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Two of melodic bass' most prominent acts have released a gigantic new anthem just in time for festival season. It comes from SLANDER and Trivecta, who have joined forces with singer-songwriter Chris Howard for "A Better World," out now via Heaven Sent. Attentive fans may realize that the track had been teased for quite some time. Back in August, SLANDER and Trivecta performed at the Los Angeles Convention Center for the former's eponymous headlining takeover. As you might imagine, the song we're hearing today was performed live at the event and immediately became a coveted ID: NEED this unreleased Trivecta x @SlanderOfficial collab 🔥😍 via: @TrivectaMusic pic.twitter.com/n3bKjuF1rl — EDM.com (@TheEDMNetwork) October 30, 2023 Starting softly, the multi-talented Howard belts out empowering lyrics while SLANDER and Trivecta's engrossing production envelops the senses. True to the sounds of both producers, angelic synths and galactic bass take over to add a futuristic twist to the song's soaring drop. Check out "A Better World" below and stream the new single here. FOLLOW TRIVECTA:Facebook: facebook.com/trivectamusic Instagram: instagram.com/trivectamusic X: x.com/trivectamusic Spotify: spoti.fi/2SYbklh FOLLOW SLANDER:Facebook: facebook.com/slanderofficial Instagram: instagram.com/slanderofficial X: x.com/SlanderOfficial Spotify: spoti.fi/3zpUP2P

It's out today on his own Text Records label

Sometimes fans spark the brightest ideas. This time around, they were the direct inspiration for ALLEYCVT's new single, "F______ LOVE YOU." Out now via her own Planet Supersonic imprint, the impassioned bass track comes complete with room-filling bass and ALLEYCVT's stentorian vocals. It's the perfect live performance track, showing fans appreciation while simultaneously delivering a crowd-leveling drop. ALLEYCVT says she also pulled inspiration from the motif of love. "The plucks, strings in the background, tension and explosion in the drop all represent the buildup and resolve of falling in love and how terrifying it is to be vulnerable around someone after being hurt before, and then finally letting go and letting yourself be loved," she said. "I would say the biggest thing that I want this song to represent in general is love. I write a lot about it, because I think it’s one of the most special things about the human experience." Although this year has been relatively quiet on the release front for ALLEYCVT, she showed out in 2023. The year ended with her Deadbeats debut, "Glitch," which followed big singles like "REMEMBER ME" and "BACK2LIFE." You can listen to "F_____ LOVE YOU" below and find it on streaming platforms here. Follow ALLEYCVT:Instagram: instagram.com/alleycvt X: x.com/itsalleycvt Facebook: facebook.com/ALLEYCVT Spotify: tinyurl.com/mr3fz8b3

The Jamaican dancehall artist was given a life sentence in 2014 for the murder of an associate Clive “Lizard” Williams Continue reading...

The new era of Wavedash just keeps getting better and better. The trio is back with yet another exhilarating single, the lush "Had2Go," once again channelling pure indietronica bliss. With its refined vocal chops, smooth percussion and upbeat house rhythm, it's a far cry from the heavy sounds of yesteryear we've heard from Wavedash, but a welcome change that speaks to their artistry and formidably songwriting prowess. Wavedash's new era is here in full swing. Earlier this year, they teamed up with Madeon and Toro y Moi for their euphoric track "All Ur Love." Since then, they've teased a handful of new tunes, including a new collaboration with Flux Pavilion. As they continue to find their groove in a fresh sound, Wavedash seem primed for a monster 2024. Considering "Had2Go" was bundled with "All Ur Love" on streaming platforms, it's likely a long-form project is on the way. You can listen to both singles below and stream "Had2Go" here. FOLLOW WAVEDASH:X: x.com/wearewavedash Instagram: instagram.com/wearewavedash Facebook: facebook.com/wearewavedash Spotify: sptfy.com/PXGy

Vega revealed that nine tracks have already been completed for the Nuyorican Soul record

For electronic music enthusiasts, there aren't many moments that rival the feeling of when an unreleased dancefloor banger finally drops. Fans of house music superstar Cloonee can finally bask in the highly anticipated "Sippin' Yak," which has finally hit streaming platforms after its explosive traction both online and at parties around the globe: View the original article to see embedded media. Out now via Hellbent Records/Polydor Records, "Sippin' Yak" is signature Cloonee with its thumping bassline and vintage, gritty vocal samples. The song samples "We Like," an unreleased record created by acclaimed hip-hop artist Tracey Lee around the turn of the century. Despite never releasing, Universal owned the song's master, a label rep tells EDM.com. "I'm honestly shocked the sample got cleared so fast and we’re ready to release," Cloonee said in an Instagram post prior to today's release. Fans can soon catch Cloonee at his upcoming performances during Miami Music Week 2024, including a takeover of the iconic Club Space by his Hellbent label and a high-profile show at Factory Town. He's also set to perform at this year's Coachella festival. Listen to "Sippin' Yak" below and find the new track on streaming platforms here. Follow Cloonee:Facebook: facebook.com/clooneeuk Instagram: instagram.com/cloonee X: x.com/clooneeuk Spotify: bit.ly/46Hu9uD

JEANIE is ready to take over in 2024 after delivering her impressive body of work yet, the monstrous Into the Dark EP. Into the Dark captures the dark, otherworldly essence of JEANIE's sound, relentlessly pushing momentum from one track to the next. It's the GRL GNG boss' first fully independent project, giving her creative freedom and allowing her production prowess to thrive. "It's really empowering as an artist to be in control of your music and I feel like this was the perfect time for me to take this step," she said in a statement. "Im incredibly proud of all of these tracks and this body of work perfectly represents the sound I'm trying to portray as an artist." The surging dubstep producer showcases her versatility in the EP, which kicks off with "Kiss Of Death," where TINYKVT's enchanting vocals float atop menacing bass. The ensuing track "Demise" follows suit before surprising us with a full-blooded, techno-inspired second drop. All said and done, JEANIE's new EP is a smoke signal as she's primed for her biggest year yet. She's set to embark on a 17-stop headlining tour next week before her long-awaited EDC Las Vegas debut on May 17th. Check out Into The Dark below and find it on streaming platforms here. Follow JEANIE:Facebook: facebook.com/jeaniesounds X: x.com/jeaniesounds Instagram: instagram.com/jeaniesounds Spotify: https://spoti.fi/3dPeUEW

Following a short hiatus from releasing music in 2023, Daijo has returned with a statement-making single, "Kumbaya" out now on Showtek's SKINK Records. Reaffirming Daijo's position as a dynamic force within dance music, "Kumbaya" expertly reflects his ability to tap into listeners' emotions, taking them on a captivating journey through mesmerizing basslines and emotive melodies. The arrangement is driven by an ethereal vocal sample that immediately sinks its teeth in, serving as a haunting backdrop for its intricate production. The first drop explodes into a combination of deep bass and mystical soundscapes while the second climax is tailor-made for the mainstage, embellished with an attention-grabbing lead that's bound to translate well into a live setting. With its infectious energy and emotive depth, "Kumbaya" is sure to resonate with fans worldwide. Blending elements of melodic techno and house for an irresistible result, the new track displays the very best of Daijo, who has a strong track record of successful releases and collaborations. The Canadian/Persian producer's pedigree speaks for itself, with previous releases on Laidback Luke’s Mixmash, Hardwell’s Revealed Recordings, Tiësto’s Musical Freedom and more. He also collaborated with Dutch superstar Julian Jordan back in 2020 to release "Oh Lord" via Martin Garrix’s STMPD RCRDS. Take a listen to "Kumbaya" below. FOLLOW DAIJO:Facebook: facebook.com/daijomusicofficial Instagram: instagram.com/daijomusic X: x.com/daijomusic Spotify: spoti.fi/3v7JlmQ

The Dancehall star was sentenced to life in prison in 2014 for the murder of an associate

Best New EDM Spotify Playlist The post New EDM This Week – March 15th Best Releases Playlist appeared first on EDM Sauce. View the full article

Best New EDM Spotify Playlist The post New EDM This Week – March 15th Best Releases Playlist appeared first on EDM Sauce.

The clock is ticking on EDC Vegas, in just a few weeks we’ll be dancing together under the electric sky! Whether you are the rave mom of the group or just along for the ride, it’s time to start making moves. EDC is right around the corner and the reality of planning for one the largest electronic music festivals in the world can be daunting. Between securing tickets, booking accommodations, arranging transportation, and budgeting for food and drinks, the costs can quickly spiral out of control. However, have no fear, because One N Only Travel is here to level up your festival experience, offering a one-of-a-kind comprehensive package that combines convenience, affordability, and of course unparalleled fun. EDC Vegas is world renowned for being a top-tier festival but let’s face the facts partying in Las Vegas doesn’t come cheap. With exorbitant hotel rates, sky-high transportation costs, and sold-out shuttle services, navigating the logistics of EDC can be overwhelming. That’s where One N Only steps in, offering a safe and hassle-free solution that ensures you make the most of your EDC adventure without breaking the bank. The Ultimate Party Package Why spend the time, energy, and money booking everything individually when you can get it all at once cheaper? Let’s look at the cost breakdown. Starting at just $2000, the One N Only standard package includes: – Two shuttle passes ($600 value) – Daily breakfast ($80 value) – Luxurious hotel accommodations at Serene Resort Las Vegas ($1200 value) – Exclusive day parties ($100 value) – Early and late check-out options ($200 value) – Complimentary access to the hotel on the Thursday before EDC ($400 value) – Free beauty bar ($200 value) But that’s not all! The standard package also includes an exclusive resort kimono, ensuring you’re dressed to impress throughout the weekend whether it’s lounging by the pool or hitting up an after party. Plus, with the Serene Resort located just a quick seven minutes from the airport, getting to and from your accommodation is a breeze. One N Only goes above and beyond to enhance your EDC experience with an array of exclusive amenities. From an onsite tattoo parlor ($100-$150 value) to unlimited alcoholic and non-alcoholic drinks on the shuttle ($60 value), discounts on drinks and merchandise at the resort, you’ll save even more while living it up in style. The Perfect Blend of Fun & Savings With the hotel takeover, there are no hidden fees or resort charges – everything is transparent and upfront (unlike most hotels in Vegas). Additionally, the custom boutique experience ensures that solo travelers who are looking to make new friends (or find that special someone) are paired with like-minded roommates, while couples have the option to share accommodations with other groups, saving you even more money. When it comes to getting to and from EDC Vegas the One N Only shuttles offer safe and reliable transportation to and from the festival, with early departures to minimize traffic delays. With the option to hop on and off at any stop, you can explore the city at your own pace without worrying about getting lost or dealing with unreliable or unsafe rideshare services. With a strategic location just a four-minute drive from the Las Vegas Strip, you can enjoy every moment of Las Vegas without worrying about how you’ll be getting home. One N Only has more than 12 years of experience in creating unforgettable festival experiences at EDC Las Vegas. Whether you’re traveling solo or with a group, on a tight budget or looking for a hassle-free adventure, our package has you covered. With wallet-friendly dining options within walking distance of the hotel (looking at you White Castle and Chick Fil-A), you can indulge in post-party munchies without breaking the bank. Don’t settle for a mediocre EDC experience – unleash the ultimate adventure with One N Only Travel. Book now for an unforgettable weekend filled with music, excitement, and memories that will last a lifetime. For more information visit the One N Only Resort Takeover during EDC LV website HERE.

The clock is ticking on EDC Vegas, in just a few weeks we’ll be dancing together under the electric sky! Whether you are the rave mom of the group or just along for the ride, it’s time to start making moves. EDC is right around the corner and the reality of planning for one the largest electronic music festivals in the world can be daunting. Between securing tickets, booking accommodations, arranging transportation, and budgeting for food and drinks, the costs can quickly spiral out of control. However, have no fear, because One N Only Travel is here to level up your festival experience, offering a one-of-a-kind comprehensive package that combines convenience, affordability, and of course unparalleled fun. EDC Vegas is world renowned for being a top-tier festival but let’s face the facts partying in Las Vegas doesn’t come cheap. With exorbitant hotel rates, sky-high transportation costs, and sold-out shuttle services, navigating the logistics of EDC can be overwhelming. That’s where One N Only steps in, offering a safe and hassle-free solution that ensures you make the most of your EDC adventure without breaking the bank. The Ultimate Party Package Why spend the time, energy, and money booking everything individually when you can get it all at once cheaper? Let’s look at the cost breakdown. Starting at just $2000, the One N Only standard package includes: – Two shuttle passes ($600 value) – Daily breakfast ($80 value) – Luxurious hotel accommodations at Serene Resort Las Vegas ($1200 value) – Exclusive day parties ($100 value) – Early and late check-out options ($200 value) – Complimentary access to the hotel on the Thursday before EDC ($400 value) – Free beauty bar ($200 value) But that’s not all! The standard package also includes an exclusive resort kimono, ensuring you’re dressed to impress throughout the weekend whether it’s lounging by the pool or hitting up an after party. Plus, with the Serene Resort located just a quick seven minutes from the airport, getting to and from your accommodation is a breeze. One N Only goes above and beyond to enhance your EDC experience with an array of exclusive amenities. From an onsite tattoo parlor ($100-$150 value) to unlimited alcoholic and non-alcoholic drinks on the shuttle ($60 value), discounts on drinks and merchandise at the resort, you’ll save even more while living it up in style. The Perfect Blend of Fun & Savings With the hotel takeover, there are no hidden fees or resort charges – everything is transparent and upfront (unlike most hotels in Vegas). Additionally, the custom boutique experience ensures that solo travelers who are looking to make new friends (or find that special someone) are paired with like-minded roommates, while couples have the option to share accommodations with other groups, saving you even more money. When it comes to getting to and from EDC Vegas the One N Only shuttles offer safe and reliable transportation to and from the festival, with early departures to minimize traffic delays. With the option to hop on and off at any stop, you can explore the city at your own pace without worrying about getting lost or dealing with unreliable or unsafe rideshare services. With a strategic location just a four-minute drive from the Las Vegas Strip, you can enjoy every moment of Las Vegas without worrying about how you’ll be getting home. One N Only has more than 12 years of experience in creating unforgettable festival experiences at EDC Las Vegas. Whether you’re traveling solo or with a group, on a tight budget or looking for a hassle-free adventure, our package has you covered. With wallet-friendly dining options within walking distance of the hotel (looking at you White Castle and Chick Fil-A), you can indulge in post-party munchies without breaking the bank. Don’t settle for a mediocre EDC experience – unleash the ultimate adventure with One N Only Travel. Book now for an unforgettable weekend filled with music, excitement, and memories that will last a lifetime. For more information visit the One N Only Resort Takeover during EDC LV website HERE.

After almost 15 years, the trio will perform a final set closing Panorama Bar on the Easter weekend Continue reading...

4 years on from the release of his very first album, BIJOU presents us with his ‘LIGHTS OUT’ EP. An EP that encapsulates a decade’s journey of relentless dedication and evolution in the realm of electronic music, BIJOU marks a pivotal moment in his illustrious career. The EP comes as the innovative producer looks to redefine his own sound while also paying homage to his roots and when you take a listen you can see why it holds a special place for the artist. The lead single, ‘Chit Chat’, released on the 19th of January, showcases the growth in sound that BIJOU has gone through since his last album in 2020. Accompanying this lead single we’ve got dancefloor fillers such as ‘Mercy’, ‘Mobbing’, ‘Firestarter’, ‘Slow Motion’, and ‘All Over Me’. With collaborations alongside No/Me, AK RENNY, Dr. Fresch, and Gold Lemonade, it’s no surprise that this album is packed with heavy hitting singles. Not just an album packed with bangers, but they are all blended together in a story with multiple interludes between each track bringing them all together in unison. This EP is not just a collection of tracks; it’s a narrative of growth, exploration, and the pursuit of a sound that resonates on a grand scale. With the promise of large vocal-driven house records set to drop later this year, BIJOU is poised to captivate audiences worldwide, proving that his musical journey is one that continually defies expectations. ‘LIGHTS OUT’ is more than an EP – it’s a milestone, marking the evolution of a music producer who has not only mastered his craft but is ready to redefine it. Stream this album below.

4 years on from the release of his very first album, BIJOU presents us with his ‘LIGHTS OUT’ EP. An EP that encapsulates a decade’s journey of relentless dedication and evolution in the realm of electronic music, BIJOU marks a pivotal moment in his illustrious career. The EP comes as the innovative producer looks to redefine his own sound while also paying homage to his roots and when you take a listen you can see why it holds a special place for the artist. The lead single, ‘Chit Chat’, released on the 19th of January, showcases the growth in sound that BIJOU has gone through since his last album in 2020. Accompanying this lead single we’ve got dancefloor fillers such as ‘Mercy’, ‘Mobbing’, ‘Firestarter’, ‘Slow Motion’, and ‘All Over Me’. With collaborations alongside No/Me, AK RENNY, Dr. Fresch, and Gold Lemonade, it’s no surprise that this album is packed with heavy hitting singles. Not just an album packed with bangers, but they are all blended together in a story with multiple interludes between each track bringing them all together in unison. This EP is not just a collection of tracks; it’s a narrative of growth, exploration, and the pursuit of a sound that resonates on a grand scale. With the promise of large vocal-driven house records set to drop later this year, BIJOU is poised to captivate audiences worldwide, proving that his musical journey is one that continually defies expectations. ‘LIGHTS OUT’ is more than an EP – it’s a milestone, marking the evolution of a music producer who has not only mastered his craft but is ready to redefine it. Stream this album below.

With three GRAMMYs and seven BRIT Awards to her name, Dua Lipa is gearing up to drop her third album, “Radical Optimism,” on May 3rd. Furthermore, the album, which boasts 11 tracks, including the high-energy “Houdini” and the recently released single “Training Season,” is now available for pre-order and pre-save. Inspired by her personal journey … Continued Dua Lipa announces ‘Radical Optimism’ album: A Fusion of Psychedelia, Trip Hop, and Britpop

The all-new four-channel mixer will set you back £3,249 Continue reading...

As the 2024 festival season approaches, the UK is witnessing a concerning trend: 21 festivals have either been cancelled, postponed, or scrapped – with many more in danger of disappearing without immediate action. The Association of Independent Festivals (AIF), which conducted the research, said that “The timing of this milestone suggests that the number of festival cancellations this year will far outstrip 2023, when a total of 36 festivals were cancelled before they were due to take place.” READ MORE: “Right now, the economics of streaming are very broken”: sonu.stream co-founder Laura Jaramillo wants to re-shape streaming The report continued: “Without intervention, it’s expected that the UK could see over 100 festivals disappear in 2024 due to rising costs. Without having had a single steady season since the pandemic in which to recover, the country’s festivals are under more financial strain than ever.” Affected festivals include Nozstock: The Hidden Valley, which will be cancelled after 26 years this July, as well as Standon Calling, Neighbourhood Weekender, NASS, Doune The Rabbit Hole and Tokyo World. Last month, AIF launched the 5% For Festivals campaign which sought for a VAT reduction on festival tickets that would save many event promoters from closure. Temporary support from the UK Government – lowering VAT from 20% to 5% on ticket sales for the next three years – is all that’s needed to give festival promoters the space they need to rebuild, said the AIF. AIF CEO John Rostron states: “It’s with grave concern that we again sound the alarm to [the] Government upon passing this critical milestone. UK festivals are disappearing at a worrying rate, and we as a nation are witnessing the erosion of one of our most successful and unique cultural industry sectors. “We have done the research: a reduction of VAT to 5% on festival tickets over the next three years is a conservative, targeted and temporary measure that would save almost all of the festival businesses that are likely to fall by the wayside this year and many more over the years to come. We need this intervention now.” Earlier this year, Music Venues Trust reported that 2023 was the worst year for music venue closures in the UK, with a whopping 125 venues closed, 4,000 jobs lost, 14,500 events cancelled and 193,230 gigs scrapped as a result. The post 21 UK festivals called off, postponed or cancelled altogether – with over 100 in danger of disappearing without immediate action appeared first on MusicTech. View the full article

Techno in Berlin has officially been added to the UNESCO cultural heritage list. For years, DJs, festival organisers and fans have campaigned to secure the status of the city’s techno scene amidst fears that the culture wouldn’t survive without it. READ MORE: Tidal introduces Circles, a social network for musicians to discuss their experiences in the industry Clubcommission – a network of Berlin’s techno clubs and musicians – praised the move as “another milestone for Berlin techno producers, artists, club operators and event organisers”. Berlin techno culture is recognized as a UNESCO World Heritage Site! This another milestone for Berlin techno producers, artists, club operators and event organizers. https://t.co/Bd1EnvJRN4 — clubcommission (@clubcommission) March 13, 2024 Non-profit organisation Rave The Planet, who spent the past few years campaigning for the addition of Techno into the UNESCO list, also celebrated the news on their social media accounts: “Congratulations to all the cultural creators who have shaped and contributed to Berlin’s techno culture,” they said. “A big thank you to everyone involved who has been with us on this journey since Hans Cousto’s initial idea in 2011. Special thanks to the Expert Committee on Intangible Cultural Heritage at the German UNESCO Commission!” “This is a major milestone for the entire culture, and our joy is beyond words.” According to The Spiegel, Berlin techno is probably the “youngest tradition” to be added to the list of cultural German traditions. The move is likely to bring about increased funding and easier access to government subsidies to clubs. Hurdles and requirements for opening and maintaining clubs could also be reduced. Per Mixmag, Rave The Planet began lobbying German authorities to apply for intangible cultural heritage status of Berlin techno in 2021. The move came after reports that an estimated 100 clubs in Berlin have shut down in the last decade. Created in 2003, the UNESCO intangible cultural heritage list seeks to protect cultural traditions worldwide as well as raise awareness of their significance. Berlin’s techno scene is one of six new entries to the list in Germany, which features mountaineering and fruit wine among others. Of the inclusion, Claudia Roth, the Minister of State for Culture, says that Berlin techno culture stands for “values such as diversity, respect and cosmopolitanism.” The post Techno in Berlin officially joins the UNESCO cultural heritage list appeared first on MusicTech. View the full article

Now in their 16th year, the MPG Awards celebrate the best talent working behind the scenes in the British music industry. View the full article

Fresh updates from Kendal Calling reveal the addition of over 50 acts to the dazzling 2024 lineup, featuring artists like Lucy Spraggan, Charlotte Plank, Benjamin Francis Leftwich, A Certain Ratio, Sugababes, The Snuts, Feeder, Bilk, ADMT, Alfie Jukes, Future Utopia, HotWax, and many others. This comprises headlining stars on the main stage, the largest-ever Kendal Calling lineup at Tim Peaks, fresh talents from the forefront of new music at Calling Out, vibrant world music performances by Chai Wallahs, and hilarious comedy acts at The Soapbox. Described as ‘the mini-Glastonbury of the North’ by some, Kendal Calling features headlining performances this year from five must-see acts: Noel Gallagher’s High Flying Birds, Paolo Nutini, The Streets, Paul Heaton with guest singer Rianne Downey, and Keane, alongside a diverse lineup of hundreds of other artists for festival attendees to enjoy. Over four days, forty thousand festival goers will gather once again in the fields as Kendal Calling transforms into Cumbria’s third largest town. The ultimate festival gathering, Kendal Calling is filled with otherworldly entertainment and escapism designed to intrigue, surprise and entertain all ages. Kendal Calling will take place from 1 – 4 August 2024 and tickets are on sale now at www.kendalcalling.co.uk. Lucy Spraggan joins the Kendal Calling lineup, marking her highly anticipated return with the release of her latest album last August. Also included are Charlotte Plank, known for recent collaborations with Rudimental and Turno and praised by NME and Zane Lowe. Additional acts like Sugababes, The Snuts, Feeder, and British youth counterculture rockers Bilk will be performing. ADMT, creator of the hit “Midas Touch,” Alfie Jukes with his single “Eyes Wide” released in January, along with Future Utopia and teen punk powerhouse HotWax, are set to grace the Fields stage. Kendal Calling isn’t complete without Tim Burgess’ renowned Tim Peaks Diner, showcasing legendary sets and exceptional coffee. Today, Tim Peaks unveils its impressive lineup, promising even more excitement. Alongside anticipated secret performances, festival-goers can expect surprises until the reveal. This summer, A Certain Ratio will perform live at the Diner, with their set swiftly transferred to vinyl for purchase at Kendal Calling’s Sunday event. Fans can even get their albums signed by the band, who express their enthusiasm for this opportunity at Tim Peaks Diner. Having received his Fellowship at The Royal Northern College of Music in November, Tim Burgess will be collaborating with the Session Orchestra for a one off performance alongside Dexys Midnight Runners legend Helen O’Hara. Elsewhere across the weekend at everyone’s favourite Diner, Dave Haslam will be hosting two book events as well as one of his legendary DJ sets on the Friday night which is not to be missed. Two Headed Horse, who have been involved in the Help Us Help Us Bands project will be performing at Tim Peaks, as well as Leeds rockers Ultimate Thunder whose story with Tim Burgess was covered by the press globally. Chris Hawkins will be bringing Names In Songs to life for the first time at a festival as part of his Tim Peaks FM show on Saturday. And there is much, much more still to come. Tim Burgess expressed, “I mention this annually, but I truly believe that this could be our finest lineup yet. Having A Certain Ratio perform live and turning their set into an album is a dream come true for me.” “Calling Out, Kendal’s renowned music discovery platform, has been a launching pad for emerging artists worldwide en route to the main stage. It has welcomed acclaimed acts like Mumford & Sons, London Grammar, and The 1975. This year, notable talents including Sundara Karma, The K’s, and Peace will grace the stage, along with new additions Benjamin Francis Leftwich and ADMT. Antony Szmeriek, BBY, Lauren Hibberd, and Felix White’s latest endeavor, 86TVs, are also set to perform.” Chai Wallahs, a distinctive touring venue, has made its return, solidifying its reputation as the ultimate hub for world music, jazz, hip hop, reggae, funk, and soul enthusiasts. For more than 15 years, Chai Wallahs has been a melting pot of diverse musical genres, creating unforgettable experiences where global sounds converge. This season, Chai Wallahs will showcase an impressive lineup of performers guaranteed to captivate audiences. Headlining this event is Tom McGuire & The Brassholes, an acclaimed 8-piece soul/funk group from Glasgow known for their infectious energy on stage. Also gracing the venue is Omega Nebula, bringing their spirited reggae rhythms and powerful basslines, promising an electrifying show that will move the crowd. Alongside these acts, Chai Wallahs will feature a range of talented bands and artists from around the world, such as The Allergies Live, Dr Meaker, and Jamu, establishing itself as a must-visit destination for exceptional global music, complemented by delectable pizza and a vibrant atmosphere. “The Soapbox, a hub for entertainment in the UK, features a diverse range of shows from uproarious stand-up comedians to the extravagant world of Drag Bingo. Catering to various audiences with both family-friendly and more adult-oriented performances, it promises something for everyone. Today, Kendal unveils the initial lineup gracing The Soapbox stage to enchant festival attendees, showcasing talents like Angelos Epithemiou, Olivia Lee, Jojo Sutherland, Micky P Kerr, Rich Wilson, Matt Bragg, Tadima Mahlunge, Danny McLoughlin, Phil Chapman, Dani Johns & Jenny Hart.” “Here are some gentle prompts from the performers who illuminated the Kendal Calling 2023 stage, underscoring the festival’s exceptional charm.” “After years of anticipation, I finally got to perform at Kendal Calling today. It’s indescribable; such an incredible day.” – Melanie C “An amazing adventure with amazing individuals!” – Rick Astley “The best festival and our most beloved festival performance ever!” – Lottery winners Kendal once again comes Calling in 2024 1 – 4 August. Get your tickets at www.kendalcalling.co.uk – see you in the fields. The post Kendal Calling reveals full line-up with hundreds more artists first appeared on UK Festival Feed.

Sure to get fans moving around the world, energetic duo AXMO are back with another eurodance anthem, ‘Back Again.’ One of electronic music’s most energetic duos are back on W&W-owned label Rave Culture to shake up the scene once again. In the realm of big room, eurodance and more, AXMO have garnered a loyal fanbase … Continued AXMO unveil earth-shattering anthem ‘Back Again’: Listen

$179 (Launch sale price of $129 at time of writing), kalidemusic.com Music production can be described as harnessing technology in the pursuit of art. But, as Kalide puts it, “creativity is not a one-size-fits-all” — in other words, there are those who lean towards the technical, and others who are all about the musical art. It’s the latter group who are the particular target audience for the newly updated and overhauled Collage, Kalide’s unique take on a multi-effects plugin. READ MORE: Newfangled Audio’s Recirculate may be the last delay plugin you ever need Anonymous widgets Interaction view in the Collage 2.0 Collage’s main view — the Interaction view — comes as a shock when you start loading presets. Each has its own coloured and/or textured background, accompanied by one or more unlabelled, chunky and often unconventional-looking widgets. And that’s it! Waggling a widget will do something, although it isn’t clear in advance what this will be (and isn’t always clear post-waggle either). Hovering your mouse over a widget opens a chunky label, but the names that are displayed aren’t always helpful. Sometimes, these favour flowery ambiguity over succinct accuracy, but even where a more conventional name is used, it isn’t clear what it refers to — “blend”, for example, could have multiple meanings. As it turns out, the peculiar widgets are nothing more than artsy knobs and sliders that act as macro controllers, linking to parameters from within the maximum of eleven effects processors that underlie a Collage preset. These processors, accessed from the plugin’s Editor view, can be enabled and disabled as needed and can be arranged in any order. Editor view in the Collage 2.0 The plugin includes an easy-to-use tool for adding and positioning widgets, and for mapping each to up to three effect parameters. In addition, each widget can be modulated by one of four internal LFOs, adding automatic and rhythmic movement to the parameters they are controlling. There is a large collection of widgets on offer ranging from the almost conventional to the downright bizarre (a knob that looks like a curtain pole finial, anybody…?) The idea is, of course, that you can create a blend of the underlying effects along with your own customised user interface for controlling them. The ability to combine parameters from different effect processors under one macro control makes for some interesting performance possibilities too, especially if using a hardware controller. Controller or no, we strongly dislike the lack of permanent labels. Kalide appears to take the view that this encourages experimentation and focuses attention on the sound rather than the parameter. Unfortunately, we find it deeply off-putting to be presented with screen after screen of peculiar, anonymous widgets, often laid out randomly, against a similarly random background. Interaction view in the Collage 2.0 Effects and variations in Collage 2.0 Each of Collage’s effect processors handles a particular type of effect — reverb or filtering or whatever — and most offer multiple variants within that type, giving a grand total of 43 different processors to choose from. Artsiness for artsiness’ sake makes another appearance here in the names of the effects themselves, with examples such as “Starboard” for modulation effects and “Calico” for delay. The type of effect is shown in a pop-up when mousing over, but could just as easily have been included in the static label: “Calico Delay” would be just fine! This obtuseness continues into the naming of effect variants too, for example “Smear” and “Eskalator” for types of reverb, “Pulley” and “Incidence” for EQs, and “Midas” and “Guardian” for flavours of stereo adjustment. Interaction view in the Collage 2.0 This manner of naming may make sense to some, but it is meaningless to us. We do not accept the premise that the proper effect names (reverb, delay, compressor, etc.) and effect type names (hall reverb, parametric EQ, chorus, etc.) are confusing or overly technical. Inventing a whole new vocabulary hinders understanding and intuition rather than helping it. We also feel the editing views, though easy enough to use, are just unpleasant to look at, with overly bright and garish backgrounds, and a hideous, scrawly, Comic-Sans-like typeface. It’s enough to burn your eyeballs — ironic, then, that the plugin offers a high-contrast mode for the visually impaired. On a serious note, it’s very positive that Kalide supports this group of users, but we would strongly advise the brand also includes a skin that is less intense and that uses crisper, more legible typography. Editor view in the Collage 2.0 Does Collage 2.0 actually work? Collage’s individual effects sound impressive and the ways you can combine and control them are almost limitless. The main Interaction view encourages real-time control and performance and, if using the right blend of effects and macro configurations, can give some very satisfying results. It is this combining of effects and effect parameters that is Collage’s strongest suit, allowing you to create original and performable effect chains. The unconventional styling aims to encourage experimentation and focus one’s attention on the sound, all of which is perfectly laudable. However, many of the presets on offer are little more than standard processors — a compressor or an EQ for example — but with only a handful of the processor’s parameters exposed as widgets within the main view; others may combine multiple effects but only expose controls for one — a reverb and EQ, for example, but with only EQ cut/boost controls provided. Such usage fails to take advantage of Collage’s best feature — namely the ability to combine parameters within a single macro, so we struggle to see the point. In such cases, we would always prefer to use a regular-looking plugin with regular controls and accompanying labels. Assign view in the Collage 2.0 There are a couple of fundamental paradoxes in Collage’s workflow too. Firstly, the unique styling is supposed to encourage intuitive interaction but, with no commonality of function, layout or design from one preset to another and no permanently visible labels, there is no prospect of developing an intuitive sense of what the plugin’s controls actually do. What ensues, then, is reluctantly loading presets without having a clue what they will do, and then randomly poking at widgets to find out. You may hit on a happy accident, but this is neither a creative nor intuitive way of working. Secondly, if you wish to take Collage beyond its factory presets, you have to delve into the processes of configuring the effects you plan to use, choosing which parameters to expose and which to combine with other parameters, and designing the user interface to configure the widgets that combine and control those parameters. This is a cool thing to be able to do, but music production doesn’t get much more technical than this! Design view in the Collage 2.0 Should you buy Collage 2.0? There will be producers who welcome Collage’s visual quirkiness and (claimed) banishment of technical detail but, for us, it is precisely these aspects of the plugin that we find hardest to get on board with. They just don’t deliver what they are supposed to. Despite its undeniable versatility and uniqueness, in trying to appeal to our purely artistic sides Collage reduces rather than enhances its accessibility, intuitiveness and, as a result, its creative potential. Key features Mac and Windows plugin (AAX, AU and VST) Fully customisable main user interface for each preset 11 effects processors: Calico: delays Cloak: convolution processor Colossus: waveshaping or bit crushing distortion Crest: gates, expanders, etc. Equator: EQ Kilter: filters Panoply: stereo field processor Quell: compression processors Quiver: rhythmic gating Starboard: modulation effects Verbal: reverbs 43 different effect types in total 4 LFOs that can map to macro control widgets The post Kalide’s Collage 2.0 tries to remove the technicalities from music production — but why? appeared first on MusicTech. View the full article