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Dynamic singer/songwriter ALANA recently dropped her first single of 2024, titled “Motherless Money,” accompanied by a music video and remixes from esteemed artist/DJs Franky Boissy and D-Stone. This captivating single intertwines elements of jazz, pop, and house, presenting not only a mesmerizing arrangement but also a bold commentary against vulture capitalism. Produced by Henry Binns, part of legendary duo Zero 7, the two prove to be a great team. His production seamlessly merges his mastery in blending downtempo sounds with ALANA’s sultry vocals that carries art pop and house influence. Together, they forge a composition that is not only sonically rich but also deeply emotionally resonant. ALANA, who grew up in Cupertino and San Francisco, cleverly channels her anti-corporate sentiment with lyrics that carry a poignant blend of personal reflection and societal critique, challenging listeners to consider their own relationship with the controligarchs they encounter. “If the archetype of a good mother is nurturing, selfless, compassionate, and life-giving, then this song suggests that the ways we are making money these days are void of these qualities and are instead ruthless, selfish, dispassionate and homicidal. There are multiple companies I could include in this criticism, but I will leave it up to the listener to make their own list. Perhaps it’s even the very corporation that they themselves work at.” – ALANA Check it out below! This article was first published on Your EDM. Source: Rising Indie Electronic Artist ALANA Teams Up With Zero 7’s Henry Binns For New Single, “Motherless Money”

Get ready to embark and explore the realms of electronic music as Brainjack, Vydia & Empowered join forces to present ‘The Kickoff’ ahead of Miami Music Week. Taking place on Wednesday, March 20th, 2024, at one of Wynwood’s hottest venues, Racket, this event promises an extraordinary fusion of musical styles featuring six globally recognized acts—Damon Sharpe, Electric Polar Bears, Ekonovah, PLS&TY, Honey & Badger, AllTalk, and Rich Dietz. The carefully curated lineup spans diverse genres, ensuring an electrifying experience for all attendees. Damon Sharpe and Electric Polar Bears promise unmatched sound design and visual enhancements, while rising stars like Ekonovah and PLS&TY add innovative production and emotive tracks to the mix. Dynamic duos like Honey & Badger and Rich Dietz contribute their signature styles, ensuring a night of unforgettable performances for music enthusiasts of all tastes. Admission to ‘The Kickoff’ is free with RSVP using the live link here. This article was first published on Your EDM. Source: Brainjack, Vydia & Empowered Present ‘The Kickoff’ For Miami Music Week – March 20

Mark your calendars and get ready to celebrate a musical milestone. Ultra Music Festival, the iconic Miami event that’s soundtracked countless memories and propelled electronic music into the mainstream, just announced its 25th-anniversary extravaganza. The historic celebration will take place March 28th-30th, 2025 and Ultra has already begun selling tickets ahead of this weekend’s event. A quarter-century is a significant milestone for any event, but for Ultra, it represents a legacy of groundbreaking performances, genre-defining curation, and pushing the boundaries of the electronic music experience. With each passing year, Ultra has managed to outdo itself, so it’s safe to say expectations are already sky-high for this landmark edition. While the veil remains firmly in place regarding the artist lineup and specific events planned, the announcement itself has ignited a firestorm of anticipation amongst dance music devotees. One thing’s for certain: Ultra’s 25th anniversary is shaping up to be an unparalleled spectacle, a chance to relive iconic moments and witness the future of electronic music unfold. Don’t miss your chance to be part of this historic event. Head over to the Ultra Music Festival website to join the waitlist and be among the first notified when the limited ticket pool goes on sale. Ultra Passport Platinum and Gold members should be sure to check their emails for exclusive access to the lowest-priced tickets available. Keep your eyes peeled for further announcements about the lineup, artist reveals, and everything else related to the highly anticipated #ULTRA25. This is sure to be a celebration for the ages, so make sure you’re a part of it! The post Ultra Miami Begins Selling 2025 Tickets Before 2024 Event Even Begins appeared first on EDMTunes.

When it comes to innovating and being the guiding force behind a brand new sound, look no further than Fully Focus and Sofiya Nzau. After going viral on the hit ‘Mwaki’, Fully Focus teams up with Sofiya Nzau to present us with ‘Mwanake’, the lead single from his brand new EP ‘Kikuyu House’. This brand new EP is the brain child of Fully Focus as he reimagines elements of Kikuyu music and blends them together with house music sounds to create a brand new sound that is set to take over the world in no time. The lead single, ‘Mwanake’, demonstrates this brand new sound to perfection. Fully Focus and Sofiya Nzau blend traditional Kikuyu music with modern house music sounds, paying homage to the original Kenyan song while injecting a modern twist. The single aims to bridge generational gaps and celebrate African music for a global audience. The song tells a story of unexpected love, echoing themes from legendary Kikuyu singer JB Maina’s earlier hit ‘Tiga Kumute’. Speaking on the release, Fully Focus said, “‘Mwanake ’is more than just a song; it’s the heart of the ‘Kikuyu House’ project. We aimed to honor the rich musical tradition of the Kikuyu culture while presenting it in a format that resonates with today’s borderless audience. This EP, starting with ‘Mwanake,’ is a journey through time, culture, and sound.” Sofiya Nzau added: “Working on ‘Mwanake’ was an enlightening experience, blending the traditional with the contemporary. This song, and the entire ‘Kikuyu House’ EP, represents a new chapter in our musical heritage, making it accessible and relatable to everyone, regardless of where they are in the world.” ‘Mwanake’ is available to stream on all major platforms here and gives listeners a taste of what to expect from the ‘Kikuyu House’ EP and sound.

On Thursday, March 14, the City Soul Bus that hosted the likes of Skrillex, Fred again… and Four Tet, had experienced a robbery. According to the GoFundMe fundraiser that Erin Moody established, the perpetrators robbed three CDJs, a mixer, two 15″ powered speakers and two 18″ subwoofers. The robbers also took other essential tools on that bus as well and those tools were necessary to carry on with a Riddim Bus event that will occur later this week. In the meantime, the City Soul Bus team are now trying to gather as much DJ/sound equipment as possible to make the upcoming Riddim Bus event an amazing one, even with the terrible things that just happened. City Soul Bus, bringing awesome pop-up parties throughout NYC Last month, City Soul Bus made waves by having Skrillex, Fred again… and Four Tet popped up in the middle of Times Square by providing a spectacular show for tourists and locals alike. Other notable artists who have appeared in the bus were BLOND:ISH, Baauer, and Ghastly. A unique aspect of the City Soul Bus is that the organizers do not just have artists who perform in just one or two genres but they invite artists who produce music from a diverse array of other musical styles. As of this writing, the City Soul Bus organizers have so far raised $6,500, which still has not met their total goal of $20,000. The funds that the organizers are raising will go toward replacing the stolen equipment, tools and crucial bus repairs, as well as important bus security while parking at any future location moving forward. The news are shocking and sad for anyone who love the genuine vibes of making good memories right on the spot. Any donation to the fundraiser will surely help the team reach their targeted goal. The post City Soul Bus Was Robbed of Valuable Production Equipment appeared first on EDMTunes.

APU Software has updated APU Loudness Compressor and APU Loudness Meter to version 2.3.2. Changes in version 2.3.2 include: Finally, good light themes. ... Read More

Porter Robinson, the artist behind tracks like “Language” and “Shelter,” took to social media today with a hint of a new single dropping tomorrow, March 20th. The news came via a single, intriguing image on Robinson’s Instagram link to Porter Robinson’s Instagram, Details are slim at this point, but it’s enough to pique the interest of Robinson’s dedicated following. Looks like it will be called ‘Cheerleader‘. Fans are already buzzing with speculation about the upcoming track. Robinson‘s Virtual Self project was known for its genre-bending explorations, while his recent work under his own name has ventured into new sonic territory. This leaves the sound of the new single wide open. Will it be a return to the electrifying energy of “Spitfire,” or will it push further into the atmospheric soundscapes Robinson built on Nurture? We’ll find out for sure tomorrow. Stay tuned to EDMTunes for any further updates on Porter Robinson’s upcoming single. The post Porter Robinson Announces New Single Name and Release Date appeared first on EDMTunes.

Join IMSTA (Intl. Music Software Trade Assoc.) and SAE Institute London as they host IMSTA FESTA, a celebration of music technology packed with Panels, Workshops & Master Classes, Song... Read More

For two days this summer, attendees of Germany's leading amusement park will need to hold onto their churros thanks to an innovative new music festival. Scheduled for August 31st and September 1st, the inaugural Heide Park Festival is Europe's first music festival in a theme park, according to its organizers. Transforming the grounds into one giant dancefloor under the stars, it's a festival built for both the young and the young at heart. Just like the park's many coasters, the festival offers a heart-racing free-fall into a new experience at the intersection of live entertainment and music. "We want to create an experience for our visitors that has never been seen before," said David Davood, Managing Director of HighLight Production GmbH. "There are already so many great festivals in Germany, but none that combine two worlds like us. A synergy of pure thrills and unforgettable moments of happiness for all ages. There is no better place for this than Heide Park Resort." Heide Park Organizers are expecting roughly 50,000 visitors at Heide Park over the course of the festival, according to a press release shared by our friends at DJ Mag Germany. The best part? A pass grants unlimited access to its many rides, including the behemoth "Colossos," Europe's highest wooden rollercoaster. Heide Park Festival's debut features a big lineup to mirror the euphoria of the venue's white-knuckle thrill rides. Hardwell, Don Diablo and The Chainsmokers are slated to headline, with additional performances on tap from Felix Jaehn, Julian Jordan, Mike Williams, VIZE and chart-topping singer-songwriter Zara Larsson, among others. Check out the full 2024 Heide Park Festival lineup below and purchase tickets here. View the original article to see embedded media. Follow Heide Park Festival:Facebook: facebook.com/heideparkfestival Instagram: https://www.instagram.com/heideparkfestival

Noisebud has released version 2.0 of its low-end enhancer Bear. The update includes changes to improve its stability on newer operating systems, as well as the addition of a new function... Read More

Noisebud has released version 2.0 of its low-end enhancer Bear. The update includes changes to improve its stability on newer operating systems, as well as the addition of a... Read More

Toontrack has released two new MIDI packs: Techno Textures MIDI pack and Melodic Techno Textures EZkeys MIDI. The packs complement each other and expand Toontrack's MIDI library for EZDrummer,... Read More

Roland has expanded its RD series of stage pianos with the RD-08, a new entry-level model designed for performing musicians. The RD-08 offers Roland's SuperNATURAL sound... Read More

Roland has expanded its RD series of stage pianos with the RD-08, a new entry-level model designed for performing musicians. The RD-08 offers Roland's SuperNATURAL sound... Read More

Twenty-eight years ago, a track was released that would become emblematic of an era and a genre: The Prodigy‘s ‘Firestarter’. Released on the 18th of March, 1996, ‘Firestarter’ was a groundbreaking piece of music, blending elements of electronica, breakbeat, and punk to create something entirely new and invigorating. Its raw energy and aggressive sound marked a significant departure from the rave-centric style The Prodigy was initially known for, propelling them into the mainstream spotlight. ‘Firestarter’ was notable not just for its unique sound, but also for its iconic music video featuring the late Keith Flint‘s unforgettable performance, which helped to cement the track’s place in music history. The song’s relentless beat, coupled with Flint‘s punk-infused vocals, made it a staple on dance floors and in the charts, reflecting the evolving landscape of electronic music in the mid-90s. The Prodigy, already established in the UK’s underground rave scene, broke into wider recognition with ‘Firestarter’, showcasing their ability to innovate and defy musical conventions. The track stood out for its fusion of electronic and punk elements, a reflection of the band’s diverse influences and experimental approach to music production. Today, ‘Firestarter’ remains a crucial track in the annals of electronic music, illustrating The Prodigy‘s significant impact on the genre. Its aggressive, high-energy style has influenced countless artists and continues to resonate with audiences, serving as a testament to The Prodigy‘s innovative spirit and lasting legacy in the music world.

10 years ago, the dance music world gave rise to a talent shrouded deep in mystery and broody productions. He would go by the moniker ZHU, and as a true testament to his electronic prowess, he quickly earned himself a Grammy nomination with his chart-topping debut single, "Faded." Throughout the decade, the San Francisco native would hone his sound, from the elemental tones of 2016's Generationwhy to the forward-thinking soundscapes found in 2021's Dreamland. Through star-studded collaborations and driving synths, he advanced his craft, with the future always at the bullseye of his target. However, for his next project, ZHU returned to the city by the Bay hoping for inspiration through introspection. And so, with his feet back on San Francisco soil, he tapped into his past, manifesting a bevy of melancholic melodies collectively christened as GRACE. Born out of the hallowed halls of the city's renowned Grace Cathedral, the aptly titled album reveals ZHU's pilgrimage from darkness to light. A deviation from his dancefloor-ready past, GRACE forces us to step into the mind of the virtuosic producer and follow along in his crusade. The Nob Hill sanctuary where the 21 tracks were recorded unearthed an array of emotions from ZHU, resulting in a vulnerable effort. Themes such as confusion, anguish, yearning and insecurity can be found throughout the two-disc album. ZHU.Henry Ammann Sonically, GRACE is cohesive, keeping course with bass and synth-heavy productions paired with ZHU's signature sultry, breathy vocals. However, the contemplative journey does take surprising deviations along the way, toying with different elements from across the music spectrum. In "Praise," for example, guitar stings tatalize while BANKS serenades us into an unexpected, spitfire rap alongside ZHU and bludnymph. Hip-hop beats can also be found in "Devil's Prescription" and "Blind Believer" (with Rea Cragun and Rexx Life Raj). Grimy, industrial productions are embraced in "Rolling" (with The Bloody Beetroots) and "Days Before Grace." Meanwhile, rock-inspired characteristics are prominently displayed in "Villain," "Love Is Strong" and "Thrill Again" (with UPSAHL). However, the best use of these hidden genres is in "Dragonfruit," where ZHU teams up with Emotional Oranges for a passionate, piano-driven gem. Here we find a surprisingly delightful exploration of drum & bass over a seductive lyric. The final standout on GRACE is its latest single, "Settle For Less," featuring Sabrina Claudio. Leading with a string of haunting keys over Claudio's soothing vocals, the cut crashes into a swell of rhythmic percussion as ZHU's notes join in midway. The record is then sealed with a kiss as a sultry saxophone sends us off. ZHU's excursion back to his hometown resulted in nearly two dozen tracks united by dark tones and minimalistic melodies. A compelling departure from his prior projects, GRACE is an artistic endeavor ZHU needed to pursue as he immersed himself in a spiritual realm surrounded by the stained glass windows and marble columns of the Grace Cathedral. Listen to the full album below and find it on streaming platforms here. Follow ZHU:Facebook: facebook.com/zhu X: x.com/zhumusic Instagram: instagram.com/zhu Spotify: spoti.fi/391vjDR

Justin Timberlake's latest album, Everything I Thought It Was bridges the gap between nostalgia and the novelty of the now, courtesy of Calvin Harris' Midas touch. Timberlake's latest marks his grand return since 2018's Man of the Woods, taking fans on a journey that intertwines the past and present into a new offering of dancefloor ready anthems. His collaboration with Harris kicks off with "F**ckin' Up The Disco," a track that immediately sets the dancefloor ablaze with a confident sense of rhythm and disco dynamism. Harris masterfully weaves twinkling synths and funky plucks through the fabric of the track, wrapping Timberlake's vocals in an angelic vocoder effect that elevates the song to heavenly heights. The next track, "No Angels" also features Harris' production and best embraces some of the album's central themes of letting go and losing yourself on the dancefloor. Harris' production meets the moment, wholly encapsulating the essence of contemporary dance music and transforming the space into a sanctuary of freedom and fleeting moments. Completing the triad of Harris' productions, "Infinity Sex" turns the funky dial up to eleven. The track is imbued with disco-centric production and effects that flirt with Timberlake's smooth and charming delivery, creating a playful yet sultry atmosphere that's irresistibly groovy. Between the efforts of the two powerhouse artists, Everything I Thought It Was stands as a celebration of collaboration and the enduring power of a good beat. In addition to Harris, the album features production from Louis Bell, Cirkut and, of course, Timbaland, among others. Check out Everything I Thought It Was, Timberlake's sixth studio album, in-full below. Follow Calvin Harris:Facebook: facebook.com/calvinharris X: x.com/CalvinHarris Instagram: instagram.com/calvinharris Spotify: spoti.fi/3mmhsk7 Follow Justin Timberlake:Facebook: facebook.com/justintimberlake X: x.com/jtimberlake Instagram: instagram.com/justintimberlake Spotify: tinyurl.com/4mp4z68h

Quasar will feature three-hour extended sets from a line-up of international DJs Continue reading...

Premier motorsports music festival GRIDLIFE Midwest has unveiled its impressive artist lineup for the 2024 event, featuring headliners Zeds Dead and experimental bass virtuoso Mersiv, both making their festival debuts. Joining them as first-time performers are genre-blending bass act Tape B, renowned dubstep duo Barely Alive, and experimental bass duo Eazybaked. Returning festival veterans include Detroit dubstep maestro G-Rex and percussion-oriented bass artist A Hundred Drums, along with SuperAve and Heyz presenting a special b2b set. Additionally, the event will showcase a wealth of emerging regional talent, including Acemyth, Karuth, Magnus, KTRL, Audia, and a b2b performance by N8 and Kacper Kawala. Known for its unique blend of music and car culture, GRIDLIFE Midwest has consistently featured top-tier musical acts over its 11 editions, including Big Boi from Outkast, Grammy-nominated producer Kaskade, trailblazing trap artist Waka Flocka Flame, indie sensation Oliver Tree, acclaimed DJ/producer A-Trak, and last year’s headliners like dubstep virtuoso Subtronics and rock-infused bass maestro Sullivan King. Paired with breathtaking drift exhibitions, races, and artist ridealongs, GRIDLIFE Midwest stands out as one of the world’s most exceptional cross-cultural events. Make sure to grab your tickets here! This article was first published on Your EDM. Source: Zeds Dead & Mersiv To headline GRIDLIFE Midwest 2024

KSHMR teams up again with Finnish singer-songwriter Tiina for his latest single “Happy,” a track that delves deep into the process of transforming trauma into empowerment and peace. This collaboration, marked by Tiina’s soulful vocals and the dark, energetic chords and melodies that KSHMR is known for, reflects a complex emotional and sonic journey. The lyrics, penned by KSHMR, reveal a story of overcoming trauma and finding a form of twisted zen in the aftermath, all within the framework of a dance song. “The lyrics are about being numbed by trauma and emerging with a twisted sense of zen,” KSHMR reveals, Tiina’s soulful delivery complements this theme, turning KSHMR’s deeply personal lyrics into a universal message of overcoming adversity. “To me, the song is about using hard times as fuel,” Tiina reflects on the track’s exploration of finding strength in vulnerability. The union of dark, Phrygian chords and deep lyrics against the backdrop of KSHMR’s pristine production flawlessly blends emotional depth with global main stage energy. The first time fans can hear “Happy” live, will be at KSHMR’s upcoming performance at the Ultra Music Festival this weekend. The post KSHMR releases powerful and personal single ‘Happy’ featuring Tiina ahead of Ultra Music Festival appeared first on Dancing Astronaut.

Just when you thought the lineup couldn’t get any better, Sol Fest Music & Arts Festival reveals their star-studded Phase 2 lineup for its 2024 edition, slated to take place from Thursday, May 2nd to Sunday, May 5th, 2024, at the new venue Vortex Spring in Ponce de Leon, Florida. The Phase 2 lineup announcement introduces three exciting new headliners making their festival debuts: the electronic-funk duo Big Gigantic, the high-energy bass maestro NGHTMRE, and the experimental bass virtuoso Peekaboo. These heavy-hitters join the previously-announced headliners REZZ, CloZee (with two sets), LSDREAM, Bob Moses (with a club set), Dabin, Dr. Fresch, Elderbrook, G Jones, Lettuce, Of The Trees, and Barclay Crenshaw, promising Sol Fest’s most impressive lineup yet. The Phase 2 billing also features debut festival performances from talented support acts such as Jantsen, a favorite from Subsidia Records, and the progressive rock/livetronica pioneers Papadosio, who will deliver a mesmerizing sunset set. In celebration of its third annual edition, Sol Fest will offer multiple stages with no overlapping sets, ensuring attendees can catch every performance without scheduling conflicts. This setup promises a seamless experience of world-class music from start to finish, eliminating the typical festival dilemma of choosing between simultaneous sets. Don’t sleep on this one, make sure to get your ticket here! This article was first published on Your EDM. Source: Florida’s SOL Fest Announces Big Gigantic, NGHTMRE, Peekaboo and more to join previously-announced headliners REZZ, CloZee

Armed with a subtle yet rumbling soundscape that gradually escalates into an intricately woven electronic frenzy, LA-based electronic producer Bisaria has marked himself as an artist who’s making incredible strides in the industry. Known for weaving Indian themes into his music, he strongly believes in expressing elements of his culture through his sound and aesthetic. Similar sounds and touches can be heard in his original track “Fortress”. His live performances also feature something very distinct – the alto-saxophone – skillfully played by Bisaria himself. He has showcased his talent across major cities including Miami, San Francisco, Chicago, New York, and Las Vegas, serving as a supporting act for major artists such as Deadmau5, Flume, Rezz, Duke Dumont, Aluna, Aminé and more. Now, he’s presented a breathtaking rendition of the renowned movie Dune’s expansive soundtrack. By starting with Hans Zimmer’s minimalist “Gom Jabbar” track as a foundation and incorporating a primal, tribal scream, Bisaria introduces slow-burning, pulsating percussion and an elegant sitar, yielding a remarkably refreshing interpretation. The result is simultaneously edgy, mysterious, haunting, and compelling, encapsulating a captivating blend of elements. “The genesis of this remix was an homage to the ethereal and powerful essence captured in “Gom Jabbar” from the 2021 film, Dune. Hans Zimmer’s vision to “unleash that inner strength” through a singular, primal vocal note resonated deeply with me. This track is a fusion of that inspiration with the rich vibrancy of Indian music, embodied through a prominent sitar melody I composed. This piece is one of my attempts at bridging the world of electronic music with my cultural background, akin to Zimmer’s quest for music that defies the conventional, marrying modern with the classical.” – Bisaria We had the opportunity to chat with Bisaria some more about this work. Check it out below! What initially drew you to Hans Zimmer’s “Gom Jabbar” track from the Dune soundtrack, and what inspired you to create a remix of it? – The vocal element of “Gom Jabbar” instantly evoked memories from my childhood, particularly the singers at the temples we visited in Rajasthan. Did you often watch Dune throughout your studio sessions for this remix? I didn’t necessarily watch the film throughout the studio sessions, but I did often explore the rest of the Dune soundtrack, as well as other pieces by Hans Zimmer from different films. Separately, there was a re-release I attended ahead of Dune 2’s premiere. Watching it again in a theater setting made me glad I acted on the inspiration I felt two years ago upon my first viewing. “Fortress,” your latest original track, also features Indian sonic elements. How do you ensure that these cultural elements are authentically represented in your music while still maintaining a contemporary electronic sound? For tracks that lean towards Indian motifs, the inspiration often comes unexpectedly and from a variety of sources — perhaps most often while listening to (western) classical music if it’s in the minor pentatonic scale. Just to be clear — I don’t position myself as a traditional Indian musician schooled in the genre, but rather as someone deeply influenced by classic Bollywood and religious Indian music from my upbringing — those melodies/scales/instruments resonate with me profoundly. I don’t know if that means it’s not “authentic,” but I suppose authenticity is subjective anyway in this context. We understand that you incorporate the alto-saxophone into your live performances. How does this instrument add to the live experience, and what led you to include it in your sets? I started playing the alto-saxophone, clarinet, and baritone-sax at age 12, eventually traveling the country in high school to perform as part of a jazz band. The real push to include the alto-sax in my live sets happened while watching a Big Wild show for the first time back in 2018 — his sets involve mixing live instruments with dance music in a way that just clicked for me. It made me think, “Hey, I can bring my own twist to this.” So, having been able to play for so many years, it was easy for me to identify moments in a typical DJ set where a sax could enrich the track. The natural evolution of this was for me to start including it in my original music — the most prominent track with sax thus far has been “Chase” which I released last year. Having supported major artists like Deadmau5, Flume, and Rezz, what have been some standout moments or lessons learned from these experiences that have influenced your own musical journey? Sharing the stage with giants like Deadmau5, Duke Dumont, and Rezz was like taking an advanced course in how to truly connect with an audience. Watching them work, I saw firsthand how they craft a journey through their sets, blending emotions and energy to create unforgettable experiences. Prior to opening for these artists, I adopted a highly analytical approach, dissecting their sets to understand the timing between tracks, transition styles, crossover elements, the pacing of BPM throughout a set, and more. Understanding their techniques in this way taught me the importance of flow in a live set, how to weave together different tracks while placing them in the larger context of the full performance. The biggest takeaway for me has been the value of staying present and adaptable. I very quickly moved away from pre-planned sets in favor of a more fluid, dynamic approach, allowing me to better engage with the audience and react in real-time. This article was first published on Your EDM. Source: [INTERVIEW] Bisaria Unveils Incredible Take On Hans Zimmer’s Dune Soundtrack

The short film captures the scale of the sounds with interviews from festival founders and artists Continue reading...

When it comes to breakthrough producers in the 140 space, few are as refined as Eater. Hailing from Italy, he’s earned support from the likes of Zeds Dead, Excision, and even BBC Radio One for his thrilling tracks that go just as hard in the studio as they do live. His trajectory is nothing short of incredible, which in turn has given us much excitement whenever he announces new music. Via his Instagram, he’s teased a brand new EP titled ‘Master’ – set for release March 20. Signed to Florida’s prestigious bass label Wubaholics, fans can count on a exhilarating experience filled to the max with energy. Eater’s growing impact is clear as he has garnered interest from around the globe, with numerous opportunities on the horizon for 2024. Though details are currently kept under wraps, fans can anticipate exciting developments, possibly including ventures in the United States. Stay tuned but in the meantime, pre-save the single here! This article was first published on Your EDM. Source: Rising Bass Music Phenom Eater To Drop ‘Master’ EP – Out March 20

Above & Beyond's Tony McGuinness ensures that even in the land of nod, the beat goes on. In celebration of World Sleep Day, the influential trance music outfit teamed up with Pandora for a special takeover of "Sleep Radio." McGuinness lent his voice to the classic English fairytale Jack and the Beanstalk, bringing a narrative to listeners seeking a retreat from the day's hustle and bustle. Since their transformative sunset yoga set at Burning Man in 2014, Above & Beyond have embarked on a journey to integrate their sonic creations with practices that enhance mental and physical health. Their meditative Flow State album from 2009 stands as one notable byproduct of their artistic journey thus far at the nexus of electronic music and wellness. "We are delighted to have this opportunity with Pandora, not only to take 'Flow State' into its next chapter but also to showcase our wider repertoire of ambient music and incredibly talented artists," said Angus Maxwell, Director of Streaming and Promotions at Involved Productions. "This has been a huge focus for us in the last two years, and 2024's 'World Sleep Day Partnership' feels like the perfect opportunity to celebrate and showcase that… while hopefully providing a suitable soundtrack and story to a good night's sleep." Fans can listen to Above & Beyond's full takeover of "Sleep Radio" here. FOLLOW ABOVE & BEYOND:Facebook: facebook.com/aboveandbeyond Instagram: instagram.com/aboveandbeyond X: x.com/aboveandbeyond Spotify: spoti.fi/3fHhX1z