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Take a look at who’s playing where and when at this year’s festival Continue reading...

Daniel Ek's claims come in a year in which Spotify has made over £1 billion in profit, and announced controversial new subscription rules Continue reading...

XP Music Futures, the music conference by MDLBEAST, has been making waves in the MENA region for some time now, cultivating the music scene, community and industry. This year’s theme for XP Music Futures is Flourish. This focuses on scaling up the reach and impact of XP by more exposure and becoming much louder. Collaborate with educational entities to grow our impact on the youth, work with partners on Xperiences and demo lab, plus focus on the maturity of our 6 initiatives. The event, held at Riyadh’s JAX District from December 5th to 7th, is due to offer a highly dynamic program that spans both day and night. Bringing together some of the best minds and talents in the industry both locally and internationally. The three-day conference returns with dozens of sessions including fireside chats, keynotes, panel discussions, fishbowls and workshops designed around growing the music scene and industry within the MENA region. Daytime events will focus on four key pillars that have been identified as the foundation for building a music industry: Talent, Scene, Impact and Innovation. As the sun sets on the conference the lights come on and the music starts with a full night program of parties, showcases and performances from both local and international talent. XP will feature a variety of local and international experts in their field, ready to share their wisdom and knowledge with those in attendance. Previous editions have hosted renowned global and regional stars who have come and shared their wealth of knowledge. Artists and innovative industry figures such as producer and label owner Don Cannon, DJ Khaled, Cosmicat, Nicole Moudaber, Fat Joe, David Guetta and many more have spoken at the Riyadh event. In 2024 XP Music Futures will once again play host to a number of its exciting initiatives that encourage growth within the regional music industry. Such as XPerform, which gives the chance to regional talents to perform at XP Music Futures and grow their music career with MDLBEAST Records. Xperform is giving the chance to regional talents to perform at XP Music Futures and grow their music career with MDLBEAST Records. Judges for this year are Shamma Hamdan, Defencii, Hassan Abouelrouss and Rawan Alfassi. Xchange tackles the latest issues in the region’s music industry and curates a series of workshops that take place in cities ahead of the XP conference. The key objectives of the workshops are to invite key experts to dive into XP’s pillars to identify hot topics for the conference programme, and to give an opportunity for bottom-up community building between key members of the region’s music industry. XChange hosts a series of touring workshops that will take place this year in; Kuwait, Tunisia & Riyadh, ahead of the main XP conference. Hunna, derived from the Arabic plural of “she”, is a women-led initiative on a mission to amplify female talents and a platform, while providing sanctuary for MENA women within the music industry. Hunna provides essential support required for personal and professional development, seeking to challenge and transform outdated and inequitable systems prevalent in our societies. Storm Shaker, is a DJ competition, inviting aspiring DJs from all over the MENA region and beyond, to showcase their craft. This competition will also invite some of the key individuals from the music industry along with a selected rep from MDLBEAST records to judge and determine four finalists. The Artist Management Bootcamp (AMB) is a hybrid two-week bootcamp designed to equip aspiring artist managers with the skills and knowledge needed to navigate the music industry. The program aims to cultivate a new generation of successful artist managers through a curriculum covering a broad range of topics by industry experts, fostering growth not only for themselves but also for the wider music ecosystem. Our mission is to elevate the music industry by empowering managers to effectively support artists in achieving their career goals while ensuring sustainable success for all involved. Then for the entrepreneurs, Sound Futures invites innovators to pitch their groundbreaking ideas. Sound Futures invites aspiring musicians and innovators to pitch their groundbreaking ideas to music industry investors, intending to secure funding and mentorship for their careers. The Xine is a love letter to the regional music ecosystem. Written annually, it’s a yearbook frozen in time. A still snapshot of the state of our scene and the people who bring it to life, with insights captured from our XChange series of touring workshops. XP Music Futures returns to Riyadh for another year on the 5th, 6th & 7th of December. Outcome Report XP23: here For all updates on XP Tickets, please register: here The post XP Music Futures Unveils 2024 Edition appeared first on Decoded Magazine.

Swiftly after the release of his Jensen & Friends LP, Jensen Interceptor returns with his first solo release in over three years. ‘Thermaic Rise’ is a fast-paced, peak-time explosion of rhythm and grooves that traverses juke, breaks, tribal, deconstructed club, and experimental techno. The EP is named after the Thermaic Gulf in Greece, where part of Jensen’s family hails from, and the inspiration goes deeper than just the title. Jensen has delved into the sounds, both ancient and modern, of his motherland. Whether sampling sounds from some of his favourite Thessaloniki-based drill artists or incorporating live recordings of the Lyra and Pandura, he has woven these elements into the architectural fabric of all four tracks, along with all the humour, charm & hallmarks we would come to expect from the Berlin-based one-man club-banger machine. Pre-order here The post Jensen Interceptor announces his first solo release in over three years appeared first on Decoded Magazine.

The selected key worker will play a set at the Shangri-La Glastonbury opening ceremony alongside the likes of Jay Carder and Denham Audio Continue reading...

The newly renovated “cultural space” opens this summer from the team behind ION and Junction 2 Continue reading...

Berklee College of Music and the Audio Engineering Society (AES) will present the first-ever AES International Symposium on AI and the Musician, a two-day forum that will bring together artists, producers, engineers, educators, legal experts, and developers to explore the most relevant issues related to the use of artificial intelligence in music. The Symposium will take place from June 6-8 at various locations on Berklee’s campus in Boston. The inaugural event seeks to foster an exchange of ideas that incorporates perspectives on AI from the music, technical, and business communities, with sessions touching on a comprehensive mix of topics including intellectual property rights, recent advancements in AI tools for music production, the implementation of AI in arts education, composer-centric AI music generation in studio and performance settings, and ethical challenges posed by AI to musicians and sound artists. The program will feature keynote speeches, panel discussions, presentations of submitted compositions, and interactive demonstrations of the latest technology. “The core motivation for this Symposium draws from a long relationship with music making and music production where technology serves to augment expressive possibilities and the creative process,” said Jonathan Wyner, event organizer and professor of music production and engineering at Berklee, and previous president of AES. “With the lightning-fast rate at which AI applications continue to evolve, it’s essential for musicians, educators, developers, and all stakeholders in the creative economy to engage on these complicated issues in a meaningful, ongoing dialogue.” The keynote speakers for this event are composer Tod Machover and research scientist and technologist Anna Huang. Noted as “America’s most wired composer” by The Los Angeles Times and “a musical visionary” by The New York Times, Machover’s presentation takes an in-depth look at how AI technology is becoming a valuable resource for musicians to uncover and unlock human potential in a variety of contexts. Huang, a judge and organizer of the AI Song Contest who will be joining the MIT faculty in the fall of 2024, will discuss recent advancements in generative AI modelling that have opened up possibilities for human-AI collaboration in composition and performance. Other featured presenters include intellectual property and technology lawyer Emily Tait, who will delve into copyright laws as they relate to generative AI; Northwestern professor Bryan Pardo, who will examine the use of AI techniques in sonic art; and several Berklee faculty members who both create and teach with AI including Akito van Troyer (Electronic Production and Design), Ben Camp (Songwriting), Mark Simos (Songwriting), and Carlos Arana (Music Business and Production for Berklee Online). “AES is proud to host this Symposium with the world-renowned Berklee College of Music,” said AES President Leslie Gaston-Bird. “The talent and creativity that comes out of this institution combined with the networking power and ingenuity of the AES will be a catalyst for an unforgettable 2024 symposium. Don’t miss it!” The 2024 AES International Symposium on AI and the Musician is sponsored by Suno and Kits AI. Registration is now open with a discounted rate available for AES student members. This is a limited-capacity event. For more information and a full schedule of events, visit the Symposium homepage on the Audio Engineering Society website. The post AI in Music Symposium hosted by Berklee and Audio Engineering Society appeared first on Decoded Magazine.

The team behind some of Europe’s most celebrated festivals, including Love Supreme, The Long Road, ION and Junction 2, AMAAD, are the new operators of a warehouse space in St. Philips, Bristol. Prospect will showcase over 20 years of experience in bringing together musicians, creatives and entertainers across all cultural genres at the space at 45 Feeder Road. Programming across Prospect’s inaugural year will celebrate a cross-section of entertainment, with comedy, sport and pop-up food, drink and fashion markets taking place at the venue throughout 2024 and beyond. The venue’s new music series will see AMAAD working in partnership with local club promoters including Team Love, The Blast and Dance Corp, as well as touring artists, to bring a diverse range of sounds to the space. Prospect’s first 12 months are set to showcase music from Jazz and Country through to House, Drum and Bass and Techno. The space, formerly known as Propyard, is currently benefiting from significant investment. Alongside bolstered cloakroom and washroom facilities, return visitors can expect an artisan food and drink offering, with local suppliers including St Philips locals, Lost and Grounded. A stand-out feature of the new space will be its state-of-the-art sound design, which has been developed in partnership with world-class audio manufacturers, L-Acoustics. The cutting-edge system will elevate live entertainment at the venue while minimising the external impact on the neighbouring community. Paul Jack and Will Harold, Founders of AMAAD, said: “We can’t wait to get the doors open and welcome Bristol to our new home. It’s such an incredible space with so much opportunity in a city buzzing with talent and creativity. “We have worked for many years with Bristol institutions like Team Love, and we’re collaborating with a network of local businesses and communities to create a venue that will serve Bristol’s cultural community, and become a hub of culture within the wider development of Temple Quarter and St Philips Marsh.” The renovation is already underway with work currently taking place ahead of the summer season, with an opening lineup set to be announced shortly. To keep up to date with the latest information and music announcements, follow @prospectbristol on Instagram, X, Facebook and TikTok or head to the website: www.prospectbristol.com The post PROSPECT: New cultural space set to launch in Bristol this summer appeared first on Decoded Magazine.

Kurupt FM has announced a very special show at London’s O2 Academy Brixton on Saturday 28th September to celebrate the 10th anniversary of their BAFTA winning TV show People Just Do Nothing. West London’s finest pirate radio station Kurupt FM has been causing a stir on radio and TV over the last decade now, making Kurupt FM the biggest thing to come out of Brentford since the football club. Starting out on YouTube with their own DIY webisodes, which quickly got the attention of Roughcut, the producers of The Office. Shortly after a pilot was picked by BBC3, this received a massive response and Kurupt FM had instantly gained a cult following. The Kurupt FM following includes the likes of Ed Sheeran, Chase & Status, JME, Example, Annie Mac, Big Narstie, Maisie Williams, Doc Brown, and David Hasselhoff to name a few. From selling out shows and performing headline sets at festivals across the UK and abroad including London’s Roundhouse, KOKO, The Warehouse Project, Glastonbury, Reading & Leeds, Bestival, Hideout in Croatia and many more, Kurupt FM has also released three chart-topping albums as well as a feature film ‘Kurupt FM Big In Japan’. Renowned for their high-energy live shows, this huge anniversary date is one not to be missed! Tickets go on sale 10am Friday 7th June and will be available from www.gigsandtours.com / www.ticketmaster.co.uk The post Kurupt FM announce huge 10 year anniversary show at London O2 Academy Brixton appeared first on Decoded Magazine.

Electronic music star and award winner Ben Böhmer has announced Bloom, his first new studio record in three years. A brand new song called “Best Life” featuring JONAH and the news of an 8-stop live tour of the UK and Europe this fall goes along with it. Bloom will be out on September 27 through Ninja Tune. Back in the studio for the new album Ben Böhmer made time for himself and went back to his studio, the place that inspires him the most, after a record-breaking world tour in support of his last album. All of his events were sold out months in advance. There, he can really follow his desire to be creative on the spot and work hard at developing new skills that lets him talk about deep, complicated feelings. His big-hit first album, Breathing, was about grief, and its follow-up, Begin Again, came out in 2021. Bloom, the Tracklist Martin Hiding (feat. Lykke Li) Best Life (feat. JONAH) Memory Cassettes Beautiful (feat. Malou) Faithless (feat. Erin LeCount) Rust Evermore (feat. Enfant Sauvage) Rain (feat. Max Milner) The Sun (feat. Oh Wonder) Blossoms The sold-out tour caused him to need a pause and slow down things He amassed almost a billion streams so far, playing over 200 shows in 2022. All this touring led him down a path that didn’t feel like what he wanted. He was being pulled in a way that wasn’t him, even though he was getting praise and events were sold out. Bloom is a fresh start, a sure declaration of his own wants and a more improvised beginning. We can hear and feel Ben’s growth in Bloom. It’s his happy search for new things that bring him back to the studio every day, season after season. Ben embraces his imperfect journey thus far on the forthcoming album’s first single, “Best Life,” featuring Berlin-based singer-songwriter duo JONAH. “Life is short and fast,” JONAH remarks on the track. You try, you fail, and sometimes we lose a special person along the way who is irreplaceable, but the memories stay with us, shaping who we are. ‘Best Life’ is all about that rollercoaster ride of trying, failing, and a reminder of the importance of living each moment to the fullest. A new Ben Böhmer Böhmer wants to break out of the pre-made boxes he’s been put in; “Best Life” is a bold step in a new direction for his music. Böhmer’s songwriting and composing skills really shine on Bloom, which also features well-known acts such as Lykke Li (a superstar in the indie world), Oh Wonder (an alt-pop duo), Enfant Sauvage (of the French duo The Blaze), and more. The record has a lot of different styles and speeds that make earlier songs in his career seem like a trail. Böhmer has announced a string of live shows in the UK and Europe this fall to promote the new record. The shows will take place at Alexandra Palace in London, Albert Hall in Manchester, Adidas Arena in Paris, The Palladium in Cologne, and other large venues. These dates will come after his upcoming shows at Sonar, Electric Forest, Lollapalooza, and Portola, as well as his direct support shows for ODESZA at BMO Stadium in Los Angeles, the Gorge Amphitheater in Washington, D.C., and Madison Square Garden in New York City. The backstory In 2023, he finished the biggest live tour of North America ever, and 3 million people listen to him on Spotify every month. It’s now one of the ten most-watched dance music sets of all time on YouTube, with more than 32 million views. He has played at festivals with Caribou, Four Tet, Bicep, Jamie xx, and Amelie Lens. In 2022, he started Portraet, a four-night residency at the open-air Ibiza club Cova Santa, where he brought in artists like Barry Can’t Swim, HAAi, Sofia Kourtesis, and more to play with him. The post Ben Böhmer Announces New Album Bloom appeared first on The Groove Cartel.

This past Sunday, All Day I Dream made their pit stop during their Summer world tour at the iconic Brooklyn Mirage in New York. It is a fitting location being in the city where it all started back in 2011, and now draws in thousands of attendees every year. Headlining his own event is none other than label boss Lee Burridge who brought along Facundo Mohrr, Double Touch, Dim Kelly, and Sinca. photo credits: Bryan Kwon All Day I Dream is a spectacle to be hold with their iconic blue colored lighting artwork and other vividly colorful visuals. The leading organic house label draws upon the best vibes and feel good music, leaving all in attendance with an uplifting spirit during the show. It’s always a journey of magical proportions as each ADID artist paints a sonic journey of dancefloor magic, bringing upon memorable connections through the power of dance music. Starting from the early afternoon into midnight, the label’s flawless signature sound resonated throughout the venue, showcasing beautiful and emotional tones and beats. photo credits: Bryan Kwon ADID brings out a bright and positive energy with its stunning stage design being a cornerstone of the celebrated event. Their meticulous attention to detail extends to both the venue selection and the upscale production. The Brooklyn Mirage, a sprawling open-air space, with a massive LED wall screen and 3 floors in total make it one of the best venues in the world to host it. Floating lanterns, flowing fabrics, and glowing pillars creating a dreamlike atmosphere that is a sight to behold. A cozy, dome-shaped DJ booth completes the picture, perfectly encapsulating the All Day I Dream experience. Those in attendance could also purchase jewelry and ornaments that add into the ambiance and atmosphere of the event. Beyond the blissful house music, what makes ADID truly special is the warmth and openness of the community. It’s also positive vibes, joy, and the shared passion in dance music that is infectious from the moment you walk in. photo credits: Bryan Kwon photo credits: Bryan Kwon For those in attendance who want another go at ADID or anyone else that wants to experience this immersive experience for themselves, they will be making many more stops this Summer. Check out the full schedule below. The post All Day I Dream New York: A Beacon of Community and Connection appeared first on EDMTunes.

Bleeding with candor, Porter Robinson is at his most vulnerable in "Russian Roulette," the latest single to release ahead of his long-awaited third album. Robinson's alt-pop reinvention becomes more and more compelling with each breadcrumb he drops on the trail to SMILE! :D, which is scheduled to release on July 26th via Mom+Pop. And with "Russian Roulette," he's written one of the best songs of his career. Through lyrics as raw as an open wound, the track encapsulates the paradox of the modern artist: coerced to commodify their innermost selves while grappling with the struggle to remain authentic amidst the noise of our vapid world. The lyrics paint a haunting picture of a tortured Robinson in the throes of existential dread, using the metaphor of a deadly game of chance to convey not only a sense of detachment, but also a willingness to gamble with his life. But beneath the lyrical darkness swirls a bubbly soundscape, a candy-coated bullet laced with cyanide. Each hyperpoppian synth is a hollow-point round piercing the veil of the song's naive optimism, especially when Robinson stuns with a callback to his fan-favorite hit, 2014's "Sad Machine." "The saddest thing about my whole machine / She says, and she's right, 'It depends on me,'" he croons. Here he holds up a blackened mirror, its tarnished surface reflecting the shadowy corners we all harbor but seldom confront. "Russian Roulette" ultimately builds to a walloping gut-punch when Robinson, who in years past has opened up about struggling with depression, realizes he wants to see his mom, thank his dad, kiss his cat, lose his phone and marry his wife "one more time." In a lyrical grenade of profound clarity, he shows that finding beauty in the little things is often difficult, but for those able to do it, those simple pleasures transform from mere moments into miracles. Listen to "Russian Roulette" below and find the new single on streaming platforms here. Fans of Robinson can now purchase tickets to his first-ever world tour, which kicks off in late-August 2024. Follow Porter Robinson:X: x.com/porterrobinson Instagram: instagram.com/porterrobinson TikTok: tiktok.com/@porterrobinson Facebook: facebook.com/porterrobinsonmusic Spotify: spoti.fi/2Zu4oNS

Nearly three years since the Anjunadeep MVP shook the music industry with Begin Again, Ben Böhmer has officially announced the release of his third studio album, Bloom. In confirming the project’s official due date—out everywhere September 17th via Ninja Tune—Böhmer has concurrently issued a sonic preview in “Best Life,” now streaming, offering a coveted glimpse into the next stage of the 30-year-old DJ’s career. Featuring Berlin-based music duo JONAH, comprising singer/songwriters Angelo Mammone and Christian Steenken, “Best Life” arrives leisurely on the heels of Böhmer’s October 2023 collaboration, “One Last Call.” Notably, on streaming platforms, “Best Life” digitally houses both of the aforementioned track titles. Unbeknownst to the public, Böhmer has been paving the way to Bloom in the dark, only now doing so in broad daylight. Sonically speaking, “Best Life” rips the duct tape from any boxes encasing Böhmer’s creative prowess. The German producer’s latest successfully capitalizes on renewed soundscapes, layered atop drum and bass-inspired percussion, all in seamless support of JONAH’s effortless vocal performance. “Life is short and fast,” says JONAH, speaking on the new record. The German duo expanded, “‘Best Life’ is all about that rollercoaster ride of trying, failing… A reminder of the importance of living each moment to the fullest.” With the road to Bloom officially under construction, stream “Best Life,” by Ben Böhmer and JONAH, below. The post Ben Böhmer confirms third studio album, ‘Bloom,’ opens rollout with ‘Best Life’ appeared first on Dancing Astronaut.

A federal advisory committee voted against approving MDMA, or ecstasy, for treating post-traumatic stress disorder (PTSD), citing concerns over clinical trial integrity. Despite MDMA’s potential to transform PTSD treatment, the committee, which advises the FDA found significant issues with the data presented in the studies used in the report presented to them. Only 2 out of the 11 members who took part in the committee deemed the treatment effective. The FDA, which often follows its advisory committee’s recommendations, will make the final decision on MDMA’s status. MDMA, known for inducing emotional openness, is currently a Schedule I drug. Reclassifying it would be a major shift. PTSD affects about 13 million Americans annually, and current treatments often fall short. The analyzed trial involving about 200 participants showed promising results but raised concerns about data biases and safety information. The FDA’s final decision remains pending as the debate continues. MDMA’s Role inside the culture of dance music MDMA closely links to dance music culture, especially within the rave and electronic dance music scenes. In the 1980s and 1990s, the drug gained popularity for its ability to enhance sensory experiences, boost energy, and create feelings of emotional connection and euphoria. These effects fit perfectly with the high-energy, immersive atmosphere of dance music events, where people seek shared, heightened experiences. The influence of MDMA on dance music culture is evident. Concepts, projects, and entire festivals have emerged from the philosophies that psychedelic substances brought to dance music. Many believe it has reinforced the cultural philosophy of breaking down social barriers, allowing people to connect more deeply with the music and each other. While many have denied the link between psychedelics and the electronic music scene, many others fully embrace the entire philosophy and identity that comes with the movement. It’s hard to deny the impact it had on the culture of dance music. Could it potentially affect society as a whole next? The post FDA Rejects MDMA for PTSD Treatment appeared first on EDMTunes.

Electronic music duo TWO MINDS has released a soaring new single that is sure to lift your spirits. “My Way to the Skies” is the latest peek at his forthcoming album concept ‘Maze of Passion‘ on Sirup Music. The track kicks off with an energetic build-up. It features melodic synthesizers that flow into a beautiful, anthemic drop. TWO MINDS layers of ethereal humming vocals over a driving beat. They create an emotional yet dance-friendly sound. Their inventive blending of voices and instruments results in an uplifting, transcendent vibe. By seamlessly fusing rhythms and emotion, TWO MINDS crafts immersive sonic journeys that captivate listeners. “My Way to the Skies” soars with creativity and passion, whetting fans’ appetites for the full ‘Maze of Passion’ album still to come. The single is available now on the Sirup Music label. The post “My Way to the Skies” is the dreamy new single of TWO MINDS appeared first on The Groove Cartel.

Spotted on The Dogist, an Instagram favorite known for capturing heartwarming moments of dogs and their owners in New York City, Kygo is a mix of Husky, Malamute, Poodle, and Collie. At seven years old, Kygo is battling cancer, with his owner sharing that he doesn’t have much time left. Found in the woods of Tacoma, Washington, Kygo’s mother had a tough start. Kygo now has osteosarcoma, and despite radiation treatments, the cancer has spread to his lungs, and he has developed pneumonia. His owner is dedicated to making his remaining days as happy as possible, expressing a wish for Kygo to meet his namesake, the Norwegian headliner, Kygo. This touching story captured the attention of many, including the DJ himself, who responded on The Dogist’s post with an invitation to meet at the Palm Tree Music Festival in the Hamptons on June 22. This interaction has garnered significant attention, with Kygo’s comment amassing nearly 27,000 likes at the time of this publication. The Palm Tree Music Festival will feature Kygo headlining alongside Swedish House Mafia, Purple Disco Machine, Sofi Tukker, and Xandra. This festival is part of a series that aims to gather music fans in aquatic environments, creating an immersive experience that plays off of Kygo’s tropical and boat-centric lifestyle. We can’t wait to see the pictures of Kygo and Kygo together, creating a memory that will surely last a lifetime for the loving pet owner! The post Terminally Ill Dog Named Kygo Will Meet Namesake DJ appeared first on EDMTunes.

On his new single, nimino bottles the intoxicating and, at times, maddening feeling of finding your imperfect match. By marrying wistful realness with bubbly production, "Nothing Perfect," out now via Ninja Tune's venerable Counter Records, achieves a sublime balance. It's a track for slow-dancing with your partner, cherishing every misstep and out-of-sync twirl. Buoyant arpeggios and an irresistible groove envelop us like a warm hug while nimino's emotive vocals carry the weight of love's imperfections. "Are you alone? Because it's nothing perfect," he warbles with candor. But he doesn't lament the inevitable arguments—he revels in them through the romantic realization, "But I'd settle for you / Grow old and argue." Leaning into love's messiness rather than idealism, those lyrics conjure a lifetime of long looks, heated debates and making up afterward. "My friend was ghosted by a girl he liked, but a couple months later she made her way back into his life and said, 'Are you alone, 'cos it's nothing perfect, but I’d settle for you,'" nimino explained. "I feel like it speaks a lot to modern dating and the fact that people can even struggle with their own standards." Listen to "Nothing Perfect" below and find the new single on streaming platforms here. Follow nimino:Instagram: instagram.com/niminomusic X: x.com/niminomusic TikTok: tiktok.com/@niminowayjose Facebook: facebook.com/niminomusic Spotify: tinyurl.com/5h8nac2b

Nine years on from 'In Colour', the new record is set to feature collaborations from the likes of Robyn, The Avalanches, John Glacier and more Continue reading...

Andres Buzo, born in Mexico City, started his music career in collaboration with Xavier May. As a pairing, they released several singles and an EP on the progressive house label Silver Planet and appeared on many compilations. Now after gaining some traction in the industry, Andres is focusing on his solo project presenting us with a brand new single titled ‘Andres Buzo Brings Dark Techno Vibes With ‘I Like Your Body’. ‘I Like Your Body’ is an electrifying techno track that opens with deep percussion and intricate sound effects. Atmospheric synth pads and sharp staccato stabs create a complex, textured soundscape. A distorted vocal sample repeating “I like your body” adds a sensual touch to the mechanical beat. The track slowly evolves in energy adding more arpeggiated synths that drive the melody. The breakdown strips back the layers, building anticipation for the syncopated drop that follows, introducing fresh melodic elements. This track is a perfect blend of rhythm and atmosphere, ideal for late-night sets and underground clubs where energy dominates the dance floor. Stream this single below.

Techno titans, rejoice! EDMTunes is jacked to lock into the world of Kamil Ghaouti, a name synonymous with powerful beats and pulsating energy on the dance floor. Having already carved a distinct path in the techno sphere, Kamil Ghaouti weaves intricate soundscapes that have captivated crowds worldwide. Get ready to explore the rhythmic mind behind the music, their production secrets, and the future vision for techno in this electrifying interview! Can you share with us your journey from Morocco to Los Angeles and how your cultural background influences your music? I started making music at age 15 when I was still going to high school in Morocco, I then moved to Madrid, Spain at 18 for a few years and finally decided to move to LA to pursue music full-time a year and a half ago. Ever since I was a kid even before starting to make music, I knew I’d end up in LA someday so when the occasion presented itself, I had already made up my mind. I honestly can’t think of a more suitable city to do what I’m doing and pursue the goals I have. I don’t think I would’ve been able to meet this many creative people who I work with a lot anywhere else and the city itself makes it so easy to feel inspired and driven. I grew up listening to so many different genres I can’t really say Arabic music influences what I end up creating a lot, but I do feel like there’s a certain sense of rhythm and a great use of percussions present in the more traditional music popular in Morocco which makes me more prone to implement the same things in my music. What inspired you to start your own label, Kameleon Records, at such a young age, and what vision do you have for its future? To be honest, I always had the idea of making my own record label in the back of my head, but I never thought I would act on it this early on in my career. I just got to a point where I had too much unreleased music that I loved and that other labels didn’t seem to be interested in and I thought why not release all of them under the same structure with the same visual direction. I’m still working with other labels the way I used to before launching Kameleon but knowing I have this structure gives me a feeling of freedom I didn’t really have before. Another thing I love about having my own label is hearing unreleased tunes from friends and collaborators and believing in some of these so much that I want to try and push them as much as possible. I love the idea of playing a role in the release of a dope record without necessarily being involved in the production and music side of things. Despite your early success, you remain incredibly humble. How do you maintain this attitude, and what drives you to work hard towards your goals? Thank you! I’m real far from where I want to be in my career even though I’m extremely grateful and proud of everything that’s been happening the past decade, so I always have lots of goals and things to look forward to and work towards. A lot of the dreams I had when I first got started in music already came true but I know the hardest is yet to come and I love it. I used to be a bit scared that after reaching certain milestones I would lose motivation and get complacent, but it had quite the opposite effect so I’m excited for the future and more confident than ever before. How do you balance the creative aspects of being an artist with the business responsibilities of running your own label? I’m honestly never happier than when I’m making music and creating so the business side of things is obviously not as fun and fulfilling but it’s very much necessary if you want music to be your full-time job and not just a hobby. When I’m lucky, I get to spend the same amount of time making music and handling business in a day but most days I have to spend more time running the label and my career from a business standpoint. What really helps is that I made so much music that I love these past years that I always have new stuff to release without having to work on new material all the time, which gives me more time to spend on marketing these records and dealing with everything else at the label. At just 23, you’ve already achieved a lot. What are your main goals for the next few years, both as an artist and as a label owner? Much appreciated. As an artist, my goals have changed a lot over the years as I realized the things I thought would make me a fulfilled artist didn’t necessarily so now I’m all about staying true to my authentic sound, which I haven’t really had trouble doing up to now, releasing as much of the music I love as possible and eventually being able to look back on my discography decades from now and feel deeply proud. As a label owner, my goals and promise to myself and supporters is to only release the music that moves me and that I’m excited to play out at shows and push as much as I can from people I really believe in, both as artists and people. At first, I wasn’t really planning on releasing music other than mine in the first year of the label, but I ended up receiving songs I liked so much I could only say yes to release and do my best to market them and I’m learning so much because of it. Tell us what we can expect from you over the rest of 2024. The best music I’ve put out yet, a release on my dream label end of summer, and more consistency than ever before. The post EDMTunes Chats with Kamil Ghaouti appeared first on EDMTunes.

We are now about halfway through 2024, which means we’re a little over six months to go before the sold-out Groove Cruise 2025 sets sail on the gigantic Allure of the Seas. While the ship, destination, and lineup have all been announced, there are still plenty of goodies to trickle out as the date approaches. One thing that Groove Cruisers eagerly anticipate is the announcement of the daily costume themes. Each day and night features a fun theme, and the Groove Cruisers do not mess around. You’ll barely see anybody in normal clothing throughout the entire trip. The effort that goes into these themes will blow your mind. In 2025, the festival will kick off on Thursday, January 23 with the annual theme of Represent, where attendees can wear something to represent their hometown or favorite sports team. First-time Groove Cruise attendees or “Virgins” are encouraged to wear white. Additionally, returning Groove Cruise attendees can elect to wear a specific color based on how many Groove Cruise events they’ve attended. he first evening theme will be Nauti Sleepover, which is sure to be filled with naughty pajamas and lingerie. With nonstop music programming, attendees will dance the night away dressed in sleepover-inspired outfits.. The following day, Groove Cruise will boast two vibrant themes for attendees to revel in. The festival will transform into 50 Shades of Candyland, with unlimited costume ideas from the nostalgic 1950s board game or any sweet treat. Attendees can explore the creative costumes of Queen Frostine, Princess Lolly, King Kandy, and more. In the evening, Hollywood attire and movie characters will flood the Allure of the Seas for Stars on Deck. The “lights, camera, action” theme will promote costumes such as the attendees’ favorite cartoon character or movie star. For the destination day on Saturday, January 25, attendees will disembark at the idyllic location of Falmouth with the tropical theme of Tropic Like It’s Hot. The beach day will excite Captains to wear hula costumes, fruit-forward gear, or island fashion. Back on the ship, the late-night hours will boast the playful theme OnlyFarms – to welcome cowboys, farm animals, and more. Transforming into a mystical farmland, Groove Cruise Captains will don themselves in their country best. The fourth and final day will feature the daytime Neon Splash to brighten up the ship with classic rave gear to soak up the sun. The festival will close out the evening with the fantasy-inspired Realm of Enchantment to welcome fairies, unicorns, dragons, witches, wizards, and so much more. Groove Cruise 2025 is officially sold-out but fans can join the waitlist now (code EDMTUNES for discount) The post Groove Cruise Announces 2025 Daily Themes appeared first on EDMTunes.

True to form, Ben Böhmer's new single is a masterclass in translating life's messiness into evocative dance music. The German electronic music virtuoso delves into the murky depths of self-sabotage in "Best Life," the lead single from his upcoming album Bloom, which he revealed today. Featuring singer-songwriter duo JONAH, the track shimmers with indie sensibilities and bittersweet nostalgia, artfully capturing the disorienting paradox of looking back while being propelled forward. Its lyrics reflect on mistakes made and relationships frayed, mirroring our own fractured minds when we experience the ache of lost connection. JONAH's plea, "Look at me and say it's alright," hangs heavy over Böhmer's intoxicating production, a desperate cry for absolution that questions whether or not love can weather self-inflicted storms. Meanwhile, misty-eyed recollections of a former flame "dancing in the headlights" plummet us even further into the depths of the melancholia. "'Best Life' was born out of an unexpected moment," Böhmer tells EDM.com. "It wasn't part of the plan, but the song emerged from a shared vulnerability with my collaborator [Angelo of JONAH]. The initial lyric fragment, 'Best Life, I just fucked it up,' struck a raw nerve, and the song became a way to explore the emotional rollercoaster ride of trying, failing and trying again, and sometimes losing important people along the way. These experiences leave an indelible mark on us, shaping who we are. I wanted to capture that raw honesty and vulnerability. We all face challenges and setbacks, but it's crucial to embrace those imperfections, learn from them, and keep pushing forward." Scheduled to release via Ninja Tune on September 27th, Bloom is Böhmer's third studio album and first since 2021's Breathe Again. The project will also feature "One Last Call," a scintillating collaboration with Berlin-born singer-songwriter Felix Raphael. Bloom, Böhmer tells us, is "the most vibrant and diverse album" he's ever written. "Throughout its creation, I felt a sense of freedom that allowed me to explore many new directions," Böhmer explained. "The album was crafted in two primary settings: in nature and at home. After extensive touring, I found balance and solace in nature, which became a significant source of inspiration. I often found myself retreating to natural surroundings, where I wrote large portions of the album. I also set up a home studio, where I acquired an upright piano and engaged in traditional songwriting." "Working directly from the comfort of my home in a cozy environment, and from composing on a piano to jamming with singers, naturally led me to incorporate many organic sounds and classical song structures," he continued. "Two of the tracks, 'Evermore' and 'Rain,' were even re-recorded with a 40-string orchestra [the FAMES Orchestra]. It felt only natural to choose a title that reflected this influence. Bloom represents the diversity, colors and equilibrium that nature brought into my life." You can pre-save Bloom here and check out its tracklist below. Ben Böhmer - Bloom Tracklist1. Martin 2. Hiding (feat. Lykke Li) 3. Best Life (feat. JONAH) 4. Memory Cassettes 5. Beautiful (feat. Malou) 6. Faithless (feat. Erin LeCount) 7. Rust 8. Evermore (feat. Enfant Sauvage) 9. Rain (feat. Max Milner) 10. The Sun (feat. Oh Wonder) 11. Blossoms Follow Ben Böhmer:Instagram: instagram.com/benbohmermusic x: x.com/benbohmermusic TikTok: tiktok.com/@benbohmermusic Facebook: facebook.com/benbohmermusic Spotify: bit.ly/3rNhbM9

A year has flown by since the launch of Love For Low Frequencies (LFLF), the brainchild of drum & bass veteran Nymfo. With over a dozen releases already under its belt, the label has exceeded expectations and garnered a dedicated following. To mark the milestone for his very much sought-after deep and techy D&B label, Nymfo (Bardo Camp) and LFLF core member/documentary maker VOXI (Tamara van der Vos) sat down for a candid conversation about the label’s journey, challenges, aspirations and the recent premiere of ‘For The Love Of Low Frequencies’ documentary at Melkweg, Amsterdam. Enjoy. Well, congratulations. Over a dozen releases in the first year. How does it feel? Nymfo: Yes, I’m proud, too. I didn’t really expect that much positive feedback already. But it’s going much better than expected. In the documentary, it was mentioned that the initial plans for LFLF started coming along in 2020. Back then, you let the people you wanted to work with, like Waeys and Rueben, know that it would still take some time. Do you think that, in hindsight, really taking that time, helped? Yes, I wanted to prepare well. Because you see new labels being launched. And then people often announce ‘something big is in the making’… And then? There’s one release. Maybe a second one. And then it dies a bit, you know. And yes, I had imagined that I wanted the first five releases to be ready, before I announced it. Because then you can start, you can do a release every month. It’s better than creating a hype and then it dies. Nowadays, you just have to (keep going) you can’t do a release and then nothing for a year. Because everyone has already forgotten you. And then you have a certain creative margin for, in this case, your artists too? Yes, definitely. Especially the first five (EP’s) it just took a while, and then I was curious about how many demos I was going to get, as soon as people knew I had a label. I am impressed, there are a lot of good producers out there. But I have to say the next release takes a little longer before it comes out. There have been some challenges with the masters that took a little longer. But I do want to be in the picture every month or every other month. But it depends on getting enough demos. The music has to keep its quality. You don’t want to release just for the sake of it. But that hasn’t happened anyway. What was the biggest challenge after all? The preparations took a long time. Back then, nobody knew I wanted to start a label. I had to contact all the artists via SoundCloud and such. And that took a while. Back then, I was starting from scratch, like a nobody. You’re still Nymfo… Yes, but some people would rather send a demo to Critical Recordings or Dispatch. I found a few artists who had the patience to wait. I said: I want to release your music, but it’s going to take a while before I’m there. And then there was the scheduling involved to do a release every month. I have to give credit to Lars Dingeman from Triple Vision. He works behind the scenes and helps me a lot. For you, it’s a new role, being a label boss. Something else. How do you see it? I found out that I’m pretty good at it because I’m always on point. What I miss with a lot of labels is actual human contact. You send demos to whoever, and you don’t even get a response. And if you get a response you don’t really communicate, while nowadays it’s super easy to connect. What I do with every artist I sign: I call them and say thanks for sending me music. Then they’re surprised, because, an actual label is calling them. I communicate well, and check the wishes of the artist. And it’s going really well. While being a father, do you see taking on this role as a natural evolution in terms of being a mentor? Maybe from being a father, but also due to age. I’m 42. I always say I don’t want to end up spinning records far into my sixties. You have to know your place. Eventually you got to step down and make room for other artists. That’s how I feel. I get a lot of energy from running LFLF. Everyone is happy and grateful. Especially with the label. It’s super cool. I have the network and can handle it easily. It feels natural to me and I can still keep performing, but don’t have to do it every weekend. I’ve had that time. I just watched the documentary and it was really cool. Especially the many shots of you from back in the day. Did you sit with Tamara (VOXI) to edit the footage? At first, Tamara used footage from my set at Star Warz, back in 2005. She went through a lot of footage. I figured it would be cool if the documentary started fast-paced. With a lot of shots, intense music etc. Then I found an old compilation video and we used some footage from that. Perhaps Tamara can add something? Tamara: There are actually two versions of the documentary. The first version had a single-shot intro from Star Warz. A jump back in time: Young Nymfo playing a vinyl set, a young Andy C giving Nymfo a heads-up that he had a couple of minutes left from his set. Which I thought was pretty funny. What stood out for me: how intense the crowd was; really enjoying themselves, no phone in sight. The shot made me feel like I was there. I sent this version to a short music documentary film festival, but it wasn’t selected. I figured the best way to push this documentary was to gather D&B heads and screen the documentary at Melkweg Cinema during Curated by Talks on LFLF’s first anniversary. It was the perfect time and place. And of course it’s now available on LFLF’s YouTube channel. Did you change a lot for this version? Tamara: Only the intro. For the screening in Melkweg Bardo had an alternative fast-paced intro in mind, which was a compilation of him DJing around the world. I selected the best shots from the compilation and cut some shots a bit shorter so it would have a good pace. Bardo took care of the music. Bardo: The rest of the LFLF docu Tamara prepared it very well. She made a script. During ADE, she interviewed all the artists. It came together really well, and it builds up to the first label night during ADE. Last week we did the premiere for this version at the Melkweg, Amsterdam, and it was really cool. Many friends and acquaintances were there. And you could feel the vibe of the writer’s camp. And above all- you can do cool things with nice people. Do you have specific goals for the next year you want to share? I want to expand the label night to more places in Europe and at some point abroad. I want to expand that steadily. Furthermore, I am looking for a vinyl release; a compilation of the first year, something like that. Hopefully the expansion will go faster than expected. And keep building with the releases, but with a few key artists. I hope some artists will send me demos that already had a release, so we have some familiar faces. It is important for the organisation. Any upcoming shows this summer worth mentioning? We are doing a LFLF showcase at the Liquicity Festival that will be announced soon. What is the stage called Tamara? Tamara: Nebula. And with ADE we are doing something at a new location in the north of Amsterdam. And of course your radio show… Yes, I have a monthly Kool FM showcase with LFLF. Especially in the UK, it’s popular, really cool. Every month, when I have a release, I can showcase a guest mix. Do you also mix yourself? Sometimes I host. It depends on my time. I have to prepare. Sometimes it is a one-hour mix with new LFLF tunes. Or a guest mix. It is a way to test the music. We’re highlighted there every month on the app and website, so people see the name. Kool FM is big in the UK. It is part of Rinse FM. We have a showcase in Ghent, Belgium on June 21st. The UK is the target for one of the next foreign showcases. I am looking into it, but so much has changed after Covid in England. It is harder. Awesome. Last question. Being the curator of your own label nights with Love For Low Frequencies – what would you like to convey vision-wise? Positive vibes. Good energy. And of course the music itself. You see a lot of the same names on line-ups these days, and I want to give other artists a platform. We are still building the foundation for these showcases, and eventually, I want to work towards a bigger budget with a wider line-up. But also expand the visual presentation. Follow LFLF: Bandcamp/SoundCloud/Instagram/Rinse Shows Out now: Crystal Clear – Network EP

The programme will see 12 young people recieve guidance for three months, with one being in for the chance to win a £10k creative fund Continue reading...

Rustie has returned with "Black Ice Mudra," his first new song in nearly a decade. Rustie's name may not be big in today's TikTok-era music scene of viral-today-forgotten-tomorrow hits, but he's one of the world's most influential electronic artists. Thanks to his singular sound in which glitchy textures and buoyant melodies collide, he's your favorite producer's favorite producer. Simultaneously avant-garde and playful, Rustie's tracks are aural funhouses where fizzy bitpop synths pirouette with staccato drum cracks. His fans have been willingly devolving into his wormholes of radiant bass and mind-bending beats since 2011, when he released his debut album Glass Swords. The pioneering Glasgow producer is now back with his first new release since 2015's Warp Records album, EVENIFUDONTBELIEVE. That year saw Rustie cancel a number of shows "due to addiction and mental health problems," he announced at the time. Devoid of drums, "Black Ice Mudra" channels his signature maximalist electronica by virtue of a flurry of piercing rave synths. It's unclear at the time of this writing whether or not a long-form project is in the works. Check out the new track below.