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Coachella’s Quasar stage is set to level up in 2025. After a show-stopping debut last year, the festival's newest stage, which is dedicated electronic music, is back with a brilliant lineup and a brand-new experience in partnership with Red Bull. Goldenvoice has revealed the 2025 Quasar stage lineups, and this year’s edition is bringing even more star power to Coachella's ever-growing electronic music presence. The festival’s second year hosting the futuristic stage will host three-hour DJ sets from some of dance music's biggest names and a handful of rare b2b sets. Weekend One will kick off with The Martinez Brothers going b2b with Loco Dice, followed by a performance from Barry Can’t Swim alongside 2ManyDJs and salute. Tiësto will take over Quasar on Sunday to close out the weekend. Weekend Two raises the stakes with deadmau5 performing under his techno alias, TESTPILOT, for a special b2b set with ZHU. Kaskade will deliver one of his beloved "Redux" sets with Idris Elba on Saturday before Alesso closes out the stage on Sunday with the return of his Body Hi alias alongside Gorgon City. Coachella Valley Music and Arts Festival Coachella Valley Music and Arts Festival Coachella is also introducing new infrastructure in the form of the Red Bull Mirage, a sprawling, 20,000-square-foot, multi-level installation directly across from Quasar. The first level will provide a premium dining experience while the second will function as an invite-only loft. The top level will be a private viewing deck, offering unparalleled views of Quasar and the festival grounds at large, per Billboard. For more on Quasar, read our interview feature with its designer, Heather Shaw, CEO of the multidisciplinary production studio Vita Motus. The firm was ultimately named 2024's best music company in EDM.com's list of the year's top industry leaders. Tickets to Coachella 2025 are on sale now. Follow Coachella:X: x.com/coachella TikTok: tiktok.com/@coachella Instagram: instagram.com/coachella Facebook: facebook.com/coachella

MITCH DB drops his next collaborative project, now coming together with Jungle Jonsson to release his Techno anthem, ‘Only You,’ featuring Vocalist Jessica Chertock. Continuing to appear as a relentless force on the Electronic Music scene, keeping up a rapid release schedule filled with both original material and reworks of iconic hits, MITCH DB has made himself known: making strides when it comes to affirming a reputation as a prominent figure in the genre, his listenership continues to expand, sure to see even more fans captivated as he adds this latest hard-hitting single to his discography.   From crafting impactful DJ performances to releasing productions that bring similar heights of lively energy, MITCH DB continues to work at solidifying his name amongst the top performers on the scene, seeking to set himself apart with his high-powered style and infectious sound. As he builds connections with listeners through both his live shows and releases, designing musical experiences that surprise, engage, and captivate, his journey within Electronic Music continues to foster exciting opportunities and bring a steady stream of notable achievements. Having toured Europe and South East Asia, all whilst amassing over 90 million streams across platforms, he continues to raise the bar, building on his momentum as he brings yet another bold track for listeners to enjoy with ‘Only You.’   As he joins forces with Jungle Jonsson, a Swedish Producer and DJ steadily carving his own path, having had a background writing and producing for top industry names like Aronchupa, Blasterjaxx, Jubel and Nicky Romero, MITCH DB offers a seamless fusion of their creative approaches, resulting in a track that highlights their combined artistry and brings a fresh dynamic to his catalogue. From the outset, ‘Only You’ establishes a high-energy vibe; bringing uplifting piano motifs, shuffled percussion, and sharp low-end elements, the track builds a strong instrumental foundation for Jessica Chertock to weave her vocals into, creating a powerful arrangement where the expressive layers can shine. As the vocals elevate the lively quality of the production whilst acting as the guiding force for the sonic journey, ‘Only You’ moves deeper into a hard-hitting groove, with intense rhythms and stuttering details crafting a full body of sound. With a pulsing bassline and robust textures, the production maintains a steady momentum, moving through breakdowns and impactful moments of sound with precision and engaging flow. As he brings another dynamic release for listeners to discover, MITCH DB continues to push forward with determination and purpose, aiming to introduce fresh, innovative sounds to the global Electronic Music space whilst sustaining authenticity in his creative voice. So, a track primed for peak dancefloor moments and introspective listening alike, listen to ‘Only You’ now and be sure to keep up with MITCH DB by following his across social media. ‘Only You’ is out now via Soave Records and is available to stream and download across platforms.   Listen and Buy ‘Only You’ Here:     https://soaverecords.lnk.to/onlyyou0 MITCH DB Online     Spotify | Instagram | Website    Jungle Jonsson Online     Spotify | Instagram Jessica Chertock Online Instagram | Spotify Soave Records Online   Website | Instagram The post MITCH DB Continues His Rise with Hard-Hitting New Track ‘Only You’ appeared first on EDMTunes.

Valley Community Theatre is the latest nominated charity of Operation Payback, which aims to take funds confiscated from drug dealers community projects in Liverpool Continue reading...

With less than a month until we’re back in the desert, Coachella surprises us yet again. This time, they are announcing a new multi-level structure catered to all tier guests near the Quasar stage, which is making it’s return after its debut year in 2024. In partnership with Redbull, the 20,000 sq ft Redbull Mirage structure will provide hang opportunities to all guests, including special performances. Moreover, the Goldenvoice festival also revealed the lineup for the Quasar stage, providing different extended sets for both weekends. Quasar Lineup Weekend 1 will take place April 11-13. On Friday, trio The Martinez Brothers will play b2b with Loco Dice, turning the heat up with their Latin House flavors. On Saturday, Barry Can’t Swim joins 2ManyDJs and salute for a special b3b. Trance and Big Room giant Tiësto will close out Weekend 1 for a special solo extended set. Weekend 2 turns to the darker side. From April 18-20, attendees will enjoy a very different lineup from the weekend before. Friday, deadmau5’s techno Alias Testpilot will b2b with Zhu, enchanting with their deep and darker sounds. Then, Kaskade brings his more melodic and chill side with a redux set, in company of Idris. Lastly, Gorgon City completes the lineup in a b2b with Alesso’s Body-Hi set, a special and unique House-oriented performance from the EDM icon. Redbull Mirage Structure Right across from Quasar stage, the Redbull Mirage Structure will provide a new experience to guests and artists. The 20,000 sq ft space will provide access to all ticket tiers. The structure has bars, shade, and activation areas for everyone to enjoy. The first level has a fine-dining experience. Level two is an invite-only loft that is dedicated to artists, guests, and media. The top level is a private perch for artists and guests, to enjoy the view of Quasar Stage and the field beyond festival grounds. The Quasar stage keeps the momentum of last year. The stage was extremely successful and it made tons of edm fanatics happy with extended DJ sets. Moreover, The futuristic and smooth design added a new edge to the festival. With the addition of the Redbull Mirage Structure, it appears that the stage will be a long-term investment for the festival. The post Coachella Announces Quasar Lineup & Redbull Mirage Structure appeared first on EDMTunes.

The US rapper helped to organise the disastrous 2017 event alongside Billy McFarland Continue reading...

The South Asian collective said it would continue to platform artists from the diaspora "without letting our spaces be complicit in genocide" Continue reading...

After more than 100 million streams with Pillowtalk band, Lil’T releases his first solo album: pure indie dance PillowTalk member Michael Tello steps into the spotlight with his solo project, Lil’T, unveiling his ambitious new album, Back 2 The Future. This genre-defying 10-track release seamlessly fuses elements of electronica, indie dance, future house, dub, and garage, featuring a dynamic lineup of talented collaborators. Available for DJs on Beatport. Back 2 The Future is an intimate and dynamic project that reflects Tello’s enduring passion for beat-making, sound design, songwriting, and vocal production. This album crafted a sonic timeline that encapsulates works assembled for two decades. During its fabrication, Lil’T seized the opportunity to tap into and display his personal writing and production style. The album starts with ‘Mama Knows Best,’ a dubby intro by Aquarius Heaven about life’s ups and downs and smiles and frowns. Next is ‘Open Your 3rd Eye’ where Tone of Arc, shares his reflection on consciousness, spirituality, and the cosmos, complemented by Hannah Noelle and Lionize’s infectious vocal mantras. ‘Eyes Wide Shut’ is a lithe collaborative groove produced with Tone Of Arc that’s filtered, pained vocals, chunky, funky beats, and driving horns bring the music to the heart. There is a sultry, playful mood throughout this record on cuts like the 80s-tinged synth sounds of ‘C 2 Believe’ with Wolf + Lamb and PillowTalk vocalist, Sammy D. The album’s self-titled track ‘Back 2 The Future’ which features Lil’T on vocals takes the journey even further into the dancefloor. ‘Free Yo Body’ is a warm message from newcomer Jowil De La Vega to the world, snappy kicks and sultry R&B tones on ‘Giving All My Love’ engulf ears and spark a fun duet with Hannah Noelle and Lil’T on backing vocals. The deep performance by Big $exy on ‘Don’t Make Me Wait’ decrescends the album as ‘Memories of Mumbai’ brings star-gazing melodies, poetic lyrics, and driving polyrhythmic drums and bass to continue its saga. ‘Super Sound Boy’s’ sun-kissed dub sound closes with Hannah Noelles’ R&B delivery and Greg Paulus’s smokey, laid-back trumpet. Back 2 The Future is a timeless fusion of sounds, songwriting, and moving grooves that reveals more with every listen. Listen to Lil’T discography on Spotify and follow the artist on Instagram @mikeyliltello and check the record label’s website pillowtalkmusic.com The post Pillowtalk Music presents Lil’T first album: Back 2 The Future appeared first on Electric Mode.

A new era for nightlife discovery has arrived with Dancefloor, the revolutionary platform for finding the best DJs and club nights in your city. Available now on iOS and Android, it is the one and only place to go whether you’re planning ahead or looking for a spontaneous night out. Dancefloor is to club nights what Songkick is for gigs. The simple to use platform keeps you in the loop with personalised notifications whenever your favourite DJs are playing near you. The daily feed also highlights what’s trending, ensuring you never miss a must-attend event, but it is more than just an app for fans, it’s a game-changer for DJs and promoters. The Dancefloor platform also helps up-and-coming artists connect directly with promoters and secure gigs in an increasingly competitive industry. Promoters, in turn, can maximise their event success with advanced marketing tools, personalised discovery through notification channels and a next-gen ticketing system. Dancefloor is an independent platform created by people who live and breathe dance music. It’s not a corporate behemoth, it is here to strengthen and uplift the vital communities which are the lifeblood of the scene while also helping artists and promoters thrive. Founder & CEO Ben King started coding in his teens and has been a tech entrepreneur ever since. After being immersed in the dance music world he grew frustrated at the offerings of existing platforms so was inspired to build Dancefloor. Ben explains, “I wanted to build Dancefloor mostly for myself. It was annoying having to bounce around multiple apps, and it was surprisingly hard to find out when my favourite DJs were playing in my city. Since the app went live, the reaction has been incredible. Fans are really discovering so many new artists and events. There is so much we can do here to help fans and the wider dance community, and we’re just getting started.” The platform is tailored to three key groups, each with unique features. For fans, they can discover new DJs and events through a personalised feed, get instant alerts when their favourite DJs announce local shows and get closer to artists with music and video integrations via Spotify, YouTube, Boiler Room and Soundcloud; users can even connect their Soundcloud accounts to sync up followed artists, so they never miss a show. For DJs, Dancefloor promises more gigs with fewer barriers as promoters can identify the up-and-coming artists blowing up within their customer base and perfect for their next event, directly connecting with their booking contacts with no middleman. For promoters and venue owners, Dancefloor is all about building your community, with messaging functionality for announcements or post-event feedback, real-time analytics for tracking marketing performance, and tools to incentivise customer loyalty with automatic return discounts and unlockable perks. Dancefloor is about keeping the dance community alive and thriving. Its mission is to get you out of the house, onto the dancefloor and into your next unforgettable experience. The post DJ and club night discovery platform Dancefloor launches to help local music communities thrive appeared first on Electric Mode.

Jody Vukas continually steps out as a motivated force on the Electronic Music scene; having been paving his way with his heavy-hitting style, he remains motivated in his work ethic, finding creative energy and focus through his passion for music. With his listenership only expanding and artistry evolving, Jody Vukas is making his ascent, aiming to take the genre by storm and share his unique signature sound with the worldwide Electronic Music community.  Growing his discography of tracks, he continues to offer listeners fresh-sounding releases, delivering productions where each track is as distinct and impactful as the last. From blending in the bold and relentless energy of Electronic Music substyles like Melodic, Tech, and Progressive House to continually working to push boundaries and innovate through his work, Jody Vukas has crafted a sonic identity that demands attention. As he creates music that balances driving basslines with hard-hitting beats, establishing tight grooves and rhythmically complex arrangements, he makes clear his technical proficiency, creativity, and skill, offering immersive musical experiences through his work. An ability that extends to his pursuits behind the decks, Jody Vukas designs live performances that uphold his powerful signature style; sustaining the engaging quality of his studio productions, his DJ sets bring thoughtfully constructed journeys, reading crowds to ensure the vibes remain high and dancefloors continually energised. As his list of live performances keeps growing, seeing him take to stages worldwide, Jody Vukas continues to work at gaining recognition, seeking to become a sought-after act in the global Electronic Music space and a name well-recognised across the community. As he looks ahead to the next year of his career, Jody Vukas’ fans should no doubt look forward to more releases and live shows soon, seeing him maintain the momentum he has cultivated through his journey, continuing to build on the successes he has achieved to date. Having had music reach the Beatport charts, together with earning support from industry heavyweights like Dowden, DJ Chus, Steve Lawler, and many others, Jody Vukas has stepped out as a talent ready to make an impact, seeking to push his name further forward and connect with his global network of fans. Whether delivering work from inside the studio or putting forward his magnetising stage persona, there is one thing that remains a constant for Jody Vukas – his love for music; the foundation around which he builds his pursuits, his enthusiasm continues to guide his journey, supporting his endeavours and laying the groundwork for a promising future within Electronic Music. So, a Producer and DJ to watch out for, be sure to keep an eye on Jody Vukas by staying tuned to his latest news, updates, and releases via social media. Jody Vukas Online    Website | Instagram | Spotify   The post Crafting His Sonic Identity: Jody Vukas’ Ascent in Electronic Music appeared first on EDMTunes.

Music promotion platform Collabhouse today unveiled their eagerly anticipated new ‘Campaigns’ feature. The online marketplace tool allows music makers to connect directly with content creators for bespoke music promo campaigns across social media channels including TikTok and Instagram. For their part, content creators stand to reap the benefits of a new stream of revenue and easy access to the pre-cleared international music industry with high quality music in every genre. The rise of social media content creators – and their increasingly pivotal role in breaking tracks into the wider global consciousness – is something that Collabhouse has placed at the heart of its mission to disrupt and revolutionise the music market, as Chief Marketing Officer Andy Berendsen explains: “Influencers are shaping the future of music marketing, and with ‘Campaigns’ they have a platform designed specifically for their creativity. The ‘Campaigns’ feature makes it easier than ever to work with top artists, drive engagement, and be part of something bigger in the music industry.” Content creator Ida Celine (@idacmusic) agreed, adding: “Music and content go hand in hand, and Collabhouse just made it easier for creators like me to work directly with artists. I love the challenge of making something unique, knowing that my creativity can help push a song to a global audience!” The proof of how successful a Campaigns feature could be is already out there. DJ Mag Top 100 stars BEAUZ beta-tested it last year for their hit single ‘Lick It’ and the results made them completely re-evaluate their relationship with the traditional music release model. Using targeted creator partnerships to tap into TikTok’s ‘ravetok’ scene, the duo achieved a 300% increase in streaming figures (5.7million), a 650% increase in the amount of video creations using the single (73,000),and an incredible 750% increase in the amount of engagement with the track across social platforms (53 million interactions). “Working with Collabhouse has been an absolute game-changer,” admitted one half of the duo, Bernie Yang. “At first, we turned to Collabhouse to release tracks that didn’t quite fit traditional labels. But to our surprise, those tracks ended up outperforming our previous label releases. Looking back, it’s clear why: what we put out through Collabhouse is our pure, unfiltered sound, the music our fans connect with most because they can’t find it anywhere else. “On top of that, Collabhouse’s influencer campaigns consistently provide a major boost, perfectly aligning with today’s music landscape – where social media and content drive discovery. “We’re incredible proud that our top two tracks on Spotify were released through Collabhouse. And shout out to their staff team, Riccardo and Marko for always being there with us.” To celebrate the launch of Campaigns, Collabhouse are inviting content creators to use three new tracks on the platform: Naak’s ‘Feeling My Way Out’, ‘Neglect’ from Dreamkiller, and ‘Ocho’, a co-production from KEVU and BEAUZ, with a huge €5,000 prize fund at the ready for creators whose content impresses their in-house marketing team. To enter, visit www.collabhouse.com/promotion/creator-competition. Create a Collabhouse account, pick a track, create a video, then post and tag using #CollabhouseCompetition. Entrants are free to create and upload as many different videos as they like, with each one counted as a separate submission. Entries must be submitted by April 10th, and the judges’ decision is final. For full T&Cs visit the www.collabhouse.com. The post Collabhouse’s ‘Campaigns’ Promises to be a Game Changer for Music Promo appeared first on Electric Mode.

Spanish powerhouse B Jones is riding an unstoppable wave, and her latest collaboration with Australian superstars NERVO is a testament to just how far she’s come. As one of the most in-demand DJs to emerge from Spain’s electronic scene, B Jones has cemented her place on the global stage with performances at Tomorrowland’s mainstage, residencies in Ibiza, and high-profile sets across the world. Now, she joins forces with the iconic NERVO sisters for “Wherever You Go (featuring Eke),” a soaring, emotionally charged track drenched in the late ’90s and early 2000s Ibiza/trance nostalgia that is out on Tomorrowland Music. “Wherever You Go” is more than just a track – it’s a cross-cultural celebration of powerful female talent, a nod to golden-era dance music, and a timeless anthem ready to ignite dancefloors worldwide. “‘Wherever You Go’ – a journey through nostalgia merging progressive with trance sounds. Crafted with two incredible sisters I deeply admire, blending emotion and energy into something truly special. This one hits differently,” says B Jones, whose recent rise has made her one of the most compelling female artists in the global dance scene. While NERVO needs no introduction – with Grammy wins, global chart-topping hits, and an unwavering presence in the dance world – this collaboration marks a fresh chapter for the duo. “We were going for euphoric dance/trance vibes and are so happy to have our first-ever release with B Jones on Tomorrowland Records! We hope you guys love it,” the sisters share. B Jones, currently ranked #94 on DJ Mag’s Top 100, made history as the first Spanish artist to perform on Tomorrowland’s iconic Mainstage in 2022 – and she’s only soared higher since. With 2025 appearances confirmed at Tomorrowland Winter, Boom, and Brazil, her name now graces the world’s biggest festivals. As a regular resident at David Guetta’s, Tiësto’s, Tomororwland’s or Kygo’s residencies in the past, B Jones brings an electrifying blend of big room, trance, and tech-house to every stage she performs at, from Ushuaïa to Tomorrowland, EDC Mexico, Lollapalooza Berlin, Neversea, Mysteryland, Dreambeach, MDL Beast, DPW Jakarta, Palmesus, Creamfields Chile, Dreamfields Mexico to Parookaville, to name just a few. She’s also the founder of ARRYBA MUSIC – a label, brand, and community empowering Spanish-speaking artists – and continues to inspire as a keynote speaker and role model for women in dance music. With releases on Tomorrowland Music, Spinnin’, Dim Mak or Sony, and her own imprint, plus collaborations with icons like Steve Aoki and NERVO, B Jones is a true force shaping the future of electronic music. Having written and produced hits for the likes of Kylie Minogue, Ke$ha, The Pussycat Dolls, Afrojack, Steve Aoki and Miley Cyrus (Hannah Montana) to name a few, and receiving a Grammy Award for writing ‘When Love Takes Over’ for David Guetta and Kelly Rowland, the duo sisters of NERVO from Australia have risen to stardom with their songwriting skills alone. Add to this a DJ schedule spanning over 200 live shows worldwide per year with main stage slots at some of the world’s biggest festivals (Tomorrowland, EDC Las Vegas, Lollapalooza, and Creamfields), residencies at super clubs Omnia, Hakkasan, and Wet Republic in Las Vegas, Ushuaia in Ibiza, climbing as high as #16 in the DJ Mag top 100 DJs while continuing to hold the title of world’s highest ranking female DJs, a chart-topping debut album ‘Collateral’ in 2015 to high critical acclaim and reaching #1 on iTunes to a string of club hits of their own including some of their latest releases like “In Your Arms,” “Champagne,” and “Best Friend” which has been labeled as the release song for the new Apple iPhone x Spinnin titled “Alone”, and their debut label GOT ME BABY! RECORDS, it’s fair to say NERVO are credited with being one of the biggest dance acts in the business. The post Triple Girl Power – B Jones and NERVO Channel Electronic-Dance Nostalgia with New Single “Wherever You Go,” Featuring Eke. Out Now on Tomorrowland Music appeared first on Electric Mode.

The label said he was only attempting to sue because he “lost a rap battle” Continue reading...

What’s the best advice you’ve ever received as an artist? “Stay true to yourself.” That’s something I always carry with me. The music industry can be filled with external pressures, but it’s crucial to follow your own path. Authenticity will always stand out. How do you handle creative blocks or times when you’re feeling uninspired? I find inspiration in everyday life—whether it’s a trip to a new place, a conversation, or just a quiet moment. When I feel blocked, I take a step back from the studio and let my mind wander. Sometimes the best ideas come when you stop forcing them. What’s the process for developing your unique sound and keeping it evolving? I experiment with different genres and elements—whether it’s world music, techno, or house—and incorporate what resonates with me. I try to evolve by pushing the boundaries of what I’ve done before while staying grounded in my cultural influences. How do you engage with fans after your performances or releases? I love engaging with fans through social media and in person. After performances, I always make time to connect with people, whether it’s through a quick chat or a photo. I value their feedback and always try to show appreciation for their support. What’s something people might be surprised to know about you? I’m very hands-on with all aspects of my music, including mixing and mastering. A lot of people don’t realise how involved I am in every detail of the production process, but it’s important to me that the final product reflects my vision. If you could perform anywhere in the world, where would it be? I would love to perform in places like Africa or South America, where the music culture is deeply rooted in rhythm and storytelling. I think the energy in those places would be incredible to experience. The post DJ DALI Talks Music, Creativity, and Connecting with Fans appeared first on Electric Mode.

If anyone is fluent in genre-fusing bangers it’s Janaway. Renowned for his bass-driven tracks infused with rackety breaks and soulful melodies, the upcoming producer has been making serious waves in the jungle scene. Janaway’s hit tune ‘Till Dawn’ demonstrates this, with captivating melodies and vocals, it’s no surprise it’s become one of his most notable tracks so far. Going back a bit, the vinyl and digital release of his Inna The Dance EP on Sub Code Records in 2023, followed by an EP on N4 Records in 2024, generated considerable hype in the underground scene. Additional releases on his label, Brazen Records, include collaborative EPs with Worselyy and Cheetah, plus a heavy-hitting remix of Cheetah and DJ B’s ‘Addicted’. Beyond these releases, the Bristol-based producer/DJ has received widespread recognition from the likes of Nia Archives, Tim Reaper, and Sherelle. It’s safe to say that 2024 was a remarkable year for Janaway. We saw an exciting collaboration with Cheetah on the remix of DJ Sofa and Tim Reaper’s ‘Helsinki to London Connection’ featured on FutureRetro’s FR036 EP. Debuting at Glastonbury, Boomtown, and Outlook Origins with the Singularity UK crew, he established himself in the underground and commercial circuits. This year, he’s set to return to a sunny stage at Outlook Origins festival with Guido YZ and Da Bass Injector. However, Janaway decided to launch a new project last summer, self-releasing Vol.1 of his Jungle Funk series. Rooted in a ‘junglist mentality’ combined with classic baile funk samples, this latest project has become the perfect platform for experimenting with his blend of UK dance music and traditional Brazilian rhythms and vocals, reflecting his dual heritage. After two successful Jungle Funk releases, Janaway’s third installment just released on March 12, continuing to reinforce his avant-garde approach to cross-cultural bass music. Seamlessly blending his multicultural influences with forward-thinking production, this release delivers some of the finest 150-160 BPM-infused tracks, encapsulating modern bass culture at its best. The soundsystem-ready opening track, ‘Dança’, perfectly embodies this cultural and sonic fusion, sampling Brazilian funk lyrics layered over heavy grime and electro-inspired rhythms. This is followed by the infectious ‘In Ur Eyez’, which samples the iconic lyrics from Ciara’s 2000s R&B hit ‘Get Up’ ft. Chamillionaire. The fusion of unique cross-genre sampling with rave-infused bass and breaks makes it a standout and defining reflection of the current underground club climate. Your recent productions draw a lot from your Brazilian heritage. How has that influence evolved? Throughout my childhood, I visited my family in Rio quite often. But after going a few years without visiting, it felt important for me to return—especially to experience it musically as an adult. I’ve always wanted to incorporate my Brazilian heritage into my music, and these trips helped inspire that. I’ve always loved DJ Marky and DJ Patife—the bossa nova-infused drum and bass sound and my mum would always jokingly play the rhythms of samba on anything she could find in the house. This meant I was always looking for a way to blend Latin influences with jungle, but it wasn’t until I went back that I realised this fusion was already happening, just from a different perspective. In Brazil, the music is deeply rooted in Brazilian culture while also drawing elements from UK sounds like grime, garage, and dubstep. It was truly eye-opening. You’ve just come back from your trip to Brazil, how was it? I went with good friends Guido YZ and P.A.B MC, but it was a coincidence. I was initially just visiting family, but since they were heading out there as well, we decided to make a trip out of it. We hit up São Paulo, which has such a great music scene. It was also such a cool experience to check out some of the radio stations there. Big thanks to our friends Gustavo and Tiemi, whom I met on my first ever trip to São Paulo last year. They run +55 Radio Show, a radio show based in Brazil, which we did a set for on Veneno Radio, it was wicked. They got a monthly show on Veneno, which is also broadcast on Mode Radio London, so it also reaches the UK. I got to do a mix with them last year too, which was broadcast on both shows. It’s great to see the connection between Brazil and the UK and how that influence flows between the two. Oh, sick! Yeah, I also got to play at a wicked venue and street party back in 2023 (shouts to the Grau & UDUB420 crews)—it was amazing to see how the scene operates out there and how community-driven it is. Honestly, São Paulo is such a great city for music and art—it’s an incredibly vibrant and diverse place. I met some amazing people out there who helped create inspiring and beautiful memories. 2024 was a busy year for you, what was it like playing at Boomtown, Glastonbury and Outlook Origins for the first time? It’s something I’ve always wanted to do since starting music, especially at Boomtown as it was a hugely inspiring festival for me when I was younger. I’d been playing regularly around the UK and Europe, but last year was my first run at festivals like Boomtown, Glasto, and Outlook Origins. It was particularly special to share the stage with such incredible talent in the scene—shout out to Michael (Cheetah) and Ariel (Da Bass Injector). It felt like a full-circle moment for all of us. How did your relationships with Singularity UK evolve to the point where you’re now sharing stages at these festivals? I feel like Singularity UK always comes up among our generation when talking about UK rave music. I remember Ariel hit me up, back in 2021. At that time, their SoundCloud was mostly popping off with drum and bass. They released my tune, ‘Junglism’, on Demolition Squad—a proper ruff-n-ready jungle track that gained some traction. Eventually, they asked me to play at one of their events in London after lockdown ended, with that set being my first time playing outside of Bristol. It was great to build a relationship with them through that. I already respected what they were doing, so it was great to be part of it—especially since they’ve always pushed against the grain and rejected the status quo of the scene. What stood out to me was that they were doing all of this from such a young age and just how influential they were & still are for many new-age artists. Over the years, we’ve travelled pretty much everywhere together—including many long car journeys to Amsterdam. Amsterdam Sessions, I mean those parties are something else! You’ve got Singularity UK x N4 Records x Percy Mingle all in one space. What is it like to play amongst such company? I’ve been lucky enough to play at all three of them so far. Honestly, that space is incredible. And the people are even more amazing. It wasn’t my first international set, but I can speak for all of us when I say that the first party at Het Groene Veld was definitely a massive lightbulb moment. It was completely packed, we had 4am Kru for the first one, and it was rammed. Everyone was just like, “Wow. Okay, damn”. What makes it so special is the venue’s historical link to free party raves in the ’90s, staying in such a communal living space—there’s such a deep-rooted connection, and it’s still going strong. How did collaborations with Tim Reaper, DJ Sofa, and Cheetah come about? I first got into jungle through listening to the old school tunes, but when I got older and started hearing Tim Reaper’s stuff, it completely changed my perspective on how to produce jungle. I love melodies, and his tracks really resonated with me in that way. His prolific output and label inspired me so much that it motivated me to start my own label, Brazen Records. In terms of the FutureRetro remix—Cheetah, Tim Reaper, and I did a two-hour B2B last year at Venue MOT, it was an honour to play together. Right at the end, Tim played the Soeneido remix of ‘Helsinki to London’, then turned to us and said, “You guys want to remix it?” Of course we said yes, and that’s how it came about. Collaborating with Cheetah over the years has been great, I think we’ve influenced & helped each other a lot. How did you develop such a close relationship with Cheetah? I was playing at Electrowerkz in 2022 for a Singularity UK event when he came up to me and said, “Let me send you some tunes.” The next day, on the coach back, I listened to them. He was moving to Bristol in a couple of weeks, which led to a lot of meetups and collaborations on new tracks. We talked about how, in Bristol, there were so many people making jungle, but it felt a bit out of reach for us since we’d only just started. I think collaborating pushed us to make more music as it was a constant exchange of ideas and tracks that kept us motivated. Over time we’ve become great friends aside from the music. How is it to be part of the scene in Bristol? We started with small events at The Crown, where Brazen and Kafka Radio were some of the first proper dance music nights at the venue. Those times at The Crown were wild. Over time, the venue has become a key hub for the music community, making it a great place to host events with both familiar faces and bigger names. The turning point was our Brazemania event at Crofters Rights, which has since closed. The support that night was incredible, proving there was a space for these events—where we didn’t just play pure jungle, but also rough n’ ready hardcore and happy hardcore. There’s a clip from that night, where the venue is still packed when the lights come on at the end—it was a very special moment. We had Louise Plus One, Hughsee, and DJ B, who produced the Brazemania EP on the label alongside Cheetah. What are your thoughts on the current state of the rave scene? With smaller clubs shutting down, I think it’s crucial for people to rethink where raves happen. There’s the free party scene of course, which originally emerged from similar circumstances in the ’90s. But lately, I’ve noticed more raves popping up in already existing spaces—bars, cafés, even street parties. I think it’s hugely important to make use of any space where you can put on a rave or create a gathering, regardless of whether it fits the standard club setting. If only the UK had fewer restrictions on outdoor parties. I think street parties and open-air events in cities are vital for every generation, especially now when people have fewer financial means and fewer free events to access. The idea of creative spaces that are publicly available to everyone is something we should be focusing on going forward—figuring out how we can sustain and push the dance music scene in new ways. Let’s talk Jungle Funk. How did the idea for creating the series come about? When I came back from São Paulo in 2023, my eyes were wide open. I was already making racket, big ups to Guido YZ and his label, Racket Recordings. But since I started producing jungle, this was the first time I was making something that wasn’t just jungle. It was incredibly freeing to get involved in this new sound. What really inspired me when I was there was the drive to be as creatively experimental as possible—it’s what everyone craves. The soundscapes and sonics were so industrial and almost jarring, but in an intriguing way that just makes you want to dance. I decided to self-release it because I wanted real creative control, to develop the concept and execute it exactly as I envisioned. A massive shout out to Dani for the artwork—she’s ridiculously talented. We worked together on the concept and design for the series. Three Jungle Funk releases in, this might be the third and final one. We’ll have to see! Tell us a bit about the recent release of Jungle Funk Vol. III. Apart from ‘In Your Eyez’, the whole EP is deeply rooted in Brazilian influence, especially in the vocals and rhythms. The ‘Dança’ vocal sample and lyrics reflect the classic Brazilian funk vibe, making it my favourite track on the EP. I created it after Full Effect from the previous Jungle Funk release, which was heavily influenced by electro. At the time, I was deep into heavy Detroit techno and electro, a phase that stemmed from seeing Detroit In Effect in Berlin last year—a truly inspiring experience. A lot of the inspiration for this EP comes from old-school baile funk, which actually stems from Miami Bass in the late ’80s and ’90s. It’s a blend of influences—old-school funk is quite different from what most people associate with baile funk today. Another influence on the project has been carnival season in Brazil – it’s made me really crave being there. The final track ‘What Da Funk?’ of the EP is my interpretation of that. While I’ve added my twist to it, carnival was the main inspiration. The melody and drums have a UK funky vibe, but it still carries its own distinct flavour. A lot of these tracks also reflect my desire for summer, almost as a form of escapism amongst the dark and grey months just gone. SPEEDTEST x Singularity UK has just been announced, could you tell us what we can expect from this upcoming event? We’ve teamed up with Brazilian crew – SPEEDTEST to throw a party at The Distillery in London on Friday, 28th March. While electronic dance music is huge in Brazil, SPEEDTEST are definitely at the forefront of Brazil’s underground bass music scene. They came to Bristol as part of their European tour, and we met up with them to discuss bringing them to London. They’re also closely linked with The Brazil Grime Show, which has gained a huge audience on YouTube. It’s amazing to see the crossover between UK and Brazilian music being taken to all parts of the world. The night won’t be just Brazilian music, SPEEDTEST blends UK music with Brazilian sounds, but in a different way than we do it. It will be a mix of genres, with plenty of jungle and grime expected. It’s exciting to bring people from different scenes and backgrounds together. There will be a lot of B2Bs, and all the DJs are going in with the freedom to play what they truly want and experiment. I think these kinds of spaces are so important where artists should have the creative freedom to play fresh stuff without worrying about crowd-pleasing & commercial success! SPEEDTEST X Singularity UK at The Distillery N17, London What can we expect from you going forward? I’ve been in the studio a lot, experimenting with different sounds, incorporating jungle at the heart of it all. I think it’s inevitable and healthy for genres to develop, and I’m really excited to continue releasing lots of new music this year and continue showcasing my sound! In terms of sets, I’m playing in a few European cities in the coming months, including Istanbul, Barcelona and am gassed to be returning to Outlook Origins with the crew!

After a tour in Latin America, WLHM presents a deep and percussive sonic journey alongside Abel Djassi. WLHM and Abel Djassi introduce “Echo Nexus,” a track that blends deep techno with tribal energy. Released under Siblings Audio on March 13th, the collaboration explores hypnotic rhythms and organic textures, offering an immersive club experience. Available for DJs on Beatport. “Echo Nexus” is built around pulsating rhythms and evolving soundscapes. The track captures a trance-like movement through layered drum patterns and atmospheric synths. The organic percussions and deep basslines create a raw yet fluid groove, designed to engage both body and mind. WLHM and Abel Djassi’s cultural influences shape the track’s unique character. With WLHM’s background in Latin America and Abel Djassi’s roots in Cabo Verde, the composition integrates diverse rhythmic traditions into a modern electronic framework The production process began with an instinctive approach, focusing on rhythm as the core element. The artists experimented with percussive textures using drum machines like the Elektron Analog Rytm and the Roland TR-8S, while incorporating organic elements such as hand claps and wood hits. The Moog Sub 37 provided warmth to the bassline, and the ASM Hydrasynth contributed atmospheric depth. Listen here: “We wanted to create something that feels ancestral yet modern, something that taps into the primal instinct of movement and dance. The idea was to fuse organic percussion with a driving, hypnotic groove to create a sonic journey that feels almost ritualistic”, comments WLHM. The creative direction was influenced by artists such as Ben Sims and Chris Liebing, along with the ritualistic aspects of dance music. The objective was to translate the energy of tribal beats into a hypnotic techno structure. The result is a track that feels alive, evolving dynamically through subtle sonic shifts. The collaboration between WLHM and Abel Djassi was facilitated by their long-standing friendship. As the head of Siblings Audio, Abel Djassi, also known as Natalino Nunes, provided a natural home for the release. The shared vision and trust between the two artists streamlined the creative process, ensuring the track aligned with their artistic direction. About the creative process, Abel Djassi commented: “Instead of relying solely on drum machines, we incorporated recordings of organic sounds—hand claps, wood hits, and even processed field recordings—to give the rhythm a more primal, human feel.” “Echo Nexus” is now available on all platforms. This release marks the beginning of an ongoing collaboration, with additional singles set for April and May. The artists continue to explore new sonic territories, pushing the boundaries of rhythm and atmosphere. LISTEN HERE The post Echo Nexus: A Hypnotic Fusion of Tribal Rhythms and Techno by WLHM and Abel Djassi on Siblings Audio appeared first on Electric Mode.

join forces for “Bacilando”, a scorching new release on Future House Music that effortlessly blends euphonious Latin vocals with a darker, underground edge, and a dose of EDM/festival-oriented atmosphere. Opening with soulful melodies and sultry lyrics, the track quickly evolves into a high-energy roller with driving rhythms, growling basslines, and a slick progressive house and melodic techno backbone. The contrast between the emotive topline and hard-hitting production makes “Bacilando” a standout cut – built for both late-night club sessions and peak-time festival sets, just as the season starts to sizzle. Öwnboss shares: “The catchy vocals and the dancing beats are what defines this song for me, together with a Latin vibe that has a lot to do with my roots. The strong EDM production gifts the listener with balance, in a track that will be perfect for clubs and festivals worldwide.” Fafaq adds: “Blending melodic vibes and fresh EDM feel, fuego vocals, melodic atmosphere with deep basslines and driving rhythms that captivates the listener ear from the very beginning. The song crafts a sound that resonates on both streaming platforms and a dance floor. Happy to release this one with Öwnboss and the FHM team.” Öwnboss Renowned Brazilian DJ Öwnboss has not only lived up to the hype but exceeded expectations, earning a spot on One World Radio’s prestigious list of the 20 most promising artists for 2022 at Tomorrowland. Recognized as one of the most streamed DJ in Brazil, Öwnboss boasts an impressive 5 million monthly listeners on Spotify and has amassed over 5 billion streams across all major digital platforms. Öwnboss’s chart-topping track, “Move Your Body,” has propelled him to international acclaim. The song secured the 4th spot on 1001 Tracklists’ ranking of the world’s most-played songs, dominating the Bass House releases on Beatport for an impressive 11 months. The DJ further solidified his position by clinching the Best Bass House Song of the Year at the EDM Awards 2022 with the infectious anthem, “Move Your Body.” Öwnboss’s music has transcended traditional boundaries, finding its way into popular gaming titles such as EA Sports Formula 1 and Psyonix Rocket League, featuring official soundtracks from “Move Your Body” and “RIOT,” respectively. Renowned for his remix prowess, Öwnboss has reimagined hits by industry giants like Tiësto (“The Motto”), David Guetta (“Crazy What Love Can Do”), Dimitri Vegas (“The Drop”) and Paul Van Dyk (“For An Angel”). The artist’s versatility is underscored by collaborations with major labels including Spinnin’ Records, Musical Freedom, Revealed Music, Monstercat, Armada Music, Tomorrowland Music, and more. Öwnboss has left an indelible mark on the global music scene, gracing the stages of iconic festivals and clubs such as Tomorrowland, Rock In Rio, Lollapalooza (Sao Paulo and Berlin), Creamfields, Electric Love Festival, Airbeat One Festival, Sunrise Festival, Amnesia, Superbloom Festival, Nature One Festival, Pacha Ibiza, Green Valley, and numerous others worldwide. With momentum only growing, Öwnboss continues to shape the future of electronic music. Ghost Smoke Text Effect Fafaq Fafaq constantly experiments and seeks inspiration while trying to overcome the boundaries of various genres. He passionately discovers new music territories. Originally from Poland, Fafaq was smitten by music since he was a kid. He spent every spare moment composing his own tracks, creating unique style, and improving DJ techniques. Music became his hobby, a way of living professionally, and a field for constant exploration. He has recently played at the biggest events and festivals in the last few years, including Tomorrowland. His melodic signatures like “Tiger” (together with R3HAB and Skytech) or bassline electro monster “Indigo” and “Fever” (together with Yves V and Skytech) were supported by the biggest artists such as Tiësto, Martin Garrix, R3HAB, NERVO, Sander van Doorn, W&W, DVBBS to name a few. Besides that, he had successful collaborations with Firebeatz “Sir Duke” and Jordy Dazz “Jumbo,” played in every set by Calvin Harris. One of his latest songs “Stay” was featured as the main theme of Tomorrowland Unite 2017, after that, he released an instant future house song – “Teenage Crime,” featured in Tomorrowland Winter 2019 after movie and a collaboration with MOTI on “ICE,” which gained big support from biggest DJs in the industry. Öwnboss: Facebook | Instagram | X | Spotify Fafaq: Facebook | Instagram | X | Spotify Future House Music: Facebook | Instagram | X | Spotify The post Brazilian Superstar Öwnboss and Polish Talent Fafaq Team Up for Sultry Festival Mix of Latin-Techno-EDM Sounds on “Bacilando” appeared first on Electric Mode.

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Renowned French techno maestro POPOF and acclaimed vocalist Sarah de Warren have joined forces to deliver their exhilarating new track, “Reactivated,” set for release on March 14, 2025, via the esteemed Filth on Acid label. A stalwart in the techno and house music scenes, POPOF has consistently pushed sonic boundaries throughout his illustrious career. His extensive repertoire includes collaborations with iconic acts such as Depeche Mode, The Chemical Brothers, and Moby. His recent releases, like the “Maze Distortion” EP on Factory 93 and the “Gold” EP on Patrick Topping’s Trick label, or collaborations with Alan Fitzpatrick and Mumbai Science, have further solidified his status as a pioneering force in electronic music. Meanwhile, Sarah de Warren has rapidly ascended as one of the most sought-after vocalists in electronic music. Her distinctive voice has graced tracks by industry titans including Hardwell, Kaskade, KSHMR, Maddix, Hi-Lo and Lilly Palmer. Notably, her collaboration with Eli Brown on “Be The One” became a massive summer hit, resonating across global stages from Calvin Harris’ set at Coachella to the main stages of Tomorrowland, EDC, and Ultra Music Festival. More recently, ‘Act Of God’ with Layton Giordani shot to no.2 on Beatport, whilst being heavily supported by John Summit, Dom Dolla and Diplo. “Reactivated” is a testament to the synergy between POPOF’s masterful production and Sarah de Warren’s hypnotic vocals. The track is characterised by a menacing bassline, solid drums, and synths that infuse dance energy, while de Warren’s vocals add a compelling human element, ensuring the track resonates on dance floors worldwide. This collaboration not only showcases the individual talents of POPOF and Sarah de Warren but also highlights their ability to innovate and push the boundaries of techno music. “Reactivated” promises to be a standout release on Filth on Acid, further cementing their positions as influential figures in the electronic music landscape. BUY / STREAM: POPOF X SARAH DE WARREN – ‘REACTIVATED’ HERE The post POPOF and Sarah de Warren Unite for Electrifying New Single “Reactivated” on Filth on Acid! appeared first on Electric Mode.

Influential Italian electronic duo Mathame return with a highly anticipated new single, ‘Humans’, which is much more than just another release—it’s a cultural moment where the worlds of music, technology, and emotion all collide in unprecedented ways. Before its debut, Mathame first teased the record last week by erecting huge billboards around the world displaying the word “HUMANS” and completely transforming their Spotify visuals to match. They then announced the exclusive Spotify release this Wednesday, March 12, with a global release following on Friday, March 14. In a bold experiment, Mathame shared ‘Humans’ with ChatGPT, an AI designed for rational analysis. As well as a technical breakdown, the AI responded with something unexpected: a sense of emotion. It described the track as “beautiful”, admitted to sensing longing, and even expressed a desire to “move with it” before adding that it wished it had a body to feel the music the way humans do. This viral moment has sparked global discussions on AI’s evolving connection to human creativity. For an exclusive look at how ChatGPT reacted to “Humans” and unveiled the track’s emotional depth, click here Reflecting on the deeper meaning behind the release, Mathame explain: “What if sound is what defines us as Humans? Even in the face of technological evolution? If so, we stand for a world that will set it free, untouched by imposition. Together in the unknown, you will never dance alone.” ‘Humans’ already holds legendary status as it was first played at Coachella 2023, then unveiled in its final form at the Las Vegas Sphere with ANYMA, complete with a new topline and immersive visuals. Now, it’s set for an exclusive debut on Spotify with a strategic campaign designed to dominate socials, editorial placements, and playlists. This is another bold, forward-thinking move from Mathame, who are renowned for serving up transportive music that transcends genres. They have played everywhere from Mount Etna to key festival stages worldwide, always making poignant connections with their crowds. Mathame’s cutting-edge new show NEO continues to leave dancers in awe. After a special edition at Ushuaïa Dubai on NYE, the show now heads to South America, with massive performances at Autódromo Buenos Aires in Argentina on April 12 and Espacio Riesco in Chile on April 5. All this follows a standout recent collaboration with John Summit and a remix of Calvin Harris’s ‘Free’ with Ellie Goulding, proving that Mathame continues to lead from the front. BUY / STREAM: MATHAME – “HUMANS” Instagram | Facebook | Spotify | Soundcloud The post Mathame Shares New Song ‘Humans’ With AI and the Bot Starts Feeling Emotions appeared first on Electric Mode.

Berlin-based DJ and producer Grayson Repp is stepping up his game once again, dropping his latest single, ‘Heart and Soul’, via Gray Area Recordings. As the official lead DJ for the FIFA World Cup 2026, Repp isn’t just soundtracking the biggest sporting event on the planet, he’s crafting euphoric, emotionally charged experiences for stadiums and dance floors alike. With over 3 million Spotify streams and heavyweight backing from Tiësto and The Chainsmokers, Repp’s rise has been nothing short of meteoric. Having shared the stage with Travis Scott and served as the Head DJ and Music Director for FIFA’s 2022 World Cup, CONCACAF Gold Cup/Nations League Finals, and Copa America 2024, his sound has reached over 2 million fans live and 1.5 million more via broadcast. Now, he’s ready to take things even further with a series of releases in 2025. ‘Heart and Soul’, is a love letter to unexpected romance, blending progressive house with afro-inspired elements, a signature Repp touch influenced by the late Avicii and Keinemusik. Expect soaring melodies, deep grooves, and pure dance floor euphoria. Beyond the decks, Repp is also spearheading a FIFA music project, ensuring his sound resonates worldwide throughout the 2026 tournament across the USA, Mexico, and Canada. With a packed year of performances and collaborations ahead, ‘Heart and Soul’ is just the beginning of what’s shaping up to be a defining era for the rising star. Stream ‘Heart and Soul’ now on all major platforms and stay tuned for more from Grayson Repp as he continues to push the boundaries of electronic music on a global scale. INSTAGRAM BUY / STREAM: GRAYSON REPP – ‘HEART AND SOUL’ HERE The post FIFA’s lead DJ Grayson Repp drops euphoric new single ‘Heart and Soul’ on Gray Area Recordings! appeared first on Electric Mode.

Italian DJ and producer duo Sisters Cap have announced two upcoming performances in Tuscany this March. On Saturday, March 22, 2025, they will take the stage at La Villa del Colle in Collesalvetti (Livorno), followed by a second performance on Saturday, March 29 at Drop in Piano Coreglia (Lucca). Adding to their growing list of achievements, one of their tracks has been selected for the soundtrack of the new documentary about the Tomorrowland festival, further cementing their influence in the electronic music scene. Sisters Cap, made up of Floriana B. Capriati and Ilenia R. Capriati, have been active as DJs and producers since 2013. Over the years, they have performed in some of the most renowned clubs worldwide, including several listed in DJ Mag’s Top 100 Clubs. Their international performances include appearances at Aquarius, Kalypso, and Papaya in Croatia, Titos in Palma de Mallorca, Bees House and Playhouse in China, as well as Pasha and Playboy Club in India. Their music blends house and progressive house with elements of future rave, a genre that fuses techno and progressive house while maintaining strong melodic energy. This genre has been popularized on the world stage by David Guetta and Morten, who hold a residency at Hï Ibiza, the world’s number one club according to DJ Mag’s Top 100 Clubs ranking. At the end of December, Sisters Cap’s track “Save My Life” was selected for the soundtrack of One Year, a documentary capturing the highlights of the 2024 edition of Tomorrowland—one of the most iconic electronic music festivals globally. 🎵 Watch the official track here: Save My Life – Sisters Cap Sisters Cap have an impressive discography, with releases on Protocol Recordings (Nicky Romero’s label), Smash Deep(a sub-label of Smash The House, owned by Dimitri Vegas & Like Mike), and Revealed Recordings (Hardwell’s label). In 2024, they were featured with a DJ set on InDaKlubb, a long-running Radio 105 show created and produced by Andrea Belli. This program has been on air for over twenty years, consistently spotlighting the best of the global DJ scene. On November 24, 2024, they made their debut on the Refinement label with their single “Toma Dale”, a milestone in their career. As their presence in the global electronic music scene continues to grow, Sisters Cap remain a dynamic force in the industry, blending high-energy performances with cutting-edge productions. With upcoming shows, prestigious releases, and a feature in Tomorrowland’s latest documentary, 2025 is shaping up to be another landmark year for the Italian duo. CONNECT WITH SISTERS CAP The post Sisters Cap Announce March 2025 Tuscany Dates and Tomorrowland Documentary Feature appeared first on Electric Mode.

Recut, the elusive DJ and producer whose roots trace back to Southern Italy but whose sound resonates globally, is back with a scorching new release titled “Narcotic Tango”. This four-track EP, out on vinyl only, is a deep dive into the raw energy of Acid House and Chicago’s underground, delivering an unforgettable experience for both DJs and dancefloors alike. Opening with “Narcotic Tango”, Recut lays down a track with intense rhythmic drive. The throbbing bassline and shimmering hi-hats combine with a tantalizing arpeggio that elevates the track to a hypnotic level. It’s a club banger with an irresistible groove, and once you’ve heard it, you won’t forget it. Next up, “Acid Street” transports listeners into a world of deep, dark synthetic atmospheres. The pounding drum machine and the rumbling analog bassline carry the track forward like an unstoppable force, while the overall vibe conjures a sense of gritty dancefloor energy that never lets up. “Jack On Acid” brings the heat with an unapologetically raw Chicago-inspired sound. With a deep, looping acid groove and a steady, driving rhythm, it channels the essence of the Windy City’s storied dance music tradition, offering pure, unfiltered Acid House energy. Finally, “Feel The Heat” kicks things into overdrive with its infectious blend of New York house and Latin-infused vibes. This track is all about dancing until the break of dawn, breaking boundaries with its smooth yet aggressive energy and contagious rhythm. Recut’s unmistakable style shines through, blending the wild, experimental spirit of Acid House with the raw, soulful energy of Chicago House. Whether you’re a vinyl collector, a club DJ, or simply a lover of pure dancefloor joy, this EP is an essential addition to your collection. A seasoned DJ and producer with a passion for underground sounds, Recut has been carving his name in the electronic music scene for years. With his eclectic mix of influences and cutting-edge production skills, he continues to push boundaries and captivate audiences worldwide. The post Recut, the elusive DJ / producer and Italian record label, returns with Narcotic Tango, four-track EP appeared first on Decoded Magazine.

Balance Series · Balance Selections 317: Praveen Achary Praveen Achary stands out in the progressive house music landscape, not just for his captivating DJ sets that span the globe but also as the juice inside the respected label Juicebox Music. Since launching in 2013, the label has been a launchpad for both emerging and established artists, fostering a rich community around its distinct sound. Achary’s own musical contributions have earned him spots on heavyweight international record labels and a regular presence on Beatport’s Top 100 Progressive House Charts. His commitment to the genre is reflected in his remixes for top-tier acts like Above & Beyond and in the vibrant, evolving sounds his label promotes, marking him as a pivotal figure in shaping the future of progressive house. On this Balance Selections mix, the Indian selector showcases his impeccable knack for progressive house, weaving through its various shades with a masterful touch. Featuring tracks from artists like Nhar, Analogue Jungs, and Gai Barone, he crafts a journey that is rich in texture and effortlessly engaging. The post Mix of the Week – Praveen Achary appeared first on Decoded Magazine.

With Ultra's 25th anniversary and the return of Winter Music Conference on the horizon, Miami Music Week is about to reach new heights in 2025. And at the heart of it all is The Clevelander, a Miami Beach staple set to host a weeklong celebration of electronic dance music. Known for its lively ambiance and prime location, the iconic Art Deco hotel is joining forces with EDM.com along with 1001Tracklists and a number of other influential outlets to bring a cant-miss party experience to the Magic City. From high-energy festival anthems to sleek underground grooves, this year's events promise a flavor for every taste. The Clevelander's parties throughout the week will feature an impressive mix of electronic music talent, like NITTI, Henry Fong, Kaleena Zanders and Rich DietZ. The week also brings exciting sets from the likes of Linney, the EDM.com Class of 2025 star whose DJing and powerhouse vocals elevate any party; dubstep and bass music heavyweights Badklatt and DirtySnatcha, ready to shake the pool with their heavy-hitting beats; and Ekonovah and PLS&TY, who will also be bringing their visceral house beats. c/o Clevelander South Beach c/o Clevelander South Beach With events hosted by PEAK HOUR, Baddies Only, Thicc Beats and more, The Clevelander is the place to be for anyone craving a true Miami Music Week. You can find the hotel's full list of events below and purchase tickets here. Also, now through March 30th, readers of EDM.com can also use the code EDM25 for a 25% discount on their stay at either property on any dates through the rest of the year. The offer is subject to blackout dates. Wednesday, March 26, 2025Pool Patio (11 AM - 7 PM): Midas Touch feat. NITTI, Henry FongPool Patio (9 PM - Close): Alom Colombia x One Night OnlyRooftop (11 AM - 9 PM): EDM.com & Friends feat. Henry Fong, Kaleena Zanders, moreRooftop (9 PM - Close): Empowered/Brainjack/Vydia ShowcaseThursday, March 27, 2025Pool Patio (11 AM - 7 PM): Splash DownPool Patio (9 PM - Close): Neon Owl + StudioRooftop (11 AM - 7 PM): 1001TracklistsRooftop (9 PM - Close): 1001TracklistsFriday, March 28, 2025Pool Patio (11 AM - 7 PM): Drip CityPool Patio (9 PM - Close): Drip CityRooftop (11 AM - 7 PM): Kristina SkyRooftop (9 PM - Close): Kristina SkySaturday, March 29, 2025Pool Patio (11 AM - 7 PM): BADDIES ONLYPool Patio (9 PM - Close): Dombresky, CloverdaleRooftop (11 AM - 7 PM): Thicc BeatsRooftop (9 PM - Close): Off The GridSunday, March 30, 2025Pool Patio (11 AM - 7 PM): La YoucyPool Patio (9 PM - Close): ARC at Sea Closing PartyRooftop (11 AM - 7 PM): Clear Artists ShowcaseFollow Clevelander South Beach:Instagram: instagram.com/clevelandersobe Facebook: facebook.com/Clevelander

Electronic music artist Deathpact is facing serious allegations following a recent meet-and-greet session where a fan accused the artist of inappropriate conduct. The incident has ignited widespread discussions within EDM community, with fans expressing a mix of outrage, disappointment, and calls for accountability. The controversy began after Reydn Thammavongsa, the boyfriend of the victim, posted on Facebook describing an alarming interaction that allegedly occurred after Deathpact’s recent set. According to his account, his girlfriend approached Deathpact to take her first-ever picture with the artist, excited to commemorate the moment. Deathpact’s Response: “We Take This Seriously” In response to the allegations, Deathpact’s team released an official statement on Facebook, acknowledging the incident and expressing regret. They claim they were unaware of the situation until the victim and her boyfriend reported it after the meet-and-greet. The statement emphasized that the team took immediate accountability upon learning of the allegations and personally apologized to the victim. Furthermore, all future meet-and-greets have been suspended indefinitely, with the team stating they are currently re-evaluating safety protocols to ensure such incidents do not happen again. Outrage from Fans On Reddit and Facebook, many users have condemned the artist’s actions, with some pointing out that video evidence appears to contradict claims that it was an accident. “You can clearly tell Deathpact knew what they were doing, especially after she tried to cover herself with her hand.” Another user echoed frustration over dismissals of the incident, stating:”The incident is disgusting and shouldn’t be played down as an accident and ‘a bandwagon’.” A different user on Facebook highlighted concerns over Deathpact’s anonymity, writing. “Knowing he’s hidden behind a mask and it could be any unidentified member of your team is lowkey gross.” Bigger Issues in the EDM Scene: A Pattern of Allegations? This incident is the latest in a troubling trend of misconduct allegations within the EDM industry. In recent years, multiple prominent artists have been accused of similar behavior, including: Bassnectar, who stepped away from the scene following multiple accusations of sexual misconduct. Tale of Us’ MRAK, who faced allegations of rape and sexual abuse earlier this year. The Deathpact incident has reignited calls for better safety measures at music events, particularly regarding artist-fan interactions during meet-and-greets. The post Deathpact Accused of Sexual Misconduct During Meet-and-Greet appeared first on EDMTunes.