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The club is the sister venue to the Anomalie Art Club and has replaced the now-closed Mensch Meier Continue reading...

In an exclusive interview, trance luminary Ferry Corsten sat down with us to chat about his illustrious career, the changing landscape of trance, and his highly anticipated performance ‘What the F’ at the iconic Maassilo in Rotterdam on May 3rd, 2024. I’ve noticed lately that electronic music tracks have gotten in general, shorter, and shorter. Back in the day, we had seven-minute-long trance anthems. Why do you think tracks are becoming shorter and do you think this is a trend that’s going to change and eventually go back to longer anthems? Or are we going to have 30 second songs in the future? I think if the formula becomes 30 seconds, that’s the end of melodic stuff, because there’s no buildup. A lot of this can be attributed to the Spotify culture we’re living in right now and the ADHD short attention span that people have nowadays. You know, I feel with Spotify, you’re not listening to music on Spotify, you’re listening to algorithms and analysis and numbers, that’s what people don’t realize. But Spotify ultimately is like a wind tunnel for cars, you know? Every car on the road nowadays seems to have the same shape. And that goes for music as well because algorithms and analysis say your track should be like this or like that. This is because “that” engages the listeners the fastest and the longest. I feel that in that sense, when you look at music, everything gets shorter and shorter just to get to the meat of the track straight away and keep your listener there. Some of these tracks are even shorter than the traditional radio edits. It’s not the best development if you ask me because it takes away the art of building a track and telling a story through music. But look, there’s the short version of that. Luckily, there’s also a lot of people that still release the longer original version. And I also understand that a track with like a minute and a half beats intro, for a lot of people is not interesting, that’s a DJ tool. So, I get that on sites like Beatport, where you get those, but otherwise, I would love to see a sort of like a middle road, if you know what I mean. Not straight to the vocal straight to the meat, but a bit of an intro, which is already music and not just straight up beats. You know, I get that that’s very boring to listen to. But I don’t think that we would go back all the way back to the seven-minute versions, unless you get those on Beatport, maybe. But I also definitely don’t see it going shorter than two minutes. I think for a proper trance track, if we speak in that genre right now, I don’t think you get very far in two minutes. You tell your melody line once, and that’s it, the track is over. And I don’t think that’s what we all want. Speaking of genres and specifically this year at A State of Trance, I noticed that this year there were more genres represented than when I went in 2020. What are your thoughts about that? And what are your thoughts to the people who push back on the inclusion of genres outside of “pure trance” at A State of Trance? If I look back at 20 years of doing this (trance), when I started DJing, I say mostly in the UK and also the early days in the US, people were way more open minded. It has grown in such a way that these “trance purists” only want to hear this and everything outside that sort of window is not trance. Trance has always been very, very diverse. If I look back 20 years ago, we had so many different genres, styles of music that I would now classify almost as house, but we consider that trance as well. Or at least I would play that in my set. Tiesto would play, Armin would play that in his set, you know, it was part of the staple trance sound that that we play. But it could be a house track, could also be tracks that are almost borderline techno. You know, when I listen to old sets of mine, 2004, for example. When I hear those purists talk about, “Oh, back in the day, everything was just so much more beautiful. And this and that.” I’m like, “Wow, you’re so wrong, man.” Because if you listen to that set from 2004, 2001, it’s almost like it leans more towards rave than trance. You know, occasionally, there was a track that had a big sort of trance synth. And that’s why those tracks were so massive, because, compared to the rest, those were the ones that really stood out and made a moment in the night. Now if you listen to pure trance, the 140 BPM stuff, track after, track after, track after, track after, track after track, I’m like, I’m done after three tracks, right? Because it’s all the same. So, I would say that, look, it’s cool to hear a track like that one or two, but mix it up because then the element of surprise when a track like that comes back in again, it’s just so much bigger than you hear than hearing, ten in a row. It becomes numbing, really. So back to A State of Trance, I love it that the lineup is more diverse than just that, because it also celebrates the influence that trance as a genre has on other genres, right? I mean, since everyone’s so afraid to use the word trance, they started using melodic. Ultimately, if you listen to melodic techno, that for me is just slow, slower, really slow down trance with a bit more depth in it. But it’s the same thing. And where techno is heavily borrowing from the big trance classics from 20 years ago. I think you should also really admit that those tracks are just ultimately trance tracks. So, in those genres, I would like to say that trance is almost like the tastemaker, salt and pepper, right? It brings the melodic element to those genres. And I think we should be proud of it, as a trance fan, that those genres are so melodic now that they’re being represented at A State of Trance. I think that’s amazing. I want to talk about your upcoming event that you announced in Rotterdam on May 3rd, ‘What The F’ repertoire. Can you tell us a little bit about that? ‘What The F’ is my open-to-close concept that I’m doing. I’ve been doing it now for two years, I’d say. I have done several shows in the US, Australia, Asia, Europe. So, for now, for the first time in my own hometown, which is great. At some point, I got all these questions from fans, because this was when I was really playing a lot with Marcus still, and Marcus doing his open-to-close sets, and fans asked “Ferry, when are you doing this?” I’m like, yeah, I don’t really want to do the same thing as Marcus. That’s really his thing. He’s master of it. But then I was thinking, I’ve also been doing quite a few producer sets, and they always take off. And I was like, okay, well, what if I have so much music with my various aliases, and all the music I produced over the years, I could easily fill eight, ten, twelve hours, if not more. So, what if I do an open-to-close producer set? And that way, I also have a chance to play my deeper stuff. I have a chance to play stuff that people don’t even know is me. People may even hear certain tracks that they know, but they never knew it was me. It’s an open to close producer set. So, playing all my stuff, and it’s a real journey from the biggest hits that people know to unreleased stuff, even back in the day, all the way to now. Ticket link for Grotesque presents – ‘What the F’ – Ferry Corsten in Concert: https://www.maassilo.com/events/grotesque-in-concert/ This interview was originally published on the Drop Bass Not Bombs podcast and an excerpt has been transcribed for this article.

Acclaimed producer Jack Back and Afro house pioneer THEMBA have teamed up for ‘Give Me Something To Hold’ out now on Defected. David Guetta created the Jack Back alias to return to his house roots, quickly building a strong relationship with the London label thanks to the chart-topping Defected hit ‘(It Happens) Sometimes.’ Then, in 2024, he released a highly anticipated remix of label staple Dennis Ferrer’s ‘Hey Hey,’ showcasing his fresh Afro-inspired sound. Now, the French titan joins forces with THEMBA, a prolific South African DJ who has brought his unique take on electronic music to the world since 2018. From explosive early releases like ‘Who Is THEMBA?’ to remixing works from Vintage Culture, Kerri Chandler, and Bob Sinclar, THEMBA’s meteoric rise to success has culminated in sets with Black Coffee at Hï Ibiza – cementing him as one of the biggest touring artists out of the continent. Now, in 2024, the two powerhouses have come together for the hypnotic club cut, ‘Give Me Something To Hold,’ as THEMBA’s modern, Afro-electronic rhythms work with Jack Back’s melodically engaging production, complete with arresting vocals that build tension in all the right places. The new release is part of Defected Records’ 25th anniversary Together series, as the iconic label continues to blaze the trail for house music by bringing together artists for original music and exclusive remixes. Jack Back and THEMBA’s styles have come together beautifully for a dance-floor ready anthem. ‘Give Me Something To Hold’ is available now on Defected. Check it out below: The post Jack Back & THEMBA Unite On Defected For ‘Give Me Something To Hold’ appeared first on EDMTunes.

Building upon the triumph of its debut edition in 2023, seasoned event organizers Gem & Jam and 4 Peaks Presents have just announced the eagerly anticipated lineup of Cascade Equinox‘s 2024 edition. Set amidst the tranquil landscapes of the Deschutes County Fairgrounds in Redmond, Oregon, the cross-genre festival will once again captivate attendees from Friday, September 20 – Sunday, September 22, 2024. Cascade Equinox has revealed a remarkable initial lineup for its sophomore year, showcasing a diverse array of acts that mirror both the vibrant community and stunning surroundings of the festival’s Central Oregon location. With a mission to connect with music lovers from all walks of life, the event seamlessly blends jam, electronic, funk, soul, and bluegrass genres, promising a rich and varied musical experience. Earlier this month, the festival began to release a wide array of headliners via social media, starting with French trailblazer CloZee, and continuing with additional headliners such as fan-favorite psychedelic band STS9, UK dance duo Jungle, electronic musician and YouTuber Marc Rebillet, Wakaan label boss Liquid Stranger, and Portland-based musicians John Craigie & The Shook Twins. Now, the festival reveals a handful of exciting support acts including hip-hop supergroup Deltron3030, alternative pop music duo NEIL FRANCES, producer, singer, and multi-instrumentalist Poolside, genre-melding bass maestro Barclay Crenshaw, versatile electro-soul artist Daily Bread, electro-twang outfit Dirtwire, electro-funk duo The Floozies, folk-infused bluegrass quartet Kitchen Dwellers, and Denver-based jamtronica trio SunSquabi. Additional acts gracing the Cascade Equinox lineup are experimental bass producer Ravenscoon, Los Angeles-based house act Justin Jay, American hip-hop virtuoso Sol, funk five-piece The Motet, and queer DJ and rapper Wreckno. Cascade Equinox will also welcome additional support acts including Assembly of Dust, Cliche, Cytrus, Dizgo, Free Creatures, Goodnight Texas, Goopsteppa, Häana, High Step Society, Karina Rykman, Late Night Radio, Living Roots, Noetik the Alchemist, Madeline Hawthorne, parkbreezy, Ryan Montbleau Band, Spunj, Sugarbeats, Talking Dead, Willdabeast, Wolfchild, Zach Darling, Billy & The Box Kid, Blackstrap Bluegrass, Call Down Thunder, DJPK, Feathered Indians, Fractal, Gonzofuze, Heaven Zest, Joel Chadd, Leadbetter Band, Majitope, Smokestack Lightning, Quattelbaum, Skillethead, Smokovich, Stealhead, Sunsei, Takimba, TEB, The Flying Skulls, The Hasbens, Tony Inorbit, and Tyler Spencer. The first-ever Cascade Equinox boasted more than 50 acts that spanned the genre spectrum, such as Pretty Lights (marking his first music festival after his 5-year hiatus), Big Wild, Goose, Phantogram, Trevor Hall & The Great In Between, Of The Trees, Emancipator, and many more. In a show of unity with its local community, Cascade Equinox is teaming up with the Pacific Northwest’s renowned Summer Meltdown Festival, in an exciting grassroots collaboration known as the “Melty Migration.” Following a hiatus in 2023 to secure a new venue, both festivals have decided to join forces to create an even more spectacular experience that will be showcased at Cascade Equinox. The festival is gearing up for an even bigger second year with a wide variety of experiential programming and activations throughout the Deschutes County Fairgrounds, in addition to its star-studded lineup. Cascade Equinox Festival will offer a bevy of activities and programming, including a vendor marketplace, workshops, kids zones, a roller rink, carnival rides, culinary commons, a healing sanctuary, yoga, beer and wine tastings, interactive art installations and live art. It will also have wellness experiences such as the Oasis Bath House that includes luxurious boutique showers, and options for enjoying a sauna and cold plunge. Deschutes County Fairgrounds is the Pacific Northwest’s premier event facility and venue. With sweeping panoramic views of snow-capped mountain peaks, trees, and a creek running through its 340-acre space, Cascade Equinox promises a vast, naturalistic music festival unlike any other. The festival will offer various camping options, including glamping in the Alpenglow Campground. The centrally-located, boutique campground is just a stone’s throw away from the festival’s epicenter, making it the perfect basecamp for festival-goers who want to immerse themselves in the excitement while also enjoying the comfort and convenience of premium accommodations. The Alpenglow Campground will offer amenities such as sponsor-activated happy hours, phone charging stations, yard games, dressing room and private areas to get ready, a lounge with music, premium bathrooms, concierge services, a separate private check-in, and a premium parking pass for one vehicle. This campground area will be fenced off with security guards and will have a prime location on grass. Cascade Equinox Festival will also offer Expo Center RV Park for RV hookups, as well as areas for dry RVs, car camping, walk-in camping, and basic camping packages. All onsite accommodation packages, as well as off-site hotel packages, are available here. Attendees who have already bought a 3-Day GA pass to the festival have the opportunity to purchase the The Inner Circle upgrade ($249 per person), which will give VIP access to: Express check-in at the box office Inner Circle parking on festival grounds Express entry into the festival, with dedicated Inner Circle – only entrances Full time hosts in lounges Beautiful lounge area with comfortable seating & shade Complimentary snacks and beverages in the lounges A designated viewing area at the main stage, with unobstructed views of the performers Inner Circle Private Bars in viewing areas and lounge Pop-up experiences Access to private restrooms A gift bag with festival merchandise and other surprises Phone charging stations Cascade Equinox aims to redefine the festival experience, seamlessly merging tradition with innovation. With a commitment to inclusivity and dynamism, this pioneering event caters to the diverse tastes and evolving expectations of its attendees. The festival is driven to showcase the best of the Pacific Northwest region by featuring local artists, food and craft vendors, performers, and more. Going beyond the usual crowd, it seeks to connect with individuals who share its mission, inviting them to be part of an extraordinary and transformative celebration for their second annual edition. Early Bird GA passes for Cascade Equinox are now sold out. Additional ticketing tiers and payment plans are currently available for all festival passes via https://cascadeequinox.com/tickets/ Stay tuned for additional acts to be announced soon. The post Cascade Equinox Festival unveils multi-genre initial lineup for its second edition appeared first on EDMTunes.

Weekend one of the Coachella Valley Music and Arts Festival was a rollercoaster ride of highs and lows. But nothing could dim the shine of the triumphant sets delivered by Doja Cat and No Doubt. They proved all the doubters wrong and showed that the festival had true headliners after all. However, the latest police arrest reports for Coachella 2024 show a surprising trend – a decrease in the number of arrests compared to previous years. According to a report shared by the Indio Police Department with SFGATE, there were only 81 arrests throughout the weekend, along with 47 parking citations. These numbers mark a significant decline, with arrests down by 20% and parking issues reduced by 43% from the previous year. Despite the overall decrease in arrests, the majority of the incidents were still related to drugs. Intoxication accounted for 28 arrests, while possession of drugs for sale resulted in another 28 arrests. Additionally, 18 individuals were arrested for using false identification, most commonly to purchase alcohol. While these numbers may seem high, Officer Guitron from the Indio Police Department highlighted that this year was relatively uneventful in terms of crime at Coachella. However, he did emphasize the ongoing concern of phone theft, urging festival-goers to be vigilant. One interesting detail from the arrest reports is the mention of recovered phones on the IDP Facebook page. A post revealed that 49 phones had been recovered, although it is unclear how many were lost rather than stolen. Despite the high number of recovered phones, there was only one arrest related to phone theft so far, indicating a potential disconnect between the number of thefts and the arrests made. Decrease in Arrests While drug-related arrests still dominated the statistics, it is worth noting that the overall trend of crime at Coachella seems to be stabilizing. Officer Guitron’s assertion that drug citations were no more prevalent than in past years indicates that law enforcement is effectively managing this recurring issue. However, the continued concern over phone theft serves as a reminder for festival-goers to safeguard their belongings and stay vigilant in crowded areas. As Coachella continues to evolve and attract a diverse crowd of music lovers, it is essential for both attendees and organizers to prioritize safety and security. The decrease in arrests and parking citations at Coachella 2024 is a positive step towards creating a safer environment for all participants. By staying informed about the rules and regulations, respecting fellow attendees, and taking proactive measures to protect personal belongings, festival-goers can contribute to a more enjoyable and trouble-free experience at Coachella. Addressing Phone Theft Concerns One of the persistent challenges faced by attendees at music festivals like Coachella is the threat of phone theft. The recent arrest reports from Coachella 2024 highlight the ongoing concern over stolen phones, despite only one arrest being made in connection to phone theft so far. The recovery of 49 phones, as mentioned in the IDP Facebook post, raises questions about the prevalence of theft versus the effectiveness of law enforcement in addressing these incidents. As festival-goers navigate the crowded grounds of Coachella, it is crucial to take precautions to prevent phone theft. Simple steps such as keeping phones secure in zipped pockets or bags, avoiding leaving them unattended, and enabling tracking features can help deter potential thieves. Additionally, staying aware of surroundings, reporting suspicious behavior to security personnel, and using password protection on devices can further enhance the security of personal belongings. While the decrease in overall arrests at Coachella 2024 is a positive development, the issue of phone theft remains a pressing concern that requires continued attention and vigilance. By working together to protect personal belongings, stay informed about safety measures, and support law enforcement efforts, festival attendees can contribute to a safer and more enjoyable experience for all at Coachella and similar events. The post Coachella Weekend 1 Saw Decrease in Arrests appeared first on EDMTunes.

When you think of the sounds of tennis, you probably imagine a quiet crowd politely clapping along to the grunting players on the court. That idea is challenged in the EDM-heavy soundtrack of TopSpin 2K25. Later this month, tennis fans will be able to play as their favorite pros in the next entry in the long-running TopSpin series. In this year's game, players will be able to compete for a Grand Slam title, play at some of the sport's most notable venues and take on other players in multiple online game modes. A press release issued to announce the new soundtrack revealed that trance legend BT has composed an original score for the upcoming game and is included on the electronic-dominated soundtrack. Joining the iconic producer is a large cast of superstar artists including Swedish House Mafia, Calvin Harris, Kx5, Armin van Buuren, FISHER, Elderbrook and many more. Additionally, Dillon Francis deserves a special mention as he's premiering a collaborative remix of Fall Out Boy's "Heartbreak Feels So Good." Outside the electronic realm, TopSpin 2K25 will also feature the sounds of Drake, Justin Timberlake, Halsey, Pharrell, Phoenix, Pusha T and more. TopSpin 2K25 is slated to hit the PlayStation 5, PlayStation 4, Xbox Series X|S, Xbox One and PC on April 26th, 2024. Check out the soundtrack below and learn more about the upcoming tennis game here. #TopSpin2k25 brought out the SMASH hits 💥🎶 Soundtrack is now available to listen 🔴 @AppleMusic https://t.co/RHLfa3bCLa 🟢 @Spotify https://t.co/y0TyXzd2Pg pic.twitter.com/Z69nrL5HT9 — 2K (@2K) April 16, 2024

Interactive art and psychedelia intertwine at Meow Wolf, a renowned brand that connects communities of EDM fans and art lovers alike. But for employees of the immersive events company and members of the Meow Wolf Workers Collective union, unexpected challenges are arising. The company is laying off 165 employees and cutting expenses by 10%, according to the Santa Fe Reporter. Meow Wolf let go of 201 employees at the outset of the pandemic, roughly four years ago. Since then, they've expanded to an additional location in Texas, hosted their branded Vortex Festival and threw an array of electronic music shows in Denver and Santa Fe, among other major cities. "There is no easy way to break this news," Meow Wolf CEO Jose Tolosa reportedly wrote in an internal company email. "On Wednesday [April 17], Meow Wolf will be announcing that we are cutting expenses by approximately 10% and reducing our workforce in order to right size the business, fund our growth and continue driving our future success." Despite the layoffs and budget cuts, the company will still expand, per the email. "Expansion is still an important part of our business strategy, and these changes will enable us to continue to grow in a way that is smart and sustainable," Tolosa added. The Meow Wolf Workers Collective (MWWC) union expressed their frustration with the news. "We believe the company knows it’s violating the collective bargaining agreement and are doing it anyway," MWWC President Roz Rosvold said in a statement. “There is a process outlined in our agreement by which they must handle layoffs and they’re not engaging in that process.” "I would say this is just the cost of doing business, and we’re not shocked at this point,” added MWWC Secretary Treasurer Jerome Morrison. "This is really draconian because we spent a year negotiating a contract for them to outright ignore it." FOLLOW MEOW WOLF:Facebook: facebook.com/meowwolf.sf X: x.com/MeowWolf Instagram: instagram.com/meow__wolf

If you've ever been curious to see what it's like to record an electronic album, Apashe has you covered. Behind-the-scenes footage, along with a heaping helping of humor and satire, collide in his new documentary, which is named after his stunning Antagonist album. Apashe documents his one-of-a-kind process working with an orchestra to record his sophomore album, while mixing comical and, at times, absurd elements in the "mockumentary." "Over the last three years we shot all our adventures, the ups and downs of this impossible album Antagonist. Some already had the pleasure of watching it in cinemas in LA, Brussels, Montreal and Prague but it’s finally going to be available for everyone on my YT channel," wrote Apashe on Instagram. Apashe recently wrapped up his barnstorming "Antagonist" tour, which sold over 70,000 tickets across North America and Europe. You can watch the new documentary below. FOLLOW APASHE:Facebook: facebook.com/Apashe.Official X: x.com/Apashe_Music Instagram: instagram.com/apashe Spotify: spoti.fi/2CSiT5C

There's nothing quite like the feeling of hearing a brand-new track debut live at a music festival. At this year's Coachella festival, surprise guest Peso Pluma joined DJ Snake onstage to perform their new collaboration, "Teka." An instant crowd-pleaser, the song has already amassed almost 300,000 plays on Spotify. Now, they've released the official music video. The video for "Teka" gives a whole new perspective on the tried-and-true musical "car test." In the video, directed by Benjamin Mege, Snake and Pluma are listening to the track on the car stereo when they notice tiny people dancing within the vehicle's speakers. A mini-dancefloor comes alive within its dashboard and everyone gets down, including grandma. Sleek lighting and cinematography add depth to the video's lighthearted narrative, with artistic angles complimenting the track. When Snake and Pluma are stopped and asked to take off their sunglasses, they, too, join the dance party. within the car's speaker. Watch the music video for "Teka" below. FOLLOW DJ SNAKE:Facebook: facebook.com/djsnake.fr X: x.com/djsnake Instagram: instagram.com/djsnake Spotify: spoti.fi/2Ydtfoq

Despite this figure, only 12.8% of independent artists are releasing vinyl, study shows Continue reading...

Find out how you can help those affected by the humanitarian crisis in Gaza, from ways to donate to further reading and information Continue reading...

If you thought Subtronics and Rezz couldn't make their chilling collaboration "Black Ice" any better, think again. After teasing an updated version at Beyond Wonderland in SoCal earlier this year, they've finally released it with a stunning vocal contribution from Phantogram. While still feeling familiar, the track also feels entirely new as Phantogram's ethereal vocals float beautifully atop the song's gritty arrangement. The original version of "Black Ice" conjured a dark atmosphere that fans of both Subtronics and Rezz sunk their teeth into, but Phantogram adds even more depth to its haunting soundscapes. Year after year, Subtronics continues to propel his career even further. In 2024, he released his gargantuan sophomore album TESSERACT and took it on an eye-popping tour. Rezz also recently released a new album, the heavy-hitting Can You See Me?. You can listen to "Black Ice (feat. Phantogram)" below and find it on streaming platforms here. FOLLOW SUBTRONICS:Facebook: facebook.com/Subtronicsofficial X: x.com/subtronics Instagram: instagram.com/subtronics Spotify: spoti.fi/3jEqAfS FOLLOW REZZ:Facebook: facebook.com/OfficialREZZ X: x.com/OfficialRezz Instagram: instagram.com/officialrezz Spotify: spoti.fi/32DV4IY

Find out what to watch, when and where from the comfort of your own home Continue reading...

Announcing the latest release on Time Machine, Agents of Time and Ash Nova present their newest collaboration. The song titled ‘Need You‘, is the fourth release on their own label. Joining forces with New York‘s very own Ash Nova, the track delivers an immersive musical journey. ‘Need You’ ‘Need You’ seamlessly intertwines Ash Nova’s vocals with atmospheric melodies, soothing pads and driving drums. In effect, crafting an indescribable sonic experience. This track is a true masterpiece, emanating positivity and promise. It invites listeners on an engaging journey that unfolds over extended periods of time. Agents of Time Agents Of Time is the project of Andrea Di Ceglie and Luigi Tutolo. A revered two ­man live act, DJs, masters of their sound in the studio. Since starting their journey together as Agents Of Time, the two Italians have combined their talents and shared influences to become a globally in-­demand dance act, releasing on a number of leading labels along the way. A much­ loved debut 12” on Correspondent in 2014, ‘Polina’, marked them out as an exciting new name in the realm of emotional, melodic techno and kickstarted their touring career. They have collaborated with Mathew Jonson and released music on various labels throughout their career. Their debut “Polina” was on Correspondent. They have also released on Maceo Plex’s Ellum Audio, their own label Obscura, and Curle Recordings. Now signed with Tale Of Us and appeared at Afterlife events, releasing ‘Dream Vision‘ and ‘Paradigm‘ on the Realm Of Consciousness compilation. (source) Ash Nova Grammy-nominated producer MING, and chart-topping vocalist-producer SGAR, have joined forces to form ‘Ash Nova.’ Their work and collaborations in House & Alternative Dance/Electronica have created a buzz that’s working its way from Europe to South America. MING & SGAR were virtually introduced in the heat of the COVID pandemic of 2021. They collaborated to provide uplifting toplines for the Brazilian House market. Riding off the success of their early collaborations (Santti, Reezer, D-Groov, Antdot, Andy Bianchini), MING & SGAR formed the live electronic duo, Ash Nova. Since then, Ash Nova has been collaborating with notable artists like Notaker, Attom, Le Youth, Morgin Madison, Khaen, Kindrid, LODATO, Julian Gray, and Millbrook. SGAR’s ‘Far From Home’ with Morgin Madison was the number 1 song in North America for three weeks on SiriusXM BPM in September 2021. ‘Far From Home’ was the Number 9 for BPM’s Top 51 Tracks of 2021. With their eye-opening live show being road-tested and ready to go, Ash Nova is ahead of the curve. (source) This combination of incredible production and heavenly vocals will blow you away. You will need it on every dancefloor you touch in the near future. Here is ‘Need You’ The post Agents of Time & Ash Nova Create A Melodic Dream In ‘Need You’ appeared first on EDMTunes.

Get ready to crank up the volume because powerhouse dance duo SIDEPIECE (NITTI and Party Favor) have teamed up with the legendary Disco Lines for a brand new single titled ‘Give It To Me Good‘. The track is out now on Big Beat Records and is everything you’d expect from this dream team – pure, euphoric energy. ‘Give It To Me Good’ follows a hot streak of recent releases for both SIDEPIECE and Disco Lines. The duo just dropped the sizzling collab ‘Taka’ with Croatian house maestro San Pacho, while Disco Lines released the house anthem ‘Disco Boy.’ Just under 3 minutes, it starts off with hypnotic vocal drops with a punchy percussive beat drum. The upbeat happy vibe of the track is consistent until the last drop which explodes as a peak time banger. both SIDEPIECE and Disco Lines are gearing up for massive summer tours. SIDEPIECE has a packed schedule featuring headline sets, a monthly residency at Las Vegas’ Liv Beach, and appearances at major festivals. Meanwhile, Disco Lines is hitting the road for a residency at XS Nightclub in Vegas and will be tearing up stages at Hangout Music Festival, Bonnaroo, and beyond. The post SIDEPIECE & Disco Lines Drop Euphoric Collab ‘Give It To Me Good’ appeared first on EDMTunes.

Diamante Blackmon, formerly known as Carnage and currently better known as GORDO in the electronic music world, has released his newest release, ‘Fallin Luv’ alongside JERIA. The collaboration on this rhythmic dance jam with the rising Chilean producer is bringing GORDO to newer heights in his illustrious career. The release of ‘Fallin Luv’ comes after GORDO just completed a memorable Latin American tour – performing in 25 cities throughout 15 countries. This track shows that GORDO is definitely an artist who has proved that he is not only a music icon in Latin America but also around the world with his phenomenal music production skills. Click ‘Play’ on the Spotify link below to stream the track, which will heighten one’s mind and senses. Furthermore, ‘Fallin Luv’ will also show the fans why JERIA is a up-and-coming electronic music star in Latin America as well. GORDO and JERIA are making grand moves to continue enhancing their careers and musical styles GORDO and JERIA, producers of this heart-pumpin’ track ‘Fallin Luv’ are still making fantastic strides in the music industry. In fact, GORDO had Billboard crowning him as the #1 DJ on the ‘Hot 100 Producers’ chart, as well as the #1 Hispanic DJ on DJ Mag‘s ‘Top 100’ list. DJ Mag also ranked GORDO as the #21 overall DJ as well. JERIA, the rising star, also performed alongside GORDO on his Latin American tour and the phenomenal discography that he has shows to the world that he has the talent to become a global music icon too. The collaboration between the two artists shows that music, in particular electronic music, has the power to not only unite fans but also bring the best of two unique talents into one exciting musical partnership. ‘Fallin Luv’ will also a summer jam that people will continue blast as the sun continues to heat up. The post GORDO Releases ‘Fallin Luv’ Alongside JERIA appeared first on EDMTunes.

At just 17 years old, Bossa is one of the hottest new artists making music at the intersection of hip-hop and dance music. Born and raised in California’s Coachella Valley, he grew up loving the elastic melodies and rhythms of Michael Jackson, cementing his deep connection between music and dance. Through TikTok, Bossa soon stumbled upon pluggnb, a hip-hop adjacent subgenre with a particularly sweet production style that favored melody akin to early 2000s R&B. Suddenly, there were new sonic possibilities and a world of friends and collaborators online, and with his catchy flows and addictive cadences, Bossa is ready to change the game. Now signed to Atlantic Records/Anemoia Records, Bossa is constantly developing as a singer and a rapper, strengthening his vocals and experimenting with different cadences, eager to remove barriers, find new flows, and tap into something new. Bossa has shared his label debut single, ‘Go Crazy,’ available now via Atlantic Records/Anemoia Records – Listen here. Produced by Mystic DA Kid, dyl, and Lunas, the track is an invitation to “go dumb and have fun,” says Bossa, marked by multilayered production, driving drums, and a wash of vocals that transport listeners to an impossibly ecstatic party space. ‘Go Crazy‘ follows his breakthrough viral hit ‘Too Much,‘ which has already amassed over 10.9M global streams and counting on Spotify, with the remixes garnering over a total of 6M streams – ‘Too Much – Remix,’ ‘Too Much – Slowed,‘ ‘Too Much – Sped Up,‘ and most recently ‘Too Much – DJ Smallz 732 Remix.’ The track came together in August of 2023, when a dancefloor-ready drum pattern synonymous with Jersey Club music from producer Nate Morgan caught Bossa’s attention, inspiring the propulsive track. He performed ‘Too Much’ at a recent pop-up show in a packed Washington Square Park – Watch HERE. The post Rising Hip Hop Star Bossa Arrives with ‘Go Crazy’ appeared first on EDMTunes.

Today on inventions that feel extremely surrealistic: Bionic and the Wires invented a machine that allows a living plant to “play” a musical instrument. The group will debut their performance featuring the “bionic robot arm” and a plant this weekend at the city’s Castlehead Viaduct venue on 20th April. Biomusic Bionic and the Wires, led by Manchester based Andy Kidd on the keyboard and Jon Ross on the plants via the robot arm, combines botanical rhythms with atmospheric textures and soundscapes created by synthesizers. The art encourages “new ways of thinking about the natural world”. The invention harnesses electrical bio-signals that plants generate by natural processes such as photosynthesis. The sensors attached to the plant leaves capture such pulses. In consequence, electricity transforms into power that moves the robotic arm. The machine builds upon precursors by the duo, such as Plantwave. This past bionic robot arm, however, enables the plant to directly “play” musical instruments. These include the steel handpan, drum, and the violin. Speaking on the new invention, Jon Ross said: “We’ve spent many months researching and developing the new bionic robot arms. It’s exciting to think that with this invention we may have opened up the opportunity for a whole new genre of music. Maybe it’s called bionica!?” Tickets for the upcoming gig at Castlehead Viaduct are available now. You can secure yours here. What do you think? Is this the right direction to take away power from AI and technology and bring back the sounds of nature? (Source) The post Bio-Music: New Bionic Arm Allows Plant To Play Instruments appeared first on EDMTunes.

If "Where You Are" wasn't enough Hayla music to keep you satisfied, she's got you covered. The surging singer-songwriter has returned with a new solo single, "Embers." "Embers" taps into the same haunting vocal magic fans of Hayla have grown to covet, allowing her stentorian voice to shine while an intoxicating beat palpitates beneath. Both her lyricism and execution are masterful here as she reflects on love and loss with palpable emotion. "'Embers' is all about that tiny bit of love you still have left for someone," Hayla said in a statement. "You can burn everything that reminds you of a person but sometimes the last thing that remains glowing is that tiny ember that only time will put out." With her debut album arriving this fall, Hayla's reign is only just beginning. Her unmistakable vocals are the centerpiece of some of the biggest songs in the dance genre over the past few years, including "Where You Are" and "Shiver" (with John Summit), "Escape" (with deadmau5 and Kaskade's Kx5) and "I Found You" (with Sub Focus), a number of which were named by EDM.com as the best electronic dance music songs of 2023. You can listen to "Embers" below and find the new single on streaming platforms here. Follow Hayla:Facebook: facebook.com/haylasings X: x.com/haylasings Instagram: instagram.com/haylasings Spotify: https://spoti.fi/41MXBgq

Chris Avantgarde and Kevin De Vries have a few things in common: they're both German, they both performed at this year's Ultra Music Festival and they're both known for producing explosive techno tracks. This dynamic duo has now joined forces to release "Killa," a exhilaratingly dark listen that collides thumping beats with a vocal sample that is sure to heat up any dancefloor. One of the most sought-after IDs from Ultra 2024, the track is a true weapon. "Killa" is ominous and moody with its haunting synths and pounding percussion. Avantgarde and de Vries infuse the essence of an underground warehouse party into the track as top-tier sound design compliments its invigorating vocal sample, creating an instant crowd-pleaser. "Killa" is out now on John Summit's label, Experts Only. "Ever since I played this in Vail, I knew it was a monster tune," Summit wrote in an Instagram comment. Listen to "Killa" below and find the track on streaming platforms here. FOLLOW CHRIS AVANTGARDE:Facebook: facebook.com/chrisavantgarde Instagram: instagram.com/chrisavantgarde X: x.com/chrisavantgarde Spotify: spoti.fi/3HOezlf FOLLOW KEVIN DE VRIES:Facebook: facebook.com/kevindevriesmusic Instagram: instagram.com/kevindevriesmusic Spotify: spoti.fi/3U7pLzC

Meet Jasmin Bernard, the enigmatic producer and fashion entrepreneur behind the moniker [IVY]. A force of nature and the latest trailblazer to emerge on the UK drum and bass scene, she has already carved out a name for herself with an audacious blend of creativity, grit and unyielding passion. It's in that fusion of diverse influences that [IVY] finds her niche, a high-octane concoction of modern drum & bass, spunky 4x4 and the raw dynamism of techno. Having garnered acclaim from BBC Radio 1 and festival stages alike, she’s on a furious rise to stardom, and if you’ve not heard her work before, her electric new single "All I Need" is just the place to begin. With playful switch-ups, rolling double drops and hypnotic percussion, [IVY]’s sets will be keeping you on your toes—quite literally. Tapping into the euphoric buzz of the nineties rave scene, "All I Need" sends us reeling into the summer months and embodies the uninhibited essence of the rave. Using heady old-school rave sounds and the sun-ripened tunes of the Ibiza trance days as her touchstone, [IVY] has emerged as an unstoppable force of innovation and tireless experimentation. When she’s not tearing up international festivals, she’s honing her craft behind the decks or trawling through the drum & bass archives for her next inspiration. A bit of a secret connoisseur when it comes to happy hardcore and vintage house music, [IVY] has mastered a fusion of genres to create a sound that is both intricate and unpretentiously fresh. "I just go back and do a deep dive into nineties and noughties mixes," [IVY] tells EDM.com. "I spend most of my free time literally just listening to as much music as I can and getting inspiration from that." Beneath the surface of [IVY]’s dizzying success lies a story of late-night studio sessions and tireless dedication to her craft, forged behind the decks of Bristol’s intimate underground clubs and infused with the electrifying intensity of her teenage free party days. A true lesson in staying true to yourself and living your vision to the fullest, she has been unfazed by the conservatism of certain drum & bass purists, who have criticized the more experimental features of her releases. "I’ve been quite surprised because personally I love anything fresh, and I always try to put on new and exciting stuff for my audiences," [IVY] says. "But it’s been a bit of a tricky one." View the original article to see embedded media. Even so, she remains as steadfast as ever in her commitment to redefining the sound of modern dance music and inspiring a new generation of drum & bass aficionados to explore beyond the prescriptive conventions of the genre. Armed with each new release, [IVY] seems to be rewriting the rulebook, recasting the familiar drive of the drum & bass arrangement in an entirely original mold. Getting honest about some of the criticism that has come in with each breakthrough, [IVY] explains, "I think the main controversial thing that I’ve been pushing is mixing 4x4 techno kits with more classic drum & bass to create a switch-up in the drum pack. Usually, the crowd just lights up and everyone loves it, but there’s some people that just aren’t there for that." Her bold pursuit of perfection and infectious energy led to the release of two major singles, "Close To Me" and "Looking 4 Me," via RCA Records, catapulting her into the spotlight and cementing her status as one of the industry's most exciting talents. With a sprawling range of residencies and awards already under her belt, among them a nomination for the BBC’s "Essential Artists for 2023" and a prestigious Hospital Records mentorship, [IVY]’s hard-earned achievements clearly speak for themselves. But what she won’t always tell you is that her own path into music was far from conventional. Born and raised in rural Brittany, you might be surprised that the serene landscapes of [IVY]’s youth evolved into the gateway to her musical explorations. It was here where she discovered her passion for electronic music through the magnetic tug of hard dance and free parties, quickly becoming a regular at festivals right across the country. Now she remembers fondly her teenage pilgrimages to festivals in the Netherlands and beyond—a lifeline through which she could escape the mundanity of everyday life and immerse herself in the euphoria of the dancefloor. [IVY]’s hybrid influences have certainly shaped her own creative arsenal, lending her tracks some of the novelty and the giddy adrenaline of the blissful hardstyle sound. [IVY].c/o Sony Music But it was a fateful move to Bristol that would allow [IVY] to finally take on the mantle as a producer and DJ herself. A crucible of electronic music and the powerhouse of the 90s sonic revolution, Bristol has been hailed the humble mecca of the UK dance scene. As the home turf of drum & bass giants like Roni Size or DJ Krust and the muse of countless other greats, the city's vibrant underground scene resonated with [IVY]’s own electric energy and relentless drive. Drawn into a new world of experimentation, she describes finding her calling in the intoxicating fusion of 4x4 and drum & bass, a marriage of genres that would soon become her signature sound. But [IVY]'s artistic ambitions extend far beyond the confines of the recording studio. As the visionary mind behind Jazzy Garms, she has helped to redefine the boundaries of UK festival fashion with her boundless creativity and entrepreneurial spirit. A self-made brand conceived when [IVY] was just in her second year of university, Jazzy Garms is produced completely in-house from flashy fabrics and unapologetically bold prints, and offers sustainable handmade rave clothing and eye-catching accessories. More than just a thriving brand in its own right, Jazzy Garms also offered a conduit to the UK rave scene, allowing [IVY] to gain a foot in the door of the industry and cement her online presence. Funding her initial venture into music production, the brand helped her to live out the dream of pursuing a full-time career in the music industry. "I was doing biomedical science at university so without it I would have probably ended up in a lab somewhere and been out of the creative world," she says of some of the early challenges she faced as a young producer. Even amidst the whirlwind of her recent chart successes, [IVY] remains grounded, ever committed to her mission of pushing artistic boundaries and inspiring others with her story. “A lot of people just don’t have the luxury of taking time to work on their production,” she adds. “Thanks to Jazzy Garms doing so well I was able to fund that transition into music." Juggling a demanding degree with her blossoming fashion brand and DJing career, it seems that [IVY]’s motto has been play hard and worker harder. From having to uproot for university to supporting her brand through the unwelcome quiet of the pandemic, she seems to have turned every possible setback into another step along her journey. For too long, the glass ceiling in the drum & bass scene seems to have shut talented women out of record deals and residencies. Even despite the advent of digital music sharing, it’s proven too opaque for many producers to see through the inequalities and pressures of the music industry. It's both refreshing and reassuring then, to hear artists like [IVY] steer the conversation on female empowerment through music. “We just need to power through and show men that we are worthy of being here, just as much as they are,” she says, reflecting on her own experiences as a rising artist and producer. The message resounds equally clearly in [IVY]’s music, with releases like "Looking 4 Me," last summer’s sassy 4x4 banger with vocalist Ria Leah, celebrating invaluable contributions to drum & bass culture by women. But for a time, things weren’t so simple and [IVY]’s story is as much one of resolute dedication as much as of great talent. Now she finds herself at the helm of a new generation of female producers and innovators in the contemporary drum & bass scene. "Ever since I started learning how to DJ, even before I was playing in clubs, I was always undermined," she recalls. "Like when we were at a house party, nobody would let me on the deck. Even when I started playing clubs, it was always like, 'You can put your USB in here, but you can also take my USB if you want to play bangers.' And it was always just so condescending." While the authenticity of her sound has dispelled any accusations of underserved success, it’s clear, however, that there’s still a long way to go. [IVY].c/o Sony Music As somewhat of a bona fide internet sensation, [IVY] has used her platform to share her personal insights and foster a meaningful connection with fans. Offering unparalleled range and visibility, TikTok and social media platforms generally have spurred change in the industry and allowed artists like her to resonate with audiences worldwide. "Before all social media you’d be out the scene if you couldn’t go to raves," she says. "But now, I think only a third of my followers are from the UK and I think it’s amazing that I have such a world-wide community of people that have never heard me play live but they’re still following my journey and they’re still able to be a part of it!" Indeed, between her treasure trove of early bootlegs, which caught the attention of seasoned drum & bass stars like DJ Hybrid and Goddard, and a flurry of views across both Instagram and TikTok, [IVY] was able to leave her first impression on the scene. Having signed with Sony and added some of Europe’s premier festival venues to her roster, [IVY] is not quick to shun her SoundCloud early days. Despite the inevitable constraints of short-form online content, her sound continues to defy the cookie-cutter trends of more mainstream branches of dance music. Regularly posting previews of new releases and treating her supporters to exclusive live content, she continues to grow her dedicated audience across both Instagram and TikTok, digital melting pots for creators and fans alike. [IVY] notes that, despite their many downsides, their algorithms have democratized the playing field and helped kickstart the careers of emerging artists. “It rewards creativity and good music, as opposed to just rewarding the bigger artists," she explains. "It’s just a lot more inclusive I think." So, where to next for [IVY]? She may have "made it" but she makes it clear that, in many ways, this is just the beginning. Upcoming shows at Hospitality On The Beach and Hospitality in The Woods only scratch the surface. "I never thought I’d be playing some of the stages and gigs that I’ve got lined up this summer," she gushes. "Just being able to travel as part of my job, or fly over to Vegas and perform for a crowd of 40,000 people is completely mind-boggling to me!" You can find "All I Need" on streaming platforms here. Follow [IVY]:Instagram: instagram.com/ivywubs TikTok: tiktok.com/@ivydnb?lang=en Spotify: tinyurl.com/y7b5jkhp

The group indicated they are sitting on unreleased music, further details of which are yet to be announced Continue reading...

Kordhell leads the charge in the phonk revolution, and it’s an unexpected development by his admission. If it’s true that great leaders are born, not made, then it’s only right that Kordhell represents the genre on a global scale. Kordhell sits at the war table with select artists enlisted for the official companion EP of Netflix’s Rebel Moon — Part Two: The Scargiver, a sequel to director Zack Snyder’s 2023 epic space opera. Kordhell joins Black Coffee, TOKiMONSTA and more on a new EP, which features five tracks inspired by one of the characters in the film. View the original article to see embedded media. Kordhell is a lifelong musician under various aliases, but his influential foray into phonk music is musical symbiosis at its finest. Both the genre and Kordhell, one of its early flag-bearers, rode an unforeseen tsunami of popularity in the early 2020s. It’s rightly earned him a reputation as a genre pioneer; however, he owes just as much to phonk as phonk owes to him. We picked Kordhell’s brain following the release of "Revolution" from Rebel Moon - Songs of the Rebellion in advance of Netflix’s Rebel Moon sequel premiering today. EDM.com: Kordhell and phonk's recent rises are synonymous with each other but you've been an active musician for decades. It reminds me of the trajectory of one of my favorite artists, Run the Jewels. What benefits—professionally and personally—do you incur approaching this heightened success as a music industry veteran? After all, we've seen many young artists blow up and struggle to adjust to pressures. I come from a background in metal and punk music. I think that taught me that you have to constantly be working and evolving to keep up with the music industry. Everything changes so fast, so you need to evolve and work hard to keep on top. Since the Kordhell project blew up, I honestly haven't changed in the way I apply myself to working at all. In fact, I probably work harder now on music than I ever had before. I'm getting a lot of demand now too so the work keeps piling up. It's hard to stay on top of it all, but it is fun and I enjoy it a lot. EDM.com: What's the inspiration behind the name "Kordhell?" Originally I played in a metal band and each member had a serial killer theme. My character was supposed to be some corrupt cop like the character in Maniac Cop. His name is Officer Cordell, so I just took that as a starting point. But there's really no meaning behind any of it at all. I didn't really intend it to get popular or expect this to blow up as crazy as it has! It’s really quite mind-blowing. EDM.com: We're seeing drum & bass explode on the electronic festival scene but phonk is making waves globally. How much do you expect phonk's presence to grow in the coming years? Honestly, the phonk scene is really unpredictable. The genre has evolved a lot over the past few years, from more Memphis rap-style beats to house and EDM style. Brazilian style has been a primary influence over the past year and now we are hearing the Memphis sound on mainstream songs like Kanye West. Even Beyoncé used a Memphis sample. I'm just going to keep experimenting with all styles and see what happens next. EDM.com: I came across a screenshot attributed to you on August 18, 2023. It reads, "I'm quitting next year anyway." If it's authentic, what compelled you to write that and what does the future look like for Kordhell? I was just winding up the fans in my Discord server. EDM.com: How did you react when you learned you'd be contributing to the soundtrack of such a big film? Where does it rank among your career highlights? It was awesome, I was super pumped. I thought it was for a trailer, to begin with, and although the song isn't directly featured in the movie, it’s still a really cool thing to be a part of the film’s official companion EP. EDM.com: Walk me through your creative process for this song. Tell me about the character you were paired with and what goal you set out to accomplish musically. The film paired me with Anthony Hopkins' character, who is responsible for providing the voice of "Jimmy," a sentient robot designed for combat with a humanoid body design. I'm already a fan of Zack Snyder's movies and know his style, so I watched the Rebel Moon film and just tried to create something in my own unique style that I thought would fit the movie. EDM.com: Was it mind-blowing to learn you'd produce music inspired by the man who portrayed Hannibal freakin’ Lecter?! It was awesome! He played my favorite character in Rebel Moon and he’s one of my favorite actors! I've always been a fan since I saw The Elephant Man as a kid. EDM.com: There are many vintage gore film elements in your body of work. Name three gore flicks: a good introduction for the trepidatious horror fan, the most uncomfortable gore film you've watched and the one you'd rank highest in quality. I actually don't like gore movies that much even though I've used them a lot in my videos! The aesthetic really fits the older O.G. phonk sound. I prefer more psychological stuff like The Shining, The Omen or Alien. But if I were to pick three of the most brutal films I can think of, probably Street Trash, Cannibal Holocaust and Brain Dead. EDM.com: What are your three favorite movie/television/video game scores? Have any of them had a particular influence on you? I really don't watch regular TV at all. I'm always too busy, so I mainly just watch YouTube. I'm kind of a nerd so I prefer to watch content I can learn something from. I play video games when I'm taking breaks from music. I like the Battlefield games a lot, with Battlefield 1 being my favorite, but Battlefield V is also amazing. I'm hoping the next game they make is even better. Follow Kordhell:Facebook: facebook.com/KORDHELLOFFICIAL Instagram: instagram.com/kordhell Spotify: tinyurl.com/bddz8ae5

A new song by Miss Monique called “Look At You” is her first release on Insomniac’s Interstellar Recordings label. “Look At You” was released on April 19, 2024, the same weekend as Miss Monique’s second Coachella performance. The song seems like a natural way to celebrate the Ukrainian artist’s meteoric rise in melodic house and techno while also welcoming her into the Insomniac family, which is one of the biggest names in electronic music in the US. ‘Look At You’ is the first record I’ve produced with a big room / stage specifically in mind. – Miss Monique Look At You and Interstellar Recordings Interstellar Recordings is a new label project from the industry giant Insomniac. Its music is somewhere between trance and techno, and it continues the company’s well-known history of backing groundbreaking music from the world’s biggest headline DJs. “Look At You” has a dark, sparse production that leans into sawtooth bass, anthemic synths, and an ethereal vocal breakdown that fits with the label’s love of both light and dark elements. It channels the varied energy of every Miss Monique show. There are huge festival stages and dark, low-ceilinged clubs that can hold a lot of people, and “Look At You” is the perfect example of Miss Monique’s artistry. Her recent BBC Radio 1 Essential Mix debut was a statement of intent for the next step in her already impressive journey. Her popular YouTube mix series has been going for ten years, and the channel is on track to get over a million subscribers this spring. At that point, she will be holding a label takeover at London’s Fabric and getting ready to play at big events like Tomorrowland and Dalt Vila, Ibiza. “Look At You” by Miss Monique is now available on Interstellar Records. The post Miss Monique presents new song “Look At You” appeared first on The Groove Cartel.

As UNTOLD Festival gears up for its highly anticipated 9th edition in its hometown of Cluj-Napoca in Romania, it’s adding more fuel to the fire of its jaw-dropping lineup. Following its colossal expansion and debut in Dubai, UNTOLD, Romania's largest dance music festival, making its triumphant return from August 8-11, boasting eight stages and over 250 artists. Joining the Galaxy stage’s star-studded lineup, which for now includes superstar headliners such as FISHER, Solomun and Carl Cox, is none other than Black Coffee. Later this year, the Grammy-winning dance music superstar will become the first South African artist to headline New York’s famed Madison Square Garden, and he also recently announced his debut at the iconic Red Rocks. c/o Press Black Coffee marks the latest exciting addition to UNTOLD’s growing lineup, which includes Swedish House Mafia, Martin Garrix, Alok, Timmy Trumpet, Dimitri Vegas & Like Mike, Lost Frequencies and Purple Disco Machine, as well as Sam Smith and Lenny Kravitz. Tickets for UNTOLD are available now via the festival's website. FOLLOW UNTOLD FESTIVAL:Facebook: facebook.com/UNTOLDFestival Instagram: instagram.com/untoldfestival X: x.com/UntoldFestival Website: untold.com