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Reinier Zonneveld will debut his AI live music project at his upcoming R² festival at Spaarnwoude on August 17th. He will be the first to integrate his specially-crafted AI model, R², into a live electronic music set, promising an unforgettable experience. Zonneveld’s AI Model Over the past few years, Zonneveld has fine-tuned R², a cutting-edge AI model that transcends conventional boundaries in music production and performance. The groundbreaking R² AI was trained on over 2,000 hours of Reinier Zonneveld’s original music and recordings from more than 1,000 live shows spanning the artist’s illustrious 15-year career. With a specific focus on capturing Zonneveld’s celebrated improvisational style, R² is a unique and innovative partner in live music performance, setting new standards by seamlessly composing real-time tracks based on Zonneveld’s extensive repertoire. Zonneveld’s R² Festival The festival will include seven other stages in addition to the R² mainstage. The Beginning will be featured to pay homage to the illegal rave movement that gave birth to Reinier Zonneveld’s career, while De Marktkantine, the extinct nightlife institution from Amsterdam, is set to revive the energy felt during the many infamous Reinier Zonneveld all-nighters. STOOR, the pure improvisation audio-visual experience created by techno icon Speedy J, where image and sound become a symbiosis of unbridled electronics, will see Karl Klomp directing the stage design, lighting, and a team of video artists. The Unreal concept, straight from Bootshaus in Cologne, will bring a darker and heavier rave sound to those who want to enjoy harder techno at R², while the Amnesia’s Pyramid concept, where Zonneveld had his first-ever Ibiza residency in 2023, brings the Ibiza vibe to Dutch grounds. Kompass Klub will make its way from Belgium to showcase its intense, passionate atmosphere, and Reinier’s own Filth On Acid imprint is set to showcase some of the label boss’ personal favorite artists. About the R² debut, Zonneveld said: ‘I’ve always been excited about pushing boundaries and integrating technology in my performances. Last year, I broke the Guinness World Record for the longest live electronic music set at my own Karren Maar Festival. This year, With R², we’re taking that ethos to new heights.’ ‘This isn’t just about playing music; it’s about crafting an experience that transcends expectations. I’m super excited to have all these iconic stage hosts at my festival, where R² and I will lead you on a journey into uncharted sonic territory, redefining what’s possible in live performances.’ -Reinier Zonneveld Attendees can expect an electrifying showcase of Reinier Zonneveld’s iconic sound, elevated to unparalleled heights by the innovative integration of R². This feat is a continuation of Reinier Zonneveld’s innovative approach to challenging himself to reach new milestones in his live sets. Last August, the artist set an entire new Guinness World Record at his own Karren Maar Festival for the longest live electronic music set with original music only. Tickets for R² Festival Tickets for the festival are now on sale, providing attendees with the opportunity to experience the premiere of Reinier Zonneveld’s R², alongside an impressive lineup featuring top acts from the techno scene and beyond. For more information on the festival visit the website and for pre-registration for tickets, click here. The post Reinier Zonneveld to Debut AI Project at New R² Festival This Summer appeared first on EDMTunes.

The proposal was heard by the Culture, Media and Sport select committee as a potential solution to the UK's dwindling number of small-scale music venues Continue reading...

Still buzzing from his viral hit “Bel Mercy,” which was released in late 2022 via Parlophone Records’ FFFR imprint, Jengi is back with his first single of the year, delivering a sublime dance cut with "Da Feeling." Jengi’s first single in six months, the intoxicating track finds him curating an instant dance classic, fully equipped with groovy basslines and irresistible keys. Expertly calling back to 90s house music aesthetics, “Da Feeling” revives “The Feeling” by Sweet Tee and Tin Tin Out, the original project of founding GFDM member Darren Stokes, which in turn sampled vocals from Sweet Tee’s 1998 single “I Got Da Feelin’.” The rising star is poised for a big 2024 after his explosive performance at Tomorrowland Winter, and he's gearing up for sets at prestigious venues such as Amsterdam’s Melkweg and London’s Ministry of Sound. "Even though I was too young to experience the late 80s/90s, I am fascinated by this house era and the groovy and melodic tracks that were created in that period of time," Jengi said. "With 'Da Feeling' I have tried to bring back a little flavor of that time with the vocals of old-school rapper Sweet Tee." Take a listen to “Da Feeling” below. FOLLOW JENGI:Facebook: facebook.com/iamjengi Instagram: instagram.com/iamjengi X: x.com/iamjengi Spotify: spoti.fi/3TJxnrY

Manumission boss Andy McKay says the parties will “nod to the past three decades” of Ibiza clubbing Continue reading...

Contrary to local reports, a Tomorrowland festival has not been confirmed to take place in Thailand, Tomorrowland spokesperson Debby Wilmsen tells EDM.com. Citing Thai government spokesman Chai Wacharonke, numerous media outlets have reported that the organizers of the iconic, Belgium-based EDM festival are developing an event in Bangkok in 2026. However, while Tomorrowland's proprietors are currently exploring an expansion, they are in the due diligence phase and have not yet confirmed a new festival. "In December the Tomorrowland team had the privilege of engaging in discussions with various parties and exploring potential locations for a Tomorrowland festival in Thailand," Wilmsen tells EDM.com. "Deeply touched by the warm support, we must clarify the recent speculation: nothing has been officially confirmed or signed at this time. The Tomorowland team is diligently conducting thorough research and exploration to assess the feasibility of hosting Tomorrowland in Thailand. There is still much to be investigated." Wacharonke also said Tomorrowland's inaugural festival in Thailand is the first of 10 consecutive editions, per The Japan Times. That claim is also unfounded at the time of this writing. "We continue to work towards bringing the magic of Tomorrowland to new destinations, but for now, all focus on the 20th anniversary of Tomorrowland in Belgium," Wilmsen added. 400,000 people are expected at Tomorrowland's flagship festival in Belgium, which will take place in Boom across two weekends: July 19-21 and July 26-28, 2024.

All proceeds from record's limited run will be donated to the Frankie Knuckles Foundation Continue reading...

On that fateful day of Ultra Music Festival 2024 we caught up with techno protege, Maddix, on the Ultra Yacht as he was preparing to take the stage for Armin van Buuren’s A State of Trance (ASOT) takeover at the Worldwide Stage. We talked techno, trance, his experiences playing in America, and what fans could expect from his Ultra set. Psst it’s actually down below for your viewing pleasure. EDMTunes: Scott here with EDMTunes and I’m here with Maddix. We are at Day 1 of Ultra Music Festival 2024. How does it feel to be here playing on the ASOT Stage? Maddix: Man, I’m so excited to be honest. This is one of the key festivals in the world every year and it’s a good stage to be at too. It’s a big festival so I’m gonna play some new music. What else, what else could you want? You know? EDMTunes: I remember talking to you years ago, when you were trying to get over to the U.S and then, finally, I think you got a visa to come over with the Hardwell team. How does it feel that you expanded your horizons from the Revealed team to doing techno and a little bit of trance now with ASOT? How has your progression been going from one niche to another? Maddix: Yeah I’ve been with Revealed, I think seven years almost. They’ve always been so supportive, like, amazing people. At one point, I was working in a studio and I realized that the big room sound, I just wasn’t really enjoying it that much anymore. I would rather go to a techno festival instead of a big room show I would play for example. So, in that moment I realized, like let’s try and do something else. I wasn’t sure what. So I just left behind all expectations from fans. Whenever I went to the studio completely blind started working and yeah, the new sound was kind-of boring at first and it was progressing with every song. At this point, I feel way more freedom. And luckily, the new sound was released during covid. So it was a bit of a tough period. I was making all this new music with a new style. No one was expecting anything like this, or like what is this guy doing? I could never play it live, never ever. And then the first show it went off. I was like, okay, here we go. Um, and then fast forward to three years and here we are at Ultra. EDMTunes: So as a fan and a listener of dance music, when is it that you started to feel your shift or your interest changing, into more of the techno world? Maddix: I think the last like one and a half year producing, the big room stuff – I just started slightly changing. And I’ve always enjoyed techno but you’re kinda locked in as an artist and I felt like I won’t even call myself a techno artist because there’s like way more deeper stuff. And it isn’t my goal to be a techno artist. I’m just doing manics like energetic trancy techno, whatever there is coming next. Yeah, it’s just it changed at the moment and we had to make a decision are we gonna keep on going with a big room or are we just like going strong and I think we made the right decision. EDMTunes: How does it feel getting the attention of names? Like, John Summit, he plays their tracks all the time, opens with ‘Gasoline’ sometimes. How did you get connected with him? Maddix: He actually sent me a DM about Gasoline. It was like, dude. I love this song! And I was like, “oh shit it’s John Summit, he’s huge!” So yeah. And he told me “like, can you send me some stamps so I can make an intro version?” I was like, “for sure”. It’s been really good for my USA Market, because as I said, I got my Visa, one year ago and finally, I’m starting to tour a little more now and put my club shows. So John Summit is such a big name here in the U.S, that he really helped get the spotlight on some of my music. EDMTunes: Who are some artists you’d like to collaborate with that you haven’t? Maddix: Good question. Um well John Summit obviously would be a cool first name I think of now. Also some techno names like, Amelie Lens and Deborah De Luca. I think it would be it will fit quite well with a cool crossover, uh, kind of song, but they are proper techno artists. I’m not sure if they would want to collaborate with a more commercial artist, right? EDMTunes: Would you see yourself playing at a Resistance or an Awakenings or something like that? Maddix: I would love to. My sets have extended in time, a lot, since my big room days, I used to play one hour. Now, in New York, I’m gonna play a three hour set. For me it’s really cool because it can finally include more music from other people and play longer tracks and get a more proper techno vibe and I just love to do it. EDMTunes: So what can we expect from your set today? Maddix: New music. I’m gonna play four new songs, like one collaboration with HI-LO, Oliver Heldens, and yeah, some new solo stuff. Some stuff I’ve never played before I just finished a few days ago. So I’m gonna try it out. That’s what I’ll try for right? EDMTunes: What do you have to look forward to for the rest of 2024? Maddix: Uh, my touring schedule is absolutely crazy. We’re going all around the world. USA, Asia and big festivals. I’m really looking forward to EDC Vegas. It will be my first time in Vegas, so it will be my biggest show and a lot a lot of amazing shows. New York is almost sold out and I always love like if it’s a smaller venue, can you mix like 750 cap? But if it’s like, intimate sold out, they will know all your tracks and you can really create something special like, viewer connection with the crowd. So yeah, it’s gonna be nice. EDMTunes: To close out, tell me about your favorite venue that you’ve ever played or your favorite show you’ve ever played? Maddix: I think Bootshaus in Germany. Sorry if I forget about that, I do so many shows now that’s difficult, but Bootshaus is special. I did actually my own event there with my label Extatic. I’m not sure if you guys have ever been to Germany, but yeah, I think the crowd is something special. They arrive, if the doors open at 10, they arrive at 10 and they only leave when the last DJ is done playing at 6am. Yeah. And they won’t grab a drink and stand on the side. No, they go straight in front row. Absolutely crazy. There’s not that many places where you see a night like this. EDMTunes: Hopefully you’ll see that vibe today at the ASOT Stage. Can’t wait to see your set. Thanks for talking to me today. The post EDMTunes Chats with Maddix Before His Ultra 2024 ASOT Debut appeared first on EDMTunes.

Just weeks before his highly-anticipated debut album drops, Iranian-German producer Rosbeh has released a shimmering new single that encapsulates the ups and downs of his musical journey so far. Titled “Music Taught Me Life,” the nearly 5-minute track is a lush, cosmic dreamscape propelled by a rolling bassline and glistening synth melodies. But the story behind the making of the song cuts deep. “This song was made when I felt at my lowest,” Rosbeh reveals. “I was struggling financially which led me into questioning my whole music career.” Finding solace at the piano, as he has since his classically-trained childhood, the Ibiza-based artist poured his doubts and uncertainties into the creative process. “After a few hours I created ‘Music Taught Me Life,'” he says. “I realized no matter where I will be in my career or my musical success, what matters is the art I’m creating and how it makes me feel.” The artist: Rosbeh That sobering yet hopeful realization is the driving message behind the new single and Rosbeh’s approach to his craft. With a sound that seamlessly blends electronic and organic elements, classic and contemporary styles, and influences from his Persian heritage, he has amassed over 30 million streams through independent releases like his 2017 EP “Journey In My Head.” But this burgeoning success, as well as an award for his expert piano playing, has been hard-earned. Rosbeh is self-taught in music production and until recently handled all his own promotion and marketing, gradually building a dedicated fanbase on the merit of his artistry alone. The album will debut on the Good Company label Now signed to the Good Company label, Rosbeh’s debut album is due June 14th, with “Music Taught Me Life” acting as the transcendent third single. Reflecting on the sunkissed sonic landscapes, he hopes it “spreads a message about trusting yourself, following your happiness, and seeing life’s challenges as opportunities for growth.“ It’s delicate words of wisdom from an artist who has endured his own trials to create his life’s work. If “Music Taught Me Life” is any indication, that album will be well worth a listen. The post Rising Star Rosbeh Finds Light Through His “Music” appeared first on The Groove Cartel.

Ah, it’s that time of year again when the sleepy town of Indio transforms into the hottest music destination on the planet. Yes, Coachella season is upon us! As someone who has been attending the festival since the early days, I’ve got a hell of a lot of experience when it comes to surviving – and thriving – at this world-famous desert party. If you’re one of the many folks making the pilgrimage to Indio in the coming weeks, listen up. I’m about to share some hard-earned wisdom to ensure you have an epic Coachella experience without any rookie mistakes. You can thank me later over a cold one when the festival’s done. The Dos: DO practice serious sun safety. I can’t stress this enough – the desert sun is no joke, and you don’t want to spend your weekend at Coachella a lobster-red, peeling miserable mess. Slather on the high-SPF sunscreen (at least 30), throw on a wide-brimmed hat to keep that face shaded and don’t forget the lip balm with SPF. Keep reapplying that sunscreen like it’s your job, even when it’s cloudy. Trust me, you’ll regret it if you don’t. DO hydrate, hydrate, hydrate. Dancing and vibing under the desert sun is a surefire way to get dehydrated fast. Bring an empty, reusable plastic water bottle and make use of the free water refill stations scattered around the grounds. Not drinking enough H2O is a one-way ticket to feeling dizzy, fatigued, and just plain crappy. No one wants that festival FOMO. Bonus tip: Those accordion fans people carry around are a lifesaver for cooling down. DO gear up sensibly. Looking stylish is part of the Coachella experience, but you’ve got to balance fashion with function. Your footwear choice is critical – leave those flimsy sandals at home and opt for sneakers or shoes with thick, supportive soles. You’ll be racking up miles trekking between stages. A bandana to cover your face can help keep dust at bay, and moisture-wicking fabrics will be your best friend in the desert heat. DO bring the right accessories. Earplugs are non-negotiable for me – they’ll let you still hear the music while protecting your precious hearing from the blasting speakers. A portable phone charger is also a clutch for keeping your devices juiced up for photo-taking, calling your lost friends, and more. Small bags, fanny packs, or backpacks are ideal for stashing essentials like sunscreen, wet wipes, hand sanitizer and gum or mints. You’re going to want to freshen up after raging all day. The Chemical Brothers Coachella 2023 BY Gina Joy Chong The Don’ts: DON’T try to sneak anything prohibited inside. The security team knows all the tricks, and they’ve seen it all before. You’ll just slow down the entry lines and risk not getting in at all if you try to bring in anything on the festival’s banned list. That includes drugs, weapons, aerosol cans, spray sunscreen, large professional cameras, and more. When in doubt, leave it out. DON’T overpack your bag. Sure, you’ll need some essentials, but lugging around a ton of excessive gear is just going to make you miserable. Things like coolers, umbrellas, blankets, lawn chairs, and other bulky items are banned for good reason. You’ll thank me later when you’re not stuck hauling around a ton of extra weight in the desert heat. DON’T be unprepared for the conditions. I’ve seen so many Coachella first-timers underestimate just how grueling the desert setting can be. Have a plan for beating traffic getting in and out, designated meetup spots for your crew, storing belongings, dealing with crowds, and taking breaks from the heat as needed. A little preparation goes a long way towards making the weekend stress-free. At the end of the day, Coachella is what you make of it. But doing your homework, following the rules, and coming prepared will ensure you have an insanely fun time. We locals love hosting the festival, so we want everyone to have a blast. Now get out there, stay hydrated, and get ready to dance your heart out to some amazing music! Coachella’s tickets and the full lineup are available now. The post Preparing for the Coachella Festival Experience: DOs and DON’Ts appeared first on The Groove Cartel.

Pill-based drugs such as valium and xanax may now contain substances such as metonitazene, which is 1000x the strength of heroin Continue reading...

Crowds can expect takeovers from Dalston Superstore, Dialled In, KALLIDA, Tash LC’s Club Yeke and more Continue reading...

Chris Loi, an up coming Italian DJ and Producer, is poised to captivate global audiences with the release of his debut single, ‘Peaking’. The track emerged as a standout entry during the esteemed WALL Demo Drops, curated by the legendary DJ and Producer, AFROJACK. Among a plethora of submissions, Chris’ track garnered attention for its exceptional quality, earning it a coveted spot at WALL Recordings. Hailing from the rugged island of Sardinia, Chris Loi‘s musical journey commenced at the age of 20, igniting a path that would lead him to international acclaim. From the pulsating local club scene to prestigious international stages, Chris Loi has c aptured audiences with his infectious love for electronic music. His DJ sets have graced numerous festivals, where he’s shared stages with acclaimed artists such as Cristian Marchi, Prezioso, Eiffel 65, Rudeejay, and Gabry Ponte. ‘Peaking’ is more than just a debut single for Chris Loi; it encapsulates his journey, passion, and unwavering dedication to his craft. With anticipation building around this release, Chris Loi eagerly anticipates sharing his music and continuing his evolution as an artist. In his own words: “With great excitement I present my brand – new track ‘PEAKING’, that will be my discographic debut . A song filled with an extremely engaging sound that resembles EDM atmospheres from the last decade . ‘PEAKING’ is ready to take over every festival and dancefloor. ” Stay tuned as Chris Loi prepares to unleash ‘Peaking’ onto the global stage, forever solidifying his place in EDM history.

Today, Mathame announced ‘NEO’, the Italian-brother duo’s new performance show which will begin at Amnesia Ibiza on 7 June, ‘NEO’ will continue throughout the summer in a residency of 8 Fridays and will evolve into a series of events around the world from the autumn 2024. There is still very little information about ‘NEO’ for the moment and the only statement released by the duo of DJs, producers and electronic artists is that “NEO will be a unique experience of connection, almost spiritual”. It will certainly be an extraordinary evolution of their AV:SHOW, which has seen sold-out shows on every continent and will have its final episode at Tomorrowland on 19 July. Mathame has for years been counted among the early pioneers of the neo-tech sound and its more technological evolution, constantly searching for an original intersection between music, cinema, artificial intelligence and new media. The residency will take place on Fridays June 7, 14, 21, 28 / July 05 / September 13, 20, 27 at Amnesia Ibiza’s legendary Terrace from 23:00 to 6:00 AM. Mathame recently released a hit single in collaboration with John Summit and have been touring the past months for a sold out tour in the United States and Europe. During the last summer, the italian-brother duo released its debut LP, ‘MEMO’. A sonic journey that took Mathame to world’s outside our universe and deep within themselves, it explores new frontiers of sound within the duo’s sonic palette. TICKETS AVAILABLE NOW : https://store.ticketing.cm.com/Horizon-Amnesia-28thJune2024/step/a74aab48-3a9b-4c53-945f-c557334df18a

Joseph Capriati‘s Metamorfosi brand is the most talked about new party in Ibiza and in summer 2024 is back with more events than ever. Every Friday from 19th July to 6th September, eight unmissable events will welcome a carefully curated selection of Capriati’s closest friends and musical peers with next level production and a scintillating soundtrack across both rooms of the world renowned club. Says Joseph “It is with immense pride that we announce Metamorfosi is back in Ibiza this summer! Marking it our third consecutive year of residency at Amnesia Ibiza. This journey is one we have nurtured and shared with the crowd, growing year by year, together: we started with 3 showcases in 2022, expanding to 5 shows in 2023, and now presenting a remarkable 8 dates for 2024. Eager to unveil what lies ahead. Ibiza 2024…We are ready!” Metamorfosi is renowned for bringing a widescreen musical experience to Amnesia. Each party sees the ever evolving and influential Italian go deep into many different aspects of his sound, from his early house roots to his contemporary take on techno and everything in between. He personally oversees every aspect of each event from the light to the sound to the production to ensure that they offer a musical adventure like no other. After a busy winter in which Metamorfosi has hosted sold out road-block events in special places across Europe, this year’s summer residency grows from five to eight events. Each week, Capriati will be joined by an irresistible mix of guest DJs who will play across a broad spectrum of house, techno, and plenty in between. From new school tastemakers to pioneering legends, all bases will be covered at Metamorfosi this summer. These events were some of the highlights of the summer last year so get your flights booked and prepare for another super summer of sound with Joseph Capriati‘s Metamorfosi.

Fibre Records launches into 2024 with a compelling House track from Fibre resident Conner Jay. Pairing succinct piano stabs with uplifting vocals to create a euphoric atmosphere atop a driving beat with unparalleled energy, Q The Love is yet another uplifting House Banger from the Fibre crew. Stamping their mark on the modern house scene with their recent run of releases this is an essential anthem in the making. We had the pleasure of sitting down with Conner Jay to talk everything about it. Hi Conner, first of all, how are you today? I’m great thank you! You’ve just released your latest single Q The Love, could you tell us about the inspiration for this track? The legendary Courtyard Party returns at Fibre Leeds this Bank Holiday Sunday, so I had this in mind whilst making Q The Love. I wanted to make a really nice euphoric feeling track for my set – once I finished it and showed the rest of the Fibre team they said it would be a perfect release for the label, which is amazing because it was only intended for my Courtyard Party set! What was the writing process? Once I had the vocal sample everything else just fell into place so naturally! Music-heads will have noticed the vocal sample is inspired by Brownstones ‘If You Love Me’. I wrote the bassline around the piano chord progression, and it all just jelled so nicely with the vocals! The track has Fibre written all over it, and it has gone down a treat on Fibre’s dance floor. How did you get involved with Fibre? I first got involved with Fibre over 4 years ago helping them with their social media. I would capture Instagram stories for them around the bar on a weekend before I got the job running their social media & website full-time under the Brand Manager role. I had already been DJing for years before this so when the opportunity arose to fill in for cover sets I put my name forward. The Directors loved my sound and I soon became a resident DJ for Fibre. Could you tell us more about your role with Fibre Records? Once I became Brand Manager for Fibre it was clear to me that the next step for Fibre was a record label. It was an idea that the Directors had played with before but they never felt the timing was right. I presented them with a plan on how I see the label running and how to make it successful – They were just as confident as me that now was the time, and they were happy for me to take the lead on it! Which artists would you say are your biggest influences? I grew up listening to a lot of Bassline/Speed Garage and Leeds legends like Danny Bond & Paul Sirrell were a big part of that, they influenced me a lot growing up and they still do today. Nowadays, I’d say Franky Rizardo is one of my biggest influences, I’m a huge fan of his sound. Fibre resident Habbo Foxx has also influenced my sound over the past year too after lots of studio sessions together. Do you have any exciting releases coming up? I’m sat on so many unreleased tracks, I’m really picky about what I put out which is definitely holding me back – I’m going to focus on not worrying about which tracks to release and just get my music out for everyone to hear. The feedback I get on all my unreleased tracks is really positive. Where will you be playing next? My next set is the Fibre Courtyard Party – on Sunday 31st March. What are your goals for 2024? To release more music & continue helping Fibre Records reach its potential! Stream this single below.

Joseph Capriati‘s Metamorfosi brand is coming back to Ibiza at Amnesia this summer of 2024. Every Friday from 19th July to 6th September, eight unmissable events will feature a carefully curated selection of Capriati’s closest friends and musical peers. It will also include next-level production and a scintillating soundtrack across both rooms of the Amnesia Club. It is with immense pride that we announce Metamorfosi is back in Ibiza this summer! Marking it our third consecutive year of residency at Amnesia Ibiza. This journey is one we have nurtured and shared with the crowd, growing year by year, together: we started with 3 showcases in 2022, expanding to 5 shows in 2023, and now presenting a remarkable 8 dates for 2024. Eager to unveil what lies ahead. Ibiza 2024…We are ready! – Joseph Capriati Metamorfosi is renowned for bringing a widescreen musical experience to Amnesia. Each party sees the ever-evolving and influential Italian go deep into many different aspects of his sound. You can expect to hear his early house roots as well as his contemporary take on techno. Joseph Capriati personally oversees every aspect of each event. This includes the light effects as well as the sound and the production. This winter Joseph Capriati and Metamorfosi didn’t stay still waiting for summer. Metamorfosi has hosted sold-out road-block events in special places across Europe. This year’s summer residency has grown from five to eight events. Metamorfosi was one of the highlight events of last summer. Get your flights booked and prepare for another super summer of sound with Joseph Capriati’s Metamorfosi. Other events at Amnesia Ibiza include Claptone bringing his The Masquerade party and Pyramid special for the opening night. The post Joseph Capriati brings Metamorfosi this summer at Amnesia Ibiza appeared first on The Groove Cartel.

California is taking significant steps toward safer nightlife experiences with a new law that requires bars and nightclubs to provide drug testing devices for patrons’ drinks starting in July. This groundbreaking initiative aims to drastically reduce drink spiking incidents, ensuring that individuals can enjoy their night out with an added layer of protection. California’s move places it at the forefront of safety innovation within the nightlife industry. Proactive Protection for Patrons This initiative empowers patrons to actively ensure their drinks are safe, addressing potential dangers in social settings designed for enjoyment but marred by risks. Devin Blankenship from the Department of Alcoholic Beverage Control highlights that this law allows patrons to immediately test their drinks if they suspect tampering. Bars and clubs will need to keep testing kits on hand, making it easy for guests to check their drink’s safety. This measure requires establishments, particularly those with Type 48 licensing, to display signs clearly indicating the availability of testing kits, which may be provided for a small fee or for free. Community Endorsement and Impact Local businesses and community members have warmly received the new law. Madison Smith of 201 Main in downtown Salinas sees the law as providing an extra layer of security for guests. The increase in reported drink-spiking incidents makes this law particularly relevant and necessary. Isaac Rodriguez from Alvarado On Main commends the law for deterring potential offenders and praises California’s proactive role in tackling this issue. Lastly, with around 2,400 licensees across California gearing up for this change, July 1 marks the beginning of a safer era in nightlife. This law not only changes how establishments ensure their patrons’ security but also serves as a model for other states. Furthermore, this potentially transforms nightlife safety standards not just in California, but nationwide. Read more about the new law on the California Department of Alcoholic Beverage Control website, here. The post California To Mandate Drug Testing Devices In Nightlife Venues appeared first on EDMTunes.

One of the most successful duos inside the melodic/progressive scene have some explosive news. Today, the Italian duo Mathame announced their new performance show. Titled NEO, it will bring the duo’s energetic performance and distinctive sounds into the industry’s most famed island: Ibiza. Kicking off on June 7th, it will most certainly become one of the places to be this summer. Mathame will bring their NEO show to one of the island’s most legendary clubs: Amnesia. “NEO will be a unique experience of connection, almost spiritual“ NEO This is the only information we’ve received regarding this new show so far. Known for being one of the first duos to rise in the current industry while playing and producing melodic and progressive-influenced tracks, Mathame is one of the most distinctive artists on this side of the industry. The duo, which has spent the last months touring Europe, sets its sights on one of the most iconic venues in the world. Amnesia is, without a doubt, one of the most iconic clubs in the entire world. Getting a residence there, if done properly, puts you on par with some of the biggest names in the industry. Mathame’s NEO residence will take place during 8 weekends. The residency will start on Friday, June 7, and it will end on September 27. Their performances will take place in the iconic room known as “The Terrace”. Tickets are now available here. We can’t wait to see what Mathame has prepared for this one. Amnesia is a perfect venue for a show that focuses not only on the music but on a multi sensorial experience as well. Mathame is ready to bring NEO to Amnesia. One of the most iconic clubs on the white island. A surreal show that will capture all of your senses and take you on an unforgettable journey. The post Mathame Announces NEO: Their New Friday Residence At Amnesia Ibiza appeared first on EDMTunes.

An iconic venue and a very iconic DJ. Solomun’s latest announcement is definitely a big one. The DJ is teaming up with the event brand Framework to bring a brand-new event to a surreal location. The Mandalay Generating Station, an abandoned power plant in Southern California, is without a doubt one of the coolest locations we’ve heard of recently. Solomun’s event in collaboration with Frameworks will take place on the first day of June. Solomun is undoubtedly one of the industry’s favorite performers. His work ethic and clear love for the music, paired with a long career, make him a seasoned veteran who dominates the art of DJing and reading crowds. More recently, he’s ventured into the studio to release a solid series of tracks. These have further boosted the value and demand of his performances. Now, he teams up with a partner of many years to bring a party that’ll be hard to forget for anyone lucky enough to attend. Framework and Solomun are longtime partners. They’ve worked together in countless events, and now look to deliver an ambitious event. A 56-acre power plant is a location straight out of a fantasy story. To be able to properly hold an event here, you need the absolute best of the best. Nonetheless, we’re confident both Solomun and Framework will live up to the task. As the industry continues to grow, the demand for original events, held in exotic venues, seems to increase more and more. Promoters, brands, and artists fight to find that extra element that allows them to stand out from the rest. And we at EDMTunes are, certainly, very excited to see what the next big and iconic location for raves will be. Pre-register for Solomun X Framework Pre-registration for the event is available now – sign up now for pre-sale access on Wednesday, March 27 at 10 am PST. General on-sale for Framework presents Solomun on Wednesday, March 27 at 3 pm PST. The post Framework And Solomun Team Up For A Show At An Abandoned Power Plant In Southern California appeared first on EDMTunes.

Drum & Bass has been taking off the last year in the States. While it was always popular across the pond in The UK, here in The U.S. it took some time. But, now it is hot and people can’t get enough. I haven’t seen people go this wild in a while. Sub Focus, Dimension, Culture Shock, & 1991 brought their WORSHIP show to New York for the 3rd time. This was by far the biggest edition with it being held at The Great Hall in Brooklyn. The venue is perfect for every genre of dance music. The Great Hall is not your average warehouse. It is equipped with lights not just covering the roof but the beams themselves. There is ample space to get your feet moving. With bars extending almost the length of the venue ensuring you are never waiting in line. Sub Focus, Dimension, Culture Shock, & 1991 I will admit I am a late bloomer when it comes to listening to DnB. However, in the last couple of years, I have fallen in love with the energy and beauty of the genre. It encompasses the ability to make you jump up and rage but also has beautiful vocals over a heavy bassline. It also can get funky, deep, and ethereal. These 4 artists are some of the best in the game and they put on an awesome show. The crowd was absolutely loving it the whole night. Culture Shock kicked off the Quartet and got the people ready to move. He played some of his bangers including his new track ‘Get To Me,’ his remix of ‘Panic Room,’ and the electric tune ‘Bunker.’ Dimension was next on the deck and surprisingly kicked it off with my favorite DnB track ‘DJ Turn It Up.’ I would have expected him to wait for the middle or end of his set but no, this man went for it right away. His remix of Armin van Buuren’s ‘Lose This Feeling’ was loved by all but not as much as ‘Where Do We Go’ with Poppy Baskcomb. And I can’t forget his remix of Dom Dolla’s ‘Rhyme Dust.’ Of course, he and Sub Focus have quite a few collaborations together. ‘Ready to Fly’ and ‘Desire’ were crowd favorites and had all the feelings. Dimension had my favorite set of the night with banger after banger. Sub Focus was the main show of the night and the people packed in for him. There are not many bigger names in the genre than him and for good reason. He has more hits than you can imagine from the collabs with Dimension to ‘Solar System’ and ‘Off The Ground.’ His remix of ‘So Much In Love’ is a personal favorite of his as well as ‘Fine Day.’ Sub Focus has an incredible range within his set feeding off of the crowd. This is the 2nd time seeing him live and I can’t wait for the next one. 1991 closed off the night in style with his remix of ‘Perfect (Exceeder) and ‘Tell Me Why.’ He was an awesome cherry on top of an incredible night. This is the group’s 3rd time they are taking it to North America. This is by far the biggest iteration with them going to San Jose, Chicago, New York, Washington D.C, Toronto, and Los Angeles. These artists also attended Ultra Miami for an electric weekend. You can find tickets here for the remaining shows! The post [Event Review] Sub Focus, Dimension, Culture Shock, & 1991 Bring WORSHIP To New York appeared first on EDMTunes.

Nothing like a brand new track with an emotional story behind it to brighten up your hump day. Out now on Anjunadeep is UK progressive house producer Marsh’s new single ‘Warrior’. Story Behind ‘Warrior’ Marsh shares the story behind his latest release ‘Warrior’. The song is a tribute to his best friend, Jimmy, who fought with leukemia in 2022 and 2023. Marsh wanted to showcase the qualities of confidence, fearlessness, and power that Jimmy embodied during his battle. The main theme of the song is to pay homage to Jimmy’s strength and courage. The track takes listeners on a sublime journey, telling a tale of strength that one would have heard on the dance floor during any of Marsh’s sets this past year. The song starts with a dark instrumental and an intense buildup in the first 50 seconds before transitioning into a melodic techno sound. This track is one of Tom’s best pieces of work so far. The instrumental of this heartwarming track conveys the compelling story and takes me back to Marsh’s all night long set at Coda in Toronto last December. ‘”Warrior” is a tribute to my best friend, Jimmy—a truly unique individual. Growing up together, we shared countless moments playing video games, sports, and engaging in mischief like knocking on doors and running away. We also discovered trance music together, deepening our bond. Jimmy is more than a friend; he’s a brother from another mother. Jimmy’s journey is nothing short of inspiring, a testament to his resilience and strength. “Warrior” is a humble tribute to his incredible fight—a reminder that he’s not just a survivor but a champion. I’m profoundly grateful to have my best friend by my side, and I couldn’t be prouder of him.’ Tom Marshall In honor of Jimmy coming out a winner from his battle, Marsh not only released ‘Warrior’ but also wanted to give back. Tom orchestrated an exclusive, intimate kick-off event for ‘Warrior’ at The Ton of Brix in London, with the entirety of the proceeds earmarked for Leukaemia UK. The release is complemented by a live stream hosted at Kew Gardens, further cementing Marsh’s commitment to supporting this cause. Marsh’s Live Stream from Kew Gardens Tom has had a busy and exciting start to 2024, he is introducing a new hybrid club show concept called ‘‘Aria”. This exciting new venture will include live vocals from long-term collaborators and friends Leo Wood and Jodie Knight. The first two shows will be this May in London at HERE at Outernet and Manchester at New Century Hall. Checkout his tour dates for this Spring here. We hope you enjoy ‘Warrior’ as much as we did. Stay tuned to EDMTunes for all the exciting electronic music updates! The post Marsh Unleashes Brand New Emotional Single ‘Warrior’ appeared first on EDMTunes.

Drum & bass has functioned as the heart and soul of the UK electronic music scene for decades, but we've only recently seen it blow up in the United States. Why has its emergence taken so long? Enter Dimension, Sub Focus, Culture Shock and 1991 of WORSHIP, a supergroup of influential drum & bass artists redefining the genre for a new generation of fans. We caught up with the collective and their manager, Sebastian Weingartshofer, to discuss the genre's stateside boom—and its longevity within the electronic music scene. "For a long time, a lot of drum & bass artists were drawing huge audiences around the globe, then traveling to the U.S. and playing to half-empty clubs," Dimension tells us. "Artists were left demotivated. I had the same experience. After a bad show in New York, I remember phoning Seb and we agreed things had to change." "I remember the moment of driving back to the airport in New York City with Rob [Dimension] and saying, 'It shouldn't be like this,'" adds Culture Shock. "We then really made a conscious effort to put our heads together and present the music the way we thought it should be. We've had to invest a huge amount but it really feels like it's working and the momentum is building." Amid drum & bass' volcanic rise in the U.S., the group developed a master plan. They saw major potential in North America, Dimension says, to "create something fresh" by joining forces. "Our goal was to help bring the genre back into vogue by encouraging a fresh, young, inclusive community of fans into the genre through investing heavily in production and creative, while working with top venues and promoters," he explains. "It’s been unbelievably humbling seeing a new community of fans grow, with crowds and venues increasing in size. We like to think we've played a key role in this growth." 1991, Culture Shock, Dimension and Sub Focus of WORSHIP.Sam Neill When it comes to each of WORSHIP's members, it's clear they believe drum & bass culture is a priceless part of the electronic music zeitgeist, and its spirit simply can't be captured anywhere else. They've always lived and breathed the genre, and they're now positioning themselves as lynchpins of today's movement. "I got into drum & bass pretty much at its inception, as it morphed from jungle," Sub Focus recalls. "It means so much to me to now be a part of its story. I love how it’s like a secret subculture that we are all a part of." "My love for drum & bass started around 15 years ago," 1991 adds. "What largely drew me to it was how much of a rogue genre it is. It’s not always been the coolest genre, but it’s certainly the most fun. For the most part, it’s an inclusive scene where anyone is welcome. I think that’s why I’ve always stuck by it. It feels like a family." Taking the necessary risksEver since drum & bass first piqued their interest, Culture Shock, Dimension, Sub Focus and 1991 have spent years climbing to its upper echelon at breakneck tempos of over 174 BPM. Getting to the top, however, was only the beginning of their widespread influence. While their dedication to the culture is an important factor, many risks needed to be taken in the States for drum & bass to have real staying power. "Big homegrown acts are a big part of what leads the scene to thrive in different areas," says Sub Focus. "There's Pendulum and Luude from Australia, Netsky from Belgium, Camo & Krooked in Austria and many more examples across the globe. Homegrown drum & bass acts from the U.S. flourishing will help the scene no end here." As artists like REAPER, Kumarion, AIRGLO, Justin Hawkes and so many more lead the charge in the U.S., the growth of drum & bass has continued to skyrocket. WORSHIP are doing their part too as their current tour continues on as one of the electronic music scene's most in-demand. Sam Neill They're immensely grateful for the stateside promoters who took a chance on them in the beginning. "We’ve been building this project for four years now," Dimension explains. "I remember for the first tour we literally had to create a presentation explaining who we are, what country we were from, and list everything we were doing differently in order to make the tour tickets sell. We had to put ourselves out there with the very real possibility that the whole WORSHIP tour could be a complete failure." "Deep down, all of us really believed in the idea, but in hindsight, it was the promoters and agents that took on the most risk," he continues. "The North America drum & bass scene was in such bad shape that we arguably had nothing to lose, but the promoters and agents deserve a massive amount of gratitude for backing us and believing in our concept." Keeping the drum & bass revolution aliveUltimately, WORSHIP did become a key player in drum & bass' growth in the region—but their work isn't done yet. Trends, especially in electronic music, can be hot and cold. However, something as addictive as drum & bass has major staying power for a multitude of reasons. "The energy of the genre is addictive and unparalleled, whilst constantly pushing boundaries and setting the standard," says Weingartshofer, WORSHIP's manager. "Generally the demographic of the genre remains young, which helps refresh engagement in consumption and event attendances over many generations." Culture Shock agrees, calling the energy of drum & bass crowds "unmatched." "As an artist, it's a really fun genre because you can incorporate any style you like," he says. "I feel like other genres within electronic music can be more restrictive and don't allow for as much expression." WORSHIP North America 2024 Tour (0:17) The unbridled energy of drum & bass isn't its only cornerstone—its origins are just as pivotal. The underground is crucial to any genre of music, considering its artists challenge boundaries when things above become stale. "Drum & bass is completely on its own in terms of style and speed—there really isn’t any other genre like it," says Sub Focus. "It’s got a rich history and a fertile underground scene, which has given it huge staying power. Whilst it has had moments of commercial success, it has always had a large group of people pushing its limits and boundaries away from the glare of the spotlight." Hitting the road (again)With a great deal of both experience and passion, the WORSHIP collective are flying the flag of drum & bass in the States. It's their third collaborative North American tour, which culminates in their biggest show to date on March 30th at Los Angeles' famed Hollywood Palladium. A few months later in May, the entire crew will return for one of the most anticipated performances at EDC Las Vegas, one of the world's biggest electronic dance music festivals. "Being part of this tour has been one of the most satisfying projects I have had the pleasure of been involved in," Dimension gushes. "It's been so rewarding seeing the community explode. I'm predominantly a solo artist, so achieving something together with your friends has made it extra special. Personally, I would love for fans to walk away from our shows feeling that a drum & bass party can be a crazy amount of fun for anyone. Everyone is accepted." "The more people who enjoy what we do, the more fulfilling and inspiring it is for us as artists," 1991 adds. "I’ve left the two previous WORSHIP tours feeling inspired to come back bigger and better, so that’s all I can really hope for again this time around." View the original article to see embedded media. While WORSHIP's crusade to embed drum & bass into the American electronic music terrain has been a long and tortuous uphill battle, 2023 was a breakthrough year for the genre. And we've only seen it take off further in the early months of 2024—a trend Weingartshofer believes is here to stay. "We’re now seeing both fans and DJs who are more open-minded to the genre, as well as other genres in dance music in the post-dubstep/EDM boom," he explains. "Headliners like Tiësto, John Summit, David Guetta and Dom Dolla are playing drum & bass in their sets and getting great reactions." Weingartshofer also credits grassroots artists and brands in North America for propelling the scene forward with unabashed passion. "Brands like Brownies & Lemonade are creating culture on the ground with their DNBNL series, exposing impressionable dance music fans to the genre," he continues. "Record labels like Deadbeats and Monstercat are getting behind the music and supporting artists from around the world. A decade ago this infrastructure didn’t exist. It’s great to see more confidence towards drum & bass in all areas." You can purchase tickets to WORSHIP's North American tour and find out more about the collective here. Follow WORSHIP:Website: worshipartists.uk Facebook: facebook.com/worshipartists X: x.com/worship_artists Instagram: instagram.com/worshipartists

Joseph Capriati’s Metamorfosi brand is the most talked about new party in Ibiza and in summer 2024 is back with more events than ever. Every Friday from 19th July to 6th September, eight unmissable events will welcome a carefully curated selection of Capriati’s closest friends and musical peers with next level production and a scintillating soundtrack across both rooms of the world renowned club. Says Joseph “It is with immense pride that we announce Metamorfosi is back in Ibiza this summer! Marking it our third consecutive year of residency at Amnesia Ibiza. This journey is one we have nurtured and shared with the crowd, growing year by year, together: we started with 3 showcases in 2022, expanding to 5 shows in 2023, and now presenting a remarkable 8 dates for 2024. Eager to unveil what lies ahead. Ibiza 2024…We are ready!”Metamorfosi is renowned for bringing a widescreen musical experience to Amnesia. Each party sees the ever evolving and influential Italian go deep into many different aspects of his sound, from his early house roots to his contemporary take on techno and everything in between. He personally oversees every aspect of each event from the light to the sound to the production to ensure that they offer a musical adventure like no other.After a busy winter in which Metamorfosi has hosted sold out road-block events in special places across Europe, this year’s summer residency grows from five to eight events. Each week, Capriati will be joined by an irresistible mix of guest DJs who will play across a broad spectrum of house, techno, and plenty in between. From new school tastemakers to pioneering legends, all bases will be covered at Metamorfosi this summer.These events were some of the highlights of the summer last year so get your flights booked and prepare for another super summer of sound with Joseph Capriati’s Metamorfosi. The post Joseph Capriati’s Metamorfosi Returns to Amnesia Ibiza With Biggest Season Yet appeared first on EDMTunes.

Twenty-three years ago, Daft Punk, the pioneering French electronic music duo, released ‘Aerodynamic’, a track that further solidified their position as innovators in the electronic dance music scene. Part of their iconic 2001 album ‘Discovery’, ‘Aerodynamic’ showcased Daft Punk‘s unique ability to blend house music with elements of rock and funk, creating a sound that was both futuristic and deeply rooted in musical history. ‘Aerodynamic’, known for its distinctive guitar riff and futuristic synth sounds, broke the mold of traditional electronic music at the time. The track seamlessly transitions from a melodic, almost ethereal introduction into an electrifying guitar solo, reflecting Daft Punk‘s flair for combining different musical genres and styles. This blend of electronic beats with rock elements exemplified their innovative approach to music production and their influence on the broader electronic music genre. Daft Punk, consisting of Thomas Bangalter and Guy-Manuel de Homem-Christo, had already achieved critical acclaim with their debut album ‘Homework’ in 1997. However, ‘Discovery’, and particularly ‘Aerodynamic’, marked a new direction for the duo, incorporating more refined production techniques and diverse musical influences. This track, along with the rest of the album, played a significant role in shaping the future sound of electronic music and influencing a new generation of producers and DJs. Today, ‘Aerodynamic’ remains a seminal track in the world of electronic music, a testament to Daft Punk‘s enduring legacy and their contributions to the evolution of the genre. The track’s lasting popularity underscores the duo’s visionary approach to music-making and their impact on the electronic music landscape.

Calvin Harris is defending his musical choices after a fan criticized the set he played as the closing performance at Ultra Music Festival 2024 in Miami this past weekend. The Scottish DJ/producer took to social media to respond after a festivalgoer called his Ultra headlining set “underwhelming” in a comment. Harris did not mince words in his clapback. “You expect me to play none of my songs? 3 songs since 2014 hmm how deep is your love – billion streams, this is what u came for – billion streams, my way – billion streams, slide – billion streams, feels – billion streams, one kiss – billion streams,” Harris fired back, listing off many of his biggest commercial hits over the last decade. He continued, “and the other 5 half a bil and before 2014 another 20 and not cheesy shit proper fucking songs with real artists and you’d rather I play Fein trap edits today.. spent months making new versions of everything for this and you wonder why I never play edm festivals..“ Harris closed by saying “at least people I saw irl had a great time and I can be happy with that but fuck at this point whatever I do is gonna piss you off.“ The multi-platinum artist’s rebuttal highlights the divide between the mainstream pop/dance hits he has become known for and the sound preferred by more hardcore electronic dance music fans. As one of the biggest acts to headline Ultra’s flagship event, Harris seemingly prioritized his widely popular radio-friendly bangers over underground house and techno tracks. While huge crowds sang along to smashes like “How Deep Is Your Love” and “This Is What You Came For,” some festival diehards felt Harris’ setlist catered too much to casual pop fans. The social media exchange shows Harris has little interest in deviating from his proven formula of massive crossover hits when making festival appearances. His dozens of songs with billions of streams speak for themselves. Whether keeping it more mainstream or not, Harris contends the live crowd seemed to enjoy his Ultra closing set, even if he can’t please everyone decrying his tendencies towards pop-friendly dance music. The dustup seems to be just another day in the life of a top DJ/producer who has achieved unprecedented mainstream success alongside intense scrutiny from more underground-leaning dance fans. Calvin Harris defends playing his biggest hits at festivals after fan criticism on Instagram The post Calvin Harris Fires Back at Critic of His Ultra Music Festival Set appeared first on The Groove Cartel.