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A billion streams later, Avicii's "Hey Brother" is still proving dance music's power to bridge divides. The folksy dance anthem, which the late EDM great released back in October 2013 alongside bluegrass singer-songwriter Dan Tyminski, today eclipsed the elusive billion-stream mark on Spotify. Banjo twangs weaving through pulsing synths, "Hey Brother" transcends genres and generations. A reminder that we are never truly alone, it's a universal rallying cry for those who've ever shouldered burdens and sought a hand to hold while navigating through the uncertainties of life's "endless road." That promise is etched in its timeless melody and lyrics: "What if I'm far from home?" asks Tyminski, whose verses speak to the human experience of feeling adrift yet holding onto hope that understanding can be found. "Oh brother, I will hear you call," he assures. "Hey Brother" is the fifth song in Avicii's catalog to reach the billion-stream milestone after "Wake Me Up," "The Nights," "Waiting For Love" and "Without You." To celebrate the accomplishment, Avicii's estate has released an interview with Tyminski that was recorded in conjunction with the singer's performance at last year's "Together For a Better Day" concert at the Avicii Arena. He opens up about the story behind "Hey Brother," which started after his teenage daughter facetiously threatened to run away if he didn't accept the offer to record with Avicii, her favorite artist. "I fell in love with the song," Tyminski recalls. "Like immediately, as soon as I heard it... I don't think I will ever have the opportunity to record something that's reached farther into the corners of the earth than 'Hey Brother.' It was like a beam came out of heaven and dropped this beautiful, amazing song." Check out Tyminski's interview below. Follow Avicii:X: x.com/Avicii Instagram: instagram.com/avicii Facebook: facebook.com/avicii

It is the most popular meme on the international social media market and a must-have in every party playlist at the moment: The rotating raccoon and its viral song ‘Pedro’ by Jaxomy x Agatino Romero x Raffaella Carrà. After millions of views and recreations, the raccoon and its song are now ready to conquer the festival mainstages this summer and have chosen the perfect DJ partners for this: W&W. The Dutch power duo are already experts when it comes to viral songs, having already triumphed over the social media world with tracks like ‘Thank You (Not So Bad)’ and ‘Heaven Is A Place On Earth’. Their remix of ‘Pedro’ transforms the internet raccoon into a true raver and gives the track the perfect festival vibe with techno beats and big room elements. Get ready to rave with W&Ws ‘Pedro’ version available all streaming platforms and for purchase! DJ- and Producer-Duo W&W dominates dance floors and festivals around the globe. Formed in 2007, these two are known for their high energy, genre-blending festival music and have been ranked in DJ Mag’s Top 20 spots for over a decade. Reaching over 8 million monthly listeners on Spotify, their productions are championed by fans and artists alike for their magnitude, diversity and massive appeal to multiple audiences. There is no doubt that they are pioneers in the main stage electronic dance music scene. With the rise of their Rave Culture label, and the impact of their NWYR trance alias, W&W are pushing the limits and making a lasting impact. Jaxomy was born and raised in Berlin, a city known for its vibrant and diverse music scene. His sound is heavily influenced by his love for tech house music, a genre that is characterized by its energetic beats and catchy melodies. He is known for his ability to seamlessly blend different styles and genres into his sets, creating a unique and dynamic sound that never fails to get the dance floor moving. Jaxomy’s latest hit ‘Pedro’, which he produced together with Agatino Romero, is currently taking the streaming portals and TikTok by storm and has already reached the top 5 charts in Germany. But Jaxomy has already released numerous tracks that have been praised by the music press, DJs and fans alike and have already reached millions of listeners.

Perfect Havoc, a London-based independent imprint, adds to its excellent portfolio of crossover dance releases with a label debut from the renowned house music DJ/producer OFFAIAH. ‘No Competition‘ is a ravenous, vocal-led house track that samples First Choice’s Salsoul classic ‘Doctor Love‘ and features an enslaving duet with upcoming UK vocalist Conor Grant. OFFAIAH and Conor Grant OFFAIAH, an East London native with an Argentinian heritage, has had a big impact on the dance music industry. He has performed at prominent events such as Creamfields, Parklife, and EDC Orlando, known for singles such as ‘Trouble’, ‘Run’, and ‘Run This Town’. With over 200 million streams across all platforms, OFFAIAH’s distinctive sound continues to captivate people across the world. OFFAIAH joins Conor Grant, a 21-year-old star, in the studio for ‘No Competition’. Based in Kent, UK, the DJ and producer has made waves with appearances at top London and Brighton clubs, including his well-known residency at Egg. His emphasis on production has received backing from some of the industry’s most well-known musicians, including Marco Carola, Jamie Jones, and Lost Frequencies. The tune No Competition ‘No Competition‘ is an all-encompassing club hit that exudes groove, charm, and limitless danceability. Sitting exactly between commercial dance and tech house, it contains many of the traits that dominate today’s clubs, festivals, and airwaves: a bed of chunky drums, whirling percussion, catchy bassline melody, and captivating vocal presence. From beginning to end, it’s a track that holds the listener’s attention as it glides through a number of climactic twists and turns, making it ideal for peak-time dance floors and high-energy playlists. As Perfect Havoc celebrates its ninth year, ‘No Competition’ symbolizes the band’s commitment to delivering innovative and energetic music. With upcoming releases from Tom Ferry, PS1 & Jack Kelly, Ryan Spicer & Spooner Street, and others, the label continues to push the frontiers of crossover house music, after over 10 billion global streams, six UK Top 20 singles, and numerous platinum, gold, and silver awards. The post OFFAIAH Teams Up With Conor Grant on ‘No Competition’ appeared first on The Groove Cartel.

UPDATE: As of 7:30 PM PT, the gates have reopened and the festival was allowed special permission to continue until 12:30 AM. It seems like the weather continues to throw ravers a curve ball! Techno City’s Prime Music Festival Movement made the hard decision to temporarily evacuate attendees to seek shelter on day two of the event. Hart Plaza remains closed until further notice. Day one was major, with amazing sets from LP Giobbi, Julia Govor, Solomun, Partiboi69 and Dom Dolla, attendees enjoyed the fully functioning fountain and all that the festival provided. The VIP sections thrived with extended viewing, complimentary massages and the opportunity to get an IV Drip infusion. Detroit truly becomes the festival itself with the energy of music. Local retailers, bars, and restaurants greet guests and walkers with an amazing playlist. There are also renegade parties and more underground events happening throughout the weekend to celebrate the festival. Weather Alert It was about 6:30 pm on Sunday the 26th when the music got cut short and security staff was forced to direct attendees to their nearest exit. The Movement app continues to update ravers as the forecast comes. Movement’s official afterparties are still scheduled as planned. Techno fans will have the chance to check out the Russell Industrial Center for a double-decked lineup. Artists include I Hate Models, Adiel, Ellen Allien and Richie Hawtin. Nicole Moudaber will light up Detroit with her In The Mood takeover celebrating 10 years. She will play B2Bs with Masters Layton Giordani and Chris Liebing at the Magic Stick. If you’re feeling funky, check out Spot Lite for a night with Anane and Louie Vega, plus DJ Spen and Sillygirlcarmen. Officials will continue to monitor the weather as we hope for the Techno gods to give us day three without any issues. For updates please follow Movement‘s official sites. The post Movement Festival Day 2 Washed Out By Rain appeared first on EDMTunes.

The highly anticipated Cassian remix of John Summit and HAYLA‘s hit ‘Shiver’ is out now on the Experts Only imprint. Teased for months in John Summit’s sets, most notably as the intro track at the circuitGROUNDS stage during EDC Las Vegas, Cassian delivers a masterful Melodic Techno spin on the original. His extended version is already being hailed as a potential remix of the year. This emotionally charged track amplifies HAYLA’s vocals and introduces an array of unique sounds and dark layers, enhancing its danceability beyond the original — a feat thought impossible, yet Cassian achieves it with finesse. Known for his expertise in Melodic Deep House and Techno, the Australian-born, Los Angeles-based producer has made a name for himself with numerous releases on Afterlife Records, home to Tale Of Us. His production style meshes seamlessly with John Summit’s dynamic energy and memorable vocal hooks. Cassian HAYLA previously collaborated with John Summit on the 2023 hit ‘Where You Are,’ which also enjoyed a successful remix package. Fans are undoubtedly eager for more collaborations from these talented artists in the future. The post It’s Here: John Summit & HAYLA – ‘Shiver’ (Cassian Remix) appeared first on EDMTunes.

Attendees of the 2024 Movement Electronic Music Festival at Detroit's Hart Plaza have evacuated the grounds due to severe weather. Movement's organizers issued an alert via social media at 6:43pm on Sunday, the festival's second day. "Attention: Severe weather is heading to Hart Plaza," the alert reads. "All attendees must evacuate immediately. Please head to the nearest exit point." Ticket-holders swiftly evacuated Hart Plaza as a storm rolled in, an onsite EDM.com staff member covering Movement confirmed. Rain and thunder are currently battering the festival's grounds as well as 17 mile-per-hour wind gusts, per AccuWeather. Organizers said they are actively monitoring the weather and will provide updates promptly. Tonight's scheduled headliners were Richie Hawtin, James Blake and a hotly anticipated collaborative DJ set between Idris Elba and legendary Detroit techno producer Kevin Saunderson, among others. Attention: Severe weather is heading to Hart Plaza. All attendees must evacuate immediately. Please head to the nearest exit point. We are actively monitoring the weather systems. Stay tuned for updates. pic.twitter.com/SKfNYktqOH — Movement Detroit (@MovementDetroit) May 26, 2024 Follow Movement Festival:X: x.com/MovementDetroit Instagram: instagram.com/movementdetroit Facebook: facebook.com/movementdetroit

Issey Cross- a name currently being championed widely across our radio airwaves and Spotify playlists, a voice that lives completely rent-free in our heads. After collaborating with Wilkinson on the globally adored ‘Used to This’, her track ‘Bittersweet Goodbye’ in 2023 soon catapulted her into the commercial spotlight, gaining huge traction from national radio stations, the UK charts, artists like Teisto, major labels and everyone in-between. Don’t get it twisted though: Issey is a perfect example of the well-known quote ‘It takes 10 years to become an overnight success’. The D&B-meets-pop sensation grafted hard as a songwriter, finessing her craft and staying true to her sound for many years. The result? Issey now reaps the rewards of her resilience as she flourishes endlessly with her own independent artistry. A prominent voice in one of drum & bass’ biggest peaks, her new track ‘Energy in My Town’ represents this historical time for the genre, whilst looking back on those carefree moments of summer in the city. Fresh off the back of her gig performing at the Women’s FA Cup Final, we jumped on Zoom to find out more… Issey! ‘Energy in My Town’ was just unleashed into the wild… this is about your hometown right? I actually grew up in Kent, but when I was there I didn’t really have a close friend circle. This song for me is about moving to London and having friends around me, going out, enjoying ourselves. Since I’ve been in London the music scene and culture has been thriving. Drum & bass is so big here right now! Energy in my Town sort of encompasses that energy. You had a very busy year last year with ‘Bittersweet Goodbye’. You used a pretty iconic sample! How did it feel when it was so well received? It was a relief. It’s such a big sample. Even when you post videos on TikTok sampling older tracks, people can be like ‘You should’ve left it how it was’. Richard Ashcroft shared it on Twitter. That was crazy because I thought he would hate it. I’d actually written the track a year before and I really wanted to release it. I didn’t think I’d ever be able to because of the sample. Originally we were just going to put it on Soundcloud and then after it started circulating, my label spoke to Richard Ashcroft’s team and he was up for it. So that was good. The sample feels nostalgic even if you don’t remember the song itself, you remember that sample. If you’ve got the original artist’s approval – nothing else really matters! What comes with a track that gets that much traction? Everything really. It was crazy. When I put out the song, I was really clear that I wanted it to be a slow release, get everything in place, get the artwork right, get all the other bits sorted before going ahead with the release. I wanted to do it gradually, but then we started posting on Tik Tok and I did the Homebass rave and it started to do well very, very quickly. I’d never done any interviews at that point and I was being asked to go on Capital and other big radio stations. I was like: I don’t even know how to talk in this interview! Everything happened so fast. It was a lot of pressure because I didn’t know what was going to come out next. Obviously because it’s such a big sample too, I felt it was hard to follow it up. Talk about being thrown in the deep end! Do you react well in those situations? Yeah, I do. I love being busy, I didn’t have any time to think about it, it was quite exciting. I’ve been doing music for years so it was nice to have something happening! Online it looks like you’ve just started music today, but actually, a lot of artists have been grafting hard for years. What challenges have you faced in your career so far that will help people see the more realistic, less glamorous, more challenging side of the industry? I feel like I’ve had a few! I started making music when I was quite young, so I had a few different managers when I was younger and I feel like when you start doing music and you know nothing about it, it’s quite easy to get messed around. I had a few managers that didn’t really work out. I signed to Island a week before the first lockdown and put some music out with them. I just felt like I was making music that they liked, it wasn’t what I wanted to be making. So, I got dropped from the label. After that, I was like ‘Oh my god what am I doing?!’. I kept writing on dance projects for other people and somehow, I ended up meeting my label now and now I’m actually putting out stuff that I like. Now I’m doing what I always wanted to do! At the time, all of the challenging things I’ve been through felt really bad but it’s made me know more about what I want to do and it’s made me more confident. Being dropped from a label early on in your career must have been quite the challenge. What helped you push past that experience? I think because I’ve always loved writing I thought ‘I’ll just be a writer’. I feel with writing you can still do music but you don’t have a lot of the other pressures. But then I’ve always wanted to sing and perform, that was the part that was missing. How did you transition from being a writer into being an artist? I did a writing session with this guy called Brad and Wilkinson and in that session, we wrote ‘Used to This’. I came out of the session and to be honest, at first, I didn’t think much of the song, but the more I listened to it, the more I started to love it. I always listened to drum & bass, but I’d never written any so it was new for me. A few months went by and I was still just writing for other people, my manager told me that Wilkinson had been playing the track at festivals and it was going to come out. Then I got sent all these videos of him playing it across the UK. When that song came out, it sort of changed everything for me. I started getting sessions for my own stuff again. Labels were interested… my old label included! Then I wrote ‘Oh My’ and more people were interested. It all sort of happened very naturally. Is there a particular message you want to put out to the world with your music and who you are as an artist? I want to be really honest about things I’ve gone through or things I’m going through, especially in my new music. I love writing sad songs that you can rave to!

The Nitepunk of yesteryear is no more. That was the message Nitepunk, one of EDM.com's best music producers of 2023, sought to deliver earlier after releasing a gritty teaser trailer wherein he triumphs over his former self in an intense confrontation. Nitepunk then dropped "Steps On You (Peep My Style)" shortly thereafter, and it's seemingly more evident than ever that he's hellbent on pushing the limits of his game. A furious blend of trap and dubstep with tinctures of garage rock influence, Nitepunk's latest is not a complete reinvention of what fans have come to know and expect, but rather an evolved form of his signature style. Taking to social media, he reflected on the trials and tribulations of his breakout 2023 while expressing optimism about the chapter ahead. "Last year it all happened so fast, starting with the debut album, big heartbreak, and then insane touring schedule, releases piling up, just so much, me and my team were barely keeping it all together and at the end of the year i was beyond burnt out in every way," Nitepunk shared. "We learned a lot from it and i actually took time to fix my life get myself to a better place, music and ideas started to flow more and now we’re here." Take a listen to "Steps On You (Peep My Style)" below and find the new single on streaming platforms here. Follow Nitepunk:Facebook: facebook.com/nitepunk X: x.com/nitepunky Instagram: instagram.com/nitepunk Spotify: https://spoti.fi/39FDwzO

Brace yourselves, bassheads! Skrillex, the sonic architect himself, has finally unleashed his long-awaited anthem ‘Push’ alongside club music pioneer Hamdi and the electrifying Argentinian vocalist, Taichu! Remember that electrifying Jyoty Rinse FM set from last year? The one that sent shockwaves through the EDM world? “Push” was BORN there, a primal scream for the dance floor that’s been tearing up DJ sets ever since. ‘Push’ Skrillex and Hamdi, the undisputed masters of floor-filling frenzy, have woven their magic once again. Imagine a soundscape where minimalist elements intertwine in a hypnotic dance, building tension and release with every beat. This, my friends, is the irresistible call from ‘Push’. TAICHU, a lyrical sorceress, weaves her playful verses through the sonic tapestry. Her voice soars above the thunderous bassline, shimmering like ethereal synth chords against the backdrop of infectious percussion. It’s the perfect storm of sound, a euphoric journey that captures the chaotic thrill of a night you’ll never forget. The icing on the cake is the mini pause from the wubbleness of the track into a chill deep bridge, just to bring it back into that nasty bass. The results are in, you will throw your back out this summer. “Push” isn’t just a song; it’s a sonic invitation. An invitation to lose yourself in the rhythm, to surrender to the pulsating energy, and to dance until the break of dawn. Get ready to hit repeat, because Skrillex, Hamdi, and TAICHU have delivered a dance floor masterpiece that will have you pushing your limits and soaring to new heights of sonic bliss! Skrillex Sonny Moore, widely known as Skrillex, is a musical maestro from Los Angeles, boasting a diverse array of talents as a record producer, DJ, musician, singer, and songwriter. With an impressive collection of 8 Grammy Awards, he stands as the electronic artist with the most Grammys to his name, and MTV crowned him Electronic Dance Music Artist of the Year. Skrillex’s artistic journey is marked by groundbreaking collaborations with avant-garde voices in music, showcasing his commitment to pushing boundaries. His recent projects feature an eclectic lineup, including Fred again.., Four Tet, Bladee, Yung Lean, Missy Elliot, Kid Cudi, Chief Keef, and others, illustrating his ability to traverse diverse genres and styles. The unpredictability of his releases and the sheer innovation embedded in his music reaffirm that Skrillex’s creative journey is far from reaching its conclusion. With each new endeavor, Skrillex continues to shape and elevate the very fabric of contemporary music. Skrillex, a name synonymous with Grammy excellence and musical innovation, propels the industry forward with every surprising twist in his sonic narrative. (source) Hamdi Hamdi is an exciting prospect for any label to get their hands on. Hamdi’s signature blend of Dubstep, UKG and Grime has earned him support from some of the biggest artists in the world. The roster includes Skrillex, Knife Party, Fred Again.., Zeds Dead and Porter Robinson. Closer to home, Hamdi has consistently received support from the UK underground scene’s most prestigious acts. This include DJ EZ, Skream, Sherelle and Mala. His track ‘Skanka‘ has taken the world by storm and was arguably one of the biggest Dubstep tracks of 2022. Consequently, DJ Mag wrote that ‘Skanka’ has already proven its staying power and firmly cemented its place as a modern classic.’ (source) Taichu Ever since she was a little girl, Tais López Miranda aka Taichu knew she wanted to be a musician. At just 22 years old, the Argentinian singer has more than 450,000 monthly listeners on Spotify. Moreover, she has collaborated on the projects of our artists Juicy BAE and Aleesha. A few months ago she gave us a preview of some of the tracks that would form part of her new album RAWR! and now it’s out. We tell you all the details of the new album. The original from Buenos Aires has become an artist ready to change everything. The artist has captivated us with her musical versatility. And thus, moving through different genres and demonstrating that music is the true protagonist of her life. (source) The post Skrillex, Hamdi & Taichu Fuse Energy For New Track ‘Push’ appeared first on EDMTunes.

Following 2 years of success for Martin Garrix with Spinnin Records, he would part ways with them and create his own record label called STMPD RCRDS where he would reveal ‘Lions in the Wild’ to the world as the second release on STMPD RCRDS. Alongside the British DJ duo of Third Party, this amazing new track would be created and fast become a fan favourite that was belted out at festivals and clubs across the world. ‘Lions in the Wild’ also appeared on the ‘Tomorrowland 2016: The Elixir of Life’ album, establishing it as one of the best songs of the year. At Ultra Music Festival 2016, ‘Lions in the Wild’ would receive its debut as the opening track to Martin Garrix’s set with an epic orchestral intro that was a highlight of his set. The track also debuted the incredible official vocals of Max McElligott that elevated the emotion of the track and excitement amidst the crowd. From the very start of the track the crowd were sent into a state of euphoria and by the end of the track there was huge anticipation for its release that would come only a few months later. This would be the first collaboration between Martin Garrix and Third ≡ Party with their only other being their recent release ‘Carry You’ which follows in the footsteps of the rapturous progressive house sound of ‘Lions in the Wild.’ The pumping melody in the chorus is incredibly impactful, maintaining the orchestral feel of the verses and projecting the grandeur of an orchestra through the power of synths. ‘Lions in the Wild’ stands as one of the songs that really set the foundations for the style of music from both Martin Garrix and Third ≡ Party that they’re still using today. Songs such as their collaboration ‘Carry You’ and Third ≡ Party’s most recent release ‘Believe’ are perfect examples of this longstanding style that still sounds incredible 8 years on from its roots and will continue to sound amazing for years to come.

In the realm of electronic music, few tracks have left as indelible a mark as Avicii‘s ‘Hey Brother.’ This iconic single, featured as the third track on his debut album ‘True,’ has stood the test of time since its release. Penned by Avicii himself, along with Ash Pournouri, Salem Al Fakir, Vincent Pontare, and Veronica Maggio, ‘Hey Brother’ soared to the top of the charts in numerous countries. Today, we celebrate another remarkable milestone: ‘Hey Brother’ has crossed 1 billion streams, becoming Avicii‘s fifth single to achieve this feat. Tim Bergling, better known as Avicii, was an undisputed legend in the world of music. His meteoric rise took him to the pinnacle of the global music scene before his tragic loss in April 2018. Throughout his career, he amassed billions of streams and views, captivating the hearts of music enthusiasts worldwide. Even after his passing, his legacy lives on, with the posthumous release of his album ‘TIM’ featuring collaborations with artists like Aloe Blacc, A R I Z O N A, and Imagine Dragons. The success of ‘Hey Brother’ is a testament to Avicii‘s extraordinary talent and his ability to craft melodies that resonate with the soul. The song’s blend of electronic beats with country-influenced vocals created a unique and captivating sound that transcended genre boundaries. As we celebrate the 1 billion streams milestone of ‘Hey Brother,’ we also reflect on the broader impact of Avicii’s work, which continues to inspire and bring joy to millions of fans worldwide.

One of the most iconic duos in the EDM scene, Axwell & Ingrosso have given us some of the biggest tracks in electronic music with releases such as ‘More Than You Know’, ‘Sun Is Shining’ and ‘Dreamer,’ but leading up to these hits, is a magical journey that started in 2014 when the Swedish DJs have dropped their first official track, ‘We Come We Rave We Love.’ The song became an instant favourite for many ravers with its catchy melody and bassline. Some say its also one of the best productions made by the duo, and 10 years later, the track still is as magical as it was when Swedish House Mafia played it for the first time during their last performance at Ultra Miami 2013. The song was expected to be the last release of the trio that Axwell, Sebastian Ingrosso and Steve Angello formed, but the rumours were proved wrong as the track marked the beginning of a new musical journey for the 2 friends who decided to work together, while Steve Angello focused on his solo career until 2018, when Swedish House Mafia were back together in the studio and on stage. Axwell & Ingrosso have quickly become a legendary duo in the scene with ground-breaking performances at the biggest festivals in the world. Their set from Tomorrowland 2015 has a place in the souls of many and has left a great footprint on the Golden Era of EDM. The boys reached new achievements together, being named the best artist (group) at the International Dance Music Awards in 2015, and winning the award for the best song at IDMA 2018 with their nomination, ‘More Than You Know’ which is also the duo’s biggest release.

Beyond the music, GRACE is an imprint created with sustainability and supporting producers at its core Continue reading...

The queer-owned and produced festival is expanding this year from a single-day affair to a full weekend Continue reading...

Beyond the music, GRACE is an imprint created with sustainability and supporting producers at its core Continue reading...

The duo have shared second album single 'Golden Eyes and Tears' to accompany the news Continue reading...

The Department of Justice, along with 30 state and district attorneys general, has filed a federal lawsuit against Live Nation Entertainment and its subsidiary Ticketmaster, accusing the companies of monopolistic practices in the live events industry. The suit marks a critical step in addressing long-standing concerns about the dominance of Live Nation and Ticketmaster in the concert ticket market. The complaint, filed in the Southern District of New York, alleges that Live Nation has used its market power to stifle competition, resulting in higher ticket prices and limited options for consumers. The DOJ claims that the company's tactics have harmed music fans, artists and smaller promoters by fostering an unfair market landscape. "The result is that fans pay more in fees, artists have fewer opportunities to play concerts, smaller promoters get squeezed out, and venues have fewer real choices for ticketing services," Attorney General Merrick Garland stated. "It is time to break up Live Nation." "We're here not because Ticketmaster’s conduct is inconvenient or frustrating… we’re here because it’s illegal," he added. Live Nation and Ticketmaster in 2023 came under fire after cancelling a botched pre-sale to Taylor Swift's "Eras Tour."Paolo V In response to the lawsuit, Dan Wall, Live Nation's Executive Vice President of Corporate and Regulatory Affairs, argued that it "ignores everything that is actually responsible for higher ticket prices, from rising production costs to artist popularity, to 24/7 online ticket scalping." Wall also noted that Live Nation's net profits do not reflect monopoly power, calling such claims "absurd" in a scathing blog post. "The defining feature of a monopolist is monopoly profits derived from monopoly pricing. Live Nation in no way fits the profile," he said. "Service charges on Ticketmaster are no higher than on SeatGeek, AXS, or other primary ticketing sites, and are frequently lower. In fact, when Ticketmaster loses a venue to SeatGeek, service charges usually go up substantially. And even accounting for sponsorship, an advertising business that helps keep ticket prices down, Live Nation’s overall net profit margin is at the low end of profitable S&P 500 companies." Shares of Live Nation reportedly fell 5% following news of the lawsuit.

Café Del Mar by Energy 52 is one of the most famous dance songs ever. This instrumental trance anthem, which came out in 1993, was named after a popular beach bar on the Balearic island of Ibiza. It quickly became associated with the happy, sun-soaked vibe of Ibiza’s dance culture. The track, which was made by German DJs Kid Paul and Cosmic Baby, has mesmerizing tunes and uplifting harmonies that make it perfect for a sunset. Its strong popularity is shown by how well it did on the charts and by the many re-releases and remixes (like Tale Of Us remix of Cafe del Mar) by top acts that have made it a part of dance music culture for decades. Café Del Mar has become famous over the years and is often included in lists of the best dance songs of all time. It was voted No. 1 on Mixmag’s 2001 list of the “Top 100 Tunes of All Time”. Café Del Mar is a cultural phenomenon that captures the spirit of a time and has had an impact on many artists and fans over the years. Orbital and Michael Mayer, two of the most respected names in electronic music, are now remixing this famous song. Brothers Phil and Paul Hartnoll make up the pioneering British electronic dance band Orbital. Since their formation in 1989, they have continued to shape the electronic music scene. They had a big impact on dance and electronic music with their groundbreaking live shows and important songs like “Halcyon + On + On.” For 2024, Orbital stayed popular by putting out a well-reviewed record and going on a world tour. It showed off their ability to mix modern electronic sounds with their own unique style. Their ability to keep being creative and flexible has left a legacy that connects the early rave scene to today’s electronic music scene, solidifying their standing as long-lasting icons in the genre. Icy breakbeats and an ethereal synth line pulse through the beginning of Orbital’s remix, which is a tribute to the golden age of rave. The famous lead warps into view. Before hitting the other side with a flurry of synths, scythed percussion, and a pounding 4/4 beat, they keep the famous, scary breakdown. Check out Cafe del Mar Orbital remix. The post Orbital remix legendary Energy 52 ‘Cafe Del Mar’ appeared first on The Groove Cartel.

Over 800,000 streams of “Bingo Baby” across all platforms in just one month after it was released. Now, the famous singer Ashley Paul has teamed up with Julian Napolitano and Mark Loverush to form Luv Foundation (UK). Their new song “Hearts Up” is an emotional summer anthem that will make you want to raise your hands. Ashley Paul and the Luv Foundation (UK) have worked together many times before. It all started with “Love Light Me Up” in 2021. It was a happy vocal house track with Luv Foundation’s joyful production that showed off Paul’s strong vocals. They followed it up with the moving dance-pop song “Blindfolded” in 2022. The last big hit they had was “Bingo Baby,” which came out just last month. With over 800,000 streams in less than a month, it showed how well Paul and the Luv Foundation pair work together musically. With catchy singing, a cool bassline, and an exciting drop, “Bingo Baby” became a fan favorite right away. Not content to rest on their laurels, they quickly came back with “Hearts Up” and added the famous singer Lucas Marx to the group. It’s clear from the first kickbeat that the results are amazing. “Hearts Up” starts with a powerful four-on-the-floor house beat that sets the mood right away. As usual, Ashley Paul’s powerful vocals take center stage, with her deeply moving words and flawless delivery. Luv Foundation (UK) surrounds her beautiful voice with happy synths and melodic themes that make you eager for the big drop. After it finally starts, it sends a huge wave of positive energy that is impossible to avoid. Layers of happy chords, high-pitched vocals, and heavy bass make for a state of pure sonic ecstasy. Feel-good, high-energy emotional vibes stay with the track for the rest of it, making it sure to become the biggest summer anthem at clubs and events all over the world. Paul’s beautiful topline holds down the soaring choruses with deep lyrics about keeping your heads up no matter what life throws at you in between the electric drops. Her heartfelt voice makes the message even stronger because it’s for everyone. Listen to “Hearts Up” on SoundCloud right now. The post Ashley Paul drops Euphoric Summer Anthem “Hearts Up” appeared first on The Groove Cartel.

Between June 6 and September 19, the mini-festival is welcoming DJs including Nightmares on Wax, Eclair Fifi, Ellen Allien and more Continue reading...

Expect melodic house, afro house and beyond Continue reading...

Available via Strut Records, the release comes as part of its 25th anniversary Continue reading...

It marks a return to his audacious persona following a strip back to his composition and songwriting roots in previous 'Call of the Void' EP Continue reading...

Listen to the most flavour-packed tracks we discovered this week. Music makes the world go round. And in that regard, we’re constantly on the lookout for new, exciting tunes to share with our audience. We’ve found some that cause goosebumps, and make you open your eyes and get up from your chair to dance. So put on your best pair of headphones, or turn up your speakers, and enjoy this week’s New Music Friday. Here are our top picks for the best music we came across this week, in no particular order. NGHTMRE, Franky Nuts & Grabbitz feat. DeathbyRomy – Torture Genre: Dubstep For perhaps the shortest New Music Friday ever on our site, it’s really good to kick off with a track that equals three. One of the largest Dubstep-and-related artists out there, NGHTMRE, just revealed this new collaboration of him in today’s six-track EP Unsound 2, out on his very label Gud Vibrations. Just a good ole Dubstep monster. Teaming up with Franky Nuts and featuring the voice of DeathbyRomy, ‘Torture‘ is one of those tracks whose formula has proven to work every single time in the past, and so you know you’re in for a tasty treat. The single keeps you in a state of perpetual tension ahead of the drops and, if anything, makes you wish you were listening to this one at a filled-to-the-brim arena. Eauki & Son of Cabe – Different Genre: Future Garage, House Have a lovely collaboration coming your way! Dutch artist Eauki and duo Son of Cabe had already come together for their past single ‘Back’, and the result was so good they decided to record another one. In fact, sources tell us that ‘Different‘, their song out today, is only one from a handful of demos they recorded during said jamming session! Showcasing a delicate balance between Garage and House, this single pairs Conor’s warm and reaching-out-to-you voice with a tailored instrumental, which includes melody, downsizing effects, groovy percussion, and a nostalgic aura. While not in the same genre, it gives out Phillip Phillips ‘Home’ vibes, which is always very welcome. GorillaT & Xotix feat. Pure Powers – Ape Shit Genre: Dubstep, Brostep For those of you looking to end the week on a purely hard-hitting note, and left NGHTMRE’s track craving more, here’s your final NMF feature. In quite the clash of titans, we welcome ‘Ape Shit‘, a collaboration between GorillaT, Xotix, and Pure Powers. We bet you’ll go completely [track title] with this one. Boomy, oomphy, potent and sharp, all in the best ways possible, this track is nearly impossible not to headbang to. Bells, growls, leads and an absolute belter of a beat, all come together to unleash the power inside a conjoint effort that, according to the artists, took around a year to complete. We’re happy to have this version finally out for the world to enjoy! Final Words Stay tuned, for more of our compilations every Tuesday and Friday — based on demand. And be sure to follow EDMTunes for all the latest news and reviews that revolve around our beloved Electronic Dance Music! The post EDMTunes New Music Friday – Week 21 appeared first on EDMTunes.

Nostalgix returns to her roots and signature sound with her new single, "Look At Me," out now on Steve Aoki's Dim Mak Records. Marking her debut on the label, the '90s-inspired bass house track seamlessly blends elements of breakbeat and hip-hop. The song embodies Nostalgix's unapologetic bravado with its lyricism, capturing the exciting feelings associated with self-assurance. With energy for days, the gritty single is ideal for clubs and parties, and it's guaranteed to get the whole dancefloor bouncing to the beat this summer—especially during Gix's current international tour. "With 'Look At Me' I wanted to make a heavy hitter record for the OG Nostalgix fans," the Canadian DJ, producer and rapper explained in a statement. "The record was inspired by '90s rave and breakdance culture. Following the success of my last EP and tour, I wanted to let loose and play around with making music." You can listen to "Look At Me" below and find the new single on streaming platforms here. Follow Nostalgix:X: x.com/nostalgixmusic Instagram: instagram.com/nostalgixmusic Facebook: facebook.com/nostalgixmusic Spotify: spoti.fi/3l98zsw