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Crux, known for interactive electronic music and audiovisual (AV) events across the capital, has announced its inaugural Crux Festival on the 13th and 14th of April 2024 at Rich Mix Arts Centre in East London. Set to feature groundbreaking performances, including The Light Surgeons’ unveiling of their live cinema show ‘Atemporal 2.0’, AJA’s raw and visceral show, and Waterflower’s avant-pop AV extravaganza from Latvia, the festival promises an electrifying experience. Attendees can expect a weekend of diverse electronic music and visual performances, as well as a rich tapestry of daytime activities including talks, Ableton workshops, and open-mic-style electronic music performance slots. On Saturday 13th April, attendees will be treated to immersive audio experiences to boundary-pushing AV showcases, as the festival’s programme is carefully curated to captivate and inspire audiences of all backgrounds. The event will open with a video projection mapping workshop from AV expert and electronic artist Dave Stitch. A thought-provoking panel discussion about the prominence of women in electronic music will also take place, and the excitement will continue as visionary innovator Toby Spark takes the stage to share the 3D-reactive audiovisual app ‘Volta’ and the captivating story behind Fuel Records. As the sun sets on Saturday night following performances from Kareem Samara, I Am FYA and Error CD, the energy will continue to soar with a high-octane afterparty plus appearances from Parallel Action, Polyop, Freddy Frogs and more. Sunday’s schedule will focus on engagement, as well as performances from boutique production company The Light Surgeons, Ross Flight plus more. An interactive workshop from DMLab (a space for disabled and non-disabled musicians and technologists) will offer attendees the chance to explore accessibility in electronic music, while audiovisual jam sessions will create an inclusive atmosphere, making everyone feel welcome to join in and contribute to the event’s vibrant energy. Nick Feldman, Director at Crux, said: “We are excited to unveil Crux Festival, a culmination of a decade-long journey dedicated to pushing the boundaries of electronic music and visual performance. With an electrifying lineup and a vibrant array of activities, Crux Festival promises to be an unforgettable celebration of creativity and innovation.” In a concerted effort to ensure accessibility, Crux Festival offers affordably priced tickets, with options ranging from full weekend passes at £23 to day passes at £10. The festival’s realisation has been made possible through a project grant provided by Arts Council England, in collaboration with Rich Mix. For more information, including the full program and ticketing details, visit the Crux Festival or Rich Mix website. The post Inaugural Crux Festival releases full London audiovisual lineup and programme appeared first on Decoded Magazine.

Released on May 17, 1999, the album “Play” featured the classics “Porcelain,” “Natural Blues” and “Why Does My Heart Feel So Bad?” and sold over 12 million copies worldwide, winning numerous awards and becoming the biggest-selling electronic album of all time. Says Moby, “It’s been over 10 years since I’ve toured, but someone reminded me that 2024 is the 25th anniversary of the release of ‘Play,’ so it seemed like it might not be the worst idea to do a short European tour to commemorate and celebrate. The show will feature well-known songs from ‘Play,’ but also a bunch of audience favourites, like ‘Extreme Ways,’ ‘We Are All Made Of Stars,’ ‘When It’s Cold I’d Like to Die,’ and even some old rave bangers like ‘Feeling So Real’ and ‘Go.’ What makes the tour most exciting for me is that I won’t be paid anything. 100% of my profits will go to European animal rights organizations.” Additionally, Moby announces the release of his next album always centred at night, due out June 14. He shares the newest track from the collection, “dark days,” featuring acclaimed soul-jazz singer-songwriter Lady Blackbird, out everywhere now. “dark days” is a defiant, rhythmic work propelled by her alluring, deep vocals, and earnest soul. always centred at night is a collaborative project, wherein Moby collaborates with some of his favourite vocalists. September 19 – London, England / The O2 September 21 – Antwerp, Belgium / Sportpaleis September 22 – Berlin, Germany / Velodrome September 23 – Düsseldorf, Germany / Mitsubishi Electric Hall September 24 – Paris, France / Le Zenith Tickets will be available as follows: Wed 20th March – Artist presale – 10am GMT / 11am CET Friday 22nd March – General sale – 10am GMT / 11am CET Mastercard cardholders in UK have special access to preferred tickets from Friday 22nd March at 10am GMT / 11am CET. Visit www.priceless.com/music to find out more. The post Moby announces his first live UK and Europe dates in over a decade appeared first on Decoded Magazine.

This year, Glastonbury Festival is gearing up for an unforgettable return. I say this as the festival is bringing a mix of Pop, Rock, Dance and R&B to its festival grounds. Glastonbury is set to take place on Somerset’s Worthy Farm from June 26-30, 2024. With an announcement that has set social media ablaze, the 2024 lineup boasts headlining performances. 2024’s headliners include SZA, Shania Twain, Dua Lipa, and Coldplay. Having said that, the festival promises an eclectic mix that appeals to fans across genres. Coldplay’s return to the Pyramid stage is particularly noteworthy, marking their fifth headlining appearance — a first in Glastonbury history. Their legacy at the festival is unparalleled, having first headlined in 2002, a mere four years into their skyrocketing career. Fresh Beats and Record Breakers The announcement of Dua Lipa‘s return to Glastonbury comes on the heels of her latest album. Her LP, Radical Optimism, features chart-toppers like ‘Houdini’ and ‘Training Season’. Having graced the Glastonbury stages in 2016 and 2017, Dua Lipa’s 2024 performance is highly anticipated, showcasing her evolution as an artist. Meanwhile, SZA is set to make her Glastonbury debut, adding a layer of excitement with her critically acclaimed R&B hits. This lineup revealed later than usual, quashes rumors of appearances by Madonna and Bruce Springsteen. This does, however, set the stage for a festival that champions diversity and talent. Breaking Barriers and Setting Standards The 2024 festival is breaking new ground, with two of the top three headliners being female artists for the first time in Glastonbury’s storied history. This significant milestone follows last year’s criticism over a lack of female headliners, which festival organizer Emily Eavis addressed as a reflection of the broader music industry’s challenges. This year’s lineup not only responds to that critique but also sets a new standard for diversity and representation on one of the world’s most prominent musical stages. As we look forward to Glastonbury 2024, the blend of historic achievements, groundbreaking performances, and the promise of unforgettable musical moments makes this year’s festival a beacon of what’s possible when diversity and talent take center stage. Whether you’re a fan of Pop, Rock, R&B, or all of the above, Glastonbury 2024 is shaping up to be an unmissable event, marking another chapter in the festival’s rich history of memorable performances. For more information, be sure to check out Glastonbury’s official website, here. [H/T] – Digital Music News The post Glastonbury Drops Historic 2024 Lineup Featuring SZA, Dua Lipa, Coldplay + More appeared first on EDMTunes.

Since COVID, there’s been some huge changes in the music scene in the city of Chicago. Promotional companies going under or radio silent. Many of the most notorious clubs have changed their management and overall structure completely. Some loved artists politely decline to come back to the city because of the changes. It has been a confusing few years navigating all of this (of course, we’ll always have House music). But if you comb through Chicago EDM fan pages, there is a theme that is very easy to pick up on that all agree on: we want more drum and bass. There’s something insanely special about the genre to the people in Chicago. Photos from Radius/Victoria Sanders So when it was announced in December of 2023 that the WORSHIP artists (Culture Shock, Dimension, Sub Focus, and 1991) were bringing their tour back to North America, and Chicago was one of the selected cities, these said EDM pages lit up with joy and excitement. Many still talk about the March 2023 performance and so to have the tour return but this time at the popular Radius venue, the days couldn’t go by fast enough. Now that’s over, we only wish we could go back and start the countdown all over again. Beginnings Set times came out for the Saturday show and it was immediately noticed that the music began right as doors opened. When that happens in Chicago, it can result in long and frustrating security lines as everyone gets there at once, especially for Drum and Bass. However, thankfully, it was an extremely smooth line with much PLUR and excited discussions about the merch and upcoming sets heard throughout the lines. Local artist CLB set the night off perfectly with some more Melodic/Liquid DnB. It welcomed every attendee in the perfect way; some ran to the merch line or grabbed drinks from the already head-bobbing and dancing bartenders. I spoke with a few that wanted to work the show specially because it was WORSHIP. Wow. I’ve been seriously brainstorming how I want to best approach the dissection of this show. Each artist brought it in their own unique way. 1991 was glued to the equipment in front of him. He was laser-focused on the intricate details of his set. I personally developed a love for DnB just over a year ago and right away, 1991 made the crowd feel welcomed and comfortable with playing his most recognizable tracks. The intensity picked up as fans who received special wristbands for on-stage access began hyping up the floor crowd and as Culture Shock took the stage. The energy was palpable at this point as most ticket holders had arrived by then, just as ‘Discotheque’ was played. It’s hard to believe that Sub Focus has been in the industry since 2003. There’s something so remarkable about the way he performs let alone the other three WORSHIP artists. Sub Focus commanded the stage and made it look easy and he went through his most recognizable tracks and more from his latest album, Evolve, which dropped in May 2023. By this point, every single body in the venue was moving. And when Dimension took the stage to close and dropped ‘DJ Turn It Up’, the night officially received a stamp of approval. Don’t Blink… It’s remarkable how fast the night went by. 4.5 hours of nonstop music and insane heaters. Drum and Bass brings out the best people and therefore it was again one of the most enjoyable crowds I’ve ever experienced in my Electronic music career. People were respectful and brought nice and polite vibes while being fully immersed in the show and production. It’s only proper to bring up the popular phrase “Don’t cry because it’s over; smile because it happened“. Sigh. Do it — go to this show. Try something new or immerse yourself in the genre again. When the venue lights came on, not many people wanted to leave. Security had to do security things and start escorting the crowd out but they knew it was because they knew we were all just waiting for our heart rates to come back to normal. The WORSHIP 2024 tour has just begun! They’re covering more of North America in just the next few weeks. WORSHIP North America 2024 tour dates: 03/22 – Great Hall, Avant Gardner – Brooklyn, NY 03/23 – Echostage – Washington D.C. 03/24 – TBA – TBA 03/28 – History – Toronto, CA 03/29 – Mission Ballroom – Denver, CO 03/30 – Hollywood Palladium – Los Angeles, CA Lastly, they’re all stopping in Miami this coming weekend for Music Week (March 24th)! Take a look here for more info and keep an eye out for tickets. Additionally, there will be a huge B2B2B2B2B takeover at EDCLV. Follow along with all things WORSHIP at their website and check out the pre-orders available for the new 2024 merch as well. The inventory was cleaned out very quickly at the show! The post [EVENT REVIEW] WORSHIP 2024 Tour Dominates With Sub Focus, Dimension, Culture Shock & 1991 In Chicago appeared first on EDMTunes.

GRAMMY®-nominated artist ZHU just released his new album, GRACE, via Astralwerks. His most ambitious and unique project yet, GRACE begs to be listened to from beginning to end, as ZHU takes listeners on a journey from darkness to light, tension to release, uncertainty to peace. The album – which is the soundtrack to a forthcoming film that ZHU created – finds him collaborating with such artists as BANKS, Emotional Oranges, UPSAHL and Zero 9:36, among others, and, on his new single, ‘Settle for Less,’ Puerto Rican/Cuban songstress Sabrina Claudio. Obviously, ‘Settle for Less’ is a shining example of how ZHU stirs powerful emotions with his stories and sounds. Beginning with only pensive piano keys, he builds an ethereal atmosphere through Claudio’s reverbed vocals and subtle background harmonies. Finally, the track opens up further with an urgent, percussion-led rhythm as ZHU fights for love on the edge: “You know you touch me in the broken parts / So don’t you leave”. A decade into his career, ZHU is sharing his world in a way he hasn’t done before. “I felt like I needed to go back to where I grew up”, he says, “to tell the story of where I’m going next”. Moreover, GRACE was recorded mainly at the iconic Grace Cathedral in his hometown of San Francisco. Amid the stained-glass windows and marble columns where generations have sought answers from a higher power, ZHU channeled the grandness of the setting into the album with transcendent organs, string players and even a choir. Most of its tracks are live, first-takes. You can listen to ZHU’s new album below and on all available streaming platforms. Stay tuned for more news! The post ZHU Released Highly Anticipated New Album, GRACE appeared first on EDMTunes.

Ultra Miami is right around the corner, this weekend in fact. The massive festival just announced its set times with its new application update. The lineup is stacked and you will have no trouble establishing a day and night of dancing. In addition to the set times for those going, they also announced the streaming schedule for the weekend at Bayfront Park. This year will feature over 150 artists including Martin Garrix, David Guetta, Excision, Adam Beyer, Amelie Lens, Eric Prydz, Chase & Status, Fisher X Chris Lake, Tiësto, Calvin Harris, and so many more. The main stage is packed with huge names. On Friday, Hardwell and Fisher X Chris Lake will close the night. On Saturday, the journey will be wild going from Gryffin to Excision to Martin Garrix and finally David Guetta. And on Sunday, it will be Aftojack into Armin van Buuren, and Calvin Harris closing out the magnificent weekend. The #ULTRALIVE streaming schedule begins at 3:30 PM EST on Friday, 4:00 PM EST on Saturday, and at 2:00 PM EST on Sunday. You can catch them live stream here. You can see a full lineup set times here and below! The post Ultra Miami 2024 Set Times Announced With New Application Update appeared first on EDMTunes.

In the realm of Electronic Dance music, it’s not every day that a remix breathes new life into a hit track in a way that feels both revolutionary and familiar. Yet, this is precisely what the Australian duo Ekko & Sidetrack have accomplished with their latest foray into SACHI‘s beloved single, ‘Wildfire‘. Known for its ability to command an electric response from audiences worldwide, ‘Wildfire’ has long been a gem in SACHI’s discography. However, in the hands of Ekko & Sidetrack, the track ascends into a realm of pure bliss, wrapped in the high-energy, polished sheen of Drum & Bass. Elevating An Anthem The secret sauce to ‘Wildfire”s intoxicating appeal lies in its infectious chorus, a hook so powerful it could single-handedly ignite festival crowds. Ekko & Sidetrack, with their refined craftsmanship, amplify this element through a seamless Drum and Bass overhaul. The result is nothing short of euphoric, transforming the track into a brand-new anthem that maintains its original heart while inviting listeners on a rejuvenated auditory journey. This remix isn’t just a song; it’s a higher-tier moment of gratification. The Architects Of Sound Ekko & Sidetrack are no strangers to the spotlight, having captivated millions of listeners worldwide and boasting a consistent following of over 250,000 monthly listeners on streaming platforms. Their knack for blending deeply meaningful vocals with standout instrumental mastery has not only defined their unique sound but also cemented their status as rising stars within the Drum and Bass sphere and beyond. With a discography peppered with signings to prestigious labels like Viper Recordings and Circus Records, the duo’s trajectory is a testament to their unwavering growth and influence in the EDM landscape. A Journey Of Rhythmic Conquest As Ekko & Sidetrack gear up for a packed schedule, including a full European summer festival tour and a highly anticipated US tour in the fall, their remix of ‘Wildfire’ stands as a beacon of their artistic prowess. It’s a bold declaration of their ability to reimagine, transform, and ultimately elevate a track to unparalleled heights. This remix does not merely serve as a testament to their technical skills but also underscores their passionate dedication to pushing the boundaries of what electronic music can be. In the ever-evolving tapestry of EDM, Ekko & Sidetrack’s remix of SACHI’s ‘Wildfire’ is a vivid reminder of the power of music to connect, transform, and transcend. As this track blazes its way through speakers around the globe, one thing is clear: Ekko & Sidetrack are not just remixing a song; they’re igniting a movement. Follow Ekko & Sidetrack: In 2023, Australian duo Ekko & Sidetrack, composed of Jeff & Jonathan Hansen, released their debut album Nostalgic for Reality through Viper Recordings, marking a significant milestone in their careers. Known for their energetic and emotive Drum & Bass productions, the brothers have gained widespread acclaim, sharing stages with industry titans like Sub Focus, Pendulum, and Andy C, and receiving support from heavyweights such as Dimension and Friction. Their music’s inclusion in the Counterstrike video game further exemplifies their growing influence in the Electronic music scene. Ekko & Sidetrack’s journey from Perth to global recognition is a story of relentless passion and hard work. Their tracks have been featured on major platforms like Liquicity, UKF, and Circus Records, capturing the attention of audiences worldwide with their vibrant and uplifting sound. Notable releases include the highly streamed ‘Paper Birds’, featuring Ruth Royall, and a celebrated remix of What So Not’s ‘The Change’, showcasing their ability to blend poignant melodies with powerful basslines. 2024 is set to be an exhilarating year for the duo, with a full European summer festival tour and their debut US tour planned to come soon after. Their recent successes, including sold-out shows and critical acclaim for their remixes, indicate that Ekko & Sidetrack are on an unstoppable ascent in the Drum & Bass world. For blog writers and fans alike, the story of Ekko & Sidetrack is not just about their past achievements but also the anticipation of what’s next in their thrilling journey. Spotify|SoundCloud|Instagram|Twitter|TikTok The post SACHI’s ‘Wildfire’ Gets a D&B Makeover by Ekko & Sidetrack appeared first on EDMTunes.

We had a little chat with quite the duo of veterans, and who have just conquered a new summit. We kick off this week, quite the special one by the way, by sitting down with Weekend Heroes, a duo of producers and DJs who have taken the world by storm. The alias is the collaborative project between scene veterans Felix Nagorsky, also known as Timelock, and Eli Baltsan, the renowned DJ Zombi. They first met way back in 2009 with the main goal in mind being creating music that resonated with them yet still sat outside of their independent genres of Dance. What they went for is a balanced blend of Progressive House and Melodic Techno, which they hold to this day. To say they’ve signed to the largest labels time and time again, although good sounding, would still be an understatement. These guys have gone above and beyond on deals. Just to name a few, for more than a decade, Weekend Heroes have released records on the following imprints: Plattenbank, Toolroom, Spinnin’, FSOE UV, Mango Alley, Zerothree, Anjunabeats, Vandit, Einmusika, and Armada. On Friday, the duo made their Afterlife debut, in the form of two collaborations with producer Argy. ‘No One’s Coming’ and ‘Talk To Me’ are a part of his studio album, New World. Without further to do, let’s dive into the interview. 1. You guys are veterans in the industry, with your lone projects Timelock and DJ Zombi being successful names even to this day, yet your sounds are quite far apart when working on your own, the former being closer to Psytrance and the latter paving the way over in Organic House. What made you try and form a duo, and how did the chemistry between you two start growing as Weekend Heroes? “Yeah, we both started this journey in Electronic music a while ago and in quite different zones. That’s exactly what brought Weekend Heroes to be what it is, a mixture of genres, sounds and inspirations. We find it very interesting to experiment with sounds and textures from different types of audio collages.“ 2. What’s your creative process when starting a song? What inspires you to make a song? “Each and every tune has its own background and story. It can be lyrics we send to the singer and take it from there; it can be a sample from another tune from the past that we start from; it can be a kick-bass combo that inspires us… Basically, we get inspiration from other artists, art from the past, life and the world itself.“ 3. How did ‘No One’s Coming’ and ‘Talk To Me’, your collaborations with Argy, come about? “We share with Argy that we’re fanatics about sound engineering. We have the same interests and audio esthetics fetishes, that’s how it all started. ‘No One’s Coming’ started from the amazing vocals we got and then came a long ping-pong process between the studios, until it became playable, which was not the end at all. We kept tweaking the track. One more and another version after road tests, we introduced slight changes and slowly we got to the point where we felt 100% happy with the result, the way it came out on the album. ‘Talk To Me’ is a darker and more underground number that started as a DJ tool, and that became a full-length tune. It took us around a year to build it properly.“ 4. These tracks mark your Afterlife debut. We’d love to know your thoughts on joining the imprint, and if there are any secrets you could tell us between you and the label for the future. “We are more than happy to release on the number one label of the moment! It’s a great feeling to be “approved” by a brand like Afterlife. We can’t speak about future plans yet, but we can say this is not the last big release from us…“ 5. Where do you see your project in a few years’ time? What are your goals, or wishes, as a duo for the next, say, five years? “We just want to make more good music, travel to play amazing gigs and continue to spend our lives in rhythm like we chose many many years ago. It is not about goals but the journey for us: if you enjoy the road, the destination isn’t important.“ 6. If there’s one piece of advice you could give to up-and-coming producers, their workflow, their mindset, whatever feels most valuable, what would it be? “You just concentrate on your own, don’t copy others, don’t overthink, don’t panic and only be yourself. If you do it well, with heart and soul, with time the result will come. Just stay calm and try to have fun, all the time, life is not too long…“ Final Words Thank you Weekend Heroes for this lovely conversation. Be sure to check out their newest tracks ‘No One’s Coming’ and ‘Talk To Me’ alongside Argy. Follow them on social media to stay up to date, and stay tuned to our page for more! The post [INTERVIEW] Weekend Heroes Talk Career, Afterlife Debut And More appeared first on EDMTunes.

Polyverse Music has released Filterverse, a new filter plugin currently in public beta. Filterverse offers a wide range of filter algorithms and types. Some are reminiscent... Read More

Many may have noticed that there has been a bit of an evolution in Ukrainian producer VovKING’s work in recent years. It’s not terribly surprising, as those artists who are still involved in the Ukraine conflict would have a different perspective after nearly two years of war. The newly minted Involver, however, was inspired to overhaul his brand and his sound because of a dream. The story behind my new alias is bit weird but cool. I had a dream one night where I spoke with my friend who passed away four years ago from cancer. He told me to start everything from scratch and that “You are Involver,” right before I woke up. I spent two or 3 months thinking about this from time to time and the decided that this was just way too cool. That friend in my dream made a big impact on my music taste back in the days and music was the foundation of our friendship, so even now we are still connected. Of course I have new vision now on music and the industry, which I will apply to the new Involver project. Unfortunately there are loads of restrictions now because the war, so I cant reveal this vision to the full extent, but the time will come. It sounds from these words as if this change is not just a remaking of image, but a whole overhaul of soul for the newly minted Involver, and that fans should get ready for some quite profound insights through his music. To begin this journey, his first single under this moniker, “The Feeling” featuring vocalist Aleva Mae, seems to be at the vertex of both the shifts in the artist’s sound and his identity. A marriage of dancefloor 4×4 and minimal neuro via the snares, the track is an ode to the dancefloor itself, likely a long-lost concept in Involver’s native Ukraine. Involver and Aleva Mae really set forth to capture that elusive feeling all ravers are familiar with, when that perfect moment hits on the dancefloor where everything is united and deeply felt by everyone. They do this by telling the story of the rave in parts, with the intro and the warmup beat. The 4×4 vacillates seamlessly between a straight and a breakbeat, showing how close they actually are, while snippets of the main melody work to foreshadow the crescendo of the song. Similarly, Aleva Mae’s lyrics seem to be searching for “some kind of feeling,” but as the full track drops after the break, the verse expands and she’s no longer “looking for” the feeling, but holdings it as the music crashes around the audience. It’s visceral and goosebump-inducing, this drop, and anyone who’s had a real rave experience will be picturing that moment and that “feeling” as “The Feeling” hits its peak. “The Feeling” was certainly the right choice for a track to announce Involver’s new involvement in the scene. Heavy, heady and full of rave nostalgia, it’s a call to everyone listening to hold that feeling for those who may not be able to experience live during the current times. It’s a portends of hope as well, because as we all know, “The Feeling” will always be there for us. Involver clearly made this song for himself, his friend and those who are in these struggles in the Ukraine and beyond. It’s a beautiful reminder and a beautiful new beginning. “The Feeling” will drop on Rampage Records this Friday, March 22. Click here to pre-order or pre-save. This article was first published on Your EDM. Source: Your EDM Premiere: Get ‘Involved’ With Involver – VovKING’s New Incarnation to Debut on Rampage [Video]

SlapAsSound has released Self Control- Laura Branigan, a VST instrument, MIDI file and DAW project, saying: Song cover & remake enthusiasts, this is something for you.... Read More

Dear visitors, you’re in for a treat. Several three-hour-long treats, to be specific. One of the largest festivals out there, Coachella, just upped their experience a whole lot. An addition surgically crafted to appeal to the EDM-devoted community, the brand took to Instagram just a few moments ago to present a new dimension of music: the Quasar Stage. The post is very concise, just noting “Quasar: Coachella’s newest stage” for a caption. Honestly, it doesn’t need any more description: the pictures speak for themselves. Some of the industry’s biggest acts are coming down to this new space to play not hour-long, not two-hour-long, but three-plus-hour-long sets, being able to tell an extended story and show their majesty in full. Some of the acts who will be playing are: Michael Bibi, Diplo B2B Mau P, and, sit down before you faint, Eric Prydz B2B Anyma. Special Sets And Unlikely B2Bs Making sure to innovate, Coachella will host a handful of back-to-back pairings, the most surprising of which sees the Swede superstar join forces with the one man who’s currently on top of the Melodic Techno game. Even though they have had close encounters, such as Prydz’s remix of ‘Consciousness’, Milleri’s hit collaboration with Chris Avantgarde — released on Afterlife —, this is the first time they will publicly share the booth. And for a story that will last for the equivalent of three Ultra Mainstage sets, we can only start to wonder how deep of a journey they’re going to deliver for the attendees. Honestly, if you’re going to Coachella, you’ll have plans for your day. Save this piece of information and mark your calendar: you won’t want to miss a single minute of those 18+ hours of finely-tuned music, coming from your favourite industry leaders. Stay tuned to our page for more news! The post Coachella Announces Brand New Dance-Focused Quasar Stage appeared first on EDMTunes.

The organizers of Coachella have announced a new stage, Quasar, debuting in 2024. After a year teeming with unforgettable EDM moments, Goldenvoice today revealed the stage, which will feature extended, three-hour DJ sets across both of the festival's weekends: April 12-14 and April 19-21. Attendees of Weekend One can take in sets from Honey Dijon, Green Velvet, Jamie xx, Floating Points and Daphni as well as a momentous performance by influential DJ and house music producer Michel Bibi, who recently beat a rare form of cancer. The following weekend will feature RÜFÜS DU SOL, Eric Prydz, Anyma, Diplo and Mau P. In other Coachella news, organizers recently announced changes to the festival's fabled Sahara stage. The revamped Sahara structure will see a significant expansion in size and construction, stretching to an impressive 320 feet and being fortified with sturdy steel. It's also moving from its location next-door to the Eldorado Polo Club to between Avenue 51 and Polo Road. Check out the lineups for the debut of Coachella's Quasar stage below. FOLLOW COACHELLA:Website: coachella.com X: x.com/coachella Instagram: instagram.com/coachella YouTube: youtube.com/coachella Facebook: facebook.com/coachella

Mha iri · Mha Iri – live at Drumcode London @ Drumsheds, 9th March 2024 This week, UK-based Mha Iri drops in with a live mix recorded at Drumcode London at Drumsheds, on the 9th of March Her production style is melodic yet driving with tough basslines and kick drums paired with dark synths and her ethereal vocals to give a unique sound, supported by Umek, Alex Stein, Layton Giordani, Deborah De Luca, Luigi Madonna, Coyu, Joseph Capriati and many others. The post Mix of the Week – Mha Iri appeared first on Decoded Magazine.

The Libertines, set to drop their highly anticipated new album All Quiet On The Eastern Esplanade on April 5th, are ecstatic as their UK/IRELAND tour completely sold out within hours, surpassing the speed of any of their past tours. To meet the overwhelming demand, four additional shows have been scheduled in November: Lincoln on the 17th, Stockton on the 18th, Bath on the 20th, and Bournemouth on the 21st. Hot foot it to the official Libertines store https://thelibertines.lnk.to/PreOrder4Presale and pre-order the new album All Quiet On The Eastern Esplanade to get exclusive ticket pre-sale access at 9am on Wednesday 20th March. Tickets go on general sale Friday 22nd March at 9:00am. Here are the complete dates for the All Quiet On The Esplanade Tour: 23rd Mon September – Dublin Olympia Theatre – SOLD OUT 24th Tue September – Belfast The Telegraph Building – SOLD OUT 3rd Thu October – Birmingham O2 Academy – SOLD OUT 4th Fri October – Norwich UEA – SOLD OUT 5th Sat October – Cambridge The Corn Exchange – SOLD OUT 7th Mon October – Cardiff Great Hall – SOLD OUT 8th Tue October – Bristol O2 Academy – SOLD OUT 17th Thu October – Glasgow Barrowland Ballroom – SOLD OUT 18th Fri October – Glasgow Barrowland Ballroom – SOLD OUT 19th Sat October – Liverpool Mountford Hall – SOLD OUT 21st Mon October – Nottingham Rock City – SOLD OUT 22nd Tue October – Leeds O2 Academy – SOLD OUT 30th Wed October – London Roundhouse – SOLD OUT 31st Thu October – London Roundhouse – SOLD OUT 1st Fri November – London Roundhouse – SOLD OUT 4th Mon November – Sheffield The Octagon – SOLD OUT 5th Tue November – Newcastle NX – SOLD OUT 7th Thu November – Manchester Albert Hall – SOLD OUT 8th Fri November – Manchester Albert Hall – SOLD OUT 9th Sat November – Manchester Albert Hall – SOLD OUT 17th Sun November – Lincoln Engine Shed – NEW 18th Mon November – Stockton Globe – NEW 20th Wed November – Bath Forum – NEW 21st Thu November – Bournemouth O2 Academy – NEW The Libertines released a fabulous new single (quite possibly the most Libertines single ever!) on Wednesday 6th March. Entitled Oh Shit it is an earworm anthem for these economically challenging times. Written by Carl Barat and Peter Doherty, Oh Shit is the fourthsingle to be lifted from All Quiet On The Eastern Esplanade, following the release of Run, Run, Run, Night Of The Hunter and Shiver. You can preorder the new album here: TheLibertines.lnk.to/AQOTEEPR The post The Libertines announce 4 extra gigs for November first appeared on UK Festival Feed.

G-Sonique has released PA Club Soundsystem Emulator, a VST plugin designed to help producers understand how their tracks will sound within large club environments. The plugin... Read More

G-Sonique has released PA Club SoundSystem Emulator, a VST plugin designed to help producers understand how their tracks will sound within large club environments. The plugin... Read More

After a century as the life and soul of the party, the inventor of karaoke, Shigeichi Negishi, has died at the age of 100. Speaking to the Wall Street Journal‘s Matt Alt, Negishi’s daughter, Atsumi Takano, reveals that her father suffered a fall on 26 January. He died of natural causes shortly after. Negishi invented the first-ever karaoke machine in 1967. According to the Wall Street Journal, his original invention started as somewhat of a joke; Negishi loved to sing, so when a colleague joked that he had an awful voice, he started daydreaming about how he might sound with a backing track. His idea was simple: to create a machine that would play instrumental tapes. It didn’t matter if Negishi had a ‘bad’ voice – he made it his mission to create a machine that would allow him to sing his heart out over a backing track like a real popstar. The 1967 Sparko Box was the initial karaoke machine prototype. Negishi ran a consumer electronic company, which allowed him access to a speaker, microphone, and tape deck. As Negishi revealed to online publication Kotaku, Negishi tested out the prototype with an instrumental version of Yoshio Kodama’s Mujo no Yume, before heading home and hosting the world’s first karaoke party in his kitchen. However, Negishi never patented the design. Negishi and his partner believed it would the “cost and headache wasn’t worth it”, Alt wrote for Kotaku. At the time it would have been “extremely expensive and time-consuming to obtain a patent” – not to mention it required instrumental tracks to run, which would each require unique usage rights. Farewell to another legend: Shigeichi Negishi, inventor of karaoke, has died age 100. By automating the sing-along, he earned the enmity of performers who saw his machine as a threat to their jobs. It's an eerie precursor of the debate surrounding AI's impact on artists today. pic.twitter.com/ZOpLdSisb2 — Matt Alt (@Matt_Alt) March 14, 2024 While Matt Alt was entrusted to relay the news on the Wall Street Journal, Alt also took to X to reflect on Negishi’s passing, stating: “Farewell to another legend: Shigeichi Negishi, inventor of karaoke, has died age 100. By automating the sing-along, he earned the enmity of performers who saw his machine as a threat to their jobs. It’s an eerie precursor of the debate surrounding AI’s impact on artists today.” Alt also shared a lovely behind the scenes snap of him and Negishi. The photo is from 2018 when Alt was interviewing Negishi for his book, Pure Invention: How Japan Made the Modern World. Alt reports that Negishi’s family still owns the original – and still functioning – Sparko Box. What timing! Here's a behind the scenes photo of us from late 2018. pic.twitter.com/C6Nezh3iOW — Matt Alt (@Matt_Alt) March 14, 2024 The post Shigeichi Negishi, The Godfather of Karaoke, dies at 100 appeared first on MusicTech. View the full article

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The incident was short and, fortunately, harmed no one. Five thousand dollars had never devaluated so quickly in Argentina before. It’s no secret Lollapalooza is one of, if not the, signature yearly festivals of South America. Argentina, Brazil, Chile and other countries hold their own versions of the gathering each March, bringing to the continent a plethora of different artists and genres. Among those, Dance music is always present. This year, artists like Diplo and Timmy Trumpet represented the scene, alongside Trance trailblazers Above & Beyond. Celebrating their return to Buenos Aires for the first time since their last show nearly a year ago, Jono and Paavo were bringing the heat to the Perry’s Stage of the venue, playing banger after banger. The crowd was buzzing, and everything was going spectacularly well. Until it wasn’t. The Incident Right as they were hypnotised by the energy of the moment during ilan Bluestone’s remix of their hit track ‘We’re All We Need’, something unbelievable happened: the DJ booth tipped over and fell forward, taking with it the entire DJ equipment, as well as the boys’ laptop, which they use to write their iconic on-screen messages while playing. Unsurprisingly, the music cut off abruptly as cables snapped and detached from the players. Jono and Paavo were, well, speechless, but took the situation like champs and laughed it off from the beginning, while help came to work out a solution. Although witnesses recall buttons flying from the poor gadgetry plummeting onto the ground, not a single attendee was harmed. Everything was sorted in a timely manner, and the boys went back to playing in just over five minutes. Laptop and everything. Culprits? General consensus points to the festival itself as the one to blame for the incident. Poor — or rushed — building quality of a booth that was put there just after other acts which involved live bands and, therefore, forced the stage to be set up against the clock. Although others say Above & Beyond had a share of responsibility, from the video — attached below — you can see they didn’t push the booth forward. If anything, Jono tried to catch it mid-fall. And, just to be clear, you can’t ask a DJ not to enjoy what they’re playing. We’re full of those guys now, let’s try and embrace passion again thank you. Plus, you’ve got people like Timmy Trumpet who played just hours before at the same festival. And he too jumps around, and he even climbs on top of the booth to play! I can only begin to imagine the chaos that would’ve hit the festival if this very thing had happened to him atop the decks. Luckily, what happened was, damaged equipment aside, something we can now laugh about. Nobody was injured, the show went on, they even did their Push The Button moment afterwards, and closed their set in style, falling just a bit short of their original plans, just to stick to the schedule. Watch the moment of the incident, below. The post Above & Beyond’s DJ Table Fell Over During Their Lollapalooza Argentina Set appeared first on EDMTunes.

The festival takes place this weekend at Bayfront Park in Downtown Miami

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