Ravebot

Armed with a subtle yet rumbling soundscape that gradually escalates into an intricately woven electronic frenzy, LA-based electronic producer Bisaria has marked himself as an artist who’s making incredible strides in the industry. Known for weaving Indian themes into his music, he strongly believes in expressing elements of his culture through his sound and aesthetic. Similar sounds and touches can be heard in his original track “Fortress”. His live performances also feature something very distinct – the alto-saxophone – skillfully played by Bisaria himself. He has showcased his talent across major cities including Miami, San Francisco, Chicago, New York, and Las Vegas, serving as a supporting act for major artists such as Deadmau5, Flume, Rezz, Duke Dumont, Aluna, Aminé and more. Now, he’s presented a breathtaking rendition of the renowned movie Dune’s expansive soundtrack. By starting with Hans Zimmer’s minimalist “Gom Jabbar” track as a foundation and incorporating a primal, tribal scream, Bisaria introduces slow-burning, pulsating percussion and an elegant sitar, yielding a remarkably refreshing interpretation. The result is simultaneously edgy, mysterious, haunting, and compelling, encapsulating a captivating blend of elements. “The genesis of this remix was an homage to the ethereal and powerful essence captured in “Gom Jabbar” from the 2021 film, Dune. Hans Zimmer’s vision to “unleash that inner strength” through a singular, primal vocal note resonated deeply with me. This track is a fusion of that inspiration with the rich vibrancy of Indian music, embodied through a prominent sitar melody I composed. This piece is one of my attempts at bridging the world of electronic music with my cultural background, akin to Zimmer’s quest for music that defies the conventional, marrying modern with the classical.” – Bisaria We had the opportunity to chat with Bisaria some more about this work. Check it out below! What initially drew you to Hans Zimmer’s “Gom Jabbar” track from the Dune soundtrack, and what inspired you to create a remix of it? – The vocal element of “Gom Jabbar” instantly evoked memories from my childhood, particularly the singers at the temples we visited in Rajasthan. Did you often watch Dune throughout your studio sessions for this remix? I didn’t necessarily watch the film throughout the studio sessions, but I did often explore the rest of the Dune soundtrack, as well as other pieces by Hans Zimmer from different films. Separately, there was a re-release I attended ahead of Dune 2’s premiere. Watching it again in a theater setting made me glad I acted on the inspiration I felt two years ago upon my first viewing. “Fortress,” your latest original track, also features Indian sonic elements. How do you ensure that these cultural elements are authentically represented in your music while still maintaining a contemporary electronic sound? For tracks that lean towards Indian motifs, the inspiration often comes unexpectedly and from a variety of sources — perhaps most often while listening to (western) classical music if it’s in the minor pentatonic scale. Just to be clear — I don’t position myself as a traditional Indian musician schooled in the genre, but rather as someone deeply influenced by classic Bollywood and religious Indian music from my upbringing — those melodies/scales/instruments resonate with me profoundly. I don’t know if that means it’s not “authentic,” but I suppose authenticity is subjective anyway in this context. We understand that you incorporate the alto-saxophone into your live performances. How does this instrument add to the live experience, and what led you to include it in your sets? I started playing the alto-saxophone, clarinet, and baritone-sax at age 12, eventually traveling the country in high school to perform as part of a jazz band. The real push to include the alto-sax in my live sets happened while watching a Big Wild show for the first time back in 2018 — his sets involve mixing live instruments with dance music in a way that just clicked for me. It made me think, “Hey, I can bring my own twist to this.” So, having been able to play for so many years, it was easy for me to identify moments in a typical DJ set where a sax could enrich the track. The natural evolution of this was for me to start including it in my original music — the most prominent track with sax thus far has been “Chase” which I released last year. Having supported major artists like Deadmau5, Flume, and Rezz, what have been some standout moments or lessons learned from these experiences that have influenced your own musical journey? Sharing the stage with giants like Deadmau5, Duke Dumont, and Rezz was like taking an advanced course in how to truly connect with an audience. Watching them work, I saw firsthand how they craft a journey through their sets, blending emotions and energy to create unforgettable experiences. Prior to opening for these artists, I adopted a highly analytical approach, dissecting their sets to understand the timing between tracks, transition styles, crossover elements, the pacing of BPM throughout a set, and more. Understanding their techniques in this way taught me the importance of flow in a live set, how to weave together different tracks while placing them in the larger context of the full performance. The biggest takeaway for me has been the value of staying present and adaptable. I very quickly moved away from pre-planned sets in favor of a more fluid, dynamic approach, allowing me to better engage with the audience and react in real-time. This article was first published on Your EDM. Source: [INTERVIEW] Bisaria Unveils Incredible Take On Hans Zimmer’s Dune Soundtrack

The short film captures the scale of the sounds with interviews from festival founders and artists Continue reading...

When it comes to breakthrough producers in the 140 space, few are as refined as Eater. Hailing from Italy, he’s earned support from the likes of Zeds Dead, Excision, and even BBC Radio One for his thrilling tracks that go just as hard in the studio as they do live. His trajectory is nothing short of incredible, which in turn has given us much excitement whenever he announces new music. Via his Instagram, he’s teased a brand new EP titled ‘Master’ – set for release March 20. Signed to Florida’s prestigious bass label Wubaholics, fans can count on a exhilarating experience filled to the max with energy. Eater’s growing impact is clear as he has garnered interest from around the globe, with numerous opportunities on the horizon for 2024. Though details are currently kept under wraps, fans can anticipate exciting developments, possibly including ventures in the United States. Stay tuned but in the meantime, pre-save the single here! This article was first published on Your EDM. Source: Rising Bass Music Phenom Eater To Drop ‘Master’ EP – Out March 20

Above & Beyond's Tony McGuinness ensures that even in the land of nod, the beat goes on. In celebration of World Sleep Day, the influential trance music outfit teamed up with Pandora for a special takeover of "Sleep Radio." McGuinness lent his voice to the classic English fairytale Jack and the Beanstalk, bringing a narrative to listeners seeking a retreat from the day's hustle and bustle. Since their transformative sunset yoga set at Burning Man in 2014, Above & Beyond have embarked on a journey to integrate their sonic creations with practices that enhance mental and physical health. Their meditative Flow State album from 2009 stands as one notable byproduct of their artistic journey thus far at the nexus of electronic music and wellness. "We are delighted to have this opportunity with Pandora, not only to take 'Flow State' into its next chapter but also to showcase our wider repertoire of ambient music and incredibly talented artists," said Angus Maxwell, Director of Streaming and Promotions at Involved Productions. "This has been a huge focus for us in the last two years, and 2024's 'World Sleep Day Partnership' feels like the perfect opportunity to celebrate and showcase that… while hopefully providing a suitable soundtrack and story to a good night's sleep." Fans can listen to Above & Beyond's full takeover of "Sleep Radio" here. FOLLOW ABOVE & BEYOND:Facebook: facebook.com/aboveandbeyond Instagram: instagram.com/aboveandbeyond X: x.com/aboveandbeyond Spotify: spoti.fi/3fHhX1z

Bridging the gap between continents and musical styles, Don Diablo and Major Lazer have released their massive new single, “Jiggy Woogie,” featuring the vibrant and viral vocals of Jamaican sensation Baby Lawd. Released on Diablo’s HEXAGON label, the track follows on the heels of Baby Lawd’s original TikTok hit. Last month, “Jiggy Woogie” made its explosive debut at the Untold Festival in Dubai, with Don Diablo and Major Lazer introducing the track to a global audience. The collaboration is a true fusion of sonic diversity, combining the distinct sounds of Don Diablo, Major Lazer, and Baby Lawd into a future global dance anthem. This isn’t the first time Don Diablo has joined forces with a member of Major Lazer; he previously collaborated with Diplo on “Make You Pop” in 2012. But “Jiggy Woogie” marks a first-time collaboration with Major Lazer as a whole playing into the project’s long history of fusion sounds and styles into smash hits. The post Don Diablo and Major Lazer get ‘Jiggy Woogie’ with Baby Lawd appeared first on Dancing Astronaut.

Detroit based artist KAWSAN has quickly begun to make a name for himself, both on stage and in the studio. He’s performed with some of the biggest names around, including Paul Oakenfold, Dash Berlin, Don Diablo, to name a few, while his productions have been a breath of fresh air into the progressive house / melodic techno space. His latest single saw him teaming up with Daniel Pinho and vocalist Gabi Gray for their single, “Nightmares”. It earned the nod of approval from none other than Dennis Shepherd, who signed it to his ‘A Tribute To Life’ imprint. It’s garned quite the momentum lately too, picking up support from none other than trance legends Aly & Fila. “Nightmares” captures a mesmerizing fusion of captivating vocals and intricate melodies, traversing through darker sonic landscapes with a pulsating energy. Gabi Gray’s haunting vocals take center stage, with lyrics written by KAWSAN himself, immersing listeners in a realm of profound depth and emotion. Backed by the impressive arrangement of KAWSAN and Daniel Pinho, the track offers an equally hypnotic and exhilarating experience. The future keeping looking brighter for KAWSAN, with upcoming performance including Darude on April 20 along with Meduza’s official Movement Afterparty on May 25. Listen below! This article was first published on Your EDM. Source: KAWSAN & Daniel Pinho’s Single “Nightmares ft. Gabi Gray” Is A Progressive Trance Masterpiece

ARTIFACT recently dropped his latest EP, ‘Return Of The Dead,’ which featured four thrilling tracks – ‘Demon Slayer,’ ‘Gatekeeper,’ ‘Jump Scare,’ and‘Night Vision‘ across the realms of dubstep, riddim, and even drum and bass. Bass music fan or not, you can count on this one fueling your day with unbridled energy and thundering arrangements. Yet again, he flexes his ability in the studio, crafting such immersive and spine tingling sounds that make each track stand out on its own. Fresh from successful releases on High Caliber Records, Subsidia, DirtySnatcha Records, and Syndicate Bass Records, and with several major label releases imminent, ARTIFACT has created quite the buzz around all that he’s doing. With commanding basslines, captivating melodies, and striking instrumentals, ARTIFACT is asserting dominance over the bass and dubstep scene one release at a time. Listen below! This article was first published on Your EDM. Source: ARTIFACT Invades With Booming ‘Return Of The Dead’ EP

Since its inception in 1996, Spybar has become synonymous with Chicago's identity as a destination to experience live electronic music. However, the storied clubbing institution has found itself at the center of controversy after Dino Gardiakos, its owner, was reportedly arrested and charged with drug trafficking. Gardiakos was recently arrested at O'Hare International Airport, where he was found to be in possession of a staggering 14 pounds of ketamine and nearly six grams of ecstasy hidden within several containers in his luggage, the Chicago Sun-Times reports. Gardiakos, 43, allegedly admitted the drugs were purchased in London and intended for sale in the Chicagoland area. Prosecutors say the individual from whom Gardiakos purchased the substances additionally provided advice on how to elude detection at O'Hare customs upon his arrival. The charges against him include felony drug trafficking and possession of a controlled substance. In response to these charges, a judge has ordered Gardiakos's release on pretrial probation services, pending a court hearing scheduled for April 5th. He was already on probation for a previous felony drug charge at the time of his most recent arrest.

A new partnership between two nightlife companies has been announced, promising to roll out some highly anticipated events in Dubai and around the world. NightEvolution, owners of Amnesia, Cova Santa, and Pyramid brands, will be joining forces with Dubai developer m owners of Soho Garden and its electronic music sub-brands Code, Playroom, and Hive. Together, they’ll be collaborating to offer a brand new experience to electronic music fans. “We’ve been looking at spreading the unique Ibiza party experiences abroad for a while. Expanding our businesses outside of Ibiza by partnering with Soho Garden in Dubai makes complete sense for our group, as we share the same vision and the same horizon” said Stéphane Schweitzer, partner at NightEvolution. “We’re constantly aiming to broaden our horizons and deliver the Soho experience to diverse destinations. Through this partnership, not only will we achieve that by bringing the Soho Garden brand to new destinations, but our audience in Dubai will also get to experience the essence of Ibiza during the winter 24/25 season” said John Nemr Saliba, owner, and founder of Sekoya Management. NightEvolution is an umbrella company for three dance music brands: Amnesia, Cova Santa, and Pyramid. Amnesia is known as one of the world’s most iconic and influential nightclubs, the essence of Ibiza since opening its doors in 1976. Cova Santa is a cult Ibiza venue that boasts both an outdoor and indoor club, whilst in addition, Amnesia’s in-house night, Pyramid, has become one of Ibiza’s most respected house and techno parties on the island. Sekoya Management has created Dubai venues such as Soho Garden, Code, Playroom, and Hive. These destinations have become cosmopolitan hubs where upcoming artists and music enthusiasts can come together in an environment of full-fledged entertainment and luxury. NightEvolution will present Horizon Ibiza, and together, the two leading entertainment companies will partner up to present Horizon Ibiza Dubai. Find out more here https://horizonibizadubai.com The post Soho Garden Dubai and Amnesia Ibiza announce strategic international partnership appeared first on Decoded Magazine.

Following the summer 2023 release of his “3 Days, 2 Nights” album, PLS&TY has unveiled a stacked remix package for the project. The collection brings together over ten fresh takes from a diverse array of artists that each add heir own flavor to PLS&TY’s originals. Orjan Nilsen kicks off the remix journey with a progressive-trance take on “New Color,” weaving a tapestry of sound that elevates the track to new heights. Oliver Nelson introduces disco elements to “Party in My Head,” transforming the track into a dancefloor-ready anthem. Taiki Nulight opts for a funk-infused approach, infusing “Party in My Head” with unmistakable disco finesses. Alex Adair and Cat Dealers each offer their unique spins, with iceturn, Morgin Madison, Mac Yellek LUX ARMADA, and Local Singles further diversifying the remix package. Local Singles stands out with a dreamy AM remix and an upbeat tech-house PM remix of “Upside.” LUX ARMADA then dives into the world of trap and grime with a hard-hitting version of “Yours,” completely reimagining PLS&TY’s heartfelt single. Whether you’re in the mood for something dreamy, upbeat, or hard-hitting, this remix package has a track for you. PLS&TY has also recently launched his “Proper Manners” radio show on Insomniac Radio, promising to feature some of these remixes and undoubtedly introduce listeners to even more new music and fresh finds in the future. The post PLS&TY’s ‘3 Days, 2 Nights’ remix album features Orjan Nilsen, Cat Dealers, Alex Adair, Oliver Nelson, Taiki Nulight and more appeared first on Dancing Astronaut.

Accomplished bass artist FREAKY recently unveiled his highly anticipated second album, “Ascension,” following the success of his debut, “Duality.” The album offers not just a collection of tracks but an immersive experience, accompanied by an audio book and story that delves into the creative process behind the music. Ascension is more than a sequel; it represents FREAKY‘s best work to date, providing a direct look into his identity, challenges overcome, and the continuous upward path of the past decade. It serves as a reflection of a sustained climb, capturing the essence of his personal journey. The introduction of “Duality” sets the stage for FREAKY’s narrative, serving as a foundational chapter that introduces his persona, sound, and intertwined journey with Alex. This precursor lays the groundwork for the sonic exploration witnessed in “Ascension,” marking the onset of FREAKY’s quest for self-discovery and sobriety. Building on the success of “Duality” on Subsidia Records, “Ascension” delves deeper into FREAKY’s life, focusing on maintaining sobriety and reaping the rewards of dedication. The album visually embodies the duality within FREAKY’s music, with black symbolizing the heavier, powerful sounds and gold representing the melodic, stable compositions. Alongside a revamped bird emblem aligning with the album’s theme, FREAKY is crafting new visual content to seamlessly unify the thematic elements of “Ascension,” capturing his journey towards a healthier state of mind and reflecting his personal growth and achievements. This album encapsulates a year’s worth of music, echoing not only his path towards wellness but also the challenges he faced before discovering a newfound appreciation for life. FREAKY shares, “This year, amongst many other things, I allowed myself to be vulnerable, I stayed sober, and I married my best friend. I also started seeing all of my hard work paying off and it made me hungrier than ever. I am ready to work harder than anyone. I am ready to be the best version of myself. I am ready to Ascend.” Listen below! This article was first published on Your EDM. Source: FREAKY Drops Thrilling Second Album, ‘Ascension’

At just 26, Tom Giannola, aka Meridian, has become a standout in electronic music, blending genres seamlessly to create a unique sound. Meridian’s performances at top Chicago venues like Prysm and Soundbar, along with his debut at the North Coast Music Festival in 2023, have marked him as an artist to keep an eye on this year. Meanwhile, 27-year-old Patrick Scott from St. Louis has spent a decade refining his skills as a singer-songwriter, collaborating with industry veterans and showcasing his versatility in his work with Meridian. Beyond the studio, Patrick has captivated audiences with his live performances, demonstrating a natural charisma and a knack for connecting with fans. As he gears up to release new music in 2024, Patrick’s journey is a testament to his growth as an artist and his ability to cross musical boundaries with ease. Now, they’ve teamed up for their latest single ‘Never Look Back’. With delicate guitar chords plucking and emotive melodies filling the air, Meridian and Patrick Scott embody the timeless adage that ‘the whole is greater than the sum of its parts.’ Specifically, their collaboration seamlessly merges Meridian’s production style with Patrick Scott’s vibrant vocal work, creating an irresistibly infectious blend. Check it out below! This article was first published on Your EDM. Source: Meridian & Patrick Scott Team Up For Emotional, Melodic Bass Single ‘Never Look Back’

Leaving the beat hanging in the balance, Above & Beyond's recent set at Lollapalooza Argentina took an unexpected nosedive—quite literally—when their DJ booth tumbled onstage. The moment was perfectly poised for euphoria just as the iconic group's signature trance melodies were about to send ripples through the crowd, but silence fell instead. The table carrying the trio's equipment had, in a moment of sheer unpredictability, toppled over in full view of tens of thousands of attendees as the music came to a complete halt. However, what could have been a moment of disappointment quickly turned into a testament to the unbreakable spirit of both the artists and their fans. Above & Beyond, ever the professionals, handled the mishap with grace and a touch of humor in their reaction. It's a reminder that sometimes, moments of imperfection and the way artists rise above them are equally as important as the seamless sets fans have come to know and love. No one was injured in the incident. Check out the clip of the unexpected mishap below. FOLLOW ABOVE & BEYOND:Facebook: facebook.com/aboveandbeyond Instagram: instagram.com/aboveandbeyond X: x.com/aboveandbeyond Spotify: spoti.fi/3fHhX1z

Ekko & Sidetrack have amassed millions of streams and maintain a dedicated monthly listenership exceeding 250K by embracing drum and bass alongside complementary genres. Their knack for blending deeply meaningful, uplifting vocals with standout instrumental arrangements has propelled them on an unstoppable trajectory of growth. After teasing fans for over a year with electrifying live performances, SACHI’s standout single “Wildfire” now receives a transformative treatment courtesy of Ekko & Sidetrack. At the heart of the song’s euphoria lies its unforgettable chorus hook, which Ekko & Sidetrack enhance with a seamlessly crafted drum and bass rendition. The result is a moment of heightened euphoria, breathing fresh life into the track. With previous signings to esteemed labels like Viper Recordings and Circus Records, Ekko & Sidetrack are now gearing up for an extensive European summer festival tour, followed by a planned US tour in the fall. If they come to a city near you, make sure to get a ticket! This article was first published on Your EDM. Source: Ekko & Sidetrack Elevate SACHI’s Smash Hit ‘Wildfire’ to Pure Bliss with Refined Drum & Bass Remix

Techno duo Dunes of Dawn have been on a incredible journey so far, leading them to share stages with luminaries such as ANNA, Layton Giordani, Hot Since 82, Skream, and Hiroko Yamamura. Fresh off their debut on IN ROTATION / Insomniac Records with “Dimensions” in late January, Dunes Of Dawn are continuing their meteoric rise, recently making their debut on Sorted Records, a sub-label of Nervous Records, with their gripping, high-intensity techno single, “Phonetics.” From its outset, “Phonetics” captivates with its methodical, paced percussion, setting an irresistibly entrancing tone. As the energy pulses steadily and additional effects layer in, a seductive, organically-timed vocal emerges, infusing the track with personality and a hint of Italian flair. This addition elevates the experience to new heights, drawing the mind deeper into the moment. Gradually winding down to its conclusion, “Phonetics” leaves listeners eagerly anticipating what comes next. Listen below! This article was first published on Your EDM. Source: Dunes of Dawn Makes Their SortedRecords Debut With Intoxicating Techno Single ‘Phonetics’

Bleu Clair has consistently led the charge in shaping the modern tech house culture, demonstrating a natural knack for crafting songs that resonate with the expectations and desires of fans. This prowess has garnered him support from industry heavyweights such as Skrillex, DJ Snake, and Diplo, as well as secured deals with renowned labels like Musical Freedom, STMPD, and Insomniac Records, elevating him to global recognition within the electronic dance music scene. Now, he’s back with a thumping single “Underwater,” which shows Bleu Clair venturing into a new chapter of his musical journey, opting for a more straightforward and elemental approach to production. The song’s design and creative direction highlight a club-friendly vocal sample, while the basslines and exotic percussion work synergistically to captivate the listener from beginning to end. Simple, polished, and unequivocal, “Underwater” seamlessly integrates into Bleu Clair’s impressive body of work. Listen below! This article was first published on Your EDM. Source: Bleu Clair Drops Sizzling Underground Single ‘Underwater’

Riding high from their electrifying performances on two different stages at EDC Orlando 2024, Orlando-based AVELLO and hypernaut are making waves with their latest collaboration, “Take Me There,” a track that captures the essence of their dynamic sets. Leveraging their extensive experience in production and DJing, this partnership marries AVELLO’s versatility across electronic genres with hypernaut’s complementary prowess. “Take Me There” launches listeners into an optimistic experience with its catchy hooks and uplifting percussion, soaring through genres with a distinctive blend of drum and bass and breaks. This song, born from collaborative studio sessions and refined through the feedback of friends, marks a pinnacle of creativity for the duo, confirming their strong start to the year following notable achievements in 2023. AVELLO, known for his work with major labels and performances alongside giants like Excision and Seven Lions, and hypernaut, the winner of the 2023 EDC Orlando Discovery Project, continue to solidify their presence in the music scene with this compelling single. The post AVELLO & hypernaut blend their sounds on ‘Take Me There’ appeared first on Dancing Astronaut.

A.O.M. has updated their plugins to version 1.17.2 with the following changes. Enhancements: [AAX-Native] UI scaling feature is now enabled on Pro Tools. Improvements:... Read More

DJ Bander is a multi-millionaire investor, entrepreneur, composer, and producer originally from New York and now based in Los Angeles. DJ Bander (Zach Schnall) not only wears many hats but is a wealth of knowledge on a myriad of topics such as finance, digital marketing, music production, and branding. Put simply, DJ Bander is an expert on how to actually make money (real money) doing what you love. What advice do you have for DJs and producers when it comes to social media marketing and branding? What I always tell DJs and producers is to focus on production first and make sure that what you’re doing is original work. It’s hard, and even I was tempted when I was coming up as a producer, we had to program everything, it was like drum programming and synth programming and making the sounds and everything. Now, anybody can be a producer because you can take four loops from splice and make a beat and loop it and now you’re a producer. I think that a lot of these young people are not getting the traction with it because people are going to relate to something that sounds unique and original. I think if you really want to separate yourself as a producer, you really need to also study musicianship. Play an instrument, understand music like actually know how to compose and not just be a programmer so that would be the first thing is the best producers are the ones who are brilliant programmer mixers combined with composers. Then the other thing completing works. Every producer I know, including myself, we have those top 20 tracks we’re working on right now and they’re all so cool but they’re all not done. What my business partner who’s my dearest friend, he has been so good for me in my life, because not only is my partner but he also is one of my top engineers and he knows, he’s every month he’d be like forget your top 20 I want your top five now. I want you to email me your top five songs and then from the top five he’s like, these three we’re getting done in the next 30 days. I want this, next week we’re booking Wednesday in the studio to complete this the next week, this the next week that you got to finish your stuff. You don’t need a hundred great ideas, you need three to five tightly finished records finished, mixed and mastered and a marketing plan for them. So, I think that like really if you notice the producers and the DJs who really shine are the ones who’ve really completed works and I’ve been consistently marketing those completed works. So, I want to talk a little bit about all your amazing accomplishments that led you to where we are today, one being the remix that you did for Katie Perry that’s huge. Can you walk us through the creative process for that and how did you go about achieving that? A big thing that I did during that period of time that is really interesting is that my original following from electronic music was actually from remixes. With the Katy Perry one, while it didn’t end up being placed on her actual record it did make the final 10 of all of those remixes. So, it got promoted on all the big channels on Twitter back when Twitter was really popping, so it was on like the Universal pages and on the Katie Perry fan pages. You know, I tell people it’s not as much that my best remixes that were really successful or that I was any more talented at doing them or that I did a better job on that one, it was almost like certain remixes just worked in the best way. What I mean by that is like that Katy Perry song “California Girls” fit perfectly with the type of EDM beats that I’m good at making. So, it was like the vocals and the arrangement because it was just perfectly done and it was perfectly sitting close to the BPM, because it was popular at the time. I think that it just felt very easy and natural and flowing to build a remix to it. I’ve been sent other projects like where the vocals are just like I love the song but it’s just like oh it’s so frustrating and hard to kind of come up with the beat around it because it just doesn’t sit right. So, I think with the remixes with that one, it’s a combination of knowing how to really finish and making a solid remix in a fast amount of time. That was another element of it and it’s interesting sometimes when you have time pressure you almost do a better job. I only had like four days to do that remix. I was literally just cranking it out and part of what worked about that was like I didn’t focus on making lots of different instruments because I didn’t have time. I didn’t have time to like try this and try that and fiddle with a thousand different like experimental synth plugins. I went right with my bread and butter with the bass plugin, I know the synth plugin I use all the time. I didn’t try to go outside of my wheelhouse I was like okay I’m just going to focus on a solid hard kick a dope a dope Baseline and smooth pad and that’s it. So it ended up coming out really good because I think I didn’t put any fluff into it. I just banged it out and it ended up coming together in a tight way. So, with remixes, I have so much respect for these guys who just do all these big complex remixes because remixing is really, really, really hard. Remixing is harder than making original pieces of work because you have to adapt your production to another producer and vocal arrangement. I’m a big fan of chess, remixing in a way reminds me of chess and the fact that like you can be a great chess player, but if you’re not used to the style of the opponent that they’re that they’re playing you’re going to lose, they’re going to smoke you. They’re coming at you and they have a different strategy way of handling it and that’s the same thing with remixes. If you don’t know how to get into the mindset of another producer, you’re never going to be a good remixer. What tips do you have for artists or people who are just starting a brand when it comes to financial management, because you did mention investing in yourself putting money into different things, but how do you make smart financial decisions while still having fun staying true to your brand enjoying life? It’s hard. Look I mean I’m not going to deny it’s very hard, the economy is getting more difficult I was very lucky. I’m a little bit older now, but I was very lucky that in the early stages when I when I when I started making money, I was very frugal with it and I reinvested it and I saved it. I mean that’s the most important thing the first and foremost thing that I that I teach young people who are starting to make money or figuring it out is you have nothing to prove to anybody else the only thing you should want to do with your money is to be able to enjoy looking at your accounts going up and seeing those that your investments are doing well. You don’t need to prove to other people things with cars or clothes or lifestyle. The main mistake that young people make as their money income increases is they try to match it with their spending and in many place they exceed it. So if they’re making you know 5,000 a month they live a 7,000 a month lifestyle you know when they start making 10 they try to show off a 12 to 20,000 a month lifestyle with 10 coming in. That’s a huge mistake. If your spending only goes up by about 20 to 30% of your earned income, you’re always going to have money. It’s like simple math. It’s like you know calorie deficit you know so it’s like if you are always saving more than you’re spending or at least making sure that your savings rate is at a strong level you’ll always be in a good position. So, that’s the first thing and the second thing is you have to be able to provide a service and a skill set. People want to just be paid for their art and unfortunately, we don’t really live in that world as much anymore. You must look at it as more that you give your art away to monetize your brand and that’s something that a lot of young musicians don’t understand so they’re focusing on making music but you really need to focus on services. Meaning like what is it that you offer to other people that is monetizable. Part of my success is that I have a range of service skills. Obviously, I’ve invested in real estate that’s not as much service but I understand how to put my money to work and to do something with it. I’ve learned how to do marketing, I know how to engineer, I can make Productions and do vocal stuff for other artists and clients. So, there’s a lot of different things that I can do. I’m a consultant, I’m a business investor consultant so I focus on providing value to other people and I think that’s something that young people really need to focus on. If you’re a great beat programmer, awesome, figure out can you know figure out a way to monetize your services for other big producers. Or let’s say you’re a really great producer at making uh Tempo changes, okay dope, I would like especially like when I get a big remix project there’s a lot of there’s a lot of things that I wouldn’t necessarily want to do with my remixing like that I don’t need to I’d rather focus on programming so I would pay a younger producer. I would say, “hey could you get these vocals to like 128 for me” and then I’ll just pay you for that and then I’ll focus on making the track and the remix. So, the young people that I know who are doing well in the industry know how to monetize their service. Then they can always earn money. So that’s something that’s important. Then when it comes to investing in your brand, it is something that’s important to do. It’s a tough reality but if you don’t put money into your stuff, it’s really not going to go anywhere. People look at these people who are just posting videos and getting tons of views and they’re like wow like how they do like to be honest if you look at if you deep dive a lot of these girls these beautiful young girls that have like insane views on Tik Tok most of them if you notice have come from some money. Someone invested in them, they had Tik Tock ADs, they did something to get the ball rolling to make their stuff get more viral. You don’t see like them on very inexpensive phones in like crummy little apartments and they have like a million something views. There’s no shame if you must work a regular job or have to do something to get the bills paid so you can invest in build this brand. You can start a side business, that’s even better too. So, it’s about building your value and um you know really just focusing on that and making yourself something that you can always monetize with beyond the music. This interview was originally published on the Drop Bass Not Bombs podcast and an excerpt has been transcribed for this article.

The field of artificial intelligence (AI) has seen astonishing advances in recent years, with AI systems achieving superhuman performance in various domains across the board. From image generation to natural language processing, AI’s capabilities continue to expand at an unprecedented rate. Now, the music industry is bracing for the potential disruption that AI could bring to the art of music production, specifically in the realm of electronic music which already is called by some as “beep-boop” music or of course Dubstep really is sometimes robot music! Since the inception of electronic music, producers have been at the forefront of creating innovative sounds and pushing the boundaries of what’s possible utilizing cutting-edge technology. However, the rapid evolution of AI technology raises the question: will human producers soon become obsolete, rendered redundant by machines capable of composing music beyond human comprehension? The Origins of AI and Its Musical Ambitions According to a Harvard University article on the history of AI, its origins can be traced back to the summer of 1956, when a group of researchers converged at Dartmouth College to explore the concept of “thinking machines.” Little did they know that their pioneering work would pave the way for the AI revolution we’re experiencing today. However, it wasn’t until the 1970’s that AI gained significant traction, with the development of expert systems and neural networks. Fast forward to the present day, and we are witnessing a renaissance in AI, with breakthroughs in machine learning and deep learning algorithms fueling remarkable achievements. One of the most prominent examples of AI’s musical aspirations is the trademarking of “GPT-6” by OpenAI in 2020. The trademark filing explicitly mentions music production capabilities, indicating that the technology for AI to generate music indistinguishable from human-made compositions. The Dawn of AI-Generated Music The idea of AI-generated music might seem like something out of a sci-fi movie, but the reality is that it’s already happening. In recent years, we’ve witnessed various AI systems capable of composing music, with varying degrees of success and human intervention. One such example is the AI-generated techno track created by the YouTube channel “Insanity AI,” which showcases the potential of AI to produce complex and compelling electronic music without any human involvement. AI-generated music has not only penetrated the mainstream electronic music scene but the lesser-known subgenres as well, for example Hardstyle. Aptly coined Hardstyle AI, this channel has rocked the Hard Dance scene (especially on Reddit) and sparked a massive debate as to the future of the genre. It’s important to note that not only is the track created entirely though AI but the music video as well. The music video below gives very iRobot vibes which is both fitting and simultaneously ominous and perfectly in sync with the track. The Difference Between AI-Assisted and AI-Generated Music It’s imperative to differentiate between AI-assisted music production and AI-generated music. AI-assisted music production involves the use of AI tools and technologies to aid human producers in their creative process. This could include using AI to generate melodies, harmonies, or rhythmic patterns, which the producer can then refine and incorporate into their compositions. On the other hand, AI-generated music is composed entirely by an AI system, with minimal or no human involvement. In this scenario, the AI acts as the sole composer, creating original musical works based on its training data and algorithms. The Rise of AI Music Creators While the concept of AI-generated music may sound alarming to some, it also presents exciting opportunities for a new breed of music creators and the next generation of artists. As AI technology becomes more accessible, anyone with a basic understanding of prompt engineering and a clear vision of the desired musical outcome could potentially create music tailored to their specific tastes. This paradigm shift could democratize music production, allowing listeners and fans to become active participants in the creative process rather than passive consumers. By providing detailed prompts and guidance to AI systems, individuals without formal musical training or production skills could potentially generate unique and personalized tracks. On the other hand, people who hold certain genres close to heart for example “techno purists” would argue that the utilization of AI goes against everything they stand for. Is this gatekeeping or does their argument have merit? The Quality Conundrum: AI vs. Human Producers One of the most significant concerns surrounding AI-generated music is the potential impact on quality standards. While some argue that AI could elevate the overall quality of music by tapping into vast datasets and advanced algorithms, others fear that the lack of human ingenuity and emotional connection could lead to soulless and formulaic compositions. However, proponents of AI music argue that the technology has the potential to create melodies and compositions that are far more advanced than what most human producers are capable of. With access to the entire musical history of the world and an understanding of complex music theory, AI systems could potentially make creative choices that push the boundaries of what’s possible in music production. The Vibe and Essence of Worlds One of the most intriguing aspects of AI music generation is the ability to capture the essence and vibe of entire worlds or concepts. Recent breakthroughs at OpenAI, such as the Sora video generation AI, demonstrate the potential for AI to merge advanced natural language processing with generative adversarial networks or similar technologies used in image generation. Applying this concept to music production could enable AI systems to create compositions that evoke specific emotions, atmospheres, or narratives based on detailed prompts or descriptions. This could open new avenues for storytelling and immersive experiences in music, blurring the lines between audio and visual mediums. The AI-Human Collaboration While the prospect of AI-generated music may seem daunting to some, it’s important to recognize the potential for collaboration between human producers and AI systems. Just as AI-assisted tools have become integral parts of modern music production workflows, AI-generated music could serve as a starting point or inspiration for human producers to build upon. This collaborative approach could lead to unique and innovative musical experiences, where the strengths of human creativity and emotional expression are complemented by the computational power and pattern recognition capabilities of AI systems. The Future of Music Production: A Synergy of Human and Machine As AI technology continues to advance at an unprecedented pace, the future of music production is poised for a significant transformation. By embracing AI as a tool and collaborator, human producers can tap into a vast wellspring of creative possibilities, pushing the boundaries of what’s achievable in music production. At the same time, the democratization of music creation through AI could empower a new generation of music enthusiasts to become active participants in the creative process, fostering a more inclusive and diverse musical landscape. However, the true impact of AI on music production will depend on how the technology is developed and implemented. Ethical considerations, such as ensuring fair compensation for human creators and preventing the exploitation of AI systems for nefarious purposes, will be crucial in shaping the future of this rapidly evolving field. As we stand at the precipice of this AI-fueled musical revolution, it’s essential for all stakeholders – producers, artists, fans, and the broader music industry – to engage in open and constructive dialogue. By embracing the synergy between human creativity and machine intelligence, we can unlock new realms of artistic expression and ensure that the future of music production remains a harmonious blend of technology and human ingenuity.

The club has been closed for more than two years after it was set ablaze Continue reading...

DJ Dris is here with his newest Afro House release, ‘Work’ featuring the striking vocalist Natalie Graham. Set for release via the label Born Digital Music, this latest production places the unique creativity and sound that continues to mark DJ Dris out within the world of Electronic Music in the spotlight; a rising star in the music industry, DJ Dris continues to make waves with his unique blend of Afro House, Afro Tech, and Funky House beats, drawing in fans from across the globe with his distinct, vibrant energy. A former rapper and radio host, DJ Dris‘ diverse background sees him bringing a fresh perspective to his productions, setting him apart from others on the scene. Now, having worked with Natalie Graham previously for their track ‘Kiss and Tell’, DJ Dris is back with another emotive and refreshing collaboration with the vocalist. The daughter of the soul pioneer Jaki Graham, Natalie Graham appears with a unique set of experiences and expertise that enables her to add a distinct and original touch to any production. As she layers her soulful vocals into this new track, Natalie Graham‘s talents and love for music shine through, raising the dynamic and powerful energy that ‘Work’ delivers to its listeners. As ‘Work’ incorporates DJ Dris’ infectious rhythms and Natalie Graham’s soulful vocals, listeners are sure to enjoy the unique sonic experience on offer; with shuffled rhythms, tribal beats, and infectious melodic hooks, the track leads through a captivating soundscape, curating a listening journey that is sure to keep listeners on the dancefloor. As catchy motifs and layered vocals join the mix, the track keeps its high energy, shining a light on the soulful and funky style of both DJ Dris and Natalie Graham. ‘Work’ is out now and available to stream and download across platforms. So, make sure to stay tuned and follow DJ Dris for more feel-good releases as he continues to push boundaries and redefine the sound of Afro House within the realm of Electronic Music. Follow DJ Dris: Website | Spotify | Instagram Follow Natalie Graham: Website | Instagram Follow Born Digital Music: Instagram

DJ and music Producer BARKER is back with another hard-hitting Tech House release titled ‘Rodante,’ being released under S&S Sound House, BARKER gears up to present this energetic and electrifying release that brings his style and sound to the forefront, one that’s slowly but surely making a name for itself in the Electronic Dance music scene. Fast-growing and reaching new heights with every release and live performance, BARKER is certainly becoming a name to keep a close eye on; following his latest release ’Synchronize’ to great reception, this Chicago-based Producer is ready to unlock the next chapter of his promising career, presenting ‘Rodante’ to fans and followers across the globe, a track ready to lit up dancefloors. With a commanding and groovy bassline and a driving beat, ‘Rodante’ marks its beginning in full force, as the track progresses it features a rhythmic vocal sample that appears throughout it, guiding it and helping it unleash its unrestrained energy. Powerful synth lines, stabs and dynamic sonic elements add to the upbeat soundscape, that reaches its drops delivering a new level of energy every time. Lively, groovy and hard-hitting by nature ‘Rodante’ appears as a notable addition to BARKER’s powerful music release catalog, one that keeps growing with must-listens for lover of the genre. And while he keeps busy in the studio crafting his new releases, alongside a bustling live performance schedule, BARKER keeps promising energizing releases that keep the party going while cementing his name as one not to miss. ‘Rodante’ is out now and available on all leading streaming platforms and stores here. So don’t forget to follow BARKER across social media to remain updated on his latest releases, live show dates and projects, as this marks the beginning of a year filled with surprises and music from this talented DJ and music Producer. Follow Barker: Instagram | Spotify Follow S&S Sound House: Instagram | Beatport

Talented Producer and Live Performer A ON, is back with a bang with his latest production, ‘Span Attention’. As he offers listeners a thrilling sonic experience, one that will surely leave them transfixed by his powerful signature sound, A ON once again makes his unique talents known, solidifying himself as a dynamic and refreshing talent currently emerging on the Electronic Music scene. Known for his hard-hitting energy and innovative approach to Electronic Music, A ON continues to captivate listeners with his original sonic persona. His inventive creative practices set him apart within the genre, showcasing his talent and potential for growth within Electronic Music. Despite being in the early stages of his musical journey, A ON has already established himself as a striking talent, blending elements from Trance, Techno, and Acid House to create a sound that is both distinctive and potent. ‘Span Attention’ opens with intense synth hits, a pulsating beat, and a pounding bassline, creating an atmospheric sound that is sure to draw listeners in, leading them on a hypnotizing journey as the track drives forward. Featuring processed vocal samples, punchy leads, lively arpeggiators, and upbeat sonic details, ‘Span Attention’ keeps the energy high throughout, offering a layered and detailed soundscape for listeners to discover. With A ON‘s magnetic energy shining through in this production, the danceable vibes and catchy hooks will surely keep the listener’s ‘attention’ from start to finish, delivering a production that serves to highlight A ON‘s expertise in creating engaging and impactful music. Emerging as a must-listen track for fans of A ON and lovers of the genre, ‘Span Attention’ appears as the perfect showcase of A ON’s impressive skillset and abilities, cementing him as an exciting talent to watch once again. ‘Span Attention’ is out now and is available to stream and download across platforms. So, be sure to follow A ON across social media to stay updated on his latest releases and performances. Follow A ON: Website | Instagram 

Coming back with another groovy House track, Hotboxx drops another release as part of Vampire Sex’s new EP ‘Look Into My Eyes’, via Whoyostro, the track titled ‘My Thing,’ is a production that’s sure to keep the listeners on the dancefloor. Known for his signature sound and style, Hotboxx has continue to rise in the Electronic Dance music scene, having perfected his craft for over a decade, the expertise and qualities that he brings to the table are undeniable, as he continues to express himself through vibrant productions, episodes of his radio show ‘All The Smoke’, and dynamic DJ performances, as his distinct funky sound continues to evolve and expand, inspiring and gaining recognition from audiences around the globe. After a string of successful collaboration together, with the release of release of ‘Roatan’ and the EP ‘Wanna Know Sumthing About Ya’, Hotboxx and Vampire Sex join forces once more to bring yet another energetic production for listeners to enjoy, merging their styles and delivering a listening experience that is both vivacious and compelling, these two artists are ready to present their latest work. The feel-good track, ‘My Thing,’ takes the listener on a sonic journey that starts with a slow-build that then creates a momentum and space for uplifting soulful vocals to shine. The progression and rhythm of the track creates an anticipation with shuffled beats, booming thumps, pulsating bass lines, and layering with edgy guitar riffs, delivering a groovy House track that is infectious and inviting. With this release, Vampire Sex present this fun collaboration with Hotboxx, as a taste of the musical and diverse rich culture of the Miami music scene. Immerse yourself with this latest danceable release, ‘My Thing,’ out now on Whoyostro White Label and available to stream, and download across platforms here. Stay tuned for updates from Hotboxx and follow him via social media on all major platforms, as this producer promises new hard-hitting productions, as he continues to make a great feat in the House music scene. Follow Hotboxx: Soundcloud | Instagram | Beatport Follow Vampire Sex: Soundcloud | Instagram | Beatport Follow Whoyostro: Instagram | Soundcloud | Beatport