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The new synth builds on PM’s Taiga synth module, adding full-sized keys, additional modulation, a unique modular expansion bay, and more.… Read More Pittsburgh Modular TAIGA Keyboard ReviewView the full article

ALM/Busy Circuits has introduced the CIZZLE, a dual digital 'phase distortion' VCO, inspired by classic Casio CZ series synthesizers.… Read More New CIZZLE VCO Brings Classic Casio CZ Sound To EurorackView the full article

Dias Ridge's journey has been characterized by remote collaborations that underscore his adaptability and creativity within the melodic and progressive house space. That's the secret sauce that makes him stand out from the sea of other producers all chasing this exact sound. Where all too many ...Continue reading

Stündenglass is the glamour brand of cannabis products you might have never known you needed, but once you've seen some of the forward-thinking tech that they bring to the table, it's hard to go back to conventional pens, bongs, or, worst/best of all, the good-old gravity bong made from a ...Continue reading

If we've learned anything about Four Tet by now, it's that so much can be said with so little words. There's nary a single spoken word in his new album, Three. But its music shimmers with encoded epiphanies, the illusory kind that can only come from Four Tet's singular imagination. Each instrumental track is a mosaic that speaks in tongues of warm resonance and glitchy futurism. A master of splicing conflicting emotions, Four Tet produces forlorn ambient ballads at times and carefree, walk-on-air house music at others. Three entwines crackly IDM and folktronica into an embroidered ether that blooms with each transient phrase. Just like most of Four Tet's albums, it's a secret grove with eerie liminal spaces to get lost in. Case in point is "Gliding Through Everything," an undeniable highlight. Awash in a haze of phantasmic arpeggios, its effervescent production ultimately mutates into a haunting coda. The same goes for "Storm Crystals," a dazzling track that could flush your serotonin if not for its woozy synths. Three is out now on Four Tet's own Text Records imprint. Listen to the full album below. Follow Four Tet:Facebook: facebook.com/FourTetKieran X: x.com/FourTet Instagram: instagram.com/fourtetkieran Spotify: spoti.fi/37kV2Id

Ultra Music Festival is back for its 24th edition and better than ever with its #ULTRALIVE livestream. From March 22nd to 24th, the energy and dazzling performances of Bayfront Park Miami will be beamed worldwide. Experience 3 days of ULTRALIVE all from the comfort of your home. This year’s redefined livestream boasts a genre-bending lineup across the Main Stage, RESISTANCE, Live Stage, and Worldwide Stage. Catch the biggest headlining acts, rising stars, crowd reactions, and stellar moments, all streamed in stunning high-definition. It’s a front-row seat to the magic of Ultra Miami, no matter your location. #ULTRALIVE kicks off at 3:30 PM EST on Friday, March 22nd, with broadcasts continuing throughout the weekend (see schedule below). Tune in and join the global Ultra family for an unforgettable musical journey. Find the Ultra livestream schedule below and tune in here during the broadcast. Friday, March 22: Starts at 3:30 PM EST Saturday, March 23: Starts at 4:00 PM EST Sunday, March 24: Starts at 2:00 PM ET For more information, visit the Ultra Music Festival website and follow #ULTRALIVE on social media. The post Ultra Miami Announces Livestream Schedule appeared first on EDMTunes.

AlphaTheta and Rupert Neve Designs both seem certain that the Euphonia rotary mixer is the nicest-sounding DJ mixer on the market right now. It does sound incredible — you’d hope as much for $3,800 — thanks to a combination of analogue and digital circuitry, custom-made transformers from Rupert Neve Designs and high-end components by AlphaTheta. The Euphonia’s striking design is immediately inviting, flaunts some seriously intriguing features and is the brand’s move into a “new generation” of rotary DJ mixing. It’s already got the DJ industry talking — some DJs are gushing over it, others are less convinced, and the rest are just still perplexed by Pioneer DJ becoming AlphaTheta. But as it moves on from its Pioneer DJ legacy, AlphaTheta is making a bold debut. Image: Simon Vinall for MusicTech Sadly, my time with the Euphonia was too short to conduct an in-depth review. But it was just long enough to become desperately reluctant to hand the mixer back over to AlphaTheta. It’s deeply fun to use and really does have a unique character of being vintage yet modern. That feeling, of course, was intentional. “It’s our first hybrid digital-analogue DJ mixer and we wanted the design to reflect that,” says AlphaTheta product manager Rob Anderson, calling in from Ibiza several days ahead of the Euphonia’s launch. “So sure, it looks kind of old-school, it’s got old-school elements to it but, at the same time, it’s futuristic. It’s like nostalgia meets futurism.” READ MORE: AlphaTheta Euphonia rotary DJ mixer is a digital/analogue hybrid with Rupert Neve Designs components Compared to its competitors, such as the MasterSounds Valve Mk2 and Union Audio’s Orbit.6, the Euphonia has a distinctly different approach to the retro-future appeal of rotary mixers. For one, the display in the top right has AlphaTheta’s novel take on traditional VU meters. The Mix Level Meter shows a needle per channel, offering a glance at all levels simultaneously, while a Spectrum Analyzer provides information on the spectral output of the music. The other obvious difference is the digital signal processing, with 32-bit AD/DA converters and 96kHz sampling rate, plus the built-in effects unit that boasts reverb, delay, tape echo, tape reverb, shimmer, and a high-pass filter. Image: Simon Vinall for MusicTech Paying homage to classic kit while innovating resonates profoundly with Rupert Neve Designs. Its trophy piece is The 5088, a stunning mixing console that deadmau5 assures “will never go out of style”. Chris Dauray, the director of brand and creative at Rupert Neve Designs tells me: “It’s the culmination of Rupert [Neve]’s entire design career as far as consoles go; it’s what he was always working to achieve for his entire life.” When speaking with Dauray and Luke Smith, product manager at RND, I’m warmed by the sheer passion with which they talk about continuing the late Rupert Neve’s legacy. But lending a hand in building DJ gear is fairly unfamiliar territory for the high-end audio brand — was this partnership right for Neve? “With AlphaTheta’s reputation, there was never a concern there,” says Smith on the collaboration. “We knew that it was right in line with our ethos and it was a nice marriage of what we’re good at and what AlphaTheta’s good at.” Image: Simon Vinall for MusicTech For AlphaTheta, getting RND on board for the Euphonia was a no-brainer. “It makes more sense for us to include a Rupert Neve circuit instead of developing our own analogue transformer — which we could have done but it just wouldn’t be as good,” says Anderson. “We wanted the Rupert Neve circuit. It just made so much sense so we went the extra mile to make sure that could happen.” So, practically, what’s the impact of custom-made Rupert Neve transformers in the Euphonia? “I was just blown away,” Anderson recalls of when he first heard the Euphonia with the RND transformers. “I’m not just saying this — we took the prototype to loads of venues across Europe. We spent a week in Berlin and then a week in Ibiza; we went to Sisyphos, Berghain, Kater Blau, Amnesia, DC10, Akasha, Club Chinois, HAAi… All the venues that have got unbelievable sound systems and highly skilled, super knowledgeable engineers and we compared it with other rotaries and against our own models — the V10, the DJM-A9 — and it was just really reassuring. Image: Simon Vinall for MusicTech “As soon as we switched to the Euphonia, you see the engineer’s reaction and how impressed they are. Sound is subjective, right? But this is definitely the best-sounding mixer we’ve ever produced. It’s a bold statement but I think it’s the best-sounding mixer ever made. It sounds crazy good. But of course, that’s subjective.” It’s no surprise that Anderson thinks so highly of the Euphonia, given his involvement in its creation. However, his 13-year tenure at Pioneer DJ and AlphaTheta and previous work as a music production educator means he’s seen a few audio products in his time, so perhaps the team really has created something remarkable. Smith and Dauray go deeper into the theory of why the Euphonia’s sound is so pleasing: “We’re very careful about the type of harmonics that are being enhanced by [RND] transformers. It’s second-order and third-order harmonics. From a musical perspective, that means an octave and an octave and a fifth. Now, when you add that to a chord or an audio source, this makes it sound bigger, deeper more layered and more textured. And, in some ways, this is like the difference between a sine wave and a complex wave — it’s that harmonic content. This is where the emotion lives, in those harmonics. Image: Simon Vinall for MusicTech “And when you’re enhancing octaves, and octaves-and-a-fifths on top of the signal, you could theoretically draw a line between the emotional response of the listener and the enhancement of these harmonics. There’s a visceral reaction to it. They respond to that harmonic saturation. So this is why we do it…The end goal is that enhancement that makes people feel something.” But where will be the main places that music lovers can go to hear the sound of the Euphonia and feel the difference? It’s not affordable enough for most DJs to keep in their home studios, its workflow isn’t suited to enough DJs to be a staple in clubs and venues, and it’s far too heavyweight for commercial DJs to be taking around to shows with them. The market for the Euphonia is immensely niche. Anderson disagrees, however. After working with over 100 artists while making the Euphonia, he found that DJs of various styles enjoyed performing with the mixer. “The target user in mind was largely the house heads but it can work for more than just that. And while showing it to artists, we found that some will come in with the mindset that they don’t like a rotary mixer. When they start performing on it, they notice how expressive it is and they really like it. So I think it’s going to have a wider demographic appeal than who we just intended to when we were originally working on it.” Image: Simon Vinall for MusicTech Your best bet at hearing the Euphonia, for now at least, is likely at your local hi-fi bars, which have seen a boom in recent years. Think of London’s Spiritland, Los Angeles’ Gold Line, Miami’s Dante’s Hi-fi and Tokyo’s Forestlimit. Here, old funk and disco records are rife, with precise mixing required for smooth transitions between tracks. For this style of mixing, AlphaTheta designed the Euphonia with weighted knobs. A higher load is applied when you turn a knob slowly for delicate fine-tuning and a lower load is applied when you turn a knob quickly to drastically change volume. In addition, the 3Band Master Isolator and channel isolators — more precise than a standard EQ — sport a cutoff frequency and slope that’s designed specifically to highlight the kick, melody, and rhythm bands in a natural but sharp manner. Hold on, though. DJs of this style and in the hi-fi bar niche are already well-catered for — MasterSounds, Union Audio and Ecler are established manufacturers of rotary mixers and are beloved by their cult following. Why is a major brand like AlphaTheta shouldering its way into a smaller market? “Because the current options are limited,” says Anderson. “And they’re hard to source, there’s a long lead time on a lot of the boutique models and the aftermarket support can be questionable. So, aside from in lockdown, where every manufacturer under the sun had problems with providing stock, we don’t have that problem. We can develop these at mass. They’re not hand-built so we can develop these for the industry as and when they need them, meaning they’ll end up in loads of venues and they’ll get used more.” Image: Simon Vinall for MusicTech The Euphonia might give some the impression that AlphaTheta is trying to quell the independent mixer manufacturers. But it’s more about exposing DJs and music listeners to more top-standard audio quality and mixing. Hopefully, the reverse is true — that the Euphonia will actually boost sales of the independent brands. “It’s never a bad thing to expose more people to proper hi-fi,” Dauray says. “It’s something that we are exposed to in the studio world a bit more than most. But once you’ve heard it, you have a new benchmark for what things can sound like and I would love to see more of that. Most people don’t have an opportunity to hear that and it’s a very illuminating experience, you know. When you hear proper hi-fi systems for the first time, you’re then always questing for that forever.” “Subconsciously, the audience responds positively or differently to [hi-fi audio],” adds Smith. “I mean, the Euphonia does go hand-in-hand with these hi-fi bars — called jazz kissas in Japan — and I’m fascinated with the idea. And the volume is, for my older ears, now, at a reasonable level to have conversations. And it’s analogue from the record to the turntable to the stylus to the mixer, and the amplifier to the speakers. There’s a reason they’re being designed that way. There’s no doubt that people respond to it, viscerally and emotionally. So it’s hopeful for the future of what we do. You know, there’s a reason vinyl record sales are up. There’s a reason this jazz kissa thing, which originated in Japan, is spreading out over the world. And there’s a reason we’re still in business.” Image: Simon Vinall for MusicTech Despite some talk online about the Euphonia being a step backwards in the past, its appeal could be more forward-thinking than first assumed. Regardless of how it’s perceived, AlphaTheta is continuing to look to the future. “We’re not going to be lazy. We’re going to strive for innovation. That’s kind of our fundamental purpose — to keep innovating and provide solutions to problems DJs don’t even know they have and to incentivise and stimulate the DJ industry and DJ culture.” Image: Simon Vinall for MusicTechWhy the Euphonia is a smart move by AlphaTheta and Rupert Neve Designs The Euphonia is a beautifully built DJ mixer with outstanding technology and innovative features that you can’t help but admire when you get your hands on it. But it’s not for everyone. It won’t be an industry-standard mixer in venues. It’s not accessible to most DJs. It is, however, a smart move by AlphaTheta and, in part, Rupert Neve Designs. There’s a movement happening where people desire highest-quality sound in venues and bars; boutique manufacturers are gaining popularity; and we’re seeing more hi-fi venues open up, bringing more work opportunities for DJs. The Euphonia is now a part of the wave. And, perhaps most notably, because of the Euphonia launch, everyone’s talking about AlphaTheta…and Pioneer DJ. The post Why the Euphonia is AlphaTheta and Rupert Neve Designs’ dream collaboration appeared first on MusicTech. View the full article

Just a few weeks after releasing the official Spiritual Milk remix collection, CAMELPHAT are back with four new remixes. Arriving just in time for Miami Music Week, the supplemental reworks continue to expand CAMELPHAT’s repertoire of club-focused and festival-ready tracks. The latest additions feature an impressive lineup of seasoned producers, including Fideles, Øostil, Tigerblind, and Dorian Craft. Released via When Stars Align, under exclusive license to The Nations, CAMELPHAT’s remix album continues to captivate and thrill listeners by expanding on its derivative works. In a reciprocation of remixes pursuant of the Afterlife hit, “Night After Night,” Fideles delivers a strikingly intense version of “In Your Eyes,” which CAMELPHAT first premiered at Afterlife Tulum. In addition to the aforementioned standout remix, Øostil presents “In Your Eyes'” third iteration, infusing it with melodic techno overtones. Marking their first release since 2022, Tigerblind returns triumphantly with an energized and fast-paced rendition of “Compute.” Having received public support from CAMELPHAT, Swedish House Mafia, and Solomun, among others, Tigerblind is undoubtedly an artist to watch in the coming months. Rounding out the second group of remixes is Dorian Craft, who adds his afro-house influence upon “Embers”, CAMELPHAT’s collaboration with Shimza and Julia Church. Featured image: @arfa/Instagram The post CAMELPHAT add four new names to ‘Spiritual Milk’ remix album appeared first on Dancing Astronaut.

Sister Bliss, renowned for her pioneering role in dance music and as a driving force behind Faithless, makes a triumphant return with her latest single, ‘Dancing With U’. Having been released via Junkdog, this track marks yet another milestone in her illustrious career, promising exciting developments. Having dominated the British dance scene for over two … Continued Sister Bliss shares mesmerizing new single and video ‘Dancing With U’: Listen

Twilight Avenue, a band that embodies the spirit of unity and the thrill of discovery, has unleashed a potent force in their eponymous debut EP. At its heart lies ‘Road Rage‘, a track that bridges the gaps between proto-punk and power-pop and serves as a timeless anthem for the disenchanted. This Southport-based quartet, comprising Myles Thompson, Alex Ormand, Kyle Chadwick, and George Fitton, has crafted a riotous production that echoes the punk ethos, breathing life into the rolling rhythms that are as fierce as the title suggests. For those yearning for a new punk-rock earworm, ‘Road Rage’ is a revelation. With an endlessly energetic edge, Twilight Avenue pays homage to the 70s punk scene while infusing it with fresh fervour. The hard riffs, groovy beats, and alternating vox create a dynamic that is as infectious as it is efficacious. Hit play and get your fill of exhilaration. Stream the debut EP from Twilight Avenue in full via Spotify. Review by Amelia Vandergast The post 70s Punk was Hooked by Power Pop in Twilight Avenue’s Seminal Release, Road Rage appeared first on A&R Factory.

As Miami Music Week draws near, acclaimed ultraclub E11EVEN is ready to set the stage with a slew of can't-miss events. Renowned for its extravagant parties and lavish club experience, E11EVEN is poised to deliver an unforgettable Miami Music Week after announcing arguably its strongest lineup to-date. This year's E11EVEN schedule is nothing short of spectacular. It all starts on Wednesday, March 20th with a night headlined by chart-topping "Waves" producer Robin Schulz. Then comes Steve Aoki and his Dim Mak imprint, who will stomp in on Friday, March 22nd with a larger-than-life takeover. On top of a set from Steve Aoki himself, the label's showcase will include performances by Deorro, Cash Cash, Ookay, 4B, Cheyenne Giles, Wolfgang Gartner and NIIKO X SWAE. Saturday, March 23rd will mark the long-awaited return of electronic music superstar ILLENIUM, who is primed for one of his signature performances alongside Nicky Romero. Last but certainly not least, deadmau5 will tie a bow on the week by taking the decks on Sunday, March 24th, joined by French dance music icon Cedric Gervais, among others. View the original article to see embedded media. While E11EVEN's main room and audiovisual production are breathtaking, the venue's rooftop dining experience, Giselle, offers a luxurious prelude to the festivities. With a signature menu influenced from Asian, Mediterranean and French cuisine along with an array of expertly crafted cocktails, Giselle invites guests to dine under the stars while enjoying music from a lineup of all-female talent. From XIE on Thursday, March 21st to Sam Blacky on Friday, March 22nd and more DJs to be announced, Giselle offers a unique and intimate experience. Visit E11EVEN’s website for tickets and reservations. FOLLOW E11EVEN MIAMI:Facebook: facebook.com/11Miami Instagram: instagram.com/11miami X: x.com/11Miami Website: 11miami.com

Balancing Act: Even With Another Big Year on the Horizon, REZZ Insists That Less Is More in ’24. From her early days as a high-school-dance DJ to headlining major tours and playing festival mainstages, REZZ has come a long way and can now be counted among the electronic-music elite. Born Isabelle Rezazadeh, the 28-year-old DJ/producer [...] The post REZZ: CAN YOU SEE ME? [Interview] appeared first on DJ Life Magazine.

There’s a new phenomenon sweeping the music industry, and this time it’s not actually music. The environmental impact of large events like music festivals has become a growing global concern in recent years, and Ultra Music Festival (UMF) has decided to do something about it. Introducing “Mission: Home”. Since 2019, this has been UMF’s innovative sustainability program that strives to prioritize and implement eco-conscious initiatives in order to protect the local community. Mission: Home has five core objectives: Waste Reduction, Pollution Prevention, Nature Preservation, Community Engagement, and Climate Action. Through this program, Ultra Music Festival has become not only a haven for thousands of electronic music fans, but has also become a leader in sustainability in the industry and has begun to pave the way for greener music events across the globe. ‘Mission: Home’ received regional and national recognition for their commitment to the environment and their dedication to creating a safe and eco-friendly festival atmosphere. At the annual Florida Festivals and Events Association convention (FFEA), Ultra’s ‘Mission: Home’ program received 1st place Volunteer Program, 2nd place Sustainability Program, and 2nd place Education Program. Additionally, the Miami-based non-profit, Debris Free Oceans, deemed ‘Mission: Home’ as the “most extensive sustainability program across leading U.S. electronic music festivals”. “Debris Free Oceans truly recognizes the standard set by Ultra to place itself as the leader in sustainability among various electronic festivals,” Co-Founder and Board President Caiti Wiks added. Beyond the state level, UMF is also the first music festival of its scale in the country to be verified by the international NGO Oceanic Global’s Blue Standard program. Their ‘Blue Standard; program includes an intensive audit and assessment of operational sustainability, which requires elimination of 6 single-use plastic types and implementation of 3 ‘Blue Actions’, regarded as best practices for comprehensive sustainable operations. Most recently, Ultra was selected as the recipient of the Sustainability Team Award at the 2023 World Sustainability Awards. Handpicked from an international pool of 220 applicants, the award seeks to recognize a team with a clear vision that works collaboratively towards a shared sustainability purpose. Ultimately, Ultra Music Festival‘s ‘Mission: Home’ exemplifies the festival’s dedication to environmental responsibility and sustainability. By implementing waste reduction strategies, promoting recycling, and encouraging eco-friendly transportation options, Ultra Music Festival is leading the way in greening the music industry. Through these efforts, the festival not only enhances the attendee experience but also demonstrates the power of collective action in mitigating climate change and preserving the planet for future generations.

There’s a new phenomenon sweeping the music industry, and this time it’s not actually music. The environmental impact of large events like music festivals has become a growing global concern in recent years, and Ultra Music Festival (UMF) has decided to do something about it. Introducing “Mission: Home”. Since 2019, this has been UMF’s innovative sustainability program that strives to prioritize and implement eco-conscious initiatives in order to protect the local community. Mission: Home has five core objectives: Waste Reduction, Pollution Prevention, Nature Preservation, Community Engagement, and Climate Action. Through this program, Ultra Music Festival has become not only a haven for thousands of electronic music fans, but has also become a leader in sustainability in the industry and has begun to pave the way for greener music events across the globe. ‘Mission: Home’ received regional and national recognition for their commitment to the environment and their dedication to creating a safe and eco-friendly festival atmosphere. At the annual Florida Festivals and Events Association convention (FFEA), Ultra’s ‘Mission: Home’ program received 1st place Volunteer Program, 2nd place Sustainability Program, and 2nd place Education Program. Additionally, the Miami-based non-profit, Debris Free Oceans, deemed ‘Mission: Home’ as the “most extensive sustainability program across leading U.S. electronic music festivals”. “Debris Free Oceans truly recognizes the standard set by Ultra to place itself as the leader in sustainability among various electronic festivals,” Co-Founder and Board President Caiti Wiks added. Beyond the state level, UMF is also the first music festival of its scale in the country to be verified by the international NGO Oceanic Global’s Blue Standard program. Their ‘Blue Standard; program includes an intensive audit and assessment of operational sustainability, which requires elimination of 6 single-use plastic types and implementation of 3 ‘Blue Actions’, regarded as best practices for comprehensive sustainable operations. Most recently, Ultra was selected as the recipient of the Sustainability Team Award at the 2023 World Sustainability Awards. Handpicked from an international pool of 220 applicants, the award seeks to recognize a team with a clear vision that works collaboratively towards a shared sustainability purpose. Ultimately, Ultra Music Festival‘s ‘Mission: Home’ exemplifies the festival’s dedication to environmental responsibility and sustainability. By implementing waste reduction strategies, promoting recycling, and encouraging eco-friendly transportation options, Ultra Music Festival is leading the way in greening the music industry. Through these efforts, the festival not only enhances the attendee experience but also demonstrates the power of collective action in mitigating climate change and preserving the planet for future generations.

Renowned DJ and producer Argy makes his highly anticipated return with the album “New World,” released via the esteemed label Afterlife, curated by Tale of Us. In “New World,” Argy embarks on a journey into uncharted territory, blending human emotion with AI innovation to craft a groundbreaking musical experience. Departing from conventional production methods, he … Continued Argy shares fresh groundbreaking album ‘New World’ via Afterlife Records: Listen

Deskew Technologies has announced the release of Decent Sampler XML Generator, a free application designed to import a collection of audio files directly into Decent Sampler (DS), the free... Read More

As luscious dub chords enter spring, we present our quarterly dub and ambient techno chart on Magnetic, featuring the latest releases of chosen labels, tracks, and artists around the world, ranging from nature soundscapes to more groovy dubs for the dance floor. Ishtadi orchestrates the sounds of ...Continue reading

Engine DJ 3.4 delivers Bluetooth audio input and Bluetooth keyboard support for several Numark and Denon DJ hardware devices. Ft. Lauderdale FL, USA (March 13th, 2023) – Engine DJ, the leading developer of cross-platform DJ software solutions, today announced the availability of Engine DJ 3.4. Available for both embedded Engine DJ OS and the Engine [...] The post Engine DJ 3.4 Adds Bluetooth Support For Audio Input & Keyboards appeared first on DJ Life Magazine.

With a stellar lineup in tow, superstar techno duo ARTBAT are set to headline a can't-miss show at the famous Brooklyn Navy Yard. Scheduled for tonight, March 15th, the event is organized by New York City-based promoter Teksupport, EDM.com's best event organizer of 2023. With a slew of major performances ahead, the duo is primed to offer a special set. ARTBAT's upcoming schedule is slammed with events from New York to France to Turkey, then back stateside for Miami Music Week, where they'll headline Ultra's RESISTANCE residency at M2. ARTBAT.Raul Aragão Tonight's event in Brooklyn is set to provide fans with a mesmerizing rotation of techno and house music. ARTBAT are bringing along a stellar roster of artists for the ride, including Adam Ten, Konstantin Sibold and Miluhska. Ten is a particular highlight after being revealed on this year's Coachella lineup, which also includes Justice, Gesaffelstein and many more influential electronic music producers. Meanwhile, Sibold will bring his distinctive sound alongside a formidable pedigree, with performances at Ibiza's renowned DC-10, among many others. Last but certainly not least is Miluhska, a resident at Miami's iconic Club Space, whose résumé speaks for itself. You can purchase last-minute tickets to the show here. Follow ARTBAT:Facebook: facebook.com/artbatmusic X: x.com/artbatmusic Instagram: instagram.com/artbatmusic Spotify: spoti.fi/3jSQb5S Follow Teksupport:Instagram: instagram.com/teksupport X: x.com/TEKSupportNYC Facebook: facebook.com/teksupportnyc

Ultra Miami has unveiled its #ULTRALIVE livestream schedule featuring several performances set to take place from Bayfront Park. Ultra Miami, the world-renowned electronic music festival, has set the stage for a groundbreaking digital experience with the unveiling of its highly anticipated #ULTRALIVE livestream schedule. Set against the iconic backdrop of Bayfront Park from March 22-24, … Continued Ultra Miami Livestream Details

Cloonee has finally released his highly-requested second single of the year ‘Sippin’ Yak (We Like),’ out now via Astralwerks. Amidst a whirlwind of excitement and anticipation, tech house enthusiasts worldwide are celebrating as Cloonee, the renowned UK producer/DJ, unveils his much-anticipated track ‘Sippin’ Yak (We Like).’ Cloonee’s fans have eagerly awaited the release of this … Continued Cloonee drops highly-anticipated tech house banger ‘Sippin’ Yak (We Like)’: Listen

Nine years ago, on March 17, 2015, Martin Garrix, after dominating the EDM scene with hits like ‘Animals’, ‘Tremor’, and ‘Turn Up The Speakers’, ventured into the pop realm with the release of ‘Don’t Look Down’ featuring Usher. This collaboration marked a departure from Garrix‘s signature mainstage sound, showcasing a vibrant and catchy pop-dance style. ‘Don’t Look Down’ proved to be a massive success, resonating with fans across both pop and electronic music spectrums, and has since amassed over 400 million streams. Martin Garrix, known for his meteoric rise in both the electronic and pop music worlds, continued to demonstrate his versatility and knack for creating hit songs with this release. His collaboration with Usher, a renowned artist in his own right, added a new dimension to Garrix‘s music, appealing to a broader audience while maintaining the energetic essence of his style. ‘Don’t Look Down’ stands as a testament to Garrix‘s evolution as an artist, illustrating his ability to seamlessly blend genres and collaborate with a wide range of musicians. His continued success, marked by headlining major festivals worldwide, founding his label STMPD RCRDS, mentoring emerging artists, and achieving the #1 spot in DJ Mag’s Top 100 three times consecutively, underscores his unmatched passion, ambition, and influence in the music industry. This track remains a significant milestone in his career, showcasing his talent for crafting music that transcends boundaries and resonates with listeners around the globe.

Nine years ago, on March 17, 2015, Martin Garrix, after dominating the EDM scene with hits like ‘Animals’, ‘Tremor’, and ‘Turn Up The Speakers’, ventured into the pop realm with the release of ‘Don’t Look Down’ featuring Usher. This collaboration marked a departure from Garrix‘s signature mainstage sound, showcasing a vibrant and catchy pop-dance style. ‘Don’t Look Down’ proved to be a massive success, resonating with fans across both pop and electronic music spectrums, and has since amassed over 400 million streams. Martin Garrix, known for his meteoric rise in both the electronic and pop music worlds, continued to demonstrate his versatility and knack for creating hit songs with this release. His collaboration with Usher, a renowned artist in his own right, added a new dimension to Garrix‘s music, appealing to a broader audience while maintaining the energetic essence of his style. ‘Don’t Look Down’ stands as a testament to Garrix‘s evolution as an artist, illustrating his ability to seamlessly blend genres and collaborate with a wide range of musicians. His continued success, marked by headlining major festivals worldwide, founding his label STMPD RCRDS, mentoring emerging artists, and achieving the #1 spot in DJ Mag’s Top 100 three times consecutively, underscores his unmatched passion, ambition, and influence in the music industry. This track remains a significant milestone in his career, showcasing his talent for crafting music that transcends boundaries and resonates with listeners around the globe.

The new collective, called Support The Sound, sees DVS1’s Aslice platform partner with Dekmantel, Wire Festival, Bassiani, Womb Tokyo and more

An unlikely duo convinced Hans Zimmer to go on tour: Johnny Marr and Pharrell Williams. Per Associated Press, he describes the pair as “absolutely forcing” him to head out on tour in North America. He quotes them as saying, “‘You have to look your audience in the eye, you can’t hide behind the screen forever. You owe it to your audience.’” READ MORE: Justice: “We heard Sicko Mode by Travis Scott and said, ‘Wow, we’re still thinking about music in an ancient way’” He calls the US “incredibly welcoming and kind and exciting for us,” adding, “Of course, the advantage America has now is that we’ve taken [the tour] across Europe a couple of times so, actually, we’re pretty good at it at the moment.” The German composer announced a North American orchestral tour yesterday (14 March), his first for seven years and his first since he composed the scores for Dune 1 and 2. It’s set to feature Zimmer and his band with a full orchestra, with suites for movies including not only Dune but The Lion King, Interstellar, The Dark Knight, Pirates of the Caribbean, Gladiator, and The Last Samurai. Zimmer says of the tour: “I’m thrilled to return to perform in North America with my wonderful band and excited to share this phenomenal show. I love this feeling of uniting my family of extraordinary musicians with you, the audience. Just an unbelievable group of talents, who in my opinion, are some of the best musicians in the world. “But nothing would have meaning without the good grace and support of you, the other part of the family – the audience. Ultimately, the music connects us all, and I promise you this: we will always play our best, straight from the heart.” It’ll begin on 6 September in Duluth, Georgia, and finish in Vancouver exactly a month later. He’s playing New York City’s Madison Square Garden on 12 September – his 67th birthday. Tickets for the tour go on sale on 22 March at 10 am local time on Zimmer’s website. The post “You can’t hide behind the screen forever!”: How Pharrell Williams and Johnny Marr inspired film legend Hans Zimmer to go on tour appeared first on MusicTech. View the full article