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Continuing their momentum from their Factory 93 single “Instinct,” techno duo Dunes of Dawn ended 2023 on a high note, gracing the stage at Chicago’s esteemed ‘Day One’ event alongside industry heavyweights like Skream and Hot Since 82. These accomplishments caught the attention of influential labels, setting the stage for what promises to be their most impactful year yet. Comprised of lifelong friends Tanner and Yianni, Dunes of Dawn have dedicated themselves to their craft, with a deep-seated passion for electronic music driving their journey. Navigating the realms of house and techno, their dedication has led to significant milestones, including sharing stages with the likes of Agents of Time, andhim, and Andrew Bayer. Now, their ascent continues with a signing to one of electronic music’s most revered labels: Insomniac Records. Their latest release, “Dimension,” under the In Rotation/Insomniac Records imprint, marks the beginning of a new chapter for Dunes of Dawn. This track serves as the inaugural step in a series of label partnerships, each representing a milestone in their burgeoning career. From the first pulsating beat, “Dimension” transports listeners to a futuristic dystopia, characterized by its dark melody and powerful percussion. Tanner’s haunting vocal sample seamlessly weaves into the fabric of the track, enveloping the listener and solidifying the thematic architecture. Check it out below! This article was first published on Your EDM. Source: Dunes of Dawn Make Debut On Insomniac Label With Thrilling Techno Single ‘Dimension’

Nate Mars recently unveiled his latest project, the In Time (Remixes) collection, featuring reimagined versions of his original In Time EP, released just last November. This eagerly anticipated release showcases remixes by esteemed artists Liondub, Tim Reaper, and Starkey, each injecting their unique flair into Mars’ tracks. Alongside these remixes, Mars introduces “Parallelogram,” a fresh original track that perfectly encapsulates his signature style. Kicking off the In Time (Remixes) is Liondub’s reinterpretation of the title track, “In Time.” Liondub, a seasoned figure in the global drum and bass scene, delivers a smooth and polished rendition, infusing the track with a seamless drum and bass rhythm that propels the listener forward. With Liondub’s extensive experience and collaborations with reggae and dancehall artists worldwide, his take on “In Time” sets the tone for the remix collection. Meanwhile, Tim Reaper, founder of the esteemed Future Retro London record label, offers a sophisticated remix of “Starting Over.” Known for his mastery of jungle and breakbeat hardcore, Reaper showcases his technical prowess with clever breaks and minimalistic vocal elements that highlight the essence of quality dance music. His remix exemplifies the spirit of original jungle music, staying true to the genre’s roots while adding a contemporary touch. Philadelphia-based producer Starkey rounds out the remix collection with his unique take on “To Kill A DJ,” infusing the track with dub/reggae influences and hard-hitting UK garage elements. Starkey’s dystopian soundscape captivates listeners, seamlessly blending Mars’ original with his distinct style, demonstrating his versatility and boundary-pushing approach to music production. Finally, Nate Mars introduces “Parallelogram,” a brand-new original track that showcases his expertise in drum and bass and UK garage. With its metallic percussion, fast-paced breaks, and thick basslines, “Parallelogram” exemplifies Mars’ ability to surprise and delight listeners with his innovative soundscapes. Check it out below! This article was first published on Your EDM. Source: Nate Mars Unveils Official Remixes From Liondub, Tim Reaper, Starkey & His Own New Original ‘Parallelogram’

Following the success of his December 2023 release, ‘You Ready To Work?’ and January 2024’s ‘Everyday,’ Kid Caird is hitting the ground running as he gears up for the year ahead. With over 100K streams on Spotify alone, a busy touring schedule, and countless hours spent in the studio last year, he’s eager to make the most of every opportunity in 2024. His latest single is “Body Work,” a track born from a stroke of inspiration while Kid Caird was at his keyboard, diving into the digital crates of samples. As he sifted through the sounds, creative sparks flew, culminating in the realization of his vision. With each tinkering session, the pieces fell into place until the song burst to life. “Body Work” wastes no time in captivating listeners with its crisp tech house percussion, robust basslines, and a synth with brass-inspired tones that serve as the song’s anchor. Combined with chopped vocal samples, it’s the recipe for a night filled with unforgettable moments on the dancefloor. Listen below! This article was first published on Your EDM. Source: Aussie artist Kid Caird Drops Simmering Tech-House Banger ‘Body Work’

Blaze Orange and Kwal, driven by a string of label releases, club gigs, and late-night afterparties, are seizing every opportunity to ride the wave of momentum cultivated in 2023. Hailing from the vibrant Chicago-Milwaukee corridor, an area rich in artistic opportunities and home to a diverse array of talent and venues showcasing electronic music, the duo is thriving. With their trajectory on the upswing across various fronts, they’ve dedicated themselves wholeheartedly to their latest project. Their latest release, “Shake,” delivers a club-friendly, classic house vibe punctuated by well-placed vocal samples. The track effortlessly infuses a hypnotic groove, driven by a pulsating bassline, raw synths, and high energy arrangement. Signed to the rapidly expanding label Pharaoh Phonix, “Shake” proves to be another heater ready for dance floors around the world. We had the opportunity to speak with them about the single and their work together. Check out the interview below! For both artists: How has the Chicago-Milwaukee corridor influenced Blaze Orange and Kwal’s music and career trajectory? K: The two cities are so close in proximity that it’s almost impossible for spillover to not occur. Chicago has strong roots as the birthplace of house music.. Milwaukee shares that same passion for house music so finding artists with similar tastes is not a complicated task. There is so much talent between these two cities. B: Milwaukee has always seemed to look up to Chicago for being both the home of House Music and quality of events and artists. I have a great respect and admiration for those early artists that carved the way of House Music. I think you will hear that more and more out of my recent work some of the Chicago flavor I put into my songs. For both artists: Can you describe the process behind creating “Shake” and how you achieved its distinct sound without resorting to overcomplicated sound design? K: Blaze Orange had a fantastic groove laid down when he reached out about collaborating. Once I heard his original idea, I knew I would be able to add my own flavor to it without needing to recreate the wheel. It was one of the less stressful collaborations I’ve done in recent memory and I think that’s what made it so special. B: Late one night, I had an idea laid out, the SHAKE vocal response was something I tried in a previous song that didn’t get far. This time the track was done within a day and I was really digging it. After I sent it to Kwal for his thoughts, he opted to jump on and it was very easy for the collaboration. We both were able to add complimenting drums and synths to the sound to keep the energy and make it memorable. Blaze Orange, what inspired the transition to your current persona in late 2021, and how has it impacted your musical direction? B: I spent 15 years as a mostly open format DJ that quite frankly achieved most anything I ever wanted. I had the pleasure of playing shows with the likes of Green Velvet, Ardalan, Disco Fries, LA Riots, and many others. However I never took production seriously until then. Working hard through the summer, I was close to having tracks that could get signed. I opted to rebrand, stop all open format shows, and go all in on the new persona of Blaze Orange. Only wanting to do shows where I can play some of my own tracks and other house music tastes that I enjoy. It’s been fantastic so far. Lots of hard work in the studio, sending out demos, promoting the tracks and shows. I’ve accomplished a lot lately but always striving for those next goals and to improve my sound and brand. Kwal, working in artist relations at Spybar, how has interacting with renowned tech house artists influenced your music production and DJing style? K: Contrary to popular belief my biggest takeaway from working in AR is not what everyone thinks it is.. 99% of these artists are incredibly nice people and are humble. It keeps me in check and reminds me to just be myself. Hearing headliners play so often also reminds me that we producers tend to really over complicate our song creation process. Create a strong groove and keep it simple. For both artists: How do you balance the demands of label releases, club performances, and afterparties while maintaining your creative output? K: As I grow as an artist it is slowly becoming a bit hectic to stay on top of everything “required” to be a music producer in 2024. One thing that keeps me grounded is having a schedule. Set aside time to complete tasks and do your best not to get distracted. Lastly, don’t forget to take time to be with your family, significant other, pets, etc. B: I’ll come straight forward and say, it’s my experience and the fact that I am 8 years sober. I have put great value on weekend studio sessions in the morning being the most productive and creative. I do not drink at all, I go home and to bed after most every show so I can get back in my studio the next day. Striving to get music work done during the work week also can be challenging; however, discipline is everything. I do turn down some shows or just a fun night out so I can get some music work done. Blaze Orange, how has your musicians’ collective contributed to the growth of the community and supported emerging artists? B: I have worked with a number of groups over many years. There are always waves of both music sounds, genres and talent. Finding the middle ground to respect those that came before you and also help along the younger new talents. I have taken part in some sober events, fundraising and benefit shows to raise awareness for various causes. Also on the production side, I have started to tutor and help aspiring producers to learn there way around music production and the industry. Kwal, since starting your journey in the music industry in 2013, what significant changes have you observed in the electronic music scene, particularly in Chicago? K: Chicago is an extremely busy city when it comes to house music culture. One thing I can say for certain is that being able to make good music has never been enough to get you on stage. This city and its promoters/talent buyers really want your support which makes total sense. I neglected this for such a long time and it impacted my career early on. Get involved and shed love as much as you can. With that said, I’d say the biggest change has been in the amount of promoters in the city. For both artists: How do you approach the creative process when collaborating on tracks, and what roles do each of you play? K: For me I tend to only take on collabs from others if I truly feel I can add value to the song. My strong suits are writing basslines and drums. I also tend to find myself being picky and not wanting to rush to finish. B: For me, working in a compatible DAW like Ableton goes a LONG way. I can be picky about sounds being genuine to what I like. This one with Kwal came very easy and organically that fit both of our styles. I should also mention we met on a Discord server for the producer CASHEW and found out Kwal was pretty local to me. That was pretty cool, so thanks to CASHEW! For both artists: With a clear vision for the year ahead, what are some specific goals or projects you’re aiming to accomplish? K: My biggest goals for 2024 are to sign a contract with one of my top 5 labels and to commit to playing a local festival like Arc(even if it’s for 2025). B: Growing my fanbase, socials, music reach. Main targets for this year are signing a track to a much bigger label than previously. As well as a music festival for this year or next. Continuing to craft my sound, brand and workflow should help those things fall into place. This article was first published on Your EDM. Source: Blaze Orange & Kwal Collaborate For Electrifying House Single ‘Shake’

Platinum-selling duo consisting of Armand Van Helden and A-Trak release “Clap Your Feet” and “2 Da Face” on Feb. 16. The GRAMMY® Award-nominated and Platinum-certified duo Armand Van Helden & A-Trak return to D4 D4NCE as Duck Sauce with a two-track single package, Clap Your Feet / 2 Da Face. Both tracks, “Clap Your Feet” [...] The post Duck Sauce Drops Two New Tracks on D4 Dance appeared first on DJ Life Magazine.

The music scene is abuzz with the release of “In The Middle,” a groundbreaking single that represents a powerful collaboration between the dynamic duo Smith & Sorren and the innovative Jay Roman. Garnering widespread praise, this track is a masterclass in musical fusion, blending sultry vocal samples, a driving bassline, and intricate percussion to craft an immersive listening experience. The single’s instant appeal is a clear reflection of the artists’ collective prowess and creativity. Hailing from New York City, Smith & Sorren have made significant waves in the music industry as a DJ/Producer duo. Their journey from childhood friends to prominent musical figures is a story of relentless passion and evolving artistry. Known for their fresh sound, they’ve secured positions on prestigious Spotify editorial playlists and have been featured on platforms such as SiriusXM, Insomniac Radio, and Dash Radio. Their remix of “Baddest Of Them All” by Eliza Rose stands out as a particularly notable achievement, further solidifying their status in the music realm. The launch of their own label, S&S Sound House, in the summer of 2023, highlights their dedication to influencing and innovating within the music industry. Jay Roman adds a unique flair to the mix, drawing from his diverse musical upbringing and early immersion in New York’s vibrant club scene. His signature deep tech house sound, enriched with elements of hip-hop, sets his work apart, making him a standout figure for his innovative productions and memorable live performances. “In The Middle” is a testament to the seamless integration of Smith & Sorren’s dynamic energy and Jay Roman’s unique sound. This collaboration not only showcases the individual talents of each artist but also raises the bar for what can be achieved through musical partnerships. Available on all major streaming platforms, the track invites audiences to dive into the distinctive soundscapes crafted by Smith & Sorren and Jay Roman, offering a fresh and exciting listening experience. This article was first published on Your EDM. Source: Smith & Sorren Team Up with Jay Roman for a Captivating Tech-House Anthem ‘In The Middle’

LELO proudly presents the SIRI 3, a revolutionary personal massager that harmonizes your favorite beats with crescendos of pleasure. Step into a realm where music transcends mere auditory pleasure and becomes a conduit for euphoric sensation. LELO proudly presents SIRI™ 3, a revolutionary personal massager that harmonizes your favorite beats with the crescendos of pleasure, [...] The post LELO’s SIRI 3: Where Music & Pleasure Meet appeared first on DJ Life Magazine.

French West Indies vocalist Karl The Voice remembered as a kindly figure whose voice animated tracks by Fred Everything, Franck Roger, Marc Cotterell, Playin 4 The City, Bob Sinclar and more. The post The Wonderful Karl The Voice Has Passed Away appeared first on 5 Magazine.

The NYC singer and entrepreneur who gave Frankie Knuckles and Larry Levan an early gig passed away in Australia. The post Steve Ostrow, founder of NYC’s Continental Baths, dies at 91 appeared first on 5 Magazine.

We’re just over a month away from the 2024 edition of Ultra Music Festival at beautiful Bayfront Park in Miami. To help get you in the mood we teamed with San Holo for an exclusive playlist out now Ultra’s official Spotify account. San Holo will be going b2b with Madeon for an exclusive set this year and this playlist is an uplifting and vibey journey that is sure to match what these two masterful performers are sure to bring to the Ultra stage. 2023 was a busy year for the Dutch producer/musician. He started the year off with a hit single “Don’t Look Down” and capped it off with the release of his second studio album Existential Dance Music. He also performed at Electric Forest, Lollapalooza Paris, EDC Orlando and headlined two of his own North American tours. “I’m extremely excited about my b2b with Madeon at Ultra 2024!” San Holo says. “It’ll be a great opportunity to explore new exciting sounds and expose people to music they might have never heard before!” Check out San Holo’s exclusive new playlist the Cosmos featuring music from San Holo and friends, Duskus, Pauline Herr, Throttle, DROELOE and many more. 3-Day GA tickets are still available for Ultra Miami 2024. See you at Bayfront next month! This article was first published on Your EDM. Source: San Holo Shares Exclusive Playlist Ahead of b2b Performance with Madeon at Ultra Miami 2024

The Valentine’s Day release wows electronic dance music fans, as the pair seek to have back-to-back biggest songs of the year. Last year was the year of “Where You Are,” John Summit and Hayla’s initial original pairing – and to start off this year, the pair is back at it again with “Shiver.” Fittingly seeing [...] The post John Summit & Hayla Reunite to Make Us “Shiver” appeared first on DJ Life Magazine.

Dom Dolla locks in 2024 Australian Tour, marking his biggest headline shows to date. After two unprecedented sell-out performances at Melbourne’s Sidney Myer Music Bowl and a memorable co-headlining slot with Post Malone at Spilt Milk, Dom Dolla’s ascent to stardom continues to soar in 2024. With sold-out headline gigs across North America and the United Kingdom and appearances at prestigious festivals like Coachella (USA), Lollapalooza (South America), Park Life (UK), Reading & Leeds (UK), and Tomorrowland (EU), Dom Dolla’s global presence is undeniable. Adding to his accolades, Dom Dolla earned a Grammy nomination in 2024 for his remix of Gorillaz’ track ‘New Gold’ featuring Tame Impala & Bootie Brown. He also dominated the airwaves with back-to-back hits, including ‘Saving Up’ at #3, ‘Rhyme Dust’ with MK at #4, and ‘Eat Your Man’ featuring Nelly Furtado at #18 on triple j’s hottest 100. Continuing his winning streak, Dom Dolla clinched the 2023 ARIA award for Best Dance Electronic Release with ‘Rhyme Dust’ featuring MK. With a rapidly growing catalogue approaching 1 billion streams, and numerous Platinum and Gold certifications, Dom Dolla‘s influence on the electronic music landscape is undeniable. His latest chart-topper, “Saving Up,” has stormed into the ARIA Singles Chart Top 10, making Dom Dolla the first Australian artist to achieve such a feat in the past three months and the sole Australian artist in the ARIA Chart Top 25. Get ready for an electrifying start to summer 2024 as Dom Dolla takes center stage across Australia, promising unforgettable performances and unparalleled energy. Pre-sale Registrations Close – Monday February 19th 10am AEDT, 9am AEST, 7am AWST – register for pre-sale here. Pre-sale On Sale – Monday February 19th 12pm LOCAL TIME – register for pre-sale here. Australian Tour Dates Saturday 30th November 2024 – The Domain, Sydney Saturday 7th December 2024 – Wellington Square, Perth Saturday 14th December 2024 – Flemington, Melbourne Saturday 21st December 2024 – Riverstage, Brisbane.

For a massive return to Pag Island, Croatia, Sonus Fest brings big delivery of lineup roster across five days in August. Sonus Festival has established itself as one of Croatia’s most authentic underground house and techno events. Serving up an escapist mix of adventure, travel, and music, Sonus has just announced its return to its [...] The post Sonus Festival Announces First Wave of 2024 Artists appeared first on DJ Life Magazine.

“A great DJ or mobile entertainer must entertain their crowds, but they must not overlook their own personal finances.” By Ken Cosco When it comes to the entertainment industry, too many people who are just starting out worry about the wrong things. A great DJ or mobile entertainer must entertain their crowds, but they must not [...] The post Smart Money: Personal-Finance Tips for Mobile DJs appeared first on DJ Life Magazine.

From August 9-11, Elements Fest 2024 takes over Long Pond, PA with a top-tier phase one DJ lineup. Elements Music & Arts Festival has announced the phase one lineup for their 7th edition, which is taking place from August 9-11, 2024, in Long Pond, Pennsylvania. The premier immersive electronic festival of the Northeast is offering [...] The post Elements Music & Arts Festival Returns for 7th Edition in 2024 appeared first on DJ Life Magazine.

French production duo Citadelle are back with a banging new remix of Matisse & Sadko’s recent track “Pull Me Through the Fire.” The Citadelle remix retains the original’s looping synth melody and vocals, but gives the track a darker, more progressive house tone, akin to the sound that’s been dominating festival stages this past year. The track opens up with some light synth pads over the yearning vocals. It soon becomes clear that this will be more than just a lo-fi house tune, the buildup over the vocals is outstanding production. The drop incorporates the original’s loopy synth, but it both broadens and deepens the sound of the original. The bass and underlying synths provide an oomph that that original just doesn’t have. Get your fix of dark progressive house and listen to the Citadelle Remix of Matisse & Sadko’s “Pull Me Through the Fire” out now on STMPD. Check out their live performance from the STMPD studios as well. This article was first published on Your EDM. Source: Citadelle Drop Addictive New Remix for Matisse & Sadko’s “Pull Me Through the Fire”

Above & Beyond are back with their first single of 2024, and the new year sees the venerable UK production/DJ trio head back to their roots with “Crazy Love.” Enlisting the talents of long time vocal collaborator Zoë Johnston, “Crazy Love” is a vibey trance track featuring some of the main touchstones of any A&B classic. Delicate piano notes, soulful vocals all leading into a melodic synth buildup, “Crazy Love” is already an instant A&B classic. The trio originally debuted the track at their Group Thearpy 500 show in Los Angeles back in summer 2022. Now, the track is finally available in all its final glory. For many A&B fans, Zoë Johnston’s vocals represent the pinnacle of their music, and this song is another one to add to the pantheon. This song is a blast of nostalgia, taking you back through more than a decade of Above & Beyond tracks. “Crazy Love is inspired by a very beautiful human in my life who is blessed with a lot of gifts but also a lot of incurable struggles that many people don’t see or understand.” Zoë Johnston says. “I adore him for many reasons, including the fact that he spends no time judging others and does not invest energy in worrying about what others think of him. Crazy Love makes the world so much more colorful!” Check out the latest from Above & Beyond, “Crazy Love” featuring Zoë Johnston, out now on Anjunabeats. Relive their EDC Las Vegas 2023 Set as well. This article was first published on Your EDM. Source: Above & Beyond and Zoë Johnston Reunite for Instant Classic “Crazy Love”

Fresh off the heels of the release of his latest studio album Breathe In, Armin van Buuren is back in support of Ukrainian production duo ARTBAT on their latest collaborative single, “Take Off.” Armin has been playing this one out in his recent sets and it’s a delightfully dark offramp for the trance legend. Featuring mind-blowing production, epic buildups and a heavy-hitting drop, this is sure to surprise and delight fans of both artists. Originally conceived behind the scenes at last year’s ASOT (A State of Trance) festival, ARTBAT got the ultimate seal of approval as Armin sought them out for a collab. Now, that vision has been realized, and us listeners are the direct benefactors of such a wonderful team-up. “Collaborating with Armin van Buuren, who is such a legend in the dance game, has been really special,” ARTBAT says. “We can’t believe this collaboration hasn’t happened before now, and we’re very happy that Armin asked us to do a collaboration, which has brought something so special to our sound. It’s been enjoyable to explore and push the boundaries of both our sounds. It’s an honor to have worked alongside such a groundbreaker in his lane.” “ARTBAT’s exceptional performance at last year’s ‘A State of Trance’ festival sparked immense inspiration in me,” Armin van Buuren adds. “Even though I was deep into album mode and immersed in a sound that is quite different from ‘Take Off,’ their music prompted a lot of ideas. I thought of the ‘Space Case’ concept and how its theme, spoken word, and trancey stabs would chime in with the unique ARTBAT sound. This collaboration feels like it’s been a long time coming, and I’m thrilled it’s now seeing the light of day.” Check out the latest from ARTBAT & Armin van Buuren, “Take Off” out now on Armada. Check out ARTBAT’s BBC Radio 1 Essential Mix as well. This article was first published on Your EDM. Source: Armin van Buuren and ARTBAT Team Up For Epic Trance & Techno Crossover “Take Off”

Steve Aoki is back with his first single of 2024, and this time he’s teaming up with Lil Jon for a modern reimagining of Lil Jon & The East Side Boyz’ seminal 2003 classic, “Get Low”. More than 20 years later, Aoki and Lil Jon decided it was time for fans to “Get Lower”. This is the fourth collaboration between the superstar DJ/producer and the King of Crunk. The two first got together back in 2011 on “Turbulence” and they’ve been fast friends ever since. “Jon and I have been friends for years, and whenever we get together on a track, it’s a party,” Steve Aoki says. “When we performed at Tomorrowland last year, the energy was off the charts, and we knew we had to create another festival anthem. ‘Get Low’ is one of the most hype tracks of all time, and it’s an honor to work with Jon to bring it back for the next generation.” “It’s crazy that Steve reached out to me about this song, especially considering it’s the 20th anniversary of the track this year!” Lil Jon says. “I’m grateful for our friendship over the years, and there’s no better way to honor this milestone for ‘Get Low.’” Check out the official music video for Steve Aoki & Lil Jon’s latest, “Get Lower.” The video highlights the decade-plus long friendship of the two iconic artists and some of their best performances together all the way up to their appearance together at Tomorrowland last year. Check out some footage of them debuting the song together at Omnia Las Vegas below as well. This article was first published on Your EDM. Source: Steve Aoki and Lil Jon Reimagine a Trap Classic on “Get Lower”

Versatile in his talents, DJ, producer, and visual artist Star Monster recently unveiled his inaugural release of the year, “DIMENSIONS.” This track emerges on the heels of a triumphant string of performances comprising his ‘DIMENSIONS’ tour, where audiences were treated to an immersive audiovisual spectacle spotlighting his innovative ‘Star Monster Show’ concept. “DIMENSIONS” serves as a compelling representation of Star Monster’s ongoing evolution and expertise within the wonky deep dubstep genre. Aligned with the thematic essence of the release and in homage to his recent tour, Star Monster presents the first installment of the ‘DIMENSIONS MIX’ – an extensive compilation featuring his current auditory inspirations interwoven with a selection of exclusive Star Monster tracks. “I’ve been excited about making these trippy sounds. I like creating the feeling of exploring your inner dimensions, and the far-off dimensions that can only be reached through your imagination.” – Star Monster Renowned for his adeptness at seamlessly blending diverse musical genres, Star Monster effortlessly navigates through bouncy hip-hop mashups, heavy psychedelic dubstep, experimental bass, and ethereal downtempo compositions. His impressive resume includes sharing stages with esteemed artists such as Svdden Death, Peekaboo, Sullivan King, Flux Pavilion, Two Friends, Moody Good, and Downlink. Notably, Star Monster’s musical journey encompasses his past involvement as a member of the live band, The Dirt Bros. Trained in guitar and vocal performance, he brings a distinctive fusion of skills to the forefront of the underground bass scene. Listen below! This article was first published on Your EDM. Source: Star Monster Releases Thundering First Single Of The Year, “DIMENSIONS”

Born in West Africa, influenced by Berlin, and based in Brooklyn, the afro-house trailblazer AMÉMÉ continues to infuse his signature One Tribe event series with fresh energy as the artistic collective gears up for a significant impact in 2024. AMÉMÉ has revealed the eagerly anticipated second launch date of his revamped One Tribe event series, set to take place at the newly renovated Shelter in Amsterdam on March 2nd, 2024. This announcement coincides with the exciting news of a quarterly One Tribe residency scheduled at Shelter throughout the year. The series kicked off in London on February 2nd at fabric. Marking its debut in the Dutch capital, One Tribe will commandeer Shelter, Amsterdam, for an entire evening of meticulously curated programming, showcasing the seminal sounds of the collective and AMÉMÉ’s distinct brand of ‘AMÉMÉ House.’ Joining AMÉMÉ, the event will feature sets by Bontan, Philou Louzolo, and Nenahalena, ensuring a night of unparalleled musical immersion. One Tribe embodies an artistic vision and global collective representing the three pillars of Hubert Sodogandji, also known as AMÉMÉ – music, art, and fashion. Initially conceived in the Fall of 2017, One Tribe began as a carefully curated event series before evolving into a thriving record label. As the project gained momentum in New York, One Tribe quickly became a focal point of Brooklyn’s electronic music scene, securing a regular event showcase at the revered House of Yes in Bushwick. With plans to reintroduce the curated, distinctive, and unforgettable afro-house experience that defined his collective, the revitalized edition of One Tribe will premiere at London’s legendary fabric on February 2nd, 2024, ahead of its Shelter debut, with further launch dates to be announced soon in New York. In London, AMÉMÉ will be joined by Bontan, Kitty Amor, and Philou Louzolo for an unforgettable evening of dynamic afro-house programming in Room 2 of the iconic club, marking One Tribe’s first signature event in four years. If you’re in the area, this is an event you won’t want to miss! This article was first published on Your EDM. Source: Afro-House artist AMÉMÉ announces quarterly One Tribe event residency at Shelter, Amsterdam Starting March 2

DJ, producer, and GRL GANG founder JEANIE just announced that she is hitting the road this spring, embarking on her debut North American headline tour in support of her forthcoming EP, Into The Dark. Tickets are now on sale here. JEANIE has swiftly solidified her position among industry leaders, earning significant acclaim for her bass-heavy sound and electrifying performances. Her releases on prestigious labels such as Bassrush, Circus Records, Welcome Records, and Space Yacht have garnered support from influential figures like Excision, Zeds Dead, Zomboy, Alison Wonderland, and numerous others. In 2023, the dubstep luminary graced stages at some of the world’s most renowned festivals, including Tomorrowland, Rampage, Bass Canyon, SMF Tampa, and Lost Lands. Notably, her GRL GANG-curated stage takeover at Lost Lands made history by presenting the festival’s first-ever lineup composed entirely of women. Make sure to grab a ticket if she’s in a city near you! JEANIE: INTO THE DARK TOUR March 8 – New Orleans, LA – Republic March 22 – Oklahoma City, OK – Vinyl March 23 – Omaha, NE – Reverb March 28 – Orlando, FL – Celine March 29 – Tampa, FL – The Ritz April 12 – Minneapolis, MN – The Loft April 13 – Pontiac, MI – Elektricity April 26-28 – Cancun, MX – Paradise Blue May 31 – Kansas City, MO – Encore June 1 – Chicago, IL – Beyond Wonderland June 7 – Richmond, VA – Ember June 8 – Brooklyn, NY – The Broadway June 28 – Buffalo, NY – Iron Works June 29 – Charlotte, NC – Rebel July 12 – Denver, CO – Vinyl July 13 – Austin, TX – Summit Lounge This article was first published on Your EDM. Source: JEANIE Announces Debut North American Headline Tour: Into The Dark

The genre-fusing collaboration from the electronic music giants is available now (Feb. 9) through Armada Music/UPPERGROUND. What initially began as a conversation amongst friends, backstage at Armin van Buuren’s flagship trance event, A State Of Trance, in 2023, electronic powerhouse duo ARTBAT teams up with the trance pioneer and dance music legend on “Take Off.” [...] The post ARTBAT & Armin van Buuren Team Up on “Take Off” appeared first on DJ Life Magazine.

Relentless Beats elevates downtown with a creative endeavor that launches at Warehouse 215, beginning the first weekend of March. Synonymous with the Valley’s most significant music events and as one of the Southwest’s most prolific independent promoters, Relentless Beats is expanding its creative boundaries by announcing Phoenix Warehouse Project, an amalgamation of creative disciplines cultivated in warehouse [...] The post The Phoenix Warehouse Project Brings Green Velvet, Dr. Fresch & More appeared first on DJ Life Magazine.

The iconic duo reunites for a reimagined version of the classic party anthem “Get Low” – this time with “Get Lower.” Steve Aoki has joined forces with Lil Jon to unleash a legendary new collaboration, “Get Lower.” The iconic duo reunites for this reboot and revitalized rendition of the party classic “Get Low” – and [...] The post Steve Aoki & Lil Jon Unleash New Collab, “Get Lower” appeared first on DJ Life Magazine.