Roth, SHDW Tickets Tïesto, Shimza & Arodes – Miami Music Week Who: Tiësto, Shimza, Arodes When: Fri, Mar 28, 2025 11:00 PM EDT – Where: LIV Nigth Club 4441 Collins Ave, Miami Beach, FL 33140, United States Of America Tickets: $100+ Knee Deep In Miami with Hot Since 82 Where: Sagamore Hotel Pool When: 1PM-11PM Lineup: Dennis Ferrer, DJ Holographic, Hot Since 82, Lisbona Sisters, Mai lachett, Prunk Tickets Tchami Presents: 10 Years of Confession Who: Tchami When: Fri, Mar 28 at 8:00 PM – 3:00 AM (EDT) Where: Toejam Backlot, 150 NW 21st St, Miami, FL 33127, USA Tickets: $40+ Domicile X HE.SHE.THEY presents: MMW Where: TBA When: 8PM-8AM Lineup: DION, Don Woezik, Krl Mx, Low Earth Orbit, Madison Kay, Naomi Luna, Psapia, TRIPTYKH Tickets Insomniac Records at The National Hotel Pool Where: National Hotel Pool When: 1PM-11PM Lineup: Baggi, CID, Coco & Breezy, Jackie Hollander, KY William, Matroda, OMNOM, Quality G, San Pacho Tickets Cosmic Gate Miami Sunset Cruise Who: Cosmic Gate When: Friday, March 28 · 3 – 8pm EDT Where: Hyatt Hotel Dock, 400 SE 2nd Ave, Miami, FL 33131 Tickets: $185+ Dirtybird vs Noir Fever Where: ZeyZey Miami When: 8PM-2AM Lineup: Black V Neck, Charlie Chill, Cour T. Kevin Knapp, Joanna Magik, Mary Droppinz, SHADED (Live), Smalltown DJs, Soul Clap, and more Tickets Marshmello at Hyde Beach Where: Hyde Beach at SLS South Beach When: 12PM-11PM Lineup: Marshmello, Alok, Jauz Tickets The post EDMTunes Miami Music Week 2025 Events Guide: Friday appeared first on EDMTunes.

Cassian releases “Where I’m From” on Three Six Zero Recordings. This collaboration goes beyond sound to become a statement of artistic purpose. “Where I’m From” is Cassian‘s first original song since 2025, but it’s also a statement about his art. The track was made with SCRIPT (also from Afterlife Records) and Belladonna. It’s a tapestry of complicated melodies and cinematic emotion that pulses with an energy that you can almost feel. The music makes spaces within spaces so that listeners can get lost in layers of sound that are both comforting and challenging. The release comes at a turning point in Cassian’s career. Cassian has shown that he is more than just a producer. He was the music director for Anyma’s groundbreaking End of Genesys residency at the Las Vegas Sphere, which was probably the most technologically advanced concert experience ever made. Only fitting that I played this one for the first time back in November in Melbourne, not far from where I was born. Stoked to be collaborating with SCRIPT & Belladonna. I’ve been a fan of SCRIPT since “On The Low” landed in my inbox about a year ago, and I’m excited for everyone to hear the new music Belladonna are cooking up. — Cassian Cassian stands out in the crowded world of electronic music because he is both a maker and a curator. Many producers follow trends, but Cassian creates them from the background. He is the key “closer” for big names in the business like RUFUS DU SOL, John Summit, and Anyma. His engineering skills can be heard all over modern electronic music, from the crystal clear sound that cuts through festival systems to the emotional depth that elevates songs from simple dance music to transcendent experiences. When these artists need their ideas to come to life with unmatched accuracy, they go to Cassian. Cassian has been an inspiration and mentor of mine for so long it’s really exciting to finally get a track out with him. He’s the first person to spin ‘On The Low’ last year which was my biggest track to date so it’s very full circle to come back a year later and put out one of our most requested and supported IDs. — SCRIPT This knowledge showed up in new ways at the Sphere. Cassian worked closely with Anyma and didn’t just mix audio elements; he shaped them into a seamless sound journey that went well with the venue’s unmatched visual powers. As direct support for the residency’s last show on March 2, he showed that he could turn technical brilliance into a real emotional link with an audience. Where engineering and art meet is a cultural crossroads. The post Cassian presents “Where I’m From” with SCRIPT and Belladonna appeared first on The Groove Cartel.

The Bristol club said it has put forward a “strong” bid to the landlords of the Motion site Continue reading...

Clubby new single 'Different' is out now Continue reading...

Deep in the heart of the Tulum jungle, where ancient Mayan energy lingers, a legendary event is set to make its much-anticipated return. Day Zero, founded by Damian Lazarus, will take place on January 10, 2026, promising an unparalleled fusion of music, mysticism, and nature. Originally conceived in 2012 to mark the end of the Mayan calendar and the beginning of a new era, Day Zero has since cemented itself as one of the world’s most transformative electronic music experiences. It is more than a festival—it’s an otherworldly adventure where technology, history, and myth merge to transport attendees into an alternate reality. As darkness falls over the jungle, Day Zero’s visionary production brings a surreal dreamscape to life. Lasers slice through the thick jungle canopy, creating an ethereal glow that bathes ancient landscapes. Alien-like performers appear as if from another time, coexisting with the spirits of the past, while immersive art installations weave narratives that stretch the limits of imagination. At the heart of this sonic journey is a lineup curated by Damian Lazarus, featuring some of the world’s most forward-thinking live acts and selectors. Each artist is chosen not just for their sound but for their ability to shape the experience, guiding festivalgoers through a night of exploration and transcendence. From pulsating deep house to hypnotic techno, every beat resonates through the jungle, syncing with the rhythm of nature itself. But Day Zero is more than just music. It is a ritual of rebirth, a celebration of interconnectedness, and an homage to the land that hosts it. By intertwining Mayan culture with futuristic spectacle, the event invites attendees to step outside of time, to dance beneath the stars, and to lose themselves in the magic of the moment. TICKETS | INSTAGRAM The post Damian Lazarus Announces Day Zero Tulum 2026 Dates appeared first on Electric Mode.

Berlin Police are looking into the alleged crime, which was reported earlier in March Continue reading...

Martin Garrix & Arijit Singh – Angels for Each Other Martin Garrix teams up with Indian star Arijit Singh for Angels for Each Other, a melodic, emotionally-driven anthem. A first of its kind as Martin Garrix delivers the vocals alongside Arijit Singh while the production of the track delivers a powerful fusion of progressive house and heartfelt storytelling. Armin van Buuren & Punctual ft. EVALINA – Angels Armin van Buuren joins forces with Punctual and EVALINA for ‘Angels’, a melodic track infused with warm synths and euphoric energy. EVALINA’s captivating vocals soar over Armin’s masterful production, creating an uplifting anthem perfect for both festivals and personal reflection. Tiësto & Dyzen – All Right Tiësto partners with Dyzen for All Right, a deep, groove-infused track that leans into progressive and tech-house influences. With hypnotic melodies, driving basslines, and an infectious rhythm, this track is built to ignite dance floors and underground sets alike. Calvin Harris – Smoke The Pain Away Calvin Harris returns with Smoke The Pain Away, a smooth, laid-back track that blending his own vocals vocals with a country style production. Infused with Harris’s signature funky production, the song radiates feel-good vibes, making it a perfect summer staple. VEENA – LIGHT ON/OFF VEENA delivers LIGHT ON/OFF, an jaw dropping techno-infused track featuring hypnotic soundscapes and pulsating rhythms. With its blend of soaring synths and sounds, the track creates an immersive listening experience that balances between underground and futuristic club vibes. Honorable mentions: ACRAZE, Puku – Rock My World Adriatique – Back to Life Au5 & Psyuri – Paradigm AXMO, DJane Housekat & Groove Coverage – My Party BADDIES ONLY – Coisinha Do Pai Blasterjaxx, Old Jim, Kickbait – Candy Cassian, Script, BELLADONA. – Where I’m from Dash Berlin, Christina Novelli – Trustfall deadmau5 & Kaskade – I Remember (Tommy Phillips Remix) Deep Dish – Say Hello (Paul Oakenfold & Anunnakis Remix) Dimitri Vegas & Like Mike, W&W, Marnik – YEAH Disco Fries, Kayrae, Mintd – Never Mine (Andrew Nagy Remix) Gabry Ponte, Jerome Isma-Ae – Hold That Sucker Down Indira Paganotto – Kalima (EP) Max Styler – I Know You Want To Mesto ft. Moa Lisa – Safe & Sound Mike Williams & Brooks – Drop The Pressure MUST DIE! & Kayzo – Back 2 The Rave NERVO, B Jones, EKE – Wherever You Go Netsky & Andromedik – Out Of Body Nicky Romero x Émilie Rachel – Holy (Nicky Romero & Almero Festival Edit) Paul van Dyk, Paul Thomas & EKKO – Shed Your Light POLTERGST – Touch It (feat. Jazmine Johnson) Robbie Rivera, Frank Blythe, Paul Varney – Turn This Love Around SaberZ & DJ Junior – Awaken Steve Aoki, Sam Feldt & XANDRA ft. Nile Rodgers & Zak Abel – I’m Going Out (Steve Aoki’s VIP Mix) Switch Disco – The Lesson (La Leçon) Tomcraft – Drama Kid Zatox – Dopamin