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AMF is setting the electronic music scene ablaze with the announcement of its full 2024 lineup featuring Tiësto, Marlon Hoffstadt, Timmy Trumpet, Maddix, Wade, Tita Lau and Showtek. This major news comes on the heels of announcing headliner Martin Garrix last week, solidifying AMF’s standing as the biggest party with the biggest names during Amsterdam Dance Event. There was already buzz that Garrix wouldn’t be the only local legend to play at AMF 2024. But, no one was expecting AMF to also pull industry icon Tiësto. Bringing these two together at AMF is a real full-circle moment for both Dutch artists who got their start in Amsterdam but have gone on to take over the world with their music. Joining these two are big names across an exciting variety of electronic music genres. Maddix will be slinging his signature techno-trance beats — his big room elements filling the entire Johan Cruijff Arena. Showtek will also be putting aside their famous house tracks to perform a very special Hardstyle Exclusive set. Marlon Hoffstadt is also taking the stage, who’s got the scene hot for his Daddy Trance tunes, as well as Wade, who they’re counting on to blow up the dance floor. Timmy Trumpet is also returning to AMF to spin tracks and play his signature horn. Finally, Tita Lau is set to deliver her biggest, bounciest, and most bass-heavy performance yet in front of 40,000 ravers at the world’s biggest nightclub. Soon to be announced is the AMF pre-show act. Last year AMF Early Access ticket holders got the chance to see Like Mike, and the year before that, Capuchon/Afrojack. This last big reveal is expected in the coming weeks. For more information about AMF visit this link here amf-festival.com. Stay tuned for more news! The post AMF Announces Complete Lineup for 2024 Edition appeared first on EDMTunes.

Adam Beyer, the renowned techno producer and founder of Drumcode Records, has been on a creative roll lately. With a string of successful releases under his belt, including the chart-topping remix of Sharam’s PATT, Beyer is showing no signs of slowing down. His EP, Ghost Kiss, showcases his versatility and musical range, the boundaries of techno and exploring new sonic territories. The title track, ‘Ghost Kiss’, immediately grabs your attention with its haunting and atmospheric sound. It feels like a journey through a dark and mysterious landscape, with pulsating beats and ethereal vocals urging you to dance. Beyer’s production skills shine through, creating a track that is both hypnotic and exhilarating. ‘Pilot’, the second track on the EP, takes a different direction, blending elements of synth wave and indie pop with Beyer’s signature techno sound. The result is a mesmerizing and dynamic track that keeps you on your toes from start to finish. Beyer’s ability to seamlessly fuse different genres together is on full display here, showcasing his musical prowess and creativity. Exploring the Tracks With ‘Ghost Kiss’, Adam Beyer showcases his ability to create music that goes beyond the confines of traditional techno. The title track is a masterclass in atmospheric production, with layers of intricate sounds and textures that draw you in and refuse to let go. From the eerie vocal samples to the pulsating bassline, every element of the track is meticulously crafted to create a sense of tension and excitement. ‘Jack’, the final track on the EP, is a high-energy banger that is guaranteed to get the crowd moving. With its infectious groove and catchy vocal samples, ‘Jack’ is a testament to Beyer’s skill at creating tracks that are both innovative and dancefloor-friendly. The track builds to a euphoric climax, leaving the listener craving more and cementing Beyer’s reputation as one of the top producers in the techno scene. ‘Pilot’ takes a different approach, incorporating elements of synth wave and indie pop to create a track that is both nostalgic and forward-thinking. The driving techno beat provides a solid foundation for the dreamy synths and ethereal vocals, resulting in a track that is both danceable and introspective. Beyer’s ability to push the boundaries of his sound while staying true to his roots is evident in every note of this track. Unstoppable Adam Beyer With ‘Ghost Kiss’, Adam Beyer has once again proven why he is considered a pioneer in the techno world. The EP showcases his ability to pushhe boundaries of the genre while staying true to his roots, creating music that is both innovative and timeless. Each track on the EP offers something unique and exciting, drawing the listener in and taking them on a journey through Beyer’s musical universe. As Beyer continues to evolve and experiment with his sound, fans can only wait in anticipation for what he will come up with next. With ‘Ghost Kiss’, he has set the bar high for himself and the techno community at large, proving that there are no limits to what can be achieved through creative exploration and fearless innovation. If you’re a fan of techno music or just appreciate good music in general, ‘Ghost Kiss’ is definitely worth a listen. Adam Beyer’s inspired new EP is a testament to his talent and vision, and a reminder of why he is considered one of the best in the business. The post Adam Beyer – Ghost Kiss EP appeared first on EDMTunes.

Coming off a record-breaking world tour in support of his previous album, during which he sold out all dates months in advance, Ben Böhmer made a point to take time to himself and return to the space that compels him the most: his studio. It’s there that he’s able to truly channel his passion for spontaneous creativity and relentlessly focus on honing a craft that allows him to express deep, complex feelings. He tackled grief on his breakthrough debut album, Breathing, and separation on its follow-up, 2021’s Begin Again. Bloom is a reset, a confident reassertion of his own desires and more improvisational origins. In Bloom, we hear and feel Ben’s growth, the joyful pursuit of newness that pulls him back to the studio day after day, season after season. Moreover, Ben embraces his imperfect journey thus far on the forthcoming album’s first single, ”Best Life,’ featuring Berlin-based singer-songwriter duo JONAH. “Life is short and fast,” JONAH remarks on the track. “You try, you fail, and sometimes we lose a special person along the way who is irreplaceable, but the memories stay with us, shaping who we are. ‘Best Life’ is all about that rollercoaster ride of trying, failing, and a reminder of the importance of living each moment to the fullest.” Sonically, ‘Best Life’ is a bold step in a new direction for Böhmer, who is intent on growing out of the pre-fabricated boxes he’s been placed in. Böhmer’s songwriting and composing talents extend to the foreground on Bloom alongside revered artists like indie royalty Lykke Li, alt-pop duo Oh Wonder, Enfant Sauvage (of the French duo The Blaze), and more. The album features a swathe of styles and tempos that earlier tracks in his career feel like breadcrumbs to. Bloom Tracklist 1. Martin 2. Hiding (feat. Lykke Li) 3. Best Life (feat. JONAH) 4. Memory Cassettes 5. Beautiful (feat. Malou) 6. Faithless (feat. Erin LeCount) 7. Rust 8. Evermore (feat. Enfant Sauvage) 9. Rain (feat. Max Milner) 10. The Sun (feat. Oh Wonder) 11. Blossoms Stay tuned for more news! The post Ben Böhmer Announces New Album ‘Bloom’ appeared first on EDMTunes.

This Fall, Grammy-winning live electronic act NERO will make their grand return to stages across the U.S. for their headline Into The Unknown Tour supporting their highly-anticipated third studio album, Into The Unknown, out August 16. Bringing their avant-garde musicality and transportive experience to iconic venues like New York’s Webster Hall and Los Angeles’ The Novo, the 16-date tour will feature a brand new hybrid live set performed by band members Daniel Stephens and Joe Ray. Front woman Alana Watson, who recently welcomed her third child with Stephens, will take a step back from this tour, but her presence is in no way diminished; Watson’s unmistakable aura is embedded throughout Into The Unknown. Check out their full schedule below: In the near-decade since their last tour, Stephens and Ray have performed select DJ sets as NERO, with the band returning in 2022 to support deadmau5 at Red Rocks. The show marked their first full live performance as a trio since the Between II Worlds Tour in 2015, which saw the band headline Coachella’s Outdoor Stage. Last year, Daniel Stephens, Joe Ray, and Alana Watson reemerged as NERO with their first solo single, ‘Truth’, following a five-year hiatus. Their upcoming album Into The Unknown will serve as the final chapter in their album trilogy that began with the chart-topping, Platinum-selling Welcome Reality in 2011. Exploring new realms where music, technology, and art collide on stage, fans will be immersed in the cosmic audio-visual universe NERO have created with their album trilogy. Grab tickets for NERO’s Into The Unknown Tour here. The post NERO Announces Into The Unknown Album and U.S. Fall Tour appeared first on EDMTunes.

The musical institutions have pledged their support for the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) Continue reading...

The opportunity to learn music production skills and industry knowledge from an EDM icon doesn't come every day. But it's now a reality thanks to Afrojack, who has joined forces with Tomorrowland to offer an extensive educational course about all things electronic dance music. The program, WALL Pro Academy, acts as an extension of the "Online Tomorrowland Academy" platform to help DJs enhance their skills in the studio and learn how to succeed in the music industry. From producing, mixing and mastering to marketing and management, the new online hub features over 30 hours of tutorials and content, all taught exclusively by the "Take Over Control" producer. Beyond studio techniques, some of the many topics enabling DJs to take their careers into their own hands include brand development, networking, health and wellbeing, copyright, publishing, music business and tax management. With over 15 years of knowledge and expertise to bring to the table, Afrojack essentially wants to be your personal music coach. "For the first time ever, I'm going to share all my music production secrets, my management secrets and everything I've ever learned from working in the music industry," Afrojack said in a press release. "After having billions of streams myself and having developed successful artists and DJ/producers into hundreds of millions of streams and worldwide performances, I'm now very happy to open the doors of WALL and the success we've had with WALL artist development to all artists and producers around the world through this collaboration with Tomorrowland." "The most important thing I've learned is that it's not about who you are, but about what you know," he added. "Everything starts with knowledge." To learn more and enroll in WALL Pro Academy, head here. FOLLOW AFROJACK:X: x.com/afrojack Instagram: instagram.com/afrojack TikTok: tiktok.com/@afrojack Facebook: facebook.com/djafrojack Spotify: spoti.fi/2B06Di0 FOLLOW TOMORROWLAND:X: x.com/tomorrowland Instagram: instagram.com/tomorrowland Facebook: facebook.com/tomorrowland

Las Vegas nightlife is about to gain some serious substance with the grand opening of a cutting-edge, 18,000-square-foot entertainment venue in the heart of the Fremont District. Amidst the glitz and glamour of Vegas' world-class clubbing sector, a new contender is emerging with a raw, warehouse-inspired experience: Substance. Opening its doors in July 2024, the venue promises a big lineup of electronic music artists, kicking off with an opening night appearance by Walker & Royce. Substance founders Marcel Correa and Joe Borusiewicz, celebrated for their contributions to the Las Vegas nightlife scene by way of their company RVLTN, have joined forces with Insomniac Events to bring top talent to Substance every week. Perched on the second floor of the Neonopolis Complex, Substance is a marvel of modern design, blending brutalist architecture with state-of-the-art audiovisual technology. The venue's low ceilings and industrial flair will create an intimate atmosphere, making every event feel like an underground rave in a post-apocalyptic warehouse. Correa and Borusiewicz shared their approach for the new venture in a press release with EDM.com. "Growing up in Las Vegas, we've always loved our great city and its incredible potential to become a thriving local music scene," they said. "We've attended countless shows, festivals, and events here and our passion has always been about serving our fellow locals. As promoters, working with various venues throughout the city has given us deep insight into what works and what doesn’t—from guest experience and operations to overall strategy. No one enjoys paying $30 for parking or navigating a casino just to attend an event. People dislike strict dress codes, long lines for drinks and bathrooms, poor sound quality, and gouging fees. At Substance, our goal is to create an entertainment destination that addresses these issues, incorporating everything we'd want as event producers and local music fans. We can’t wait to unveil our most exciting venture to date." Tickets to the July 12th opening of Substance are on sale starting 10am local time on June 7th.

Since reuniting in 2019 after a five-year hiatus, Swedish House Mafia have been meticulously plotting their comeback – but the rollout for their new single “Lioness” has been anything but calculated. The full story: one year ago The legendary dance trio of Axwell, Sebastian Ingrosso, and Steve Angello first started teasing the track last autumn during their wildly popular Ibiza residency. They continued dropping teasers into early 2024, whipping fans into a frenzy for their first new original music in over a year. But promised release dates have come and gone as the Swedish DJs tinkered behind the scenes. After premiering an early version of “Lioness” at a homecoming show in Brooklyn in late April, they announced the song wouldn’t be released as planned because the “production” needed “last-minute changes.” The mixed messages spawned conspiracy theories and social media backlash from impatient fans. “This whole Lioness thing has become a Monty Python sketch,” one supporter vented on Reddit. “We learned not to trust them even if they officially announce a date,” added another. It’s an uncharacteristic misstep for the meticulously strategic Swedish House Mafia, whose 20-year rise from the underground to arena headliners was fueled by carefully plotted hype campaigns. Swedish House Mafia “Lioness” What will happen with the Swedish House Mafia in the next future? But those heady days of Don’t You Worry Child and Save The World may feel like ancient history if they can’t recapture that spark on “Lioness.” The song, which features Swedish indie-pop duo Niki & The Dove, aims to blend Swedish House Mafia’s bombastic energy with more ethereal melodies. It’s their first release since 2023’s low-key “Ray of Solar.” Swedish House Mafia have now confirmed “Lioness” will arrive tomorrow, June 7th – a year after they first started sharing clips. But this messy prelude shows the rebuild process hasn’t always been smooth. Were the delays simply part of an intricate roll-out strategy or a worrying lack of quality control? And can they win over the fickle festival crowd so easily in 2024 after a shaky return to the spotlight? Swedish House Mafia’s legacy was built on euphoric moments, both in the studio and on the stage. Hitting those heights again may prove their biggest challenge yet. The post Swedish House Mafia’s new single “Lioness” is out now appeared first on The Groove Cartel.

Last year they soared like pterodactyls. This year they're digging for fossils. After the recent reveal of the 2024 Lost Lands lineup, its organizers have returned with news of a major logistical upgrade, a permanent solution for attendees to safely navigate from the festival to the campgrounds. We've been reporting on how much Lost Lands has grown and improved since its debut in 2017. Since finding their home at Legend Valley, Excision and his team have expanded the festival via new stages, production and walkways, but the highway separating the venue and its campgrounds has always presented a vexing challenge. Organizers in 2023 helped ease the flow of foot traffic by constructing a large bridge over the highway, which eliminated the need to wait for police to stop cars from traveling down the busy road. They're now constructing a tunnel underneath the highway that will connect Lost Lands' venue and campgrounds without the need for stairs, so all can travel freely between the two areas without impeding traffic. The new tunnel is currently under construction, according to Lost Lands, and should be ready before this year's outing. You can read the official announcement below. The next Lost Lands festival will take place September 20-22 at Legend Valley in Thornville, Ohio. Tickets are on sale now. We’re very proud and excited to announce the new Lost Lands tunnel project! This permanent solution will allow attendees to easily transition between the campgrounds and festival grounds all week long. Stay tuned for another major announcement coming soon! pic.twitter.com/KR6tSqd1TX — Lost Lands Festival (@lost_lands) June 5, 2024 FOLLOW LOST LANDS:Website: lostlandsfestival.com X: x.com/lost_lands Instagram: instagram.com/lostlandsfestival Facebook: facebook.com/LostLandsMusicFestival

Toolroom Academy, who commissioned the report, has announced an Artist Development Masterclass in response Continue reading...

Let’s go back to 2011, thirteen years ago today. On this day, the “Pioneer of Dubstep,” would put dubstep on the map by releasing his award-winning track, ‘First of the Year (Equinox)’. The person I’m referring to is none other than nine-time Grammy winner, DJ and producer, Skrillex. ‘First of the Year (Equinox)’ was the first track on the dubstep prodigy’s third EP, ‘More Monsters & Sprites’. With a reggae vibe for the intro, it quickly shifts into an abyss of darkness with the heavy coils and breaks that Skrillex is now known for. The track peaked on charts worldwide, notably reaching #7 in Belgium and #85 on the US Billboard Hot 100. The music video, which explains the inclusion of “Call 911 now!” in the song, received nominations for both Best Short Form Music Video at the 54th Grammy Awards and Best Electronic Dance Music Video at the MTV Video Music Awards. It ultimately won MTV’s VMA for Best Visual Effects in a Video in 2012. Why is ‘Equinox’ in the title? If you’ve ever wondered, “What does ‘Equinox’ in parentheses mean?” wonder no more. ‘(Equinox)’ is actually an old demo track that Skrillex recorded and later incorporated into the song with some adjustments. In a way, he’s paying homage to his earlier work.

The world in the age of AI continues to feel like trial and error visions of the future. Melodic Bass artist ILLENIUM is learning that the hard way right about now. In simple words, The Illinois native received harsh critiques from fans, as he used an AI poster to announce his upcoming show dates in San Francisco. Nevertheless, the DJ decided to explain the stylistic choice and promised new artwork. AI Poster The now-deleted poster has some noticeable features that many fans disliked. Furthermore, ILLENIUM blames his management for having bad taste and choosing the AI version for the final poster, claiming that the team still worked with a paid designer. However, the fans didn’t buy his apology and tore him up a little. Hey guys, I hear all ur feedback on the sf art. My mgmt worked with (and paid) a designer on a few options. Our team had also created an ai version to help conceptualize. My mgmt ended up using the ai art because they’re stupid and have no taste. However, we still worked with… — ILLENIUM (@ILLENIUM) June 4, 2024 Nevertheless, San Francisco is stoked to have ILLENIUM play two weekends. The ‘Good Things Fall Apart‘ creator will grace the Bill Graham Civic Auditorium July 19-20 and July 26-27. Next time we will have a nicer poster. More About Illenium ILLENIUM, a Denver-based producer, weaves sonic spells that have captivated the electronic music world. His melodies dance atop the U.S. dance charts, with over 5 billion streams swirling in their wake. Imagine headlining the world’s grandest festivals, bathed in the glow of a thousand dreams – that’s ILLENIUM’s reality. His debut album, ‘Ashes,’ in 2016, sparked a fire that blossomed into the mainstream with ‘Awake‘ in 2017. This record housed classics like ‘Crawl Outta Love‘, ‘Fractures‘, and the feel-good anthem ‘Feel Good‘ with Gryffin and Daya. Critically acclaimed and a runaway success, ‘Awake‘ topped the iTunes Top Electronic Albums Chart in a dozen countries, its melodies echoing with over 100 million streams. 2019 saw the release of Ascend, ILLENIUM’s third full-length masterpiece and his major label debut. This sonic tapestry became one of the year’s biggest electronic releases, with a collective billion streams washing over the world.As a result, the album climbed to the top of Billboard’s Dance/Electronic Albums chart. Moreover, it secured a coveted Top 20 spot on the Billboard 200. Recognized by Billboard as one of the Top Dance/Electronic Artists of the 2010s, ILLENIUM’s live show is a vibrant tapestry brought to life. Coachella, Lollapalooza, Bonnaroo, EDC – he’s painted these iconic festivals with his music. The 2019 Ascend Tour, featuring a five-piece band, became a pilgrimage, selling out landmark venues like Madison Square Garden, STAPLES Center, and a legendary three-night stand at Red Rocks Amphitheatre. (source) The post ILLENIUM Responds to Uproar Over AI Show Graphic appeared first on EDMTunes.

The show will run for three weeks at Dalston’s Arcola Theatre Continue reading...

EXIT Festival’s mts Dance Arena has long been a temple of electronic music with top-notch lineups soundtracking dancing in the mediaeval trenches and this year will be no different. Joining this year’s already-announced names are Carl Cox, Bonobo, ARTBAT, Black Coffee, Maceo Plex, Sama’ Abdulhadi, Klangkuenstler, Carlita, I Hate Models, Patrick Mason, Franky Wah, Barry Can’t Swim, ARTBAT, Argy b2b Vintage Culture, Avantika, Human Rias, and Lanna to make for the best ever event. EXIT is the largest electronic music gathering in Europe and ticket prices will go up on June 15th so move fast to get yours now. EXIT offers a wide spectrum of electronic sounds from the scene’s most innovative names across several unique stages. It is the ultimate electronic sanctuary for dance music lovers from all over the planet and year on year tens of thousands travel to Serbia and to the heart of EXIT, a cutting-edge haven of sound that immerses them deep into the party with high-spec production and world-class sound systems. One major new addition is the Ukrainian duo ARTBAT, fresh off their performance at EXIT’s Sea Star Festival having recently made waves with their cover of the legendary Chemical Brothers hit “Hey Boy Hey Girl,” while a world premiere of house titans Argy b2b Vintage Culture will also be a highlight and Lanna, EXIT’s 18-year-old wunderkind, will bring plenty of energy from her Ibiza performances. The famous setting for this is the legendary Petrovaradin Fortress in Novi Sad, Serbia, which was completed in 1780 and has more than 40 different stages to hear music. This year on July 11 it will welcome long-time techno titan Carl Cox, the rich sounds of Klangkuenstler and Palestine’s leading export Sama’ Abdulhadi, while July 13 brings Ellum Audio boss Maceo Plex, harder techno from I Hate Models, and Berlin favourite Patrick Mason. Other standouts include Grammy-winning South African DJ Black Coffee who is the global leader when it comes to Afro house and has worked with a who’s who of stars from across the music world while also holding down a key Ibiaz residency each summer. He will close down the whole festival, and also playing is Bonobo, the eclectic musician, cultured producer and revered live performer who brings many influences from hip-hop to soul to jazz to his richly evocative and escapist sounds. Across the weekend, the NSNS Refreshed By Heineken Silver stage will welcome plenty of unique talents including Carlita, Sara Landry, Kobosil, Yotto, Helena Hauff, Cassie Raptor, Francis Mercier, Estella Boersma, Henry Saiz, and Oguz. Meanwhile the Together X House by IQOS stage, Gaia Trance stage and Urban Bug stage will all keep people doing all weekend long with a broad and brilliant mix of sounds from the worlds of house, techno and trance such as ANTDOT, Alex Wann, Sasson, Kitty Amor, Mont Rouge and Sparrow & Barbossa and tens more. Tickets and more information via https://www.exitfest.org/en The post EXIT Festival completes electronic lineup for 2024 edition appeared first on Decoded Magazine.

After a long time in the techno scene, Balthazar & JackRock are known for their unique sounds and creative sets. They have been released on a number of well-known labels. For us it has always been important to convey strong emotion through our music. With “In The Dark” we fuse comforting nostalgia and energising, inspiring sounds that bring promise for the future. There’s no feeling quite like witnessing everyone coming together as one, reflecting on that emotion. – Balthazar & JackRock The beginning of “In The Dark” has dark beats and bright sounds that bring light. The rough pads and twitchy sounds in the background make this another catchy club cut. Then ‘Better‘ comes in strong with slamming kick drums, rumbling bass, and evocative and celestial synths. ‘In The Machine‘ ends with an acid touch and a linear tech drum that locks you in while weird voices and pulsating trance synths race on beneath a hypnotic bassline and voice hook. It doesn’t happen often to completely fall in love with a track after hearing it for the first time, but it happened with ‘In The Dark’ and it happened hard. Initially not knowing who made it, I’m very happy to have had an open talk with Balthazar & JackRock to make this release happen. In The Dark is a magical track that truly has the power to travel far. This is a stunning release that I support wholeheartedly. – Charlotte de Witte on “In The Dark” EP. These are three mesmerizing cuts from Balthazar & JackRock. They are all out on KNTXT‘s sub-label RPM. The post Balthazar & Jackrock EP ‘In The Dark’ is out on RPM appeared first on The Groove Cartel.

The show, which documents the mischievous tales of clubbing through the ‘90s, heads on tour this summer Continue reading...

From moving to London aged 15 to becoming a dancefloor regular, the book follows Jodie’s journey through club culture Continue reading...

The move was proposed by a number of organisations to save grassroots venues, and Burnham has supported the campaign saying that “urgent action is needed” Continue reading...

Take a look at who’s playing where and when at this year’s festival Continue reading...

Daniel Ek's claims come in a year in which Spotify has made over £1 billion in profit, and announced controversial new subscription rules Continue reading...

XP Music Futures, the music conference by MDLBEAST, has been making waves in the MENA region for some time now, cultivating the music scene, community and industry. This year’s theme for XP Music Futures is Flourish. This focuses on scaling up the reach and impact of XP by more exposure and becoming much louder. Collaborate with educational entities to grow our impact on the youth, work with partners on Xperiences and demo lab, plus focus on the maturity of our 6 initiatives. The event, held at Riyadh’s JAX District from December 5th to 7th, is due to offer a highly dynamic program that spans both day and night. Bringing together some of the best minds and talents in the industry both locally and internationally. The three-day conference returns with dozens of sessions including fireside chats, keynotes, panel discussions, fishbowls and workshops designed around growing the music scene and industry within the MENA region. Daytime events will focus on four key pillars that have been identified as the foundation for building a music industry: Talent, Scene, Impact and Innovation. As the sun sets on the conference the lights come on and the music starts with a full night program of parties, showcases and performances from both local and international talent. XP will feature a variety of local and international experts in their field, ready to share their wisdom and knowledge with those in attendance. Previous editions have hosted renowned global and regional stars who have come and shared their wealth of knowledge. Artists and innovative industry figures such as producer and label owner Don Cannon, DJ Khaled, Cosmicat, Nicole Moudaber, Fat Joe, David Guetta and many more have spoken at the Riyadh event. In 2024 XP Music Futures will once again play host to a number of its exciting initiatives that encourage growth within the regional music industry. Such as XPerform, which gives the chance to regional talents to perform at XP Music Futures and grow their music career with MDLBEAST Records. Xperform is giving the chance to regional talents to perform at XP Music Futures and grow their music career with MDLBEAST Records. Judges for this year are Shamma Hamdan, Defencii, Hassan Abouelrouss and Rawan Alfassi. Xchange tackles the latest issues in the region’s music industry and curates a series of workshops that take place in cities ahead of the XP conference. The key objectives of the workshops are to invite key experts to dive into XP’s pillars to identify hot topics for the conference programme, and to give an opportunity for bottom-up community building between key members of the region’s music industry. XChange hosts a series of touring workshops that will take place this year in; Kuwait, Tunisia & Riyadh, ahead of the main XP conference. Hunna, derived from the Arabic plural of “she”, is a women-led initiative on a mission to amplify female talents and a platform, while providing sanctuary for MENA women within the music industry. Hunna provides essential support required for personal and professional development, seeking to challenge and transform outdated and inequitable systems prevalent in our societies. Storm Shaker, is a DJ competition, inviting aspiring DJs from all over the MENA region and beyond, to showcase their craft. This competition will also invite some of the key individuals from the music industry along with a selected rep from MDLBEAST records to judge and determine four finalists. The Artist Management Bootcamp (AMB) is a hybrid two-week bootcamp designed to equip aspiring artist managers with the skills and knowledge needed to navigate the music industry. The program aims to cultivate a new generation of successful artist managers through a curriculum covering a broad range of topics by industry experts, fostering growth not only for themselves but also for the wider music ecosystem. Our mission is to elevate the music industry by empowering managers to effectively support artists in achieving their career goals while ensuring sustainable success for all involved. Then for the entrepreneurs, Sound Futures invites innovators to pitch their groundbreaking ideas. Sound Futures invites aspiring musicians and innovators to pitch their groundbreaking ideas to music industry investors, intending to secure funding and mentorship for their careers. The Xine is a love letter to the regional music ecosystem. Written annually, it’s a yearbook frozen in time. A still snapshot of the state of our scene and the people who bring it to life, with insights captured from our XChange series of touring workshops. XP Music Futures returns to Riyadh for another year on the 5th, 6th & 7th of December. Outcome Report XP23: here For all updates on XP Tickets, please register: here The post XP Music Futures Unveils 2024 Edition appeared first on Decoded Magazine.

Swiftly after the release of his Jensen & Friends LP, Jensen Interceptor returns with his first solo release in over three years. ‘Thermaic Rise’ is a fast-paced, peak-time explosion of rhythm and grooves that traverses juke, breaks, tribal, deconstructed club, and experimental techno. The EP is named after the Thermaic Gulf in Greece, where part of Jensen’s family hails from, and the inspiration goes deeper than just the title. Jensen has delved into the sounds, both ancient and modern, of his motherland. Whether sampling sounds from some of his favourite Thessaloniki-based drill artists or incorporating live recordings of the Lyra and Pandura, he has woven these elements into the architectural fabric of all four tracks, along with all the humour, charm & hallmarks we would come to expect from the Berlin-based one-man club-banger machine. Pre-order here The post Jensen Interceptor announces his first solo release in over three years appeared first on Decoded Magazine.

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Berklee College of Music and the Audio Engineering Society (AES) will present the first-ever AES International Symposium on AI and the Musician, a two-day forum that will bring together artists, producers, engineers, educators, legal experts, and developers to explore the most relevant issues related to the use of artificial intelligence in music. The Symposium will take place from June 6-8 at various locations on Berklee’s campus in Boston. The inaugural event seeks to foster an exchange of ideas that incorporates perspectives on AI from the music, technical, and business communities, with sessions touching on a comprehensive mix of topics including intellectual property rights, recent advancements in AI tools for music production, the implementation of AI in arts education, composer-centric AI music generation in studio and performance settings, and ethical challenges posed by AI to musicians and sound artists. The program will feature keynote speeches, panel discussions, presentations of submitted compositions, and interactive demonstrations of the latest technology. “The core motivation for this Symposium draws from a long relationship with music making and music production where technology serves to augment expressive possibilities and the creative process,” said Jonathan Wyner, event organizer and professor of music production and engineering at Berklee, and previous president of AES. “With the lightning-fast rate at which AI applications continue to evolve, it’s essential for musicians, educators, developers, and all stakeholders in the creative economy to engage on these complicated issues in a meaningful, ongoing dialogue.” The keynote speakers for this event are composer Tod Machover and research scientist and technologist Anna Huang. Noted as “America’s most wired composer” by The Los Angeles Times and “a musical visionary” by The New York Times, Machover’s presentation takes an in-depth look at how AI technology is becoming a valuable resource for musicians to uncover and unlock human potential in a variety of contexts. Huang, a judge and organizer of the AI Song Contest who will be joining the MIT faculty in the fall of 2024, will discuss recent advancements in generative AI modelling that have opened up possibilities for human-AI collaboration in composition and performance. Other featured presenters include intellectual property and technology lawyer Emily Tait, who will delve into copyright laws as they relate to generative AI; Northwestern professor Bryan Pardo, who will examine the use of AI techniques in sonic art; and several Berklee faculty members who both create and teach with AI including Akito van Troyer (Electronic Production and Design), Ben Camp (Songwriting), Mark Simos (Songwriting), and Carlos Arana (Music Business and Production for Berklee Online). “AES is proud to host this Symposium with the world-renowned Berklee College of Music,” said AES President Leslie Gaston-Bird. “The talent and creativity that comes out of this institution combined with the networking power and ingenuity of the AES will be a catalyst for an unforgettable 2024 symposium. Don’t miss it!” The 2024 AES International Symposium on AI and the Musician is sponsored by Suno and Kits AI. Registration is now open with a discounted rate available for AES student members. This is a limited-capacity event. For more information and a full schedule of events, visit the Symposium homepage on the Audio Engineering Society website. The post AI in Music Symposium hosted by Berklee and Audio Engineering Society appeared first on Decoded Magazine.