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ODESZA are treating fans to their first-ever live album, The Last Goodbye Tour Live. The new album, which features 27 tracks, captures the electrifying atmosphere of their eponymous 2023 tour, which many hold in high regard as the best live shows of their illustrious career. Breathing new life into their four-album discography with new VIP mixes and exclusive mashups, ODESZA manage to transport their fans to those spectacular stages and shows. Edits such as "Across The Room x Falls" and "Say My Name x Late Night" capture the electrifying energy and emotional depth of those nights. Harrison Mills and Clayton Knight of ODESZA performing during 2023's "The Last Goodbye Tour." Garrett Poulos/EDM.com With their live drumline and organic crowd noise present, each track resonates with the vibrant atmosphere of ODESZA's momentous run, offering fans both old and new a chance to experience the magic of their performances in an entirely fresh way. "Nothing better than hearing the roar of the crowd through these recordings," ODESZA said in a statement. "We hope you guys enjoy listening as much as we did crafting the set." And if listening to the music from the shows isn't enough, ODESZA also released their documentary, The Last Goodbye Cinematic Experience, which is now available through both physical and digital formats. Check out The Last Goodbye Tour Live below and find the album on streaming platforms here. FOLLOW ODESZA:Instagram: instagram.com/odesza X: x.com/odesza Facebook: facebook.com/odesza Spotify: spoti.fi/3hCvE32

Star studded lineup of artists have come together for a brand new track called ‘Morning’ and it is as good of a bop as the artists behind it. Cheat Codes, Jason Derulo, De La Ghetto and Galantis have all made major waves in their own ways and for them to put their talents together is truly a rare opportunity. Corresponding to the title of the track, the upbeat sound and the vocals of the track are energizing and causes a rush of adrenaline. There is no doubt that ‘Morning’ will be contender for song of the summer as it is played out throughout the dance floors of festivals and parties in the next few months. Dance producers, Cheat Codes and Galantis incorporated their signature touches into the track to give it the bouncy energy while talented vocalists, Jason Derulo and De La Ghetto present the track with identity. ‘Morning’ by Cheat Codes, Jason Derulo, De La Ghetto and Galantis is out now on Big Beat Records and you can take a listen to the track below now. The post Cheat Codes, Jason Derulo, De La Ghetto – Morning (With Galantis) appeared first on EDMTunes.

When Tiësto spun Hedex’s "MHITR (Semi-Automatic)" at Ultra Music Festival 2023, little did the rave community know it was witnessing the advent of something special. In a seismic fusion of talent, the Dutch dance music icon has teamed up with Hedex and Basslayerz for a new single, "Click Click Click," a track destined to once more keep drum & bass burning bright on mainstages throughout the 2024 festival season. In true Hedex fashion, "Click Click Click" is a sonic tour de force anchored by the EDM.com Class Of 2024 producer's signature horn-driven melodies. Instantly grabbing listeners' attention, the track's barking vocal hooks add a raw edge that complements its rapid-fire synths. The origin of the collaboration traces back to a pivotal moment in 2023. During his set on the mainstage at Ultra, Tiësto unexpectedly dropped Hedex's "MHITR (Semi-Automatic)," one of EDM.com's best song's of the year. The crowd's reaction was instantaneous and social media buzzed with excitement, marking a highly visible, viral moment for stateside drum & bass. The impromptu showcase highlighted the genre's rising influence in the US and set the stage for what would become a monumental year for its growth. "Click Click Click" is emblematic of that surge, demonstrating the genre's versatility and its ability to unite different styles and influences. The song is both a testament to the individual talents of its producers and to the collaborative spirit driving drum & bass forward. Listen to "Click Click Click," out now on Tiësto's Musical Freedom imprint, below. FOLLOW HEDEX:Facebook: facebook.com/hedexuk Instagram: instagram.com/hedexuk Spotify: sptfy.com/QqbV FOLLOW TIËSTO:X: x.com/tiesto Instagram: instagram.com/tiesto Facebook: facebook.com/tiesto Spotify: spoti.fi/3dVvySo FOLLOW BASSLAYERZ:Instagram: instagram.com/basslayerzdnb Spotify: tinyurl.com/f7fzahfp

Gina Breeze is a rising star in the underground house and techno scene. She blends influences from Chicago, New York, and the UK club scenes. Based in Manchester, Breeze has become a mainstay at prominent queer parties and events like HomoElectric, HomoBloc, and underground raves throughout the city. Her musical journey began in the late 2000s, when she was exposed to the booming electronic music culture in Yorkshire through friends and local clubs like SpeedQueen. After honing her DJ skills spinning a mix of trance, house, and bassline/garage, Breeze pursued formal music production training in Sheffield before making the move to Manchester. The city’s rich musical heritage and melting pot of styles left an indelible mark on Breeze’s sound. As a resident DJ for the HomoElectric crew, she experimented with more leftfield and eclectic sounds, shaping the percussive, groove-driven house and techno that has become her signature. Breeze’s burgeoning production talents recently landed her a release on Peggy Gou’s acclaimed Gudu Records compilation ‘Gudu & Friends Vol. 2.‘ We sat down with the fast-rising DJ/producer to discuss her musical roots, developing her unique sound, experiences in Manchester’s dance music underground, and what the future holds. What was your experience like studying music production in Sheffield, and how did that shape your sound? The course I did in Sheffield was the start of my production journey. It was a pretty intense 6 month course working in Logic & also looking at songwriting, live elements, arrangement. Honestly, it was one of the best decisions I ever made. It was the start of my sound evolving, which it still is today. How would you describe your signature sound, and what influences have played a role in shaping it? Musically I’ve been influenced by New York & Chicago sounds. Since buying my first drum machine, layering tom rhythms have been the backbone to a lot of my tracks. I love percussion & laying down the beat is one of my favorite parts. SpeedQueen (my first residency in Leeds) was a huge part of my story & that kind of classic house music will always hold a special place in my heart. I feel that’s why I’m a sucker for a diva vocal or pumping bassline. Can you tell us about the process of blending influences from different genres and cultures into your productions? I’ve been influenced by the places I grew up clubbing. Although I’m not really a trancehead now, all the experiences play a part. I feel I take inspiration from the scenes in Leeds & Sheffield massively. I never went to Niche, but we always listened to speed garage/bassline music. It was more of a guilty pleasure but I hear that kind of bass sound is something I will lean towards, even now. As someone based in Manchester, how has the city’s rich musical history and rave culture influenced your work? When I moved from Yorkshire to Manchester, my eyes were opened further in terms of music & DJing as a whole. I met Luke Unabomber & started playing for HomoElectric. I was hearing a lot of left-field music, hearing a lot more sets while really went on more of a musical journey. It was totally different to the clubs I was used to – where everything would be pretty much high energy all night. I started playing radio shows & longer sets where I could spread my wings a bit more creatively. I was also around a lot more creative minds /Artists. This melting pot of all things musical has been a driving force in everything I do today. You’ve been a resident at several prominent events and venues. Can you share some highlights from your residencies? SpeedQueen is where my journey started as a DJ so it will always hold a special place in my heart. When I moved to Manchester, my next home was (and still is) with HomoElectric. I feel I have really grown as an artist since being a resident here. I can test out new material and go off-piste with different sounds. It’s also been great to play events like HomoBloc, queer parties on a massive scale at Mayfield Depot. It’s completely different to playing places like Hidden, and these underground basement-type raves but very cool all the same. How do you approach crafting a captivating live set or DJ performance? I think of each set as a new journey. I try to research the venue/artists playing on the same lineup where I can. I want to complement to next artist & for the night to have the right flow. I feel the warm-up set is a dying craft & so important for the energy of the whole night. Being a resident at the places I mentioned before I think gives you real necessary experience on how to warm up a room. It’s essential not to bang it out from 10 pm. I do love fast music & enjoy playing at higher tempos but I think the build of a warm-up set can make or break the night. If I’m warming up I’m very aware of this & see the warm-up as big of a deal as the main set. Can you walk us through your production process and the various elements you consider when creating a track? Since buying my first drum machine this has usually been the starting point & backbone to a lot of my tracks. My Roland TR8-S is a part of my studio I couldn’t live without. I love percussion & laying down the beat is one of my favorite parts. Getting hands-on is a big part for me & getting the groove just right before adding the other elements. I feel I can bounce off the rhythm and percussion which can inspire the rest of the track. Gina Breeze How do you feel your sound has evolved over the years, and where do you see it heading in the future? I think my sound has evolved a lot since I put out my first E.P. (2015) you can usually hear my New York / Chicago influences in my music. Think this goes back to the drums. Musically I just want to keep things fresh & exciting. I’m working on an album at the moment so this is a chance to stretch my creative muscles & make some more melodic/down tempo tracks. I love to collaborate and am lucky to have worked with some incredible vocalists over the years. I would love to see more of that in the future. As a female artist in a male-dominated industry, what challenges have you faced, and how have you overcome them? I feel I’m been fortunate to work with a real mix of male/female promoters, agents over the years. The industry can be rough, I think now more than ever. There are so many DJs, especially after lockdown. It can be hard to rise above the noise. For me I just try to stay authentic, keep going in my own lane & work with as many females in the industry as possible. Who are some artists or producers that have particularly inspired you or that you admire? I am inspired by artists like KiNK & Miss Kittin, I would love to incorporate live elements into my DJ sets eventually & KiNK is just the absolute master. It is also amazing to see female artists at the forefront of the electronic scene, Peggy Gou of course, Blessed Madonna & Honey Dijon. I have been a big fan of The Blessed Madonna since seeing her years ago at the Warehouse Project. I also love Cinthie & saw her play recently at Night Tales in London. She really is a class act. How do you balance the creative and business aspects of your career as a DJ and producer? I think this balance is quite difficult, the business side has never really been one of my strongest points but I am much better now than when I started. The business side comes second, always. I need to remind myself of that sometimes. Music first, should keep the creative juices flowing rather than trying to chase numbers. Can you share any exciting projects or collaborations you have in the works? I am sketching ideas for an album at the minute which I’m really excited about. Also working on a new E.P for a very exciting label. More info to come on that soon! Can you tell us about the track you have on the Gudu & Friends Vol. 2 compilation? What was the inspiration or concept behind it? Rebound started after a fun jam session with the Prophet synth. It’s quite a stripped-back track but has that real euphoric / summer vibe when the chords kick in. I added the ‘rhythm’ vocal, roughed that up a bit, and layered the percussion. The Prophet riff is just the one, this drives the whole track. How did the opportunity to release on Peggy Gou’s Gudu label come about, and what has that experience been like so far? I managed to get my hands on the A&R details for Gudu after making some music specifically for the label. I really wanted to be a part of the Gudu family & can honestly say, the experience has been so enjoyable. The label is run really well, great communication & I got the opportunity to do Guest Mix for the Gudu Mix Series on Apple Music. It’s great to be a part of this compilation, I feel it has a diverse mix of artists & I’m a big fan of all of them! The comp is killer! What are some of your favorite venues or festivals to perform at, and why? One of my favorite festivals I played at is Wildwood Disco in Cambridge. I closed the main stage after Erol Alkan & I feel played one of the best sets Ive ever played. Everything just slotted in right that day, the sun was setting as Erol played, and the lighting for the stage was so trippy & bounced off the trees. It was honestly magical. I’m playing there again this year on my birthday actually & cannot wait! Of course, there’s Love International Festival which has been a favourite for years, the boat parties & Barbarellas. I played Barbarellas for the first time last year for Classic at Defected. That club is very special, especially the sunrise sets. Had some incredible moments there. I think in terms of clubs, as cliche as it is Fabric is just up there & is one of my favorites. I supported Eats everything there and the sound in room two is just lush. The way the DJ booth is positioned in that room just gives you great energy and connection with the crowd. Love it there. The Cause London too, is amazing. Adonis parties are just another level there now. Gina Breeze How important of a role does social media play in your career as an artist, and how do you approach building and engaging with your online following? Social media is a blessing & a curse. I would love to be off all social media as I feel it drains me & can have a negative effect on me mentally. However, I am able to reach different demographics through the power of social media & have more of a reach. I don’t have a massive amount of followers but what I do have has grown organically over the years. I should probably put more time into growing my followers but that’s not why I came into the music industry. I want to create, move people & create lasting memories. I want my content to be real, release, mixes real-life stuff Rather than super contrived and scheduled. Beyond music, what other interests or passions do you have that influence your artistry? I love to travel, this can be the hard part when flying solo. I try to take inspiration from all the places I’m booked to play at. Sound bytes, the feel of certain places, I want to channel this into the music. I’m looking to get more of a portable sampler actually for when I’m on the road to sketch out ideas in the moment. As our conversation winds down, it’s clear that Gina Breeze is an artist firmly rooted in the rich musical traditions that shaped her. She also consistently pushes her sound forward in exciting new directions. Her release on Peggy Gou’s Gudu Records has given Breeze’s talents a bigger platform, but she remains grounded in the underground scenes and queer party crews that gave her a start. As she puts it, “I want to create, move people & create lasting memories.” With her passion, talent, and authentic approach, she’s well on her way. The post Let’s Talk About Gina Breeze appeared first on The Groove Cartel.

The highly anticipated “rave” in San Francisco’s Civic Center Plaza featuring superstar DJs Fred Again.. and Skrillex came to an abrupt halt on Saturday night after the duo hit the city’s 10 p.m. sound curfew. The English DJ and producer Fred Again.. and his American counterpart Skrillex were in the middle of a song when the audio system was shut off due to the curfew. Though the music stopped, the pair remained on stage for several minutes afterwards, waving to the massive crowd of an estimated 25,000 fans to provide a proper send-off. The show was billed as a chance for Fred Again.. and Skrillex to test out new music they had worked on during a recent trip to Mexico. Some attendees traveled from out of town for the rare performance, which sold out shortly after being announced last week. “This doesn’t feel like San Francisco anymore,” Skrillex, a former SF resident, remarked during the set. “I think we transported somewhere else.” The abrupt ending capped an evening that saw the pair attempt to recreate the electric energy of an underground rave on a massive scale in downtown San Francisco. It was the latest in a series of outdoor dance music events hoping to reinvigorate the city’s nightlife as it recovers from the pandemic. Mayor London Breed has been a supporter of bringing more nightlife and entertainment back to central San Francisco. Her administration is implementing state legislation to allow outdoor alcoholic beverage areas and is providing grants to nightlife businesses. The post What happened to Fred again.. and Skrillex b2b ravein San Francisco? appeared first on The Groove Cartel.

Over the past few years, James Hype has been establishing himself as one of the most skilled DJs in the world performing incredibly complicated mixes in front of thousands upon thousands of people. But now he wants to bring his talents to smaller venues with a ‘Get Closer UK Tour’ where he wants to go to venues across the UK with capacities of less than 600 people. In the past year alone, James Hype has been amazing crowds at some massive events such as Amsterdam Music Festival, EDC Mexico and has played at some of the UK’s greatest venues like Drumsheds, Warehouse Project and many more. He also found himself storming into the Official UK Top 40 with his 2022 track ‘Ferrari’ and has recently released the infectious ‘Drums’ with Kim Petras that has been blasting out in clubs across the world. It’s no secret that clubs in the UK have been struggling ever since the nightmare that was COVID as the cost of living has risen to the point where people can’t afford to go out. With this, many clubs have had to shut down which is slowly killing off the once thriving nightlife that the UK had which is an awful thing to be happening. James Hype is no stranger to doing ‘Get Closer’ DJ sets which offer fans the opportunity to see his skills up close and in a much more personal space. Now with this new plan for a ‘Get Closer UK Tour’, he has said he is “trying to do something for the people” of the country that he is from. Doing this tour is not only something for the fans but will also support the small venues that have been suffering in these hard times. No venues have been announced yet, but with him aiming to go to venues that most other DJ’s wont, keep an eye out for when dates start getting announced.

In a rallying cry for worldwide peace, German trance icon Markus Schulz has teamed up with electronic dance recording artist and philanthropist Sir Ivan for a new track, "Turn! Turn! Turn!." Out via Schulz's very own Coldharbour Recordings in collaboration with Black Hole Recordings, "Turn! Turn! Turn! reimagines the 1965 song of the same name by illustrious rock band The Byrds. The song fits well into the discography of Sir Ivan, who has become known for his covers of peace- and anti-war songs from the 1960s and early 1970s. Boasting a catalog that spans two decades, he has donated all of the net proceeds from his music to his non-profit, The Peaceman Foundation, which he launched back in 2005 to help combat PTSD. As "Turn! Turn! Turn!" kicks off, listeners are immediately engulfed in Schulz’s timeless trance production. Sir Ivan's vocals help lead the way towards a soaring drop, which explodes with the help of infectious synths and a bassline as powerful as the song's message. "In a world overshadowed by discord and unrest, the enduring message of hope can still resonate loudly: It's not too late for peace," Schulz said. "This powerful sentiment drew me to this song, compelling me to be a part of its narrative. In a landscape where division seems to dominate, the reminder that peace is still within reach is not only timely but paramount. Through the gift of our bond with music, we have the opportunity to amplify this message." "My hope is that the contagious track Markus Schulz created will spread the lyrical message of peace throughout dancefloors all over the world and inspire its listeners to love one another," Sir Ivan added. Listen to "Turn! Turn! Turn!" below. FOLLOW MARKUS SCHULZ:Facebook: facebook.com/markusschulz Instagram: instagram.com/markusschulz X: x.com/MarkusSchulz Spotify: spoti.fi/3wVTAvi FOLLOW SIR IVAN:Facebook: facebook.com/sirivanofficial Instagram: instagram.com/sirivanofficial X: x.com/sirivan Spotify: spoti.fi/455gFrX

Club Space is inviting partygoers to dance through one last sunrise and one last sunset before its summer hiatus. And with a no-phones policy, this 24-hour party promises to be a mesmerizing journey back to the roots of pure, undistracted revelry. The decision to implement the policy is all about creating an authentic clubbing atmosphere. Space will provide attendees with pouches to securely store phones before they flow into the club for its last 24-hour celebration in the immediate future. Throughout the electronic dance music community at large, fans have been asked to leave their phones at the door more in recent memory as artists and event organizers alike aim to curate dancefloors without hollow distraction. Similar action was taken recently by Damian Lazarus in Ibiza, by Wavedash on the trio's 2024 tour, and by James Hype and Meduza at select "Our House" shows. Following their groundbreaking party, the iconic Miami nightlife institution will hit pause to accommodate nearby urban development. The venue's proprietors are planning significant adjustments to its exit infrastructure, including demolishing the current staircase and building a new north-side stairwell, necessitated by the construction of the adjacent E11EVEN Hotel and Residences. Despite the hiatus, the club's spirit remains unbroken. "The party is never over," Space assured fans in a recent Instagram post, promising a return in the fall of 2024. Until then, the venue's owners will aim keep the party going at their sister venue, the nearby Factory Town. Tickets to the June 2nd closing party at Club Space are on sale now. View the original article to see embedded media. Follow Club Space:Facebook: facebook.com/ClubSpace X: x.com/clubspacemiami Instagram: instagram.com/spacemiami

In honor of AAPI Heritage Month, CHYL and Softest Hard have teamed up to drop a new single, "Mysterious World." "Mysterious World" is a genre-blending gem, combining elements of melodic techno, happy hardcore and CHYL's signature speed-house production. After she worked on the first verse and drop, she sent the song to Softest Hard, who added her twist to the track with an LFO effect, electric piano, arpeggios and hardstyle fills. The result is fresh and creative, a perfect fusion of their distinctive styles. Fans of the producers can also look forward to more new music after they teased a collaborative project, Softest Chyl, hinting at more exciting releases to come from the formidable duo. Take a listen to the new single, out now via Monstercat, below. FOLLOW CHYL:Facebook: facebook.com/itschyl Instagram: instagram.com/itschyl Spotify: bit.ly/49Z8eQL FOLLOW SOFTEST HARD:Facebook: facebook.com/Softest-Hard-1623147677920866 X: x.com/softest_hard Instagram: instagram.com/softest.hard Spotify: sptfy.com/6GEZ

Armin van Buuren and Chef'Special are in a championship state of mind. Joining forces with the Dutch men's national football team, the beloved Dutch hitmakers have released "Larger Than Life," a collaboration that lives up to its name in all forms. Armin van Buuren and Chef'Special, the indie-pop ensemble, found common ground in a shared vision: to inspire greatness. The result is "Larger Than Life," a testament to their collective sense of energy and ambition, with anthemic melodic synths and stadium-filling claps and chants contributed by the vaunted Dutch men's football team. "We wrote 'Larger Than Life' from the desire to spark a fire," Chef'Special's frontman, Joshua Nolet, explained. "It's about the journey that hopefully leads to greatness, meaning something that’s bigger than ourselves. That process and that type of belief in one another can lift you up and make you feel larger than life. When we combine our strengths and connect as human beings, there’s nothing we’re incapable of." "I thoroughly enjoyed working with Chef’Special and the Dutch men’s national football team for 'Larger Than Life,'" van Buuren added. "Our track embodies the faith required to make dreams come true and I hope its euphoric and positive tone will inspire everyone listening to the track." With its electrifying energy and heartfelt message, "Larger Than Life" promises to lift spirits and propel the Dutch team towards triumph, embodying the very essence of unity and perseverance on the grand stage of the European Championship. Take a listen to the new track below. Follow Armin van Buuren:Facebook: facebook.com/arminvanbuuren X: x.com/arminvanbuuren Instagram: instagram.com/arminvanbuuren Spotify: spoti.fi/2WHsl2t

On June 3, 2016, childhood friends and electronic dance music prodigies Otto Knows and Avicii released their long-awaited collaboration, ‘Back Where I Belong’. This track marked a significant moment in their careers, as it brought together two artists who had known each other since their school days and shared a deep passion for music and DJing. Their friendship blossomed as both artists rose to prominence in the EDM scene, with Avicii gaining international fame with ‘Levels’ and Otto Knows making waves with ‘Million Voices’. At the peak of their careers, they decided to join forces in the studio, resulting in ‘Back Where I Belong’, a track that beautifully melded their individual styles into a harmonious and uplifting anthem. Prior to this collaboration, Otto Knows had already made a name for himself with hits like ‘Parachute’, ‘Can’t Stop Drinking About You’, and ‘Next To You’. His talents in the studio translated seamlessly into his live performances, allowing him to grace some of the world’s most renowned stages, including Tomorrowland, Ushuaia Ibiza, and London’s Alexandra Palace. Avicii, known to the world as Tim Bergling, was a superstar in the EDM world, with millions of records sold and billions of streams. Despite his shy nature and struggles with life on the road, Avicii‘s music left an indelible mark on the industry. His chart-topping hits like ‘Levels’ and ‘Wake Me Up’ catapulted him to global stardom, but also highlighted the pressures he faced as a leading figure in dance music. The release of ‘Back Where I Belong’ was a celebration of their friendship and shared musical journey. Tragically, Avicii‘s death on April 20, 2018, sent shockwaves through the music industry, and his absence is still profoundly felt today. This collaboration stands as a testament to their creative synergy and the lasting impact they have had on the world of electronic dance music.

In a year where the techno landscape is shifting like tectonic plates, Sara Landry has emerged as a seismic force. Shaking the scene with her latest heart-racing release, Landry has returned with "Heaven," a collaboration with Alt8. The track is a masterclass in blending soulful, evocative vocals with the relentless, mechanical thump of techno kicks, showcasing once more Landry's boundary-pushing spirit. Her signature cadence and intensity are on full display, making this track a prime example of why she's rapidly ascending through the ranks of the ominous world of techno. A recent inductee to the EDM.com Class of 2024, Landry's influence in the genre is undeniable. Her unique brand of techno is creating an urgent desire to witness her live performances, which was palpable during her high-profile set at EDC Las Vegas. The reaction she drew from crowds at the largest dance music festival in North America once again left festival-goers eagerly anticipating her next move. Listen to "Heaven" below and find the new single on streaming platforms here. Follow Sara Landry:Instagram: instagram.com/saralandrydj X: x.com/saralandrydj Facebook: facebook.com/saralandrydj Spotify: spoti.fi/3RKgqwu Follow Alt8:Instagram: instagram.com/alt8music X: x.com/alt8music Facebook: facebook.com/alt8official Spotify: tinyurl.com/mr3h264s

Listen to the most flavour-packed tracks we discovered this week. Music makes the world go round. And in that regard, we’re constantly on the lookout for new, exciting tunes to share with our audience. We’ve found some that cause goosebumps, and make you open your eyes and get up from your chair to dance. So put on your best pair of headphones, or turn up your speakers, and enjoy this week’s New Music Friday. Here are our top picks for the best music we came across this week, in no particular order. Awon, DVDDY & Vanthe feat. Scaretix – Down Below Genre: Dubstep Kicking off this week’s NMF we’ve got a very, very powerful tune. Get ready for ‘Down Below‘, the latest bomb born from a three-way collaboration: Awon, DVDDY, and Vanthe. Literally, get ready, because this one packs a tremendous punch. Counting with the incredible fry vocals of Scaretix, this track is the perfect hybrid between Hard Rock and the toughest corner of Dance music. Enjoy both the powerful breaks and the even more powerful drops, in a composition that is sure to ignite festivals worldwide with the sheer amount of filth it’s got to it. Adventure Club & Jessica Audiffred – HERO Genre: Dubstep We continue our journey through this Friday with a band that needs absolutely no introduction. Adventure Club have been atop the Dubstep and related game for over a decade by now, and this time they’ve teamed up with A Records founder Jessica Audiffred for an equally energetic single, ‘HERO‘. The Grammy-nominated duo and the Bass connoisseur have gone to new lengths on this one, rocking a fast-paced break with rolling percussion, to then introduce the screaming, screeches belonging to the drops. If you were a fan of the last track, you are for sure going to love this one. JULIENT & Inflection – Believe Genre: Melodic House, Progressive House The next song in this week’s compilation is truly a wonderful piece. A double-down on German talent, JULIENT and Inflection worked together on this beautiful track, ‘Believe‘. The whole piece feels like a bath of calm and gives a sense of belonging, amidst soft synths and warm textures. The vocals themselves also portray a message, and quite a powerful one too. According to JULIENT, the lyrics were made to be uplifting, accompanying the instrumental. “There’s a lot of negative energy in the air and a lot of nonsense that is sometimes delivered to us where you feel like ‘this is the end’“, he says. “But we should still believe, believe in us, in our loved ones, this planet and that there’s hope“. Trust The Aux – Keep Up Genre: House, Disco A new band is in town! And they’re releasing proper bangers right from the get-go. Trust The Aux is the brainchild of Nadamás and Laedon, one that was born to make the world dance in proper vintage fashion once again. Their debut single, ‘Keep Up‘, is out now, and it’s an infectiously catchy one. At a daring 134 BPM, the track brings a Disco sample to our Dance-devoted plates, through clever processing and a bit of ingenuity, and it all results in a rather fast-paced House-by-definition tune. You won’t want to miss this if you’re a fan of these nods to the past. R!DM – Gospel Genre: Drum & Bass We’re used to the super saturated Drum & Bass beats in these modern times, those that sound really nice but always have power in mind. Well, we’re happy to welcome R!DM back to our NMF series! Last year we had him in November with his track ‘Identity’, and now he’s back with another one of his sweet and savoury pieces. ‘Gospel‘ is a track that came to life from flipping a super old Gospel sample. The end result is as catchy as it is easygoing. You can relax to it or clap along, and both will work just fine. Truly a work of art. Oh, did I mention the bass lines and the Rhodes? Blown away. R3HAB & Da Tweekaz – My Girl Genre: Hardstyle, Reverse Bass You’ve been hearing Adam Beyer et. al’s ‘PATT’ remix for a while now, but could you imagine something like a Harder flip on that track? Well, from one set of pros to another. Multi-platinum DJ and producer R3HAB and famed Norwegian Hardstyle duo Da Tweekaz combine their forces for their new collaborative single ‘My Girl‘. Uniting for the first time ever, the boys deliver an explosive production with true rave energy courtesy of the former and Hardstyle-influenced beats from the latter, making for a memorable debut collaboration and a guaranteed crowd-pleaser just in time for the summer festival season. Arcando feat. Hachi Day – Buss Back Genre: Drum & Bass Welcome back, Arcando! The Dutch producer has been on an absolute skyrocketing rise lately, ever since Martin Garrix supported his remix of Alok & The Chainsmokers’ ‘Jungle’ at Ultra. And with good reason, as his pieces are phenomenal. We’ve covered his music a handful of times by now, and this time he’s back for more. Coming from a successful multi-genre background of producing EDM, 2024 marks Arcando’s official transition into Drum & Bass. And certainly one of those transition tracks is this one, ‘Buss Back‘, a powerful tune ready to steal the mainstage spots at all major festivals this summer. Harshil Kamdar feat. soleil – Leave You Again Genre: Uplifting Trance Closing this NMF on such a high note this time. We’re fans of Blue Dot, and so having this new track featured in here feels like a blessing. Young prodigy Harshil Kamdar released a true Uplifting Trance single, ‘Leave You Again‘, featuring the beautiful vocals of soleil. This one has it all you need to close your eyes and levitate. Enjoy the core Uplifting elements such as a warm piano, arpeggiated saws, open pads, and heartfelt lyrics. Kamdar managed to elevate the Trance experience with this one, providing a journey through emotions while playing with the contrasts of a warm break and a highly-energic drop. Blissful tune. Final Words Stay tuned, for more of our compilations every Friday — based on demand. And be sure to follow EDMTunes for all the latest news and reviews that revolve around our beloved Electronic Dance Music! The post EDMTunes New Music Friday – Week 22 appeared first on EDMTunes.

Tiësto, Hedex, and Basslayerz’s first-ever collaboration, “Click Click Click,” is a testament to the rising interest and evolving landscape of drum ’n’ bass in the American music scene. Hedex, who recently worked alongside drum ’n’ bass fixtures Chase & Status and ArrDee on “Liquor and Cigarettes,” impresses his contemporary, high-energy drum ’n’ bass signature on the track while BassLayerz, comprising mic man MC Spyda, emcee Blu Bomma, and selector Slipz, contribute their established vocal and production prowess, as does Tiësto. The result is a track that captures the essence of modern drum ’n’ bass while showcasing each collaborator’s unique but complementary contribution. “Click Click Click” is Tiësto’s first release of the year and arrives via Spinnin’ Records Featured image: Tiesto/Instagram The post Tiësto, Hedex, and Basslayerz make drum ‘n’ bass ‘Click Click Click’ appeared first on Dancing Astronaut.

We’ve got a really beautiful LP to share with you this time. The road to Electronica is often frowned upon: few artists dare to explore beyond the boundaries of the usual four-on-the-floor divisions of Dance music. And so we’re super excited to have found an album that truly ventures toward the complexity of the creative mind, when all restrictions have been left aside. Today, Spanish producer Uner elevated his NIN3S side project to new heights, with the release of the album Beginning (The Revisions). There are a few things that capture your attention from the very beginning: firstly, the entire piece stars a heartwarming piano. And secondly, the Revisions album has been released before the original Beginning LP. Beginning (The Revisions) With much of the album recorded largely in one take, Beginning is a stunning collection of piano compositions that reflect the story of creation, as interpreted by NIN3S — which we’ll get to hear a bit further into the year. For now, and interestingly enough, ahead of the originals, we’re graced with the Revisions flips, which aim to become the B-side of the NIN3S moniker, pairing stunning beatless original arrangements with abstract, minimalistic and delicate Electronic elements. “NIN3S was a new beginning – the beginning and the end at the same time; it is the most “me” in terms of music, composition and personality“, says NIN3S. “No boundaries, not defined by gigs and clubbing, not defined by anything but to make music from the soul“. The Live Interpretations The Beginning journey doesn’t stop at the two albums, as NIN3S has crafted a from-the-ground-up, live audiovisual show. Music comes to life by the hand of stunning visuals, creating a captivating dialogue between sight and sound. We’ll get more about this soon, giving enough time for the listeners to dive into the music with eyes closed before picturing a different landscape for them. “It’s been a very gentle process of composing on my piano and letting the feelings flow, thinking about every single step of the “creation” and giving the entire composition personality through every moment of the event.” -NIN3S NIN3S — Beginning (The Revisions) Tracklist The Word Dark & Void First Waters From The Waters Ground And Dust Luminaries Creatures Our Likeness Tranquility Final Words We’re delighted to hear a composition that, instead of exploring each and every tweakable knob and parameter of a given synth, focuses its efforts on a very limited sound, the piano, and goes full back-to-basics mode, allowing that one element to shine in all its glory and, ultimately, the creator’s mind as well. Listen to NIN3S’ soothing Beginning (The Revisions) by hitting the ‘Play’ button on the Spotify player we’ve attached. And stay tuned, as we’ll be following how the two-part album concept unfolds very soon. The post NIN3S Unveils Organic Electronica Album, Beginning (The Revisions) appeared first on EDMTunes.

San Pacho amplifies his signature brand of Latin-infused house and tech-house with the release of his No Guest List EP. The six-pack, which lands via Matroda’s Terminal Underground, is strategically curated for the festival circuit, integrating staples from his recent sets at EDC Las Vegas and EDC Mexico, among other events. The EP’s standout feature is its balance of road-teste crowd-pleasers and fresh material: in addition to fan-favorites like “Amor” (the EP notably includes a “VIP” of the song), No Guest List includes two new singles, “To Di Drum” and “Cha Cha Cha.” With No Guest List, San Pacho ups the ante on his Latin-infused brand of house and tech-house, demonstrating savviness and the maturity of his sound. San Pacho is currently on the road in support of the EP on his “No Guest List Part 7” tour. The live initiative includes stops in a slate of North American citites, incluing San Digeo, Atlantic City, Los Angeles, and Denver, from now through August. Tickets to the tour are available for purchase here. Featured image: San Pacho The post San Pacho sets free festival-positioned ‘No Guest List’ EP, complete with two new tracks appeared first on Dancing Astronaut.

Marc Antonix amplifies his momentum in 2024 with the release of his electrifying new single, “Echoes.” This bass-house track follows his fellow 2024 one-offs, “Lights Go Down” and “Time Machine,” further solidifying his reputation for crafting peak-time anthems. Hailing from Los Angeles, the DJ/producer’s innovative approach has caught the attention of industry heavyweights such as Afrojack, The Chainsmokers, and Morgan Page. “Echoes” showcases Antonix’s knack for blending compelling basslines with invigorating beats, marking another significant addition to his rapidly growing discography. Stream “Echoes below.” The post Marc Antonix drops explosive bass-house single, ‘Echoes’ appeared first on Dancing Astronaut.

*Featured Cover Photo Credit: @AI.VISUALS The weekend of May 22-27 at the Buena Vista Lake hosted the latest edition of the magical Lightning in a Bottle Festival. This past weekend’s Lightning in a Bottle 2024 was a very unforgettable festival, just like many previous LIB editions in the past, with vast servings of fantastic music, art exhibits, leisure hotspots, delicious food, and diverse accommodations. Whether it was throwing it down at the Thunder stage or rejuvenating under a relaxing canopy drinking ‘kava’ while meditating, the festival over the past weekend had everything that each attendee enjoyed during their time there. Here is the summary of Lightning in a Bottle 2024, including memorable photos at the festival that showed the camaraderie of the fans and the exciting atmosphere that may encourage fans to return once more. Photo Credit: @gucciphoto Lightning in a Bottle 2024: Food, Crafts, Souvenirs And Amenities Provided A Comforting Ambience To Feel Good In Since LIB has developed a name for itself as a leader in sustainability, creativity, and vibrancy, the food and drink variety and various amenities at this past week’s festival provided the fans with many great ways to enjoy the vibes of the festival. There were vendors selling açaí bowls, poke bowls, craft pizza, bao buns, and many more delicious items. Alcoholic and non-alcoholic drink options were also plentiful throughout the festival grounds of Lightning in a Bottle 2024, especially at the bars found at each stage. The craft and souvenir vendors also came in clutch with their variety of beautiful, creative items on display for all to see and bring home for their friends and family. The amenities were top-notch as well with the yoga and movement hotspots being outstanding locations for everyone to rejuvenate and energize themselves for more great days at the festival. Furthermore, since the festival is by a lake after all, many attendees got to experience wonderful times with old and new friends alike by swimming, wading, and simply chilling by the lake. Additionally, whether someone was camping inside their car, RV, trailer, tent, topia, or zaropa, the camping amenities were also very diverse and flexible so that the attendees could get more for their experiences throughout their time at the festival, no matter if they were there for five days, three days, or even a single one. Photo Credit: @jakewestphoto The Music Enhanced The Atmosphere Of The Festival Even More The music at LIB has always been the top fixture at each edition since it debuted in 2004 as the premier festival of the Do Lab. At this year’s festival, fans of James Blake, Fatboy Slim, Lane 8, Nora En Pure, M.I.A, and many other wonderful world-class musicians were all welcome: the acts were phenomenal overall. There were eight stages at Lightning in a Bottle 2024, especially the main stages of Thunder, Lightning, and Woogie, for all to vibe alongside their old and new friends and other like-minded music aficionados. One of the coolest things that happened was at around 2 a.m., early morning of Sunday, May 26, when Skrillex appeared at the Stacks stage as a surprise guest and really got the crowd going towards a gnarly euphoria. Another highlight of Sunday, May 26 was a surprise set that occurred during sunset at the Junkyard stage. RÜFÜS DU SOL brought out the good vibes flowing continuously with their masterful set that resonated throughout the stage and even beyond towards other surrounding areas as well. When Skrillex came on as the ultimate headliner at the Lightning stage for the final night, the crowd went wild with excitement. The crowd shook their heads with fervor and moved their arms and hands enthusiastically as Sonny kept on throwing down awesome beats and drops from beginning to end. No matter if they were nostalgic bangers like ‘Bangarang’ and ‘Scary Monsters and Nice Sprites’ or current hits such as ‘Rumble’ and ‘Badders’, Skrillex really showed the crowd at the Lightning stage why he remains one of the top legends of the Dance/Electronic music industry for over the past decade. Photo Credit: @JAMAL.EID Final Thoughts This past weekend’s LIB, once again, was a festival to never forget. Not only the music and other attractions of the festival provided the relaxed, blissful emotions that allowed one to remain there from beginning to end, but also just the whole genuine atmosphere surrounding the festival grounds. That genuine atmosphere that allows one to feel comfortable being themself while dancing and socializing with similar individuals who are also there to have a great time being who they are without fearing any judgement. For anyone who attended this past weekend’s LIB, there is no doubt that they will return to next year’s edition. Photo Credit: @GETTINYThe post [Event Review] Lightning in a Bottle 2024 Was Truly Unforgettable appeared first on EDMTunes.

Leading Southwest promoter Relentless Beats has once again struck gold with the annual return of Goldrush Festival. The two-day event returns to Phoenix Raceway on October 4–5, 2024, debuting their new Wild Card concept for those looking to hit the jackpot. For their 2024 edition, Goldrush has laid their best hand on the table, announcing 20+ bookings in their phase one lineup. House and bass heads won’t want to fold on this event, with headliners Alesso, The Chainsmokers, SLANDER, and Black Tiger Sex Machine kicking off the first wave of names. Over the weekend, attendees can also cash in on sets from ACRAZE b2b Noizu, Blossom, Deathpact, MitiS, and a slew of other hard-hitting talent. Weekend GA and VIP passes start at $149 and are available for purchase online. For most up-to date information and to purchase tickets to Goldrush Festival, visit their website here. Feeling lucky? Dancing Astronaut and Relentless Beats have teamed up to deal you a chance to win a pair of weekend VIP festival passes for Goldrush Festival. Head to our Instagram post below for your shot at winning big. Featured image: @luisdcolato The post Relentless Beats deals a winning hand with Goldrush Festival lineup [Contest] appeared first on Dancing Astronaut.

Have a six-piece EP that is so much more than just music. While the Dance music industry is constantly receiving gigantic amounts of new music, those tunes that make it to the top are, more often than not, the execution of a formula to appeal to a great number of individuals. Which is absolutely fair, don’t get me wrong. But the fact that the business is filled to the brim with those kinds of numbers, creates a special phenomenon: when a heartfelt piece comes by, it makes it feel much more special. Such is the case of this track, and also the larger release it belongs to. MarMar has been unveiling his debut EP Feel Okay bit by bit, and little by little. One track at a time, he’s made sure to embark listeners on a journey of self-discovery, spirituality, and love. And even though it’s a nice resource for us listeners to be able to decant emotions through the delicate work of a sensitive artist, the focal point of MarMar’s EP is, well, healing himself in the process. “I wanted to just be honest about how things are in my mind sometimes. How I’m always seeking peace. I spend a lot of time wondering what it would be like to completely Feel Okay.” ‘Feel Okay’, The Last Piece Of Feel Okay Following the release of previous singles ‘Call On You‘, ‘Try‘, ‘Heart‘, ‘Imposter‘, and ‘Without‘, the France-based American producer saved the best for last, as the sixth and final composition of his Feel Okay EP is, at last, the title track, ‘Feel Okay‘. Throughout the single, MarMar transforms his mental health struggles into music, creating a raw and honest exploration of his emotional landscape. He shares his path to inner peace, hoping his song and the EP as a whole will act as a bridge that connects him with listeners on a deep and meaningful level. A profound reflection of his very own insightful thoughts can be seen by following the lyrics, whose recurrent lines are: “I feel like I’m doing everything I can // And maybe that’s the problem, me trying to stand // What if I feel ok, when will that even happen? // What if I start to pray, not chasing what I haven’t been?“. Listen to MarMar‘s sensitive first EP Feel Okay, which contains the homonymously-named single, down below on the Spotify player we’ve attached. Alternatively, click here to head over to your favourite platform for a listen. And stay tuned to our page for the latest news and views from our beloved Dance music industry. The post MarMar Concludes Debut EP With Title Track, ‘Feel Okay’ appeared first on EDMTunes.

If you're an avid frolfer and head-banger, Minnesota's Bass Ribbon Pines festival might be the setup for your perfect summer weekend. Scheduled for July 18-21, the three-day camping, music, arts and recreation festival is set to be held at East Bethel's Blue Ribbon Pines Disc Golf Course, just 30 minutes north of Minneapolis. The event, now coming back for its fourth year, is the "Original EDM Disc Golf Festival," according to its organizers. Headlining the first day is popular bass music duo Smoakland, who are poised to come up north in the midst of a lively tour to energize the Bass Ribbon Pines faithful. Day two brings the promise of the "Wubs & Dubs" doubles disc golf tournament to the course as well as headliner TVBOO, whose deep and distorted music is bound to be a surefire crowd-pleaser. Dirt Monkey headlines day three, bringing the Midwestern festival to a spectacular, muscle-aching close. Necks be damned, other heavyweight dubstep and bass music artists on the lineup include Hydraulix, Luzcid, TYNAN, Virus Syndicate, GorillaT and IVORY. Check out the full lineup below. The 2024 lineup for Bass Ribbon Pines features Dirt Monkey, Smoakland, TVBOO, Hydraulix, Luzcid and TYNAN, among many others.Bass Ribbon Pines Buying a ticket to this forested festival comes with unlimited disc golfing privileges, with nightly glow versions of the popular game. Also included with purchase is the promise of many art vendors and hands-on painting activities scattered throughout its three days, all coming after a Thursday pre-party. You can purchase passes to Bass Ribbon Pines 2024 here. FOLLOW BASS RIBBON PINES:X: x.com/bassribbonpines Instagram: instagram.com/bassribbonpines Facebook: facebook.com/bassribbonpines

ROSSY has released a new single, "STAR," teaming up with Princess Superstar for a bass-fueled anthem that pulsates with a rebellious spirit. Featuring drops that run roughshod with serrated synths and trunk-thumping 808s, ROSSY's latest trap banger is an adrenaline shot straight to the jugular. It's an aural onslaught, an in-your-face celebration of women empowerment fueled by the kind of white-knuckle intensity that has catapulted ROSSY as one of the genre's brightest producers. Amidst the controlled chaos, Princess Superstar's vocal hook detonates with a braggadocious swagger, taunting rivals with the song's central lyrical grenade and daring any pretenders to even try matching their uncompromising authenticity. "STAR" is not only ROSSY's first track of 2024, but also her debut on Thrive. The release is more of a rallying cry than a song—it's phosphorescent war paint, a clarion call for a new generation of young, hungry female producers in the electronic music scene. "I love girl power and working with other women, and am all about people owning themselves and their self-confidence," ROSSY said in a press release. "Her line 'you just can’t do it like me' captures this affirmation perfectly." Listen to "STAR" below and find the new single on streaming platforms here. Follow ROSSY:Instagram: instagram.com/rossykate X: x.com/rossykate Facebook: facebook.com/rossymusicofficial Spotify: spoti.fi/3XHPHln

Here comes a delicious, guitar-characterised two-tracker, just out of the oven. In a powerful dance music team-up, Diego Hernan and EddyThron have joined forces to release a killer EP. Last Goodbyes is the product of their friendship brought to life through music, and it’s available now on the UK record label, Krafted Digital. Diego Hernan. Hailing from Villa Gesell, a small coastal town near Argentina’s capital, Diego Hernan’s music has caught the attention of big names like Nick Warren and Fernando Ferreyra. A master of the guitar, his tracks are known for their string work, often featuring electric guitar riffs and arpeggios. EddyThron, the other half of ‘Last Goodbyes’, is no stranger to the music scene either. With 2025 marking his 15th year in dance music, he’ll also soon be celebrating the fifth anniversary of founding Aloft, his Organic House project with which he co-produced these Krafted-released tracks. Last Goodbyes ‘Last Goodbyes’ was born from a guitar riff by Diego, a riff that became the EP’s most unforgettable element. The release blends their signature sounds perfectly, featuring Diego’s strings and, for the first time, EddyThron’s very own sung vocals. EddyThron. “Halfway through last year, while we were chatting Diego told me he was going to have a jamming session”, says Eddy. “Not long after, he sent me that one guitar line, and I started building around it“. “It sounded fabulous, but we figured it was rather empty. That’s when I decided to sing my own vocals to add to it, and it worked!” -EddyThron Diego also shared some words about the release: “This EP is very special, because it took shape with the help of FIIXX, an artist of my city with a unique-sounding Stratocaster guitar. We created the demo and the rest of the elements started falling into place really naturally”. ‘Last Goodbyes‘ comes in two versions: Organic and Breakbeat. Both mixes showcase the same core elements – Diego’s stellar guitar work and Eddy’s insightful lyrics – but with distinct vibes. In the Organic mix, they interweave in a call-and-response style over a smooth, melodic base perfect for sunset beach sets. The Breakbeat Mix takes a more dance-floor-oriented approach with a glitchy feel and a swifter tempo. Listen to Diego Hernan & EddyThron pres. Aloft‘s debut collaborative EP, Last Goodbyes, by hitting ‘Play’ on the Spotify player we’ve attached. Also, be sure to head over here to support the release on your platform of choice. And stay tuned to our blog for the latest news and views from our beloved Dance music industry. The post EddyThron pres. Aloft And Diego Hernan Join Forces On Organic EP, ‘Last Goodbyes’ appeared first on EDMTunes.

Watch an old sample come back to life courtesy of Ireland’s finest. Well, we’re officially on the edge of entering June. Are you eagerly awaiting summertime to peek its warm, sunny head around the corner? While we count down the days, have a track that could very well set the mood for the entire season. This time, it comes from the hands of Irish DJ and producer Shane Codd. Once a self-taught bedroom musical hobbyist, Codd learnt to throttle his passion into a full career, growing to become a multi-platinum, globally touring artist in just a handful of years. His debut single, ‘Get Out My Head‘, rocketed into the Top 10 of the UK singles chart and has, so far, amassed over 220 million streams worldwide. You could say he’s had a fair share of success. After headlining a tour through the US and gracing crowds from all over, his mission to create his own kind of memorable, feel-good House tunes prevails even more strongly than before. Today, Shane Codd has released what could be an essential weapon for any DJ looking to match sparkling drinks and the musical atmosphere of a venue. ‘Good To Me’ Taking, reviving and flipping the iconic 80s R&B hit ‘Just Be Good To Me’, originally performed by The S.O.S Band, Codd has come up with a belter, fittingly named ‘Good To Me‘. If you’re a fan of the whole old-school-sounding Dance coming back to the spotlight, you are so in luck. Enjoy moogy, groovy offbeat basslines, pointy, summery pianos, and an overall aura of those Robert Miles times, but with the oomph and beef that is so characteristic of the current times. Early 00s or late 90s? You be the judge. Listen to Shane Codd’s gigantic new single ‘Good To Me‘ down below for your beloved Spotify play. Also, click here to listen and support on your platform of choice. And stay tuned to our page for the latest news and views regarding Dance music. The post Shane Codd Nods To The Past On Hot New Single, ‘Good To Me’ appeared first on EDMTunes.

Creeds, the visionary artist behind the viral sensation ‘Push Up,’ is set to electrify audiences once again with his latest release, ‘Closer‘. Driven by an angelic vocal, ‘Closer’ represents a bold step into mainstream hardbeat, pushing boundaries and setting the stage for a new era in contemporary music. Out today May 31st, this highly anticipated track is poised to ignite dancefloors worldwide with its infectious energy and irresistible beats. With its pulsating rhythm and dynamic composition, ‘Closer’ promises to resonate with audiences on a profound level, inviting listeners to lose themselves in the music and embrace the euphoria of the moment. From its infectious hooks to its lush production, this track showcases Creeds’ unparalleled talent and unwavering commitment to pushing the boundaries of creativity. Listen here. “‘Closer’ is a new step into ‘mainstream’ hardbeat, This track has been thought of as the next step after ‘Push Up,’ keeping the melody as a leitmotif on top of subby kicks. The song is made for the dance floor, for all kinds of stages.” — Creeds Already making waves in the global music scene, ‘Closer’ has been played on stages around the world, including EDC, Beyond Wonderland, Ushuaïa Ibiza, and many major European clubs and festivals. With massive support from the scene, Creeds’ latest release is poised to become an instant classic, cementing his status as a trailblazer in the industry. The post Creeds Returns With New Single, ‘Closer’ appeared first on EDMTunes.