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Photo Credit: Tory Lanez by The Come Up Show / CC by 2.0 Rapper Tory Lanez is recovering after being stabbed 14 times in prison as he serves a 10-year sentence for shooting Megan Thee Stallion in the feet. Tory Lanez is recovering in a hospital near the California Correctional Institution in Tehachapi where he was attacked at about 7:20 AM on Monday, according to a spokesperson for the State Department of Corrections and Rehabilitation. He has been serving a 10-year sentence for shooting superstar Megan Thee Stallion in the feet. Lanez was “stabbed 14 times—including 7 wounds to his back, 4 to his torso, 2 to the back of his head, and 1 to the left side of his face,” according to a post on his verified Instagram page. “Both of his lungs collapsed, and he was placed on a breathing apparatus,” the post continued. “He is now breathing on his own.” “Despite being in pain, he is talking normally, in good spirits, and deeply thankful to God that he is pulling through,” the post concluded, adding that Lanez wanted to thank everyone for their continued support. Staff immediately provided Lanez medical aid and called 911, and he was taken to a nearby hospital. Few other details have been revealed so far, but the prison’s investigative unit and the Kern County District Attorney’s Office are said to still be investigating. In December 2022, Lanez was convicted of three felonies: having a loaded, unregistered firearm in a vehicle; discharging a firearm with gross negligence; and assault with a semiautomatic firearm. Megan Thee Stallion testified during the trial back in 2020 that after they left a party at Kylie Jenner’s home in the Hollywood Hills, Lanez fired a gun at the back of the rapper’s feet as she walked away from the SUV in which they had been riding, shouting for her to dance. She had bullet fragments in both feet that required surgery to remove. The 32-year-old Lanez’s lawyers have tried to appeal his conviction, but a judge recently rejected a motion for a new trial. Further, Megan has alleged that Lanez harassed her from prison through surrogates; a judge issued a protective order through 2030 to prevent further contact or harassment. View the full article

Photo Credit: Merlin (Jeremy Sirota) Jeremy Sirota, CEO of Merlin, the global digital rights agency for independent music, has announced he will step down at the end of 2025. Sirota was in the CEO position for nearly six years—with no replacement named at the moment. Sirota shared the news via LinkedIn, calling his tenure “the privilege of a lifetime” and expressing pride in Merlin’s role “the most important entity representing independents.” Sirota says despite his departure, he feels the collective has a bright future ahead. Since undertaking the CEO role in 2020, Sirota was instrumental in expanding Merlin’s influence and reach. Under his influence, the collective struck pivotal licensing deals with major digital streaming providers (DSPs) including Apple Music, Spotify, Snap Inc., and Twitch—enabling independent labels and distributors to access these global platforms through collective bargaining power. This approach helped streamline negotiations and also ensured Merlin members could compete on equal footing vs. major labels as the streaming landscape has evolved. Sirota’s background as a technology attorney and his experience at Warner Music Group and Facebook Music positioned him to bridge the gap in negotiations between music rights holders and DSPs. During his tenure, Merlin’s membership grew by over 100 new members and he launched new initiatives like Merlin Engage, a mentorship program for women executives. He also oversaw the launch of Merlin Insights, a data-driven tool to help its members navigate streaming analytics. Merlin most recently engaged in a high-profile dispute with TikTok over direct licensing deals. TikTok bypassed Merlin to strike individual deals with some of its largest members, highlighting the ongoing tension between collective representation and TikTok’s attempt at ‘divide and rule’ tactics. Sirota’s stance on the stand-off emphasized the value in collective bargaining for independents, arguing that their combined market share and cultural influence make them the fourth major. As Sirota plans to depart from his position at the end of the year, Merlin has yet to name a successor in the CEO role. The Merlin board will form a subcommittee to oversee the search to fill the position. The absence of immediate leadership raises questions about how Merlin will navigate ongoing negotiations and potential disputes with DSPs—especially as the digital landscape becomes more complex. View the full article

Tencent Music has once again reported subscriber and profit growth — this time for Q1 2025, when the company leaned into “IRL” SVIP initiatives. Photo Credit: Tencent Music Tencent Music (NYSE: TME) has revealed continued subscriber and profit boosts for Q1 2025, which also delivered licensing renewals with Sony Music and others. The QQ, Kugou, Kuwo, and WeSing operator shed light on its first-quarter financials today. In keeping with the company’s 2024 results and heightened focus on core streaming offerings, overall online music MAUs once again dipped, this time by 4% year over year to 555 million, the Q1 report shows. Nevertheless, Tencent Music posted an 8.3% YoY surge in online music paid users, to almost 123 million, and a 7.5% YoY increase in monthly average revenue per paid user (CNY 11.4, currently $1.58). Elaborating on the ARPPU improvement, Tencent Music emphasized strong results attributable to its superfan-geared SVIP tier, where “premium audio quality remains a key attraction.” About half the service’s SVIP subs “actively” enjoyed upgraded audio on the quarter, per TME. Furthermore, the aforementioned multiyear Sony Music renewal – incidentally, the major also has a sizable stake in podcast platform Ximalaya, which TME is reportedly in talks to purchase – brought “the 360 Reality Audio sound privilege” to SVIP subscribers, per Tencent Music. At the intersection of these points (an aggressive streaming strategy and more relaxed efforts on the livestream side), Tencent Music disclosed an 8.7% YoY revenue jump for Q1 2025, to $1.02 billion/CNY 7.36 billion. But behind the figure, streaming revenue is said to have risen 15.9% YoY to $804.85 million/CNY 5.80 billion, including growth of 16.6% on the subscription front ($585.59 million/CNY 4.22 billion). And all told, Tencent Music identified Q1 2025 net profit of $609.18 million/CNY 4.39 billion, up substantially YoY. Possibly more interesting than these solid financials and TME’s optimistic full-year forecast are a few easily overlooked elements of the Q1 earnings report. First is Tencent Music’s prioritization of results for global companies as well as international talent in China’s quick-expanding music market – and not just when it comes to streaming. (This is perhaps worth remembering given Warner Music’s admission that it lost commercial ground in China during Q1.) To be sure, the business didn’t stop at acknowledging its “deepened” ties to Starship Entertainment and YG Entertainment. Rather, Tencent Music reiterated its merch collab with G-Dragon, its launch of Babymonster’s “debut pop-up store in mainland China,” and its role in spearheading “aespa’s first-ever exhibition” in China, to name a few examples. “[W]e organized Fiona Sit’s concert tour and offered SVIP members meet-and-greet opportunities, further strengthening user engagement,” Tencent Music indicated. Next, on top of the initially highlighted Sony Music renewal, TME, having reupped with Universal Music closer to the beginning of 2024, confirmed scoring “equity interests” in UMG this past March. “In March 2025,” Tencent Music wrote here, “we received a 2% equity interests of Universal Music Group (‘UMG’) through a distribution-in-kind from one of our associates, which was designated as financial assets at fair value through other comprehensive income, and recognized a gain of RMB2.37 billion (US$327 million) on deemed disposal of this associate.” Tencent Music’s Q1 2025 earnings call mainly covered forthcoming monetization plans, including for the above-described SVIP tier. During today’s trading, TME shares rose about 2.5% to $14.69 apiece, reflecting a nearly 30% hike from 2025’s start. View the full article

EDM Maniac is hosting a free raver speed dating meetup for EDC Las Vegas 2025. With our return to the Las Vegas Motor Speedway now just days away, we’re celebrating our reunion under the Electric Sky with an exclusive pop-up at Hotel EDC on Thursday, May 15, to bring together ravers worldwide. Whether you’re heading to the festival solo or traveling with your whole crew, dance music maniacs can stop by Hotel EDC’s Headliner HQ at Virgin Hotels Las Vegas from 6-8PM! Come meet your future rave bae or festival family. EDM Maniac’s 2025 EDC Las Vegas raver speed dating meetup will run from 6-8PM on Thursday, May 15, at Hotel EDC in Virgin Hotels Las Vegas, located at 4455 Paradise Rd, Las Vegas, NV 89169. The event is free with RSVP. Join us as we count down the final moments before EDC Las Vegas 2025. RSVP here. Featured image courtesy: Insomniac Events. The post EDM Maniac To Host Free Raver Speed Dating Meetup For EDC Las Vegas 2025 appeared first on EDM Maniac. View the full article

EDM Maniac is hosting a free raver speed dating meetup for EDC Las Vegas 2025. With our return to the Las Vegas Motor Speedway now just days away, we’re celebrating our reunion under the Electric Sky with an exclusive pop-up at Hotel EDC on Thursday, May 15, to bring together ravers worldwide. Whether you’re heading to the festival solo or traveling with your whole crew, dance music maniacs can stop by Hotel EDC’s Headliner HQ at Virgin Hotels Las Vegas from 6-8PM! Come meet your future rave bae or festival family. EDM Maniac’s 2025 EDC Las Vegas raver speed dating meetup will run from 6-8PM on Thursday, May 15, at Hotel EDC in Virgin Hotels Las Vegas, located at 4455 Paradise Rd, Las Vegas, NV 89169. The event is free with RSVP. Join us as we count down the final moments before EDC Las Vegas 2025. RSVP here. Featured image courtesy: Insomniac Events. The post EDM Maniac To Host Free Raver Speed Dating Meetup For EDC Las Vegas 2025 appeared first on EDM Maniac. View the full article

Bringing the mainstage action to mobile screens globally, Insomniac has officially launched its Insomniac Radio app, a free 24/7 streaming platform. The app offers wall-to-wall coverage of all things EDM, including exclusive artist shows and live broadcasts from some of the world’s biggest festivals. Landing just ahead of EDC Las Vegas 2025, Insomniac Radio aims to deliver an always-on soundtrack to the global dance music community. With no subscription fees and no barriers to entry, the app is poised to replicate the euphoric energy of Insomniac's festivals with four curated genre channels: "ONE," "ANALOG," "IMPACT" and "LUCID." Whether it’s the booming anthems of kineticFIELD or the entrancing grooves of Factory 93, the platform is rooted in Insomniac’s sprawling event universe. Channel-to-stage pairings will bring real-time soundtracks to fans around the world: "ONE" features mainstage-ready heat from the likes of cosmicMEADOW and circuitGROUNDS, "ANALOG" dials into house and techno from stereoBLOOM, "IMPACT" blasts bass from wasteLAND and "LUCID" floats through trance and melodic techno straight from quantumVALLEY. Beyond the music, the app boasts over 120 weekly shows, many led by the world's biggest DJs including featured hosts Amelie Lens, Martin Garrix, ILLENIUM, Purple Disco Machine, Hardwell, John Summit and Zeds Dead, to name a few. As fans plan their descent on Las Vegas for EDC from May 16-18, the app will go into overdrive as Insomniac Radio streams curated programming from a number of stages that will not be represented on the live feed, including stereoBLOOM wasteLAND and quantumVALLEY. For more information and scheduled programming, download the new Insomniac Radio app here. Follow EDC Las Vegas:X: x.com/edc_lasvegas TikTok: tiktok.com/@electric_daisy_carnival Instagram: instagram.com/edc_lasvegas Facebook: facebook.com/electricdaisycarnival

Electronic dance music is emerging as a lifeline for Americans battling depression, suggests a new study shared with EDM.com by healthcare technology company Tebra. The research, which surveyed 1,000 Americans and analyzed over 110,000 tracks from mental health-themed Spotify playlists, found that 14% of respondents turn to EDM as their "go-to genre" when feeling depressed. Arriving during Mental Health Awareness Month, the data expands on a similar study in late-2024, further positioning the genre as a noteworthy player in the budding music therapy market. Those who listen to electronic music know that its magic lies in its ability to uplift. The edge-of-your-seat builds, euphoric drops and deep valleys can feel like a hug from a crowd you’ve never met. Think of Avicii’s "Wake Me Up," Calvin Harris' "Feel So Close" or Daft Punk’s "Lose Yourself to Dance," all of which speak to the genre's accessible, escapist nature. Those three artists were the most sought-after in the electronic music category. Metal fans leaned hardest into music as therapy (59%) but reported worse mental health (47%), framing EDM as a compelling contrast by offering a respite that’s less about purging pain and more about chasing light. Elsewhere in the study, an overwhelming 92% of respondents said music has "helped them through tough times," especially anxiety (55%), loneliness (52%) and depression (47%). Just over half said they turned to music instead of "traditional therapy" while 57% believed it was just as impactful. You can read Tebra's full report here.

A breakdown of the newly added voice-request support for Spotify’s AI DJ. Photo Credit: Spotify Spotify has officially added voice-based music requests to AI DJ, listener engagement with which is said to have “nearly doubled over the past year.” The streaming platform announced its latest DJ expansion (and the engagement spike) in a brief release today. According to Spotify, the AI feature now responds to and tailors sessions based on a variety of English-language voice requests from subscribers. That refers specifically to those based in the 60 or so nations currently supporting AI DJ, which, per Spotify, can field “a combination of genre, mood, artist, or activity-related requests” on the music side. Regarding non-music content, DJ (which takes voice prompts via a button in the lower-right corner) doesn’t yet provide podcast, audiobook, or video recommendations. But given Spotify’s aggressive focus here, it’ll presumably begin doing so in the not-so-distant future. Closer to the present, Spotify elaborated that DJ will personalize sessions “based on your request, listening history, music preferences, and more.” Users can also “change the vibe” of recommendations with a tap as opposed to a follow-up voice request. On the “more” front, one needn’t stretch the imagination to guess which artists and rightsholders are likeliest to benefit from DJ responses. However, Spotify did take the opportunity to plug possible requests such as “Play me some cry-in-the-car songs” and “Surprise me with some indie tracks I’ve never heard before.” With any luck, the DJ expansion will help at least a portion of listeners find quality human-made tracks that aren’t already racking up millions upon millions of streams. In the bigger picture, it probably goes without saying that streaming platforms are dedicating more resources than ever to developing AI features and DJ tools. For Spotify, this also includes AI Playlist, with YouTube Music having recently rallied around what it calls AI-powered personalized radio stations. (YouTube proper, on the other hand, is quietly embracing pre-cleared AI instrumentals for creators.) And evidence suggests that SoundCloud could be preparing to take things a step further. After an AI-focused terms of service update began making a media splash, the platform seemingly left the door open to training gen AI based on uploaded media down the line. It probably goes without saying once again, but TOS clause or not, the majors won’t be consenting to largescale training on their catalogs sans compensation. Following the point to its logical conclusion, emerging artists in particular are receiving an increasingly raw deal at the intersection of streaming and AI. View the full article

Photo Credit: Apple Music Apple Music teams up with Universal Music Group to introduce Sound Therapy, an audio wellness collection to help listeners relax, focus, or sleep. Available exclusively on Apple Music, Sound Therapy is designed to blend songs subscribers already know and love with special sound waves made to enhance users’ daily routines, while retaining the artist’s original vision. Backed by research and powered by Universal Music Group’s (UMG) proprietary audio tech, Sound Therapy uses sound waves, psychoacoustics, and cognitive science to help listeners relax or focus the mind. “For years, elevating music’s role in health and wellbeing has been a strategic priority for UMG, linked to a potentially significant commercial opportunity, as well as something that our Chairman and CEO, Sir Lucian, and the entire management team, are passionate about,” said Michael Nash, UMG’s EVP & Chief Digital Officer. “Given Apple’s leadership at the intersection of health and technology, the launch of Sound Therapy represents an important validation of our innovative, science-led Sollos initiative. We look forward to working closely with the team at Apple to expand the ways that music can be harnessed to improve the wellness benefits for its users.” The collection was crafted by a team of producers, scientists, and audio engineers at Sollos, a music-wellness venture incubated within UMG. Sound Therapy features extended, instrumental, and reimagined versions of popular tracks from artists such as Imagine Dragons, Katy Perry, Kacey Musgraves, Ludovico Einaudi, Aurora, Jhené Aiko, Chelsea Cutler, and Jeremy Zucker. Sound Therapy features three categories—focus, relax, and sleep. Songs have been enhanced with auditory beats or colored noise to help encourage specific brain responses. Gamma waves and white noise—a whoosh-like combination of every sound frequency—may help with focusing; theta waves could aid in relaxation; and delta waves and pink noise—a gentler, deeper variation akin to rain or wind—might assist in a better sleep. Sound Therapy arrives on the heels of the new Apple Music Chill radio station, created to serve as a sanctuary of sound listeners can turn to throughout their day to seek refuge. The station’s programming is a continuous flow of chill highlights across genres, interspersed with mindful moments meant to remind listeners to make the time to find center and calm. “Every day, people around the world make Apple Music part of their daily routine, and we’ve seen incredible engagement around our personalized mood playlists and the new Apple Music Chill radio station,” said Rachel Newman, Apple Music’s co-head. “Now, with Sound Therapy, we’re proud to work alongside UMG and Sollos to bring a new listening experience to Apple Music—one that’s grounded in artistry, shaped by innovation, and designed to support wellness.” As part of its commitment to enabling users to lead healthier, more active lives through offerings like Apple Watch, HealthKit, and Apple Fitness+, Apple will work closely with Sollos and UMG to further establish scientific evidence supporting music and audio for improved wellbeing. Sound Therapy is designed to support a person’s overall wellbeing and is not intended to treat any medical condition. View the full article

Since its inception, Electric Daisy Carnival (EDC) has been more than just a music festival—it’s a vibrant tapestry of self-expression, unity, and cultural convergence. As EDC has grown from an underground gathering to one of the world’s largest music events, its attendees’ fashion has mirrored this evolution, reflecting broader societal shifts and the diverse communities that create its foundation. Read on below as we chart rave fashion through the years. The 1990s: Birth of the Rave Aesthetic The 90s marked the genesis of North American rave culture, with fashion serving as both a statement and a necessity. Ravers donned phat pants and neon-colored crop tops, creating a silhouette that was both functional and flamboyant. Kandi bracelets—handmade from colorful beads—became universal symbols of the PLUR ethos: Peace, Love, Unity, and Respect. The era’s fashion was a rebellion against mainstream norms, embracing a DIY spirit that celebrated individuality and community. Phat Pants: These ultra-wide-legged pants, often adorned with reflective strips and vibrant colors, became synonymous with rave attire. Kandi Culture: Beaded bracelets exchanged as tokens of friendship embodied the PLUR (Peace, Love, Unity, Respect) ethos. Accessories: Pacifiers, plush backpacks, and visors were commonplace, serving both aesthetic and practical purposes. The 2000s: Cyber Meets Street As technology advanced, so did rave fashion. The early 2000s saw the rise of cyber-raver aesthetics, characterized by LED accessories, PVC clothing, and platform boots. Cyberlox—tubular crinoline hairpieces—became a staple, adding a futuristic flair to outfits. Simultaneously, elements of hip-hop fashion, like Adidas sneakers and tracksuits, merged with the rave scene, reflecting the genre’s growing influence. This fusion of styles created a unique look that was both edgy and eclectic, embodying the era’s experimental spirit. Go-Go Inspired Outfits: Fluffies (furry leg warmers), mini skirts, and sequined bras became prevalent, especially among female attendees. DIY Aesthetics: Attendees began customizing their outfits, adding rhinestones, glowsticks, and thematic elements. Brand Influence: Mainstream brands take notice, blending streetwear with traditional rave elements. In this era, underground rave culture began blending with streetwear influences, signaling the growing crossover between electronic parties and mainstream popular culture. The result was a striking fusion of utility and fantasy—ravers looked like they were stepping out of a sci-fi film, but with swagger rooted in city streets. It set the stage for the bold self-expression and brand-driven aesthetics that would define the 2010s. The 2010s: Mainstream Explosion With dance music’s surge into the commercial mainstream as EDM, EDC’s fashion became more diverse and extravagant. Attendees embraced themed costumes, body paint, and elaborate, but retrospectively controversial, headdresses. LED-infused garments and fiber-optic accessories illuminated the night, turning festival grounds into a sea of light. The rise of social media platforms amplified this trend, as ravers curated their looks for both personal expression and online visibility. LED and Tech-Infused Attire: Outfits incorporated LED lights, fiber optics, and interactive elements, turning attendees into walking light shows. Holographic and Reflective Materials: These materials became popular, enhancing the visual appeal under festival lights. Thematic Costumes: Groups coordinated outfits around themes, from superheroes to mythical creatures. Inclusivity became even more pronounced, with fashion reflecting a broader spectrum of identities and expressions. Gender-neutral and body-positive clothing lines emerged, catering to the diverse EDC community. The 2020s and Beyond: Functional Fashion As we move further into the 21st century, EDC fashion continues to evolve in ways that balance aesthetics, function, and ethics. There’s a growing emphasis on sustainability, with attendees opting for eco-friendly materials, upcycled garments, and slow fashion pieces that stand out from mass-produced fast fashion. Simultaneously, wearable technology—like Apple watches or FitBit—has become more prevalent, indicating a shift in more health-conscious behavior. Functionality has taken on new importance, with minimalist clothing choices—such as bikinis, crop sets, mesh layers, and breathable athletic-inspired gear—dominating the scene for their ability to offer freedom of movement and comfort during long nights of dancing. Alongside these shifts, we’re witnessing the rise of rave-focused fashion brands like iHeartRaves, Rave Wonderland, and Rolita Couture, which design collections specifically for festival culture and body inclusivity. Accessories have also evolved: pashmina, once niche, are now ubiquitous, used for both style, comfort, and utility against desert winds or cold nights. Eco-Friendly Fashion: Attendees are opting for outfits made from recycled materials, supporting brands that prioritize sustainability. Cultural Appreciation vs. Appropriation: There’s a growing awareness and respect for cultural symbols, with attendees educating themselves to avoid appropriation. Minimalist Aesthetics: While still vibrant, there’s a trend towards minimalist designs, focusing on comfort and functionality. The post The Evolution of EDC Fashion: A Journey Through The Decades appeared first on EDM Maniac. View the full article

Since its inception, Electric Daisy Carnival (EDC) has been more than just a music festival—it’s a vibrant tapestry of self-expression, unity, and cultural convergence. As EDC has grown from an underground gathering to one of the world’s largest music events, its attendees’ fashion has mirrored this evolution, reflecting broader societal shifts and the diverse communities that create its foundation. Read on below as we chart rave fashion through the years. The 1990s: Birth of the Rave Aesthetic The 90s marked the genesis of North American rave culture, with fashion serving as both a statement and a necessity. Ravers donned phat pants and neon-colored crop tops, creating a silhouette that was both functional and flamboyant. Kandi bracelets—handmade from colorful beads—became universal symbols of the PLUR ethos: Peace, Love, Unity, and Respect. The era’s fashion was a rebellion against mainstream norms, embracing a DIY spirit that celebrated individuality and community. Phat Pants: These ultra-wide-legged pants, often adorned with reflective strips and vibrant colors, became synonymous with rave attire. Kandi Culture: Beaded bracelets exchanged as tokens of friendship embodied the PLUR (Peace, Love, Unity, Respect) ethos. Accessories: Pacifiers, plush backpacks, and visors were commonplace, serving both aesthetic and practical purposes. The 2000s: Cyber Meets Street As technology advanced, so did rave fashion. The early 2000s saw the rise of cyber-raver aesthetics, characterized by LED accessories, PVC clothing, and platform boots. Cyberlox—tubular crinoline hairpieces—became a staple, adding a futuristic flair to outfits. Simultaneously, elements of hip-hop fashion, like Adidas sneakers and tracksuits, merged with the rave scene, reflecting the genre’s growing influence. This fusion of styles created a unique look that was both edgy and eclectic, embodying the era’s experimental spirit. Go-Go Inspired Outfits: Fluffies (furry leg warmers), mini skirts, and sequined bras became prevalent, especially among female attendees. DIY Aesthetics: Attendees began customizing their outfits, adding rhinestones, glowsticks, and thematic elements. Brand Influence: Mainstream brands take notice, blending streetwear with traditional rave elements. In this era, underground rave culture began blending with streetwear influences, signaling the growing crossover between electronic parties and mainstream popular culture. The result was a striking fusion of utility and fantasy—ravers looked like they were stepping out of a sci-fi film, but with swagger rooted in city streets. It set the stage for the bold self-expression and brand-driven aesthetics that would define the 2010s. The 2010s: Mainstream Explosion With dance music’s surge into the commercial mainstream as EDM, EDC’s fashion became more diverse and extravagant. Attendees embraced themed costumes, body paint, and elaborate, but retrospectively controversial, headdresses. LED-infused garments and fiber-optic accessories illuminated the night, turning festival grounds into a sea of light. The rise of social media platforms amplified this trend, as ravers curated their looks for both personal expression and online visibility. LED and Tech-Infused Attire: Outfits incorporated LED lights, fiber optics, and interactive elements, turning attendees into walking light shows. Holographic and Reflective Materials: These materials became popular, enhancing the visual appeal under festival lights. Thematic Costumes: Groups coordinated outfits around themes, from superheroes to mythical creatures. Inclusivity became even more pronounced, with fashion reflecting a broader spectrum of identities and expressions. Gender-neutral and body-positive clothing lines emerged, catering to the diverse EDC community. The 2020s and Beyond: Functional Fashion As we move further into the 21st century, EDC fashion continues to evolve in ways that balance aesthetics, function, and ethics. There’s a growing emphasis on sustainability, with attendees opting for eco-friendly materials, upcycled garments, and slow fashion pieces that stand out from mass-produced fast fashion. Simultaneously, wearable technology—like Apple watches or FitBit—has become more prevalent, indicating a shift in more health-conscious behavior. Functionality has taken on new importance, with minimalist clothing choices—such as bikinis, crop sets, mesh layers, and breathable athletic-inspired gear—dominating the scene for their ability to offer freedom of movement and comfort during long nights of dancing. Alongside these shifts, we’re witnessing the rise of rave-focused fashion brands like iHeartRaves, Rave Wonderland, and Rolita Couture, which design collections specifically for festival culture and body inclusivity. Accessories have also evolved: pashmina, once niche, are now ubiquitous, used for both style, comfort, and utility against desert winds or cold nights. Eco-Friendly Fashion: Attendees are opting for outfits made from recycled materials, supporting brands that prioritize sustainability. Cultural Appreciation vs. Appropriation: There’s a growing awareness and respect for cultural symbols, with attendees educating themselves to avoid appropriation. Minimalist Aesthetics: While still vibrant, there’s a trend towards minimalist designs, focusing on comfort and functionality. The post The Evolution of EDC Fashion: A Journey Through The Decades appeared first on EDM Maniac. View the full article

EDC, one of the world's most prominent EDM festivals, will launch in Colombia in October 2026, its organizer Insomniac Events announced today. Transforming Medellín's Unidad Deportiva Atanasio Girardot sports complex, the festival is primed to continue EDC's global growth following successful editions across Asia, Europe and the Americas. The city offers what Insomniac founder and CEO Pasquale Rotella described as the perfect backdrop for EDC's blend of dance music, art and community engagement. “We’re committed to growing this global community and sharing the magic of EDC with the world," Rotella said in a statement. "Choosing a new location for EDC is never random. It comes down to a few key factors. First, we look for a local partner who shares our values, understands the spirit of EDC, and has the vision and dedication to help bring it to life." The inaugural EDC Colombia represents a partnership between Insomniac and Páramo Presenta, part of Latin American entertainment powerhouse OCESA. The company, with whom Insomniac has long collaborated to produce EDC Mexico, is "an incredible team that fits that perfectly," Rotella said. "We are very proud to bring to Colombia such a major brand with so much history, and one that has been fundamental to the growth of electronic dance music worldwide, like EDC," added Páramo Presenta's Santiago Vélez. "Medellín will become the center of the electronic world in October 2026, and we hope to reveal more details soon about this festival that is returning to South America." The festival will feature "a massive lineup of world-renowned electronic artists" as well as multiple stage designs, large-scale art installations and carnival rides while incorporating local cultural influences, according to a press release shared with EDM.com. Additional details, including lineup, dates and ticketing information will be announced in the months ahead. Fans can register for updates on the festival via its official website.

Photo Credit: Daryl Hall by Becky (transistr_sistr) / CC by 2.0 Daryl Hall airs his grievances with the term when discussing the genre during his appearance on the Broken Record podcast last week. When it comes to the term “yacht rock” to describe his music, Daryl Hall can’t go for that. The singer pulled no punches during his appearance on the Broken Record podcast last Thursday with host Justin Richmond. Richmond brought up the Doobie Brothers being retroactively dubbed “yacht rock” for one of their albums that leaned more R&B and wasn’t nearly as successful in the mainstream. Hall was more focused on the terminology than on the plight of the Doobie Brothers. “This is something I don’t understand,” said Hall. “First of all, yacht rock was a f—ing joke by two jerk-offs in California, and suddenly it became a genre, and I don’t even understand it. I never understood it.” He added that he was glad Richmond referred to the album as R&B. “It’s just another—with maybe some jazz in there—it’s mellow R&B. It’s smooth R&B. Yeah, I don’t see what the yacht part is.” According to Hall, people misjudged him and his former partner John Oates’ music, including them in playlists that widely featured the easy listening genre, “because they couldn’t label us.” “They came up with all this kind of crap, soft rock and yacht rock, and all this other nonsense,” he said. “And none of it, none of it really describes anything that I do, really.” Notably, Steely Dan’s Donald Fagen spoke similarly about the genre in 2024’s “Yacht Rock: A Dockumentary.” During an interview with director Garret Price about the genre, the 77-year-old Fagen said simply, “Oh, yacht rock. Well, I tell you what. Why don’t you go f— yourself?” So Daryl Hall isn’t the only artist that takes exception with the genre classification. The term “yacht rock” was born about 30 years after the music it describes, thanks to a web series in the early 2000s, aptly named “Yacht Rock.” That series poked fun at the music and the musicians who created it during the late ‘70s in Southern California. The music of artists like Steely Dan, the Doobie Brothers, and Toto are described as such, featuring smooth beats and catchy hooks that are ideal for “relaxing, sitting back, and drinking.” View the full article

Photo Credit: Julian Hochgesang iHeartMedia now commands a 40% share of advertising revenue and markets in the United States, as measured by Miller Kaplan. That’s according to the radio conglomerate’s Q1 2025 earnings call with investors. The milestone underscores iHeartMedia’s continued ability to outpace competitors and leverage its vast audience reach, robust ad tech investments, and the largest sales force in audio to capture the growing slice of advertising revenue. For Q1 2025, iHeartMedia reported consolidated revenue of $807 million, reflecting a 1% increase year-over-year. Excluding political advertising, revenue growth was even stronger at 1.8%. The company’s adjusted EBITDA remained stable at $105 million, while it’s GAAP operating loss narrowed to $25 million—down from $35 million in the same period last year. iHeartMedia continues to operate with significant debt and posted negative free cash flow of $81 million for the quarter. Digital revenues surged 16% to $277 million, with podcast revenue leading the way—up 28% year-over-year. Non-podcast digital revenue also grew by 9%. This segment’s adjusted EBITDA climbed 28%, delivering a margin of 31.4%. “Podcasting is an adjacent business to radio, so we have a natural advantage,” CEO Bob Pittman told investors. “Not only do we have an advantage in terms of creation and having the resources to do it, but we also have this incredible promotional vehicle called broadcast radio.” CFO Rich Bressler agreed with that assessment, adding “our biggest advertisers have only recently really started to discover podcasting.” Meanwhile, the multi-platform group segment which includes traditional radio, networks, and events saw revenue decline 4.2% to $473 million—primarily due to an ongoing softening of broadcast advertising amid uncertain market conditions. The company’s Premiere Broadcast Networks are up 2.1% year-over-year, signaling renewed strength among national advertisers. For its Audio & Media Services segment, revenue dropped 14.2% to $59 million, with most of the decline attributed to Katz Television and lower political advertising. The Katz Television subsidiary represents over 400 local television stations across the country, acting as a liaison between stations and national advertisers. View the full article

With his two-year performance hiatus nearly over, GRiZ is giving fans another chance to “reconnect” with him on stage this fall. The funky bass favorite today announced two doubleheader arena events touching down in Chicago and San Francisco, just weeks after he makes his grand return to the stage at his own curated Valley of the Seven Stars festival. Dubbed “Re:Connect,” the headline run kicks off at Chicago’s Wintrust Arena on October 31 and November 1, where GRiZ will be joined in support by wub-heavy bass DJs SIPPY, Boogie T, Austeria, Zoska, Seth David, and Vyhara. The following week, he’ll head to Daly City, California’s historic Cow Palace arena on November 7-8, with opening performances to come from fellow funkstep trailblazer Gramatik, surging trio Levity, and an array of highly-touted experimental bass acts, such as LYNY, Effin, Lumasi, Steller and more. Support lineups vary by date. Check out the full roster below. The announcement comes weeks after GRiZ planted themed newspapers around the city of Chicago, containing a puzzle with links to a countdown clock on the artist’s website for yet another impending mystery announcement. In March, GRiZ shared his first post-hiatus studio release, his four-track GEMiNI EP, featuring tunes like “Take Me Home,” with Grabbitz, and “2-step Nassau.” Pre-sale registration for GRiZ presents Re:Connect is now open here. Pre-sale ticket access will begin this Thursday, May 15, at 10AM local time. For more information, head to GRiZ’s official Instagram page. Featured image courtesy: GRiZ. Credit: Jason Siegel. The post GRiZ Unveils “Re:Connect” Doubleheaders For Chicago, San Francisco appeared first on EDM Maniac. View the full article

Insomniac is bringing Electric Daisy Carnival (EDC) to Colombia. Moments ago, the powerhouse festival promoter announced on social media that its hallmark event will debut in Medellín, the South American country’s second-largest city, in October 2026. In partnership with Páramo Presenta, a division of the powerful Latin American promoter and Insomniac’s longtime EDC Mexico partner, OCESA, EDC’s signature blend of energetic electronic music and immersive art will take over the Unidad Deportiva Atanasio Girardot, a multi-use sports complex and park in the heart of the city. “Medellín is a city full of vibrant culture, endless creativity, and electric energy,” Insomniac wrote on Instagram. “Its spirit is fueled by a unique blend of history, transformation, art, and passion. This makes it a truly special stop on our EDC World Party Tour and the perfect place to create unforgettable memories Under the Electric Sky.” EDC Colombia marks another watershed moment in Insomniac’s global expansion and the festival’s second edition in South America, following EDC Brazil, which was held in São Paulo in 2015, and other successful editions in Mexico, the UK, China, India, South Korea, and more. On top of EDC’s famously massive lineups of top-notch dance talent, immersive stages, large-scale art installations, and carnival rides, attendees can expect to experience additional local cultural elements “that reflect the heart and soul of Medellín,” according to a press release. More details like lineups, dates, and ticket on-sale access will be revealed in the coming months. For more information, visit EDCColombia.com. Featured image courtesy: Insomniac Events. The post Insomniac Confirms EDC Colombia For Fall 2026 appeared first on EDM Maniac. View the full article

Insomniac is bringing Electric Daisy Carnival (EDC) to Colombia. Moments ago, the powerhouse festival promoter announced on social media that its hallmark event will debut in Medellín, the South American country’s second-largest city, in October 2026. In partnership with Páramo Presenta, a division of the powerful Latin American promoter and Insomniac’s longtime EDC Mexico partner, OCESA, EDC’s signature blend of energetic electronic music and immersive art will take over the Unidad Deportiva Atanasio Girardot, a multi-use sports complex and park in the heart of the city. “Medellín is a city full of vibrant culture, endless creativity, and electric energy,” Insomniac wrote on Instagram. “Its spirit is fueled by a unique blend of history, transformation, art, and passion. This makes it a truly special stop on our EDC World Party Tour and the perfect place to create unforgettable memories Under the Electric Sky.” EDC Colombia marks another watershed moment in Insomniac’s global expansion and the festival’s second edition in South America, following EDC Brazil, which was held in São Paulo in 2015, and other successful editions in Mexico, the UK, China, India, South Korea, and more. On top of EDC’s famously massive lineups of top-notch dance talent, immersive stages, large-scale art installations, and carnival rides, attendees can expect to experience additional local cultural elements “that reflect the heart and soul of Medellín,” according to a press release. More details like lineups, dates, and ticket on-sale access will be revealed in the coming months. For more information, visit EDCColombia.com. Featured image courtesy: Insomniac Events. The post Insomniac Confirms EDC Colombia For Fall 2026 appeared first on EDM Maniac. View the full article

Effervescent producer/DJ/singer-songwriter duo Eli & Fur unveil Dreamscapes Remixes. The sonic masterpiece arrives via [PIAS] Électronique, complete with seven reimagined tracks from their sophomore album Dreamscapes. Dreamscapes Remixes Transcending listeners through reinvention and rebirth, Eli & Fur prove their dynamic artistry is multifaceted and simply irresistible. They do so with the release of Dreamscapes Remixes. The album’s focus track, ‘Love Again’, is an emotionally-driven rework from Canadian producer, Simon Doty. A fan-favorite from the original album, Doty was given the freedom to apply his signature sound. Thus, giving the true club anthem a new edge with emotional melodies and elemental sounds like gritty analog synthesizers. The duo gave a few words about the remix album: Creating this album was incredibly liberating — we explored a wide range of moods, tempos, and energies without limitation. Reaching out to some of our favorite artists to reimagine these tracks for the dance floor added a whole new layer of excitement…” Now, Eli & Fur yet again transcend the traditional listening experience with “Dreamscapes Remixes”. The collection of reimagined tracks reaffirms their unparalleled ability to harmonize diverse musical elements with universally connective themes. The album arrives as a celebration of the juxtaposition of community and individuality. It showcases their limitless artistic vision, unbound by the confines of the physical realm. Dreamscapes Released in September 2024, Dreamscapes takes listeners on an explorative odyssey. It transcends them to a realm where the ethereal dances with the actual, and the impossible vibrates within reach. The sophomore album from the London-born, LA-based duo, Dreamscapes, unfolds itself in introspective, yet transformative spaces. These spaces come alive between the hours of dusk and dawn, where the veil between self and surroundings grows thin. In this interlude, time suddenly stands still. As the outside world fades away, a sense of solace and sanctuary sets in, opening the door for the ordinary to give way to the extraordinary. An electrifying opus that tempts the intricate interplay of thoughts and emotions, Dreamscapes is a 15-track homage. It pays tribute to the cathartic musings of our most solitary wanderings of all corners of the night and the flashes in between. “…”Each remix brings a unique perspective to the seven tracks we selected, and they’ve been adding something special to our DJ sets. It feels like a fresh burst of energy for 2025, breathing new life into songs that mean so much to us. We’re so excited to finally share them with you.” Eli & Fur Eli & Fur Platonic soulmates intertwined by a shared sonic vision, Eli & Fur (Eliza Noble and Jennifer Skillman) are far more than just a DJ duo. Individually, their talents are akin to constellations – vivid, distinct and mesmerizing. Together, they are an unstoppable force unapologetically pushing the boundaries of electronic music. They do this through a deeply personal lens. Since emerging on the scene in 2013, Eli & Fur have established themselves as one of the music industry’s most in-demand acts with unprecedented fervor. But you would be remiss to call them an overnight sensation. Indeed, that’s exactly how they prefer it. Their journey has been one of intention, a deliberate slow burn anchored by their passions and creative spirits. They refuse to be boxed in and – most importantly – each other. Rooted in over a decade of collaboration, their distinct sonic aesthetic marries a mysterious and enigmatic mood with evocative vocals. It includes cascading synths and rolling basslines – a heady mix that is addictive and connective. Their impressive discography includes collaborations with heavyweights such as Camelphat, MEDUZA and Booka Shade. They maintain a steady stream of releases on their own label – NYX Music – and seminal imprints like Crosstown Rebels, Anjunadeep, Cercle, Armada Deep and more. In addition to their original compositions, the duo have also remixed chart-topping hits from world-class talent. These include Sasha, Bob Moses, ODESZA, and Shouse. They have earned ardent support from industry authorities such as Boiler Room and BBC Radio 1’s Essential Mix. The post Eli & Fur Seek A Deeper Journey With ‘Dreamscapes’ Remixes appeared first on EDMTunes.

PORTOLA– the premiere San Francisco Bay Area dance music festival – is back Saturday, September 20 and Sunday, September 21st, 2025 at San Francisco’s PIER 80 after selling out in 2024. Portola’s 2025 lineup features headlining performances from GRAMMY-winning dance music legends LCD Soundsystem and world-renowned Australian ARIA-winning DJ and Producer, Dom Dolla. Also performing at this year’s festival are highly acclaimed electronic, house, techno, indie dance, and pop artists such as 5x GRAMMY-winning, multi-Platinum, over 100 million record-selling “Voice of a Generation” Christina Aguilera, The Chemical Brothers (DJ Set in the Warehouse), Underworld, Peggy Gou, The Prodigy, Moby (Live), Anti Up (Chris Lake & Chris Lorenzo), Mau P and many more! Portola has established its footprint in the Bay Area’s music scene and solidified its status as a one-of-a-kind, can’t-miss festival. From the same creators as Coachella, Goldenvoice’s deep-rooted presence in San Francisco and the Bay Area, shaped by a legacy of operating and booking iconic venues like The Regency Ballroom, The Warfield, and Frost Amphitheater, underscores its ongoing commitment to grow the city’s reputation as a global destination for music and culture. Register now for access to passes at Portolamusicfestival.com. Loyalty on sale begins on Wednesday, May 14 at 12pm PT, and public on sale begins Thursday, May 15 at 12pm PT The post Portola Announces Eclectic 2025 Lineup appeared first on EDMTunes.

Renowned British electronic duo CamelPhat has unveiled a mesmerizing remix of Layton Giordani‘s track, ‘Act of God‘. Known for their deep house and tech house flair, CamelPhat expertly infuses their signature sound into Giordani’s original, creating a dynamic sound journey for listeners. Giordani, who was celebrated for his innovative technological approach, originally released ‘Act of God’, to which he received immensely positive feedback. The track features rich soundscapes and emotive melodies that reflect his distinct style. With the CamelPhat remix, fans can expect an invigorating twist that elevates the track’s energetic pulse. The duo’s remix incorporates a bumping bassline and hypnotic beats while retaining the soulful essence of the original, making it the perfect summertime heater. Moreover, the official remix showcases the seamless blend of two distinct artistic visions, resulting in a fresh, invigorating sound. Fans of both artists are eager to experience how CamelPhat has reinterpreted Giordani’s evocative creation. With CamelPhat’s technical prowess in track creation, this remix is going to become a playlist staple this festival season. Give CamelPhat’s ‘Act of God’ remix a listen below. Photo via Facebook: CamelPhat The post CamelPhat Breathes New Life into Layton Giordani’s ‘Act of God’ with Captivating Remix appeared first on EDMTunes.

This summer, several DJs are taking the phrase “raise the roof” quite literally. Yesterday, Tao Group Hospitality announced a new partnership with the Edge at Hudson Yards — the tallest outdoor sky deck in the Western Hemisphere — to launch a pop-up nightclub perched 1,100 feet above Manhattan. Debuting on May 31, the Marquee Skydeck will host events every Friday and Saturday night through September, timed with the temporary closure of the original Marquee New York for renovations. Guests can expect electrifying DJ sets in this high-altitude venue — assuming the performers aren’t afraid of heights. The first preview comes courtesy of Carlita, who will perform on May 16 ahead of the official opening. Opening night, May 31st, will feature headliner Maceo Plex. Tao Group Co-CEO Noah Tepperberg had this to say: “With Marquee Skydeck, we’re merging nightlife with an unforgettable experience. There’s truly no other place where you can party at this height, with these views, and the signature Marquee energy our guests know and love.” Opened in 2020, the Edge at Hudson Yards has quickly become one of New York City’s most breathtaking attractions. The triangular platform, lined with glass panels, extends 65 feet from the 100th floor and offers a floating sensation as guests peer over the skyline from 1,131 feet in the air. Additional programming details are expected soon. Tickets are available now on Marquee’s website. The post NYC’s The Edge To Host Marquee Skydeck Show Series appeared first on EDMTunes.

The House of Lords chamber, where an amendment to the UK’s heavily debated AI bill has passed 272-125. One much-publicized opposition campaign later, the UK AI bill, including a controversial “opt-out” approach to generative model training, has suffered a setback. That’s according to outlets from across the pond, which have described a new amendment to the proposed law as “a heavy defeat” for the government. As we previously noted, said law as written would have given gen AI developers the green light to train their models on protected works without prior permission. Instead, it’d be up to rightsholders themselves to “opt out” of training. While the government painted the system as part of a “blueprint to turbocharge AI,” the majors, Merlin, and a multitude of artists criticized the measure as a serious blow to the creative community. Now, the tidal wave of pushback, including op-eds, a silent album, and an Elton John- and Paul McCartney-signed letter, looks to have delivered the industry’s desired result. As described by The Independent, politician (and film director) Beeban Kidron in more words criticized the proposed law as enabling tech giants to steal protected media and then undercut creatives. A related amendment to the bill is said to have passed in a 272-125 House of Lords vote. Digging into the amendment itself, the suggested change would empower copyright owners to obtain “information regarding the text and data used in the pre-training, training, fine-tuning and retrieval-augmented generation in the AI model, or any other data input to the AI model.” Additionally, AI developers would be compelled to “provide an effective mechanism to allow copyright owners to identify all individual works that they own that are used” in training, per the amendment. And the same owners would reportedly have to approve beforehand – not proactively opt out of – training usages. The text describes several other obligations for AI developers (including in relation to bots) as well. Seemingly every gen AI business operating in the UK will be on the hook under the amendment as written; the requirements would apply to any model that “has a significant number of United Kingdom users” or that counts the UK as one of its “target markets,” the document shows. As for where the legislation goes from here, the amended bill is on its way to the House of Commons “for further debate,” according to The Indian Express. Stateside, the battle over AI training is as heated as ever, referring both to high-stakes legislative proposals and ongoing suits. Even individual platforms like SoundCloud are finding themselves at the center of training debates. And while it happens to be a key argument from the AI side, evidence strongly suggests that developers based in countries with less robust IP protections are, in fact, training their models on protected works. Put differently, there are more than a few angles to consider when it comes to the unprecedented technology’s ongoing fallout. View the full article

As AI continues to challenge the boundaries of creativity and copyright in the music industry, SoundCloud has found itself in the crosshairs of a growing conversation about trust, transparency and technology. This past week, a clause buried in SoundCloud’s updated terms of service captured the artist community's attention. First flagged by Futurism, the clause suggests that music uploaded to the platform could, in some cases, be used to “inform, train, develop or serve as input to artificial intelligence." The revelation is surfacing deep-seated anxieties among independent artists about how their content is being used behind the scenes. But SoundCloud, long considered a cornerstone of artist empowerment and grassroots discovery, is seeking to clarify intentions. The company responded through a statement and unequivocally denied that its service has trained AI on the content of its users. "SoundCloud has never used artist content to train AI models, nor do we develop AI tools or allow third parties to scrape or use SoundCloud content from our platform for AI training purposes," a SoundCloud spokesperson told Futurism. "In fact, we implemented technical safeguards, including a 'no AI' tag on our site to explicitly prohibit unauthorized use." The company emphasized that its engagement with AI has been focused on enhancing user experience through tools such as personalized recommendations and fraud detection—not harvesting creative works to feed generative algorithms. Still, the terms, updated in February 2024, arrived just as legal and ethical scrutiny around generative AI in music hit a fever pitch. Labels have been battling with tech firms over training data and artists have voiced concerns about their identities being synthesized without permission. For now, SoundCloud's message is one of reassurance, but the industry will be watching closely to see how that message holds up in practice. You can read their full statement below. SoundCloud has always been and will remain artist-first. Our focus is on empowering artists with control, clarity, and meaningful opportunities to grow. We believe AI, when developed responsibly, can expand creative potential—especially when guided by principles of consent, attribution, and fair compensation. SoundCloud has never used artist content to train AI models, nor do we develop AI tools or allow third parties to scrape or use SoundCloud content from our platform for AI training purposes. In fact, we implemented technical safeguards, including a “no AI” tag on our site to explicitly prohibit unauthorized use. The February 2024 update to our Terms of Service was intended to clarify how content may interact with AI technologies within SoundCloud’s own platform. Use cases include personalized recommendations, content organization, fraud detection, and improvements to content identification with the help of AI Technologies. Any future application of AI at SoundCloud will be designed to support human artists, enhancing the tools, capabilities, reach and opportunities available to them on our platform. Examples include improving music recommendations, generating playlists, organizing content, and detecting fraudulent activity. These efforts are aligned with existing licensing agreements and ethical standards. Tools like Musiio are strictly used to power artist discovery and content organization, not to train generative AI models. We understand the concerns raised and remain committed to open dialogue. Artists will continue to have control over their work, and we’ll keep our community informed every step of the way as we explore innovation and apply AI technologies responsibly, especially as legal and commercial frameworks continue to evolve.

Planet 13, the world's largest cannabis dispensary, is poised for what its executives are calling the busiest weekend of the year: not New Year's Eve and not 4/20, but EDC. The cannabis giant is celebrating the festival's return to Las Vegas by giving away 20 three-day passes to lucky visitors as it launches a slate of EDC-themed offerings in collaboration with RNBW, the Insomniac Events-affiliated cannabis brand. "EDC has become the busiest weekend of the year at Planet 13 Las Vegas," said Bryant Ison, Planet 13's Vice President of Marketing. "It’s our Black Friday, busier than 4/20, Super Bowl and New Year's Eve. We see a 40% increase in revenues and close to a 30% increase in customer traffic at our flagship Vegas SuperStore during EDC." The promotion, part of the dispensary’s "Daisy Daze" weekend, features a full-scale retail activation with live vendor pop-ups, food trucks, limited-edition merch and specially curated cannabis bundles. Hopeful festivalgoers receive raffle entries for every bundle purchased and winners will walk away with passes to EDC, North America's largest EDM festival. The connection between Planet 13 and EDC Las Vegas runs deeper than seasonal marketing, however. RNBW is a luxury cannabis label co-developed through a strategic partnership between EDC's organizer, Insomniac, and industry stakeholders. RNBW’s "Dark Rainbow" strain, available exclusively at Planet 13, is the dispensary’s featured drop this year. Pasquale Rotella, Insomniac founder and CEO, has championed RNBW as part of a broader initiative "intersecting live music and cannabis culture," he said in a 2021 statement. EDC returns to the Las Vegas Motor Speedway this weekend from May 16-18 with Martin Garrix, Alesso, Tiësto, REZZ and many more. You can find the festival's full lineup and read more about its 2025 edition here.

Calling all 30+ ravers—our prayers have finally been answered. Austin’s newest event series, ‘30 Over Raves,’ is reimagining nightlife for adults who miss the vibrant party scene of their younger years but now have responsibilities like careers and mortgages that make late nights impractical. These events offer a long-awaited solution for those caught between a longing for the energetic EDM parties of the past and the demands of their current lifestyles, including a decent night’s sleep. The concept, developed by Austin-based electronic music event organizers Secret Disco Society, cleverly addresses this dilemma. Instead of typical late-night hours, the ’30 Over Raves’ run from 6 p.m. to 9 p.m. This schedule allows attendees to enjoy a full rave experience—complete with the music and atmosphere of the 2010s EDM peak—and still be in bed at a reasonable hour. It caters to a generation that wants to party but also maintains a 9-5. Tanner Friesen, founder of Secret Disco Society, explained that the idea for the ’30 Over Rave’ stemmed from a desire to innovate and connect with a specific audience. He described it as an effort to ‘flip the script’ by offering a late-night style rave experience during daylight hours, specifically for the 30-plus demographic. The music at these events is a key draw, focusing on iconic tracks from artists like Avicii, Zedd, and Swedish House Mafia, who were central to the EDM scene in the 2010s. The goal is to transport attendees back to that period, evoking cherished memories from their “EDM glory days.” “Secret Disco has been building community for over four years, and while we’ve welcomed an amazing new wave of young fans, a lot of our original audience has grown up with us. This was our chance to honor those OGs—people who lived through the golden era of EDM—and give them a space that feels both familiar and totally unexpected.” The next ’30 Over Rave’ is scheduled for May 31st at Austin’s Vulcan Gas Company. Tickets are on sale now for $18. Source – [H/T] The post Austin’s ’30 Over Raves’: EDM Nostalgia on an Adult-Friendly Schedule appeared first on EDMTunes.